Two days ago, Twitter introduced a new system called Twitter Cards (see their docs). It allows site owners to enhance the expanded tweets Twitter creates for their site, much in the same was as OpenGraph tags give site owners the chance to determine what their posts & pages will look like when shared on Facebook. In…
A while back Alex posted about og:description, og:title and og:image.
This means that for a full Twitter Cards implementation, you only really need to add three lines to your site. For instance for every post
<meta name="twitter:card" value="summary">\n<meta name="twitter:site" value="@yoast">\n<meta name="twitter:creator" value="@michielheijmans">
All the other data would be taken from the OpenGraph metadata that’s already there. When I noticed this, I realized that the Twitter Card implementation for my SEO plugin would be a breeze; so I went ahead and build it. I’m currently waiting for access to their beta so I can test it, but the implementation is mostly done. It’ll add a Twitter contact field to every user’s profile using the
What Twitter Cards mean for OpenGraph
As you’ll understand, Twitter Cards made OpenGraph even more important than it already was. No site on the web should be without the basic OpenGraph meta data anymore. Microsoft recently announced
It makes sense too: the OpenGraph protocol is relatively easy yet allows for a bit more than just a meta description and title tag. So go forth and implement OpenGraph!
Merge it all into one standard
There are some things that obviously need to be worked on though. The fact that Twitter requires the twitter:card meta tag sort of annoys me, as it seems to me they could have just mapped the og:type meta tag for that, which would make implementation even easier. The same goes for the og:url meta tag, Facebook falls back to the rel=canonical element when it’s there and there is no og:url element, I’m hoping Twitter will do the same but they haven’t specified it yet.
In the
og:… twitter:… – it’s like vendor prefixes for meta tags! looks like a good opportunity to create a microformat based on commonalities among all this vendor-specific work.
All I can say is: yes! Hell yes! Because before you know it, Pinterest will create some meta tags too, StumbleUpon will follow and we’ll have even more code spaghetti in the <head>s of our pages.
For now though, I like what Twitter did with their Twitter Cards change, here’s to hoping I get into the beta soon.
Update September 5th, 2012: it now works for yoast.com! Here are some
WordPress comes with a “default” set of user contact fields, which has always looked random to me: AIM, Yahoo IM and Jabber / Google Talk, instead of what I’d want to have there: Twitter, Facebook and Google+. A while back I got frustrated enough to have a look at how this was actually dealt with…
WordPress comes with a “default” set of user contact fields, which has always looked random to me: AIM, Yahoo IM and Jabber / Google Talk, instead of what I’d want to have there: Twitter, Facebook and Google+. A while back I got frustrated enough to have a look at how this was actually dealt with in the backend of WordPress, and fix it, so in WordPress 2.9 an API was added as a result of ticket
This change allowed for developers to add user contact fields in a very simple way. The example code below adds Twitter and removes Yahoo IM, and yes, this is all the code that’s needed to do it:
function add_twitter_contactmethod( $contactmethods ) {\n // Add Twitter\n if ( !isset( $contactmethods[\'twitter\'] ) )\n $contactmethods[\'twitter\'] = \'Twitter\';\n\n // Remove Yahoo IM\n if ( isset( $contactmethods[\'yim\'] ) )\n unset( $contactmethods[\'yim\'] );\n\n return $contactmethods;\n}\nadd_filter( \'user_contactmethods\', \'add_twitter_contactmethod\', 10, 1 );Easy does it, right? Retrieving the user contact field isn’t much harder either, for example, if you’re on a singular page, use the following code:
if ( is_singular() ) {\n global $post;\n $twitter = get_the_author_meta( \'twitter\', $post->post_author );\n}And there you have it! My
if ( is_singular() ) {\n global $post;\n the_author_meta( \'googleplus\', $post->post_author );\n}As you can see this uses the_author_meta instead of get_the_author_meta. The $post global and the $post->post_author reference would strictly speaking not even be needed as they’re called from the global otherwise within the function, but this might prevent issues with retrieving the wrong user contact fields.
That’s it! Now you can add and remove user contact fields as you wish. You can do this in your theme’s functions.php or in a plugin, be sure to add the isset code around it to prevent notices though!
My WordPress SEO plugin has been updated to 1.2. A few weeks back I did a series of bug fix updates and while doing that I noticed there where things that were really bugging me in the plugin. Everybody seemed to focus on the settings and hardly anyone was working with the snippet preview and…
My WordPress SEO plugin has been updated to 1.2. A few weeks back I did a series of bug fix updates and while doing that I noticed there where things that were really bugging me in the plugin. Everybody seemed to focus on the settings and hardly anyone was working with the snippet preview and the page analysis functionality, in my opinion the most important pieces of the plugin. This update will try and gently push you to use that functionality more.
Next to that, I also did a major overhaul of the two most important settings pages, so let’s discuss these changes first:
The new SEO settings pages
The plugin used to have a “Titles” and an “Indexation” page. That was confusing as the titles page also covered the meta descriptions and had pieces for each (custom) post type and (custom) taxonomy and the Indexation page had other settings for these same post types and taxonomies. So I decided to merge them into one and divide them into tabs for the separate sections.
These sections now look as follows:
And the section for post types:
As you can see, they’re much cleaner. Both post types and taxonomies can now be noindex, followed straight from this interface as well, with the option to override the global setting on a per post or per term (eg. a tag or category) basis.
Rel=”author”
As I mentioned in my previous post about
Default Settings
The WordPress SEO plugin until now always lacked proper default settings. It had them but it didn’t show them to the user in the titles section and it didn’t have them for various other sections. While there’s still more work to do with guiding people to get the right settings, the plugin now sets defaults that should work well for 99% of sites on install.
This also means the plugin, when freshly installed, will now automatically enable XML Sitemaps and will detect automatically whether force rewrite needs to be enabled or not. That should save me some support headaches.
But, as I said, those sections aren’t really that important. This bit is:
The Snippet Preview & Focus keyword
An enormous amount of bugs have been fixed in the snippet preview and the focus keyword functionality. Most of them are related to non-ascii characters and languages such as Russian and Arabian, but others involve keywords with dollar signs or even simple dashes. “
The bolding of keywords in the snippet preview has also been fixed for all cases I knew went wrong. If you still have issues, be sure to let me know through the forums; but I fully expect this release to fix most of them.
The Page Analysis functionality
When I introduced this functionality in May 2011 I thought it was the best thing since sliced bread, but as I said, I couldn’t get enough people to use it properly. Linkdex, who contributed the original code, always calculated a “score” for each page based on that code and I had decided to not use that score. The reason I left it out was simple: I didn’t want people to optimize for that last percent.
For this release, I decided it was time to re-think that approach and come up with something better. Now, each post, page or other post type will get a “score”, but there are only 4 options:
- bad (red)
- poor (orange)
- ok (yellow)
- good (green)
They look as follows:
This score is shown inside the publish box:
But, more importantly, it’s also shown in the overview of posts and pages, alongside other key SEO info (click for large version):
As you can see, you can show the SEO score, the focus keyword, the meta description and the title; and you have the ability to sort by the first three of those values. This makes it easy to find posts that don’t have a focus keyword or have a low SEO score. You can also easily disable those columns that you’d rather not see. Within the posts overview, there are two colors for posts that aren’t a score. Grey means the post has no focus keyword and thus no score; blue means the post is set to noindex, so the score doesn’t matter.
Questions and Answers about this release
- Why is this 1.2 and not 2.0?
- Will all my settings be saved when I upgrade?
- Does this version do X?
- You removed the setting for X, how can I change that now?
That’s it! Go and play with it and let me know what you think about this upgrade in the comments!
No this title wasn’t a pun. It’s dead serious. My buddy Arjan discovered yesterday that Google is now allowing rel=”author” markup through a <link> element in the head of your site. This makes adding rel=”author” to your site properly a lot easier, and allows me to add it to my WordPress SEO plugin. The rel=”author” link…
The rel=”author” link element
So the element should look like this:
<link rel=\"author\" href=\"https://plus.google.com/115369062315673853712/posts\"/>
Where the Google+ link should link to your Google+ profile. It’s really that simple. I reached out to Google to get confirmation that this would work and would keep working and they confirmed. So making author highlights work is now a three step process:
Getting author highlights
It’s a simple three step process:
- Add the above link to the <head> of the URLs you’d like your face to appear on.
- On your Google+ profile, you need to make sure to have a link pointing back to the site you want the author highlight to work on.
- Make sure your +1′s are public on your Google+ profile or it won’t work.
Once you’ve done the above, use the
rel=”author” in my WordPress SEO plugin
This already works in the development version of my WordPress SEO plugin, you can download that from the
If you’re looking for it in the development version, there are two spots: on each users profile page there’s a new Google+ contact method:
When a user fills this out, the link will automatically be added to each post or page he/she publishes. On the “new” Title’s & Meta’s settings page under SEO, you’ll find a drop down which allows you to choose which author should be shown on the frontpage:
That’s it. Let me know whether this works for you!
I am the last one to tell a website owner that his job is to become the local SEO or usability expert. That would be unrealistic. Why should a constructor learn SEO? He should not. Why should a gardner know all about user experience? He should not. But how about applying some common sense to…
I am the last one to tell a website owner that his job is to become the local SEO or usability expert. That would be unrealistic. Why should a constructor learn SEO? He should not. Why should a gardner know all about user experience? He should not. But how about applying some common sense to your website?
Let’s go over an imaginary website, top to bottom:
Browser
Your browser has a couple of spots where your <title> is shown, like in the upper left and on a tab. That means your page title should start with he main subject of the page, not your site name. If it would start with your site name, all tabs would read the same title.
Next to that, you want your browser to display the website as quick as possible, meaning you should make your website as fast as possible. Sure, browser cache and compression might be way over your head, but how about not using a template with tables and combining your CSS and JavaScript files? Or lowering the number of CSS and JavaScript files by losing all ‘extra’ WordPress plugins, assuming your site is in WordPress of course.
Header
Do your really think putting all these items in your header help visitors or Google:
- RSS, Facebook, Twitter, Google+
- Telephone number
- Additional menu for About Us, Privacy Policy, Contact, Directions, Terms & Conditions
- Subscription form for email newsletter
- Banner for your own or even worse other company’s products
- Quality Marks
- etc
And all that in the first 100px of your website. Squeezed together and made to be skipped anyway. That header area should contain only the necessary, all other items should be in a sidebar or footer area. If you want people to call you, list your phone number. Make it large, but no larger than your logo. If you are the best painter in Maine, make that statement in the header. No need for all the other fuzz.
With your header comes the menu (in most cases). If you would list 30 items in the menu, do you think that would add focus to your website or do you think just using six items would guide your visitor more? Consider creating a submenu and add that structure to your breadcrumbs as well.
So far I have not mentioned anything strange or difficult to implement, right? It’s all common sense and you have thought at least 10 times “I know that already”. So why are not all websites set up with these basics? Why is there so much crap on the web?
Content
Your page content should contain at least 300 words. That has a simple reason: would your page be a great source for the topic or keyword you want to rank for when it would only contain 50 words? Is that all there is to say about that keyword? I don’t believe that, you don’t believe that and Google does not believe that. There should be a significant amount of content for your page to be considered a great source of information.
Of course you will write some posts or pages that are much shorter, like your contact page, but do your really want to rank that page? No, not on most websites. Don’t go crazy over this on pages like that, that’s not worth the effort. Get them on your site with other pages and guide them to your contact form.
An easy way to do that is by using
Focus in your content can be achieved by adding subheadings to your text that should be structured in (again) a logical matter, pretty much the same way you should set up a Word document:
- H1
- H2
- H3
- H3
- H2
That also means one H1 per page, being the site name on the homepage and the page title on the other pages.
I think we all agree nowadays that reading on a computer screen is not as pleasant as reading text on paper. But we should make things as convenient as possible: make short sentences and even more important, create short paragraphs. I’d like to create paragraphs that are four to eight lines long and I hope this is a nice read ;)
In these paragraphs you should link to your own pages as well as to other websites. The great thing about these links to your own pages is that these links are really valuable as they are surrounded with relevant, related content. Next to that, you can easily use your keywords of choice in the anchor text. Unfortunately most people seem to think that these links should only go to other websites. A regrettable misunderstanding.
Sharing
If you write great content.. Let me rephrase that: provided you write great content, people will be more than willing to tell others about your piece. Of course you should add social sharing buttons below the content. These buttons should not be styled in some fashionable way, but should look like the commonly used share buttons – see below this post ;) – for better recognition as sharing buttons.
I’d use Facebook, Twitter, Share-by-email and Google+ for all websites, Linkedin for business news / economy related websites and Pinterest only when you have that amazing image in the post that people might want to share. Do not list a share option, just because people you know are using it, but only use those sharing options you think are relevant for your website.
The fashionable buttons can be used for subscription options, like links to your Facebook profile or your Youtube channel. In most cases, the square icons are used for this, or the round icons you find on yoast.com.
Footer
This is not a great footer:
© SomewebsiteImade.com. All rights reserved. Reproduction of this content only after written permission.
First: really? Share buttons and telling people they should not use your content on other websites? We actually encountered this in one of the
Next to that, I think the entire footer should be used for extra contact information (or a small form) and other information that you really want to list on your website like a small link list, perhaps some recent news items and a small category list (max 8 items or so). Not sure about this, but why not throw in some social profiles as well..
What I really dislike is a footer that has one million links in it. That reduces the value of all other links and all focus on the page.
So, in conclusion, I think you should not so much focus on hearsay about SEO, but think about what seems logical and makes the most sense. Only when your website makes common sense to you, you should go look for someone that can help you with the not so logical Search Engine and Usability optimization issues ;)
Any additions?
Common sense is not as easy as it looks for a lot of people. If you have any comments or additions to the list above, please drop me a line in the comments!
One thing we often recommend in our site analyses, is the use of introductory content on a homepage. We get quite a lot response on that, with people being unclear how to do that. “Where should I put that content?” or “How long should that content be?” or the one I dislike the most: “I…
One thing we often recommend
The main goal of introductory content
I can not emphasize this enough. Introductory content is meant for your most valued visitors: us people and Google. Introductory content helps those visitors to grasp the leitmotif of your website. It also tells the visitor why you are the source to turn to, whether or not in combination with the title of your website.
There are two main ways to list that introductory content:
The right slogan or tagline as introductory content
The Chicago Tribune can do that this way and get away with it. But if you are a local news agency that brings mainly local news, you might need a different approach. Just the tagline might not be enough.
Suppose you are running the website of that more local newsletter, for instance the
A huge number of inbound links is telling Google what the Chicago Tribune is about, but I can’t imagine Stowe Today benefitting from such a number of in-links. The website will have to tell Google itself what it is about. It’s not.
The website starts off with a lot of (local) banner ads and some featured articles, but nowhere on that page it tells me ‘bringing you local news from Stowe, including human interest stories, upcoming events and more’. If I would not have known better, it might also have been a blog from a very enthusiastic local student, earning an extra buck this way. I also checked the
Adding a few paragraphs as an introduction
Most news websites or webshops think they have no space for a few extra paragraphs of introductory content. The website should start with either news or products. I call bullsh*t on that.
I’m not a big fan of the somewhat sneaky way the
But that is just one way. I’m a much bigger fan of the way
“But they just have a couple of products”. I hear you, that’s right. But how about the way
I think that is a pretty good practice, since your products tell a global story and you are able to refine that with the additional introduction below.
Your two cents
I’d like to make a bold statement on introductory content for webshops and am looking forward to your opinion on that, as a webdesigner, SEO or customer:
A webshop’s homepage does not need any overview of products. A great textual introduction works much better.
Looking forward to your thoughts!
We’re getting quite a few site review requests and SEO consultancy requests recently for people that have been hit by a sudden drop in traffic after the recent Google Penguin update. Because there has been quite some news about Google’s Penguin update and before that its Panda update, people are blaming those. In our perspective,…
Why you’d want to know whether the Penguin update caused it
The idea is that if you know which update caused your traffic to drop and you know what that update targeted, you only have to fix that specific issue and your rankings will be magically restored. The reality is that it’s really not that black and white. Quite often now people blame one update, but if we look at the SearchMetrics stats for their domain, they’ve had a gradual decline over the last few months with a bigger decline in recent weeks. If we based our actions solely on what Penguin update targeted (and that’s not even really clear yet within the SEO community) we might be missing other issues.
There were other updates that didn’t get named by Google in the same way but had a huge impact in some countries. We’ve seen sites with over-optimized anchor text being hit from the beginning of the year already, but suddenly people now attribute that to Penguin. The end result for you as a site owner: it doesn’t matter.
You need to fix all your issues, not just the ones that this specific update “targets”.
How to get “your” traffic back
First of all, it’s not your traffic. It’s Google’s traffic. Being mad at Google, or anyone else for that matter, won’t help you one bit, it’s Google’s traffic and they can do what they want with it. So to regain the traffic your website was getting from Google, you need to play by their rules and in all honesty: those rules haven’t changed all that much over the last 10 years. The only thing that’s happening is that all the ways people found of bending those rules are slowly breaking.
Don’t try and play a game with Google if you don’t understand what you’re doing. There are dozens of great blackhats out there whom I respect, but that’s because they do their own research and they don’t start complaining publicly when Google catches them. If you have to read about and apply other people’s tricks, you’re probably not going to win. As the old saying goes: if you can’t stand the heat, stay out of the kitchen.
So how do you get your traffic back? By getting your site re-aligned with Google’s values. If you’ve lost in the Panda update or Penguin update and now recently lost a lot of traffic again, Google is sending you a message: your website doesn’t fit our idea of quality. Fix that. Don’t try to remove the one or two links that you think might have hurt you.
Now of course, you’re more than welcome to
I’m currently sitting in the conference room for BlueGlass LA, listening to Marty Weintraub and finishing my presentation I’ll be giving this afternoon. Which leads me to the point of this post as I’m going to try and prove a point, therefore the following video is not really meant for you to watch but for…
I’m currently sitting in the conference room for
As a side note, BlueGlass LA is probably the best conference I’ve been to in a while, with a ridiculous line-up of speakers, if you’re going to go to an internet marketing conference, BlueGlass conferences are seriously among the very best in the US, second only to SEOktoberfest.
When I released my updated WordPress SEO article a few weeks back, my buddy Avinash was kind enough to tweet it. He tweeted it, at first, with a bo.lt link. Bo.lt is a sharing service that allows you to basically make a copy of a page and add some notes or even some changes to…
You see, bo.lt makes a copy of the page at the moment it’s prepared for sharing, they say they do that because of speed. As Avinash tweets a lot, he probably made that copy a couple of hours before he shared it. This wouldn’t be so much of an issue if I hadn’t added stuff to the page in the mean time and fixed a lot of typo’s. Everyone who’d use Avinash’s link wouldn’t see those changes. And bo.lt decided that for me, without asking me anything, or even worse, giving me the option to opt-out.
SEO Impact
Surely those bo.lt guys are at least trying to give the rankings for those pages people share through its service their links back? No. They don’t. Well, not unless you’re not already adding rel=\"canonical\" elements to your site yourself. Each user has its own subdomain. Avinash’s subdomain is zqi.bo.lt. As you can
No Analytics
They claim a webmaster gets all his normal stuff, ads and analytics etc. Except that for both Clicky and Google Analytics there are no views measured for that bo.lt link, because Clicky refuses pageviews from other domains and I’ve filtered those out of Google Analytics to prevent others from rendering my analytics useless (yes, people do try that). So, “my” visitors don’t get the changes I made to the copy, making me look stupid and I can’t track which visitors those were and where they came from… At this point, I want out.
Opt Out
I’ve gone through their documentation, both normal and for developers, and there simply is no documented way to opt-out. So I decided to dive a bit deeper and figure out which user-agent bo.lt uses. It turns out that they actually do have a
Bo.lt, please add an option to opt my sites out of your service.
Also, in my opinion, if you’re using bo.lt, you should probably start considering alternatives.
Disclaimer: please be aware that I like Avinash a lot and don’t blame him for anything. He’s a great guy and an inspiration to a lot of us in the online marketing industry. It’s the bo.lt service I dislike and I think that after reading this he will switch to something else as well.
A “hard” out
I figured out a “hard” way to get out of bo.lt doing its thing, add the following to your .htaccess file:
RewriteBase /\nRewriteEngine on\nRewriteCond %{HTTP_USER_AGENT} bo.lt/ua\nRewriteRule . - [F,L]This will block bo.lt, giving it a “forbidden” page.
My Google Analytics plugin recently hit 3 million downloads and my WordPress SEO plugin hit its first million downloads. I thought those stats were cool and I decided to have an infographic made with more WordPress stats and dive in a little bit more and gather some stats that I thought would be interesting. If you…
If you read any blogs in the world, by now you’ll know
I asked
WordPress Stats
The type of SEO I help my clients do and promote to you using this blog is often labeled white hat SEO because it stays within Google’s and other search engines guidelines. Other SEO’s don’t care about Google’s guidelines as much and do what’s called “black hat SEO”. Far too often though, black hat SEO…
The type of SEO I help my clients do and promote to you using this blog is often labeled white hat SEO because it stays within Google’s and other search engines guidelines. Other SEO’s don’t care about Google’s guidelines as much and do what’s called “black hat SEO”. Far too often though, black hat SEO is confused with the hacking of sites and the use of other tactics not outside the laws of Google but the laws of our lands. I think it’s time for me to explain where I stand in this.
My background
As a former Theology student and as someone raised in the Christian tradition, I have a fairly specific (and in some eyes: stringent) set of ethics. I don’t work on gambling or porn related sites because of that. I’m aware that others have different opinions on this and I don’t judge others when they have other ethics with regards to their work. To each his own. Sometimes though, I draw the line. Among my friends are some of the world’s best black hat SEO’s. These are also guys that will never break a law or willfully hurt other people to get their rankings, they just game Google’s algorithms. I know
Spammy Link Building in the Netherlands
The last few days there’s been
Outing Non-ethical SEO practices: immoral?
Recently Joe Hall, whom I respect a lot, did a post saying
Policing the web
Joe goes further and says:
“If your paycheck doesn’t say “Google” on it, it’s not your job to police the web.”
My paycheck doesn’t say Google. I’m not policing the web. Neither is Google. Google is trying to maintain a set of rules within its own index. It has all the rights in the world to do that. My paycheck doesn’t say “WordPress” either, yet I help develop that project because we all benefit. There really is such a thing as “the common good”. That’s entirely different from outing every SEO I find that does something outside of Google’s guidelines, I’m smart enough to create my own set of ethics. I hope you are too. I for one intend to help them battle unethical SEO’s because I think we all benefit from that.
The key to conversing a visitor into a client is the creation of trust. Your product can be the greatest thing on earth or the dullest office supply ever, both can be sold online when your visitor knows you are the best supplier for that product or service. We often advise on how to gain…
The key to conversing a visitor into a client is the creation of trust. Your product can be the greatest thing on earth or the dullest office supply ever, both can be sold online when your visitor knows you are the best supplier for that product or service.
We often advise on how to gain trust in our
1. Use clear and normal language
This is an often overseen issue that causes a lot of misgrief with your visitors. You should speak their language, not drown them in a sea of technical specs you don’t even understand yourself. Use a clear and direct style of writing. Keep your audience in mind. Do not focus on telling them what you want to tell them, focus on providing as many arguments as possible why their quality of life improves after buying that specific product.
2. Testimonials
Do not brag about your products yourself. If your products or services are really that good, I’m sure you’ll find someone else that can do the bragging for you. Make sure your visitor understand that the testimonial is written by an actual customer, by listing at least name and company and if the customer agrees, even a picture of him. Video seems to be the next big thing in testimonials, by the way. In my opinion, that video testimonial should be accompanied by a written excerpt:
3. Verified signs
Everyone can create a verified sign, so don’t let those verified signs fool you. But the majority of your visitors actually believe that you are the ‘Most appreciated hairdresser of Mississippi’ or the ‘Best Plummer 2006′. Man, I hate those signs. But when the signs are from well-known companies, they really do add value to a webshop:
By investing in the guidelines of the right verification companies the webshop shows that it has been keeping the customer in mind when setting up the website.
4. Pictures
If you recognize the woman on this picture, please call the following toll-free number…:
You can do better than that stock photo. Listing actual pictures of yourself and/or your employees pushes conversion due to recognition and identification.
5. List your physical address
This one is really simple: people want to know there is a place to go to in case of problems (if any). Having an actual store next to your webshop works even better, especially if a lot of your customers are relatively local.
In the Netherlands
6. What happens after check-out?
There’s this hesitation in almost all buying decisions: right before you click the Pay Now button. What’s going to happen next? Am I charged for taxes, import, anything else? Can I select a wrapping paper? Explain what happens after clicking that button. That way the customer is included in your ordering process and there are absolutely no suprises. That can be done with just a few short lines of text:
7. Show you care about more than making money
The most important thing is that your website has to reflect your believe in the product or service you provide. Just a list of products is not enough. Also tell your customer about your company, your main values or mission statement. I really love the 1% for the Planet from Yvon Chouinard (Patagonia) and Craig Mathews (Blue Ribbon Flies)
We’d love to hear your tips!
If you are selling products or services on your website, you must have thought about this subject. I’m curious: What have you done on your website to increase trust? What are you going to do?
![\"Communication](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/01/CommunicationFeaturedImage.jpg\")
photo credit: elycefeliz – cc\nWhether you manage WordPress plugins, themes, or a service, a key component to keeping users happy is communication. Users and especially paying customers want to know what’s going on. Going an extended period of time without communicating leads to doubt, a feeling of abandonment, and speculation.
\nCommunicating is not hard and these days, developers have more ways than ever to keep users and customers informed. If you’re experiencing writer’s block or don’t know what to write about, here are a few ideas.
\n- \n
- New Features \n
- Major Bug Fixes \n
- White Papers \n
- User Testimonials/Reviews \n
- Major Changes or Announcements \n
The key is to maintain a cycle where you communicate, users and customers provide feedback, and implement the feedback into continued improvements. While it doesn’t always work this way, it’s an ideal strategy that keeps developers and users on the same page.
\nControlling The Flow of Information
\nIdeally, a news site is not the first place users should discover what’s going on with a particular project. Blogs attached to a project’s site are an excellent way to keep insiders and outsiders informed. By utilizing Facebook, Twitter, change logs, and a blog, you control the flow of information and what you want people to know.
\nSpeaking of change logs, last year, I offered advice on what information to include and how to differentiate between the changes. Users read change logs and should be an important part of any developer’s communication strategy.
\nHow Much Communication?
\nThere’s no set rule on how much you should communicate but with all the options available, there’s no excuse not to push out a few updates a week. However, this all depends on how many users you have, how much development activity is going on, etc. Sometimes, there’s nothing to report and that’s fine. When it becomes concerning is when there is a lack of communication after a month or more.
\nCommunication Can Make or Break a Business
\nMost of what I’ve discussed so far deals with software development. However, there is one aspect of communication that can make or break a business and that’s during a security issue.
\nIf your plugin, theme, or service experiences a security issue, the best thing to do is own it, be as transparent as possible, and inform users immediately. A great example is when iThemes experienced a security breach in late 2014, that affected approximately 60,000 customers.
\niThemes CEO Cory Miller could have swept the breach under the rug and fix things behind the scenes but instead, chose to immediately inform customers. In his post, he explains what happened, takes full responsibility, and explains what they’re going to do to make things right.
\nAs the company learned more about the breach, they shared that information with customers and the public. Thanks to Miller’s honest approach of attacking the issue head on, a lot of upset customers pledged their support for the company.
\nBe Honest
\nIf iThemes chose to keep the breach under wraps for as long as possible, chances are that at some point it would be exposed likely causing the company irreparable damage. Humans are not perfect and security vulnerabilities happen, but it’s how they’re handled that can make or break a business.
\nBe honest with yourself and to those giving you money. Nothing good happens by ignoring customers or setting unrealistic expectations.
\nAs the user and customer base of plugins, themes, and services increases, so does the impact of communication. You don’t have to write a thesis every week but it’s nice to know that the developers behind a project have a pulse, especially if it’s for something people are paying for.
\nIf communication is something you’re struggling with, let us know in the comments. If you develop a popular theme or plugin, let us know what your strategy is for keeping people informed.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 29 Mar 2016 23:24:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"WPTavern: Keep Track of Your WordPress.org Themes and Plugins with WP Dev Dashboard\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52662\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"http://wptavern.com/keep-track-of-your-wordpress-org-themes-and-plugins-with-wp-dev-dashboard\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4595:\"![\"photo](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/controls.jpg\")
photo credit: Drew Patrick Miller\nThe official plugin directory is arguably the best place to host a plugin if you’re looking for the widest distribution, but it’s also one of the most inhospitable for developers. A current meta team initiative is focused on improving search, including prioritizing translated plugins for international users, and streamlining plugin submission, among other improvements. This major overhaul is slated to be finished at the end of June 2016.
\nIn the meantime, WordPress.org plugin author Mickey Kay has created a plugin that he intends to be the go-to resource for plugin and theme authors looking for a better management experience. The WP Dev Dashboard plugin offers statistics for all of your WordPress.org plugins and themes in one convenient dashboard, along with a list of unresolved support requests.
\n![\"wp-dev-dashboard\"](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/wp-dev-dashboard.gif\")
In a post titled “A model for the new WordPress plugin directory,” Kay identifies some of the common pain points that developers experience with the existing directory: “dependency on SVN instead of Git, inconsistent search results, inclusion of obsolete information, obfuscation of more important statistics, etc.”
\nKay built WP Dev Dashboard to assist those who are trying to manage numerous extensions on WordPress.org, a process that currently requires drilling down into each plugin/theme to view data and support requests.
\n“If I had to sum up the main problem I’m trying to solve, it’d be something like this: As a developer, and now maintainer of 16 plugins, it’s become all too easy for me to lose track of support requests, outdated core WP compatibility, and last updated dates,” Kay said.
\n“The current directory requires developers to manually click through to each plugin via their “dashboard” to check these stats. Plus, there are no options for notifications and/or other helpful automated features that would make my life much simpler.”
\nWhen he first released the plugin, he planned to launch a free, hosted service that could automatically send out regular notifications for things like unresolved tickets and daily/weekly/monthly download counts. The hosted service would provide a centralized command center for managing WordPress.org-hosted extensions.
\n“I haven’t built anything yet as there’s so much talk about building out a better solution natively within WordPress.org,” Kay said. “My strong preference would be for the new plugin directory efforts to incorporate ideas like these to create a better, more seamless experience for both end users and developers.”
\nOne of the items on the roadmap for the second milestone is the creation of a “Plugin Author Admin.” Kay hopes that his implementation could serve as an inspiration for what WordPress.org could provide for developers with the existing Plugin API.
\n“The base functionality is already there as part of WordPress core, and all of the data is readily available via the existing Plugin API,” Kay said. “I think plugin authors stand to gain a ton from an updated admin/dashboard experience, and with 40,000+ plugins and counting, that’s a lot of happy points.”
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 29 Mar 2016 21:10:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"WPTavern: WordPress Contributor Rian Rietveld Wins Heroes of Accessibility Award\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52962\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:90:\"http://wptavern.com/wordpress-contributor-rian-rietveld-wins-heroes-of-accessibility-award\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2407:\"![\"rian\"](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/rian.jpg\")
The 31st Annual International Technology and Persons with Disabilities Conference was held in San Diego, California, last week. Every year thousands of attendees gather to share knowledge and best practices for technology that removes barriers for people with disabilities.
\nThis year Rian Rietveld was recognized by Knowbility.org for her accessibility contributions to WordPress core. She took first place in the Individual Achievement category of the Heroes of Accessibility Awards. Rietveld’s nomination read as follows:
\n\nShe leads the push to make WordPress core accessible and is a knowledgeable, dedicated, and effective advocate for accessibility in the global WordPress community. Her achievements in 2015 were significant and are having a major impact on the core accessibility of the application that is used to build more than 25% of all the websites in the world.
Other finalists included Karl Groves, developer of Tenon.io, and Sally Shephard, an iOS developer and accessibility educator. A video of the awards ceremony is available on the event’s website and you can see Rietveld’s award announced starting from the 6:50 timestamp.
\nIn addition to her core contributions, Rietveld provides accessibility auditing and consultancy for WordPress plugin and theme developers. After learning that she had won, Rietveld said the award was “a huge encouragement to continue working on WordPress accessibility together with the team.”
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 29 Mar 2016 18:15:10 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"WPTavern: Modern Tribe Acquires GigPress, Exploring SaaS Events Management Solution\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52870\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"http://wptavern.com/modern-tribe-acquires-gigpress-exploring-saas-events-management-solution\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4434:\"![\"photo](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/gigpress.jpg\")
photo credit: Antoine Beauvillain\nModern Tribe, a top digital agency with a collection of popular plugins on WordPress.org, announced that it has acquired GigPress. With 20,000+ active installs and more than 260,000 downloads, GigPress is one of the most widely used plugins for musicians and performers who want to manage events with WordPress.
\nDespite the plugin’s solid placement in the WordPress events niche, GigPress creator Derek Hogue is passing the keys over to Modern Tribe as an alternative to letting it “slowly die of neglect.” In his acquisition announcement, Hogue said:
\n\nEventually I started using other CMS’ more often than not, so my passion and impetus for improving GigPress fell off a cliff.
\nFor several years I kept GigPress alive via mostly bug fixes and compatibility updates. Last year I finally decided that the best hope for bringing my baby from its extended adolescence into adulthood would be to find it a new home.
Hogue assured users that GigPress will continue to be a free, open-source plugin but with better support and a brighter future. He confessed that he was not able to sufficiently monetize the plugin to make it worth his time.
\n“You can give away your plugin for free all day long, but as soon as you hit a certain scale, support becomes a burden,” Hogue said. “Creating revenue from plugins in WordPress takes an infrastructure which is prohibitive for many small developers.”
\nModern Tribe, however, has fresh plans for GigPress and has already added some compatibilities for its Events Calendar and Event Tickets Plus plugins.
\n“GigPress has a big foothold in a really important vertical and a strong user base,” said Modern Tribe CEO Shane Pearlman. “One of our former team members made the introduction a few months back and exploring it together, the team was excited.”
\nPearlman and his team see GigPress as a key addition to their suite of event management plugins but are still considering different paths for monetizing it.
\n“We’re definitely going to start serving specific verticals, with live music and touring artists being one of those,” Pearlman said. “Whether that’s directly through the evolution of the GigPress product, or introduction of complementary products is still in planing. Our first step is to gracefully integrate our Event Tickets plugin so that bands and venues can sell tickets through the WP commerce platform of choice.”
\nPearlman said that as one of the principal players in the events management space, Modern Tribe plans to go beyond calendars and tickets. The team is looking into a SaaS model for its growing suite of event management plugins.
\n“We are actively exploring the nuances of a SaaS solution,” he said. “We have an internal business plan showdown in progress and another strategic acquisition conversation in play.” Pearlman would not elaborate on the company’s next acquisition.
\nThe good news for those using GigPress is that Modern Tribe plans to build a profitable business on it, which will help to fund the support and future development of the open source plugin. If you’ve been waiting for help and updates in the past, chances are the experience of using GigPress will soon be greatly improved.
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\nHeroPress.com, where inspirational essays are published each week from people across the world is one year old. In a post celebrating the milestone, Topher DeRosia highlights some of the site’s accomplishments throughout 2015.
Authors from eighteen countries have published essays including, Lebanon, Nepal, New Zealand, Nigeria, and more. There are twice as many men as women with published essays, something DeRosia says he is working on, “That tilts SLIGHTLY better in the coming weeks, but not enough, so I’m looking for the voices and wisdom of more women,” he said.
\nDeRosia thanked his family for their support and Dave Rosen, Founder of web development firm X-Team, for facilitating the idea and allowing him to manage the site despite failing to reach his crowdfunding goal in early 2015.
\nTo learn about the site’s origin and its future, I invite you to listen to our one hour interview with DeRosia. In it, he describes what inspired him to create the site and shares a personal story of someone who couldn’t submit an essay because they’re spending all of their time trying to stay alive.
\n![\"HeroPress](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/01/heropress.jpg?resize=175%2C131\")
\n![\"photo](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/child-theme.jpg\")
photo credit: Leeroy\nIf you’re a developer, you may take for granted how easy it is for you to create a child theme for storing customizations separate from the parent theme. This one seemingly simple task can pose a significant hurdle for your average WordPress user. Without understanding the best practice of creating a child theme, users resort to cramming all changes into the active theme. This puts them in a vulnerable position when security updates are available but they cannot update without overwriting their changes.
\nMatt Gibbs, lead developer of FacetWP, has created a little project to help users with creating child themes. “Use Child Theme” is a simple drop-in PHP class that theme developers can use to alert their users to activate a child theme and automatically create one for them.
\n\n“Normally, themes have to point users to a child theme documentation page or link to a pre-built child theme zip,” Gibbs said. “Most users don’t even bother.”
\nGibbs said the Use Child Theme project was built to make it easy for theme authors to support it. The project was also an offshoot of his experiences supporting FacetWP.
\n“I do a lot of plugin support, and this issue keeps coming up over and over,” Gibbs said. “Users are on super old theme versions and they’re afraid to upgrade because they’ve modified the parent theme at one point, and don’t want to lose changes.”
\nThe idea behind Use Child Theme is to automatically create a child theme for someone who otherwise might not know how to create one. It’s not a plugin but rather a tool that theme developers can opt to include with just one line in functions.php:
\ninclude( dirname( __FILE__ ) . \'/use-child-theme.php\' );\n
WordPress theme developers, is this a method you would consider using to prompt users to activate a child theme? Or would you rather rely on links to documentation and/or a download link to a pre-built child theme?
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Ed Finkler is on a mission to raise mental health awareness in the tech community with his Open Source Mental Illness (OSMI) campaign. In 2013 Finkler started speaking at conferences and gathering information on mental health in the tech workplace. His goal is to provide resources and documentation that companies can use to create more supportive environments for those dealing with mental health disorders.
\nAs part of the organization’s ongoing research, Finkler and the team at OSMI have authored a survey open to anyone working in the IT/tech community. Respondents are not required to have a mental health issue in order to participate. The responses are recorded as anonymous and the survey does not collect any personal information.
\nThe bulk of the questions in the 10-minute survey gather information about employee’s perceptions of their co-workers and employer’s stance on dealing with mental health issues in the workplace. It asks if employers provide education on mental health topics, if there would be negative consequences of discussing these disorders in the workplace, and what kinds of benefits employers offer for treating mental health issues.
\nAfter the survey concludes, OSMI will release the stats and information collected under a Creative Commons Attribution-ShareAlike 4.0 International license.
\nFinkler, who has suffered from depression, anxiety, and ADHD, is working to combat the associated shame and stigma by speaking openly about mental illness at tech conferences, including Open Source Bridge, Connect-JS, and Laracon US. In May, he will be speaking at WordCamp Minneapolis. Check out Josh Holmes’ interview with Finkler in a recent episode of Code to Live to find out more about how he started OSMI.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 18:10:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"Akismet: Akismet WordPress Plugin 3.1.9\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"http://blog.akismet.com/?p=1907\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"http://blog.akismet.com/2016/03/28/akismet-wordpress-plugin-3-1-9/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:937:\"Version 3.1.9 of the Akismet plugin for WordPress is now available.
\nThis update adds compatibility that allows Akismet to be auto-configured, and it fixes a bug where some comment data wouldn’t get included in the Akismet API request.
\nTo upgrade, visit the Updates page of your WordPress dashboard and follow the instructions. If you need to download the plugin zip file directly, links to all versions are available in the WordPress plugins directory.
![\"\"](\"http://feeds.wordpress.com/1.0/comments/akismet.wordpress.com/1907/\")
![\"\"](\"http://pixel.wp.com/b.gif?host=blog.akismet.com&blog=116920&post=1907&subd=akismet&ref=&feed=1\")
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 18:05:24 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Christopher Finke\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"Post Status: WordPress and SaaS — Draft podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"https://poststatus.com/?p=23047\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"https://poststatus.com/wordpress-saas-draft-podcast/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2616:\"Welcome to the Post Status Draft podcast, which you can find on iTunes, Stitcher, and via RSS for your favorite podcatcher. Post Status Draft is hosted by Joe Hoyle — the CTO of Human Made — and Brian Krogsgard.
\nSoftware as a service (SaaS) is often viewed as a holy grail for successful online business. The ability to generate recurring revenue that doesn’t require hours-for-dollars is attractive to most entrepreneurs.
\nWordPress can be a helpful tool to get a lot of SaaS functionality out of the box. In today’s episode, we discuss WordPress and SaaS in two contexts: one, using WordPress as a technology basis for a SaaS in another industry, and two, creating a SaaS catered to the WordPress world.
\n\n\n\nLinks
\nWe mentioned the following SaaS products, and probably some others too.
\n- \n
- Happy Tables \n
- Restaurant Engine \n
- Event Smart \n
- Faithmade \n
- Varsity News Network \n
- Imagely \n
- Rainmaker \n
- WordPress.com \n
- OptinMonster \n
- iThemes Sync \n
- WP Remote \n
- Akismet \n
- VaultPress \n
Today’s podcast is sponsored by WP Migrate DB Pro by Delicious Brains, the tool that makes syncing your databases effortless. Check out WP Migrate DB Pro and all their other great products on their website.
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 17:44:47 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Katie Richards\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"WPTavern: Draft and Save Customizer Changes for Later with New Customize Snapshots Plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52655\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"http://wptavern.com/draft-and-save-customizer-changes-for-later-with-new-customize-snapshots-plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6422:\"![\"photo](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/snapshots.jpg\")
photo credit: Chantel Lucas\nAs the WordPress customizer becomes more widely adopted by theme and plugin developers, users often have a host of live preview options to play with when personalizing their sites. Different combinations can produce wildly different designs. What if you could save a preview of customizations before going live with it? This is the idea behind the new Customize Snapshots plugin from Weston Ruter, Derek Herman, and the team at XWP.
\nCustomize Snapshots lets you draft and preview customizer states that can be shared via a private URL that the plugin generates. Users who are not authenticated can preview snapshots on the frontend without loading the customizer. Authenticated users will be able to load the snapshot inside the customizer to make further edits or publish the draft.
\n![\"customize-snapshot\"](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/customize-snapshot.gif\")
You may not be able to see it in the demo above, but snapshots can be saved with a scope of full or dirty, according to the plugin details page:
\n- \n
- Full: will playback all the settings during preview [changeset] \n
- Dirty: will only playback the ones that were marked dirty when the snapshot was taken [snapshot] \n
“Snapshots was written as a feature plugin to implement a key feature that the Customizer Transactions proposal will make possible,” Weston Ruter said. Ruter is the Technology Director at XWP and a co-maintainer of WordPress’ core customizer component. He said the plugin was also developed specifically for a client’s project requirements.
\n“Customize Snapshots stores the Customizer state in a custom post type,” he said. “You can access the frontend of the site with the UUID for the snapshot added as a URL parameter to load the site with that Customizer state applied. So this makes it possible to preview Customizer changes on other devices entirely.”
\nComing Soon: Schedule Customizier Changes to Go Live at a Future Date
\nWordPress core lacks the ability to schedule out changes to content that has already been published. The only option for editing published posts is to push changes live. This is also the same for the customizer, but the XWP team is aiming to add scheduling to Customize Snapshots.
\n“The idea here, though not implemented yet in the feature plugin, is that you could also schedule a snapshot (aka transaction) to go live at a certain time,” Ruter said. “So you could bundle up a bunch of changes in the Customizer and ‘Save & Publish’ at a scheduled time, like Sunday at midnight.”
\nWith transactions added to the customizer, users could build up a large ‘changeset’ as a draft, including things like building new pages, adding a collection of widgets, and updating menu items. The entire set of changes can then be scheduled to go live at the same time.
\n“On the other side of that coin, it allows for there to be revision history for changes made in the Customizer,” Ruter said. “And this will work seamlessly with the Customize Posts feature plugin – the goal being to let the author do as much as possible during a Customizer session, for all changes to be previewed together, submitted for review and iteration, and staged for publishing at some point in time.”
\nRuter said he sees Customize Snapshots as another take on the common desire to build out content on a staging environment, preview changes, and then promote those changes to production.
\n“This is a hard problem to solve, and lots of plugins are available with solutions, like WP-CFM, Ramp, and others,” he said. “But in the Customizer it’s something you can get for free because of its model, and you don’t need multiple environments. You just need to indicate which snapshot/transaction state you want to preview.”
\nIf you previously had a difficult time grasping the technical details of Ruter’s customizer transactions proposal, the Customize Snapshots plugin is a perfect example of the kind of functionality that transactions would enable. The feature plugin is an adaptation of his proposed changes that implement the more fundamental “transactions” construct.
\nCustomize Snapshots adds to XWP’s collection of plugins that extend the customizer in innovative ways and intersect with the framework’s long-term roadmap. Occasionally, this will also tie into client work, as with the case of Customize Snapshots.
\n“We try to propose Customizer solutions for client projects as a way to fund Customizer advances, but we also believe in the Customizer and would be working on it regardless,” Ruter said.
\nCustomize Snapshots makes the customizer a more collaborative environment within WordPress. If you need to make a large number of changes and share a preview with others, this plugin will help you do that. The ability to see snapshots in the admin and schedule changes will make it even more useful in the future.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 25 Mar 2016 20:52:53 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"WPTavern: Get Your Widgets Ready for WordPress 4.5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52812\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"http://wptavern.com/get-your-widgets-ready-for-wordpress-4-5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2255:\"![\"testing\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/07/testing.jpg\")
WordPress 4.5 is right around the corner with the first release candidate now available for download. It includes 49 changes from the last beta – improvements to the new custom logo feature, a minor update to jQuery, updates to inline documentation, and fixes for various small bugs.
\nThe upcoming release is packed full of improvements to the customizer: selective refresh, support for setting-less controls, and device preview. Plugin and theme authors who want to be on the cutting edge of the customizer’s new capabilities will want to review Weston Ruter’s post on Implementing Selective Refresh Support for Widgets. All of the default WordPress themes and core widgets will ship with selective refresh in 4.5, but the feature is opt-in for plugins and themes.
\nFor most themes with standard sidebars, adding selective refresh is as simple as including one line to declare theme support:
\nadd_theme_support( \'customize-selective-refresh-widgets\' );\n
Adding support for widgets is a bit more involved, depending on whether the widget uses JavaScript for initialization. Ruter’s post includes a tutorial for how to add selective refresh in either scenario. The target release date for 4.5 is April 12, 2016, so plugin and theme developers still have three weeks to add support.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 25 Mar 2016 16:18:43 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"WPTavern: Versions of WP-CLI Prior to 0.23.0 Are Incompatible with WordPress 4.5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52830\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:90:\"http://wptavern.com/versions-of-wp-cli-prior-to-0-23-0-are-incompatible-with-wordpress-4-5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1873:\"![\"restful-wp-cli\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/12/restful-wp-cli.png\")
Daniel Bachhuber, maintainer of WP-CLI, a popular command line interface utility for managing WordPress sites, has released version 0.23.0. This release includes a number of bug fixes, improvements, and features, but the most important thing to note is that earlier versions of WP-CLI will not work with WordPress 4.5.
According to Bachhuber, WordPress 4.5 loads a file in wp-settings.php and since WP-CLI uses a custom wp-settings-cli.php file, 0.23.0 and above are the only versions compatible with WordPress 4.5. Bachhuber created a new ticket on Trac to start a discussion on using wp-settings.php instead of the custom file.
\n“WP-CLI uses a custom wp-settings-cli.php to load WordPress, instead of wp-settings.php,” Bachhuber said. “While I appreciate the historical justifications for the bootstrap process, it would be much better if WP-CLI could use wp-settings.php because, occasionally, there are substantial problems arising from needing to maintain a fork.”
\nTo see a full list of changes with detailed explanations on how to use new features such as installing community commands from the package index, check out the release post.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 24 Mar 2016 21:59:59 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"WPTavern: WPWeekly Episode 227 – The HeroPress Story with Topher DeRosia\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://wptavern.com?p=52825&preview_id=52825\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"http://wptavern.com/wpweekly-episode-227-the-heropress-story-with-topher-derosia\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2102:\"In this episode of WordPress Weekly, Marcus Couch and I are joined by Topher DeRosia to learn about the origins of HeroPress. DeRosia explains his motivation for creating the site and why despite not reaching his crowdfunding goal, decided to press on.
\nWe also discuss the impact the essays are having on people across the world and whether or not HeroPress is accomplishing its mission. Last but not least, DeRosia shares a personal story of someone who couldn’t write an essay for the site because they’re spending all of their time trying to stay alive.
\nPlugins Picked By Marcus:
\nMedia from FTP allows you to import items into the WordPress media library that are uploaded via FTP.
\nWP Open Last Modified adds the last modified date and the current revision of your post/page using the [last_modified_date] shortcode.
\nAdvanced WordPress Reset is a convenient way to restore WordPress back to a fresh install without having to go through the traditional installation process.
\nWPWeekly Meta:
\nNext Episode: Wednesday, March 30th 9:30 P.M. Eastern
\nSubscribe To WPWeekly Via Itunes: Click here to subscribe
\nSubscribe To WPWeekly Via RSS: Click here to subscribe
\nSubscribe To WPWeekly Via Stitcher Radio: Click here to subscribe
\nListen To Episode #227:
\n
Hello, WordPress users! Version 6.0 of the WordPress for iOS app is now available in the App Store.
\nWhat’s New:
\nDelete sites from the app! We know, we know, creating WordPress.com sites can get addictive. But if you feel like decluttering your dashboard, you can now delete a site (or two) directly from the app.
\n\n![\"It\'s](\"https://apps.files.wordpress.com/2016/03/img_2103.png?w=169&h=300\")
\n![\"You](\"https://apps.files.wordpress.com/2016/03/img_2104.png?w=169&h=300\")
\n\nMore improvements. Several magical behind-the-scenes improvements to make sure our codebase is stronger than ever.
\nBug fixes. As usual, we squashed some bugs, but there weren’t many this time around. Keep an eye on the complete list of bugs here.
\nThank You!
\nThanks to all of the contributors who worked on this release:
\n@aerych, @alexcurylo, @astralbodies, @diegoreymendez, @frosty, @hugobaeta, @jleandroperez, @koke, @kurzee, @kwonye, @mattmiklic, @maxme, @oguzkocer, @sendhil and @SergioEstevao..
You can track the development progress for the next update by visiting our 6.1 milestone on GitHub. Until next time!
![\"\"](\"https://pixel.wp.com/b.gif?host=apps.wordpress.com&blog=108068616&post=3229&subd=apps&ref=&feed=1\")
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 24 Mar 2016 12:48:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"diegoreymendez\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:14;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:81:\"WPTavern: Cast of Silicon Valley Nails The Meaning of Automattic on The First Try\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52809\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"http://wptavern.com/cast-of-silicon-valley-nails-the-meaning-of-automattic-on-the-first-try\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1475:\"Silicon Valley is a comedic television series on HBO about a group of six engineers who create a startup company in Silicon Valley. Wired.com sat down with the cast and gave them the names to real startup companies to see if they could guess what they do.
\nAmong the names mentioned is Automattic. Fast forward to 1:14 to watch Kumail Nanjiani, who plays Dinesh on the show, correctly guess the meaning of the name on his first try, “Automattic with two T’s is a company ran by a dude named Matt,” he says. His response to being told he’s correct is pretty funny.
\nWarning, the video contains strong language and is not safe for work.
\n\nAutomattic, founded in 2005, is the driving force behind WordPress.com and a handful of other services like Akismet, Gravatar, VaultPress, IntenseDebate, Polldaddy, and more.
\nWhile many people are confused between WordPress the software project and WordPress.com, the reason for two T’s in Automattic was guessed correctly on the first try by someone who is not deeply involved in the community. There’s something mildly humorous about that.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 23 Mar 2016 23:45:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:15;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"WPTavern: Restrict BuddyPress Signups by Email Domain\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52202\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:63:\"http://wptavern.com/restrict-buddypress-signups-by-email-domain\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2637:\"![\"mailboxes\"](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2015/02/mailboxes.jpg\")
Spam is one of the most discouraging things about managing a BuddyPress-powered social network. Since WordPress itself is already a magnet for spam signups and comments, BuddyPress is subject to the same and then some. With an ordinary WordPress site you can block most of it fairly well, but with BuddyPress you often have to wade through signups to verify that real humans aren’t getting blocked.
\nOne of the best ways to cut down on the avalanche of unwanted signups is to restrict them by email domain. BP Restrict Signup by Email Domain is a plugin that allows you to whitelist an email domain or set of domains that will be required for registration on the site. You can also set an error message and create a custom message to appear on the registration page.
\n![\"email-address-restrictions\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/email-address-restrictions.png\")
The plugin was created by BuddyPress contributing developer Ray Hoh for the CUNY Academic Commons. It’s part of a suite of plugins recommended by the Commons In A Box (CBOX) free software project. The university uses the plugin to ensure that anyone signing up to the Academic Commons will have a CUNY email address. You can see it in action on the registration page.
\nBP Restrict Signup by Email Domain works on both single site and multisite installations of WordPress. It has been tested with the latest version of BuddyPress (2.5) but should also be compatible back to version 1.6.
\nNot every social site can afford to limit email domains, but this plugin works well for academic sites, nonprofit or other types of organizations, or any community that excludes all but a few set email domains. BP Restrict Signup by Email Domain is open source on WordPress.org and is actively maintained for use on CUNY.
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\n![\"W3](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/W3TCUpsells.png\")
W3 Total Cache Upsells\nA recent post by Scott Tuchman on the Advanced WordPress Facebook group cites that the plugin hasn’t been updated in more than seven months and is not compatible with WordPress 4.4.2. Out of 44 reports, 34 people say W3 Total Cache 0.9.4.1 doesn’t work with WordPress 4.4.2.
\n![\"W3](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/W3TCBroken.png\")
W3 Total Cache Not Compatible With WordPress 4.4.2\nThe plugin was recently updated with the only change being the readme.txt file which states it has been tested up to WordPress 4.5. A cursory glance at the support forums indicates some users are not pleased with the simple update.
\nA Rocky Year
\nIn 2015, a disgruntled customer who purchased services from W3 Edge, described their negative experience in a post on the WordPress subreddit. The complaints include, a lack of communication, not receiving purchased services, and project delays. Mike McAlister, of Array Themes, told the Tavern about his experience with W3 Edge.
\n\nIn 2014, I signed up for the premium version of W3 Total Cache to unlock some of the advanced caching features. The email confirmation said that the license would auto-renew unless cancelled, so I contacted them right away with my request to cancel the auto-renewal. I didn’t hear anything back and wrongly assumed this was taken care of.
\nFast forward one year and I get an email out of nowhere that my W3 license had been renewed. I immediately contacted W3 with details of my order and politely requested a solution, but never heard a response.
\nI wrote a total of four emails and several tweets directed at W3 Edge and its founder, Frederick Townes, with not a single response throughout the ordeal. Like many others, I had to resort to calling the bank and filing a dispute to get my money back, which dragged the issue out for several months.
At the end of the Reddit thread, W3 Edge responded to the criticism and admitted that the company let users down with its lack of engagement. It also admitted to having a small team and the challenges involved with its support model.
\n“One of the largest lessons learned is that there’s a lot to get right especially with a small team,” W3 Edge said. “We’ve made some changes to the team recently and we’re working to rectify experiences like the ones noted here. Since it’s the customer experience that matters and not intentions, I apologize for the negative experiences. Our mission remains to enable independent publishers with great software and solutions.”
\nW3 Total Cache Status Update
\nThe company’s official Twitter account has been inactive since April of 2015 and the last post published on its blog was 10 months ago. Combined with the lack of plugin updates, it’s understandable why customers and users are concerned with the plugin’s status.
\nFrederick Townes, founder of W3 Edge, issued the following statement to the Tavern.
\n\nSince the last update, development and other operations have been ongoing. There have been several hundred bug fixes based on user feedback, more than 100 improvements and numerous major improvements. We’ve added tens of thousands of unit tests for the various bugs and improvements in an attempt to allow us to release more updates faster in the future.
\nWe’re also working on a new services and support model, which is more exclusive in an attempt to reduce the volume of service requests and misaligned customer / subscriber expectations.
\nOur goal is unchanged, to create easy ways for publishers and developers to increase WordPress performance and tune user-experience in self-hosted environments. As we work towards leaving beta and moving towards a 1.0 release (and making our GitHub repository public rather than private) our goal is to offer hosted services that use automation to simplify the performance optimization process in the future.
I spoke to Townes for an hour on Skype and he comes across as a sincere, concerned business owner who is struggling to find a system that works for the amount of support volume he and his team are dealing with. I asked what keeps him motivated to continue working on W3 Total Cache, “I love solving complex problems which is what W3 Total Cache does,” Townes replied.
\nI can only imagine how heavy the burdens are maintaining a free plugin that’s active on more than a million sites. Joost de Valk, founder of Yoast.com, and lead developer of WordPress SEO, a plugin active on more than one million sites shared some of the lessons he learned after users experienced issues upgrading to 3.0.
\nHave The Changes Worked?
\nWhile researching for this article, I requested feedback from thousands of people to learn what recent customers are experiencing with the company but no one responded. This can mean any number of things but it’s difficult to determine whether the changes mentioned in the Reddit thread have improved the situation without getting feedback from recent customers.
\nIf you’ve recently purchased services from W3 Edge, please share your experience with us in the comments.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 23 Mar 2016 20:42:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:17;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"WPTavern: GitHub Issue and Pull Request Templates: Choose Your Own Adventure\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52746\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"http://wptavern.com/github-issue-and-pull-request-templates-choose-your-own-adventure\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2633:\"Last month GitHub introduced issue and pull request templates in response to the “Dear GitHub” letter of complaints from open source project maintainers. The new templates let maintainers streamline contributions to be more structured and meaningful for the project.
\nCreating issue and pull request templates could be a boring addition to your project’s task list, or you can have a little fun with Tal Ater‘s new open source template generator. It leads you on a whimsical journey inspired by Lewis Carroll and H.P. Lovecraft while creating templates for your project.
\n![\"issue-pull-request-generator\"](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/issue-pull-request-generator.png\")
The generator lets you build your templates in the style of a Choose Your Own Adventure book. At every step you make selections that will help structure the final templates. For example, you can choose whether or not to focus on bug reports, or prioritize new features/improvements, or make room for both in your issues template.
\nIn a post titled “Learn to Ship Faster by Embracing Ridiculousness,” Ater explains how he built the project over three days as an exercise to help him learn to let go and ship imperfect products:
\n\nThe project’s own imperfections are by definition its greatest strengths. Is it user friendly? About as friendly as a mad hatter. Does the writing make sense? Absolutely not. Did I get it from idea to shipping in 3 days? Abso-freaking-lutely.
The result is a fun little time machine that transports you back to childhood while outputting some useful templates for your open source projects. They may require a bit of additional tweaking for your particular use, but Ater’s generator gives you an easy way to get started.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 23 Mar 2016 16:32:44 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:18;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"WPTavern: WordPress Theme Review Team Moves Towards Automating Review Process\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52730\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"http://wptavern.com/wordpress-theme-review-team-moves-towards-automating-review-process\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2402:\"![\"photo](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2015/01/red-pen.jpg\")
photo credit: pollas – cc\nGetting a theme approved for the WordPress directory can sometimes take months, depending on the number of corrections required and reviewers available to handle the queue. As part of a larger plan to make things more efficient, the WordPress Theme Review Team is making progress towards automating many of the time-consuming checks involved in reviewing submissions and updates.
\nUlrich Pogson, who is leading the effort, published a list of requirements that might be good candidates for automated checks. Each item is now an issue on GitHub where contributors can discuss implementation and help build the checks. A few examples include “Use the Customizer for implementing theme options,” “Don’t include any plugins,” and “Don’t include admin/feature pointers.”
\nDuring the most recent meeting, the team approved a list of 13 requirements they are aiming to automate. They will need to write checks for each one and are inviting collaboration on GitHub.
\n“It could be making a pull request, helping write the regex, or contributing ideas how to implement the check,” Pogson said. “Once the checks have been written we need help testing them for false positives.”
\nCheck out the issues queue for the Theme Check plugin if you want to help the team automate more checks.
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When Matt Mullenweg asked the audience who has used Git and/or GitHub during his 2014 State of the Word address, the response was almost unanimous. “Whoah, that’s all the hands!” he exclaimed before announcing that core contributors will soon be able to submit pull requests on GitHub.
\nTwo years later, an official patch workflow has not yet been established. In addition to ironing out the logistics, contributors must also take into account what might be lost or gained in the GitHub approach to problem solving. The GitHub pull request collaboration style is markedly different than the lengthy discussions that happen on WordPress Trac.
\nNevertheless, WordPress contributors who use GitHub as part of daily life are eager to see progress on an official pipeline for pull requests. In the meantime, Ryan McCue has just launched a utility that allows contributors to submit pull requests to core. GitHub-to-Patch is a proof-of-concept that provides an easy way to submit a pull request as a patch.
\nThe process that McCue outlines in his post involves submitting a pull request to the WordPress/WordPress repo, selecting the request via the utility, and associating the request with the corresponding ticket number. He also advises heading back to the ticket to leave a comment about the patch you added.
\n![\"github-to-patch-step-1\"](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/github-to-patch-step-1.png\")
“Internally, the utility uses GitHub’s API to get a patch format of the pull request, then uses Trac’s XML-RPC API to upload,” McCue said. “This requires your WordPress.org credentials, and because of cross-origin policy, also requires an intermediary server. I hope to fix this in the future, either by integrating the tool into Trac itself, or by using OAuth with WordPress.org.”
\nMcCue clarified on Twitter that his utility is not meant to be a final solution to WordPress/GitHub interactions but rather a stop-gap measure until a better solution is available. He referenced Weston Ruter’s approach that uses Travis CI to handle uploading patches from trusted pull requests to Trac as one of the more elegant examples in the works.
\nFor those with no SVN experience, GitHub-to-Patch significantly lowers the barrier to entry for contributing to core. If you don’t want to use the utility on McCue’s server, the code is available on GitHub and can be installed on your own server.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 22 Mar 2016 18:34:38 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:20;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"WPTavern: WordPress Adopts Accessibility Coding Standards for All New and Updated Code\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52690\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"http://wptavern.com/wordpress-adopts-accessibility-coding-standards-for-all-new-and-updated-code\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3221:\"![\"photo](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/paper-1.jpg\")
photo credit: Startup Stock Photos\nThe Accessibility Team announced today that the WordPress Accessibility Coding Standards have been approved for the core handbook. The team sought feedback on the draft of the guidelines earlier this year and, after a few revisions, the coding standards are out of draft status.
\nContributors will now be required to meet these guidelines in order to have their code merged into core:
\n\nAll new or updated code released in WordPress must conform with the WCAG 2.0 guidelines at level AA.
Level AA, according to accessibility team member Rian Rietveld, includes guidelines used as a reference for a legal standard in many countries. WordPress’ new accessibility coding standards cover five key areas:
\n- \n
- HTML Semantics \n
- Color Contrast \n
- Keyboard Accessibility \n
- Images and Icons \n
- Labeling \n
The default Twenty Sixteen theme is already compliant with WCAG 2 AA and more accessibility-ready themes are tagged in the official directory. At this time, themes and plugins hosted on WordPress.org are not required to meet these guidelines.
\n“Having a dedicated principle that WordPress needs to meet a certain level of accessibility standards is incredibly powerful,” contributor Joe Dolson said in a reaction on his blog.
\n“Since it doesn’t change the fact that the WordPress Accessibility team consists of a relatively small group of part-time volunteers, we have to realistically acknowledge that we won’t catch everything.
\n“But that still leaves us with an overall arc that leads to a future with a more accessible WordPress, and that’s an unmistakable win for accessibility,” he said.
\nVocal accessibility advocates have been calling for WordPress to adopt a set of standards and these new guidelines demonstrate the project’s commitment to serving those with a disability. With WCAG 2 AA established as the standard, the accessibility team is now in a better position to provide a list of requirements for an automated testing tool.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 22 Mar 2016 05:17:25 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:21;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"WPTavern: WP Engine Adds 2FA to User Portal, Opt-In PHP 7 Support In the Works\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52657\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:88:\"http://wptavern.com/wp-engine-adds-2fa-to-user-portals-opt-in-php-7-support-in-the-works\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6799:\"![\"wp-engine\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/11/wp-engine.jpg\")
WP Engine announced today that two-factor authentication (2FA) is now available to its 42,000 customers. The security measure will help combat increasing attempts on the host’s user portal.
\n“As we grow, almost everything about the company changes, and security is one of them,” said WP Engine founder Jason Cohen. “For example, we see things like fraudulent accounts and account impersonation/phishing, and other things which didn’t appear often when we were smaller and less of a target.”
\nAdding 2FA is part of a larger plan for improved security that the company began last year when it hired Eric Murphy as its new security director.
\n“We’ve had a cross-departmental internal security group of about a dozen people for a few years now, but in 2015 we decided we needed even more leadership in that area,” Cohen said.
\n“We hired Eric last year, in fact before the December security incident, so in hindsight that was excellent timing.”
\nMurphy is now overseeing the technical aspects of security, like firewalls and VPNs, as well as the social engineering and training aimed at protecting customer account access.
\nAfter the December breach where customer credentials were exposed, WP Engine began moving its customers off of Linode’s cloud infrastructure. Cohen confirmed that thousands of customers have been moved and that no new customers have been added to Linode.
\nThe Challenges of Implementing 2FA
\nAlthough providing 2FA for accounts is a security best practice, Cohen said that it would not have prevented the December breach, as the entry point was with Linode. Regardless, WP Engine customers have been requesting 2FA support for the user portal for years. When asked why it took the company so long to implement it, Cohen identified a few of the technical challenges.
\n“One of the challenges was in identity recovery,” he said. “We can’t use email as a way to recover from a lost phone, because then the email address becomes a ‘single factor,’ i.e. you can use it to recover your password as well as your phone aspect.
\n“However, nowadays with the advent of Google Authenticator and other apps, plus people’s general awareness of how to use things like scratch codes, we felt it was now not going to be hard for people to use,” Cohen said.
\nWhen it comes to protecting WordPress, WP Engine customers have always been able to use a plugin to add 2FA. Cohen said that the company is investigating a solution to make it more convenient for customers who manage multiple accounts.
\n“Suppose you manage 50 WP sites and you want 2FA,” he said. “So do you configure 2FA on every site and have 50 entries in your Google Authenticator App? That stinks!
\n“So, something better would be a SSO system somewhere, have 2FA on that, and then use that to get into WordPress,” Cohen said.
\n“Another way would be to use OAuth, e.g. use Google OAuth on WP, and indeed for customers who already use Google Apps, we do recommend that method. Another method might be that our own User Portal be an OAuth provider.”
\nWith a host of solutions already available, Cohen said they are also considering simply pointing customers to a list of recommendations.
\n“Even if we do our own, we’d always support the other methods,” he said. “The idea isn’t to box anyone into a single method.”
\nWP Engine Plans to Add Opt-In PHP 7 Support in 2016
\nWP Engine is currently working on a PHP 7 implementation for all customers. In December, the company tested 25 concurrent users over 5 minutes across 10 randomly selected URLs — run against a basic WordPress (4.3.1) install on its Mercury Vagrant configuration. The results showed that PHP 7 handles the raw hits 2.6x faster than PHP 5.5.
\n![\"wp-engine-testing\"](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/wp-engine-testing.png\")
Unfortunately, customers who are eager to see WP Engine upgrade to PHP 7 across the board will be waiting for the rest of the WordPress ecosystem to catch up. As an alternative, the company is looking at the possibility of making PHP 7 an opt-in.
\n“We have PHP7 running on some machines,” Cohen said. “But it’s actually amazing how few WP sites in the field are compatible. We’re finding that it’s less than 20%. There will need to be an opt-in for that reason.”
\nAlthough WordPress core is compatible with PHP 7, the vast majority of WordPress plugins and themes are not.
\n“Even WooCommerce doesn’t completely work with it,” Cohen said. “Many big, popular plugins are not yet compatible. With PHP v5.5 there was some of that, but this is much more. Of course PHP7 is the future so it’s inevitable, but it’s going to take more time than some other PHP releases did.”
\nCohen said the best case scenario would be for customers to choose PHP 7 on an install-by-install basis and change at any time. He does not yet have an ETA, as the company is working on an undisclosed big project that Cohen says is part and parcel of it.
\n“We have to make some decisions about how much to put into it before release, versus releasing it earlier and then layering in more things afterwards,” he said.
\nThere are several large hurdles to allowing PHP version selection on an install-by-install basis, which need to be worked out before rolling it out to thousands of customers.
\n“One challenge is running multiple versions at the same time on the same machine,” Cohen said. “Another is tech support — if something doesn’t work in it, we need our 150+ support techs to understand how to figure that out and help.”
\nCohen said he could see opt-in PHP 7 support happening for customers as early as this year but could not specify when.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 21 Mar 2016 20:17:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:22;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"Matt: Chamath on Growing Facebook\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46387\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://ma.tt/2016/03/chamath-on-growing-facebook/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1405:\"\n
This is a cool talk from Chamath Palihapitiya from a few years ago in 2013 which makes it extra interesting. It seems like a smaller audience so it’s fun and unguarded. (Though a great thing about Chamath is he’s incredibly candid in every context.) You can’t see the slides in the video, and there’s not much to them, but here they are:
\n\n
Facebook's Growth Hacker on how they put Facebook on the Path to 1 Billion Users from growthhackersconference
\nHere are the values he talks about at the end:
\n- \n
- Very high IQ. \n
- Strong sense of purpose. \n
- Relentless focus on success. \n
- Aggressive and competitive. \n
- High quality bar bordering on perfectionism. \n
- Likes changing and disrupting things. \n
- New ideas on how to do things better. \n
- High integrity. \n
- Surrounds themselves with good people. \n
- Cares about building real value over perception. \n
![\"In](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/01/ICYMIFeaturedImage.png\")
photo credit: Night Moves – (license)\nThere’s a lot of great WordPress content published in the community but not all of it is featured on the Tavern. This post is an assortment of items related to WordPress that caught my eye but didn’t make it into a full post.
\nHuman Made Hires Siobhan McKeown
\nDevelopment firm, Human Made Ltd., announced that it has hired Siobhan McKeown as their events director. Human Made worked closely with McKeown who helped organize and run A Day of REST, a conference devoted to the WordPress REST API. According to the post, McKeown’s role is to expand the company’s events, including the Day of Rest conference.
\nWordPress is the Light in a Sea of Darkness
\nRaghavendra Satish Peri from India, who discovered at the age of 14 that he was 80% blind, describes how WordPress became a shining light in a sea of darkness.
\n\nWordPress has changed the way I see my life, today I am a full time Digital Accessibility Consultant & I build most of my code examples on WP. This is helping me grow professionally & personally each day. I am financially independent, travel around the world, attend & speak at conferences/meet-ups, fought depression with my writing, wrote a bucket list & am actively pursuing it. All this would have not been possible with the power of publishing & WP has simplified it for me.
In the post, Satish Peri says he has two wishes. The first is to attend WordCamp US and meet Matt Mullenweg. The second is to see every part of WordPress core be accessible. While the WordPress accessibility team is working on his second wish, how can we as a community grant the first?
\nWordPress’ Greatest Threat Isn’t a CMS
\nChris Wallace explains why the greatest threat to WordPress isn’t a competing CMS, but the people who criticize it in a rude and disrespectful way.
\n\nBut the biggest threat to WordPress right now is not a CMS. Heck, it’s not even a technology challenge or an issue with legacy code. The biggest threat to WordPress is people in the community who voice opinions in a rude and disrespectful way, echoing a deep lack of appreciation for the contributors and project leaders simply trying to make WordPress better within the framework of being used on 25% of the web with a desire to continue increasing that number.
I tried to explain how to be helpful when criticizing WordPress last year, but I’m not sure I made an impact. I know from experience that encountering a constant barrage of criticism is unhealthy and can lead to burnout. The same holds true for those who are committed to improving WordPress on a daily basis.
\nIt’s not that things need to be sugarcoated, it’s that criticism should be given in an actionable way to make things better for all involved. It’s also about civil discourse and treating others with respect.
\nThe final part of Wallace’s post is great advice:
\n\nLet’s all take a few minutes to be grateful for the opportunity to make a living off the hard work of thousands of other people who donated their time and code to build something that has made a huge impact on the Internet and in people’s actual lives.
Matt Mullenweg on The Changelog Podcast
\nMatt Mullenweg appeared on The Changelog podcast to discuss the future of WordPress and how Calypso fits in. It’s a great show as the duo dive deep into the role JavaScript plays in the future of WordPress.
\nDeveloping a WordPress Plugin That Uses Service APIs
\nSmashing Magazine published a great guide that explains how to create a plugin that taps into third-party service APIs.
\nAdopting Plugins is Life Changing for Some
\nDavid Gewirtz, who writes for ZDNet, describes how adopting 10 WordPress plugins changed his life. It’s one of the coolest stories I’ve read on the use of the “Adopt-Me” tag in the WordPress plugin directory. One of the best parts of the story is when Gewirtz explains what happened when he adopted a plugin with more than 10K active installs.
\n\nSeamless Donations had more than 10,000 active users on the day I adopted it. I expected my workload would be roughly the same as for the widget. I’d make a few security fixes as they came along and tweaks for compatibility.
\nI was wrong.
\nI also expected the users to be seasoned webmasters. After all, if you’re installing an open source project on your server, you’re obviously going to be experienced with Linux and PHP and all the rest, right? Right?
\nOh, how wrong I was.
Definitely give this a read if you’re thinking about adopting a popular plugin.
\nWarm Weather Wapuu
\nAs a traditional part of this series, I end each issue by featuring a Wapuu design. For those who don’t know, Wapuu is the unofficial mascot of the WordPress project. Since the first day of Spring in the US is Sunday, March 20th, I decided to feature the Wapuu family from WordCamp Miami. Each member of the family except for the basketball one, is a reminder that warmer weather is on the way!
\n\n\nThe official #wcmia Wapuu family. pic.twitter.com/U2Ao9Yh0qN
\n— WordCamp Miami (@wordcampmiami) June 3, 2015
That’s it for issue five. If you recently discovered a cool resource or post related to WordPress, please share it with us in the comments.
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\nIn addition to the patch Kennedy submitted with the ticket, core committer Dominik Schilling added a patch to extend the provider list to support moments and timelines from Twitter.
\nThe update was included in this week’s WordPress 4.5 Beta 4 release. To see it in action you can take the latest beta for a test drive or check out the embedded moment and timeline links below.
\nThe Obamas\' wedding anniversary
\n\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 21:29:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:25;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"Post Status: WordPress Hosting — Draft podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"https://poststatus.com/?p=22401\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"https://poststatus.com/wordpress-hosting-draft-podcast/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2464:\"Welcome to the Post Status Draft podcast, which you can find on iTunes, Stitcher, and via RSS for your favorite podcatcher. Post Status Draft is hosted by Joe Hoyle — the CTO of Human Made — and Brian Krogsgard.
\nWordPress hosting is always a hot topic of conversation, due to the difficult task of differentiating one host from another. There is also a lot of money and marketing involved in the industry — an industry that includes some of the largest companies in the WordPress ecosystem.
\nIn this episode, Joe and I attempt to break down what different types of hosting are available, how they are applicable to WordPress, and even dig in to some of the drama and politics that surround the hosting world.
\nThe techical part of the conversation is the first 50 minutes or so, and around that mark, we get into the politics and non-technical issues around WordPress hosting, as well as tell some stories of how companies have successfully marketed themselves by getting embedded in the WordPress community.
\nhttps://audio.simplecast.com/32589.mp3
\nDirect Download
Links
\n- \n
- Review Signal is a great resource for comparing hosting. \n
- The 2015 Review Signal WordPress hosting review is a nice guide. \n
- WordPress recommended hosting page is a source of a number of questions. \n
- We talk about a lot of different hosting companies during this episode. Just Google them. \n
This episode is sponsored by one of our great partners, Prospress. Check out Prospress’s Post Status profile, as well as their website. They are the makers of the excellent WooCommerce Subscriptions plugin, amongst other helpful products.
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 20:02:49 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Brian Krogsgard\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:26;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"WPTavern: Is W3C Replicating the WordPress Pingback System?\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52624\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"http://wptavern.com/is-w3c-replicating-the-wordpress-pingback-system\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6137:\"![\"JamesRichmanProfile\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/JamesRichmanProfile.png\")
This post was contributed by guest author James Richman. James writes about marketing, digital design, entrepreneurship, and technology. He has gained most of his experience from running a variety of his own businesses for more than a decade.
\n
\n
On January 12, 2016, the W3C (the World Wide Web Consortium) released its first public working draft of Webmentions, but the announcement didn’t feel new. In fact, Webmentions have been around since IndieWebCamp created them in 2013, and top WordPress developers are already using a Webmentions plugin to utilize the tool.
\nYet, for those who use WordPress, Webmentions seemed like a retread of WordPress’ Pingback system from the early 2000s, which featured a similar concept.
\nThe Pingback system was invented in 2002 by Stuart Langridge, and in essence, it allowed pieces that were published on different WordPress sites to talk to each other. This is perhaps best explained by walking through an example scenario:
\n- \n
- Website A posts a new entry on its blog. \n
- Website B responds to that blog post with its own post and links to the post on Website A. \n
- The Pingback system then notifies Website A that Website B wrote about and linked to its blog post. \n
- Website A then verifies the content and link on Website B. If it is not spam, Website A will post a comment on the original blog post linking to Website B’s post. \n
It’s important to note a few things about the Pingback system. First, it is exclusively for WordPress sites, and both sites have to enable Pingback for it to work. Second, the whole Pingback system is automated, streamlining the process of trackbacks, which is the manual equivalent of the automated Pingback.
\nYet despite its perks, Pingback system usage declined after the automatic system was taken advantage of by spammers.
\nThe issue of spamming and abuse of such a communication channel has long been the problem with this type of communication channel. Prior to Pingbacks, WordPress used a Trackback system that provided the same type of communication.
\nThe only difference between the Trackback system and Pingbacks is that Trackbacks had to be inputted manually. Spamming problems were just as prevalent with trackbacks. In fact the WPTavern site shut down in 2010 because of trackback spam.
\nSo what makes Webmentions different than the Pingbacks and Trackbacks that came before? Well, not all that much. Turns out, Webmentions do the exact same thing as the Pingback system; they just do it better.
\nThe biggest difference between the two is the code they’re composed of. Pingback uses XMLRPC, an outdated approach that encodes data with XML and then transports that data with HTTP. The Pingback system is bulky and slow. Webmentions, on the other hand, uses HTTP and x-www-form-urlencoded content, a much more widely accepted format in today’s world. The result is that Webmentions is much faster and much easier to integrate.
\nAs Pingback’s creator Langridge points out on his blog, “XMLRPC is considerably less popular than it was, and is really heavyweight for this sort of thing. We’ve learned since then that HTTP can actually do all this stuff for us way more simply.” If you haven’t guessed, the Pingback founder has converted to Webmentions too.
\nWebmention’s growing popularity is due to the tool’s ease of use and the fact that it blocks spam effectively with the Vouch protocol. But Webmentions also look better aesthetically in the comments section. Pingback comments look robotic and aren’t exactly readable; a Pingback comment contains the title of the post that sent the Pingback and an ellipsed summary that doesn’t make much sense.
\nWebmentions look and feel like human comments with the help of the Semantic Linkbacks plugin. This plugin parses the Webmention linkback and translates it into a full sentence (e.g. ‘Sarah mentioned this post in her article x on site y’) and can even include the author’s profile picture.
\nWebmentions are quickly replacing the Pingback system because of the tool’s convenience and better implementation to reach a similar goal, and this has been happening prior to W3C’s public endorsement. So what does W3C’s support of IndieWebCamp’s creation mean?
\nUltimately, W3C’s announcement will likely help cement Webmention’s place on the internet. And so W3C’s recent push can be and should be considered as an effort to standardize the wild web.
\nThe internet was created to communicate and share information, yet individual pieces of content are unable to communicate with each other as easily as users can. The Pingback system was a worthy, but flawed, attempt to change that, and now Pingback’s legacy survives through the broader support and growing distribution of Webmention’s network. If Webmentions become more popular, maybe one day in the future, they will connect the strands of the web together, so that the web will have earned its namesake in truth.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 17:40:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:27;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"WPTavern: Cory Miller and Pippin Williamson Discuss the Importance of Mental Health on Office Hours Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52599\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:117:\"http://wptavern.com/cory-miller-and-pippin-williamson-discuss-the-importance-of-mental-health-on-office-hours-podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2006:\"![\"photo](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/heart.jpg\")
photo credit: rubryan\nIn the latest episode of Office Hours, a WordPress business podcast, host Carrie Dils interviewed Cory Miller and Pippin Williamson to discuss the importance of personal wellness. The episode is titled “Taking Care of Your Business Means Taking Care of Yourself” and the video is now available on OfficeHours.fm.
\nBoth Miller and Williamson are successful WordPress entrepreneurs who have recently shared their experiences on maintaining mental health. In this interview Dils chats with the guests about stress and depression and how they can impact your business. They each share tips for how to recharge or “Go find your soul food,” as Williamson put it. The episode covers a broad range of topics that aren’t often discussed in the world of business:
\n- \n
- Extracting yourself from toxic relationships \n
- Fear of failure/ fear of not working \n
- Setting healthy boundaries \n
- Taking breaks \n
- Establishing a support team \n
- Transparency with peers \n
- Combatting negative thoughts \n
- Finding a mentor \n
If you are experiencing the unique pressures of entrepreneurship or struggling with maintaining your mental health, check out the latest episode of Office Hours for some practical tips.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 05:25:23 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:28;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:82:\"WPTavern: WPForms Aims to be the Most Beginner Friendly Forms Plugin for WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52516\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"http://wptavern.com/wpforms-aims-to-be-the-most-beginner-friendly-forms-plugin-for-wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:9192:\"![\"WPForms](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsFeaturedImage.png\")
WPForms Lite is a new plugin developed by Syed Balkhi and Jared Atchison that aims to be the most beginner friendly form creation plugin in the market, “We made simple tasks EASY rather than letting the complex tasks define how hard simple will be,” Balkhi told the Tavern. I took the plugin for a test drive to see how easy it is to use.
\nA Great Introduction
\nUpon activation, a WPForms introduction screen is displayed. This screen provides information on how to create your first form and includes an embedded video explaining how. I had to watch the video a few times to follow along but overall it serves its purpose.
\nIf video is not your thing, consider walking through the step by step guide on the WPForms website. Those who want to jump right in can do so by clicking the WPForms > Add New link.
\n![\"WP](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsIntroductionScreen.png\")
WPForms Introduction Screen\nWPForm User Interface Forces You to Focus
\nOne of the first things I noticed is the user interface and how it appears over WordPress. It was shocking at first to see WordPress disappear but the team chose to use this interface to avoid being constrained with WordPress’ user interface. After working with WPForms for more than an hour, I found myself enjoying the fact that the interface forced me to focus on creating my form.
\nWPForms ships with six different templates to handle the most common use cases. All templates except the Blank Form and the Simple Contact form require you to upgrade to the commercial version. I chose the simple contact form template.
\n![\"WPForm](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormTemplates.png\")
WPForm Templates\nThe simple contact form template automatically adds a name, email, paragraph, and submit fields to the form. An important time saver that sets WPForms apart from other plugins is that, the fields are automatically flagged as required.
\n![\"WPForm](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormSimpleContactFormTemplate.png\")
WPForm Simple Contact Form Template\nYou can rearrange the fields by clicking and dragging them up or down. Rearranging fields is a breeze, doesn’t require a page refresh, and doesn’t bog down the browser. When clicking on a field, its properties are displayed on the left where you can configure its label, format, description, and whether or not its required.
\nAdvanced options enable you to determine a field’s size, placeholder text, default values, and whether to hide the label or sub-labels. Switching between screens and configuring fields is a fast, straightforward process.
\n![\"WPForm](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormFieldOptions.png\")
WPForm Field Options\nOnce the fields are configured, you’ll want to click the Settings screen. This is where you can configure what happens when a visitor clicks the submit button. You can enable or disable email notifications and use smart tags to configure the form’s output. This version of WPForms Lite doesn’t have email templates but Balkhi says it’s something the team is working on.
\n![\"WPForm](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormSmartTags.png\")
WPForm Smart Tags\nHere is what the form’s output looks like in Thunderbird. Personally, I like Jetpack’s formatting style more but this could change once WPForms supports email templates.
\n![\"WPForm](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormOutput.png\")
WPForms Output\nAs a comparison, this is what Jetpack’s Contact Form module output looks like in Thunderbird. The text looks better and I appreciate the bold field names.
\n![\"Jetpack](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/JetpacksFormOutput.png\")
Jetpack Contact Form Module Output\nWPForms battles spam using two different methods, honeypot and reCAPTCHA. reCAPTCHA is a free, anti-spam service provided by Google. In order to use it with WPForms, you’ll need to sign up for an account and add your site key and secret key to WPForm’s settings page.
\n![\"WPForms](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsSettingsPage.png\")
WPForms Settings Page\nOnce a form is configured and saved, adding it to a page is easy. Simply create a new page in WordPress and in the editor, click the Add Form button. A modal will pop up giving you the option to choose which form to add to the page. You can also choose whether to show the form’s title and description from this box. When a form is added to the page, WPForms puts a shortcode like [ wpforms id=”50582″ ] into the content area.
\n![\"UI](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormInsertUI.png\")
UI For Inserting a WPForm into a Page\nI configured WPForms to not apply styling to my form. However, you can choose whether WPForms applies base and form theme styling or base styling only. You’ll want to experiment with these options to see if your form looks any better with styles applied.
\n![\"WPForms](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsTavernContactForm.png\")
WPForms Contact Form on The Tavern Frontend\nMy Verdict?
\nYou should know that outside of creating simple contact forms and what’s available via the standard fields, almost everything else requires you to upgrade to the commercial version, including the ability to store and view form entries in WordPress. However, the plugin doesn’t nag or annoy you with popups that a commercial version is available. Upgrade prompts are only triggered when trying to access a commercial feature.
\nAfter putting WPForms Lite through its paces, it’s definitely one of the easiest and fastest ways to set up a contact form. It’s clear by using the supplied templates that Balkhi and his team have considered common pitfalls and have done a great job eliminating them.
\nI haven’t looked into the contact form space in WordPress for a few years but after testing WPForms, I’m motivated to compare some of the most popular plugins in the space to see how each one tackles the user experience. Expect a detailed roundup in the next few weeks.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 02:05:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:29;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:123:\"WPTavern: Stack Overflow Survey Results Show WordPress is Trending Up, Despite Being Ranked Among Most Dreaded Technologies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52540\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:132:\"http://wptavern.com/stack-overflow-survey-results-show-wordpress-is-trending-up-despite-being-ranked-among-most-dreaded-technologies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:7217:\"![\"stack-overflow-developer-survey-2016\"](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/stack-overflow-developer-survey-2016.png\")
Stack Overflow published the results of its 2016 Developer Survey, summarizing responses from 56,033 developers in 173 countries. The 45-question survey collected answers from more than twice as many developers as the previous year.
\nThe results were published along with a disclaimer recognizing that the survey is “biased against devs who don’t speak English, or who don’t like taking English-language surveys.” Nevertheless, since the survey captured responses from such a large number of developers on a site that receives 40 million visitors per month, the results are definitely worth a read.
\nThe average age of developers surveyed was 29.6 years old and 92.8% of the respondents were male. Most of them are at least partially self-taught (69%) with 45% of them having acquired degrees in computer science or a related field.
\nA quick developer profile of those surveyed shows that the largest section (28%) is made up of those who identify as a full-stack web developer.
\n![\"developer-profile\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/developer-profile.png\")
Developers Value Diversity
\nDespite the fact that the vast majority of the respondents were male, the results indicate that developers value diversity. In summarizing 42,156 responses, Stack Overflow found the following:
\n\nOverall, about 73% of developers tell us they think diversity is at least somewhat important in the workplace. 41% of developers say diversity is very important. And developers who most often influence hiring decisions are more likely to believe in the value of diversity than other developer types.
![\"diversity\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/diversity.png\")
Visual Basic and WordPress Top the List for Most Dreaded Technologies
\nWordPress moved up one spot from last year in the ranking of most dreaded technologies that respondents would prefer not to use. This is not surprising given that the most popular tags for posts on Stack Overflow are JavaScript, Java, Android, and Python.
\n![\"most-dreaded\"](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/most-dreaded.png\")
On the other hand, when surveying the most popular technologies per developer type, WordPress is currently used by 24.1% of front-end developers. As a side note, this also corresponds roughly to its current market share (26%).
\nWordPress and JavaScript Technologies Are Trending Up
\n![\"trending-technologies\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/trending-technologies.png\")
Newer technologies like React, Node.js, and AngularJS are trending, with the above percentages representing the change in share of Stack Overflow votes between January 2015 and January 2016. All three are also among the top-paying technologies per occupation for both full stack and front-end developers.
\nIt’s worth noting that all of these trending technologies are also becoming more readily integrated with WordPress, and will be more widely used when the REST API is finally merged with core.
\nDespite the fact that WordPress ranks second in the most dreaded technology category, it is also trending up 18.5% from 2015. According to these results, WordPress’ popularity is increasing at a rate similar to that of many JavaScript-based technologies.
\nJob Title and Remote Work Are Important Priorities for Experienced Developers
\nThe 2016 results found that 91% of developers surveyed worldwide are “gainfully employed” (full-time, self-employed, or freelance). Developers are in high demand, with just 15% of respondents actively looking for a job. It’s also interesting to note that 78% of developers surveyed are interested in exploring new employment opportunities.
\nIf you’re trying to hire a developer, one of the most important things to consider is that they highly prioritize being able to work remotely. Responses from 49,521 developers indicate that as they gain more years of experience, both job title and remote work options are increasing priorities.
\n![\"priorities\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/priorities.png\")
Only 30% of developers currently work remotely part-time or full-time, but Stack Overflow found that remote developers are more likely to love their jobs than other developers. If you own a company that hires developers, chances are that you will attract a larger, more experienced pool of applicants if employees are allowed to work remotely.
\nDevelopers who want to get a better understanding of the broader industry’s work challenges, salary expectations, and most popular technologies will want to review the full results of the survey.
\nThe document includes some important feedback for the WordPress community to consider. Although WordPress is among the technologies that are trending up, the broader development community still does not seem to enjoy working with it. How can we make the software more developer-friendly without compromising user friendliness?
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 17 Mar 2016 21:57:29 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:30;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:42:\"WPTavern: WPWeekly Episode 226 – Burnout\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://wptavern.com?p=52552&preview_id=52552\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"http://wptavern.com/wpweekly-episode-226-burnout\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2888:\"In this episode of WordPress Weekly, Marcus Couch and I discuss the symptoms of burnout and share tips on how to prevent it. We provide a status update on WordPress 4.5 and discuss my experience hooking up a site to Apple News Publisher. To round out the show, Marcus shares his experience using Shopify’s new WordPress plugin.
\nStories Discussed:
\nWhen Contributing to WordPress Full-Time Leads to Burnout
\nWordPress Global Translation Day Set for April 24, 2016
\nTickets for WordCamp Jacksonville 2016 Now on Sale
\nHow to Connect Your WordPress Powered Site to Apple News Publisher
\nShopify Launches Official Plugin for WordPress
Plugins Picked By Marcus:
\nShopify is an eCommerce plugin for WordPress that makes selling products on your site simple. In just a few clicks, you can create a Buy Button that lets visitors securely checkout from any page on your site.
\nWooMaxMin for WooCommerce gives you the ability to set up minimum and maximum purchase limits for your customers.
\nLifterLMS – WPMKTGENGINE Extension allows you to automatically track all of the participation within a LifterLMS installation from your WPMktgEngine customer database. You can use this information to incorporate their participation with courses and memberships along with other activity information to target messages, create new products that will hit the mark, and build tighter and trusting relationships with customers.
\nWPWeekly Meta:
\nNext Episode: Wednesday, March 23rd 9:30 P.M. Eastern
\nSubscribe To WPWeekly Via Itunes: Click here to subscribe
\nSubscribe To WPWeekly Via RSS: Click here to subscribe
\nSubscribe To WPWeekly Via Stitcher Radio: Click here to subscribe
\nListen To Episode #226:
\n
Dries Buytaert asks “Can we save the open web?” and makes an amazing case for why we should. I agree with and endorse basically everything in that post.
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 17 Mar 2016 14:39:32 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:32;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:88:\"WPTavern: Fight for the Future Launches “Save Security” Campaign in Support of Apple\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52486\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"http://wptavern.com/fight-for-the-future-launches-save-security-campaign-in-support-of-apple\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3063:\"![\"save-security\"](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/save-security.png\")
Fight for the Future, a non-profit organization that works to preserve freedom of expression on the web, launched its new “Save Security” campaign today in support of Apple. The FBI has requested that the company hack into an iPhone recovered from one of the terrorists involved in the San Bernardino mass shooting to assist in the criminal investigation.
\nApple has refused numerous court orders to create a new tool that would allow the government to circumvent the iPhone’s security measures that protect the encrypted communications of private individuals. The company will go to court on March 22nd for hearing in Riverside, CA. Fight for the Future plans to display thousands of statements in support of Apple from Internet users outside the courthouse.
\nThe Save Security campaign website summarized what is at stake with the government forcing Apple to weaken its encryption:
\n\nIn its attacks on Apple, the FBI is seeking a legal precedent that would let them force any company to weaken the security of its products. Engineers use consumer products like the iPhone to maintain the most sensitive systems on the planet. Hospitals. Air traffic control. Nuclear power. What the FBI is asking for puts lives at risk, by undermining security everywhere.
Two weeks ago, Automattic announced that it stands with Apple to support digital security. The company filed an amicus brief in support of Apple alongside Cloudflare, Ebay, Kickstarter, Twitter, GitHub, Reddit, Square, and other leading technology companies.
\n“The fact is that if a security flaw exists, there is no way to ensure that only trusted governments, investigating a crime, can exploit that vulnerability,” Automattic’s attorney Paul Sieminski said in the announcement. “Improving security for everyone means aggressively finding and closing holes, not creating new ones.”
\nIf you want to join in Fight for the Future’s campaign to support Apple, the SaveSecurity.org website offers a profile picture you can use as well as a website banner (see live demo) to raise awareness.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 16 Mar 2016 22:56:45 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:33;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"WPTavern: How to Connect Your WordPress Powered Site to Apple News Publisher\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52502\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"http://wptavern.com/how-to-connect-your-wordpress-powered-site-to-apple-news-publisher\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5623:\"When Apple News Publisher launched in September, 2015, it partnered with 20 publishers including, ESPN, The New York Times, and CNN. Today, publishers large and small are able to sign up to Apple’s News Publisher program which delivers content from sites to devices running iOS 9 or above. Since its launch, the service has garnered more than 40 million users.
\nAside from its user base, one of the main benefits to syndicating through News Publisher is that content is optimized across all of Apple’s iOS 9 devices, providing a better user experience as opposed to RSS readers that can render content unpredictably.
\nConfiguring Sites for News Publisher
\nThere are three options for publishers to push content to the service. You can use the content creation screen inside of News Publisher, connect an existing site using a plugin, or submit the URL to your site’s RSS feed.
\n![\"News](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/NewsPublisherContentAuthoring.png\")
News Publisher Content Creation Screen\nI submitted the Tavern to News Publisher a few weeks ago and received a notification today that the site is approved. When submitting your site, you’ll need to give Apple your contact phone number and physical address. You’ll also need to upload a PNG logo that’s transparent, less than 2MB in size, and meets Apple’s logo guidelines.
\n![\"News](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/PublisherSubmissionProcess2.png\")
News Publisher Submission Process\nIf you use WordPress and your site is approved, consider using the Publish to Apple News plugin developed by Alley Interactive and other contributing developers. Once installed, visit your channel’s administration page in News Publisher and click on the API Key link. This will give you the three things needed to connect your site.
\n![\"Channel](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/ChannelAPIInfo.png\")
Channel API Information\nLogin to your WordPress site and visit Settings > Apple News and insert the following information into the corresponding fields. Since the field names and order don’t match, I created this short list.
\n- \n
- Channel ID > API Channel \n
- Key ID > API Key \n
- Secret > API Secret \n
From the settings screen, you can configure if the plugin should publish and update articles to Apple News automatically and whether to do it at the same time as WordPress in one action. You can also choose which Post Types are available. At the bottom of the screen, there are a host of design options that enable you to alter the display of how your articles look in Apple News.
\n![\"News](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/NewsPublisherOptionsPage.png\")
News Publisher Plugin Options Page\nI don’t know what the Tavern’s content looks like on News Publisher as I wait for the initial series of posts to be approved. For the time being, the content is styled with the default settings.
\nMonetizing Your Feed
\nTo monetize your News Publisher feed, enable iTunes connect with your developer ID. If you don’t have one, you’ll need to enroll in Apple’s Developer Program Once that’s complete, sign the Apple News Content Agreement and provide your tax and banking information on iTunes Connect. Note, that in order to place ads in your content, you need to publish articles from a CMS like WordPress.
\nIs News Publisher Worth the Hassle?
\nAs a new publisher to Apple’s syndication system, it’s too early to tell if signing up was a waste of time or a benefit to readers. In the next week or two, I’ll report my findings, including feedback from Tavern readers on what they think of the format. Until then, you can subscribe to our channel by opening this link on a device that uses iOS 9 or later. If you subscribe to the Tavern, tell us about your experience in the comments.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 16 Mar 2016 20:46:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:34;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"Matt: Kat Hagan Works Differently\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46347\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://ma.tt/2016/03/kat-hagan-works-differently/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:246:\"\n
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 16 Mar 2016 18:51:19 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:35;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"WPTavern: Dyad: A Beautiful Free WordPress Theme for Photographers and Foodies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52207\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"http://wptavern.com/dyad-a-beautiful-free-wordpress-theme-for-photographers-and-foodies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2976:\"
Dyad is the latest free theme release from the folks at Automattic. It was designed to suit creative websites, with written content and photographs receiving equal treatment.
\nThe theme is actually a fork of Receptar, a theme by WebMan Design. The original split-screen, book-like design for single posts was created to look like a modern cook book.
\nAutomattic designers added a featured content slider to the homepage along with a sticky top navigation menu, among other changes. The featured tag can be set in the customizer. If you don’t want to use the slider, the theme will default to displaying the custom header image (which is set by adding a featured image to the page assigned as the static homepage).
\n![\"dyad-screenshot\"](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/dyad-screenshot.png\")
The homepage sports a grid layout for posts with featured images and excerpts side-by-side. Single posts display the featured image and title at 50% of of the screen with the content on the other half. The layout responds nicely for mobile devices.
\n![\"dyad-single-post-responsive\"](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/dyad-single-post-responsive.png\")
Dyad includes one expandable widget area in the footer. Any widgets dropped into this area will expand to fit one, two, three, or four columns. The footer also includes space for a social links menu with icons available for 26 different social accounts.
\nCheck out a live demo of Dyad on WordPress.com to see the theme in action.
\nOne consideration for using the theme is that you will always need to have large-sized feature images readily available to maintain the design. The optimal size is 1800px x 1280px. This shouldn’t be a problem for photography, cooking, portfolio, or other image-heavy sites. However, if your content is more text-oriented with a few scattered images, you may want to select a different theme.
\nDyad is Automattic’s 87th free theme release on WordPress.org. Full documentation for setting it up is available on the theme’s WordPress.com homepage.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 16 Mar 2016 17:47:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:36;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"WPTavern: White House Seeks Feedback on GitHub for Government-Wide Open Source Software Policy\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52437\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:104:\"http://wptavern.com/white-house-seeks-feedback-on-github-for-government-wide-open-source-software-policy\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3710:\"![\"photo](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/white-house.jpg\")
photo credit: The White House Washington DC – (license)\nThe White House is calling for developers to comment on its proposed draft for a Government-wide Open Source Software policy. In the request for public comment, the White House Office of Management and Budget (OMB) outlined two major goals for the new policy:
\n\nThis policy requires that, among other things: (1) new custom code whose development is paid for by the Federal Government be made available for reuse across Federal agencies; and (2) a portion of that new custom code be released to the public as Open Source Software (OSS).
The pilot program proposed in the draft policy would require “covered agencies to release at least 20 percent of their newly-developed custom code, in addition to the release of all custom code developed by Federal employees at covered agencies as part of their official duties.”
\nSpecifically, the government is asking for feedback on a list of considerations regarding releasing custom code as open source. A few examples include the following:
\n- \n
- To what extent is the proposed pilot an effective means to fuel innovation, lower costs, benefit the public, and meet the operational and mission needs of covered agencies? \n
- Would a different minimum percentage be more or less effective in achieving the goals above? \n
- To what extent could this policy have an effect on the software development market? For example, could such a policy increase or decrease competition among vendors, dollar amounts bid on Federal contracts, or total life-cycle cost to the Federal Government? \n
- What opportunities and challenges exist in Government-wide adoption of an open source policy? \n
Encouraging developers to produce reusable code to be shared across federal agencies could significantly lower development costs and improve government efficiency. It could also promote transparency of the code quality produced by vendors and employees.
\nAfter the embarrassing debacle of Healthcare.gov, which cost taxpayers hundreds of millions of dollars, it’s good to see government embracing open source in an expanded capacity.
\nHow to Contribute
\nYou can join the conversation by participating in discussions on the source code policy GitHub issues or by logging a new issue. The White House even welcomes changes and line edits to the policy content via pull requests.
\nAnyone can contribute on GitHub to help shape the federal source code policy until April 11, 2016. At that time public contributions will be closed and the White House will analyze feedback while creating the final policy.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 15 Mar 2016 22:54:28 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:37;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"WPTavern: Shopify Launches Official Plugin for WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52450\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"http://wptavern.com/shopify-launches-official-plugin-for-wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2620:\"Shopify announced today that the company is jumping into the WordPress market with a new official plugin and three WordPress themes. The Canadian company captures just 8% of the e-commerce technology market share, trailing WooCommerce (31%), Magento (19%), OpenCart (11%), Prestashop (10%), and others (13%).
\nThe new Shopify Buy Button plugin is intended for users who already have a business set up on WordPress and are only looking to sell a few products with a buy button, as opposed to a full-fledged store. It allows users to sell products that have already been added to their Shopify stores and requires a $9/month Shopify Lite subscription.
\n![\"shopify-wp\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/shopify-wp.gif\")
Shopify partnered with Themezilla, Themify, and Ultralinx to build Shopify-powered WordPress themes. The themes are only free to download for a limited time, which leaves users without updates unless they purchase the theme from the commercial provider.
\nThe corresponding plugin is currently hosted on GitHub but is in the process of being reviewed for WordPress.org, according to product representative Daniel Patricio.
\n“Many users have already been using it through the themes for a couple weeks now so we just wanted to get it out there to the rest of our users,” Patricio said. “We are in the review cycle to get it listed and should be up shortly where people will be able to get updates as we add features.”
\nIt is not advisable to use or install the plugin until it is hosted on WordPress.org, as Shopify currently has no way to deliver security updates to users. It is unclear why the company chose to officially launch its new WordPress integration without updates in mind, but this is a major concern. If a vulnerability were discovered, the company has no straightforward way to alert people who have downloaded the plugin from GitHub.
\nWhen asked for an ETA for the plugin’s arrival on WordPress.org, Patricio said, “We don’t have a timeline yet but will be getting it up there soon.”
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 15 Mar 2016 19:23:16 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:38;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:38:\"Matt: What’s in My Bag, 2016 edition\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46172\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"https://ma.tt/2016/03/whats-in-my-bag-2016-edition/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:13433:\"Many people have been requesting an update to my what’s in my bag post from last year. Almost every single item in the bag has changed, this year has had particularly high turnover. We’re still in a weird teenage period of USB-C adoption, and I hope by next year to have many fewer non-USB-C or Lightning cables. Things with a asterisk * are the same from last year. Without further ado:
\n![\"\"](\"http://i0.wp.com/ma.tt/files/2016/02/DSC_1387.jpg?ssl=1\")
- \n
- This is my favorite item of the new year, a Lululemon Cruiser backpack that has a million pockets both inside and outside, and allows me to carry more stuff, more comfortably, and access it faster. Lululemon updates their products and designs every few months, but if you ever spot something like this online or in the store check it out. Hat tip on this one to Rose. \n
- A short Lightning + micro USB cable, which is great for pairing with a battery pack. I sometimes carry a few of these around and give them away all the time, as “do you have a light?” has evolved to “do you have a charge?” in the new millenium. \n
- Short regular USB to USB-C cable. \n
- Belkin Retractable Ethernet. * \n
- Anker USB-C to USB-C cable. Make sure to read the reviews when you buy these to get the ones that do the proper voltage. I can charge a Macbook with this, and the new Nexus 5x, directly from the battery pack or the #43 wall charger. \n
- Mini-USB cable, which I use for the odd older device (like a Nikon camera) that still does mini-USB (that older big one). Would love to get rid of this one. \n
- A charge cable for #45, the Fitbit Charge HR. You can buy these cheap on Amazon, and if you lose it you’re out of luck, so I usually keep a few at home and one in my bag. \n
- This is my goldilocks regular lightning cable, not too long and not too short, 0.5m. \n
- A retractable micro-USB. \n
- Apple Magic Mouse 2, the new one that charges via Lightning, natch. \n
- Way over to the right, a small Muji notebook. \n
- This is a weird but cool cable, basically bridges USB to Norelco shavers. I use a Norelco beard trimmer and for some reason all of these companies think we want to carry around proprietary chargers, this is a slightly unwieldy cable but better than carrying around the big Norelco power brick. \n
- Lockpick set. * \n
- Lavender mint organic lip balm from Honest Co, which I think I got for free somewhere. \n
- Aesop rosehip seed lip cream, which I bought mostly for the smell, when it’s done I’ll probably switch to their lip balm. (I should do a cosmetics version of this for my dopp kit, it’s had lots of trial and error as well.) I love Aesop, especially their Resurrection line. \n
- Aveda Blue Oil that I find relaxing. * \n
- Short thunderbolt to thunderbolt cable, which is great for transferring between computers. * \n
- Muji international power adapter, much simpler, lighter, and cooler than what I used before. \n
- Way on the top right, this is probably the least-travel-friendly thing I travel with, but the utility is so great I put up with it. It’s the Sennheiser Culture Series Wideband Headset, which I use for podcasts, Skype, Facetime, Zoom, and Google Hangout calls with external folks and teams inside of Automattic. Light, comfortable, great sound quality, and great at blocking out background noise so you don’t annoy other people on the call. Worth the hassle. \n
- A customized Macbook Pro 15″, in space grey, with the WordPress logo that shines through. \n
- Belkin car mount, which is great for rentals. * \n
- A USB 3.0 SD / CompactFlash / etc reader. \n
- microSD to SD adapter, with a 64gb micro SD in it. Good for cameras, phones, and occasionally transferring files. Can be paired with the card reader if the computer has a USB port but not a SD reader. When you get a microSD card it usually comes with this. \n
- One of my new favorite things: DxO One camera. It’s a SLR-quality camera that plugs in directly to the lightning port on your iPhone, and can store the photos directly on your phone. Photo quality is surprisingly good, the only problem I’ve had with it is the lightning port pop-up will no longer close. The other similar device I tried but wasn’t as good was the Olympus Air A01, so I just carry around the DxO now. \n
- TP-LINK TL-WR702N Wireless N150 Travel Router, which works so-so. Not sure why I still carry this, haven’t used it in a while. * \n
- Aukey car 49.5W 3-port USB adapter, which has two high-powered USB ports and a Quick Charge 3.0 USB-C port. \n
- My favorite external battery right now, the RAVPower 20100mAh Portable Charger, also with Quick Charge 3.0 and a USB-C port. This thing is a beast, can charge a USB-C Macbook too. \n
- Kindle Voyage with the brown leather cover. * \n
- Macbook power adapter. \n
- Very cool Sennheiser Momentum Wireless headphones in ivory,customized with the WordPress logo. I’m testing this out as a possible gift for Automatticians when they reach a certain number of years at the company. For a fuller review, see this post. \n
- Cotopaxi water bottle that I got for free at the Summit at Sea conference. The backpack has a handy area to carry a water bottle, and I’ve become a guy who refills water bottles at the airport instead of always buying disposable ones. \n
- Special cord for the #30 Momentum headphones. \n
- Retractable 1/8th inch audio cable. * \n
- Powerbeats 2 Wireless headphones that I use for running, working out, or just going around the city. \n
- Belkin headphone splitter, for sharing audio when watching a movie on a plane. * \n
- Chromecast audio, which I’ve never used but it’s so small and light I carry it around just in case. \n
- Chromecast TV, which I’ve also never used but also small and light and I’m sure it’ll come in handy one of these days. \n
- Verizon iPhone 6s+, which is normal, but the new thing here is I’ve stopped carrying a wallet, and a separate phone case, and now carry this big ‘ol Sena Heritage Wallet Book. At first I felt utterly ridiculous doing this as it feels GINORMOUS at first, but after it wore in a little bit, and I got used to it, it’s so freeing to only have one thing to keep track of, and it’s also forced me to carry a lot less than I used to in my wallet. \n
- Maison Bonnet sunglasses. Hat tip to Tony. \n
- Stickers! Wapuu and Slack. \n
- Bucky eye shades, like an eye mask but has a curve so it doesn’t touch your eyes. I don’t use this often but when I do it’s a life-saver. * \n
- My favorite USB wall plug, after trying dozens, is this Aukey 30W / 6A travel wall charger. I love the foldable plug, and it’s really fast. \n
- I generally only have one wall charger, but temporarily carrying around this Tronsmart 33W USB-C + USB charger with Quick Charge 3.0, which can very quickly charge the battery or the Nexus, and a Macbook in a pinch. Hopefully will combine this and #42 sometime this year. One thing I really dislike about this item is the bright light on it, which I need to cover with tape. \n
- The only pill / vitamin / anything I take every day: Elysium Health Basis. I’m not an expert or a doctor, but read up on them and the research around it, pretty interesting stuff. \n
- Fitbit Charge HR. I gave up on my Apple Watch. I’ll probably try the Fitbit watch when it comes out. My favorite feature is the sleep tracking. Least favorite is the retro screen, and that it doesn’t always show the time. \n
- Double-sided sharpie (thick and thin point) and a Muji pen. \n
- Westone ES49 custom earplugs, for if I go to concerts or anyplace overly loud. * \n
- Some index cards, good for brainstorming. \n
- Passport. * As Mia Farrow said about Frank Sinatra, “I learned to bring my passport to dinner.” \n
- Jetpack notebook, I like to have a paper notebook to take notes, especially in group or product meetings, because there isn’t the distraction of a screen. \n
- Nexus 5x, which is definitely one of the better Android devices I’ve had, paired with Google Project Fi phone / data service, which has saved me thousands of dollars with its $10/gb overseas data pricing. Since my iPhone is so huge, I tried to go for a smaller Android device. I always travel with both in case something happens to one phone, for network diversity, and as I said this has better international data pricing than Verizon. \n
- Business card holder. * \n
- Post-it notes. \n
All in all 13 items stayed the same, the other 40 are new to this edition.
\n
That’s a wrap, folks! If you have any questions or suggestions please drop them in the comments. Once my no-buying-things moratorium for Lent is over I can start trying new things out again.
\nUpdate 2016-03-26: A few people have asked how much the bag weighs with all of this stuff in it. I didn’t weigh it at the time of the photo, but at the airport the other day I put it on the luggage scale and it came in at 16 pounds, which is probably close enough. The pockets on the Lululemon backpack distribute the “stuff” pretty well and it doesn’t feel heavy at all, and doesn’t stick out too far on my back.
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 15 Mar 2016 17:24:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:39;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"WPTavern: Tickets for WordCamp Jacksonville 2016 Now on Sale\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52421\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:70:\"http://wptavern.com/tickets-for-wordcamp-jacksonville-2016-now-on-sale\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2514:\"![\"wordcamp-jacksonville\"](\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/wordcamp-jacksonville.png\")
Florida hosts some of the most successful and longest-running WordCamps in the US with events in Miami, Orlando, and Tampa Bay. Jacksonville, the largest city in Florida with a population of more than 800,000, will be hosting its very first WordCamp. The event will be held April 16-17 downtown at the Florida State College campus.
\nAccording to Frank Corso, lead organizer for the WordCamp and an organizer of the Gainesville WordPress Meetup, the team is planning for 250 attendees. The WordPress community in northern Florida is working together to make the event happen.
\n“One of the co-organizers is the organizer of the local WPjax meet-up group and another organizer is the organizer of another city’s WP meetup group,” Corso said. “A few of us started talking at WordCamp Miami 2015 and realized that we really wanted to have a local WordCamp in our area. So, we reached out some others in the Jacksonville area to see if there was enough demand for it. We received a large amount of support for it and decided to proceed.”
\nLast week the event’s organizers introduced the first round of speakers, which includes local tech entrepreneurs and WordPress community leaders from around Florida. The deadline for speaker applications has passed, but organizers are still looking for volunteers and sponsors.
\nWordCamp Jacksonville tickets went on sale today, but there are only 250 available due to venue capacity. Follow @WordCampJax and the #wcjax hashtag on Twitter for all the latest news.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 14 Mar 2016 22:34:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:40;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"WPTavern: When Contributing to WordPress Full-Time Leads to Burnout\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52409\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"http://wptavern.com/when-contributing-to-wordpress-full-time-leads-to-burnout\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4014:\"![\"Burnout](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/BurnoutFeaturedImage.png\")
Fireplace 4 – (license)\nAs a distributed worker, one of the toughest obstacles I face is burnout. It’s one of the reasons I took a month off from all things WordPress. According to Merriam-Webster, burnout is, “the condition of someone who has become very physically and emotionally tired after doing a difficult job for a long time.” Once burnout sets in, it’s tough to recover without avoiding the job completely.
\nDrew Jaynes, WordPress core developer, describes how contributing to the WordPress project full-time led to burnout.
\n“Here’s the thing: burnout is a real struggle. And when you’re working on something full-bore, 100 percent of the time, and you burnout, there aren’t a lot of good options to help combat that except to keep pressing on and try to get your groove back,” Jaynes said.
\nRecognizing the signs that burnout is imminent is an important step towards avoiding it, “I typically realize I’m burned out when I basically lose interest in whatever thing I’d been previously passionate about. Burnout is the result of going at something too hard for too long. And then when you stop, getting started again is a struggle,” he said.
\nJaynes realized it was time to move on from full-time contributing to something new after experiencing burnout three times in seven months. Although he will continue to contribute back to WordPress, it will be in a more limited role as he focuses on products.
\nHow Matt Mullenweg Avoids Burnout
\nPeople combat burnout differently based on their individual circumstances. When asked how he combats burnout in an Ask Me Anything segment in September 2015, Matt Mullenweg, CEO of Automattic, responded:
\n\nEverything is connected, so if one of ( health | diet | relationships | family | work | soul | creative outlet ) is running on empty for too long, it will impact the others and you might end up treating the symptom rather than the cause. Recovery always comes from the people around you who give you unconditional love and support, which I’ve been lucky to have since I was an infant.
\nTo avoid it now I try to take small mini-breaks frequently, be that a ten minute meditation every day, jogging a few times a week, or taking a few days to recharge once a month. I find that’s better (and less stressful) than trying to do a big blow-out reset or vacation once a year. Conversely, a lot of times when people think I’m on vacation I’m actually working as much or more than when I’m at home, just from a more interesting location (often with fewer distractions). Funnily enough I’m more likely to actually take time off and unplug at home, and more likely to be working when in an exotic location.
I work for a company that has an unlimited vacation policy. I took advantage of it by taking a month off to clear my mind to help me refocus and it worked wonders for my mental well-being. If you feel it’s necessary and your employer has a similar policy, don’t be afraid to ask for some time off to regroup. What do you do to combat burnout? Please share your advice in the comments.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 14 Mar 2016 22:05:50 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:41;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"Matt: Addicted to Distraction\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46355\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"https://ma.tt/2016/03/addicted-to-distraction/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:665:\"\nAddiction is the relentless pull to a substance or an activity that becomes so compulsive it ultimately interferes with everyday life. By that definition, nearly everyone I know is addicted in some measure to the Internet. It has arguably replaced work itself as our most socially sanctioned addiction. […]
\nDenial is any addict’s first defense. No obstacle to recovery is greater than the infinite capacity to rationalize our compulsive behaviors.
Oldie but goodie from the New York Times, Addicted to Distraction.
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 14 Mar 2016 18:57:38 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:42;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:65:\"WPTavern: WordPress Global Translation Day Set for April 24, 2016\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=51996\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"http://wptavern.com/wordpress-global-translation-day-set-for-april-24-2016\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4941:\"![\"photo](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/08/globe.jpg\")
photo credit: . Entrer dans le rêve – cc\nThe WordPress Polyglots team is planning its first ever Global Translation Day to be held April 24, 2016, in every timezone around the globe. The 24-hour translation sprint will start at dawn in the East and end in the West. In addition to translating strings, organizers are also looking to grow the translation teams and educate new translators. They have identified the following three goals for the event:
\n- \n
- Show people who are interested in translating WordPress in their language how to get involved \n
- Translate and validate the waiting strings for current projects under the supervision of the current General translation editors \n
- Add more general translation editors to different translation teams \n
The Global Translation Day is an ambitious undertaking that involves coordinating a 24-hour live stream of tutorials about translating WordPress in different languages, as well as local, on-site contributor teams.
\n“Not very many people know how big the translation efforts around WordPress are, how dedicated our volunteer Translation Editors are to making sure we have quality, consistent software translations,” Polyglots contributor Petya Raykovska said. “We wanted the Global Translation Day to shed a bit of light on that and especially on the local teams.
\nGrowing the WordPress Platform by Making it More Internationally Accessible
\nThe Polyglots team is slowly chipping away at the world’s most widely spoken languages to provide core, theme, and plugin translations for users in their own languages.
\n“We have many languages that need a lot of help,” Raykovska said. “Our Japanese, German, French, Dutch, Spanish, Portuguese teams are amazing, these are active 100% translated locales,” she said. “But when it comes to plugin and theme translations, that’s where the demand is greatest.
\n“On the other hand, we have languages that need help for WordPress core. All the Indian languages can use a huge push, our African and Asian languages need help.”
\nThe progress of each locale is tracked on the Translation Teams page, displaying the percentage of strings translated for each.
\n![\"translations\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/translations.png\")
“Some of the biggest languages in the world are represented in this chart and if we got them to 100% that could have a huge impact on WordPress itself,” Raykovska said.
\n“If you remember the big jump WordPress did in 2011 and then in 2014, when international downloads surpassed English downloads, half of those international downloads were for Japanese,” she said.
\n“Now imagine what impact languages like Chinese, Hindi (and other Indian languages) and other languages in countries where English is not a default language, can have. The Global WordPress Translation day is about making WordPress accessible to more people and also about helping the platform’s growth,” Raykovska said.
\nThe Polyglots are calling all multilingual contributors to join in the event. Raykovska reports that so far they have more than 60 teams committing to take part, with 10 mini-contributor days held locally and more incoming. The Polyglots are also planning to host remote events where local teams use their own Slack channels to onboard contributors and work on translations.
\nContributors can choose from a number of ways to get involved. You can record a video in your language for the promotion clip, volunteer to do a live stream talk about translating WordPress into your language, organize a local contributor day, or get involved with the main organization.
\nIf you have the language skills to participate in the translation sprint, it’s one of the easiest ways to start contributing to WordPress and help prepare the platform for its next major international leap. Join #polyglots on Slack to connect with the team.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 14 Mar 2016 18:11:02 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:43;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Matt: Changelog Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46350\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"https://ma.tt/2016/03/changelog-podcast/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:575:\"I know a lot of people are on their way to SxSW right now, here’s a podcast I joined called The Changelog you can download and check out on the way there (or back). It’s a bit more technical than the interviews I normally do, we talk about Javascript, Calypso, the philosophy of open source and WordPress, some of the thinking behind Automattic’s acquisitions, and my favorite programming books. I hope you can check it out, Adam and Jerod did a great job on this one.
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 12 Mar 2016 02:17:19 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:44;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"WPTavern: In Case You Missed It – Issue 4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://wptavern.com?p=52368&preview_id=52368\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"http://wptavern.com/in-case-you-missed-it-issue-4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6892:\"photo credit: Night Moves – (license)\nThere’s a lot of great WordPress content published in the community but not all of it is featured on the Tavern. This post is an assortment of items related to WordPress that caught my eye but didn’t make it into a full post.
\nJustin Tadlock Announces Simpler Pricing
\nJustin Tadlock revamped his pricing model for his Plugin Developer and Theme Designer plugins. Based on two months of feedback, Tadlock removed the pricing tiers in favor of a single price. Both plugins are $90 and come with source files, one year of support, and access to the Theme Hybrid Slack channel.
\nExisting customers have already been upgraded and can take advantage of the new perks. What’s nice is that Tadlock is giving those who purchased the plugins for $125 a partial refund of $35 to make up the difference.
\nUsing WordPress to Break The Silence
\nMahangu Weerasinghe, who works at Automattic as a Happiness Engineer, published a fantastic essay on HeroPress this week that describes how WordPress helped him break his silence. Weerasinghe suffers from stuttering and as a result, remained silent even if he had something to say. It’s an inspirational story and the best content I’ve read all week. There are many quotable spots in the post, but this is my favorite.
\n\nThere are a lot of things we cannot control in this world, many forces at work that we cannot even see. But, as members of this community, I think we can content ourselves with this thought:
\nBecause of the GPL, and the way it works, WordPress will be available as a publishing platform for decades to come, and long after the next social network comes and goes, for as long as the Internet remains free and accessible, anyone with WordPress will be able to have their say.
\nWhat WordPress did for me, it can do for others. And that’s why we need to keep going.
\nBecause every silence can be overcome.
Congrats Weerasinghe on defeating the silence and helping others to do the same.
\nAutomattic Acquires Pressable
\nAutomattic has purchased the rest of Vid Luther’s common stock shares in Pressable and has effectively acquired the company. Chris Lauzon, a Happiness Engineer at Automattic, is the company’s interim CEO. Be sure to read Matt Mulleweng’s statement which clearly indicates to me that the company is not part of Automattic’s long-term interests.
\nMatt Mullenweg in The Irish Times
\nCiara O’Brien interviewed Matt Mullenweg when he visited Dublin, Ireland to speak at an Irish Software Association event. It’s one of the better interviews I’ve read in recent memory and if you know Matt well enough, you can tell which parts of the interview he showed his sense of humor.
\nFor example, when asked how he relaxes and switches off work mode, he responds “Well, this is lovely. We have tea and little cookies.” I can almost guarantee you that he chuckled while making that remark.
\nIntrovert Reviews Pressnomics
\nJeff Matson, who leads the documentation efforts for Rocketgenius, documented (pun intended) his experience at Pressnomics 4. Thanks to his involvement in the community the past few years, people recognized him and started conversations with him instead of the other way around.
\n\nI’m the nerd with the thick glasses, overgrown beard, and a hoodie; the guy who lives in a rather small apartment, drives a Kia, and shops at outlet malls. To put it simply, I’m your typical every-day middle-class 20-something guy. Certainly not the typically targeted clientele for such a high level business-centric conference.
Yet, he had a great time and strengthened relationships and created new ones with members of the community. As a friend, it’s great to see Jeff make large strides both in his professional and personal life.
\nCo-Organizing WordCamp Miami
\nDavid Bisset shares his experience co-organizing one of the largest WordCamps in the US. According to a recent tweet, the team is already making plans for WordCamp Miami, FL 2017.
\n\n\nOne of the reasons #wcmia organization team is so great: post-conference planning meetups. 2017 planning has begun. pic.twitter.com/NZF31TRNOj
\n— David Bisset (@dimensionmedia) March 11, 2016
Wapuu of the North!
\nAs a traditional part of this series, I end each issue by featuring a Wapuu design. For those who don’t know, Wapuu is the unofficial mascot of the WordPress project. St. Patrick’s day is right around the corner, so what better way to celebrate than with a Wapuu with Irish roots. Meet, The Wapuu of the North.
\nThe Wapuu of the North was created by Peter of 1440 Design for WordCamp Belfast, Ireland. This particular Wapuu has quite the head of hair!
\n![\"belfast_wapuu\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/belfast_wapuu.jpg\")
That’s it for issue four. If you recently discovered a cool resource or post related to WordPress, please share it with us in the comments.
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\nThe theme features a full-screen background image with action buttons in the first major section. Scrolling further down reveals an about section, services, a video lightbox, an animated counter, team section, latest news, and contact form (powered by Contact Form 7).
\n![\"onepress\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/onepress.png\")
All of the sections can be easily configured in the customizer and each has design options such as overlay color and opacity, section titles and subtitles, number of columns, and more. You can elect to hide any of the sections that you don’t want to use.
\nAlso, if you’re not a fan of the parallax animations, there are options to disable them per element or globally for all the animations in the theme. You can also disable the sticky header when scrolling.
\n![\"onepress-customizer\"](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/onepress-customizer.png\")
OnePress includes controls in the customizer for setting social profiles in the footer. It also includes a setting for pasting in a MailChimp Action URL for a newsletter signup form.
\nCheck out a live demo of OnePress and click the menu items or scroll to view all of the sections. You can also toggle through desktop, tablet, and mobile views. Its smooth responsiveness and mobile-friendly menu are powered by Bootstrap.
\nOnePress is an excellent example of how a single-page WordPress theme can be easily configurable via WordPress’ native customizer. It is available for download from WordPress.org or via your admin theme browser. The OnePress homepage on FameThemes has thorough documentation for setting up each of the sections.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 11 Mar 2016 22:10:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:46;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"WPTavern: WordPress 4.5 Improves Comment Moderation Screens\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52295\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"http://wptavern.com/wordpress-4-5-improves-comment-moderation-screens\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6151:\"![\"comments\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/08/comments.png\")
Building on the momentum generated from the WordPress 4.4 development cycle, WordPress 4.5 includes a number of enhancements to comments. In a post on the Make Core blog, Rachel Baker explains the changes and what to expect.
“WordPress 4.5 includes several ancient bug fixes and a few enhancements in the Comments component. We have closed 25 tickets,” Baker said.
\nThe biggest change users will notice are the design improvements to the comment moderation screen when clicking one of the available links in a comment moderation email. Instead of appearing as a large block of plain-text, comments are formatted as long as they contain the following HTML elements.
\n- \n
- A – Links \n
- Abbr – Abbreviations \n
- Acronym – Defines an acronym \n
- B – Bold \n
- Blockquote – Specifies a section that is quoted from another source \n
- Cite – Defines the title of a work \n
- Code – Defines a piece of computer code \n
- Del – Defines text that has been deleted from a document \n
- Em – Emphasizes text \n
- I – Italicize \n
- Q – Defines a short quotation \n
- S – Specifies text that is no longer correct \n
- Strike – Defines strikethrough text \n
- Strong – Defines important text \n
During testing, I noticed that in some cases, the text still appears in a large block as if the paragraph tag is ignored. I’ve already reported this issue to Baker who is looking into it. As you can see, the text that is bold, blockquoted, linked, and italicized, maintains its formatting on the moderation screen.
\n![\"Formatted](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/CommentFormattingOnModerationScreen.png\")
Formatted Text On The Comment Moderation Screen\nIn addition to visual enhancements, an Edit Comment link was added to the bottom of the comment. In the future, it would be nice to edit a comment in place during the moderation flow, similar to how Quick Edit works, instead of navigating to a different screen. Other notable changes include:
\n- \n
- Updated message styles that match other screens. \n
- The comment date is only wrapped in a link if the comment permalink exists. \n
#wpbody-contentis appended to comment moderation email links for accessibility. \n- The
rel=nofollowattribute and value pair will no longer be added to relative or same domain links withincomment_content. \n WP_Comment_Querynow supports theauthor_urlparameter. \n- The new
pre_wp_update_comment_count_nowfilter allows you to bail out of updating the comment count for a given Post. \n
Maximum Comment Field Length
\nThose who publish lengthy comments will be happy to know that in WordPress 4.5, “the comment fields will enforce the maximum length of each field’s respective database column with hardcoded attributes. The hardcoded limits can be adjusted to accommodate custom database schemas using the comment_form_default_fields filter,” Baker said. By default, the limits are as follows:
- \n
- Comment: 65525 characters \n
- Name : 245 characters \n
- Email: 100 characters \n
- Url: 200 characters \n
When comments are submitted in 4.5, they’ll be checked by the new wp_get_comment_fields_max_lengths() function and the wp_get_comment_fields_max_lengths filter. If a value is more than the limit, a WP_Error is displayed. If a user publishes a comment and sees an error page, they’ll be able to navigate back to their comment via a link rather than having to use their browser’s back button.
![\"Comment](\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/CommentErrorNavigation.png\")
Comment Error Page Navigation\nIt’s great that comments continue to receive attention, even if there’s a long way to go. Unfortunately, the ability to send a notification email when a comment is approved from moderation was punted to a future release. I’m looking forward to reviewing plugins that allow users to easily configure the comment length limits as seen above. It would be nice to configure the limits so spammers see an error message because of their comment’s length rather than being placed into the moderation queue.
\nTo see and test these improvements yourself, download and install WordPress beta 3 on a test site. If you think you’ve discovered a bug, please create a new post on the Alpha/Beta area of the support forums. What do you think of these changes to comments in WordPress 4.5?
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 11 Mar 2016 20:07:32 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:47;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"WPTavern: GitHub Now Supports Emoji Reactions for Pull Requests, Issues, and Comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52304\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"http://wptavern.com/github-now-supports-emoji-reactions-for-pull-requests-issues-and-comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3903:\"Last month GitHub finally responded to the open letter on issue management that has now been signed by nearly 2,000 open source project maintainers. GitHub officially apologized for the lack of communication and promised to add new features and iterate on the core experience.
\nShortly after acknowledging the letter, GitHub introduced templates for issues and pull requests, which allow project maintainers to guide contributors towards submitting more meaningful contributions.
\nOne of the other major requests included in the open letter was a voting system to declutter +1’s from issues. While the +1’s constitute valuable feedback, maintainers need a better UI to help make these conversations easier to read.
\nGitHub has now answered this request by adding emoji reactions to pull requests, issues, and comments. Emoji support is nothing new but organizing it into reactions helps keep comments more manageable:
\n\nIn many cases, especially on popular projects, the result is a long thread full of emoji and not much content, which makes it difficult to have a discussion. With reactions, you can now reduce the noise in these threads.
Reactions are currently limited to six emoji that are commonly used in GitHub conversations:
\n![\"github-reactions\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/github-reactions.gif\")
Going forward, emoji reactions should make life easier for project maintainers, as they provide a quick way to assess consensus. If contributors embrace emoji reactions, the new feature can help maintainers gauge how widespread a bug is. They also serve to highlight the most helpful comments in a conversation.
\nEmoji reactions, which were also recently adopted by Slack and Facebook, are making their way into more applications as an alternative way of offering feedback. Path was one of the first social apps to offer reactions in 2012. Buzzfeed has taken the feature to a new level with the addition of gif reaction options at the end of articles:
\n![\"buzzfeed-reactions\"](\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/buzzfeed-reactions.png\")
A feature that was once limited to social networks is now changing communication in the workplace by facilitating conversations for large groups of people. While emoji reactions offer people more ways of expressing themselves, they can also serve as a metric, a gauge, and a voting system.
\nThe new Reactions feature plugin for WordPress received no small amount of criticism when it was introduced earlier this week. Even if the plugin never reaches the proposal stage, the conversation about the value of emoji reactions in modern communication is worth having.
\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 11 Mar 2016 16:10:15 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:48;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"Matt: From Silence to Publishing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46343\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"https://ma.tt/2016/03/from-silence-to-publishing/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:722:\"\nMy parents first noticed my stutter when I was three years old. For the longest time, I thought I would one day be rid of it. I went for speech therapy, I did fluency exercises, I prayed. But now, at age thirty, I’m fairly confident that it’s here to stay. […]
\nSomehow, as I progressed through high school, the expectant pauses of those listening to me were more difficult to bear that the nicknames and name calling. Often, I would not speak up, even when I had something I wanted to say.
\nMy default setting was silence.
Read the rest of Mahangu Weerasinghe’s story, Breaking the Silence.
\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 10 Mar 2016 22:48:42 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:49;a:6:{s:4:\"data\";s:13:\"\n \n \n \n \n \n \n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"Post Status: Automattic has purchased a majority stake in Pressable\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"https://poststatus.com/?p=22262\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"https://poststatus.com/automattic-pressable/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5218:\"Automattic has purchased a majority stake in Pressable, one of the earliest managed WordPress hosting companies, founded in 2010. They were first known as ZippyKid, and rebranded in 2013.
\nAutomattic was already a shareholder in Pressable, most recently as the primary investor of a $1.5 million round in April of 2015.
\nTechnically, Automattic purchased common stock shares from Vid Luther, the CEO of Pressable. The monetary value of that common stock was, “enough to be debt free,” according to Vid. He owned about 37% of the company, or 4.5 million shares of 7 million shares of common stock (versus preferred shares). The company has also been in debt, reportedly close to $1 million worth.
\nAutomattic is now the majority owner of Pressable, and since Vid sold his shares, this is effectively an acquisition, and Automattic will be able to set the direction of the company from now on. Chris Lauzon, a Happiness Engineer at Automattic, is the interim CEO. There are other smaller investors in Pressable whom maintain their shares in the company, and it’s unknown what those investors will do.
\nWhen I confirmed the exit with Vid, he said, “This is the best thing that I could have done for my family, or myself.” He was burning the candle at both ends, working twice as much as he wanted to be working, and wasn’t seeing the growth and success that he dreamed of for so many years. Pressable has always done okay in the managed WordPress market, but never outpaced quick-growth and heavily funded WP Engine, or the first entry to the market, Pagely. But Pressable has not been in a position of strength for a really long time.
\nPagely, WP Engine, and Pressable were really the first three into the market of managed hosting — a market that now includes nearly every big name host. It’s fascinating to see the different directions they’ve gone since. WP Engine has raised nearly $40 million over the years and gone for scale (Automattic also invested in their Series A), while Pagely has bootstrapped the whole way and really hit their stride in the last couple of years with a move to the higher end of the market. Dozens of managed hosting companies exist today.
\nThe work these three companies put into the early managed market got the attention of the biggest players in the market, like GoDaddy and EIG (owner of BlueHost, HostGator, and many more). Pressable fought hard, and Vid’s exit from the company comes after a long road with many challenges.
\nPressable has long been on Rackspace infrastructure, as Vid had relationships with them going back a long time; that infrastructure suffered a few catastrophic outages from attacks that cost Pressable quite a few customers in January 2015, stunting progress.
\nThey nearly sold Pressable to WP Engine about two years ago, and decided against it at the 11th hour. The financing round last year was a period of rejuvenation for them, after a troubled period between the malicious attacks on their infrastructure and some internal issues, and the team was looking forward to new opportunities moving forward, including a potential focus on hosting catered for eCommerce with WordPress.
\nSpeaking to an agency owner with clients at Pressable, they told me they believe they, “always struggled to find their voice and audience in a space that quickly filled up.” I agree with the observation.
\nPressable’s revenues were under $2 million per year, and they have a team of about 10 people. Vid is no longer at the company; his last day was March 7th. It remains to be seen exactly what direction Automattic will take the company, though I presume it will continue business as usual for now, like they did after the WooThemes acquisition. While Automattic now owns the company, Matt Mullenweg made it clear to me that it’s not in their long term interest to be significantly involved in the traditional hosting business.
\nMatt Mullenweg gave the following statement about the purchase:
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Chris Lauzon, a Happiness Engineer at Automattic, has been temporarily working with the Pressable team to get everything in order, especially on the support side. Automattic continues to enjoy working with and supporting many great WordPress hosts, and we expect that Pressable will be able to operate fully independently in the future.
The release candidate for WordPress 4.5 is now available.
\nWe’ve made 49 changes since releasing Beta 4 a week ago. RC means we think we’re done, but with millions of users and thousands of plugins and themes, it’s possible we’ve missed something. We hope to ship WordPress 4.5 on Tuesday, April 12, but we need your help to get there.
\nIf you haven’t tested 4.5 yet, now is the time!
\nThink you’ve found a bug? Please post to the Alpha/Beta support forum. If any known issues come up, you’ll be able to find them here.
\nTo test WordPress 4.5, you can use the WordPress Beta Tester plugin or you can download the release candidate here (zip).
\nFor more information about what’s new in version 4.5, check out the Beta 1, Beta 2, Beta 3, and Beta 4 blog posts.
\nDevelopers, please test your plugins and themes against WordPress 4.5 and update your plugin’s Tested up to version in the readme to 4.5 before next week. If you find compatibility problems, we never want to break things, so please be sure to post to the support forums so we can figure those out before the final release.
\nBe sure to follow along the core development blog, where we’ll continue to post notes for developers for 4.5.
\nFree as in Freedom
\nIt is WordPress 4.5
\nAlso free as in beer
WordPress 4.5 Beta 4 is now available!
\nThis software is still in development, so we don’t recommend you run it on a production site. Consider setting up a test site just to play with the new version. To test WordPress 4.5, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can download the beta here (zip).
\nFor more information on what’s new in 4.5, check out the Beta 1, Beta 2, and Beta 3 blog posts, along with in-depth field guides on make/core. This is the final planned beta of WordPress 4.5, with a release candidate scheduled for next week.
\nSome of the changes in Beta 4 include:
\n- \n
- Add support for oEmbed moments and timelines from Twitter (#36197). \n
- More changes to better support HHVM with Imagick. Please test with HHVM setups and resizing/rotating images (#35973). \n
- Tightened up the Inline Link feature (#33301, #30468). \n
- Support
<hr>editor shortcut with 3 or more dashes (---); no spaces. To give more time to study the best shortcuts for users, text patterns for bold and italic have been removed and won’t ship with for 4.5 (#33300). \n - Fixes for SSL with Responsive Images. Please test with SSL, especially on sites with mixed http/https setups (#34945). \n
- Allow rewrite rules to work in nested WordPress installations on IIS (#35558). \n
- Various bug fixes. We’ve made almost 100 changes during the last week. \n
If you think you’ve found a bug, you can post to the Alpha/Beta area in the support forums. We’d love to hear from you! If you’re comfortable writing a reproducible bug report, file one on the WordPress Trac. There, you can also find a list of known bugs.
\nHappy testing!
\nLlegamos al fin
\ndel tiempo pa’ beta
\n¡Pruébalo Ahora!
WordPress 4.5 Beta 3 is now available!
\nThis software is still in development, so we don’t recommend you run it on a production site. Consider setting up a test site just to play with the new version. To test WordPress 4.5, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can download the beta here (zip).
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- Whitelist IPTC, XMP, and EXIF profiles from
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INSERT INTO `wp_posts` VALUES (1,1,'2011-02-26 19:44:10','2011-02-26 19:44:10','Welcome to WordPress. This is your first post. Edit or delete it, then start blogging!','Hello world!','','draft','open','open','','hello-world','','','2011-02-27 17:14:20','2011-02-27 17:14:20','',0,'http://catalog.org.uk/?p=1',0,'post','',1),(2,1,'2011-02-26 19:44:10','2011-02-26 19:44:10','\r\n\r\nContents\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise IF I KNEW THEN WHAT I KNOW NOW (2011-2012) to a monthly online image-broadcast We interrupt this transmission (2012 to date). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n
![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" "\\"INSERT")
\r\n\r\n ','Contents','','publish','closed','closed','','contents','','','2014-02-21 14:01:25','2014-02-21 14:01:25','',0,'http://catalog.org.uk/?page_id=2',0,'page','',0),(283,2,'2012-06-03 12:10:15','2012-06-03 12:10:15','\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012). By creating systems to openly test ideas, CATALOG invites participation conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-16','','','2012-06-03 12:10:15','2012-06-03 12:10:15','',2,'http://catalog.org.uk/2-revision-16/',0,'revision','',0),(189,3,'2011-12-12 22:28:51','2011-12-12 22:28:51','Joyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager Communications at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project. She currently works at the Design Archives in University of Brighton.\r\n
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\n\n...or something like this:\n\nThe XYZ Doohickey Company was founded in 1971, and has been providing quality doohickies to the public ever since. Located in Gotham City, XYZ employs over 2,000 people and does all kinds of awesome things for the Gotham community.
\n\nAs a new WordPress user, you should go to your dashboard to delete this page and create new pages for your content. Have fun!','Sample Page','','inherit','open','open','','2-revision','','','2011-02-26 19:44:10','2011-02-26 19:44:10','',2,'http://catalog.org.uk/?p=4',0,'revision','',0),(5,1,'2011-02-27 15:20:49','2011-02-27 15:20:49','Function\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" "\\"WE")
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[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" "\\"IF")
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\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" "\\"CATALOG_FiveYears2_lowres\\"")
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\r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" "\\"CATALOG_IFIKNEW_studio1\\"")
\r\n\r\n
\r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n','Journal','','publish','closed','closed','','journal','','','2014-02-11 15:59:29','2014-02-11 15:59:29','',0,'http://catalog.org.uk/?page_id=7',0,'page','',0),(8,1,'2011-02-27 15:21:00','2011-02-27 15:21:00','','Journal','','inherit','open','open','','7-revision','','','2011-02-27 15:21:00','2011-02-27 15:21:00','',7,'http://catalog.org.uk/?p=8',0,'revision','',0),(9,1,'2011-02-27 15:21:20','2011-02-27 15:21:20','Index\r\n\r\nA\r\nAfterall\r\nAnna Lucas\r\nArt Licks\r\nArtSlant\r\nAxis\r\nAIR\r\nA Million Minutes\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\nDuncan Whitley\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\n\r\nN\r\nno.w.here \r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\nSwiss Cottage Library\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ\r\n','Index','','publish','closed','closed','','index','','','2014-10-27 19:44:45','2014-10-27 19:44:45','',0,'http://catalog.org.uk/?page_id=9',0,'page','',0),(10,1,'2011-02-27 15:21:14','2011-02-27 15:21:14','','Auto Draft','','inherit','open','open','','9-revision','','','2011-02-27 15:21:14','2011-02-27 15:21:14','',9,'http://catalog.org.uk/?p=10',0,'revision','',0),(11,1,'2011-02-27 15:21:53','2011-02-27 15:21:53','Communicate\r\n\r\n\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, project manager and organiser of exhibitions and events. She is interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce is a manager at Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist who works across a wide range of media. Her practice often proposes a subtle interruption of existing contexts, archives, and broadcast media. Recent projects and exhibitions have included: Inside the book an ever-changing spectacle unfolds (2015), Swiss Cottage Library; The Aphotic Zone (2014/2015), ‘The London Open’, Whitechapel Gallery, London; The Star and the Glow Worm (2015), AIR Central Saint Martins; Apex (2014), Tintype Gallery, London; Another way of reading (2014), Swiss Cottage Library; The Black Friar (2013), screened as part of ‘An Endless Volume’ Invisible Fabrick, Lazar House, Norwich; and NOCTURNES (2013), a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR Central Saint Martins and Islington Council. Also in 2013, THE MIRACLE METHODS SERIES: Distance Readers , toured to cinemas and galleries in the UK including Nottingham Contemporary; FACT Liverpool; CCA Glasgow; and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN and Jarman Award nominees, and later in 2014 to venues in the USA. Her solo exhibition opens at Focal Point Gallery, Southend in July 2016. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\nwww.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','publish','closed','closed','','communicate','','','2016-02-17 22:13:29','2016-02-17 22:13:29','',0,'http://catalog.org.uk/?page_id=11',0,'page','',0),(12,1,'2011-02-27 15:21:35','2011-02-27 15:21:35','','Communicate','','inherit','open','open','','11-revision','','','2011-02-27 15:21:35','2011-02-27 15:21:35','',11,'http://catalog.org.uk/?p=12',0,'revision','',0),(13,1,'2011-02-27 15:20:36','2011-02-27 15:20:36','This is an example page. It\'s different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this:\r\nHi there! I\'m a bike messenger by day, aspiring actor by night, and this is my blog. I live in Los Angeles, have a great dog named Jack, and I like piña coladas. (And gettin\' caught in the rain.)
\r\n...or something like this:\r\nThe XYZ Doohickey Company was founded in 1971, and has been providing quality doohickies to the public ever since. Located in Gotham City, XYZ employs over 2,000 people and does all kinds of awesome things for the Gotham community.
\r\nAs a new WordPress user, you should go to your dashboard to delete this page and create new pages for your content. Have fun!','Contents','','inherit','open','open','','2-revision-2','','','2011-02-27 15:20:36','2011-02-27 15:20:36','',2,'http://catalog.org.uk/?p=13',0,'revision','',0),(19,1,'2011-02-27 15:22:28','2011-02-27 15:22:28','Catalog is a recently established collective of three artists, writers and project managers who combine and overlap their skills and interests through residencies, exhibitions, visual intervention and critical dialogue.','Contents','','inherit','closed','closed','','2-revision-3','','','2011-02-27 15:22:28','2011-02-27 15:22:28','',2,'http://catalog.org.uk/?p=19',0,'revision','',0),(20,1,'2011-02-27 15:21:53','2011-02-27 15:21:53','Catalog is Joyce Cronin, Frances Scott, and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-2','','','2011-02-27 15:21:53','2011-02-27 15:21:53','',11,'http://catalog.org.uk/?p=20',0,'revision','',0),(21,1,'2011-02-27 15:20:49','2011-02-27 15:20:49','','Function','','inherit','closed','closed','','5-revision-2','','','2011-02-27 15:20:49','2011-02-27 15:20:49','',5,'http://catalog.org.uk/?p=21',0,'revision','',0),(22,1,'2011-02-27 15:21:20','2011-02-27 15:21:20','','Index','','inherit','closed','closed','','9-revision-2','','','2011-02-27 15:21:20','2011-02-27 15:21:20','',9,'http://catalog.org.uk/?p=22',0,'revision','',0),(23,1,'2011-02-27 15:21:10','2011-02-27 15:21:10','','Journal','','inherit','closed','closed','','7-revision-2','','','2011-02-27 15:21:10','2011-02-27 15:21:10','',7,'http://catalog.org.uk/?p=23',0,'revision','',0),(25,1,'2011-02-27 15:39:31','2011-02-27 15:39:31','Catalog is a recently established collective of three artists, writers and project managers who combine and overlap their skills and interests through residencies, exhibitions, visual intervention and critical dialogue.','Contents','','inherit','closed','closed','','2-revision-4','','','2011-02-27 15:39:31','2011-02-27 15:39:31','',2,'http://catalog.org.uk/?p=25',0,'revision','',0),(24,1,'2011-02-26 19:44:10','2011-02-26 19:44:10','Welcome to WordPress. This is your first post. Edit or delete it, then start blogging!','Hello world!','','inherit','closed','closed','','1-revision','','','2011-02-26 19:44:10','2011-02-26 19:44:10','',1,'http://catalog.org.uk/?p=24',0,'revision','',0),(46,1,'2011-05-08 17:15:34','2011-05-08 17:15:34','','test','','inherit','closed','closed','','tumblr_lfjhvou0xs1qgaxjko1_1280','','','2011-05-08 17:15:34','2011-05-08 17:15:34','',0,'http://catalog.org.uk/wp-content/uploads/2011/05/tumblr_lfjhvou0Xs1qgaxjko1_1280.jpg',0,'attachment','image/jpeg',0),(29,2,'2014-02-07 14:03:25','2014-02-07 14:03:25','\n\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\n\nhttp://catalog.org.uk/we-interrupt-this-transmission/\nhttp://catalog.org.uk/if-i-knew-then-what-i-know-now/\n\nPlease contact info@catalog.org.uk for further information, or subscribe here.\n\n\n \n\n\n','Contents','','inherit','closed','closed','','2-autosave','','','2014-02-07 14:03:25','2014-02-07 14:03:25','',2,'http://catalog.org.uk/?p=29',0,'revision','',0),(378,3,'2012-09-25 21:09:27','2012-09-25 21:09:27','A\r\nARTslant\r\n\r\nB\r\nB-side Festival \r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-29','','','2012-09-25 21:09:27','2012-09-25 21:09:27','',9,'http://catalog.org.uk/9-revision-29/',0,'revision','',0),(130,2,'2011-10-10 15:08:41','2011-10-10 15:08:41','\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' this is not a school, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty jiffy envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir jiffy envelope filled with content around a topic that they are especially interested in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the jiffy envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\nThe session: \r\n\r\n On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\nThe booklet: \r\n\r\n The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-27','','','2011-10-10 15:08:41','2011-10-10 15:08:41','',5,'http://catalog.org.uk/?p=130',0,'revision','',0),(129,2,'2011-10-03 18:28:00','2011-10-03 18:28:00','\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-12','','','2011-10-03 18:28:00','2011-10-03 18:28:00','',2,'http://catalog.org.uk/?p=129',0,'revision','',0),(76,2,'2011-09-26 15:21:17','2011-09-26 15:21:17','\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-8','','','2011-09-26 15:21:17','2011-09-26 15:21:17','',2,'http://catalog.org.uk/?p=76',0,'revision','',0),(30,2,'2011-02-27 17:14:44','2011-02-27 17:14:44','Catalog is a recently established collective of three artists, writers and project managers who combine and overlap their skills and interests through residencies, exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott, and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk\r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-5','','','2011-02-27 17:14:44','2011-02-27 17:14:44','',2,'http://catalog.org.uk/?p=30',0,'revision','',0),(78,2,'2011-07-23 13:39:53','2011-07-23 13:39:53','Joyce Cronin is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n\r\n\r\n ','Communicate','','inherit','closed','closed','','11-revision-8','','','2011-07-23 13:39:53','2011-07-23 13:39:53','',11,'http://catalog.org.uk/?p=78',0,'revision','',0),(31,2,'2011-04-12 10:21:18','2011-04-12 10:21:18','Biographies\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project. She currently works at the Design Archives in University of Brighton.\r\n
\r\ninfo@catalog.org.uk
\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCatalog was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n
\r\n ','Biographies','','publish','closed','closed','','biographies','','','2014-02-11 15:18:05','2014-02-11 15:18:05','',2,'http://catalog.org.uk/?page_id=31',0,'page','',0),(190,3,'2012-03-28 11:31:53','2012-03-28 11:31:53','Joyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCatalog was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n
\r\n ','Biographies','','inherit','closed','closed','','31-revision-8','','','2012-03-28 11:31:53','2012-03-28 11:31:53','',31,'http://catalog.org.uk/?p=190',0,'revision','',0),(32,2,'2011-04-12 10:21:09','2011-04-12 10:21:09','','Biographies','','inherit','closed','closed','','31-revision','','','2011-04-12 10:21:09','2011-04-12 10:21:09','',31,'http://catalog.org.uk/?p=32',0,'revision','',0),(33,3,'2015-02-16 22:36:35','2015-02-16 22:36:35','Biographies\n\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\nCatalog was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\n
\n ','Biographies','','inherit','closed','closed','','31-autosave','','','2015-02-16 22:36:35','2015-02-16 22:36:35','',31,'http://catalog.org.uk/?p=33',0,'revision','',0),(191,3,'2012-01-30 13:35:46','2012-01-30 13:35:46','\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCarolyn Thompson is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project. She currently works at the Design Archives in University of Brighton.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-12','','','2012-01-30 13:35:46','2012-01-30 13:35:46','',11,'http://catalog.org.uk/?p=191',0,'revision','',0),(150,3,'2011-04-12 10:22:51','2011-04-12 10:22:51','Joyce Cronin is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist, and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project.
\r\n ','Biographies','','inherit','closed','closed','','31-revision-3','','','2011-04-12 10:22:51','2011-04-12 10:22:51','',31,'http://catalog.org.uk/?p=150',0,'revision','',0),(34,2,'2011-04-12 10:21:18','2011-04-12 10:21:18','','Biographies','','inherit','closed','closed','','31-revision-2','','','2011-04-12 10:21:18','2011-04-12 10:21:18','',31,'http://catalog.org.uk/?p=34',0,'revision','',0),(35,2,'2016-02-17 22:13:33','2016-02-17 22:13:33','Communicate\r\n\r\n\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, project manager and organiser of exhibitions and events. She is interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce is a manager at Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist who works across a wide range of media. Her practice often proposes a subtle interruption of existing contexts, archives, and broadcast media. Recent projects and exhibitions have included: Inside the book an ever-changing spectacle unfolds (2015), Swiss Cottage Library; The Aphotic Zone (2014/2015), ‘The London Open’, Whitechapel Gallery, London; The Star and the Glow Worm (2015), AIR Central Saint Martins; Apex (2014), Tintype Gallery, London; Another way of reading (2014), Swiss Cottage Library; The Black Friar (2013), screened as part of ‘An Endless Volume’ Invisible Fabrick, Lazar House, Norwich; and NOCTURNES (2013), a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR Central Saint Martins and Islington Council. Also in 2013, THE MIRACLE METHODS SERIES: Distance Readers , toured to cinemas and galleries in the UK including Nottingham Contemporary; FACT Liverpool; CCA Glasgow; and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN and Jarman Award nominees, and later in 2014 to venues in the USA. Her solo exhibition opens at Focal Point Gallery, Southend in July 2016. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\nwww.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-autosave','','','2016-02-17 22:13:33','2016-02-17 22:13:33','',11,'http://catalog.org.uk/?p=35',0,'revision','',0),(192,3,'2012-03-28 11:34:54','2012-03-28 11:34:54','\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-13','','','2012-03-28 11:34:54','2012-03-28 11:34:54','',11,'http://catalog.org.uk/?p=192',0,'revision','',0),(36,2,'2011-02-27 15:41:24','2011-02-27 15:41:24','Catalog is Joyce Cronin, Frances Scott, and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-3','','','2011-02-27 15:41:24','2011-02-27 15:41:24','',11,'http://catalog.org.uk/?p=36',0,'revision','',0),(37,2,'2011-04-12 10:27:21','2011-04-12 10:27:21','info@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n\r\n\r\n ','Communicate','','inherit','closed','closed','','11-revision-4','','','2011-04-12 10:27:21','2011-04-12 10:27:21','',11,'http://catalog.org.uk/?p=37',0,'revision','',0),(38,2,'2011-04-12 10:34:21','2011-04-12 10:34:21','info@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist, and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project.
\r\n\r\n\r\n\r\n ','Communicate','','inherit','closed','closed','','11-revision-5','','','2011-04-12 10:34:21','2011-04-12 10:34:21','',11,'http://catalog.org.uk/?p=38',0,'revision','',0),(39,2,'2011-02-27 15:41:30','2011-02-27 15:41:30','','Function','','inherit','closed','closed','','5-revision-3','','','2011-02-27 15:41:30','2011-02-27 15:41:30','',5,'http://catalog.org.uk/?p=39',0,'revision','',0),(40,3,'2011-04-12 11:39:01','2011-04-12 11:39:01','Projects we are working on include\r\n\r\nHAIR an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nRESEARCH includes a collaborative publishing project that documents the early stages of an artist\'s moving-image project, and a series of archival film-screenings of and in Brixton.\r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-4','','','2011-04-12 11:39:01','2011-04-12 11:39:01','',5,'http://catalog.org.uk/?p=40',0,'revision','',0),(41,2,'2015-03-20 13:04:03','2015-03-20 13:04:03','Function\n\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]Frances Scott is an artist, and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project.
\r\n\r\n[/caption]\n\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\n\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\n\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\n\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\n\n \n\n \n\n \n\n ','Function','','inherit','closed','closed','','5-autosave','','','2015-03-20 13:04:03','2015-03-20 13:04:03','',5,'http://catalog.org.uk/?p=41',0,'revision','',0),(794,2,'2015-03-20 13:03:02','2015-03-20 13:03:02','Function\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-97','','','2015-03-20 13:03:02','2015-03-20 13:03:02','',5,'http://catalog.org.uk/5-revision-97/',0,'revision','',0),(252,3,'2012-05-16 15:19:45','2012-05-16 15:19:45','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard-150x150.jpg\" "\\"We")
','','','inherit','closed','closed','','245-revision-3','','','2012-05-16 15:19:45','2012-05-16 15:19:45','',245,'http://catalog.org.uk/245-revision-3/',0,'revision','',0),(209,5,'2012-04-03 09:51:06','2012-04-03 09:51:06','','Function','','inherit','closed','closed','','5-revision-52','','','2012-04-03 09:51:06','2012-04-03 09:51:06','',5,'http://catalog.org.uk/?p=209',0,'revision','',0),(210,5,'2012-04-03 09:48:15','2012-04-03 09:48:15','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-4','','','2012-04-03 09:48:15','2012-04-03 09:48:15','',202,'http://catalog.org.uk/?p=210',0,'revision','',0),(42,3,'2011-04-12 11:41:11','2011-04-12 11:41:11','Projects we are working on include\r\n\r\nHAIR an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nand current research includes:\r\n\r\na collaborative publishing project that documents the early stages of an artist\'s moving-image project, and a series of archival film-screenings of and in Brixton.\r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-5','','','2011-04-12 11:41:11','2011-04-12 11:41:11','',5,'http://catalog.org.uk/?p=42',0,'revision','',0),(43,3,'2011-04-12 10:36:37','2011-04-12 10:36:37','Joyce Cronin is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n\r\n\r\n ','Communicate','','inherit','closed','closed','','11-revision-6','','','2011-04-12 10:36:37','2011-04-12 10:36:37','',11,'http://catalog.org.uk/?p=43',0,'revision','',0),(44,3,'2011-04-12 11:44:03','2011-04-12 11:44:03','Projects we are working on include:\r\n\r\nHAIR an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project that documents the early stages of an artist\'s moving-image project, and a series of archival film-screenings of and in Brixton.\r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-6','','','2011-04-12 11:44:03','2011-04-12 11:44:03','',5,'http://catalog.org.uk/?p=44',0,'revision','',0),(52,4,'2011-07-23 13:41:25','2011-07-23 13:41:25','Projects we are working on include:\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n \r\n','Function','','inherit','closed','closed','','5-revision-9','','','2011-07-23 13:41:25','2011-07-23 13:41:25','',5,'http://catalog.org.uk/?p=52',0,'revision','',0),(51,4,'2011-07-23 13:33:47','2011-07-23 13:33:47','Projects we are working on include:\r\n\r\nHAIR an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n \r\n','Function','','inherit','closed','closed','','5-revision-8','','','2011-07-23 13:33:47','2011-07-23 13:33:47','',5,'http://catalog.org.uk/?p=51',0,'revision','',0),(49,4,'2011-04-13 15:52:51','2011-04-13 15:52:51','Projects we are working on include:\r\n\r\nHAIR an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-7','','','2011-04-13 15:52:51','2011-04-13 15:52:51','',5,'http://catalog.org.uk/?p=49',0,'revision','',0),(50,4,'2011-04-13 15:50:56','2011-04-13 15:50:56','Joyce Cronin is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist, and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project.
\r\ninfo@catalog.org.uk
\r\n\r\n\r\n\r\n ','Communicate','','inherit','closed','closed','','11-revision-7','','','2011-04-13 15:50:56','2011-04-13 15:50:56','',11,'http://catalog.org.uk/?p=50',0,'revision','',0),(75,2,'2011-07-23 14:41:56','2011-07-23 14:41:56','Catalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-7','','','2011-07-23 14:41:56','2011-07-23 14:41:56','',2,'http://catalog.org.uk/?p=75',0,'revision','',0),(58,4,'2011-07-23 13:42:11','2011-07-23 13:42:11','Projects we are working on include:\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n \r\n','Function','','inherit','closed','closed','','5-revision-10','','','2011-07-23 13:42:11','2011-07-23 13:42:11','',5,'http://catalog.org.uk/?p=58',0,'revision','',0),(59,4,'2011-07-23 14:01:44','2011-07-23 14:01:44','Projects we are working on include:\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n ','Function','','inherit','closed','closed','','5-revision-11','','','2011-07-23 14:01:44','2011-07-23 14:01:44','',5,'http://catalog.org.uk/?p=59',0,'revision','',0),(60,4,'2011-07-23 14:03:41','2011-07-23 14:03:41','Frances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project. She currently works at the Design Archives in University of Brighton.\r\n
\r\ninfo@catalog.org.uk
\r\n\r\nProjects we are working on include:
\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.
\r\nCurrent research includes:
\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.
\r\n
\r\n\r\n','Function','','inherit','closed','closed','','5-revision-12','','','2011-07-23 14:03:41','2011-07-23 14:03:41','',5,'http://catalog.org.uk/?p=60',0,'revision','',0),(70,4,'2011-07-23 14:43:40','2011-07-23 14:43:40','Projects we are working on include:\r\n\r\nHAIR an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-14','','','2011-07-23 14:43:40','2011-07-23 14:43:40','',5,'http://catalog.org.uk/?p=70',0,'revision','',0),(61,2,'2013-08-15 12:50:39','2013-08-15 12:50:39','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\" "\\"CATALOG_ResonanceFMDec2012\\"")
\n\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\" "\\"Tate")
\n\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" "\\"DittoDitto_documentation3\\"")
\n\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" "\\"DittoDittoLibrary2\\"")
\n\n\n\n\n\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" "\\"IMG_1685\\"")
\n\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" "\\"CATALOG_branch-meeting\\"")
\n\n \n
\n ','Journal','','inherit','closed','closed','','7-autosave','','','2013-08-15 12:50:39','2013-08-15 12:50:39','',7,'http://catalog.org.uk/?p=61',0,'revision','',0),(63,4,'2011-07-23 14:08:16','2011-07-23 14:08:16','Catalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.','Journal','','inherit','closed','closed','','7-revision-4','','','2011-07-23 14:08:16','2011-07-23 14:08:16','',7,'http://catalog.org.uk/?p=63',0,'revision','',0),(62,4,'2011-02-27 15:41:37','2011-02-27 15:41:37','','Journal','','inherit','closed','closed','','7-revision-3','','','2011-02-27 15:41:37','2011-02-27 15:41:37','',7,'http://catalog.org.uk/?p=62',0,'revision','',0),(64,4,'2011-07-23 14:30:30','2011-07-23 14:30:30','','CATALOG_application-file','','inherit','closed','closed','','application-file','','','2011-07-23 14:30:30','2011-07-23 14:30:30','',7,'http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg',0,'attachment','image/jpeg',0),(65,4,'2011-07-23 14:30:31','2011-07-23 14:30:31','','CATALOG_branch-meeting','','inherit','closed','closed','','branch-meeting','','','2011-07-23 14:30:31','2011-07-23 14:30:31','',7,'http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg',0,'attachment','image/jpeg',0),(66,4,'2011-07-23 14:30:32','2011-07-23 14:30:32','','CATALOG_first-meeting1','','inherit','closed','closed','','first-meeting1','','','2011-07-23 14:30:32','2011-07-23 14:30:32','',7,'http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg',0,'attachment','image/jpeg',0),(67,4,'2011-07-23 14:30:34','2011-07-23 14:30:34','','CATALOG_first-meeting2','','inherit','closed','closed','','first-meeting2','','','2011-07-23 14:30:34','2011-07-23 14:30:34','',7,'http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg',0,'attachment','image/jpeg',0),(68,4,'2011-04-12 10:14:19','2011-04-12 10:14:19','Catalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-6','','','2011-04-12 10:14:19','2011-04-12 10:14:19','',2,'http://catalog.org.uk/?p=68',0,'revision','',0),(69,4,'2011-07-23 14:04:25','2011-07-23 14:04:25','Projects we are working on include:
\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.
\r\nCurrent research includes:
\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.
\r\n
\r\n \r\n','Function','','inherit','closed','closed','','5-revision-13','','','2011-07-23 14:04:25','2011-07-23 14:04:25','',5,'http://catalog.org.uk/?p=69',0,'revision','',0),(71,4,'2011-07-23 14:44:10','2011-07-23 14:44:10','Projects we are working on include:\r\n\r\nHAIR an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\nINTERVENTIONS a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-15','','','2011-07-23 14:44:10','2011-07-23 14:44:10','',5,'http://catalog.org.uk/?p=71',0,'revision','',0),(178,2,'2012-01-30 12:29:13','2012-01-30 12:29:13','\r\n\r\nOn 22 October 2011 CATALOG hosted a publishing exercise as part of FIVE YEARS\'THIS IS NOT A SCHOOL, a programme of events that responded to the phenomenon of the \'alternative education project\'. The session was held at FIVE YEARS, London E8. More information below, and details on the full programme here\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London at 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n \r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n \r\nThe chapters were collected and assembled as a whole by CATALOG after the session. \r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n','Function','','inherit','closed','closed','','5-revision-43','','','2012-03-16 17:15:06','2012-03-16 17:15:06','',5,'http://catalog.org.uk/?p=180',0,'revision','',0),(112,4,'2011-10-03 19:21:48','2011-10-03 19:21:48','\r\n\r\ncoming soon....','Index','','inherit','closed','closed','','9-revision-11','','','2011-10-03 19:21:48','2011-10-03 19:21:48','',9,'http://catalog.org.uk/?p=112',0,'revision','',0),(77,2,'2011-09-26 15:24:04','2011-09-26 15:24:04','\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-9','','','2011-09-26 15:24:04','2011-09-26 15:24:04','',2,'http://catalog.org.uk/?p=77',0,'revision','',0),(79,2,'2011-07-23 14:08:33','2011-07-23 14:08:33','','Journal','','inherit','closed','closed','','7-revision-5','','','2011-07-23 14:08:33','2011-07-23 14:08:33','',7,'http://catalog.org.uk/?p=79',0,'revision','',0),(85,2,'2011-09-26 15:44:21','2011-09-26 15:44:21','http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg','Journal','','inherit','closed','closed','','7-revision-11','','','2011-09-26 15:44:21','2011-09-26 15:44:21','',7,'http://catalog.org.uk/?p=85',0,'revision','',0),(83,2,'2011-09-26 15:38:41','2011-09-26 15:38:41','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting-300x212.jpg\" "\\"branch-meeting\\"")
','Journal','','inherit','closed','closed','','7-revision-9','','','2011-09-26 15:38:41','2011-09-26 15:38:41','',7,'http://catalog.org.uk/?p=83',0,'revision','',0),(84,2,'2011-09-26 15:41:27','2011-09-26 15:41:27','','Journal','','inherit','closed','closed','','7-revision-10','','','2011-09-26 15:41:27','2011-09-26 15:41:27','',7,'http://catalog.org.uk/?p=84',0,'revision','',0),(82,2,'2011-09-26 15:37:53','2011-09-26 15:37:53','[gallery]','Journal','','inherit','closed','closed','','7-revision-8','','','2011-09-26 15:37:53','2011-09-26 15:37:53','',7,'http://catalog.org.uk/?p=82',0,'revision','',0),(101,4,'2011-10-03 18:40:53','2011-10-03 18:40:53','[gallery]\r\n\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-20','','','2011-10-03 18:40:53','2011-10-03 18:40:53','',7,'http://catalog.org.uk/?p=101',0,'revision','',0),(87,2,'2011-09-26 15:45:00','2011-09-26 15:45:00','[gallery link=\"file\"]','Journal','','inherit','closed','closed','','7-revision-12','','','2011-09-26 15:45:00','2011-09-26 15:45:00','',7,'http://catalog.org.uk/?p=87',0,'revision','',0),(144,2,'2011-10-11 13:49:52','2011-10-11 13:49:52','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\" "\\"CATALOG_first-meeting2\\"")
Visual journal![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" "\\"CATALOG_first-meeting1\\"")
![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" "\\"CATALOG_application-file\\"")
\r\n\r\n\r\n\r\n ','Journal','','inherit','closed','closed','','7-revision-27','','','2011-10-11 13:49:52','2011-10-11 13:49:52','',7,'http://catalog.org.uk/?p=144',0,'revision','',0),(88,4,'2011-07-30 21:21:06','2011-07-30 21:21:06','\r\n\r\nAs the first part of a series of artists\' interventions, in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\nA collection of films made in and about Brixton, by a diverse body of documentary film-makers, artists and Brixton enthusiasts. Selected by Joyce Cronin, the works will be screened within the market-arcades.\r\n\r\nOut of the hours, a new moving image work by Frances Scott that traces activities and material residues outside the trading hours. The accompanying narrative is drawn from recorded testimonials from market workers. Proposed as ‘eye witness’ accounts, they come to reveal the occurrence of an unnamed event in Reliance Arcade, where objects are the physical remainders of some ‘visitation.’ Out of the hours considers collective memory as creative agent, and the role of narrator as (complicit) witness.\r\n\r\nX, an installation of objects and drawings embedded within the existing display-façade and stock of a vintage clothing store, originally a clock and watch shop, in which Carolyn Thompson creates a tension between the past-lives of objects; what was once there, is there now, and is newly inserted. The work slips between drawing and sculpture, using textiles and paper to describe and interpret the lost histories of both the environment in which the work is set, and the current items contained within it. Intimate drawings produced in hair, thread, paper and fabric suggest an essence of those who occupied the shop and owned its clothing and ephemera, whilst dSepicting an absence of physical presence.\r\n\r\n \r\n\r\nFOOTNOTE.\r\n\r\nThe genesis of Brixton Market can be traced back to Atlantic Road in the 1870s, that soon expanded to include Electric Avenue, one of the first streets to have electric light. The indoor market arcades were constructed in 1920s-30s. The various sites comprise a network of stalls and shops, and following extensive campaigning by local residents and community groups, were listed as Grade II buildings in 2010. They continue to form an important part to the social and economic history of the area.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-17','','','2011-07-30 21:21:06','2011-07-30 21:21:06','',5,'http://catalog.org.uk/?p=88',0,'revision','',0),(80,2,'2011-09-26 15:35:28','2011-09-26 15:35:28','\r\n\r\n\r\n\r\n\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-6','','','2011-09-26 15:35:28','2011-09-26 15:35:28','',7,'http://catalog.org.uk/?p=80',0,'revision','',0),(81,2,'2011-09-26 15:36:19','2011-09-26 15:36:19','\r\n\r\n\r\n\r\n\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-7','','','2011-09-26 15:36:19','2011-09-26 15:36:19','',7,'http://catalog.org.uk/?p=81',0,'revision','',0),(89,4,'2011-09-26 15:46:14','2011-09-26 15:46:14','[gallery]','Journal','','inherit','closed','closed','','7-revision-13','','','2011-09-26 15:46:14','2011-09-26 15:46:14','',7,'http://catalog.org.uk/?p=89',0,'revision','',0),(143,2,'2011-10-11 13:45:39','2011-10-11 13:45:39','','Journal','','inherit','closed','closed','','7-revision-26','','','2011-10-11 13:45:39','2011-10-11 13:45:39','',7,'http://catalog.org.uk/?p=143',0,'revision','',0),(90,4,'2011-10-03 18:17:26','2011-10-03 18:17:26','[gallery]![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2-300x197.jpg\" "\\"first-meeting2\\"")
','Journal','','inherit','closed','closed','','7-revision-14','','','2011-10-03 18:17:26','2011-10-03 18:17:26','',7,'http://catalog.org.uk/?p=90',0,'revision','',0),(102,4,'2011-10-03 18:36:49','2011-10-03 18:36:49','','Index','','inherit','closed','closed','','9-revision-6','','','2011-10-03 18:36:49','2011-10-03 18:36:49','',9,'http://catalog.org.uk/?p=102',0,'revision','',0),(103,2,'2014-02-21 14:08:17','2014-02-21 14:08:17','Index\n\nA\nAfterall\nAnna Lucas\nArt Licks\nArtSlant\nAxis\nAIR\nA Million Minutes\n\nB\n\nC\nCarolyn Thompson\n\nD\nDuncan Whitley\n\nE\nEmma Leach\nEuropean Cultural Foundation\n\nF\nFilm London Artists Moving Image Network (FLAMIN)\nFive Years\nFrances Scott\n\nG\n\nH\n\nI\nIrish Museum of Modern Art (IMMA) \nIs that supposed to go there\n\nJ\n\nK\nKelda Free \n\nL\n\nM\nMatt\'s Gallery\nMelanie Clifford\nTHE MIRACLE METHODS SERIES: Distance Readers\n\n\nN\nno.w.here \n\nO\n\nP\nProtocinema\n\nQ\n\nR\nResonance FM\n\nS\n\n\nT\nTate\nThe Quiddity Grid \nTim Spooner\nThe City is a Burning, Blazing Bonfire\n\nU\n\nV\n\nW\nThe Woodmill Studios\nWork in Progress\n\nX\n\nY\n\nZ\nZabludowicz Collection - public programme','Index','','inherit','closed','closed','','9-autosave','','','2014-02-21 14:08:17','2014-02-21 14:08:17','',9,'http://catalog.org.uk/?p=103',0,'revision','',0),(91,4,'2011-10-03 18:21:30','2011-10-03 18:21:30','As the first part of a series of artists\' interventions, in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:[gallery]\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-15','','','2011-10-03 18:21:30','2011-10-03 18:21:30','',7,'http://catalog.org.uk/?p=91',0,'revision','',0),(100,4,'2011-10-03 18:39:57','2011-10-03 18:39:57','\r\n\r\n\r\n\r\n\r\n\r\n \r\n\r\n\r\n[gallery]\r\n\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-19','','','2011-10-03 18:39:57','2011-10-03 18:39:57','',7,'http://catalog.org.uk/?p=100',0,'revision','',0),(99,4,'2011-10-03 18:39:00','2011-10-03 18:39:00','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1-300x174.jpg\" "\\"first-meeting1\\"")
\r\n\r\n\r\n\r\n \r\n\r\n[gallery]\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-18','','','2011-10-03 18:39:00','2011-10-03 18:39:00','',7,'http://catalog.org.uk/?p=99',0,'revision','',0),(98,4,'2011-10-03 18:32:02','2011-10-03 18:32:02','As the first part of a series of artists\' interventions, in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\n \r\n\r\n[gallery]\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-17','','','2011-10-03 18:32:02','2011-10-03 18:32:02','',7,'http://catalog.org.uk/?p=98',0,'revision','',0),(92,4,'2011-09-26 15:24:59','2011-09-26 15:24:59','\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-10','','','2011-09-26 15:24:59','2011-09-26 15:24:59','',2,'http://catalog.org.uk/?p=92',0,'revision','',0),(94,4,'2011-10-03 18:23:20','2011-10-03 18:23:20','As the first part of a series of artists\' interventions, in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\n \r\n\r\n[gallery]\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-16','','','2011-10-03 18:23:20','2011-10-03 18:23:20','',7,'http://catalog.org.uk/?p=94',0,'revision','',0),(93,4,'2011-10-03 18:27:35','2011-10-03 18:27:35','\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-11','','','2011-10-03 18:27:35','2011-10-03 18:27:35','',2,'http://catalog.org.uk/?p=93',0,'revision','',0),(95,4,'2011-02-27 15:41:33','2011-02-27 15:41:33','','Index','','inherit','closed','closed','','9-revision-3','','','2011-02-27 15:41:33','2011-02-27 15:41:33','',9,'http://catalog.org.uk/?p=95',0,'revision','',0),(97,4,'2011-10-03 18:36:15','2011-10-03 18:36:15','\r\n','Index','','inherit','closed','closed','','9-revision-5','','','2011-10-03 18:36:15','2011-10-03 18:36:15','',9,'http://catalog.org.uk/?p=97',0,'revision','',0),(96,4,'2011-10-03 18:35:54','2011-10-03 18:35:54','','Index','','inherit','closed','closed','','9-revision-4','','','2011-10-03 18:35:54','2011-10-03 18:35:54','',9,'http://catalog.org.uk/?p=96',0,'revision','',0),(104,4,'2011-10-03 19:01:40','2011-10-03 19:01:40','coming soon....','Index','','inherit','closed','closed','','9-revision-7','','','2011-10-03 19:01:40','2011-10-03 19:01:40','',9,'http://catalog.org.uk/?p=104',0,'revision','',0),(106,4,'2011-10-03 19:02:55','2011-10-03 19:02:55','coming soon....\r\n\r\n \r\n\r\n ','Index','','inherit','closed','closed','','9-revision-8','','','2011-10-03 19:02:55','2011-10-03 19:02:55','',9,'http://catalog.org.uk/?p=106',0,'revision','',0),(122,2,'2011-10-03 19:23:43','2011-10-03 19:23:43','\r\n\r\nAs the first part of a series of artists\' interventions, in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\nA collection of films made in and about Brixton, by a diverse body of documentary film-makers, artists and Brixton enthusiasts. Selected by Joyce Cronin, the works will be screened within the market-arcades.\r\n\r\nOut of the hours, a new moving image work by Frances Scott that traces activities and material residues outside the trading hours. The accompanying narrative is drawn from recorded testimonials from market workers. Proposed as ‘eye witness’ accounts, they come to reveal the occurrence of an unnamed event in Reliance Arcade, where objects are the physical remainders of some ‘visitation.’ Out of the hours considers collective memory as creative agent, and the role of narrator as (complicit) witness.\r\n\r\nX, an installation of objects and drawings embedded within the existing display-façade and stock of a vintage clothing store, in which Carolyn Thompson creates a tension between the past-lives of objects; what was once there, is there now, and is newly inserted. The work slips between drawing and sculpture, using textiles and paper to describe and interpret the lost histories of both the environment in which the work is set, and the current items contained within it. Intimate drawings produced in hair, thread, paper and fabric suggest an essence of those who occupied the shop and owned its clothing and ephemera, whilst depicting an absence of physical presence.\r\n\r\n \r\n\r\nFOOTNOTE.\r\n\r\nThe genesis of Brixton Market can be traced back to Atlantic Road in the 1870s, that soon expanded to include Electric Avenue, one of the first streets to have electric light. The indoor market arcades were constructed in 1920s-30s. The various sites comprise a network of stalls and shops, and following extensive campaigning by local residents and community groups, were listed as Grade II buildings in 2010. They continue to form an important part to the social and economic history of the area.\r\n\r\n ','Function','','inherit','closed','closed','','5-revision-20','','','2011-10-03 19:23:43','2011-10-03 19:23:43','',5,'http://catalog.org.uk/?p=122',0,'revision','',0),(160,2,'2011-10-03 19:34:42','2011-10-03 19:34:42',' \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Index','','inherit','closed','closed','','9-revision-19','','','2011-10-03 19:34:42','2011-10-03 19:34:42','',9,'http://catalog.org.uk/?p=160',0,'revision','',0),(109,4,'2011-10-03 19:16:58','2011-10-03 19:16:58','\r\n\r\ncoming soon.... akjdflkja adlkjf akatlek ta aksdj athei ais alkdsj tehis alskj atoewi alks kj to aksj toeih ah l kasdlfj thei aksdfj laksth eih j','Index','','inherit','closed','closed','','9-revision-10','','','2011-10-03 19:16:58','2011-10-03 19:16:58','',9,'http://catalog.org.uk/?p=109',0,'revision','',0),(107,4,'2011-10-03 19:04:58','2011-10-03 19:04:58','\r\n\r\ncoming soon....','Index','','inherit','closed','closed','','9-revision-9','','','2011-10-03 19:04:58','2011-10-03 19:04:58','',9,'http://catalog.org.uk/?p=107',0,'revision','',0),(110,4,'2011-10-03 18:13:38','2011-10-03 18:13:38','\r\n\r\nAs the first part of a series of artists\' interventions, in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\nA collection of films made in and about Brixton, by a diverse body of documentary film-makers, artists and Brixton enthusiasts. Selected by Joyce Cronin, the works will be screened within the market-arcades.\r\n\r\nOut of the hours, a new moving image work by Frances Scott that traces activities and material residues outside the trading hours. The accompanying narrative is drawn from recorded testimonials from market workers. Proposed as ‘eye witness’ accounts, they come to reveal the occurrence of an unnamed event in Reliance Arcade, where objects are the physical remainders of some ‘visitation.’ Out of the hours considers collective memory as creative agent, and the role of narrator as (complicit) witness.\r\n\r\nX, an installation of objects and drawings embedded within the existing display-façade and stock of a vintage clothing store, in which Carolyn Thompson creates a tension between the past-lives of objects; what was once there, is there now, and is newly inserted. The work slips between drawing and sculpture, using textiles and paper to describe and interpret the lost histories of both the environment in which the work is set, and the current items contained within it. Intimate drawings produced in hair, thread, paper and fabric suggest an essence of those who occupied the shop and owned its clothing and ephemera, whilst dSepicting an absence of physical presence.\r\n\r\n \r\n\r\nFOOTNOTE.\r\n\r\nThe genesis of Brixton Market can be traced back to Atlantic Road in the 1870s, that soon expanded to include Electric Avenue, one of the first streets to have electric light. The indoor market arcades were constructed in 1920s-30s. The various sites comprise a network of stalls and shops, and following extensive campaigning by local residents and community groups, were listed as Grade II buildings in 2010. They continue to form an important part to the social and economic history of the area.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-18','','','2011-10-03 18:13:38','2011-10-03 18:13:38','',5,'http://catalog.org.uk/?p=110',0,'revision','',0),(202,5,'2012-04-03 09:46:38','2012-04-03 09:46:38','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2011-2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of this is not a school, more information here.\r\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n \r\n\r\n \r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\" "\\"CATALOG_IFIKNEWPS_FiveYears2012_1\\"")
![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\" "\\"CATALOG_IFIKNEWPS_FiveYears2012_2\\"")
\r\n\r\n ','IF I KNEW THEN WHAT I KNOW NOW','','publish','closed','closed','','if-i-knew-then-what-i-know-now','','','2014-02-11 15:17:06','2014-02-11 15:17:06','',0,'http://catalog.org.uk/?page_id=202',0,'page','',0),(111,4,'2011-10-03 19:23:20','2011-10-03 19:23:20','\r\n\r\nAs the first part of a series of artists\' interventions, in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\nA collection of films made in and about Brixton, by a diverse body of documentary film-makers, artists and Brixton enthusiasts. Selected by Joyce Cronin, the works will be screened within the market-arcades.\r\n\r\nOut of the hours, a new moving image work by Frances Scott that traces activities and material residues outside the trading hours. The accompanying narrative is drawn from recorded testimonials from market workers. Proposed as ‘eye witness’ accounts, they come to reveal the occurrence of an unnamed event in Reliance Arcade, where objects are the physical remainders of some ‘visitation.’ Out of the hours considers collective memory as creative agent, and the role of narrator as (complicit) witness.\r\n\r\nX, an installation of objects and drawings embedded within the existing display-façade and stock of a vintage clothing store, in which Carolyn Thompson creates a tension between the past-lives of objects; what was once there, is there now, and is newly inserted. The work slips between drawing and sculpture, using textiles and paper to describe and interpret the lost histories of both the environment in which the work is set, and the current items contained within it. Intimate drawings produced in hair, thread, paper and fabric suggest an essence of those who occupied the shop and owned its clothing and ephemera, whilst depicting an absence of physical presence.\r\n\r\n \r\n\r\nFOOTNOTE.\r\n\r\nThe genesis of Brixton Market can be traced back to Atlantic Road in the 1870s, that soon expanded to include Electric Avenue, one of the first streets to have electric light. The indoor market arcades were constructed in 1920s-30s. The various sites comprise a network of stalls and shops, and following extensive campaigning by local residents and community groups, were listed as Grade II buildings in 2010. They continue to form an important part to the social and economic history of the area.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-19','','','2011-10-03 19:23:20','2011-10-03 19:23:20','',5,'http://catalog.org.uk/?p=111',0,'revision','',0),(120,4,'2011-10-03 19:33:43','2011-10-03 19:33:43','','Index','','inherit','closed','closed','','9-revision-18','','','2011-10-03 19:33:43','2011-10-03 19:33:43','',9,'http://catalog.org.uk/?p=120',0,'revision','',0),(119,4,'2011-10-03 19:33:23','2011-10-03 19:33:23','\r\ncoming soon...
','Index','','inherit','closed','closed','','9-revision-17','','','2011-10-03 19:33:23','2011-10-03 19:33:23','',9,'http://catalog.org.uk/?p=119',0,'revision','',0),(115,4,'2011-10-03 19:30:19','2011-10-03 19:30:19','\r\n\r\ncoming soon....\r\n\r\n \r\n\r\n\r\n','Index','','inherit','closed','closed','','9-revision-13','','','2011-10-03 19:30:19','2011-10-03 19:30:19','',9,'http://catalog.org.uk/?p=115',0,'revision','',0),(113,4,'2011-10-03 19:29:52','2011-10-03 19:29:52','\r\n\r\ncoming soon....\r\n\r\n \r\n\r\n','Index','','inherit','closed','closed','','9-revision-12','','','2011-10-03 19:29:52','2011-10-03 19:29:52','',9,'http://catalog.org.uk/?p=113',0,'revision','',0),(117,4,'2011-10-03 19:31:40','2011-10-03 19:31:40','\r\n\r\ncoming soon','Index','','inherit','closed','closed','','9-revision-15','','','2011-10-03 19:31:40','2011-10-03 19:31:40','',9,'http://catalog.org.uk/?p=117',0,'revision','',0),(118,4,'2011-10-03 19:32:08','2011-10-03 19:32:08','\r\n\r\ncoming soon...\r\n\r\ncoming soon...','Index','','inherit','closed','closed','','9-revision-16','','','2011-10-03 19:32:08','2011-10-03 19:32:08','',9,'http://catalog.org.uk/?p=118',0,'revision','',0),(116,4,'2011-10-03 19:31:00','2011-10-03 19:31:00','\r\n\r\nJoyce Cronin is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCarolyn Thompson is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project. She currently works at the Design Archives in University of Brighton.\r\n\r\ninfo@catalog.org.uk\r\n\r\n\r\n','Index','','inherit','closed','closed','','9-revision-14','','','2011-10-03 19:31:00','2011-10-03 19:31:00','',9,'http://catalog.org.uk/?p=116',0,'revision','',0),(124,2,'2011-10-07 12:33:11','2011-10-07 12:33:11','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nA Catalog proposal.\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet. \r\n\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour (10 minutes set up - 40 minutes making - 10 minutes clear out)\r\n\r\nThe procedure: Participants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session Catalog will send to participants an empty jiffy envelope and a blank postcard. \r\n\r\nParticipants must bring the following to the session:\r\ntheir jiffy envelope filled with content around a topic that they are especially interested in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n\r\nCatalog will provide some basic equipment and materials, including A5 papers with which \'chapters\' will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session. \r\n\r\nPlease note: The material placed in the jiffy envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc. \r\n\r\nThe session: On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. Catalog are participants in the session.\r\n\r\nThe booklet: The chapters will be collected and assembled as a whole by Catalog after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.\r\n','Function','','inherit','closed','closed','','5-revision-22','','','2011-10-07 12:33:11','2011-10-07 12:33:11','',5,'http://catalog.org.uk/?p=124',0,'revision','',0),(123,2,'2011-10-07 12:17:52','2011-10-07 12:17:52','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\n \r\n\r\nA Catalog proposal.\r\n\r\n \r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet. \r\n\r\n \r\n\r\nNo previous experience is required. Booking is essential. \r\n\r\n \r\n\r\nTime: 1 hour (10 minutes set up - 40 minutes making - 10 minutes clear out)\r\n\r\n \r\n\r\nThe procedure: \r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session Catalog will send to participants an empty jiffy envelope and a blank postcard. \r\n\r\n \r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their jiffy envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
- \r\n
- \r\n
The chapters will be collected and assembled as a whole by Catalog after the session
\r\n \r\n - \r\n
The original and new chapter titles will be named in the booklet, connections and departures will be made.
\r\n \r\n - \r\n
The resulting booklet will be duplicated and distributed to all participants.
\r\n \r\n - \r\n
The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time.
\r\n \r\n - \r\n
There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.
\r\n \r\n
\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n','Function','','inherit','closed','closed','','5-revision-47','','','2012-03-16 18:25:58','2012-03-16 18:25:58','',5,'http://catalog.org.uk/?p=185',0,'revision','',0),(134,2,'2011-10-03 19:00:14','2011-10-03 19:00:14','[gallery]\r\n\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-21','','','2011-10-03 19:00:14','2011-10-03 19:00:14','',7,'http://catalog.org.uk/?p=134',0,'revision','',0),(136,2,'2011-10-10 17:34:37','2011-10-10 17:34:37','[gallery]\r\n\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-23','','','2011-10-10 17:34:37','2011-10-10 17:34:37','',7,'http://catalog.org.uk/?p=136',0,'revision','',0),(135,2,'2011-10-10 17:33:36','2011-10-10 17:33:36','[gallery link=\"file\" columns=\"1\"]\r\n\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-22','','','2011-10-10 17:33:36','2011-10-10 17:33:36','',7,'http://catalog.org.uk/?p=135',0,'revision','',0),(137,2,'2011-10-10 17:34:45','2011-10-10 17:34:45','[gallery]\r\n\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-24','','','2011-10-10 17:34:45','2011-10-10 17:34:45','',7,'http://catalog.org.uk/?p=137',0,'revision','',0),(138,2,'2011-10-11 13:37:38','2011-10-11 13:37:38','','IF I KNEW THEN...','','inherit','closed','closed','','if-i-knew_emailout72dpi','','','2011-10-11 13:37:38','2011-10-11 13:37:38','',5,'http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg',0,'attachment','image/jpeg',0),(139,2,'2011-10-10 15:31:44','2011-10-10 15:31:44','\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir envelope filled with content around a topic that they are especially interested in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\nThe session: \r\n\r\n On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\nThe booklet: \r\n\r\n The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-29','','','2011-10-10 15:31:44','2011-10-10 15:31:44','',5,'http://catalog.org.uk/?p=139',0,'revision','',0),(179,2,'2012-03-16 17:14:10','2012-03-16 17:14:10','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London at 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n \r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n \r\nThe chapters were collected and assembled as a whole by CATALOG after the session. \r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\nhere\r\n\r\n\r\n\r\n\r\n\r\n','Function','','inherit','closed','closed','','5-revision-42','','','2012-03-16 17:14:10','2012-03-16 17:14:10','',5,'http://catalog.org.uk/?p=179',0,'revision','',0),(140,2,'2011-10-11 13:40:16','2011-10-11 13:40:16','\r\n\r\n\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir envelope filled with content around a topic that they are especially interested in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\nThe session: \r\n\r\n On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\nThe booklet: \r\n\r\n The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-30','','','2011-10-11 13:40:16','2011-10-11 13:40:16','',5,'http://catalog.org.uk/?p=140',0,'revision','',0),(141,2,'2011-10-11 13:41:39','2011-10-11 13:41:39','\r\n\r\n\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir envelope filled with content around a topic that they are especially interested in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\nThe session: \r\n\r\n On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\nThe booklet: \r\n\r\n The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-31','','','2011-10-11 13:41:39','2011-10-11 13:41:39','',5,'http://catalog.org.uk/?p=141',0,'revision','',0),(142,2,'2011-10-10 17:34:59','2011-10-10 17:34:59','[gallery]\r\n\r\n\r\n','Journal','','inherit','closed','closed','','7-revision-25','','','2011-10-10 17:34:59','2011-10-10 17:34:59','',7,'http://catalog.org.uk/?p=142',0,'revision','',0),(147,2,'2011-10-11 13:54:36','2011-10-11 13:54:36','\r\n','Journal','','inherit','closed','closed','','7-revision-30','','','2011-10-11 13:54:36','2011-10-11 13:54:36','',7,'http://catalog.org.uk/?p=147',0,'revision','',0),(146,2,'2011-10-11 13:53:27','2011-10-11 13:53:27','\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file-300x221.jpg\" "\\"CATALOG_application-file\\"")
','Journal','','inherit','closed','closed','','7-revision-29','','','2011-10-11 13:53:27','2011-10-11 13:53:27','',7,'http://catalog.org.uk/?p=146',0,'revision','',0),(145,2,'2011-10-11 13:52:41','2011-10-11 13:52:41','','Journal','','inherit','closed','closed','','7-revision-28','','','2011-10-11 13:52:41','2011-10-11 13:52:41','',7,'http://catalog.org.uk/?p=145',0,'revision','',0),(148,2,'2011-10-11 13:56:46','2011-10-11 13:56:46','\r\n\r\n \r\n\r\n \r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-31','','','2011-10-11 13:56:46','2011-10-11 13:56:46','',7,'http://catalog.org.uk/?p=148',0,'revision','',0),(151,3,'2011-10-11 20:11:20','2011-10-11 20:11:20','Joyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project.
\r\n ','Biographies','','inherit','closed','closed','','31-revision-4','','','2011-10-11 20:11:20','2011-10-11 20:11:20','',31,'http://catalog.org.uk/?p=151',0,'revision','',0),(172,3,'2011-11-30 16:04:31','2011-11-30 16:04:31','\r\n\r\nJoyce Cronin is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCarolyn Thompson is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project. She currently works at the Design Archives in University of Brighton.\r\n\r\ninfo@catalog.org.uk\r\n','Communicate','','inherit','closed','closed','','11-revision-10','','','2011-11-30 16:04:31','2011-11-30 16:04:31','',11,'http://catalog.org.uk/?p=172',0,'revision','',0),(152,3,'2011-10-11 20:41:31','2011-10-11 20:41:31','Joyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager Communications at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project. She currently works at the Design Archives in University of Brighton.\r\n
\r\n ','Biographies','','inherit','closed','closed','','31-revision-5','','','2011-10-11 20:41:31','2011-10-11 20:41:31','',31,'http://catalog.org.uk/?p=152',0,'revision','',0),(173,2,'2011-11-30 15:31:36','2011-11-30 15:31:36','\r\n\r\n22 OCTOBER 2011, FIVE YEARS London E8 \r\n\r\n\r\n\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme here \r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
THIS IS NOT A SCHOOL, a programme of events that responded to the phenomenon of the \'alternative education project\'. The session was held at FIVE YEARS, London E8. More information below, and details on the full programme here\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school http://www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school \r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' THIS IS NOT A SCHOOL, a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme this is not a school \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. This knowledge or non-knowledge is expressed in the format of a booklet. Each participant creates a chapter. All participants own the booklet. It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour\r\n\r\nThe procedure:\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n- \r\n
- their envelope filled with content around a topic that they are especially interested in and/or have knowledge. \r\n
- the postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n
\r\n\r\n\r\n\r\n \r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-32','','','2011-10-11 13:59:24','2011-10-11 13:59:24','',7,'http://catalog.org.uk/?p=168',0,'revision','',0),(170,2,'2011-11-30 16:11:11','2011-11-30 16:11:11','\r\n\r\n\r\n\r\n \r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-34','','','2011-11-30 16:11:11','2011-11-30 16:11:11','',7,'http://catalog.org.uk/?p=170',0,'revision','',0),(171,3,'2011-10-11 21:26:09','2011-10-11 21:26:09','Joyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCarolyn Thompson is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager Communications at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project. She currently works at the Design Archives in University of Brighton.\r\n
\r\n ','Biographies','','inherit','closed','closed','','31-revision-6','','','2011-10-11 21:26:09','2011-10-11 21:26:09','',31,'http://catalog.org.uk/?p=171',0,'revision','',0),(169,2,'2011-11-30 16:08:17','2011-11-30 16:08:17','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_FiveYears8_lowres.jpg\" "\\"CATALOG_FiveYears8_lowres\\"")
\r\n\r\n\r\n\r\n \r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-33','','','2011-11-30 16:08:17','2011-11-30 16:08:17','',7,'http://catalog.org.uk/?p=169',0,'revision','',0),(175,2,'2011-12-12 22:33:48','2011-12-12 22:33:48','\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCarolyn Thompson is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project. She currently works at the Design Archives in University of Brighton.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-11','','','2011-12-12 22:33:48','2011-12-12 22:33:48','',11,'http://catalog.org.uk/?p=175',0,'revision','',0),(176,2,'2012-01-31 16:45:09','2012-01-31 16:45:09','','CATALOG_FiveYears2_lowres','','inherit','closed','closed','','catalog_fiveyears2_lowres','','','2012-01-31 16:45:09','2012-01-31 16:45:09','',5,'http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg',0,'attachment','image/jpeg',0),(177,2,'2012-01-31 16:45:17','2012-01-31 16:45:17','','CATALOG_FiveYears3_lowres','','inherit','closed','closed','','catalog_fiveyears3_lowres','','','2012-01-31 16:45:17','2012-01-31 16:45:17','',5,'http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg',0,'attachment','image/jpeg',0),(181,2,'2012-03-16 17:15:59','2012-03-16 17:15:59','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n \r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n \r\nThe chapters were collected and assembled as a whole by CATALOG after the session. \r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n','Function','','inherit','closed','closed','','5-revision-44','','','2012-03-16 17:15:59','2012-03-16 17:15:59','',5,'http://catalog.org.uk/?p=181',0,'revision','',0),(183,2,'2012-03-16 18:25:14','2012-03-16 18:25:14','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n \r\n\r\n\r\n\r\n','Function','','inherit','closed','closed','','5-revision-46','','','2012-03-16 18:25:14','2012-03-16 18:25:14','',5,'http://catalog.org.uk/?p=183',0,'revision','',0),(182,2,'2012-03-16 18:16:28','2012-03-16 18:16:28','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n','Function','','inherit','closed','closed','','5-revision-45','','','2012-03-16 18:16:28','2012-03-16 18:16:28','',5,'http://catalog.org.uk/?p=182',0,'revision','',0),(208,5,'2012-04-03 09:50:21','2012-04-03 09:50:21','','Function','','inherit','closed','closed','','5-revision-51','','','2012-04-03 09:50:21','2012-04-03 09:50:21','',5,'http://catalog.org.uk/?p=208',0,'revision','',0),(186,2,'2012-03-22 17:26:21','2012-03-22 17:26:21','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\nCATALOG 2011','Function','','inherit','closed','closed','','5-revision-48','','','2012-03-22 17:26:21','2012-03-22 17:26:21','',5,'http://catalog.org.uk/?p=186',0,'revision','',0),(188,3,'2011-10-10 15:29:03','2011-10-10 15:29:03','\r\n\r\nCATALOG is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCATALOG was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through CATALOG.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-14','','','2011-10-10 15:29:03','2011-10-10 15:29:03','',2,'http://catalog.org.uk/?p=188',0,'revision','',0),(193,3,'2012-03-28 11:36:03','2012-03-28 11:36:03','\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-14','','','2012-03-28 11:36:03','2012-03-28 11:36:03','',11,'http://catalog.org.uk/?p=193',0,'revision','',0),(243,2,'2012-03-28 11:43:43','2012-03-28 11:43:43','\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-18','','','2012-03-28 11:43:43','2012-03-28 11:43:43','',11,'http://catalog.org.uk/11-revision-18/',0,'revision','',0),(194,3,'2012-03-28 11:42:22','2012-03-28 11:42:22','\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-15','','','2012-03-28 11:42:22','2012-03-28 11:42:22','',11,'http://catalog.org.uk/?p=194',0,'revision','',0),(195,3,'2012-03-28 11:42:31','2012-03-28 11:42:31','\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-16','','','2012-03-28 11:42:31','2012-03-28 11:42:31','',11,'http://catalog.org.uk/?p=195',0,'revision','',0),(196,3,'2012-03-28 11:43:05','2012-03-28 11:43:05','\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-17','','','2012-03-28 11:43:05','2012-03-28 11:43:05','',11,'http://catalog.org.uk/?p=196',0,'revision','',0),(197,5,'2012-03-22 17:27:16','2012-03-22 17:27:16','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\nCATALOG 2011','Function','','inherit','closed','closed','','5-revision-49','','','2012-03-22 17:27:16','2012-03-22 17:27:16','',5,'http://catalog.org.uk/?p=197',0,'revision','',0),(198,5,'2011-11-30 16:11:25','2011-11-30 16:11:25','\r\n\r\n\r\n\r\n \r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-35','','','2011-11-30 16:11:25','2011-11-30 16:11:25','',7,'http://catalog.org.uk/?p=198',0,'revision','',0),(199,5,'2012-04-03 09:30:54','2012-04-03 09:30:54','\r\n\r\n\r\n\r\n ','Journal','','inherit','closed','closed','','7-revision-36','','','2012-04-03 09:30:54','2012-04-03 09:30:54','',7,'http://catalog.org.uk/?p=199',0,'revision','',0),(200,5,'2012-04-03 09:31:06','2012-04-03 09:31:06','\r\n\r\n\r\n\r\n \r\n ','Journal','','inherit','closed','closed','','7-revision-37','','','2012-04-03 09:31:06','2012-04-03 09:31:06','',7,'http://catalog.org.uk/?p=200',0,'revision','',0),(201,5,'2012-04-03 09:31:57','2012-04-03 09:31:57','\r\n\r\n\r\n\r\n ','Journal','','inherit','closed','closed','','7-revision-38','','','2012-04-03 09:31:57','2012-04-03 09:31:57','',7,'http://catalog.org.uk/?p=201',0,'revision','',0),(203,5,'2012-04-03 09:46:22','2012-04-03 09:46:22','','Auto Draft','','inherit','closed','closed','','202-revision','','','2012-04-03 09:46:22','2012-04-03 09:46:22','',202,'http://catalog.org.uk/?p=203',0,'revision','',0),(233,5,'2012-04-03 11:28:41','2012-04-03 11:28:41','','test','','inherit','closed','closed','','229-revision-2','','','2012-04-03 11:28:41','2012-04-03 11:28:41','',229,'http://catalog.org.uk/229-revision-2/',0,'revision','',0),(205,5,'2012-04-03 09:46:38','2012-04-03 09:46:38','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n ','IF I KNEW THEN WHAT I KNOW NOW','','inherit','closed','closed','','202-revision-2','','','2012-04-03 09:46:38','2012-04-03 09:46:38','',202,'http://catalog.org.uk/?p=205',0,'revision','',0),(206,5,'2012-04-03 09:47:11','2012-04-03 09:47:11','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-3','','','2012-04-03 09:47:11','2012-04-03 09:47:11','',202,'http://catalog.org.uk/?p=206',0,'revision','',0),(207,5,'2012-04-03 09:29:26','2012-04-03 09:29:26','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n ','Function','','inherit','closed','closed','','5-revision-50','','','2012-04-03 09:29:26','2012-04-03 09:29:26','',5,'http://catalog.org.uk/?p=207',0,'revision','',0),(213,5,'2014-02-11 15:06:00','2014-02-11 15:06:00','\n\nIF I KNEW THEN WHAT I KNOW NOW (2011-2012)\n\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of this is not a school, more information here.\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\n\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\n\n \n\n \n \n\n ','If I Knew Then What I Know Now','','inherit','closed','closed','','202-autosave','','','2014-02-11 15:06:00','2014-02-11 15:06:00','',202,'http://catalog.org.uk/?p=213',0,'revision','',0),(212,5,'2012-04-03 10:09:55','2012-04-03 10:09:55','IF I KNEW THEN WHAT I KNOW NOW \r\n\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-6','','','2012-04-03 10:09:55','2012-04-03 10:09:55','',202,'http://catalog.org.uk/?p=212',0,'revision','',0),(214,5,'2012-04-03 10:11:40','2012-04-03 10:11:40','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-7','','','2012-04-03 10:11:40','2012-04-03 10:11:40','',202,'http://catalog.org.uk/?p=214',0,'revision','',0),(215,5,'2012-04-03 10:15:28','2012-04-03 10:15:28','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-8','','','2012-04-03 10:15:28','2012-04-03 10:15:28','',202,'http://catalog.org.uk/?p=215',0,'revision','',0),(216,5,'2012-04-03 10:26:30','2012-04-03 10:26:30','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n[scribd id=87053342 key=key-kb8cddt1xa78tayzmmq mode=list]\r\n ','','','inherit','closed','closed','','202-revision-9','','','2012-04-03 10:26:30','2012-04-03 10:26:30','',202,'http://catalog.org.uk/?p=216',0,'revision','',0),(218,5,'2012-04-03 10:29:34','2012-04-03 10:29:34','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n','','','inherit','closed','closed','','202-revision-11','','','2012-04-03 10:29:34','2012-04-03 10:29:34','',202,'http://catalog.org.uk/?p=218',0,'revision','',0),(221,5,'2012-04-03 10:33:31','2012-04-03 10:33:31','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n','','','inherit','closed','closed','','202-revision-14','','','2012-04-03 10:33:31','2012-04-03 10:33:31','',202,'http://catalog.org.uk/?p=221',0,'revision','',0),(217,5,'2012-04-03 10:28:24','2012-04-03 10:28:24','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\nIf I Knew Then What I Know Now\r\n ','','','inherit','closed','closed','','202-revision-10','','','2012-04-03 10:28:24','2012-04-03 10:28:24','',202,'http://catalog.org.uk/?p=217',0,'revision','',0),(219,5,'2012-04-03 10:31:05','2012-04-03 10:31:05','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\nIf I Knew Then What I Know Now','','','inherit','closed','closed','','202-revision-12','','','2012-04-03 10:31:05','2012-04-03 10:31:05','',202,'http://catalog.org.uk/?p=219',0,'revision','',0),(223,5,'2012-04-03 10:37:54','2012-04-03 10:37:54','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\n','','','inherit','closed','closed','','202-revision-15','','','2012-04-03 10:37:54','2012-04-03 10:37:54','',202,'http://catalog.org.uk/?p=223',0,'revision','',0),(220,5,'2012-04-03 10:31:55','2012-04-03 10:31:55','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n\r\n\r\nIf I Knew Then What I Know Now','','','inherit','closed','closed','','202-revision-13','','','2012-04-03 10:31:55','2012-04-03 10:31:55','',202,'http://catalog.org.uk/?p=220',0,'revision','',0),(224,5,'2012-04-03 10:40:36','2012-04-03 10:40:36','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\nSomething here\r\n','','','inherit','closed','closed','','202-revision-16','','','2012-04-03 10:40:36','2012-04-03 10:40:36','',202,'http://catalog.org.uk/?p=224',0,'revision','',0),(228,5,'2011-11-30 15:57:46','2011-11-30 15:57:46','Joyce Cronin\r\nARTslant selected reviews\r\n\r\n\r\nFrances Scott\r\nwww.abyme.org.uk\r\nThe Quiddity Grid\r\n\r\n\r\nCarolyn Thompson\r\nwww.carolynthompson.co.uk\r\n','Index','','inherit','closed','closed','','9-revision-25','','','2011-11-30 15:57:46','2011-11-30 15:57:46','',9,'http://catalog.org.uk/9-revision-25/',0,'revision','',0),(225,5,'2012-04-03 10:41:53','2012-04-03 10:41:53','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\nIf I Knew Then What I Know Now','','','inherit','closed','closed','','202-revision-17','','','2012-04-03 10:41:53','2012-04-03 10:41:53','',202,'http://catalog.org.uk/?p=225',0,'revision','',0),(226,5,'2012-04-03 10:42:55','2012-04-03 10:42:55','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n','','','inherit','closed','closed','','202-revision-18','','','2012-04-03 10:42:55','2012-04-03 10:42:55','',202,'http://catalog.org.uk/?p=226',0,'revision','',0),(227,5,'2012-04-03 10:45:52','2012-04-03 10:45:52','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n \r\n\r\n','','','inherit','closed','closed','','202-revision-19','','','2012-04-03 10:45:52','2012-04-03 10:45:52','',202,'http://catalog.org.uk/202-revision-19/',0,'revision','',0),(229,5,'2012-04-03 11:28:41','2012-04-03 11:28:41','[customcontact form=1]\r\n\r\n \r\n\r\n \r\n\r\n','test','','publish','closed','closed','','test','','','2012-05-16 14:52:51','2012-05-16 14:52:51','',0,'http://catalog.org.uk/?page_id=229',0,'page','',0),(230,5,'2012-04-03 11:28:36','2012-04-03 11:28:36','','Auto Draft','','inherit','closed','closed','','229-revision','','','2012-04-03 11:28:36','2012-04-03 11:28:36','',229,'http://catalog.org.uk/229-revision/',0,'revision','',0),(335,3,'2012-08-01 10:30:38','2012-08-01 10:30:38','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" "\\"(im)possible")
\r\n\r\n(Im)Possible School Book: As Found (2012)\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n \r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" "\\"CATALOG")
\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','(Im)Possible School Book: As Found','','publish','closed','closed','','impossible-school','','','2014-02-11 15:16:34','2014-02-11 15:16:34','',0,'http://catalog.org.uk/?page_id=335',0,'page','',0),(234,5,'2012-04-03 12:31:45','2012-04-03 12:31:45','[customcontact form=1]','test','','inherit','closed','closed','','229-revision-3','','','2012-04-03 12:31:45','2012-04-03 12:31:45','',229,'http://catalog.org.uk/229-revision-3/',0,'revision','',0),(236,5,'2012-04-03 12:35:51','2012-04-03 12:35:51','[customcontact form=1]','test','','inherit','closed','closed','','229-revision-5','','','2012-04-03 12:35:51','2012-04-03 12:35:51','',229,'http://catalog.org.uk/229-revision-5/',0,'revision','',0),(235,5,'2012-04-03 12:34:09','2012-04-03 12:34:09','','test','','inherit','closed','closed','','229-revision-4','','','2012-04-03 12:34:09','2012-04-03 12:34:09','',229,'http://catalog.org.uk/229-revision-4/',0,'revision','',0),(240,2,'2012-04-03 14:54:53','2012-04-03 14:54:53','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-22','','','2012-04-03 14:54:53','2012-04-03 14:54:53','',202,'http://catalog.org.uk/202-revision-22/',0,'revision','',0),(245,2,'2012-05-16 15:18:13','2012-05-16 15:18:13',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 45 > March 2016\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast45.png\" "\\"Broadcast45\\"")
\r\n LHS. Channel 1 >>> photograph taken in Whitby, North Yorkshire, 13 March 2016\r\nRHS. Channel 2 >>> photograph taken of fortune-telling card from arcade penny slot machine, 2016\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 44 > February 2016\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast44.png\" "\\"Broadcast44\\"")
\r\n LHS. Channel 2 >>> \'St Elmo\'s Fire\' phenomenon, engraving, unknown, c.1860\r\nRHS. Channel 1 >>> \'Whirling Dervishes perform the ritual dance of the Sufi sect, Ankara, Turkey\'. Photo: Sukri Celil Advan, National Geographic, 2013\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 43 > January 2016\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast43.png\" "\\"Broadcast43\\"")
\r\n LHS. Channel 1 >>> \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 >>> Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 42 > December 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast42.png\" "\\"Broadcast42\\"")
\r\n LHS. Channel 2 >>> \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 >>> Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail \r\n\r\n- - -\r\n\r\nBROADCAST 41 > November 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png\" "\\"Broadcast-41\\"")
\r\n LHS. Channel 1 >>> Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 >>> Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings \r\n\r\n- - -\r\n\r\nBROADCAST 40 > October 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png\" "\\"Broadcast40\\"")
\r\n LHS. Channel 2 >>> Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 >>> William Klein, \'Who Are You, Polly Magoo?\' (1966), film still \r\n\r\n- - -\r\n\r\nBROADCAST 39 > September 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png\" "\\"Broadcast39\\"")
\r\n LHS. Channel 1 >>> Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 >>> Niall Cronin, photograph taken October 2014 \r\n\r\n- - -\r\n\r\nBROADCAST 38 > August 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png\" "\\"Broadcast38\\"")
\r\n LHS. Channel 2 >>> Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 >>> Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still \r\n\r\n- - -\r\n\r\nBROADCAST 37 > July 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" "\\"broadcast-37\\"")
\r\n LHS. Channel 1 >>> \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 >>> Grete Stern, \'Dream N.42\' (1949). Photomontage \r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" "\\"Broadcast-36\\"")
\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" "\\"Broadcast-34\\"")
\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" "\\"Broadcast-33\\"")
\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" "\\"Broadcast")
\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" "\\"Broadcast30\\"")
\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" "\\"Broadcast29\\"")
\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" "\\"Broadcast-28\\"")
\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" "\\"Broadcast")
\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" "\\"Broadcast")
\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" "\\"Broadcast-25\\"")
\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" "\\"Broadcast-24\\"")
\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" "\\"Broadcast-23\\"")
\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" "\\"Broadcast22\\"")
\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" "\\"Broadcast21\\"")
\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" "\\"Broadcast20\\"")
\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" "\\"Broadcast19\\"")
\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" "\\"Broadcast18\\"")
\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" "\\"Broadcast17\\"")
\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" "\\"Broadcast16\\"")
\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" "\\"Broadcast15\\"")
\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" "\\"Broadcast14\\"")
\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" "\\"broadcast13\\"")
\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" "\\"Broadcast12\\"")
\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" "\\"Broadcast11\\"")
\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" "\\"Broadcast10\\"")
\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" "\\"Broadcast9\\"")
\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" "\\"Broadcast8\\"")
\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" "\\"Broadcast7\\"")
\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" "\\"Broadcast6\\"")
\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" "\\"Broadcast5\\"")
\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" "\\"Broadcast4\\"")
\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" "\\"Broadcast3\\"")
\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" "\\"Broadcast2\\"")
\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" "\\"Broadcast1\\"")
\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','publish','closed','closed','','we-interrupt-this-transmission','','','2016-03-30 12:58:39','2016-03-30 12:58:39','',0,'http://catalog.org.uk/?page_id=245',0,'page','',0),(251,2,'2016-03-30 12:57:42','2016-03-30 12:57:42',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 45 > March 2016\r\n\r\n LHS. Channel 1 >>> photograph taken in Whitby, North Yorkshire, 13 March 2016\r\nRHS. Channel 2 >>> photograph taken of fortune-telling card from arcade penny slot machine, 2016\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 44 > February 2016\r\n\r\n LHS. Channel 2 >>> \'St Elmo\'s Fire\' phenomenon, engraving, unknown, c.1860\r\nRHS. Channel 1 >>> \'Whirling Dervishes perform the ritual dance of the Sufi sect, Ankara, Turkey\'. Photo: Sukri Celil Advan, National Geographic, 2013\r\n\r\n\r\n- - -\r\nBROADCAST 43 > January 2016\r\n\r\n LHS. Channel 1 >>> \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 >>> Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 42 > December 2015\r\n\r\n LHS. Channel 2 >>> \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 >>> Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail \r\n\r\n- - -\r\n\r\nBROADCAST 41 > November 2015\r\n\r\n LHS. Channel 1 >>> Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 >>> Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings \r\n\r\n- - -\r\n\r\nBROADCAST 40 > October 2015\r\n\r\n LHS. Channel 2 >>> Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 >>> William Klein, \'Who Are You, Polly Magoo?\' (1966), film still \r\n\r\n- - -\r\n\r\nBROADCAST 39 > September 2015\r\n\r\n LHS. Channel 1 >>> Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 >>> Niall Cronin, photograph taken October 2014 \r\n\r\n- - -\r\n\r\nBROADCAST 38 > August 2015\r\n\r\n LHS. Channel 2 >>> Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 >>> Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still \r\n\r\n- - -\r\n\r\nBROADCAST 37 > July 2015\r\n\r\n LHS. Channel 1 >>> \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 >>> Grete Stern, \'Dream N.42\' (1949). Photomontage \r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-autosave','','','2016-03-30 12:57:42','2016-03-30 12:57:42','',245,'http://catalog.org.uk/245-autosave/',0,'revision','',0),(238,2,'2012-04-03 10:54:06','2012-04-03 10:54:06','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n \r\n\r\n','','','inherit','closed','closed','','202-revision-20','','','2012-04-03 10:54:06','2012-04-03 10:54:06','',202,'http://catalog.org.uk/202-revision-20/',0,'revision','',0),(241,2,'2012-05-16 14:52:49','2012-05-16 14:52:49','[customcontact form=1]\n\n \n\n \n\n','test','','inherit','closed','closed','','229-autosave','','','2012-05-16 14:52:49','2012-05-16 14:52:49','',229,'http://catalog.org.uk/229-autosave/',0,'revision','',0),(239,2,'2012-04-03 14:53:37','2012-04-03 14:53:37','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n \r\n\r\nCatalog_if i Knew Then What i Know Now\r\n\r\n ','','','inherit','closed','closed','','202-revision-21','','','2012-04-03 14:53:37','2012-04-03 14:53:37','',202,'http://catalog.org.uk/202-revision-21/',0,'revision','',0),(242,2,'2012-04-03 13:16:04','2012-04-03 13:16:04','[customcontact form=1]\r\n\r\n \r\n\r\n \r\n\r\nFollow @joycecro\r\n','test','','inherit','closed','closed','','229-revision-6','','','2012-04-03 13:16:04','2012-04-03 13:16:04','',229,'http://catalog.org.uk/229-revision-6/',0,'revision','',0),(244,2,'2012-05-16 14:54:49','2012-05-16 14:54:49','\r\n\r\n[customcontact form=1]\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\n \r\n\r\n \r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-19','','','2012-05-16 14:54:49','2012-05-16 14:54:49','',11,'http://catalog.org.uk/11-revision-19/',0,'revision','',0),(553,2,'2013-08-15 11:57:06','2013-08-15 11:57:06','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n ','Function','','inherit','closed','closed','','5-revision-75','','','2013-08-15 11:57:06','2013-08-15 11:57:06','',5,'http://catalog.org.uk/5-revision-75/',0,'revision','',0),(247,2,'2012-05-16 15:17:57','2012-05-16 15:17:57','','We interrupt this transmission','','inherit','closed','closed','','245-revision','','','2012-05-16 15:17:57','2012-05-16 15:17:57','',245,'http://catalog.org.uk/245-revision/',0,'revision','',0),(248,2,'2012-05-16 15:18:13','2012-05-16 15:18:13','','We interrupt this transmission','','inherit','closed','closed','','245-revision-2','','','2012-05-16 15:18:13','2012-05-16 15:18:13','',245,'http://catalog.org.uk/245-revision-2/',0,'revision','',0),(337,3,'2012-08-01 10:10:36','2012-08-01 10:10:36','','CATALOG pages (im)possible book','','inherit','closed','closed','','screen-shot-2012-08-01-at-11-05-47','','','2012-08-01 10:10:36','2012-08-01 10:10:36','',335,'http://catalog.org.uk/wp-content/uploads/2012/08/Screen-shot-2012-08-01-at-11.05.47.png',0,'attachment','image/png',0),(250,3,'2012-05-16 17:54:56','2012-05-16 17:54:56','','WE INTERRUPT THIS TRANSMISSION','WE INTERRUPT THIS TRANSMISSION','inherit','closed','closed','','tca','','','2012-05-16 17:54:56','2012-05-16 17:54:56','',5,'http://catalog.org.uk/wp-content/uploads/2011/02/tca.jpeg',0,'attachment','image/jpeg',0),(254,2,'2012-05-30 08:10:02','2012-05-30 08:10:02','','TEST IMAGE','Some lovely caption','inherit','closed','closed','','fs-2','','','2012-05-30 08:10:02','2012-05-30 08:10:02','',5,'http://catalog.org.uk/wp-content/uploads/2011/02/FS-2.jpg',0,'attachment','image/jpeg',0),(257,3,'2012-05-31 11:26:20','2012-05-31 11:26:20','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" "\\"DittoDittoLibrary\\"")
\r\n\r\nA Ditto, Ditto Library (2012-)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme, a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg\" "\\"CATALOG_dittoditto_TateBritain2012_1\\"")
![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg\" "\\"CATALOG_dittoditto_TateBritain2012_2\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_3.jpg\" "\\"CATALOG_dittoditto_TateModern2012_3\\"")
![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_4.jpg\" "\\"CATALOG_dittoditto_TateModern2012_4\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_1.jpg\" "\\"CATALOG_dittoditto_TateModern2012_1\\"")
![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_2.jpg\" "\\"CATALOG_dittoditto_TateModern2012_2\\"")
\r\n\r\nIMAGES FROM TOP: A Ditto, Ditto Library, selected pages pdf /// A Ditto, Ditto, Library, details, Tate Britain and Tate Modern, 2012\r\n \r\n','A Ditto, Ditto Library','','publish','closed','closed','','dittoditto','','','2014-02-11 15:15:54','2014-02-11 15:15:54','',0,'http://catalog.org.uk/?page_id=257',0,'page','',0),(258,3,'2012-05-31 11:16:15','2012-05-31 11:16:15','','A Ditto, Ditto Library','A DITTO, DITTO LIBRARY','inherit','closed','closed','','catalog_dittoditto1','','','2012-05-31 11:16:15','2012-05-31 11:16:15','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg',0,'attachment','image/jpeg',0),(259,3,'2012-05-31 11:24:45','2012-05-31 11:24:45','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" "\\"CATALOG_dittoditto1\\"")
\n\nA Ditto, Ditto Library\n\nTate Britain\nSaturday 9th June 2012\n10 - 2pm\n\nMore information coming soon...\n\n \n\n ','','','inherit','closed','closed','','257-revision','','','2012-05-31 11:24:45','2012-05-31 11:24:45','',257,'http://catalog.org.uk/257-revision/',0,'revision','',0),(260,3,'2012-05-31 11:25:08','2012-05-31 11:25:08','\r\n\r\nA Ditto, Ditto Library\r\n\r\nTate Britain\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-2','','','2012-05-31 11:25:08','2012-05-31 11:25:08','',257,'http://catalog.org.uk/257-revision-2/',0,'revision','',0),(261,3,'2012-05-31 11:25:47','2012-05-31 11:25:47','\r\n\r\nA Ditto, Ditto Library\r\n\r\nTate Britain\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-3','','','2012-05-31 11:25:47','2012-05-31 11:25:47','',257,'http://catalog.org.uk/257-revision-3/',0,'revision','',0),(262,3,'2015-02-16 22:44:46','2015-02-16 22:44:46','\r\n\r\nA Ditto, Ditto Library (2012-)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme, a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n \r\n\r\n \r\n \r\n \r\n\r\nIMAGES FROM TOP: A Ditto, Ditto Library, selected pages pdf /// A Ditto, Ditto, Library, details, Tate Britain and Tate Modern, 2012','A Ditto, Ditto Library','','inherit','closed','closed','','257-autosave','','','2015-02-16 22:44:46','2015-02-16 22:44:46','',257,'http://catalog.org.uk/257-autosave/',0,'revision','',0),(791,2,'2015-02-26 14:59:12','2015-02-26 14:59:12','','Broadcast 32','','inherit','closed','closed','','broadcast-32','','','2015-02-26 14:59:12','2015-02-26 14:59:12','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png',0,'attachment','image/png',0),(263,3,'2012-05-31 11:26:20','2012-05-31 11:26:20','\r\n\r\nA Ditto, Ditto Library\r\n\r\nTate Britain\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-4','','','2012-05-31 11:26:20','2012-05-31 11:26:20','',257,'http://catalog.org.uk/257-revision-4/',0,'revision','',0),(264,3,'2012-05-29 20:10:58','2012-05-29 20:10:58','\r\nWe interrupt this transmission \r\n\r\nAn online project accessed via email subscription and twitter.\r\nInformation coming soon...','','','inherit','closed','closed','','245-revision-4','','','2012-05-29 20:10:58','2012-05-29 20:10:58','',245,'http://catalog.org.uk/245-revision-4/',0,'revision','',0),(265,3,'2012-04-03 09:52:36','2012-04-03 09:52:36','[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]','Function','','inherit','closed','closed','','5-revision-53','','','2012-04-03 09:52:36','2012-04-03 09:52:36','',5,'http://catalog.org.uk/5-revision-53/',0,'revision','',0),(266,3,'2012-05-31 13:29:18','2012-05-31 13:29:18','[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-54','','','2012-05-31 13:29:18','2012-05-31 13:29:18','',5,'http://catalog.org.uk/5-revision-54/',0,'revision','',0),(267,3,'2012-05-31 13:30:12','2012-05-31 13:30:12','[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-55','','','2012-05-31 13:30:12','2012-05-31 13:30:12','',5,'http://catalog.org.uk/5-revision-55/',0,'revision','',0),(268,3,'2012-05-31 12:54:40','2012-05-31 12:54:40',' \r\n\r\n\r\n\r\nA Ditto, Ditto Library\r\n\r\nTate Britain\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-5','','','2012-05-31 12:54:40','2012-05-31 12:54:40','',257,'http://catalog.org.uk/257-revision-5/',0,'revision','',0),(269,3,'2012-05-31 19:09:16','2012-05-31 19:09:16','','CATALOG_IFIKNEW_studio1','','inherit','closed','closed','','catalog_ifiknew_studio1','','','2012-05-31 19:09:16','2012-05-31 19:09:16','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg',0,'attachment','image/jpeg',0),(270,3,'2012-05-31 19:09:19','2012-05-31 19:09:19','','CATALOG_IFIKNEW_studio2','','inherit','closed','closed','','catalog_ifiknew_studio2','','','2012-05-31 19:09:19','2012-05-31 19:09:19','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg',0,'attachment','image/jpeg',0),(271,3,'2012-04-03 09:35:01','2012-04-03 09:35:01','\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-39','','','2012-04-03 09:35:01','2012-04-03 09:35:01','',7,'http://catalog.org.uk/7-revision-39/',0,'revision','',0),(643,2,'2014-01-10 16:42:54','2014-01-10 16:42:54',' We interrupt this transmission (2012 - 2013) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 18 > December 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-18.jpg\" "\\"channel2-18\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-18.jpg\" "\\"channel1-18\\"")
\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\" "\\"channel1-17web\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\" "\\"channel2-17")
\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" "\\"channel2-16\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" "\\"channel1-16\\"")
\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" "\\"channel1-15\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" "\\"channel2-15\\"")
\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" "\\"channel2-14\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" "\\"channel1-14\\"")
\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" "\\"channel1-13\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" "\\"channel2-13\\"")
\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" "\\"channel2-12\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" "\\"channel1-12\\"")
\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" "\\"channel1-11\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" "\\"channel2-11\\"")
\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" "\\"channel2-10\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" "\\"channel1-10\\"")
\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" "\\"channel1-9\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" "\\"channel2-9\\"")
\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" "\\"channel2-8\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" "\\"channel1-8\\"")
\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" "\\"channel1-7\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" "\\"channel2-7\\"")
\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" "\\"Channel2-6\\"")
![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" "\\"Channel1-6\\"")
\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" "\\"Channel1-5\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" "\\"Channel2-5\\"")
\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" "\\"Channel2-4\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" "\\"Channel1-4\\"")
\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" "\\"CATALOG_broadcast3\\"")
\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" "\\"Channel2-2\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" "\\"Channel1-2\\"")
\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" "\\"Channel1-1\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" "\\"Channel2-1\\"")
\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-68','','','2014-01-10 16:42:54','2014-01-10 16:42:54','',245,'http://catalog.org.uk/245-revision-68/',0,'revision','',0),(273,3,'2012-05-31 19:15:06','2012-05-31 19:15:06','\r\n\r\n\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-40','','','2012-05-31 19:15:06','2012-05-31 19:15:06','',7,'http://catalog.org.uk/7-revision-40/',0,'revision','',0),(272,3,'2012-05-31 12:57:13','2012-05-31 12:57:13',' \r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" "\\"We")
\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nWe interrupt this transmission \r\n\r\nAn online project accessed via email subscription and twitter.\r\nInformation coming soon...','','','inherit','closed','closed','','245-revision-5','','','2012-05-31 12:57:13','2012-05-31 12:57:13','',245,'http://catalog.org.uk/245-revision-5/',0,'revision','',0),(642,2,'2014-02-06 12:16:08','2014-02-06 12:16:08','','Broadcast19','','inherit','closed','closed','','broadcast19','','','2014-02-06 12:16:08','2014-02-06 12:16:08','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png',0,'attachment','image/png',0),(291,2,'2012-06-03 12:28:36','2012-06-03 12:28:36','\r\n \r\n\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-45','','','2012-06-03 12:28:36','2012-06-03 12:28:36','',7,'http://catalog.org.uk/7-revision-45/',0,'revision','',0),(274,3,'2012-05-31 19:19:27','2012-05-31 19:19:27','\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-41','','','2012-05-31 19:19:27','2012-05-31 19:19:27','',7,'http://catalog.org.uk/7-revision-41/',0,'revision','',0),(275,3,'2012-05-31 19:21:40','2012-05-31 19:21:40',' \r\n\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-42','','','2012-05-31 19:21:40','2012-05-31 19:21:40','',7,'http://catalog.org.uk/7-revision-42/',0,'revision','',0),(278,2,'2012-06-03 12:00:28','2012-06-03 12:00:28',' \r\n\r\n\r\n\r\nCATALOG presents \r\nA Ditto, Ditto Library\r\n10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG (Joyce Cronin and Frances Scott), a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012). By creating systems to openly test ideas, CATALOG invites participation conversation and exchange. www.catalog.org.uk\r\n\r\n*Please note, all \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n ','','','inherit','closed','closed','','257-revision-8','','','2012-06-03 12:00:28','2012-06-03 12:00:28','',257,'http://catalog.org.uk/257-revision-8/',0,'revision','',0),(276,2,'2012-05-31 19:08:01','2012-05-31 19:08:01',' \r\n\r\n\r\n\r\nA DITTO, DITTO LIBRARY\r\n\r\nTate Britain\r\n\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-6','','','2012-05-31 19:08:01','2012-05-31 19:08:01','',257,'http://catalog.org.uk/257-revision-6/',0,'revision','',0),(279,2,'2012-06-03 12:06:12','2012-06-03 12:06:12','\r\n\r\nA Ditto, Ditto Library\r\n10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\n*All \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n ','','','inherit','closed','closed','','257-revision-9','','','2012-06-03 12:06:12','2012-06-03 12:06:12','',257,'http://catalog.org.uk/257-revision-9/',0,'revision','',0),(277,2,'2012-06-03 11:58:14','2012-06-03 11:58:14',' \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nCATALOG presents\r\nA Ditto, Ditto Library\r\n\r\n\r\n10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-7','','','2012-06-03 11:58:14','2012-06-03 11:58:14','',257,'http://catalog.org.uk/257-revision-7/',0,'revision','',0),(295,2,'2012-06-21 18:31:58','2012-06-21 18:31:58','\r\n\r\n*Please note, all \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\n\r\nA Ditto, Ditto Library\r\n9 June 2012 / Tate Britain, Millbank London*\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\n ','','','inherit','closed','closed','','257-revision-13','','','2012-06-21 18:31:58','2012-06-21 18:31:58','',257,'http://catalog.org.uk/257-revision-13/',0,'revision','',0),(280,2,'2012-06-03 12:06:30','2012-06-03 12:06:30','\r\n\r\nA Ditto, Ditto Library\r\n10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\n*All \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n ','','','inherit','closed','closed','','257-revision-10','','','2012-06-03 12:06:30','2012-06-03 12:06:30','',257,'http://catalog.org.uk/257-revision-10/',0,'revision','',0),(281,2,'2012-05-31 19:07:12','2012-05-31 19:07:12','[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignnone\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-56','','','2012-05-31 19:07:12','2012-05-31 19:07:12','',5,'http://catalog.org.uk/5-revision-56/',0,'revision','',0),(282,2,'2012-03-28 11:30:32','2012-03-28 11:30:32','\r\n\r\nCATALOG was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities.\r\n\r\nOur work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through CATALOG.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-15','','','2012-03-28 11:30:32','2012-03-28 11:30:32','',2,'http://catalog.org.uk/2-revision-15/',0,'revision','',0),(284,2,'2012-06-03 12:14:34','2012-06-03 12:14:34','','DittoDittoLibrary2','','inherit','closed','closed','','dittodittolibrary2_72dpi','','','2012-06-03 12:14:34','2012-06-03 12:14:34','',7,'http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg',0,'attachment','image/jpeg',0),(285,2,'2012-06-03 12:14:40','2012-06-03 12:14:40','','DittoDittoLibrary','','inherit','closed','closed','','dittodittolibrary_72dpi','','','2012-06-03 12:14:40','2012-06-03 12:14:40','',257,'http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg',0,'attachment','image/jpeg',0),(294,2,'2012-06-03 12:17:38','2012-06-03 12:17:38','\r\n\r\n\r\nA Ditto, Ditto Library\r\n10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\n*All \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n ','','','inherit','closed','closed','','257-revision-12','','','2012-06-03 12:17:38','2012-06-03 12:17:38','',257,'http://catalog.org.uk/257-revision-12/',0,'revision','',0),(286,2,'2012-06-03 12:07:32','2012-06-03 12:07:32','\r\n\r\nA Ditto, Ditto Library\r\n10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\n*All \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n ','','','inherit','closed','closed','','257-revision-11','','','2012-06-03 12:07:32','2012-06-03 12:07:32','',257,'http://catalog.org.uk/257-revision-11/',0,'revision','',0),(287,2,'2012-05-31 19:16:31','2012-05-31 19:16:31',' \r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\r\nWE INTERRUPT THIS TRANSMISSION\r\n\r\n An online project accessed via email subscription and twitter.\r\n\r\nInformation coming soon...','','','inherit','closed','closed','','245-revision-6','','','2012-05-31 19:16:31','2012-05-31 19:16:31','',245,'http://catalog.org.uk/245-revision-6/',0,'revision','',0),(288,2,'2012-06-03 12:22:07','2012-06-03 12:22:07','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe. First broadcast summer 2012.\r\n','','','inherit','closed','closed','','245-revision-7','','','2012-06-03 12:22:07','2012-06-03 12:22:07','',245,'http://catalog.org.uk/245-revision-7/',0,'revision','',0),(289,2,'2012-05-31 19:22:47','2012-05-31 19:22:47',' \r\n\r\n
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\r\n ','Journal','','inherit','closed','closed','','7-revision-47','','','2012-06-03 12:34:20','2012-06-03 12:34:20','',7,'http://catalog.org.uk/7-revision-47/',0,'revision','',0),(296,2,'2012-06-21 18:44:16','2012-06-21 18:44:16','\r\n\r\nA Ditto, Ditto Library\r\n presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\n ','','','inherit','closed','closed','','257-revision-14','','','2012-06-21 18:44:16','2012-06-21 18:44:16','',257,'http://catalog.org.uk/257-revision-14/',0,'revision','',0),(297,2,'2012-06-21 18:51:22','2012-06-21 18:51:22','','DittoDitto_documentation1','','inherit','closed','closed','','dittoditto_documentation1','','','2012-06-21 18:51:22','2012-06-21 18:51:22','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation1.jpg',0,'attachment','image/jpeg',0),(298,2,'2012-06-21 18:51:27','2012-06-21 18:51:27','','DittoDitto_documentation2','','inherit','closed','closed','','dittoditto_documentation2','','','2012-06-21 18:51:27','2012-06-21 18:51:27','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation2.jpg',0,'attachment','image/jpeg',0),(299,2,'2012-06-21 18:50:29','2012-06-21 18:50:29','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n ','','','inherit','closed','closed','','257-revision-15','','','2012-06-21 18:50:29','2012-06-21 18:50:29','',257,'http://catalog.org.uk/257-revision-15/',0,'revision','',0),(300,2,'2012-06-21 18:53:03','2012-06-21 18:53:03','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation2.jpg\" "\\"DittoDitto_documentation2\\"")
\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation1.jpg\" "\\"DittoDitto_documentation1\\"")
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\r\n ','Journal','','inherit','closed','closed','','7-revision-66','','','2013-08-15 12:48:37','2013-08-15 12:48:37','',7,'http://catalog.org.uk/7-revision-66/',0,'revision','',0),(302,2,'2012-06-03 12:34:46','2012-06-03 12:34:46',' \r\n\r\n
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\r\n ','Journal','','inherit','closed','closed','','7-revision-49','','','2012-06-21 18:58:45','2012-06-21 18:58:45','',7,'http://catalog.org.uk/7-revision-49/',0,'revision','',0),(304,2,'2012-06-21 19:05:42','2012-06-21 19:05:42','','FS-1','','inherit','closed','closed','','fs-1','','','2012-06-21 19:05:42','2012-06-21 19:05:42','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/FS-1.jpg',0,'attachment','image/jpeg',0),(305,2,'2012-06-21 19:05:55','2012-06-21 19:05:55','','JC-1','','inherit','closed','closed','','jc-1','','','2012-06-21 19:05:55','2012-06-21 19:05:55','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/JC-1.jpeg',0,'attachment','image/jpeg',0),(306,2,'2012-06-03 12:24:38','2012-06-03 12:24:38','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe. First broadcast summer 2012.\r\n\r\n ','','','inherit','closed','closed','','245-revision-8','','','2012-06-03 12:24:38','2012-06-03 12:24:38','',245,'http://catalog.org.uk/245-revision-8/',0,'revision','',0),(315,2,'2012-07-18 21:02:03','2012-07-18 21:02:03','','Channel2-1','','inherit','closed','closed','','channel2-1','','','2012-07-18 21:02:03','2012-07-18 21:02:03','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg',0,'attachment','image/jpeg',0),(307,2,'2012-06-21 19:07:00','2012-06-21 19:07:00','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBroadcast June 2012\r\nChannel 1: ![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/FS-1.jpg\" "\\"FS-1\\"")
\r\nChannel 2: ![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/JC-1.jpeg\" "\\"JC-1\\"")
\r\n\r\n\r\n ','','','inherit','closed','closed','','245-revision-9','','','2012-06-21 19:07:00','2012-06-21 19:07:00','',245,'http://catalog.org.uk/245-revision-9/',0,'revision','',0),(314,2,'2012-07-18 21:01:52','2012-07-18 21:01:52','','Channel1-1','','inherit','closed','closed','','channel1-1','','','2012-07-18 21:01:52','2012-07-18 21:01:52','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg',0,'attachment','image/jpeg',0),(308,3,'2012-05-16 14:55:45','2012-05-16 14:55:45','\r\n\r\n[customcontact form=1]\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-20','','','2012-05-16 14:55:45','2012-05-16 14:55:45','',11,'http://catalog.org.uk/11-revision-20/',0,'revision','',0),(309,3,'2012-07-06 14:36:37','2012-07-06 14:36:37','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-21','','','2012-07-06 14:36:37','2012-07-06 14:36:37','',11,'http://catalog.org.uk/11-revision-21/',0,'revision','',0),(311,3,'2012-07-06 14:54:10','2012-07-06 14:54:10','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-23','','','2012-07-06 14:54:10','2012-07-06 14:54:10','',11,'http://catalog.org.uk/11-revision-23/',0,'revision','',0),(310,3,'2012-07-06 14:37:09','2012-07-06 14:37:09','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-22','','','2012-07-06 14:37:09','2012-07-06 14:37:09','',11,'http://catalog.org.uk/11-revision-22/',0,'revision','',0),(312,3,'2012-07-06 15:00:07','2012-07-06 15:00:07','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n\r\n\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-24','','','2012-07-06 15:00:07','2012-07-06 15:00:07','',11,'http://catalog.org.uk/11-revision-24/',0,'revision','',0),(313,3,'2012-06-21 19:07:41','2012-06-21 19:07:41','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBroadcast June 2012\r\nChannel 1: \r\nChannel 2: \r\n\r\n\r\n ','','','inherit','closed','closed','','245-revision-10','','','2012-06-21 19:07:41','2012-06-21 19:07:41','',245,'http://catalog.org.uk/245-revision-10/',0,'revision','',0),(316,2,'2012-07-16 22:15:45','2012-07-16 22:15:45','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','245-revision-11','','','2012-07-16 22:15:45','2012-07-16 22:15:45','',245,'http://catalog.org.uk/245-revision-11/',0,'revision','',0),(317,2,'2012-07-18 21:02:44','2012-07-18 21:02:44','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nLHS. Channel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\nRHS. Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','245-revision-12','','','2012-07-18 21:02:44','2012-07-18 21:02:44','',245,'http://catalog.org.uk/245-revision-12/',0,'revision','',0),(318,2,'2012-07-18 21:03:51','2012-07-18 21:03:51','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n \r\n\r\nLHS. Channel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\nRHS. Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n ','','','inherit','closed','closed','','245-revision-13','','','2012-07-18 21:03:51','2012-07-18 21:03:51','',245,'http://catalog.org.uk/245-revision-13/',0,'revision','',0),(319,3,'2012-08-01 09:27:17','2012-08-01 09:27:17','','A Ditto Ditto board','A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012','inherit','closed','closed','','bp-saturday-sound_72','','','2012-08-01 09:27:17','2012-08-01 09:27:17','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg',0,'attachment','image/jpeg',0),(320,3,'2012-08-01 09:32:45','2012-08-01 09:32:45','','A Ditto Ditto Library FS','','inherit','closed','closed','','bp-saturday-sound_32','','','2012-08-01 09:32:45','2012-08-01 09:32:45','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg',0,'attachment','image/jpeg',0),(326,3,'2012-08-01 09:46:51','2012-08-01 09:46:51','','Tate Tanks','','inherit','closed','closed','','tate-tanks','','','2012-08-01 09:46:51','2012-08-01 09:46:51','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg',0,'attachment','image/jpeg',0),(325,3,'2012-08-01 09:41:58','2012-08-01 09:41:58','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" "\\"A")
[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" "\\"A")
[/caption]','','','inherit','closed','closed','','257-revision-21','','','2012-08-01 09:41:58','2012-08-01 09:41:58','',257,'http://catalog.org.uk/257-revision-21/',0,'revision','',0),(321,3,'2012-06-21 18:55:17','2012-06-21 18:55:17','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-17','','','2012-06-21 18:55:17','2012-06-21 18:55:17','',257,'http://catalog.org.uk/257-revision-17/',0,'revision','',0),(322,3,'2012-08-01 09:39:30','2012-08-01 09:39:30','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-18','','','2012-08-01 09:39:30','2012-08-01 09:39:30','',257,'http://catalog.org.uk/257-revision-18/',0,'revision','',0),(323,3,'2012-08-01 09:40:04','2012-08-01 09:40:04','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"][/caption]','','','inherit','closed','closed','','257-revision-19','','','2012-08-01 09:40:04','2012-08-01 09:40:04','',257,'http://catalog.org.uk/257-revision-19/',0,'revision','',0),(324,3,'2012-08-01 09:41:32','2012-08-01 09:41:32','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"][/caption]','','','inherit','closed','closed','','257-revision-20','','','2012-08-01 09:41:32','2012-08-01 09:41:32','',257,'http://catalog.org.uk/257-revision-20/',0,'revision','',0),(327,3,'2012-06-21 19:04:29','2012-06-21 19:04:29','\r\n \r\n\r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-50','','','2012-06-21 19:04:29','2012-06-21 19:04:29','',7,'http://catalog.org.uk/7-revision-50/',0,'revision','',0),(558,2,'2013-08-15 12:40:52','2013-08-15 12:40:52','Journal\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\ntest\r\n\r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-65','','','2013-08-15 12:40:52','2013-08-15 12:40:52','',7,'http://catalog.org.uk/7-revision-65/',0,'revision','',0),(328,3,'2012-08-01 09:50:33','2012-08-01 09:50:33','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" "\\"Tate")
\r\n\r\n \r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-51','','','2012-08-01 09:50:33','2012-08-01 09:50:33','',7,'http://catalog.org.uk/7-revision-51/',0,'revision','',0),(329,3,'2012-08-01 09:51:45','2012-08-01 09:51:45','\r\n\r\n \r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-52','','','2012-08-01 09:51:45','2012-08-01 09:51:45','',7,'http://catalog.org.uk/7-revision-52/',0,'revision','',0),(330,3,'2012-08-01 09:53:20','2012-08-01 09:53:20','\r\n\r\n \r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-53','','','2012-08-01 09:53:20','2012-08-01 09:53:20','',7,'http://catalog.org.uk/7-revision-53/',0,'revision','',0),(331,3,'2012-08-01 09:43:26','2012-08-01 09:43:26','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]','','','inherit','closed','closed','','257-revision-22','','','2012-08-01 09:43:26','2012-08-01 09:43:26','',257,'http://catalog.org.uk/257-revision-22/',0,'revision','',0),(332,3,'2012-08-01 10:01:14','2012-08-01 10:01:14','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n ','','','inherit','closed','closed','','257-revision-23','','','2012-08-01 10:01:14','2012-08-01 10:01:14','',257,'http://catalog.org.uk/257-revision-23/',0,'revision','',0),(333,3,'2012-08-01 10:01:35','2012-08-01 10:01:35','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-24','','','2012-08-01 10:01:35','2012-08-01 10:01:35','',257,'http://catalog.org.uk/257-revision-24/',0,'revision','',0),(334,3,'2012-08-01 10:02:03','2012-08-01 10:02:03','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','257-revision-25','','','2012-08-01 10:02:03','2012-08-01 10:02:03','',257,'http://catalog.org.uk/257-revision-25/',0,'revision','',0),(338,3,'2012-08-01 10:20:02','2012-08-01 10:20:02','(Im)Possible School Book: As Found.\n\nFive Years. Tanks Summer School, Tate Modern. July 2012,\n\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\n\nThe publication can be downloaded here:\n\nhttp://www.fiveyears.org.uk/im.possible.school.html\n\nand purchased here:\n\n \n\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/08/Screen-shot-2012-08-01-at-11.05.47-1024x676.png\" "\\"CATALOG")
','','','inherit','closed','closed','','335-revision','','','2012-08-01 10:20:02','2012-08-01 10:20:02','',335,'http://catalog.org.uk/335-revision/',0,'revision','',0),(339,3,'2012-08-01 10:26:03','2012-08-01 10:26:03','','CATALOG (im)possible book page','','inherit','closed','closed','','catalog-impossible-book-page','','','2012-08-01 10:26:03','2012-08-01 10:26:03','',335,'http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png',0,'attachment','image/png',0),(340,3,'2012-08-01 10:26:56','2012-08-01 10:26:56','','(im)possible image','(IM)POSSIBLE SCHOOL BOOK: AS FOUND','inherit','closed','closed','','untitled1','','','2012-08-01 10:26:56','2012-08-01 10:26:56','',335,'http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png',0,'attachment','image/png',0),(341,3,'2012-08-01 10:26:25','2012-08-01 10:26:25','\n(Im)Possible School Book: As Found.\n\nFive Years. Tanks Summer School, Tate Modern. July 2012,\n\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\n\nThe publication can be downloaded here:\n\nhttp://www.fiveyears.org.uk/im.possible.school.html\n\nand purchased here:\n\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\n\n\n\n ','','','inherit','closed','closed','','335-revision-2','','','2012-08-01 10:26:25','2012-08-01 10:26:25','',335,'http://catalog.org.uk/335-revision-2/',0,'revision','',0),(342,3,'2012-08-01 10:27:34','2012-08-01 10:27:34','\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-3','','','2012-08-01 10:27:34','2012-08-01 10:27:34','',335,'http://catalog.org.uk/335-revision-3/',0,'revision','',0),(343,3,'2012-08-01 10:27:54','2012-08-01 10:27:54','\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-4','','','2012-08-01 10:27:54','2012-08-01 10:27:54','',335,'http://catalog.org.uk/335-revision-4/',0,'revision','',0),(345,3,'2012-08-01 10:29:40','2012-08-01 10:29:40','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-6','','','2012-08-01 10:29:40','2012-08-01 10:29:40','',335,'http://catalog.org.uk/335-revision-6/',0,'revision','',0),(344,3,'2012-08-01 10:28:56','2012-08-01 10:28:56','\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-5','','','2012-08-01 10:28:56','2012-08-01 10:28:56','',335,'http://catalog.org.uk/335-revision-5/',0,'revision','',0),(346,3,'2013-07-17 21:21:50','2013-07-17 21:21:50','\r\n\r\n(Im)Possible School Book: As Found (2012)\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','335-autosave','','','2013-07-17 21:21:50','2013-07-17 21:21:50','',335,'http://catalog.org.uk/335-autosave/',0,'revision','',0),(347,3,'2012-08-01 10:30:38','2012-08-01 10:30:38','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-7','','','2012-08-01 10:30:38','2012-08-01 10:30:38','',335,'http://catalog.org.uk/335-revision-7/',0,'revision','',0),(348,3,'2012-08-01 10:38:37','2012-08-01 10:38:37','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-8','','','2012-08-01 10:38:37','2012-08-01 10:38:37','',335,'http://catalog.org.uk/335-revision-8/',0,'revision','',0),(350,3,'2012-08-01 10:44:30','2012-08-01 10:44:30','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-10','','','2012-08-01 10:44:30','2012-08-01 10:44:30','',335,'http://catalog.org.uk/335-revision-10/',0,'revision','',0),(456,3,'2013-01-29 14:25:34','2013-01-29 14:25:34','\r\n\r\n(Im)Possible School Book: As Found (2012)\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-21','','','2013-01-29 14:25:34','2013-01-29 14:25:34','',335,'http://catalog.org.uk/335-revision-21/',0,'revision','',0),(349,3,'2012-08-01 10:43:08','2012-08-01 10:43:08','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-9','','','2012-08-01 10:43:08','2012-08-01 10:43:08','',335,'http://catalog.org.uk/335-revision-9/',0,'revision','',0),(351,3,'2012-08-01 10:45:24','2012-08-01 10:45:24','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','335-revision-11','','','2012-08-01 10:45:24','2012-08-01 10:45:24','',335,'http://catalog.org.uk/335-revision-11/',0,'revision','',0),(354,3,'2012-08-01 10:46:37','2012-08-01 10:46:37','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-14','','','2012-08-01 10:46:37','2012-08-01 10:46:37','',335,'http://catalog.org.uk/335-revision-14/',0,'revision','',0),(352,3,'2012-08-01 10:45:41','2012-08-01 10:45:41','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','335-revision-12','','','2012-08-01 10:45:41','2012-08-01 10:45:41','',335,'http://catalog.org.uk/335-revision-12/',0,'revision','',0),(353,3,'2012-08-01 10:45:50','2012-08-01 10:45:50','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','335-revision-13','','','2012-08-01 10:45:50','2012-08-01 10:45:50','',335,'http://catalog.org.uk/335-revision-13/',0,'revision','',0),(355,3,'2012-08-01 10:46:49','2012-08-01 10:46:49','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-15','','','2012-08-01 10:46:49','2012-08-01 10:46:49','',335,'http://catalog.org.uk/335-revision-15/',0,'revision','',0),(356,3,'2012-08-01 10:47:28','2012-08-01 10:47:28','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','335-revision-16','','','2012-08-01 10:47:28','2012-08-01 10:47:28','',335,'http://catalog.org.uk/335-revision-16/',0,'revision','',0),(429,2,'2012-12-05 17:13:57','2012-12-05 17:13:57','\r\n\r\n(Im)Possible School Book: As Found (2012)\r\n\r\n \r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game, a possible method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','335-revision-18','','','2012-12-05 17:13:57','2012-12-05 17:13:57','',335,'http://catalog.org.uk/335-revision-18/',0,'revision','',0),(459,3,'2013-01-29 14:23:25','2013-01-29 14:23:25','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n','Function','','inherit','closed','closed','','5-revision-62','','','2013-01-29 14:23:25','2013-01-29 14:23:25','',5,'http://catalog.org.uk/5-revision-62/',0,'revision','',0),(357,3,'2012-06-03 12:08:44','2012-06-03 12:08:44','[caption id=\"attachment_258\" align=\"alignnone\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-57','','','2012-06-03 12:08:44','2012-06-03 12:08:44','',5,'http://catalog.org.uk/5-revision-57/',0,'revision','',0),(426,3,'2012-10-08 12:21:46','2012-10-08 12:21:46','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','Function','','inherit','closed','closed','','5-revision-60','','','2012-10-08 12:21:46','2012-10-08 12:21:46','',5,'http://catalog.org.uk/5-revision-60/',0,'revision','',0),(358,3,'2012-07-06 15:09:07','2012-07-06 15:09:07','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n\r\n\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-25','','','2012-07-06 15:09:07','2012-07-06 15:09:07','',11,'http://catalog.org.uk/11-revision-25/',0,'revision','',0),(360,2,'2012-08-10 09:10:48','2012-08-10 09:10:48','','Channel1-2','','inherit','closed','closed','','channel1-2','','','2012-08-10 09:10:48','2012-08-10 09:10:48','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg',0,'attachment','image/jpeg',0),(361,2,'2012-08-10 09:11:29','2012-08-10 09:11:29','','Channel2-2','','inherit','closed','closed','','channel2-2','','','2012-08-10 09:11:29','2012-08-10 09:11:29','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg',0,'attachment','image/jpeg',0),(368,2,'2012-08-10 09:21:46','2012-08-10 09:21:46','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n \r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n ','','','inherit','closed','closed','','245-revision-20','','','2012-08-10 09:21:46','2012-08-10 09:21:46','',245,'http://catalog.org.uk/245-revision-20/',0,'revision','',0),(364,2,'2012-08-10 09:16:35','2012-08-10 09:16:35','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n \r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)','','','inherit','closed','closed','','245-revision-16','','','2012-08-10 09:16:35','2012-08-10 09:16:35','',245,'http://catalog.org.uk/245-revision-16/',0,'revision','',0),(363,2,'2012-08-10 09:14:49','2012-08-10 09:14:49','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n \r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n','','','inherit','closed','closed','','245-revision-15','','','2012-08-10 09:14:49','2012-08-10 09:14:49','',245,'http://catalog.org.uk/245-revision-15/',0,'revision','',0),(362,2,'2012-07-18 21:04:19','2012-07-18 21:04:19','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n \r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n ','','','inherit','closed','closed','','245-revision-14','','','2012-07-18 21:04:19','2012-07-18 21:04:19','',245,'http://catalog.org.uk/245-revision-14/',0,'revision','',0),(365,2,'2012-08-10 09:19:21','2012-08-10 09:19:21','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n \r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n \r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)','','','inherit','closed','closed','','245-revision-17','','','2012-08-10 09:19:21','2012-08-10 09:19:21','',245,'http://catalog.org.uk/245-revision-17/',0,'revision','',0),(370,3,'2012-08-01 10:57:15','2012-08-01 10:57:15','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-26','','','2012-08-01 10:57:15','2012-08-01 10:57:15','',11,'http://catalog.org.uk/11-revision-26/',0,'revision','',0),(366,2,'2012-08-10 09:20:16','2012-08-10 09:20:16','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n \r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n \r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n ','','','inherit','closed','closed','','245-revision-18','','','2012-08-10 09:20:16','2012-08-10 09:20:16','',245,'http://catalog.org.uk/245-revision-18/',0,'revision','',0),(367,2,'2012-08-10 09:21:06','2012-08-10 09:21:06','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n \r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n \r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n ','','','inherit','closed','closed','','245-revision-19','','','2012-08-10 09:21:06','2012-08-10 09:21:06','',245,'http://catalog.org.uk/245-revision-19/',0,'revision','',0),(372,3,'2012-09-25 20:37:21','2012-09-25 20:37:21','','IMG_1685','','inherit','closed','closed','','img_1685','','','2012-09-25 20:37:21','2012-09-25 20:37:21','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg',0,'attachment','image/jpeg',0),(371,3,'2012-08-27 18:26:06','2012-08-27 18:26:06','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-27','','','2012-08-27 18:26:06','2012-08-27 18:26:06','',11,'http://catalog.org.uk/11-revision-27/',0,'revision','',0),(425,3,'2012-10-05 11:33:19','2012-10-05 11:33:19','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-59','','','2012-10-05 11:33:19','2012-10-05 11:33:19','',5,'http://catalog.org.uk/5-revision-59/',0,'revision','',0),(373,3,'2012-08-01 09:54:08','2012-08-01 09:54:08','\r\n\r\n \r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-54','','','2012-08-01 09:54:08','2012-08-01 09:54:08','',7,'http://catalog.org.uk/7-revision-54/',0,'revision','',0),(452,3,'2012-12-05 17:41:18','2012-12-05 17:41:18','A\r\nArtSlant\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-42','','','2012-12-05 17:41:18','2012-12-05 17:41:18','',9,'http://catalog.org.uk/9-revision-42/',0,'revision','',0),(376,3,'2012-09-25 21:08:01','2012-09-25 21:08:01','A\r\nARTslant\r\n\r\nB\r\nB-side Festival \r\n\r\nC\r\nCarolyn Thompson\r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-28','','','2012-09-25 21:08:01','2012-09-25 21:08:01','',9,'http://catalog.org.uk/9-revision-28/',0,'revision','',0),(374,3,'2012-04-03 10:54:47','2012-04-03 10:54:47','Joyce Cronin\r\nARTslant selected reviews\r\n\r\nFrances Scott\r\nwww.abyme.org.uk\r\nThe Quiddity Grid\r\n\r\nCarolyn Thompson\r\nwww.carolynthompson.co.uk','Index','','inherit','closed','closed','','9-revision-26','','','2012-04-03 10:54:47','2012-04-03 10:54:47','',9,'http://catalog.org.uk/9-revision-26/',0,'revision','',0),(375,3,'2012-09-25 21:07:52','2012-09-25 21:07:52','A\r\nARTslant\r\n\r\nB\r\nB-side Festival \r\n\r\nC\r\nCarolyn Thompson\r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-27','','','2012-09-25 21:07:52','2012-09-25 21:07:52','',9,'http://catalog.org.uk/9-revision-27/',0,'revision','',0),(377,3,'2012-06-03 12:10:42','2012-06-03 12:10:42','\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012). By creating systems to openly test ideas, CATALOG invites participation conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-17','','','2012-06-03 12:10:42','2012-06-03 12:10:42','',2,'http://catalog.org.uk/2-revision-17/',0,'revision','',0),(379,3,'2012-09-26 20:18:07','2012-09-26 20:18:07','A\r\nARTslant\r\n\r\nB\r\nB-side Festival \r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-30','','','2012-09-26 20:18:07','2012-09-26 20:18:07','',9,'http://catalog.org.uk/9-revision-30/',0,'revision','',0),(380,3,'2012-09-26 20:19:46','2012-09-26 20:19:46','A\r\nARTslant\r\n\r\nB\r\nB-side Festival \r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-31','','','2012-09-26 20:19:46','2012-09-26 20:19:46','',9,'http://catalog.org.uk/9-revision-31/',0,'revision','',0),(381,3,'2012-09-26 20:21:07','2012-09-26 20:21:07','A\r\nARTslant\r\n\r\nB\r\nB-side Festival \r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-32','','','2012-09-26 20:21:07','2012-09-26 20:21:07','',9,'http://catalog.org.uk/9-revision-32/',0,'revision','',0),(383,2,'2012-08-01 10:03:20','2012-08-01 10:03:20','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','257-revision-26','','','2012-08-01 10:03:20','2012-08-01 10:03:20','',257,'http://catalog.org.uk/257-revision-26/',0,'revision','',0),(466,2,'2013-01-29 15:46:23','2013-01-29 15:46:23','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-35','','','2013-01-29 15:46:23','2013-01-29 15:46:23','',257,'http://catalog.org.uk/257-revision-35/',0,'revision','',0),(384,2,'2012-09-26 21:57:14','2012-09-26 21:57:14','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\nCATALOG ADittoDittoLibrary June2012\r\n\r\n ','','','inherit','closed','closed','','257-revision-27','','','2012-09-26 21:57:14','2012-09-26 21:57:14','',257,'http://catalog.org.uk/257-revision-27/',0,'revision','',0),(385,2,'2012-09-26 22:01:26','2012-09-26 22:01:26','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk or view excerpts below.\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-28','','','2012-09-26 22:01:26','2012-09-26 22:01:26','',257,'http://catalog.org.uk/257-revision-28/',0,'revision','',0),(386,3,'2012-09-26 20:21:49','2012-09-26 20:21:49','A\r\nARTslant\r\n\r\nB\r\nB-side Festival \r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-33','','','2012-09-26 20:21:49','2012-09-26 20:21:49','',9,'http://catalog.org.uk/9-revision-33/',0,'revision','',0),(455,3,'2012-12-05 17:26:04','2012-12-05 17:26:04','\r\n\r\n(Im)Possible School Book: As Found (2012)\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game, a possible method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n \r\n\r\n','','','inherit','closed','closed','','335-revision-20','','','2012-12-05 17:26:04','2012-12-05 17:26:04','',335,'http://catalog.org.uk/335-revision-20/',0,'revision','',0),(428,2,'2012-08-01 10:47:39','2012-08-01 10:47:39','\r\n\r\n(Im)Possible School Book: As Found.\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','335-revision-17','','','2012-08-01 10:47:39','2012-08-01 10:47:39','',335,'http://catalog.org.uk/335-revision-17/',0,'revision','',0),(388,3,'2012-09-26 22:02:01','2012-09-26 22:02:01','\r\n\r\nA Ditto, Ditto Library\r\nwas presented on 9 June 2012 / Tate Britain, Millbank London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk or view excerpts below.\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-29','','','2012-09-26 22:02:01','2012-09-26 22:02:01','',257,'http://catalog.org.uk/257-revision-29/',0,'revision','',0),(389,3,'2012-10-01 11:05:34','2012-10-01 11:05:34','\r\n\r\nA Ditto, Ditto Library\r\n 11am-5pm, 28 October 2012 / The Tanks, Tate Modern, London \r\n9 June 2012 / Tate Britain, Millbank, London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library is informed by the context of it\'s presentation - exploring sound and performance for the ‘Tate Together’ programme at Tate Britain and moving image practices for Film Action at Tate Tanks. \'Chapters\' are printed on the hour from 11am. \r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-30','','','2012-10-01 11:05:34','2012-10-01 11:05:34','',257,'http://catalog.org.uk/257-revision-30/',0,'revision','',0),(390,3,'2012-04-03 14:57:51','2012-04-03 14:57:51','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The resulting PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-23','','','2012-04-03 14:57:51','2012-04-03 14:57:51','',202,'http://catalog.org.uk/202-revision-23/',0,'revision','',0),(395,3,'2012-10-01 11:25:47','2012-10-01 11:25:47','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project held at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-28','','','2012-10-01 11:25:47','2012-10-01 11:25:47','',202,'http://catalog.org.uk/202-revision-28/',0,'revision','',0),(391,3,'2012-10-01 11:20:12','2012-10-01 11:20:12','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW- P.S \r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-24','','','2012-10-01 11:20:12','2012-10-01 11:20:12','',202,'http://catalog.org.uk/202-revision-24/',0,'revision','',0),(392,3,'2012-10-01 11:21:07','2012-10-01 11:21:07','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW- P.S \r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-25','','','2012-10-01 11:21:07','2012-10-01 11:21:07','',202,'http://catalog.org.uk/202-revision-25/',0,'revision','',0),(394,3,'2012-10-01 11:24:42','2012-10-01 11:24:42','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-27','','','2012-10-01 11:24:42','2012-10-01 11:24:42','',202,'http://catalog.org.uk/202-revision-27/',0,'revision','',0),(393,3,'2012-10-01 11:23:53','2012-10-01 11:23:53','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW- P.S \r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-26','','','2012-10-01 11:23:53','2012-10-01 11:23:53','',202,'http://catalog.org.uk/202-revision-26/',0,'revision','',0),(440,2,'2012-10-01 11:52:00','2012-10-01 11:52:00','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\nFIVE YEARS, London \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a project held at Five Years between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-32','','','2012-10-01 11:52:00','2012-10-01 11:52:00','',202,'http://catalog.org.uk/202-revision-32/',0,'revision','',0),(397,3,'2012-10-01 11:43:14','2012-10-01 11:43:14','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project held at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-30','','','2012-10-01 11:43:14','2012-10-01 11:43:14','',202,'http://catalog.org.uk/202-revision-30/',0,'revision','',0),(396,3,'2012-10-01 11:33:41','2012-10-01 11:33:41','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project held at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-29','','','2012-10-01 11:33:41','2012-10-01 11:33:41','',202,'http://catalog.org.uk/202-revision-29/',0,'revision','',0),(441,2,'2012-10-01 13:37:18','2012-10-01 13:37:18','A\r\nArtSlant\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-40','','','2012-10-01 13:37:18','2012-10-01 13:37:18','',9,'http://catalog.org.uk/9-revision-40/',0,'revision','',0),(398,3,'2012-10-01 11:51:10','2012-10-01 11:51:10','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\nFIVE YEARS, London \r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project held at Five Years between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-31','','','2012-10-01 11:51:10','2012-10-01 11:51:10','',202,'http://catalog.org.uk/202-revision-31/',0,'revision','',0),(439,2,'2012-10-01 12:05:57','2012-10-01 12:05:57','\r\n\r\nA Ditto, Ditto Library\r\n 11am-5pm, 28 October 2012 / The Tanks, Tate Modern, London \r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation. It was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice. It will be next staged at Tate Tanks as part of the Film Action programme, 28 October 2012. \r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-33','','','2012-10-01 12:05:57','2012-10-01 12:05:57','',257,'http://catalog.org.uk/257-revision-33/',0,'revision','',0),(399,3,'2012-10-01 11:07:34','2012-10-01 11:07:34','\r\n\r\nA Ditto, Ditto Library\r\n 11am-5pm, 28 October 2012 / The Tanks, Tate Modern, London \r\n9 June 2012 / Tate Britain, Millbank, London\r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library is informed by the context of it\'s presentation - exploring sound and performance for the ‘Tate Together’ programme at Tate Britain and moving image practices for Film Action at Tate Tanks. \'Chapters\' are printed on the hour from 11am. \r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-31','','','2012-10-01 11:07:34','2012-10-01 11:07:34','',257,'http://catalog.org.uk/257-revision-31/',0,'revision','',0),(400,3,'2012-10-01 12:04:17','2012-10-01 12:04:17','\r\n\r\nA Ditto, Ditto Library\r\n 11am-5pm, 28 October 2012 / The Tanks, Tate Modern, London \r\n\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation. It was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice. It will be next shown at Tate Tanks as part of the Film Action programme, 28 October 2012. \r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-32','','','2012-10-01 12:04:17','2012-10-01 12:04:17','',257,'http://catalog.org.uk/257-revision-32/',0,'revision','',0),(401,2,'2012-10-01 12:12:02','2012-10-01 12:12:02','','Channel1-3_lowres','','inherit','closed','closed','','channel1-3_lowres','','','2012-10-01 12:12:02','2012-10-01 12:12:02','',245,'http://catalog.org.uk/wp-content/uploads/2012/10/Channel1-3_lowres.jpg',0,'attachment','image/jpeg',0),(402,2,'2012-10-01 12:12:20','2012-10-01 12:12:20','','Channel2-3_lowres','','inherit','closed','closed','','channel2-3_lowres','','','2012-10-01 12:12:20','2012-10-01 12:12:20','',245,'http://catalog.org.uk/wp-content/uploads/2012/10/Channel2-3_lowres.jpg',0,'attachment','image/jpeg',0),(403,2,'2012-08-10 09:22:54','2012-08-10 09:22:54','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n ','','','inherit','closed','closed','','245-revision-21','','','2012-08-10 09:22:54','2012-08-10 09:22:54','',245,'http://catalog.org.uk/245-revision-21/',0,'revision','',0),(411,3,'2012-10-01 13:19:12','2012-10-01 13:19:12','A\r\nArtSlant\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-36','','','2012-10-01 13:19:12','2012-10-01 13:19:12','',9,'http://catalog.org.uk/9-revision-36/',0,'revision','',0),(408,2,'2012-10-01 12:25:43','2012-10-01 12:25:43','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n ','','','inherit','closed','closed','','245-revision-25','','','2012-10-01 12:25:43','2012-10-01 12:25:43','',245,'http://catalog.org.uk/245-revision-25/',0,'revision','',0),(405,2,'2012-10-01 12:19:34','2012-10-01 12:19:34','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel1-3_lowres.jpg\" "\\"Channel1-3_lowres\\"")
\r\n\r\n \r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel2-3_lowres-225x1024.jpg\" "\\"Channel2-3_lowres\\"")
\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-23','','','2012-10-01 12:19:34','2012-10-01 12:19:34','',245,'http://catalog.org.uk/245-revision-23/',0,'revision','',0),(406,2,'2012-10-01 12:22:57','2012-10-01 12:22:57','','CATALOG_broadcast3','','inherit','closed','closed','','catalog_broadcast3','','','2012-10-01 12:22:57','2012-10-01 12:22:57','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg',0,'attachment','image/jpeg',0),(407,2,'2012-10-01 12:20:37','2012-10-01 12:20:37','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n \r\n\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-24','','','2012-10-01 12:20:37','2012-10-01 12:20:37','',245,'http://catalog.org.uk/245-revision-24/',0,'revision','',0),(404,2,'2012-10-01 12:15:27','2012-10-01 12:15:27','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel2-3_lowres.jpg\" "\\"Channel2-3_lowres\\"")
','','','inherit','closed','closed','','245-revision-22','','','2012-10-01 12:15:27','2012-10-01 12:15:27','',245,'http://catalog.org.uk/245-revision-22/',0,'revision','',0),(409,2,'2012-09-27 19:34:51','2012-09-27 19:34:51','A\r\nArtSlant\r\n\r\nB\r\nB-side Festival \r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-34','','','2012-09-27 19:34:51','2012-09-27 19:34:51','',9,'http://catalog.org.uk/9-revision-34/',0,'revision','',0),(410,2,'2012-10-01 13:18:18','2012-10-01 13:18:18','A\r\nArtSlant\r\n\r\nB\r\nB-side Festival \r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-35','','','2012-10-01 13:18:18','2012-10-01 13:18:18','',9,'http://catalog.org.uk/9-revision-35/',0,'revision','',0),(412,3,'2012-10-01 13:31:50','2012-10-01 13:31:50','A\r\nArtSlant\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-37','','','2012-10-01 13:31:50','2012-10-01 13:31:50','',9,'http://catalog.org.uk/9-revision-37/',0,'revision','',0),(413,3,'2012-10-01 13:33:28','2012-10-01 13:33:28','A\r\nArtSlant\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-38','','','2012-10-01 13:33:28','2012-10-01 13:33:28','',9,'http://catalog.org.uk/9-revision-38/',0,'revision','',0),(414,3,'2012-10-01 13:36:00','2012-10-01 13:36:00','A\r\nArtSlant\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-39','','','2012-10-01 13:36:00','2012-10-01 13:36:00','',9,'http://catalog.org.uk/9-revision-39/',0,'revision','',0),(415,3,'2012-10-02 10:44:40','2012-10-02 10:44:40','','profile','','inherit','closed','closed','','profile','','','2012-10-02 10:44:40','2012-10-02 10:44:40','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg',0,'attachment','image/jpeg',0),(422,5,'2012-10-02 10:48:10','2012-10-02 10:48:10','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg\" "\\"profile\\"")
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\r\n ','Journal','','inherit','closed','closed','','7-revision-56','','','2012-10-02 10:48:10','2012-10-02 10:48:10','',7,'http://catalog.org.uk/7-revision-56/',0,'revision','',0),(416,3,'2012-09-25 20:39:29','2012-09-25 20:39:29','\r\n\r\n \r\n\r\n\r\n
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\r\n ','Journal','','inherit','closed','closed','','7-revision-55','','','2012-09-25 20:39:29','2012-09-25 20:39:29','',7,'http://catalog.org.uk/7-revision-55/',0,'revision','',0),(423,5,'2012-10-05 11:54:23','2012-10-05 11:54:23','\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
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\r\n ','Journal','','inherit','closed','closed','','7-revision-57','','','2012-10-05 11:54:23','2012-10-05 11:54:23','',7,'http://catalog.org.uk/7-revision-57/',0,'revision','',0),(418,5,'2012-09-25 21:10:57','2012-09-25 21:10:57','\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-18','','','2012-09-25 21:10:57','2012-09-25 21:10:57','',2,'http://catalog.org.uk/2-revision-18/',0,'revision','',0),(419,5,'2012-10-05 11:22:31','2012-10-05 11:22:31','\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-19','','','2012-10-05 11:22:31','2012-10-05 11:22:31','',2,'http://catalog.org.uk/2-revision-19/',0,'revision','',0),(420,5,'2012-10-05 11:25:52','2012-10-05 11:25:52','\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-20','','','2012-10-05 11:25:52','2012-10-05 11:25:52','',2,'http://catalog.org.uk/2-revision-20/',0,'revision','',0),(421,5,'2012-08-01 10:55:17','2012-08-01 10:55:17','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignnone\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-58','','','2012-08-01 10:55:17','2012-08-01 10:55:17','',5,'http://catalog.org.uk/5-revision-58/',0,'revision','',0),(424,5,'2012-10-05 11:56:21','2012-10-05 11:56:21','\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-58','','','2012-10-05 11:56:21','2012-10-05 11:56:21','',7,'http://catalog.org.uk/7-revision-58/',0,'revision','',0),(430,2,'2012-12-05 17:16:13','2012-12-05 17:16:13','','Channel1-4','','inherit','closed','closed','','channel1-4','','','2012-12-05 17:16:13','2012-12-05 17:16:13','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg',0,'attachment','image/jpeg',0),(431,2,'2012-12-05 17:16:21','2012-12-05 17:16:21','','Channel1-5','','inherit','closed','closed','','channel1-5','','','2012-12-05 17:16:21','2012-12-05 17:16:21','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg',0,'attachment','image/jpeg',0),(432,2,'2012-12-05 17:16:32','2012-12-05 17:16:32','','Channel2-4','','inherit','closed','closed','','channel2-4','','','2012-12-05 17:16:32','2012-12-05 17:16:32','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg',0,'attachment','image/jpeg',0),(433,2,'2012-12-05 17:16:45','2012-12-05 17:16:45','','Channel2-5','','inherit','closed','closed','','channel2-5','','','2012-12-05 17:16:45','2012-12-05 17:16:45','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg',0,'attachment','image/jpeg',0),(434,2,'2012-10-01 12:28:05','2012-10-01 12:28:05','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\n ','','','inherit','closed','closed','','245-revision-26','','','2012-10-01 12:28:05','2012-10-01 12:28:05','',245,'http://catalog.org.uk/245-revision-26/',0,'revision','',0),(435,2,'2012-12-05 17:20:11','2012-12-05 17:20:11','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708\r\nRHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon','','','inherit','closed','closed','','245-revision-27','','','2012-12-05 17:20:11','2012-12-05 17:20:11','',245,'http://catalog.org.uk/245-revision-27/',0,'revision','',0),(436,2,'2012-12-05 17:14:36','2012-12-05 17:14:36','\r\n\r\n(Im)Possible School Book: As Found (2012)\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game, a possible method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','335-revision-19','','','2012-12-05 17:14:36','2012-12-05 17:14:36','',335,'http://catalog.org.uk/335-revision-19/',0,'revision','',0),(437,2,'2012-12-05 17:24:50','2012-12-05 17:24:50','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n\r\nRHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n','','','inherit','closed','closed','','245-revision-28','','','2012-12-05 17:24:50','2012-12-05 17:24:50','',245,'http://catalog.org.uk/245-revision-28/',0,'revision','',0),(438,2,'2012-12-05 17:29:36','2012-12-05 17:29:36','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n\r\nRHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-29','','','2012-12-05 17:29:36','2012-12-05 17:29:36','',245,'http://catalog.org.uk/245-revision-29/',0,'revision','',0),(442,2,'2012-12-05 17:40:46','2012-12-05 17:40:46','A\r\nArtSlant\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nRResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-41','','','2012-12-05 17:40:46','2012-12-05 17:40:46','',9,'http://catalog.org.uk/9-revision-41/',0,'revision','',0),(444,2,'2012-12-05 17:56:54','2012-12-05 17:56:54','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a project manager and writer, interested in diferent modes of collaborative working, and the processes and dialogues surrounding the acts of making and exhibiting practice. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online, and her text on Deimantas Narkeviius\' \'Energy Lithuania\' was recently included in the \'The City is a Burning, Blazing Bonfire\' exhibition catalogue at Cubitt Gallery, London. Joyce is an Artistic Assessor for Arts Council England, and is currently working on touring a new work by artist Jordan Baseman, funded by the Wellcome Trust.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. She recently presented THE MIRACLE METHODS SERIES, film episodes transmitted on local-council information screens and online for b-side festival, Weymouth. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n\r\n\r\n\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-29','','','2012-12-05 17:56:54','2012-12-05 17:56:54','',11,'http://catalog.org.uk/11-revision-29/',0,'revision','',0),(443,2,'2012-09-25 20:35:24','2012-09-25 20:35:24','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\n\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n\r\n\r\n\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-28','','','2012-09-25 20:35:24','2012-09-25 20:35:24','',11,'http://catalog.org.uk/11-revision-28/',0,'revision','',0),(532,2,'2013-01-29 15:20:47','2013-01-29 15:20:47','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','Function','','inherit','closed','closed','','5-revision-63','','','2013-01-29 15:20:47','2013-01-29 15:20:47','',5,'http://catalog.org.uk/5-revision-63/',0,'revision','',0),(446,3,'2012-12-05 18:01:32','2012-12-05 18:01:32','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a project manager and writer, interested in diferent modes of collaborative working, and the processes and dialogues surrounding the acts of making and exhibiting practice. Currently freelance, Joyce is an Artistic Assessor for Arts Council England, and is working on touring a new work by artist Jordan Baseman, funded by the Wellcome Trust. She has worked for non-profit visual arts organisations for over ten years including Gallery Manager at Matt’s Gallery, Cubitt Gallery, The Drawing Room, Studio Voltaire, and the Foundation for Women’s Art (FWA). Her writing practice includes contributions to the Artslant website and Axis online, and her text on Deimantas Narkeviius\' \'Energy Lithuania\' was recently included in the \'The City is a Burning, Blazing Bonfire\' exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. \r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. She recently presented THE MIRACLE METHODS SERIES, film episodes transmitted on local-council information screens and online for b-side festival, Weymouth. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n\r\n\r\n\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-30','','','2012-12-05 18:01:32','2012-12-05 18:01:32','',11,'http://catalog.org.uk/11-revision-30/',0,'revision','',0),(447,2,'2013-01-07 14:47:14','2013-01-07 14:47:14','','Channel2-6','','inherit','closed','closed','','channel2-6','','','2013-01-07 14:47:14','2013-01-07 14:47:14','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg',0,'attachment','image/jpeg',0),(448,2,'2013-01-07 14:47:47','2013-01-07 14:47:47','','Channel1-6','','inherit','closed','closed','','channel1-6','','','2013-01-07 14:47:47','2013-01-07 14:47:47','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg',0,'attachment','image/jpeg',0),(449,2,'2012-12-05 17:31:22','2012-12-05 17:31:22','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-30','','','2012-12-05 17:31:22','2012-12-05 17:31:22','',245,'http://catalog.org.uk/245-revision-30/',0,'revision','',0),(471,2,'2013-01-07 14:55:05','2013-01-07 14:55:05','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-32','','','2013-01-07 14:55:05','2013-01-07 14:55:05','',245,'http://catalog.org.uk/245-revision-32/',0,'revision','',0),(450,2,'2013-01-07 14:50:48','2013-01-07 14:50:48','\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> XXX \r\n RHS. Channel 1 >>> XXX \r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-31','','','2013-01-07 14:50:48','2013-01-07 14:50:48','',245,'http://catalog.org.uk/245-revision-31/',0,'revision','',0),(472,2,'2013-02-08 15:04:03','2013-02-08 15:04:03','We interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---\r\n\r\n\r\n\r\n\r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-33','','','2013-02-08 15:04:03','2013-02-08 15:04:03','',245,'http://catalog.org.uk/245-revision-33/',0,'revision','',0),(451,2,'2012-10-05 12:00:32','2012-10-05 12:00:32','\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-59','','','2012-10-05 12:00:32','2012-10-05 12:00:32','',7,'http://catalog.org.uk/7-revision-59/',0,'revision','',0),(453,3,'2013-01-29 14:16:15','2013-01-29 14:16:15','A\r\nArtSlant\r\nAxis\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-43','','','2013-01-29 14:16:15','2013-01-29 14:16:15','',9,'http://catalog.org.uk/9-revision-43/',0,'revision','',0),(454,3,'2012-10-08 12:22:12','2012-10-08 12:22:12','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n','Function','','inherit','closed','closed','','5-revision-61','','','2012-10-08 12:22:12','2012-10-08 12:22:12','',5,'http://catalog.org.uk/5-revision-61/',0,'revision','',0),(457,3,'2013-01-29 14:45:10','2013-01-29 14:45:10','','CATALOG_ResonanceFMDec2012','','inherit','closed','closed','','catalog_resonancefmdec2012','','','2013-01-29 14:45:10','2013-01-29 14:45:10','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg',0,'attachment','image/jpeg',0),(554,2,'2013-01-29 14:48:16','2013-01-29 14:48:16','\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-61','','','2013-01-29 14:48:16','2013-01-29 14:48:16','',7,'http://catalog.org.uk/7-revision-61/',0,'revision','',0),(458,3,'2013-01-07 14:57:08','2013-01-07 14:57:08','\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-60','','','2013-01-07 14:57:08','2013-01-07 14:57:08','',7,'http://catalog.org.uk/7-revision-60/',0,'revision','',0),(555,2,'2013-08-15 12:35:02','2013-08-15 12:35:02','\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-62','','','2013-08-15 12:35:02','2013-08-15 12:35:02','',7,'http://catalog.org.uk/7-revision-62/',0,'revision','',0),(463,2,'2013-01-29 15:40:23','2013-01-29 15:40:23','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\nCatalog_if i Knew Then What i Know Now by cata_log
\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','202-revision-36','','','2013-01-29 15:40:23','2013-01-29 15:40:23','',202,'http://catalog.org.uk/202-revision-36/',0,'revision','',0),(462,2,'2013-01-29 15:38:21','2013-01-29 15:38:21','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n
\r\n \r\n\r\n ','','','inherit','closed','closed','','202-revision-35','','','2013-01-29 15:38:21','2013-01-29 15:38:21','',202,'http://catalog.org.uk/202-revision-35/',0,'revision','',0),(460,2,'2012-12-05 17:37:38','2012-12-05 17:37:38','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-33','','','2012-12-05 17:37:38','2012-12-05 17:37:38','',202,'http://catalog.org.uk/202-revision-33/',0,'revision','',0),(461,2,'2013-01-29 15:33:56','2013-01-29 15:33:56','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n\r\nCatalog_if i Knew Then What i Know Now by cata_log
\r\n\r\n ','','','inherit','closed','closed','','202-revision-34','','','2013-01-29 15:33:56','2013-01-29 15:33:56','',202,'http://catalog.org.uk/202-revision-34/',0,'revision','',0),(464,2,'2013-01-29 15:41:26','2013-01-29 15:41:26','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n[scribd id=87819500 key=key-1dhd6i8khd0buarcoyxb mode=scroll]\r\n\r\n ','','','inherit','closed','closed','','202-revision-37','','','2013-01-29 15:41:26','2013-01-29 15:41:26','',202,'http://catalog.org.uk/202-revision-37/',0,'revision','',0),(465,2,'2012-12-05 17:34:08','2012-12-05 17:34:08','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-34','','','2012-12-05 17:34:08','2012-12-05 17:34:08','',257,'http://catalog.org.uk/257-revision-34/',0,'revision','',0),(469,2,'2013-01-29 15:59:28','2013-01-29 15:59:28','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-38','','','2013-01-29 15:59:28','2013-01-29 15:59:28','',257,'http://catalog.org.uk/257-revision-38/',0,'revision','',0),(468,2,'2013-01-29 15:56:59','2013-01-29 15:56:59','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s Bermuda Triangle Test Transmission. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-37','','','2013-01-29 15:56:59','2013-01-29 15:56:59','',257,'http://catalog.org.uk/257-revision-37/',0,'revision','',0),(467,2,'2013-01-29 15:53:02','2013-01-29 15:53:02','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-36','','','2013-01-29 15:53:02','2013-01-29 15:53:02','',257,'http://catalog.org.uk/257-revision-36/',0,'revision','',0),(695,2,'2014-02-06 15:04:48','2014-02-06 15:04:48','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" "\\"A")
![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" "\\"A")
\r\n\r\n \r\n','','','inherit','closed','closed','','257-revision-51','','','2014-02-06 15:04:48','2014-02-06 15:04:48','',257,'http://catalog.org.uk/257-revision-51/',0,'revision','',0),(470,3,'2013-01-29 16:01:24','2013-01-29 16:01:24','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-39','','','2013-01-29 16:01:24','2013-01-29 16:01:24','',257,'http://catalog.org.uk/257-revision-39/',0,'revision','',0),(473,2,'2013-02-08 15:05:10','2013-02-08 15:05:10','We interrupt this transmission (2012 to date)\r\n\r\n \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-34','','','2013-02-08 15:05:10','2013-02-08 15:05:10','',245,'http://catalog.org.uk/245-revision-34/',0,'revision','',0),(474,2,'2013-02-08 15:06:33','2013-02-08 15:06:33','','channel1-7','','inherit','closed','closed','','channel1-7','','','2013-02-08 15:06:33','2013-02-08 15:06:33','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg',0,'attachment','image/jpeg',0),(475,2,'2013-02-08 15:06:48','2013-02-08 15:06:48','','channel2-7','','inherit','closed','closed','','channel2-7','','','2013-02-08 15:06:48','2013-02-08 15:06:48','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg',0,'attachment','image/jpeg',0),(476,2,'2013-02-08 15:05:27','2013-02-08 15:05:27','We interrupt this transmission (2012 to date)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-35','','','2013-02-08 15:05:27','2013-02-08 15:05:27','',245,'http://catalog.org.uk/245-revision-35/',0,'revision','',0),(477,2,'2013-02-08 15:09:49','2013-02-08 15:09:49','We interrupt this transmission (2012 to date)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-36','','','2013-02-08 15:09:49','2013-02-08 15:09:49','',245,'http://catalog.org.uk/245-revision-36/',0,'revision','',0),(478,2,'2013-02-08 15:11:40','2013-02-08 15:11:40','We interrupt this transmission (2012 to date)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-37','','','2013-02-08 15:11:40','2013-02-08 15:11:40','',245,'http://catalog.org.uk/245-revision-37/',0,'revision','',0),(479,2,'2013-02-20 15:30:23','2013-02-20 15:30:23','Royal Botanic Gardens, Kew; (c) Royal Botanic Gardens, Kew (book); Supplied by The Public Catalogue Foundation','channel2-8','','inherit','closed','closed','','channel2-8','','','2013-02-20 15:30:23','2013-02-20 15:30:23','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg',0,'attachment','image/jpeg',0),(480,2,'2013-02-20 15:35:32','2013-02-20 15:35:32','','channel1-8','','inherit','closed','closed','','channel1-8','','','2013-02-20 15:35:32','2013-02-20 15:35:32','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg',0,'attachment','image/jpeg',0),(481,2,'2013-02-08 15:12:35','2013-02-08 15:12:35','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-38','','','2013-02-08 15:12:35','2013-02-08 15:12:35','',245,'http://catalog.org.uk/245-revision-38/',0,'revision','',0),(482,2,'2013-02-20 15:36:25','2013-02-20 15:36:25','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call and echo between channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-39','','','2013-02-20 15:36:25','2013-02-20 15:36:25','',245,'http://catalog.org.uk/245-revision-39/',0,'revision','',0),(483,2,'2013-04-01 14:06:18','2013-04-01 14:06:18','','channel1-9','','inherit','closed','closed','','channel1-9','','','2013-04-01 14:06:18','2013-04-01 14:06:18','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg',0,'attachment','image/jpeg',0),(484,2,'2013-04-01 14:06:51','2013-04-01 14:06:51','','channel2-9','','inherit','closed','closed','','channel2-9','','','2013-04-01 14:06:51','2013-04-01 14:06:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg',0,'attachment','image/jpeg',0),(485,2,'2013-02-20 15:37:51','2013-02-20 15:37:51','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-40','','','2013-02-20 15:37:51','2013-02-20 15:37:51','',245,'http://catalog.org.uk/245-revision-40/',0,'revision','',0),(486,2,'2013-04-01 14:10:17','2013-04-01 14:10:17','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from More than a bookshop, Zwemmers and art in the 20th century by Nigel Vaux Halliday, Philip Wilson Publishers, London, 1991\r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-41','','','2013-04-01 14:10:17','2013-04-01 14:10:17','',245,'http://catalog.org.uk/245-revision-41/',0,'revision','',0),(487,2,'2013-05-15 19:09:19','2013-05-15 19:09:19','','channel2-10','','inherit','closed','closed','','channel2-10','','','2013-05-15 19:09:19','2013-05-15 19:09:19','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg',0,'attachment','image/jpeg',0),(488,2,'2013-05-15 19:10:10','2013-05-15 19:10:10','','channel1-10','','inherit','closed','closed','','channel1-10','','','2013-05-15 19:10:10','2013-05-15 19:10:10','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png',0,'attachment','image/png',0),(489,2,'2013-04-01 14:11:51','2013-04-01 14:11:51','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-42','','','2013-04-01 14:11:51','2013-04-01 14:11:51','',245,'http://catalog.org.uk/245-revision-42/',0,'revision','',0),(490,2,'2013-06-28 13:23:40','2013-06-28 13:23:40','','channel1-11','','inherit','closed','closed','','channel1-11','','','2013-06-28 13:23:40','2013-06-28 13:23:40','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg',0,'attachment','image/jpeg',0),(491,2,'2013-06-28 13:24:16','2013-06-28 13:24:16','','channel2-11','','inherit','closed','closed','','channel2-11','','','2013-06-28 13:24:16','2013-06-28 13:24:16','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg',0,'attachment','image/jpeg',0),(492,2,'2013-05-15 19:14:09','2013-05-15 19:14:09','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n---\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-43','','','2013-05-15 19:14:09','2013-05-15 19:14:09','',245,'http://catalog.org.uk/245-revision-43/',0,'revision','',0),(627,3,'2013-11-26 21:23:53','2013-11-26 21:23:53','','channel1-17','','inherit','closed','closed','','channel1-17','','','2013-11-26 21:23:53','2013-11-26 21:23:53','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17.jpg',0,'attachment','image/jpeg',0),(572,2,'2013-08-15 12:27:21','2013-08-15 12:27:21','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n
\r\n
\r\n ','Function','','inherit','closed','closed','','5-revision-76','','','2013-08-15 12:27:21','2013-08-15 12:27:21','',5,'http://catalog.org.uk/5-revision-76/',0,'revision','',0),(493,3,'2013-01-29 14:26:29','2013-01-29 14:26:29','\r\n\r\n(Im)Possible School Book: As Found (2012)\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n \r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','335-revision-22','','','2013-01-29 14:26:29','2013-01-29 14:26:29','',335,'http://catalog.org.uk/335-revision-22/',0,'revision','',0),(494,3,'2012-12-05 20:50:39','2012-12-05 20:50:39','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a project manager and writer. Currently freelance, she is an Artistic Assessor for Arts Council England and has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. Joyce has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She was Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. Her writing practice includes contributions to the Artslant website and Axis online, and her text on Deimantas Narkevičius\' \'Energy Lithuania\' (2000) was recently included in the \'The City is a Burning, Blazing Bonfire\' exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. She recently presented THE MIRACLE METHODS SERIES, film episodes transmitted on local-council information screens and online for b-side festival, Weymouth. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-31','','','2012-12-05 20:50:39','2012-12-05 20:50:39','',11,'http://catalog.org.uk/11-revision-31/',0,'revision','',0),(497,3,'2013-07-17 21:33:30','2013-07-17 21:33:30','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-46','','','2013-07-17 21:33:30','2013-07-17 21:33:30','',9,'http://catalog.org.uk/9-revision-46/',0,'revision','',0),(495,3,'2013-01-29 14:21:30','2013-01-29 14:21:30','A\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-44','','','2013-01-29 14:21:30','2013-01-29 14:21:30','',9,'http://catalog.org.uk/9-revision-44/',0,'revision','',0),(496,3,'2013-07-17 21:32:56','2013-07-17 21:32:56','A\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-45','','','2013-07-17 21:32:56','2013-07-17 21:32:56','',9,'http://catalog.org.uk/9-revision-45/',0,'revision','',0),(498,3,'2013-07-17 21:36:15','2013-07-17 21:36:15','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-47','','','2013-07-17 21:36:15','2013-07-17 21:36:15','',9,'http://catalog.org.uk/9-revision-47/',0,'revision','',0),(499,3,'2013-07-17 21:37:13','2013-07-17 21:37:13','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-48','','','2013-07-17 21:37:13','2013-07-17 21:37:13','',9,'http://catalog.org.uk/9-revision-48/',0,'revision','',0),(500,3,'2013-07-17 21:21:46','2013-07-17 21:21:46','\r\n\r\n(Im)Possible School Book: As Found (2012)\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','335-revision-23','','','2013-07-17 21:21:46','2013-07-17 21:21:46','',335,'http://catalog.org.uk/335-revision-23/',0,'revision','',0),(501,3,'2013-07-17 21:37:27','2013-07-17 21:37:27','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-49','','','2013-07-17 21:37:27','2013-07-17 21:37:27','',9,'http://catalog.org.uk/9-revision-49/',0,'revision','',0),(502,3,'2013-07-17 21:49:25','2013-07-17 21:49:25','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-50','','','2013-07-17 21:49:25','2013-07-17 21:49:25','',9,'http://catalog.org.uk/9-revision-50/',0,'revision','',0),(503,2,'2013-07-17 21:26:37','2013-07-17 21:26:37','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. She recently presented THE MIRACLE METHODS SERIES, film episodes transmitted on local-council information screens and online for b-side festival, Weymouth. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-32','','','2013-07-17 21:26:37','2013-07-17 21:26:37','',11,'http://catalog.org.uk/11-revision-32/',0,'revision','',0),(504,2,'2013-07-26 13:45:48','2013-07-26 13:45:48','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York, her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, flm episodes transmitted on local- council information television and BBC screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-33','','','2013-07-26 13:45:48','2013-07-26 13:45:48','',11,'http://catalog.org.uk/11-revision-33/',0,'revision','',0),(505,2,'2013-07-26 13:49:41','2013-07-26 13:49:41','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. Abyme website\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-34','','','2013-07-26 13:49:41','2013-07-26 13:49:41','',11,'http://catalog.org.uk/11-revision-34/',0,'revision','',0),(506,2,'2013-07-26 13:50:30','2013-07-26 13:50:30','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. Abyme\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-35','','','2013-07-26 13:50:30','2013-07-26 13:50:30','',11,'http://catalog.org.uk/11-revision-35/',0,'revision','',0),(570,2,'2013-08-15 13:30:29','2013-08-15 13:30:29','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-37','','','2013-08-15 13:30:29','2013-08-15 13:30:29','',11,'http://catalog.org.uk/11-revision-37/',0,'revision','',0),(507,3,'2012-10-05 11:26:28','2012-10-05 11:26:28','\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-21','','','2012-10-05 11:26:28','2012-10-05 11:26:28','',2,'http://catalog.org.uk/2-revision-21/',0,'revision','',0),(508,3,'2013-07-30 21:50:41','2013-07-30 21:50:41','\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012-13). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-22','','','2013-07-30 21:50:41','2013-07-30 21:50:41','',2,'http://catalog.org.uk/2-revision-22/',0,'revision','',0),(509,2,'2013-07-31 10:52:37','2013-07-31 10:52:37','','channel2-12','','inherit','closed','closed','','channel2-12','','','2013-07-31 10:52:37','2013-07-31 10:52:37','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg',0,'attachment','image/jpeg',0),(510,2,'2013-07-31 10:53:02','2013-07-31 10:53:02','','channel1-12','','inherit','closed','closed','','channel1-12','','','2013-07-31 10:53:02','2013-07-31 10:53:02','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg',0,'attachment','image/jpeg',0),(511,2,'2013-07-31 10:53:26','2013-07-31 10:53:26','','channel1-13','','inherit','closed','closed','','channel1-13','','','2013-07-31 10:53:26','2013-07-31 10:53:26','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg',0,'attachment','image/jpeg',0),(512,2,'2013-07-31 10:53:47','2013-07-31 10:53:47','','channel2-13','','inherit','closed','closed','','channel2-13','','','2013-07-31 10:53:47','2013-07-31 10:53:47','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg',0,'attachment','image/jpeg',0),(513,2,'2013-06-28 13:28:13','2013-06-28 13:28:13','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914 (1914), gelatine silver print, NYC Municipal Archives\r\n\r\n---\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n---\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-44','','','2013-06-28 13:28:13','2013-06-28 13:28:13','',245,'http://catalog.org.uk/245-revision-44/',0,'revision','',0),(520,2,'2013-07-31 11:10:52','2013-07-31 11:10:52','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n---\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n---\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-51','','','2013-07-31 11:10:52','2013-07-31 11:10:52','',245,'http://catalog.org.uk/245-revision-51/',0,'revision','',0),(514,2,'2013-07-31 10:56:43','2013-07-31 10:56:43','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914 (1914), gelatine silver print, NYC Municipal Archives\r\n\r\n---\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n---\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-45','','','2013-07-31 10:56:43','2013-07-31 10:56:43','',245,'http://catalog.org.uk/245-revision-45/',0,'revision','',0),(521,2,'2013-07-31 11:14:02','2013-07-31 11:14:02','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube) \r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-52','','','2013-07-31 11:14:02','2013-07-31 11:14:02','',245,'http://catalog.org.uk/245-revision-52/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (515,2,'2013-07-31 11:00:29','2013-07-31 11:00:29','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, The Second Particle Wave Theory, Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n---\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n---\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914 (1914), gelatine silver print, NYC Municipal Archives\r\n\r\n---\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n---\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, An Abacus Seller, St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, Cours de peinture par principes, engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)\r\n Channel 1 >>> Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-46','','','2013-07-31 11:00:29','2013-07-31 11:00:29','',245,'http://catalog.org.uk/245-revision-46/',0,'revision','',0),(519,2,'2013-07-31 11:09:41','2013-07-31 11:09:41','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n---\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n---\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n---\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-50','','','2013-07-31 11:09:41','2013-07-31 11:09:41','',245,'http://catalog.org.uk/245-revision-50/',0,'revision','',0),(516,2,'2013-07-31 11:05:26','2013-07-31 11:05:26','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n---\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n---\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n---\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n---\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-47','','','2013-07-31 11:05:26','2013-07-31 11:05:26','',245,'http://catalog.org.uk/245-revision-47/',0,'revision','',0),(518,2,'2013-07-31 11:09:04','2013-07-31 11:09:04','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n---\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n---\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n---\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n---\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-49','','','2013-07-31 11:09:04','2013-07-31 11:09:04','',245,'http://catalog.org.uk/245-revision-49/',0,'revision','',0),(517,2,'2013-07-31 11:08:15','2013-07-31 11:08:15','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n \r\n\r\n---\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n---\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n---\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) \r\n\r\n---\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n---\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube) \r\n\r\n---\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n---\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n---\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n---\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n---\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n---\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n---\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602\r\n\r\n---','','','inherit','closed','closed','','245-revision-48','','','2013-07-31 11:08:15','2013-07-31 11:08:15','',245,'http://catalog.org.uk/245-revision-48/',0,'revision','',0),(524,3,'2013-08-15 11:04:20','2013-08-15 11:04:20','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" "\\"THE")
\r\n\r\nThe press photograph is a message (2013)\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA I knOw yoU 19 April – 1 September 2013.\r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" "\\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\\"")
![\"\"](\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" "\\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\\"")
\r\n\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" "\\"CATALOG_thepressphotograph_2013_v2\\"")
\r\n\r\nIMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999 /// The press photograph is a message, details, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 /// 16th century Printing Press, engraving from 1908 \r\n','The press photograph is a message','','publish','closed','closed','','the-press-photograph-is-a-message','','','2014-02-11 15:15:29','2014-02-11 15:15:29','',0,'http://catalog.org.uk/?page_id=524',0,'page','',0),(528,2,'2013-07-17 21:49:30','2013-07-17 21:49:30','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-51','','','2013-07-17 21:49:30','2013-07-17 21:49:30','',9,'http://catalog.org.uk/9-revision-51/',0,'revision','',0),(526,3,'2013-08-05 19:39:49','2013-08-05 19:39:49','The press photograph is a message (2013)\n
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[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-64','','','2013-08-15 10:42:05','2013-08-15 10:42:05','',5,'http://catalog.org.uk/5-revision-64/',0,'revision','',0),(537,2,'2013-08-15 10:57:42','2013-08-15 10:57:42','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-66','','','2013-08-15 10:57:42','2013-08-15 10:57:42','',5,'http://catalog.org.uk/5-revision-66/',0,'revision','',0),(536,2,'2013-08-05 19:40:09','2013-08-05 19:40:09','The press photograph is a message (2013)\n\n
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Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\n\nThe press photograph is a message was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\n\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA I knOw yoU 19 April – 1 September 2013.\n\n \n\n\n\nIMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999 /// 16th century Printing Press, engraving from 1908 /// \n','','','inherit','closed','closed','','524-autosave','','','2014-02-07 14:10:43','2014-02-07 14:10:43','',524,'http://catalog.org.uk/524-autosave/',0,'revision','',0),(539,2,'2013-08-15 11:08:32','2013-08-15 11:08:32','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n \r\n\r\n \r\n','Function','','inherit','closed','closed','','5-revision-68','','','2013-08-15 11:08:32','2013-08-15 11:08:32','',5,'http://catalog.org.uk/5-revision-68/',0,'revision','',0),(540,2,'2013-08-15 11:09:03','2013-08-15 11:09:03','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n \r\n\r\n \r\n','Function','','inherit','closed','closed','','5-revision-69','','','2013-08-15 11:09:03','2013-08-15 11:09:03','',5,'http://catalog.org.uk/5-revision-69/',0,'revision','',0),(543,2,'2013-08-15 11:20:16','2013-08-15 11:20:16','','CATALOG_thepressphotograph_2013_v2','','inherit','closed','closed','','catalog_thepressphotograph_2013_v2','','','2013-08-15 11:20:16','2013-08-15 11:20:16','',524,'http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg',0,'attachment','image/jpeg',0),(544,2,'2013-08-15 11:04:20','2013-08-15 11:04:20','The press photograph is a message (2013)
\r\n \r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','524-revision-3','','','2013-08-15 11:04:20','2013-08-15 11:04:20','',524,'http://catalog.org.uk/524-revision-3/',0,'revision','',0),(545,2,'2013-08-15 11:20:33','2013-08-15 11:20:33','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.\r\n\r\nClaire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the eductation programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the exhibition I knOw yoU.\r\n\r\n ','','','inherit','closed','closed','','524-revision-4','','','2013-08-15 11:20:33','2013-08-15 11:20:33','',524,'http://catalog.org.uk/524-revision-4/',0,'revision','',0),(546,2,'2013-08-15 11:29:56','2013-08-15 11:29:56','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\n\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the eductation programme at IMMA, Dublin. 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\r\n ','','','inherit','closed','closed','','7-revision-64','','','2013-08-15 12:40:30','2013-08-15 12:40:30','',7,'http://catalog.org.uk/7-revision-64/',0,'revision','',0),(560,2,'2013-08-11 17:25:27','2013-08-11 17:25:27','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-54','','','2013-08-11 17:25:27','2013-08-11 17:25:27','',9,'http://catalog.org.uk/9-revision-54/',0,'revision','',0),(561,2,'2013-08-15 13:17:46','2013-08-15 13:17:46','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nThe Miracle Methods Series \r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-55','','','2013-08-15 13:17:46','2013-08-15 13:17:46','',9,'http://catalog.org.uk/9-revision-55/',0,'revision','',0),(562,2,'2013-08-15 13:18:50','2013-08-15 13:18:50','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-56','','','2013-08-15 13:18:50','2013-08-15 13:18:50','',9,'http://catalog.org.uk/9-revision-56/',0,'revision','',0),(565,2,'2013-08-15 13:23:36','2013-08-15 13:23:36','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nPProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-59','','','2013-08-15 13:23:36','2013-08-15 13:23:36','',9,'http://catalog.org.uk/9-revision-59/',0,'revision','',0),(563,2,'2013-08-15 13:19:23','2013-08-15 13:19:23','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nQ\r\n\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-57','','','2013-08-15 13:19:23','2013-08-15 13:19:23','',9,'http://catalog.org.uk/9-revision-57/',0,'revision','',0),(564,2,'2013-08-15 13:22:48','2013-08-15 13:22:48','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\n\r\nD \r\n\r\nE\r\nEmma Leach \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\nN\r\n\r\nO\r\n\r\nP\r\n\r\nPProtocinema\r\n\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-58','','','2013-08-15 13:22:48','2013-08-15 13:22:48','',9,'http://catalog.org.uk/9-revision-58/',0,'revision','',0),(566,2,'2013-08-15 13:25:11','2013-08-15 13:25:11','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\n\r\nE\r\nEmma Leach\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\nN\r\n\r\nO\r\n\r\nPProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-60','','','2013-08-15 13:25:11','2013-08-15 13:25:11','',9,'http://catalog.org.uk/9-revision-60/',0,'revision','',0),(567,2,'2013-08-15 13:25:54','2013-08-15 13:25:54','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\n\r\nE\r\nEmma Leach\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\nN\r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-61','','','2013-08-15 13:25:54','2013-08-15 13:25:54','',9,'http://catalog.org.uk/9-revision-61/',0,'revision','',0),(568,2,'2013-08-15 13:29:00','2013-08-15 13:29:00','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation \r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\nN\r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-62','','','2013-08-15 13:29:00','2013-08-15 13:29:00','',9,'http://catalog.org.uk/9-revision-62/',0,'revision','',0),(569,2,'2013-07-26 13:51:18','2013-07-26 13:51:18','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-36','','','2013-07-26 13:51:18','2013-07-26 13:51:18','',11,'http://catalog.org.uk/11-revision-36/',0,'revision','',0),(571,2,'2013-02-06 10:46:12','2013-02-06 10:46:12','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','257-revision-40','','','2013-02-06 10:46:12','2013-02-06 10:46:12','',257,'http://catalog.org.uk/257-revision-40/',0,'revision','',0),(573,2,'2013-08-15 13:46:12','2013-08-15 13:46:12','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n
\r\n
\r\n ','Function','','inherit','closed','closed','','5-revision-77','','','2013-08-15 13:46:12','2013-08-15 13:46:12','',5,'http://catalog.org.uk/5-revision-77/',0,'revision','',0),(576,2,'2013-08-15 13:50:17','2013-08-15 13:50:17','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n ','Function','','inherit','closed','closed','','5-revision-80','','','2013-08-15 13:50:17','2013-08-15 13:50:17','',5,'http://catalog.org.uk/5-revision-80/',0,'revision','',0),(575,2,'2013-08-15 13:49:03','2013-08-15 13:49:03','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n
\r\n
\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-79','','','2013-08-15 13:49:03','2013-08-15 13:49:03','',5,'http://catalog.org.uk/5-revision-79/',0,'revision','',0),(577,2,'2013-08-15 13:51:00','2013-08-15 13:51:00','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n ','Function','','inherit','closed','closed','','5-revision-81','','','2013-08-15 13:51:00','2013-08-15 13:51:00','',5,'http://catalog.org.uk/5-revision-81/',0,'revision','',0),(581,2,'2013-08-15 13:58:14','2013-08-15 13:58:14','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-85','','','2013-08-15 13:58:14','2013-08-15 13:58:14','',5,'http://catalog.org.uk/5-revision-85/',0,'revision','',0),(579,2,'2013-08-15 13:53:15','2013-08-15 13:53:15','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-83','','','2013-08-15 13:53:15','2013-08-15 13:53:15','',5,'http://catalog.org.uk/5-revision-83/',0,'revision','',0),(584,2,'2013-08-15 11:40:02','2013-08-15 11:40:02','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n ','','','inherit','closed','closed','','524-revision-7','','','2013-08-15 11:40:02','2013-08-15 11:40:02','',524,'http://catalog.org.uk/524-revision-7/',0,'revision','',0),(580,2,'2013-08-15 13:55:17','2013-08-15 13:55:17','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\" THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]
[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-84','','','2013-08-15 13:55:17','2013-08-15 13:55:17','',5,'http://catalog.org.uk/5-revision-84/',0,'revision','',0),(582,2,'2013-08-15 13:59:12','2013-08-15 13:59:12','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-86','','','2013-08-15 13:59:12','2013-08-15 13:59:12','',5,'http://catalog.org.uk/5-revision-86/',0,'revision','',0),(583,2,'2013-08-15 13:59:31','2013-08-15 13:59:31','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-87','','','2013-08-15 13:59:31','2013-08-15 13:59:31','',5,'http://catalog.org.uk/5-revision-87/',0,'revision','',0),(587,2,'2013-08-15 14:10:12','2013-08-15 14:10:12','','THE PRESS PHOTOGRAPH IS A MESSAGE _ 2','','inherit','closed','closed','','catalog_thepressphotograph_2013_v3_cropwide','','','2013-08-15 14:10:12','2013-08-15 14:10:12','',524,'http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg',0,'attachment','image/jpeg',0),(586,2,'2013-08-15 14:02:55','2013-08-15 14:02:55','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop.jpg\" "\\"THE")
\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','524-revision-8','','','2013-08-15 14:02:55','2013-08-15 14:02:55','',524,'http://catalog.org.uk/524-revision-8/',0,'revision','',0),(588,2,'2013-08-15 14:05:39','2013-08-15 14:05:39','![\"\"](\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_crop2.jpg\" "\\"THE")
\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','524-revision-9','','','2013-08-15 14:05:39','2013-08-15 14:05:39','',524,'http://catalog.org.uk/524-revision-9/',0,'revision','',0),(589,2,'2013-08-15 14:15:28','2013-08-15 14:15:28','\r\n\r\nImage: The dot matrix of an inkjet print. (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal\r\n, January 1999 Issue 30\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','524-revision-10','','','2013-08-15 14:15:28','2013-08-15 14:15:28','',524,'http://catalog.org.uk/524-revision-10/',0,'revision','',0),(590,2,'2013-08-15 14:16:17','2013-08-15 14:16:17','\r\n\r\nImage: The dot matrix of an inkjet print. (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal\r\n, January 1999 Issue 30\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','524-revision-11','','','2013-08-15 14:16:17','2013-08-15 14:16:17','',524,'http://catalog.org.uk/524-revision-11/',0,'revision','',0),(591,2,'2013-08-15 14:19:00','2013-08-15 14:19:00','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\nImages: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, January 1999, Issue 30 \r\n\r\n ','','','inherit','closed','closed','','524-revision-12','','','2013-08-15 14:19:00','2013-08-15 14:19:00','',524,'http://catalog.org.uk/524-revision-12/',0,'revision','',0),(640,2,'2014-01-10 16:44:47','2014-01-10 16:44:47','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets were pasted onto panels on the gallery walls as they accumulated over the day. The newspapers were reviewed by CATALOG, and a selection of key stories were identified and annotated throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message was as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace.\r\n\r\n\r\n\r\nImages:\r\n\r\nAbove: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999 \r\n\r\nBelow: 16th century Printing Press, engraving from 1908\r\n\r\n ','','','inherit','closed','closed','','524-revision-21','','','2014-01-10 16:44:47','2014-01-10 16:44:47','',524,'http://catalog.org.uk/524-revision-21/',0,'revision','',0),(639,2,'2013-08-28 19:45:44','2013-08-28 19:45:44','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\nImages:\r\n\r\nAbove: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999 \r\n\r\nBelow: 16th century Printing Press, engraving from 1908\r\n\r\n ','','','inherit','closed','closed','','524-revision-20','','','2013-08-28 19:45:44','2013-08-28 19:45:44','',524,'http://catalog.org.uk/524-revision-20/',0,'revision','',0),(592,2,'2013-08-15 14:19:14','2013-08-15 14:19:14','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\nImages: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, January 1999, Issue 30 \r\n\r\n ','','','inherit','closed','closed','','524-revision-13','','','2013-08-15 14:19:14','2013-08-15 14:19:14','',524,'http://catalog.org.uk/524-revision-13/',0,'revision','',0),(641,2,'2013-08-15 12:50:45','2013-08-15 12:50:45','\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-67','','','2013-08-15 12:50:45','2013-08-15 12:50:45','',7,'http://catalog.org.uk/7-revision-67/',0,'revision','',0),(593,2,'2013-08-15 14:25:41','2013-08-15 14:25:41','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\nImages:\r\n\r\nThe dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999, \r\n\r\n16th century Printing Press, engraving from 1908\r\n\r\n ','','','inherit','closed','closed','','524-revision-14','','','2013-08-15 14:25:41','2013-08-15 14:25:41','',524,'http://catalog.org.uk/524-revision-14/',0,'revision','',0),(594,2,'2013-07-31 11:18:48','2013-07-31 11:18:48','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-53','','','2013-07-31 11:18:48','2013-07-31 11:18:48','',245,'http://catalog.org.uk/245-revision-53/',0,'revision','',0),(595,2,'2013-08-15 14:28:33','2013-08-15 14:28:33','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-54','','','2013-08-15 14:28:33','2013-08-15 14:28:33','',245,'http://catalog.org.uk/245-revision-54/',0,'revision','',0),(596,2,'2013-08-15 12:18:07','2013-08-15 12:18:07','\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-24','','','2013-08-15 12:18:07','2013-08-15 12:18:07','',2,'http://catalog.org.uk/2-revision-24/',0,'revision','',0),(597,2,'2013-08-15 14:40:50','2013-08-15 14:40:50','','CATALOG_crop','','inherit','closed','closed','','catalog_crop','','','2013-08-15 14:40:50','2013-08-15 14:40:50','',2,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg',0,'attachment','image/jpeg',0),(598,2,'2013-08-15 14:37:28','2013-08-15 14:37:28','\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-25','','','2013-08-15 14:37:28','2013-08-15 14:37:28','',2,'http://catalog.org.uk/2-revision-25/',0,'revision','',0),(599,2,'2013-08-15 14:01:09','2013-08-15 14:01:09','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-88','','','2013-08-15 14:01:09','2013-08-15 14:01:09','',5,'http://catalog.org.uk/5-revision-88/',0,'revision','',0),(600,2,'2013-08-15 14:41:18','2013-08-15 14:41:18','\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n\r\n \r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-26','','','2013-08-15 14:41:18','2013-08-15 14:41:18','',2,'http://catalog.org.uk/2-revision-26/',0,'revision','',0),(601,2,'2013-08-15 14:50:30','2013-08-15 14:50:30','\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n\r\n \r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-27','','','2013-08-15 14:50:30','2013-08-15 14:50:30','',2,'http://catalog.org.uk/2-revision-27/',0,'revision','',0),(602,2,'2013-08-15 14:26:07','2013-08-15 14:26:07','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\nImages:\r\n\r\nThe dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999, \r\n\r\n16th century Printing Press, engraving from 1908\r\n\r\n ','','','inherit','closed','closed','','524-revision-15','','','2013-08-15 14:26:07','2013-08-15 14:26:07','',524,'http://catalog.org.uk/524-revision-15/',0,'revision','',0),(603,2,'2013-08-15 14:49:24','2013-08-15 14:49:24','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-89','','','2013-08-15 14:49:24','2013-08-15 14:49:24','',5,'http://catalog.org.uk/5-revision-89/',0,'revision','',0),(604,2,'2013-08-19 12:57:38','2013-08-19 12:57:38','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-90','','','2013-08-19 12:57:38','2013-08-19 12:57:38','',5,'http://catalog.org.uk/5-revision-90/',0,'revision','',0),(605,2,'2013-08-19 12:57:01','2013-08-19 12:57:01','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\nImages:\r\n\r\nThe dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999, \r\n\r\n16th century Printing Press, engraving from 1908\r\n\r\n ','','','inherit','closed','closed','','524-revision-16','','','2013-08-19 12:57:01','2013-08-19 12:57:01','',524,'http://catalog.org.uk/524-revision-16/',0,'revision','',0),(606,2,'2013-08-19 12:58:45','2013-08-19 12:58:45','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\nImages:\r\n\r\nThe dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999, \r\n\r\n16th century Printing Press, engraving from 1908\r\n\r\n ','','','inherit','closed','closed','','524-revision-17','','','2013-08-19 12:58:45','2013-08-19 12:58:45','',524,'http://catalog.org.uk/524-revision-17/',0,'revision','',0),(607,2,'2013-08-19 12:58:23','2013-08-19 12:58:23','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-91','','','2013-08-19 12:58:23','2013-08-19 12:58:23','',5,'http://catalog.org.uk/5-revision-91/',0,'revision','',0),(608,2,'2013-08-19 12:59:34','2013-08-19 12:59:34','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-92','','','2013-08-19 12:59:34','2013-08-19 12:59:34','',5,'http://catalog.org.uk/5-revision-92/',0,'revision','',0),(609,2,'2013-08-19 13:00:53','2013-08-19 13:00:53','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-93','','','2013-08-19 13:00:53','2013-08-19 13:00:53','',5,'http://catalog.org.uk/5-revision-93/',0,'revision','',0),(610,2,'2013-08-19 12:59:06','2013-08-19 12:59:06','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\nImages:\r\n\r\nThe dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999, \r\n\r\n16th century Printing Press, engraving from 1908\r\n\r\n ','','','inherit','closed','closed','','524-revision-18','','','2013-08-19 12:59:06','2013-08-19 12:59:06','',524,'http://catalog.org.uk/524-revision-18/',0,'revision','',0),(617,2,'2013-10-02 06:52:34','2013-10-02 06:52:34','','channel1-15','','inherit','closed','closed','','channel1-15','','','2013-10-02 06:52:34','2013-10-02 06:52:34','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg',0,'attachment','image/jpeg',0),(611,2,'2013-08-15 14:33:29','2013-08-15 14:33:29','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-55','','','2013-08-15 14:33:29','2013-08-15 14:33:29','',245,'http://catalog.org.uk/245-revision-55/',0,'revision','',0),(612,2,'2013-08-26 14:30:08','2013-08-26 14:30:08','','channel2-14','','inherit','closed','closed','','channel2-14','','','2013-08-26 14:30:08','2013-08-26 14:30:08','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg',0,'attachment','image/jpeg',0),(613,2,'2013-08-26 14:30:38','2013-08-26 14:30:38','','channel1-14','','inherit','closed','closed','','channel1-14','','','2013-08-26 14:30:38','2013-08-26 14:30:38','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg',0,'attachment','image/jpeg',0),(614,2,'2013-08-20 21:06:08','2013-08-20 21:06:08','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-56','','','2013-08-20 21:06:08','2013-08-20 21:06:08','',245,'http://catalog.org.uk/245-revision-56/',0,'revision','',0),(615,2,'2013-08-26 14:33:05','2013-08-26 14:33:05','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-57','','','2013-08-26 14:33:05','2013-08-26 14:33:05','',245,'http://catalog.org.uk/245-revision-57/',0,'revision','',0),(616,3,'2013-08-19 13:03:01','2013-08-19 13:03:01','\r\n\r\nThe press photograph is a message (2012 - 2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. The press photograph is a message highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n\r\n\r\nImages:\r\n\r\nAbove: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999 \r\n\r\nBelow: 16th century Printing Press, engraving from 1908\r\n\r\n ','','','inherit','closed','closed','','524-revision-19','','','2013-08-19 13:03:01','2013-08-19 13:03:01','',524,'http://catalog.org.uk/524-revision-19/',0,'revision','',0),(618,2,'2013-10-02 06:53:59','2013-10-02 06:53:59','','channel2-15','','inherit','closed','closed','','channel2-15','','','2013-10-02 06:53:59','2013-10-02 06:53:59','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg',0,'attachment','image/jpeg',0),(665,2,'2014-02-06 12:44:23','2014-02-06 12:44:23',' We interrupt this transmission (2012 - 2013) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard \r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach. \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast16.png\" "\\"Broadcast16\\"")
\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast12.png\" "\\"Broadcast12\\"")
\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast9.png\" "\\"Broadcast9\\"")
\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast8.png\" "\\"Broadcast8\\"")
\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast6.png\" "\\"Broadcast6\\"")
\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast5.png\" "\\"Broadcast5\\"")
\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast4.png\" "\\"Broadcast4\\"")
\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast2.png\" "\\"Broadcast2\\"")
\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast1.png\" "\\"Broadcast1\\"")
\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-72','','','2014-02-06 12:44:23','2014-02-06 12:44:23','',245,'http://catalog.org.uk/245-revision-72/',0,'revision','',0),(619,2,'2013-08-26 14:34:03','2013-08-26 14:34:03','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-58','','','2013-08-26 14:34:03','2013-08-26 14:34:03','',245,'http://catalog.org.uk/245-revision-58/',0,'revision','',0),(666,3,'2013-08-15 13:34:24','2013-08-15 13:34:24','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-41','','','2013-08-15 13:34:24','2013-08-15 13:34:24','',257,'http://catalog.org.uk/257-revision-41/',0,'revision','',0),(620,2,'2013-10-02 06:56:50','2013-10-02 06:56:50','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-59','','','2013-10-02 06:56:50','2013-10-02 06:56:50','',245,'http://catalog.org.uk/245-revision-59/',0,'revision','',0),(621,2,'2013-10-02 06:57:40','2013-10-02 06:57:40','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-60','','','2013-10-02 06:57:40','2013-10-02 06:57:40','',245,'http://catalog.org.uk/245-revision-60/',0,'revision','',0),(622,2,'2013-11-23 15:58:40','2013-11-23 15:58:40','','channel2-16','','inherit','closed','closed','','channel2-16','','','2013-11-23 15:58:40','2013-11-23 15:58:40','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg',0,'attachment','image/jpeg',0),(623,2,'2013-11-23 15:59:16','2013-11-23 15:59:16','','channel1-16','','inherit','closed','closed','','channel1-16','','','2013-11-23 15:59:16','2013-11-23 15:59:16','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg',0,'attachment','image/jpeg',0),(661,2,'2014-02-06 12:42:44','2014-02-06 12:42:44','','Broadcast2','','inherit','closed','closed','','broadcast2','','','2014-02-06 12:42:44','2014-02-06 12:42:44','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast2.png',0,'attachment','image/png',0),(662,2,'2014-02-06 12:43:45','2014-02-06 12:43:45','','Broadcast1','','inherit','closed','closed','','broadcast1','','','2014-02-06 12:43:45','2014-02-06 12:43:45','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast1.png',0,'attachment','image/png',0),(624,2,'2013-10-02 06:58:52','2013-10-02 06:58:52','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-61','','','2013-10-02 06:58:52','2013-10-02 06:58:52','',245,'http://catalog.org.uk/245-revision-61/',0,'revision','',0),(625,2,'2013-11-23 16:02:57','2013-11-23 16:02:57','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 16 > October 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-62','','','2013-11-23 16:02:57','2013-11-23 16:02:57','',245,'http://catalog.org.uk/245-revision-62/',0,'revision','',0),(628,3,'2013-11-26 21:25:08','2013-11-26 21:25:08','','channel2-17 (1)','','inherit','closed','closed','','channel2-17-1','','','2013-11-26 21:25:08','2013-11-26 21:25:08','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-1.jpeg',0,'attachment','image/jpeg',0),(629,3,'2013-11-26 21:32:57','2013-11-26 21:32:57','','channel1-17web','','inherit','closed','closed','','channel1-17web','','','2013-11-26 21:32:57','2013-11-26 21:32:57','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg',0,'attachment','image/jpeg',0),(657,2,'2014-02-06 12:37:23','2014-02-06 12:37:23','','Broadcast7','','inherit','closed','closed','','broadcast7','','','2014-02-06 12:37:23','2014-02-06 12:37:23','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png',0,'attachment','image/png',0),(660,2,'2014-02-06 12:41:36','2014-02-06 12:41:36','','Broadcast4','','inherit','closed','closed','','broadcast4','','','2014-02-06 12:41:36','2014-02-06 12:41:36','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast4.png',0,'attachment','image/png',0),(658,2,'2014-02-06 12:38:36','2014-02-06 12:38:36','','Broadcast6','','inherit','closed','closed','','broadcast6','','','2014-02-06 12:38:36','2014-02-06 12:38:36','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast6.png',0,'attachment','image/png',0),(656,2,'2014-02-06 12:35:11','2014-02-06 12:35:11','','Broadcast8','','inherit','closed','closed','','broadcast8','','','2014-02-06 12:35:11','2014-02-06 12:35:11','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast8.png',0,'attachment','image/png',0),(630,3,'2013-11-26 21:39:02','2013-11-26 21:39:02','','channel2-17 (web)','','inherit','closed','closed','','channel2-17-web','','','2013-11-26 21:39:02','2013-11-26 21:39:02','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg',0,'attachment','image/jpeg',0),(655,2,'2014-02-06 12:33:32','2014-02-06 12:33:32','','Broadcast9','','inherit','closed','closed','','broadcast9','','','2014-02-06 12:33:32','2014-02-06 12:33:32','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast9.png',0,'attachment','image/png',0),(633,2,'2013-11-26 21:55:31','2013-11-26 21:55:31','\r\nWe interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 17 > November 2013\r\n\r\n\r\nLHS. Channel 1 >>> Gustave Doré, Little Red Riding Hood, c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne.\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', Wild Brother: Strangest of True Stories from the North Woods, The Atlantic Monthly Press, Boston, 1921. p18. \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-64','','','2013-11-26 21:55:31','2013-11-26 21:55:31','',245,'http://catalog.org.uk/245-revision-64/',0,'revision','',0),(631,3,'2013-11-23 16:03:57','2013-11-23 16:03:57','We interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 16 > October 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube) \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---','','','inherit','closed','closed','','245-revision-63','','','2013-11-23 16:03:57','2013-11-23 16:03:57','',245,'http://catalog.org.uk/245-revision-63/',0,'revision','',0),(659,2,'2014-02-06 12:40:23','2014-02-06 12:40:23','','Broadcast5','','inherit','closed','closed','','broadcast5','','','2014-02-06 12:40:23','2014-02-06 12:40:23','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast5.png',0,'attachment','image/png',0),(634,2,'2014-01-10 16:34:30','2014-01-10 16:34:30','','channel2-18','','inherit','closed','closed','','channel2-18','','','2014-01-10 16:34:30','2014-01-10 16:34:30','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-18.jpg',0,'attachment','image/jpeg',0),(635,2,'2014-01-10 16:34:59','2014-01-10 16:34:59','','channel1-18','','inherit','closed','closed','','channel1-18','','','2014-01-10 16:34:59','2014-01-10 16:34:59','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-18.jpg',0,'attachment','image/jpeg',0),(636,2,'2014-01-10 16:29:49','2014-01-10 16:29:49','\r\nWe interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 17 > November 2013\r\n\r\n\r\nLHS. Channel 1 >>> Gustave Doré, Little Red Riding Hood, c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne.\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', Wild Brother: Strangest of True Stories from the North Woods, The Atlantic Monthly Press, Boston, 1921. p18. \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-65','','','2014-01-10 16:29:49','2014-01-10 16:29:49','',245,'http://catalog.org.uk/245-revision-65/',0,'revision','',0),(652,2,'2014-02-06 12:30:43','2014-02-06 12:30:43','','Broadcast12','','inherit','closed','closed','','broadcast12','','','2014-02-06 12:30:43','2014-02-06 12:30:43','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast12.png',0,'attachment','image/png',0),(653,2,'2014-02-06 12:31:24','2014-02-06 12:31:24','','Broadcast11','','inherit','closed','closed','','broadcast11','','','2014-02-06 12:31:24','2014-02-06 12:31:24','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png',0,'attachment','image/png',0),(637,2,'2014-01-10 16:35:40','2014-01-10 16:35:40','\r\nWe interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 18 > December 2013\r\n\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013.\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still. \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne.\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18. \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-66','','','2014-01-10 16:35:40','2014-01-10 16:35:40','',245,'http://catalog.org.uk/245-revision-66/',0,'revision','',0),(638,2,'2014-01-10 16:41:25','2014-01-10 16:41:25','\r\nWe interrupt this transmission (2012 - 2013)\r\n\r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 18 > December 2013\r\n\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-67','','','2014-01-10 16:41:25','2014-01-10 16:41:25','',245,'http://catalog.org.uk/245-revision-67/',0,'revision','',0),(651,2,'2014-02-06 12:29:04','2014-02-06 12:29:04','','broadcast13','','inherit','closed','closed','','broadcast13','','','2014-02-06 12:29:04','2014-02-06 12:29:04','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png',0,'attachment','image/png',0),(654,2,'2014-02-06 12:32:30','2014-02-06 12:32:30','','Broadcast10','','inherit','closed','closed','','broadcast10','','','2014-02-06 12:32:30','2014-02-06 12:32:30','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png',0,'attachment','image/png',0),(647,2,'2014-02-06 12:23:51','2014-02-06 12:23:51','','Broadcast17','','inherit','closed','closed','','broadcast17','','','2014-02-06 12:23:51','2014-02-06 12:23:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png',0,'attachment','image/png',0),(645,2,'2014-02-06 12:19:09','2014-02-06 12:19:09',' We interrupt this transmission (2012 - 2013) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard \r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach. \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-70','','','2014-02-06 12:19:09','2014-02-06 12:19:09','',245,'http://catalog.org.uk/245-revision-70/',0,'revision','',0),(644,2,'2014-02-06 12:16:25','2014-02-06 12:16:25',' We interrupt this transmission (2012 - 2013) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-69','','','2014-02-06 12:16:25','2014-02-06 12:16:25','',245,'http://catalog.org.uk/245-revision-69/',0,'revision','',0),(646,2,'2014-02-06 12:21:51','2014-02-06 12:21:51','','Broadcast18','','inherit','closed','closed','','broadcast18','','','2014-02-06 12:21:51','2014-02-06 12:21:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png',0,'attachment','image/png',0),(648,2,'2014-02-06 12:25:00','2014-02-06 12:25:00','','Broadcast16','','inherit','closed','closed','','broadcast16','','','2014-02-06 12:25:00','2014-02-06 12:25:00','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast16.png',0,'attachment','image/png',0),(649,2,'2014-02-06 12:27:07','2014-02-06 12:27:07','','Broadcast15','','inherit','closed','closed','','broadcast15','','','2014-02-06 12:27:07','2014-02-06 12:27:07','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png',0,'attachment','image/png',0),(650,2,'2014-02-06 12:28:29','2014-02-06 12:28:29','','Broadcast14','','inherit','closed','closed','','broadcast14','','','2014-02-06 12:28:29','2014-02-06 12:28:29','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png',0,'attachment','image/png',0),(663,2,'2014-02-06 12:20:25','2014-02-06 12:20:25',' We interrupt this transmission (2012 - 2013) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard \r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach. \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 \r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-71','','','2014-02-06 12:20:25','2014-02-06 12:20:25','',245,'http://catalog.org.uk/245-revision-71/',0,'revision','',0),(667,3,'2014-02-06 14:14:03','2014-02-06 14:14:03','','CATALOG_Thepressphotograph_IMMA2013_0013lowres','','inherit','closed','closed','','catalog_thepressphotograph_imma2013_0013lowres','','','2014-02-06 14:14:03','2014-02-06 14:14:03','',524,'http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg',0,'attachment','image/jpeg',0),(668,3,'2014-02-06 14:14:09','2014-02-06 14:14:09','','CATALOG_Thepressphotograph_IMMA2013_0029lowres','','inherit','closed','closed','','catalog_thepressphotograph_imma2013_0029lowres','','','2014-02-06 14:14:09','2014-02-06 14:14:09','',524,'http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg',0,'attachment','image/jpeg',0),(669,2,'2014-02-06 14:16:51','2014-02-06 14:16:51','','Broadcast16','','inherit','closed','closed','','broadcast16-2','','','2014-02-06 14:16:51','2014-02-06 14:16:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png',0,'attachment','image/png',0),(670,2,'2014-02-06 14:17:54','2014-02-06 14:17:54','','Broadcast12','','inherit','closed','closed','','broadcast12-2','','','2014-02-06 14:17:54','2014-02-06 14:17:54','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png',0,'attachment','image/png',0),(671,2,'2014-02-06 14:18:53','2014-02-06 14:18:53','','Broadcast9','','inherit','closed','closed','','broadcast9-2','','','2014-02-06 14:18:53','2014-02-06 14:18:53','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png',0,'attachment','image/png',0),(672,2,'2014-02-06 14:19:56','2014-02-06 14:19:56','','Broadcast8','','inherit','closed','closed','','broadcast8-2','','','2014-02-06 14:19:56','2014-02-06 14:19:56','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png',0,'attachment','image/png',0),(673,2,'2014-02-06 14:20:51','2014-02-06 14:20:51','','Broadcast6','','inherit','closed','closed','','broadcast6-2','','','2014-02-06 14:20:51','2014-02-06 14:20:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png',0,'attachment','image/png',0),(677,2,'2014-02-06 13:39:21','2014-02-06 13:39:21',' We interrupt this transmission (2012 - 2013) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard \r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-73','','','2014-02-06 13:39:21','2014-02-06 13:39:21','',245,'http://catalog.org.uk/245-revision-73/',0,'revision','',0),(674,2,'2014-02-06 14:22:09','2014-02-06 14:22:09','','Broadcast5','','inherit','closed','closed','','broadcast5-2','','','2014-02-06 14:22:09','2014-02-06 14:22:09','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png',0,'attachment','image/png',0),(675,2,'2014-02-06 14:23:25','2014-02-06 14:23:25','','Broadcast4','','inherit','closed','closed','','broadcast4-2','','','2014-02-06 14:23:25','2014-02-06 14:23:25','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png',0,'attachment','image/png',0),(676,2,'2014-02-06 14:30:07','2014-02-06 14:30:07','','Broadcast3','','inherit','closed','closed','','broadcast3','','','2014-02-06 14:30:07','2014-02-06 14:30:07','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast3.png',0,'attachment','image/png',0),(725,2,'2014-02-06 14:56:17','2014-02-06 14:56:17','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA I knOw yoU 19 April – 1 September 2013.\r\n\r\n \r\nThe press photograph is a message, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 \r\n\r\n\r\n16th century Printing Press, engraving from 1908\r\n\r\n\r\nTop image:\r\nThe dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999','','','inherit','closed','closed','','524-revision-25','','','2014-02-06 14:56:17','2014-02-06 14:56:17','',524,'http://catalog.org.uk/524-revision-25/',0,'revision','',0),(678,2,'2014-02-06 14:31:59','2014-02-06 14:31:59','','Broadcast2','','inherit','closed','closed','','broadcast2-2','','','2014-02-06 14:31:59','2014-02-06 14:31:59','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png',0,'attachment','image/png',0),(679,2,'2014-02-06 14:33:20','2014-02-06 14:33:20','','Broadcast1','','inherit','closed','closed','','broadcast1-2','','','2014-02-06 14:33:20','2014-02-06 14:33:20','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png',0,'attachment','image/png',0),(680,2,'2014-02-06 14:30:36','2014-02-06 14:30:36',' We interrupt this transmission (2012 - 2013) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard \r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n![\"\"](\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast3.png\" "\\"Broadcast3\\"")
\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-74','','','2014-02-06 14:30:36','2014-02-06 14:30:36','',245,'http://catalog.org.uk/245-revision-74/',0,'revision','',0),(681,2,'2014-02-06 14:36:51','2014-02-06 14:36:51','','Broadcast3','','inherit','closed','closed','','broadcast3-2','','','2014-02-06 14:36:51','2014-02-06 14:36:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png',0,'attachment','image/png',0),(682,2,'2014-02-06 14:34:03','2014-02-06 14:34:03',' We interrupt this transmission (2012 - 2013) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard \r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-75','','','2014-02-06 14:34:03','2014-02-06 14:34:03','',245,'http://catalog.org.uk/245-revision-75/',0,'revision','',0),(683,3,'2014-01-10 16:46:20','2014-01-10 16:46:20','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets were pasted onto panels on the gallery walls as they accumulated over the day. The newspapers were reviewed by CATALOG, and a selection of key stories were identified and annotated throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message was an open workshop, held in the National Concert Hall, Earlsfort Terrace.\r\n\r\n\r\n\r\nImages:\r\n\r\nAbove: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999 \r\n\r\nBelow: 16th century Printing Press, engraving from 1908\r\n\r\n ','','','inherit','closed','closed','','524-revision-22','','','2014-01-10 16:46:20','2014-01-10 16:46:20','',524,'http://catalog.org.uk/524-revision-22/',0,'revision','',0),(684,2,'2014-02-06 14:10:54','2014-02-06 14:10:54','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n','','','inherit','closed','closed','','257-revision-42','','','2014-02-06 14:10:54','2014-02-06 14:10:54','',257,'http://catalog.org.uk/257-revision-42/',0,'revision','',0),(689,2,'2014-02-06 14:56:20','2014-02-06 14:56:20','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[caption id=\"attachment_319\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"][/caption]\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n','','','inherit','closed','closed','','257-revision-45','','','2014-02-06 14:56:20','2014-02-06 14:56:20','',257,'http://catalog.org.uk/257-revision-45/',0,'revision','',0),(685,3,'2014-02-06 14:52:35','2014-02-06 14:52:35','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition I knOw yoU.\r\n\r\nThe press photograph is a message was an open workshop, held in the National Concert Hall, Earlsfort Terrace.\r\n\r\n \r\nThe press photograph is a message, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 \r\n\r\n\r\n16th century Printing Press, engraving from 1908\r\n\r\n\r\nTop image:\r\nThe dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999','','','inherit','closed','closed','','524-revision-23','','','2014-02-06 14:52:35','2014-02-06 14:52:35','',524,'http://catalog.org.uk/524-revision-23/',0,'revision','',0),(688,2,'2014-02-06 14:55:09','2014-02-06 14:55:09','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[caption id=\"attachment_319\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"][/caption]\r\n[caption id=\"attachment_320\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n','','','inherit','closed','closed','','257-revision-44','','','2014-02-06 14:55:09','2014-02-06 14:55:09','',257,'http://catalog.org.uk/257-revision-44/',0,'revision','',0),(686,2,'2014-02-06 14:54:25','2014-02-06 14:54:25','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[caption id=\"attachment_319\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"][/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n','','','inherit','closed','closed','','257-revision-43','','','2014-02-06 14:54:25','2014-02-06 14:54:25','',257,'http://catalog.org.uk/257-revision-43/',0,'revision','',0),(693,2,'2014-02-06 15:02:04','2014-02-06 15:02:04','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-49','','','2014-02-06 15:02:04','2014-02-06 15:02:04','',257,'http://catalog.org.uk/257-revision-49/',0,'revision','',0),(687,3,'2014-02-06 14:55:07','2014-02-06 14:55:07','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA I knOw yoU 19 April – 1 September 2013.\r\n\r\nThe press photograph is a message was an open workshop, held in the National Concert Hall, Earlsfort Terrace.\r\n\r\n \r\nThe press photograph is a message, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 \r\n\r\n\r\n16th century Printing Press, engraving from 1908\r\n\r\n\r\nTop image:\r\nThe dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999','','','inherit','closed','closed','','524-revision-24','','','2014-02-06 14:55:07','2014-02-06 14:55:07','',524,'http://catalog.org.uk/524-revision-24/',0,'revision','',0),(694,2,'2014-02-06 15:04:02','2014-02-06 15:04:02','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[scribd id=107099067 key=key-16f46tk578ks703oxoc3 mode=book]\r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','257-revision-50','','','2014-02-06 15:04:02','2014-02-06 15:04:02','',257,'http://catalog.org.uk/257-revision-50/',0,'revision','',0),(692,2,'2014-02-06 15:01:13','2014-02-06 15:01:13','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','257-revision-48','','','2014-02-06 15:01:13','2014-02-06 15:01:13','',257,'http://catalog.org.uk/257-revision-48/',0,'revision','',0),(691,2,'2014-02-06 15:00:14','2014-02-06 15:00:14','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[/caption]\r\n\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n','','','inherit','closed','closed','','257-revision-47','','','2014-02-06 15:00:14','2014-02-06 15:00:14','',257,'http://catalog.org.uk/257-revision-47/',0,'revision','',0),(690,2,'2014-02-06 14:58:42','2014-02-06 14:58:42','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[caption id=\"attachment_319\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"][/caption]\r\n\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n','','','inherit','closed','closed','','257-revision-46','','','2014-02-06 14:58:42','2014-02-06 14:58:42','',257,'http://catalog.org.uk/257-revision-46/',0,'revision','',0),(696,2,'2014-02-06 15:15:31','2014-02-06 15:15:31','','CATALOG_dittoditto_TateBritain2013_1','','inherit','closed','closed','','catalog_dittoditto_tatebritain2013_1','','','2014-02-06 15:15:31','2014-02-06 15:15:31','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2013_1.jpg',0,'attachment','image/jpeg',0),(697,2,'2014-02-06 15:16:13','2014-02-06 15:16:13','','CATALOG_dittoditto_TateBritain2012_1','','inherit','closed','closed','','catalog_dittoditto_tatebritain2012_1','','','2014-02-06 15:16:13','2014-02-06 15:16:13','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg',0,'attachment','image/jpeg',0),(698,2,'2014-02-06 15:16:25','2014-02-06 15:16:25','','CATALOG_dittoditto_TateBritain2012_2','','inherit','closed','closed','','catalog_dittoditto_tatebritain2012_2','','','2014-02-06 15:16:25','2014-02-06 15:16:25','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg',0,'attachment','image/jpeg',0),(699,2,'2014-02-06 15:05:44','2014-02-06 15:05:44','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','257-revision-52','','','2014-02-06 15:05:44','2014-02-06 15:05:44','',257,'http://catalog.org.uk/257-revision-52/',0,'revision','',0),(700,2,'2014-02-06 15:17:41','2014-02-06 15:17:41','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n\r\n\r\n\r\n \r\n','','','inherit','closed','closed','','257-revision-53','','','2014-02-06 15:17:41','2014-02-06 15:17:41','',257,'http://catalog.org.uk/257-revision-53/',0,'revision','',0),(701,3,'2013-08-15 13:30:00','2013-08-15 13:30:00','A\r\nAfterall\r\nArtSlant\r\nAxis\r\nArt Licks\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\nN\r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-63','','','2013-08-15 13:30:00','2013-08-15 13:30:00','',9,'http://catalog.org.uk/9-revision-63/',0,'revision','',0),(702,3,'2014-02-06 15:21:12','2014-02-06 15:21:12','A\r\nAfterall\r\nAnna Lucas\r\nArt Licks\r\nArtSlant\r\nAxis\r\nAIR\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\nDuncan Whitley\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\nA Million Minutes\r\n\r\nN\r\nno.w.here \r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-64','','','2014-02-06 15:21:12','2014-02-06 15:21:12','',9,'http://catalog.org.uk/9-revision-64/',0,'revision','',0),(703,3,'2014-02-06 15:22:38','2014-02-06 15:22:38','A\r\nAfterall\r\nAnna Lucas\r\nArt Licks\r\nArtSlant\r\nAxis\r\nAIR\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\nDuncan Whitley\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\nA Million Minutes\r\n\r\nN\r\nno.w.here \r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-65','','','2014-02-06 15:22:38','2014-02-06 15:22:38','',9,'http://catalog.org.uk/9-revision-65/',0,'revision','',0),(704,3,'2014-02-06 15:25:36','2014-02-06 15:25:36','A\r\nAfterall\r\nAnna Lucas\r\nArt Licks\r\nArtSlant\r\nAxis\r\nAIR\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\nDuncan Whitley\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\nA Million Minutes\r\n\r\nN\r\nno.w.here \r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-66','','','2014-02-06 15:25:36','2014-02-06 15:25:36','',9,'http://catalog.org.uk/9-revision-66/',0,'revision','',0),(705,2,'2014-02-06 15:30:28','2014-02-06 15:30:28','','CATALOG_dittoditto_TateModern2012_3','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_3','','','2014-02-06 15:30:28','2014-02-06 15:30:28','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_3.jpg',0,'attachment','image/jpeg',0),(706,2,'2014-02-06 15:31:02','2014-02-06 15:31:02','','CATALOG_dittoditto_TateModern2012_4','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_4','','','2014-02-06 15:31:02','2014-02-06 15:31:02','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_4.jpg',0,'attachment','image/jpeg',0),(707,2,'2014-02-06 15:31:29','2014-02-06 15:31:29','','CATALOG_dittoditto_TateModern2012_1','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_1','','','2014-02-06 15:31:29','2014-02-06 15:31:29','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_1.jpg',0,'attachment','image/jpeg',0),(708,2,'2014-02-06 15:31:51','2014-02-06 15:31:51','','CATALOG_dittoditto_TateModern2012_2','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_2','','','2014-02-06 15:31:51','2014-02-06 15:31:51','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_2.jpg',0,'attachment','image/jpeg',0),(709,2,'2014-02-06 15:18:05','2014-02-06 15:18:05','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','257-revision-54','','','2014-02-06 15:18:05','2014-02-06 15:18:05','',257,'http://catalog.org.uk/257-revision-54/',0,'revision','',0),(710,2,'2014-02-06 15:35:22','2014-02-06 15:35:22','\r\n\r\nA Ditto, Ditto Library (2012)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - Go away I\'m reading - a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n \r\n \r\n \r\n\r\n \r\n','','','inherit','closed','closed','','257-revision-55','','','2014-02-06 15:35:22','2014-02-06 15:35:22','',257,'http://catalog.org.uk/257-revision-55/',0,'revision','',0),(711,2,'2013-01-29 15:43:15','2013-01-29 15:43:15','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-38','','','2013-01-29 15:43:15','2013-01-29 15:43:15','',202,'http://catalog.org.uk/202-revision-38/',0,'revision','',0),(712,2,'2014-02-06 15:40:48','2014-02-06 15:40:48','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-39','','','2014-02-06 15:40:48','2014-02-06 15:40:48','',202,'http://catalog.org.uk/202-revision-39/',0,'revision','',0),(713,2,'2014-02-06 14:37:19','2014-02-06 14:37:19',' We interrupt this transmission (2012 - 2013) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard \r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-76','','','2014-02-06 14:37:19','2014-02-06 14:37:19','',245,'http://catalog.org.uk/245-revision-76/',0,'revision','',0),(714,2,'2014-02-06 15:45:45','2014-02-06 15:45:45',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard \r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-77','','','2014-02-06 15:45:45','2014-02-06 15:45:45','',245,'http://catalog.org.uk/245-revision-77/',0,'revision','',0),(715,2,'2014-02-07 13:14:13','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2014-02-07 13:14:13','0000-00-00 00:00:00','',0,'http://catalog.org.uk/?p=715',0,'post','',0),(716,2,'2014-02-07 13:29:54','2014-02-07 13:29:54','','CATALOG_dittoditto_TateModern2012_1','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_1-2','','','2014-02-07 13:29:54','2014-02-07 13:29:54','',202,'http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_dittoditto_TateModern2012_1.jpg',0,'attachment','image/jpeg',0),(717,2,'2014-02-07 13:30:37','2014-02-07 13:30:37','','CATALOG_IFIKNEWPS_FiveYears2012_1','','inherit','closed','closed','','catalog_ifiknewps_fiveyears2012_1','','','2014-02-07 13:30:37','2014-02-07 13:30:37','',202,'http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg',0,'attachment','image/jpeg',0),(718,2,'2014-02-07 13:30:49','2014-02-07 13:30:49','','CATALOG_IFIKNEWPS_FiveYears2012_2','','inherit','closed','closed','','catalog_ifiknewps_fiveyears2012_2','','','2014-02-07 13:30:49','2014-02-07 13:30:49','',202,'http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg',0,'attachment','image/jpeg',0),(721,2,'2014-02-07 13:45:27','2014-02-07 13:45:27','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','202-revision-42','','','2014-02-07 13:45:27','2014-02-07 13:45:27','',202,'http://catalog.org.uk/202-revision-42/',0,'revision','',0),(720,2,'2014-02-07 13:44:05','2014-02-07 13:44:05','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','202-revision-41','','','2014-02-07 13:44:05','2014-02-07 13:44:05','',202,'http://catalog.org.uk/202-revision-41/',0,'revision','',0),(719,2,'2014-02-06 15:41:11','2014-02-06 15:41:11','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 as part of this is not a school. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” More information here\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n\r\n\r\n\r\n\r\n ','','','inherit','closed','closed','','202-revision-40','','','2014-02-06 15:41:11','2014-02-06 15:41:11','',202,'http://catalog.org.uk/202-revision-40/',0,'revision','',0),(731,2,'2014-02-06 15:29:49','2014-02-06 15:29:49','A\r\nAfterall\r\nAnna Lucas\r\nArt Licks\r\nArtSlant\r\nAxis\r\nAIR\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\nDuncan Whitley\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\nA Million Minutes\r\n\r\nN\r\nno.w.here \r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-67','','','2014-02-06 15:29:49','2014-02-06 15:29:49','',9,'http://catalog.org.uk/9-revision-67/',0,'revision','',0),(723,2,'2013-08-15 14:50:41','2013-08-15 14:50:41','\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n\r\n \r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-28','','','2013-08-15 14:50:41','2013-08-15 14:50:41','',2,'http://catalog.org.uk/2-revision-28/',0,'revision','',0),(735,5,'2014-02-07 14:05:18','2014-02-07 14:05:18','\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011-2012) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n\r\n \r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-30','','','2014-02-07 14:05:18','2014-02-07 14:05:18','',2,'http://catalog.org.uk/2-revision-30/',0,'revision','',0),(730,2,'2014-02-07 13:57:23','2014-02-07 13:57:23','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of this is not a school, more information here. \r\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with material content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’, with no previous knowledge of the name of the topic originally assembled by the donor. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n\r\n\r\n \r\n \r\n\r\n ','','','inherit','closed','closed','','202-revision-44','','','2014-02-07 13:57:23','2014-02-07 13:57:23','',202,'http://catalog.org.uk/202-revision-44/',0,'revision','',0),(722,2,'2014-02-07 13:52:05','2014-02-07 13:52:05','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise”, and was staged as part of this is not a school, More information here\r\nThe resulting booklet (below) comprised six chapters produced from material exchanged between six members of a group. requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence. The chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n\r\n\r\n \r\n \r\n\r\n ','','','inherit','closed','closed','','202-revision-43','','','2014-02-07 13:52:05','2014-02-07 13:52:05','',202,'http://catalog.org.uk/202-revision-43/',0,'revision','',0),(724,2,'2014-02-07 14:04:31','2014-02-07 14:04:31','\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n\r\n \r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-29','','','2014-02-07 14:04:31','2014-02-07 14:04:31','',2,'http://catalog.org.uk/2-revision-29/',0,'revision','',0),(727,2,'2014-02-07 14:09:41','2014-02-07 14:09:41','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA I knOw yoU 19 April – 1 September 2013.\r\n\r\n \r\n\r\n\r\n\r\nIMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999 /// 16th century Printing Press, engraving from 1908 /// The press photograph is a message, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 \r\n','','','inherit','closed','closed','','524-revision-27','','','2014-02-07 14:09:41','2014-02-07 14:09:41','',524,'http://catalog.org.uk/524-revision-27/',0,'revision','',0),(726,2,'2014-02-07 14:07:16','2014-02-07 14:07:16','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA I knOw yoU 19 April – 1 September 2013.\r\n\r\n \r\n\r\n\r\n\r\nThe press photograph is a message, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 \r\n\r\n16th century Printing Press, engraving from 1908\r\n\r\n\r\nTop image:\r\nThe dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999','','','inherit','closed','closed','','524-revision-26','','','2014-02-07 14:07:16','2014-02-07 14:07:16','',524,'http://catalog.org.uk/524-revision-26/',0,'revision','',0),(728,2,'2014-02-07 14:11:05','2014-02-07 14:11:05','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA I knOw yoU 19 April – 1 September 2013.\r\n\r\n \r\n\r\n\r\n\r\nIMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999 /// The press photograph is a message, installation details, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 /// 16th century Printing Press, engraving from 1908 \r\n','','','inherit','closed','closed','','524-revision-28','','','2014-02-07 14:11:05','2014-02-07 14:11:05','',524,'http://catalog.org.uk/524-revision-28/',0,'revision','',0),(729,2,'2014-02-06 15:38:02','2014-02-06 15:38:02','\r\n\r\nA Ditto, Ditto Library (2012-)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme, a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n \r\n \r\n \r\n\r\n \r\n','','','inherit','closed','closed','','257-revision-56','','','2014-02-06 15:38:02','2014-02-06 15:38:02','',257,'http://catalog.org.uk/257-revision-56/',0,'revision','',0),(732,5,'2014-02-09 16:28:07','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2014-02-09 16:28:07','0000-00-00 00:00:00','',0,'http://catalog.org.uk/?p=732',0,'post','',0),(733,5,'2014-02-06 15:51:46','2014-02-06 15:51:46',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard \r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','','','inherit','closed','closed','','245-revision-78','','','2014-02-06 15:51:46','2014-02-06 15:51:46','',245,'http://catalog.org.uk/245-revision-78/',0,'revision','',0),(734,5,'2014-02-07 14:22:51','2014-02-07 14:22:51','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2011-2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of this is not a school, more information here. \r\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n\r\n\r\n \r\n \r\n\r\n ','','','inherit','closed','closed','','202-revision-45','','','2014-02-07 14:22:51','2014-02-07 14:22:51','',202,'http://catalog.org.uk/202-revision-45/',0,'revision','',0),(736,5,'2014-02-11 15:10:20','2014-02-11 15:10:20','\r\nContents
\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011-2012) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-31','','','2014-02-11 15:10:20','2014-02-11 15:10:20','',2,'http://catalog.org.uk/2-revision-31/',0,'revision','',0),(737,5,'2013-08-19 13:01:30','2013-08-19 13:01:30','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-94','','','2013-08-19 13:01:30','2013-08-19 13:01:30','',5,'http://catalog.org.uk/5-revision-94/',0,'revision','',0),(738,5,'2014-02-06 12:14:08','2014-02-06 12:14:08','\r\n\r\n\r\n\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-68','','','2014-02-06 12:14:08','2014-02-06 12:14:08','',7,'http://catalog.org.uk/7-revision-68/',0,'revision','',0),(739,5,'2014-02-07 14:24:05','2014-02-07 14:24:05','A\r\nAfterall\r\nAnna Lucas\r\nArt Licks\r\nArtSlant\r\nAxis\r\nAIR\r\nA Million Minutes\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\nDuncan Whitley\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\n\r\nN\r\nno.w.here \r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-68','','','2014-02-07 14:24:05','2014-02-07 14:24:05','',9,'http://catalog.org.uk/9-revision-68/',0,'revision','',0),(740,5,'2013-08-15 13:33:21','2013-08-15 13:33:21','\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-38','','','2013-08-15 13:33:21','2013-08-15 13:33:21','',11,'http://catalog.org.uk/11-revision-38/',0,'revision','',0),(741,5,'2014-02-11 15:12:49','2014-02-11 15:12:49','Communicate\r\n\r\n\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-39','','','2014-02-11 15:12:49','2014-02-11 15:12:49','',11,'http://catalog.org.uk/11-revision-39/',0,'revision','',0),(742,5,'2014-02-11 15:12:33','2014-02-11 15:12:33','Index\r\n\r\nA\r\nAfterall\r\nAnna Lucas\r\nArt Licks\r\nArtSlant\r\nAxis\r\nAIR\r\nA Million Minutes\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\nDuncan Whitley\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\n\r\nN\r\nno.w.here \r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-69','','','2014-02-11 15:12:33','2014-02-11 15:12:33','',9,'http://catalog.org.uk/9-revision-69/',0,'revision','',0),(743,5,'2014-02-11 15:12:18','2014-02-11 15:12:18','Journal\r\n\r\n\r\n\r\n\r\n\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-69','','','2014-02-11 15:12:18','2014-02-11 15:12:18','',7,'http://catalog.org.uk/7-revision-69/',0,'revision','',0),(744,5,'2014-02-11 15:11:32','2014-02-11 15:11:32','Function\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-95','','','2014-02-11 15:11:32','2014-02-11 15:11:32','',5,'http://catalog.org.uk/5-revision-95/',0,'revision','',0),(745,5,'2014-02-11 15:10:50','2014-02-11 15:10:50','\r\n\r\nContents\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011-2012) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-32','','','2014-02-11 15:10:50','2014-02-11 15:10:50','',2,'http://catalog.org.uk/2-revision-32/',0,'revision','',0),(746,5,'2014-02-11 14:59:52','2014-02-11 14:59:52',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','we interrupt this transmission','','inherit','closed','closed','','245-revision-79','','','2014-02-11 14:59:52','2014-02-11 14:59:52','',245,'http://catalog.org.uk/245-revision-79/',0,'revision','',0),(747,5,'2014-02-07 14:11:47','2014-02-07 14:11:47','\r\n\r\nThe press photograph is a message (2013)\r\n\r\n\r\nIf storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all. /// Claire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. The press photograph is a message highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA I knOw yoU 19 April – 1 September 2013.\r\n\r\n \r\n\r\n\r\n\r\nIMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, Conservation Journal, Issue 30, January 1999 /// The press photograph is a message, details, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 /// 16th century Printing Press, engraving from 1908 \r\n','','','inherit','closed','closed','','524-revision-29','','','2014-02-07 14:11:47','2014-02-07 14:11:47','',524,'http://catalog.org.uk/524-revision-29/',0,'revision','',0),(748,5,'2014-02-07 14:15:33','2014-02-07 14:15:33','\r\n\r\nA Ditto, Ditto Library (2012-)\r\n\r\n Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the Film Action programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, A Ditto, Ditto Library was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme, a number of records, bought at Wimbledon Greyhound Stadium boot fair for A Ditto Ditto Library, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\nCATALOG ADittoDittoLibrary June2012 by cata_log
\r\n\r\n \r\n \r\n \r\n\r\nIMAGES FROM TOP: A Ditto, Ditto Library, selected pages pdf /// A Ditto, Ditto, Library, details, Tate Britain and Tate Modern, 2012\r\n \r\n','','','inherit','closed','closed','','257-revision-57','','','2014-02-07 14:15:33','2014-02-07 14:15:33','',257,'http://catalog.org.uk/257-revision-57/',0,'revision','',0),(749,5,'2013-07-17 21:38:46','2013-07-17 21:38:46','\r\n\r\n(Im)Possible School Book: As Found (2012)\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here and purchased here.\r\n\r\n \r\n\r\n\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n \r\n','','','inherit','closed','closed','','335-revision-24','','','2013-07-17 21:38:46','2013-07-17 21:38:46','',335,'http://catalog.org.uk/335-revision-24/',0,'revision','',0),(750,5,'2014-02-11 15:04:57','2014-02-11 15:04:57','\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW (2011-2012)\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of this is not a school, more information here.\r\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n \r\n\r\n \r\n \r\n\r\n ','If I Knew Then What I Know Now','','inherit','closed','closed','','202-revision-46','','','2014-02-11 15:04:57','2014-02-11 15:04:57','',202,'http://catalog.org.uk/202-revision-46/',0,'revision','',0),(751,5,'2012-03-28 11:32:31','2012-03-28 11:32:31','Joyce Cronin is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.\r\nFrances Scott is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.
\r\nCatalog was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n
\r\n ','Biographies','','inherit','closed','closed','','31-revision-9','','','2012-03-28 11:32:31','2012-03-28 11:32:31','',31,'http://catalog.org.uk/31-revision-9/',0,'revision','',0),(752,5,'2014-02-11 15:14:37','2014-02-11 15:14:37','\r\n\r\nContents\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011-2012) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-33','','','2014-02-11 15:14:37','2014-02-11 15:14:37','',2,'http://catalog.org.uk/2-revision-33/',0,'revision','',0),(753,5,'2014-02-11 15:14:02','2014-02-11 15:14:02','Journal\r\n\r\n\r\n\r\n\r\n\r\n
\r\n ','Journal','','inherit','closed','closed','','7-revision-70','','','2014-02-11 15:14:02','2014-02-11 15:14:02','',7,'http://catalog.org.uk/7-revision-70/',0,'revision','',0),(754,5,'2014-02-11 15:20:46','2014-02-11 15:20:46','Journal\r\n\r\n\r\n\r\n\r\n\r\n
\r\n\r\n ','Journal','','inherit','closed','closed','','7-revision-71','','','2014-02-11 15:20:46','2014-02-11 15:20:46','',7,'http://catalog.org.uk/7-revision-71/',0,'revision','',0),(755,5,'2014-02-11 15:57:53','2014-02-11 15:57:53','Journal\r\n\r\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n \r\n \r\n \r\n ','Journal','','inherit','closed','closed','','7-revision-72','','','2014-02-11 15:57:53','2014-02-11 15:57:53','',7,'http://catalog.org.uk/7-revision-72/',0,'revision','',0),(757,2,'2014-02-21 13:56:02','2014-02-21 13:56:02','','Broadcast20','','inherit','closed','closed','','broadcast20','','','2014-02-21 13:56:02','2014-02-21 13:56:02','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png',0,'attachment','image/png',0),(756,5,'2014-02-11 15:58:59','2014-02-11 15:58:59','Journal\r\n\r\n\r\n\r\n\r\n\r\n
\r\n\r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n \r\n ','Journal','','inherit','closed','closed','','7-revision-73','','','2014-02-11 15:58:59','2014-02-11 15:58:59','',7,'http://catalog.org.uk/7-revision-73/',0,'revision','',0),(758,2,'2014-02-11 15:15:04','2014-02-11 15:15:04',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-80','','','2014-02-11 15:15:04','2014-02-11 15:15:04','',245,'http://catalog.org.uk/245-revision-80/',0,'revision','',0),(759,2,'2014-02-21 13:58:10','2014-02-21 13:58:10',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-81','','','2014-02-21 13:58:10','2014-02-21 13:58:10','',245,'http://catalog.org.uk/245-revision-81/',0,'revision','',0),(760,2,'2014-02-11 15:19:39','2014-02-11 15:19:39','\r\n\r\nContents\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011-2012) to a monthly online image-broadcast (We interrupt this transmission, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe here.\r\n\r\n\r\n\r\n ','Contents','','inherit','closed','closed','','2-revision-34','','','2014-02-11 15:19:39','2014-02-11 15:19:39','',2,'http://catalog.org.uk/2-revision-34/',0,'revision','',0),(761,2,'2014-02-11 15:13:50','2014-02-11 15:13:50','Index\r\n\r\nA\r\nAfterall\r\nAnna Lucas\r\nArt Licks\r\nArtSlant\r\nAxis\r\nAIR\r\nA Million Minutes\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\nDuncan Whitley\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\n\r\nN\r\nno.w.here \r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ','Index','','inherit','closed','closed','','9-revision-70','','','2014-02-11 15:13:50','2014-02-11 15:13:50','',9,'http://catalog.org.uk/9-revision-70/',0,'revision','',0),(783,2,'2014-10-27 19:42:08','2014-10-27 19:42:08',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-90','','','2014-10-27 19:42:08','2014-10-27 19:42:08','',245,'http://catalog.org.uk/245-revision-90/',0,'revision','',0),(762,2,'2014-02-11 15:13:37','2014-02-11 15:13:37','Communicate\r\n\r\n\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-40','','','2014-02-11 15:13:37','2014-02-11 15:13:37','',11,'http://catalog.org.uk/11-revision-40/',0,'revision','',0),(763,3,'2014-03-01 16:07:07','2014-03-01 16:07:07','Communicate\r\n\r\n\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and USA. Her current work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. Frances is currently artist-in-residence at Swiss Cottage Library with 176, Zabludowicz Collection, London. Her recent projects include NOCTURNES, a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR, Central Saint Martins and Islington Council. In 2012 she presented THE MIRACLE METHODS SERIES: Distance Readers, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN with Jarman Award nominees. It will continue to tour in 2014 to venues in the USA including Anthology Film Archives, New York, and LA Film Forum, Los Angeles. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-41','','','2014-03-01 16:07:07','2014-03-01 16:07:07','',11,'http://catalog.org.uk/11-revision-41/',0,'revision','',0),(764,2,'2014-04-13 15:59:25','2014-04-13 15:59:25','','Broadcast21','','inherit','closed','closed','','broadcast21','','','2014-04-13 15:59:25','2014-04-13 15:59:25','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png',0,'attachment','image/png',0),(765,2,'2014-02-21 14:00:03','2014-02-21 14:00:03',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-82','','','2014-02-21 14:00:03','2014-02-21 14:00:03','',245,'http://catalog.org.uk/245-revision-82/',0,'revision','',0),(766,2,'2014-06-03 15:04:03','2014-06-03 15:04:03','','Broadcast-23','','inherit','closed','closed','','broadcast-23','','','2014-06-03 15:04:03','2014-06-03 15:04:03','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png',0,'attachment','image/png',0),(767,2,'2014-04-13 16:01:02','2014-04-13 16:01:02',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-83','','','2014-04-13 16:01:02','2014-04-13 16:01:02','',245,'http://catalog.org.uk/245-revision-83/',0,'revision','',0),(768,2,'2014-06-03 15:08:11','2014-06-03 15:08:11','','Broadcast22','','inherit','closed','closed','','broadcast22','','','2014-06-03 15:08:11','2014-06-03 15:08:11','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png',0,'attachment','image/png',0),(769,2,'2014-06-03 15:06:02','2014-06-03 15:06:02',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still \r\n \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-84','','','2014-06-03 15:06:02','2014-06-03 15:06:02','',245,'http://catalog.org.uk/245-revision-84/',0,'revision','',0),(770,2,'2014-06-03 15:09:14','2014-06-03 15:09:14',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still \r\n \r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency Another Way of Reading with the London Borough of Camden and the Zabludowicz Collection\r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-85','','','2014-06-03 15:09:14','2014-06-03 15:09:14','',245,'http://catalog.org.uk/245-revision-85/',0,'revision','',0),(771,2,'2014-06-03 15:11:15','2014-06-03 15:11:15',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974\r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency Another Way of Reading with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-86','','','2014-06-03 15:11:15','2014-06-03 15:11:15','',245,'http://catalog.org.uk/245-revision-86/',0,'revision','',0),(772,2,'2014-04-10 21:39:47','2014-04-10 21:39:47','Communicate\r\n\r\n\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and USA. Her current work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. Frances is currently artist-in-residence at Swiss Cottage Library with 176, Zabludowicz Collection, London. Her recent projects include NOCTURNES, a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR, Central Saint Martins and Islington Council. In 2012 she presented THE MIRACLE METHODS SERIES: Distance Readers, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN with Jarman Award nominees. It will continue to tour in 2014 to venues in the USA including Anthology Film Archives, New York, and LA Film Forum, Los Angeles. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-42','','','2014-04-10 21:39:47','2014-04-10 21:39:47','',11,'http://catalog.org.uk/11-revision-42/',0,'revision','',0),(773,2,'2014-07-13 22:00:12','2014-07-13 22:00:12','','Broadcast-24','','inherit','closed','closed','','broadcast-24','','','2014-07-13 22:00:12','2014-07-13 22:00:12','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png',0,'attachment','image/png',0),(774,2,'2014-06-03 15:13:38','2014-06-03 15:13:38',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-87','','','2014-06-03 15:13:38','2014-06-03 15:13:38','',245,'http://catalog.org.uk/245-revision-87/',0,'revision','',0),(776,2,'2014-07-31 22:51:06','2014-07-31 22:51:06','','Broadcast-25','','inherit','closed','closed','','broadcast-25','','','2014-07-31 22:51:06','2014-07-31 22:51:06','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png',0,'attachment','image/png',0),(777,2,'2014-07-13 22:01:16','2014-07-13 22:01:16',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-88','','','2014-07-13 22:01:16','2014-07-13 22:01:16','',245,'http://catalog.org.uk/245-revision-88/',0,'revision','',0),(778,2,'2014-10-27 19:38:03','2014-10-27 19:38:03','','Broadcast 26','','inherit','closed','closed','','broadcast-26','','','2014-10-27 19:38:03','2014-10-27 19:38:03','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png',0,'attachment','image/png',0),(780,2,'2014-10-27 19:40:51','2014-10-27 19:40:51','','Broadcast-28','','inherit','closed','closed','','broadcast-28','','','2014-10-27 19:40:51','2014-10-27 19:40:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png',0,'attachment','image/png',0),(779,2,'2014-10-27 19:39:36','2014-10-27 19:39:36','','Broadcast 27','','inherit','closed','closed','','broadcast-27','','','2014-10-27 19:39:36','2014-10-27 19:39:36','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png',0,'attachment','image/png',0),(781,2,'2014-07-31 22:53:25','2014-07-31 22:53:25',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 1 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-89','','','2014-07-31 22:53:25','2014-07-31 22:53:25','',245,'http://catalog.org.uk/245-revision-89/',0,'revision','',0),(782,2,'2014-02-21 14:08:31','2014-02-21 14:08:31','Index\r\n\r\nA\r\nAfterall\r\nAnna Lucas\r\nArt Licks\r\nArtSlant\r\nAxis\r\nAIR\r\nA Million Minutes\r\n\r\nB\r\n\r\nC\r\nCarolyn Thompson\r\n\r\nD\r\nDuncan Whitley\r\n\r\nE\r\nEmma Leach\r\nEuropean Cultural Foundation\r\n\r\nF\r\nFilm London Artists Moving Image Network (FLAMIN)\r\nFive Years\r\nFrances Scott\r\n\r\nG\r\n\r\nH\r\n\r\nI\r\nIrish Museum of Modern Art (IMMA) \r\nIs that supposed to go there\r\n\r\nJ\r\n\r\nK\r\nKelda Free \r\n\r\nL\r\n\r\nM\r\nMatt\'s Gallery\r\nMelanie Clifford\r\nTHE MIRACLE METHODS SERIES: Distance Readers\r\n\r\n\r\nN\r\nno.w.here \r\n\r\nO\r\n\r\nP\r\nProtocinema\r\n\r\nQ\r\n\r\nR\r\nResonance FM\r\n\r\nS\r\nSwiss Cottage Library\r\n\r\nT\r\nTate\r\nThe Quiddity Grid \r\nTim Spooner\r\nThe City is a Burning, Blazing Bonfire\r\n\r\nU\r\n\r\nV\r\n\r\nW\r\nThe Woodmill Studios\r\nWork in Progress\r\n\r\nX\r\n\r\nY\r\n\r\nZ\r\nZabludowicz Collection - public programme','Index','','inherit','closed','closed','','9-revision-71','','','2014-02-21 14:08:31','2014-02-21 14:08:31','',9,'http://catalog.org.uk/9-revision-71/',0,'revision','',0),(784,2,'2014-10-28 16:21:55','2014-10-28 16:21:55',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-91','','','2014-10-28 16:21:55','2014-10-28 16:21:55','',245,'http://catalog.org.uk/245-revision-91/',0,'revision','',0),(785,2,'2014-11-30 21:47:58','2014-11-30 21:47:58','','Broadcast29','','inherit','closed','closed','','broadcast29','','','2014-11-30 21:47:58','2014-11-30 21:47:58','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png',0,'attachment','image/png',0),(786,2,'2014-10-28 16:22:49','2014-10-28 16:22:49',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-92','','','2014-10-28 16:22:49','2014-10-28 16:22:49','',245,'http://catalog.org.uk/245-revision-92/',0,'revision','',0),(787,2,'2014-12-31 15:40:16','2014-12-31 15:40:16','','Broadcast30','','inherit','closed','closed','','broadcast30','','','2014-12-31 15:40:16','2014-12-31 15:40:16','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png',0,'attachment','image/png',0),(788,2,'2014-11-30 21:49:36','2014-11-30 21:49:36',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-93','','','2014-11-30 21:49:36','2014-11-30 21:49:36','',245,'http://catalog.org.uk/245-revision-93/',0,'revision','',0),(789,2,'2014-12-31 15:41:44','2014-12-31 15:41:44',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 30 > December2014\r\n\r\n RHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nLHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-94','','','2014-12-31 15:41:44','2014-12-31 15:41:44','',245,'http://catalog.org.uk/245-revision-94/',0,'revision','',0),(790,3,'2014-06-03 15:15:58','2014-06-03 15:15:58','Communicate\r\n\r\n\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and USA. Her current work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. Frances was artist-in-residence April - May 2014 at Swiss Cottage Library with 176, Zabludowicz Collection, London. Other recent projects include NOCTURNES, a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR, Central Saint Martins and Islington Council. In 2012 she presented THE MIRACLE METHODS SERIES: Distance Readers, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN with Jarman Award nominees. It will continue to tour in 2014 to venues in the USA including Anthology Film Archives, New York, and LA Film Forum, Los Angeles. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-43','','','2014-06-03 15:15:58','2014-06-03 15:15:58','',11,'http://catalog.org.uk/11-revision-43/',0,'revision','',0),(792,2,'2014-12-31 15:42:38','2014-12-31 15:42:38',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-95','','','2014-12-31 15:42:38','2014-12-31 15:42:38','',245,'http://catalog.org.uk/245-revision-95/',0,'revision','',0),(793,2,'2014-02-11 15:14:18','2014-02-11 15:14:18','Function\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-96','','','2014-02-11 15:14:18','2014-02-11 15:14:18','',5,'http://catalog.org.uk/5-revision-96/',0,'revision','',0),(795,2,'2015-03-20 13:04:10','2015-03-20 13:04:10','Function\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"][/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"][/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"][/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"][/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"][/caption]\r\n\r\n \r\n\r\n \r\n\r\n \r\n\r\n ','Function','','inherit','closed','closed','','5-revision-98','','','2015-03-20 13:04:10','2015-03-20 13:04:10','',5,'http://catalog.org.uk/5-revision-98/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (796,2,'2015-02-26 15:01:33','2015-02-26 15:01:33',' We interrupt this transmission (2012 - 2014 ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-96','','','2015-02-26 15:01:33','2015-02-26 15:01:33','',245,'http://catalog.org.uk/245-revision-96/',0,'revision','',0),(797,2,'2015-03-20 13:30:57','2015-03-20 13:30:57',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-97','','','2015-03-20 13:30:57','2015-03-20 13:30:57','',245,'http://catalog.org.uk/245-revision-97/',0,'revision','',0),(798,2,'2015-03-20 13:30:58','2015-03-20 13:30:58',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-98','','','2015-03-20 13:30:58','2015-03-20 13:30:58','',245,'http://catalog.org.uk/245-revision-98/',0,'revision','',0),(799,2,'2015-03-30 16:47:12','2015-03-30 16:47:12','','Broadcast-33','','inherit','closed','closed','','broadcast-33','','','2015-03-30 16:47:12','2015-03-30 16:47:12','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-33.png',0,'attachment','image/png',0),(801,2,'2015-03-20 13:31:41','2015-03-20 13:31:41',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-99','','','2015-03-20 13:31:41','2015-03-20 13:31:41','',245,'http://catalog.org.uk/245-revision-99/',0,'revision','',0),(800,2,'2015-03-31 12:09:52','2015-03-31 12:09:52','','Broadcast-33','','inherit','closed','closed','','broadcast-33-2','','','2015-03-31 12:09:52','2015-03-31 12:09:52','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png',0,'attachment','image/png',0),(802,2,'2015-04-30 20:38:31','2015-04-30 20:38:31','','Broadcast-34','','inherit','closed','closed','','broadcast-34','','','2015-04-30 20:38:31','2015-04-30 20:38:31','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png',0,'attachment','image/png',0),(803,2,'2015-03-31 12:11:39','2015-03-31 12:11:39',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-100','','','2015-03-31 12:11:39','2015-03-31 12:11:39','',245,'http://catalog.org.uk/245-revision-100/',0,'revision','',0),(804,2,'2015-04-30 20:40:06','2015-04-30 20:40:06',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 RHS. Channel 1 >>> Jacques Tati, Playtime (1967), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-101','','','2015-04-30 20:40:06','2015-04-30 20:40:06','',245,'http://catalog.org.uk/245-revision-101/',0,'revision','',0),(805,2,'2015-04-30 20:41:52','2015-04-30 20:41:52',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 RHS. Channel 1 >>> Jacques Tati, Playtime (1967), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-102','','','2015-04-30 20:41:52','2015-04-30 20:41:52','',245,'http://catalog.org.uk/245-revision-102/',0,'revision','',0),(806,2,'2015-06-26 15:53:55','2015-06-26 15:53:55','','Broadcast-36','','inherit','closed','closed','','broadcast-36','','','2015-06-26 15:53:55','2015-06-26 15:53:55','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png',0,'attachment','image/png',0),(808,2,'2015-06-26 15:55:13','2015-06-26 15:55:13',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, Blue Velvet (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, Playtime (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-104','','','2015-06-26 15:55:13','2015-06-26 15:55:13','',245,'http://catalog.org.uk/245-revision-104/',0,'revision','',0),(807,2,'2015-04-30 20:43:25','2015-04-30 20:43:25',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, Playtime (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-103','','','2015-04-30 20:43:25','2015-04-30 20:43:25','',245,'http://catalog.org.uk/245-revision-103/',0,'revision','',0),(809,2,'2015-08-30 17:23:50','2015-08-30 17:23:50','','broadcast-37','','inherit','closed','closed','','broadcast-37','','','2015-08-30 17:23:50','2015-08-30 17:23:50','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png',0,'attachment','image/png',0),(810,2,'2015-06-26 15:56:53','2015-06-26 15:56:53',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-105','','','2015-06-26 15:56:53','2015-06-26 15:56:53','',245,'http://catalog.org.uk/245-revision-105/',0,'revision','',0),(811,2,'2015-10-29 09:47:51','2015-10-29 09:47:51','','Broadcast38','','inherit','closed','closed','','broadcast38','','','2015-10-29 09:47:51','2015-10-29 09:47:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png',0,'attachment','image/png',0),(813,2,'2015-10-29 09:51:28','2015-10-29 09:51:28','','Broadcast40','','inherit','closed','closed','','broadcast40','','','2015-10-29 09:51:28','2015-10-29 09:51:28','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png',0,'attachment','image/png',0),(812,2,'2015-10-29 09:49:41','2015-10-29 09:49:41','','Broadcast39','','inherit','closed','closed','','broadcast39','','','2015-10-29 09:49:41','2015-10-29 09:49:41','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png',0,'attachment','image/png',0),(814,2,'2015-08-30 17:25:06','2015-08-30 17:25:06',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 37 > July 2015\r\n\r\n LHS. Channel 1 >>> \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 >>> Grete Stern, \'Dream N.42\' (1949). Photomontage \r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-106','','','2015-08-30 17:25:06','2015-08-30 17:25:06','',245,'http://catalog.org.uk/245-revision-106/',0,'revision','',0),(815,2,'2015-11-30 12:03:50','2015-11-30 12:03:50','','Broadcast-41','','inherit','closed','closed','','broadcast-41','','','2015-11-30 12:03:50','2015-11-30 12:03:50','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png',0,'attachment','image/png',0),(816,2,'2015-10-29 09:52:31','2015-10-29 09:52:31',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 40 > October 2015\r\n\r\n LHS. Channel 2 >>> Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 >>> William Klein, \'Who Are You, Polly Magoo?\' (1966), film still \r\n\r\n- - -\r\n\r\nBROADCAST 39 > September 2015\r\n\r\n LHS. Channel 1 >>> Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 >>> Niall Cronin, photograph taken October 2014 \r\n\r\n- - -\r\n\r\nBROADCAST 38 > August 2015\r\n\r\n LHS. Channel 2 >>> Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 >>> Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still \r\n\r\n- - -\r\n\r\nBROADCAST 37 > July 2015\r\n\r\n LHS. Channel 1 >>> \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 >>> Grete Stern, \'Dream N.42\' (1949). Photomontage \r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-107','','','2015-10-29 09:52:31','2015-10-29 09:52:31','',245,'http://catalog.org.uk/245-revision-107/',0,'revision','',0),(817,2,'2016-01-18 18:36:18','2016-01-18 18:36:18','','Broadcast42','','inherit','closed','closed','','broadcast42','','','2016-01-18 18:36:18','2016-01-18 18:36:18','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast42.png',0,'attachment','image/png',0),(818,2,'2015-11-30 12:05:01','2015-11-30 12:05:01',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 41 > November 2015\r\n\r\n LHS. Channel 1 >>> Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 >>> Giovanni Battista Piranesi, Carceri d\'invenzione (c. 1745), one of a series of 16 etchings \r\n\r\n- - -\r\n\r\nBROADCAST 40 > October 2015\r\n\r\n LHS. Channel 2 >>> Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 >>> William Klein, \'Who Are You, Polly Magoo?\' (1966), film still \r\n\r\n- - -\r\n\r\nBROADCAST 39 > September 2015\r\n\r\n LHS. Channel 1 >>> Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 >>> Niall Cronin, photograph taken October 2014 \r\n\r\n- - -\r\n\r\nBROADCAST 38 > August 2015\r\n\r\n LHS. Channel 2 >>> Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 >>> Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still \r\n\r\n- - -\r\n\r\nBROADCAST 37 > July 2015\r\n\r\n LHS. Channel 1 >>> \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 >>> Grete Stern, \'Dream N.42\' (1949). Photomontage \r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-108','','','2015-11-30 12:05:01','2015-11-30 12:05:01','',245,'http://catalog.org.uk/245-revision-108/',0,'revision','',0),(819,2,'2016-01-28 14:54:36','2016-01-28 14:54:36','','Broadcast43','','inherit','closed','closed','','broadcast43','','','2016-01-28 14:54:36','2016-01-28 14:54:36','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast43.png',0,'attachment','image/png',0),(820,2,'2016-01-18 18:38:19','2016-01-18 18:38:19',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 42 > December 2015\r\n\r\n LHS. Channel 2 >>> \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 >>> Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail \r\n\r\nBROADCAST 41 > November 2015\r\n\r\n LHS. Channel 1 >>> Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 >>> Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings \r\n\r\n- - -\r\n\r\nBROADCAST 40 > October 2015\r\n\r\n LHS. Channel 2 >>> Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 >>> William Klein, \'Who Are You, Polly Magoo?\' (1966), film still \r\n\r\n- - -\r\n\r\nBROADCAST 39 > September 2015\r\n\r\n LHS. Channel 1 >>> Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 >>> Niall Cronin, photograph taken October 2014 \r\n\r\n- - -\r\n\r\nBROADCAST 38 > August 2015\r\n\r\n LHS. Channel 2 >>> Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 >>> Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still \r\n\r\n- - -\r\n\r\nBROADCAST 37 > July 2015\r\n\r\n LHS. Channel 1 >>> \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 >>> Grete Stern, \'Dream N.42\' (1949). Photomontage \r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-109','','','2016-01-18 18:38:19','2016-01-18 18:38:19','',245,'http://catalog.org.uk/245-revision-109/',0,'revision','',0),(822,2,'2016-03-30 12:53:57','2016-03-30 12:53:57','','Broadcast44','','inherit','closed','closed','','broadcast44','','','2016-03-30 12:53:57','2016-03-30 12:53:57','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast44.png',0,'attachment','image/png',0),(823,2,'2016-01-28 14:55:57','2016-01-28 14:55:57',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n\r\nBROADCAST 43 > January 2016\r\n\r\n LHS. Channel 1 >>> \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 >>> Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 42 > December 2015\r\n\r\n LHS. Channel 2 >>> \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 >>> Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail \r\n\r\n- - -\r\n\r\nBROADCAST 41 > November 2015\r\n\r\n LHS. Channel 1 >>> Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 >>> Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings \r\n\r\n- - -\r\n\r\nBROADCAST 40 > October 2015\r\n\r\n LHS. Channel 2 >>> Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 >>> William Klein, \'Who Are You, Polly Magoo?\' (1966), film still \r\n\r\n- - -\r\n\r\nBROADCAST 39 > September 2015\r\n\r\n LHS. Channel 1 >>> Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 >>> Niall Cronin, photograph taken October 2014 \r\n\r\n- - -\r\n\r\nBROADCAST 38 > August 2015\r\n\r\n LHS. Channel 2 >>> Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 >>> Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still \r\n\r\n- - -\r\n\r\nBROADCAST 37 > July 2015\r\n\r\n LHS. Channel 1 >>> \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 >>> Grete Stern, \'Dream N.42\' (1949). Photomontage \r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-110','','','2016-01-28 14:55:57','2016-01-28 14:55:57','',245,'http://catalog.org.uk/245-revision-110/',0,'revision','',0),(821,2,'2015-02-16 22:44:08','2015-02-16 22:44:08','Communicate\r\n\r\n\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n@CATALOGchannel1\r\n\r\n\r\n@CATALOGchannel2\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\nJoyce Cronin is a gallery manager, project manager and organiser of exhibitions and events. She is interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce is a manager at Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\nFrances Scott is an artist and has shown work in the UK and USA. Her current work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. Frances was artist-in-residence April - May 2014 at Swiss Cottage Library with 176, Zabludowicz Collection, London. Other recent projects include NOCTURNES, a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR, Central Saint Martins and Islington Council. In 2012 she presented THE MIRACLE METHODS SERIES: Distance Readers, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN with Jarman Award nominees. It will continue to tour in 2014 to venues in the USA including Anthology Film Archives, New York, and LA Film Forum, Los Angeles. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\nCATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n','Communicate','','inherit','closed','closed','','11-revision-44','','','2015-02-16 22:44:08','2015-02-16 22:44:08','',11,'http://catalog.org.uk/11-revision-44/',0,'revision','',0),(824,2,'2016-03-30 12:56:57','2016-03-30 12:56:57','','Broadcast45','','inherit','closed','closed','','broadcast45','','','2016-03-30 12:56:57','2016-03-30 12:56:57','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast45.png',0,'attachment','image/png',0),(825,2,'2016-03-30 12:55:30','2016-03-30 12:55:30',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\nBROADCAST 44 > February 2016\r\n\r\n LHS. Channel 2 >>> \'St Elmo\'s Fire\' phenomenon, engraving, unknown, c.1860\r\nRHS. Channel 1 >>> \'Whirling Dervishes perform the ritual dance of the Sufi sect, Ankara, Turkey\'. Photo: Sukri Celil Advan, National Geographic, 2013\r\n\r\n\r\n- - -\r\nBROADCAST 43 > January 2016\r\n\r\n LHS. Channel 1 >>> \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 >>> Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 42 > December 2015\r\n\r\n LHS. Channel 2 >>> \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 >>> Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail \r\n\r\n- - -\r\n\r\nBROADCAST 41 > November 2015\r\n\r\n LHS. Channel 1 >>> Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 >>> Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings \r\n\r\n- - -\r\n\r\nBROADCAST 40 > October 2015\r\n\r\n LHS. Channel 2 >>> Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 >>> William Klein, \'Who Are You, Polly Magoo?\' (1966), film still \r\n\r\n- - -\r\n\r\nBROADCAST 39 > September 2015\r\n\r\n LHS. Channel 1 >>> Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 >>> Niall Cronin, photograph taken October 2014 \r\n\r\n- - -\r\n\r\nBROADCAST 38 > August 2015\r\n\r\n LHS. Channel 2 >>> Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 >>> Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still \r\n\r\n- - -\r\n\r\nBROADCAST 37 > July 2015\r\n\r\n LHS. Channel 1 >>> \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 >>> Grete Stern, \'Dream N.42\' (1949). Photomontage \r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-111','','','2016-03-30 12:55:30','2016-03-30 12:55:30','',245,'http://catalog.org.uk/245-revision-111/',0,'revision','',0),(826,2,'2016-03-30 12:57:37','2016-03-30 12:57:37',' We interrupt this transmission (2012 - ongoing) \r\n\r\nWe interrupt this transmission is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of \'call-and-echo\', where the first contribution initiates a response. The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\nWe interrupt this transmission will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the communicate page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 45 > March 2016\r\n\r\n LHS. Channel 1 >>> photograph taken in Whitby, North Yorkshire, 13 March 2016\r\nRHS. Channel 2 >>> photograph taken of fortune-telling card from arcade penny slot machine, 2016\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 44 > February 2016\r\n\r\n LHS. Channel 2 >>> \'St Elmo\'s Fire\' phenomenon, engraving, unknown, c.1860\r\nRHS. Channel 1 >>> \'Whirling Dervishes perform the ritual dance of the Sufi sect, Ankara, Turkey\'. Photo: Sukri Celil Advan, National Geographic, 2013\r\n\r\n\r\n- - -\r\nBROADCAST 43 > January 2016\r\n\r\n LHS. Channel 1 >>> \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 >>> Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 42 > December 2015\r\n\r\n LHS. Channel 2 >>> \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 >>> Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail \r\n\r\n- - -\r\n\r\nBROADCAST 41 > November 2015\r\n\r\n LHS. Channel 1 >>> Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 >>> Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings \r\n\r\n- - -\r\n\r\nBROADCAST 40 > October 2015\r\n\r\n LHS. Channel 2 >>> Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 >>> William Klein, \'Who Are You, Polly Magoo?\' (1966), film still \r\n\r\n- - -\r\n\r\nBROADCAST 39 > September 2015\r\n\r\n LHS. Channel 1 >>> Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 >>> Niall Cronin, photograph taken October 2014 \r\n\r\n- - -\r\n\r\nBROADCAST 38 > August 2015\r\n\r\n LHS. Channel 2 >>> Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 >>> Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still \r\n\r\n- - -\r\n\r\nBROADCAST 37 > July 2015\r\n\r\n LHS. Channel 1 >>> \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 >>> Grete Stern, \'Dream N.42\' (1949). Photomontage \r\n\r\n- - -\r\n\r\nBROADCAST 36 > June 2015\r\n\r\n LHS. Channel 2 >>> Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 >>> David Lynch, \'Blue Velvet\' (1986), film production still \r\n\r\n- - -\r\n\r\nBROADCAST 34 > April 2015\r\n\r\n LHS. Channel 2 >>> Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 >>> Jacques Tati, \'Playtime\' (1967), film still\r\n\r\n- - -\r\n\r\nBROADCAST 33 > March 2015\r\n\r\n LHS. Channel 1 >>> Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 >>> Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 32 > February 2015\r\n\r\n LHS. Channel 2 >>> Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 >>> Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 30 > December2014\r\n\r\n LHS. Channel 2 >>> Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 >>> Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n\r\n\r\n- - -\r\nBROADCAST 29 > November 2014\r\n\r\n LHS. Channel 1 >>> Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 >>> 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 28 > October 2014\r\n\r\n LHS. Channel 2 >>> \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 >>> The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 27 > September 2014\r\n\r\n LHS. Channel 1 >>> 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 >>> \'The Ryde\', Hatfield, UK in Concrete Quarterly, 1967\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 26 > August 2014\r\n\r\n LHS. Channel 2 >>> William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 >>> Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 25 > July 2014\r\n\r\n LHS. Channel 1 >>> Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 >>> Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 24 > June 2014\r\n\r\nLHS. Channel 2 >>> Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 >>> \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 23 > May 2014\r\n\r\nLHS. Channel 1 >>> Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 >>> Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 22 > April 2014\r\n\r\nLHS. Channel 2 >>> \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 >>> \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 \r\n\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. \r\n\r\n- - -\r\n\r\nBROADCAST 21 > March 2014\r\n\r\nLHS. Channel 1 >>> \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 >>> \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) \r\n\r\n- - -\r\n\r\nBROADCAST 20 > February 2014\r\n\r\nLHS. Channel 2 >>> Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 >>> Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West \r\n\r\n- - -\r\n\r\nBROADCAST 19 > January 2014\r\n\r\nLHS. Channel 1 >>> Found postcard\r\nRHS. Channel 2 >>> Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach \r\n\r\n- - -\r\n\r\nBROADCAST 18 > December 2013\r\n\r\nLHS. Channel 2 >>> \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 >>> Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still \r\n\r\n- - -\r\n\r\nBROADCAST 17 > November 2013\r\n\r\nLHS. Channel 1 >>> Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 >>> William Lyman Underwood, \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 \r\n\r\n- - -\r\n\r\nBROADCAST 16 > October 2013\r\n\r\nLHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still \r\n\r\n- - -\r\n\r\nBROADCAST 15 > September 2013\r\n\r\n\r\nLHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007. French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road \r\n\r\n- - -\r\n\r\nBROADCAST 14 > August 2013\r\n\r\n\r\nLHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 13 > July 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 12 > June 2013\r\n\r\n\r\nLHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n\r\n\r\nBROADCAST 11 > May 2013\r\n\r\n\r\n LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 10 > April 2013\r\n\r\n\r\nLHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still \r\n\r\n- - -\r\n\r\nBROADCAST 9 > March 2013\r\n\r\n\r\nLHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929\r\n\r\n- - -\r\n\r\nBROADCAST 8 > February 2013\r\n\r\n\r\nLHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still \r\n\r\n\r\n- - -\r\n\r\nBROADCAST 7 > January 2013\r\n\r\n\r\nLHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89\r\n\r\n- - -\r\n\r\nBROADCAST 6 > December 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still \r\n RHS. Channel 1 >>> William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 \r\n\r\n- - -\r\n\r\nBROADCAST 5 > November 2012\r\n\r\n\r\n\r\nLHS. Channel 1 >>> Found slide C / 37 \r\n RHS. Channel 2 >>> Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 \r\n\r\n- - -\r\n\r\nBROADCAST 4 > October 2012\r\n\r\n\r\n\r\nLHS. Channel 2 >>> Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 \r\n RHS. Channel 1 >>> Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon \r\n\r\n- - -\r\n\r\nBROADCAST 3 > September 2012\r\n\r\n\r\n\r\nChannel 1 >>> East German camouflage sample, c1970\r\n Channel 2 >>> Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965\r\n\r\n- - -\r\n\r\nBROADCAST 2 > August 2012\r\n\r\n\r\n\r\nChannel 2 >>> William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928\r\n Channel 1 >>> Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955\r\n\r\n- - -\r\n\r\nBROADCAST 1 > July 2012\r\n\r\n\r\nChannel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\n Channel 2 >>> Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving\r\n\r\n---\r\n\r\n \r\n\r\n ','We interrupt this transmission','','inherit','closed','closed','','245-revision-112','','','2016-03-30 12:57:37','2016-03-30 12:57:37','',245,'http://catalog.org.uk/245-revision-112/',0,'revision','',0);
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