-- MySQL dump 10.13  Distrib 5.1.73, for debian-linux-gnu (i486)
--
-- Host: localhost    Database: catalog_wp
-- ------------------------------------------------------
-- Server version	5.1.73-1+deb6u1

/*!40101 SET @OLD_CHARACTER_SET_CLIENT=@@CHARACTER_SET_CLIENT */;
/*!40101 SET @OLD_CHARACTER_SET_RESULTS=@@CHARACTER_SET_RESULTS */;
/*!40101 SET @OLD_COLLATION_CONNECTION=@@COLLATION_CONNECTION */;
/*!40101 SET NAMES utf8 */;
/*!40103 SET @OLD_TIME_ZONE=@@TIME_ZONE */;
/*!40103 SET TIME_ZONE='+00:00' */;
/*!40014 SET @OLD_UNIQUE_CHECKS=@@UNIQUE_CHECKS, UNIQUE_CHECKS=0 */;
/*!40014 SET @OLD_FOREIGN_KEY_CHECKS=@@FOREIGN_KEY_CHECKS, FOREIGN_KEY_CHECKS=0 */;
/*!40101 SET @OLD_SQL_MODE=@@SQL_MODE, SQL_MODE='NO_AUTO_VALUE_ON_ZERO' */;
/*!40111 SET @OLD_SQL_NOTES=@@SQL_NOTES, SQL_NOTES=0 */;

--
-- Current Database: `catalog_wp`
--

CREATE DATABASE /*!32312 IF NOT EXISTS*/ `catalog_wp` /*!40100 DEFAULT CHARACTER SET utf8 */;

USE `catalog_wp`;

--
-- Table structure for table `wp_commentmeta`
--

DROP TABLE IF EXISTS `wp_commentmeta`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_commentmeta` (
  `meta_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `comment_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `meta_key` varchar(255) DEFAULT NULL,
  `meta_value` longtext,
  PRIMARY KEY (`meta_id`),
  KEY `comment_id` (`comment_id`),
  KEY `meta_key` (`meta_key`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_commentmeta`
--

LOCK TABLES `wp_commentmeta` WRITE;
/*!40000 ALTER TABLE `wp_commentmeta` DISABLE KEYS */;
/*!40000 ALTER TABLE `wp_commentmeta` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_comments`
--

DROP TABLE IF EXISTS `wp_comments`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_comments` (
  `comment_ID` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `comment_post_ID` bigint(20) unsigned NOT NULL DEFAULT '0',
  `comment_author` tinytext NOT NULL,
  `comment_author_email` varchar(100) NOT NULL DEFAULT '',
  `comment_author_url` varchar(200) NOT NULL DEFAULT '',
  `comment_author_IP` varchar(100) NOT NULL DEFAULT '',
  `comment_date` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `comment_date_gmt` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `comment_content` text NOT NULL,
  `comment_karma` int(11) NOT NULL DEFAULT '0',
  `comment_approved` varchar(20) NOT NULL DEFAULT '1',
  `comment_agent` varchar(255) NOT NULL DEFAULT '',
  `comment_type` varchar(20) NOT NULL DEFAULT '',
  `comment_parent` bigint(20) unsigned NOT NULL DEFAULT '0',
  `user_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`comment_ID`),
  KEY `comment_approved` (`comment_approved`),
  KEY `comment_post_ID` (`comment_post_ID`),
  KEY `comment_approved_date_gmt` (`comment_approved`,`comment_date_gmt`),
  KEY `comment_date_gmt` (`comment_date_gmt`),
  KEY `comment_parent` (`comment_parent`)
) ENGINE=MyISAM AUTO_INCREMENT=2 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_comments`
--

LOCK TABLES `wp_comments` WRITE;
/*!40000 ALTER TABLE `wp_comments` DISABLE KEYS */;
INSERT INTO `wp_comments` VALUES (1,1,'Mr WordPress','','http://wordpress.org/','','2011-02-26 19:44:10','2011-02-26 19:44:10','Hi, this is a comment.<br />To delete a comment, just log in and view the post&#039;s comments. There you will have the option to edit or delete them.',0,'1','','',0,0);
/*!40000 ALTER TABLE `wp_comments` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_customcontactforms_field_options`
--

DROP TABLE IF EXISTS `wp_customcontactforms_field_options`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_customcontactforms_field_options` (
  `id` int(11) NOT NULL AUTO_INCREMENT,
  `option_slug` varchar(100) NOT NULL,
  `option_label` varchar(200) NOT NULL,
  `option_value` varchar(100) NOT NULL,
  `option_dead` int(1) NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`)
) ENGINE=MyISAM AUTO_INCREMENT=3 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_customcontactforms_field_options`
--

LOCK TABLES `wp_customcontactforms_field_options` WRITE;
/*!40000 ALTER TABLE `wp_customcontactforms_field_options` DISABLE KEYS */;
INSERT INTO `wp_customcontactforms_field_options` VALUES (1,'slug_one','Yes','',0),(2,'slug_two','No','',0);
/*!40000 ALTER TABLE `wp_customcontactforms_field_options` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_customcontactforms_fields`
--

DROP TABLE IF EXISTS `wp_customcontactforms_fields`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_customcontactforms_fields` (
  `id` int(11) NOT NULL AUTO_INCREMENT,
  `field_slug` varchar(50) NOT NULL,
  `field_label` text NOT NULL,
  `field_type` varchar(25) NOT NULL,
  `field_value` text NOT NULL,
  `field_maxlength` int(5) NOT NULL DEFAULT '0',
  `user_field` int(1) NOT NULL DEFAULT '1',
  `field_instructions` text NOT NULL,
  `field_options` text NOT NULL,
  `field_required` int(1) NOT NULL DEFAULT '0',
  `field_class` varchar(50) NOT NULL,
  `field_error` varchar(300) NOT NULL,
  `field_max_upload_size` int(11) NOT NULL,
  `field_allowed_file_extensions` text NOT NULL,
  PRIMARY KEY (`id`)
) ENGINE=MyISAM AUTO_INCREMENT=14 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_customcontactforms_fields`
--

LOCK TABLES `wp_customcontactforms_fields` WRITE;
/*!40000 ALTER TABLE `wp_customcontactforms_fields` DISABLE KEYS */;
INSERT INTO `wp_customcontactforms_fields` VALUES (1,'captcha','Type the numbers.','Text','',100,0,'Type the numbers displayed in the image above.','',0,'','',0,''),(2,'usaStates','Select a State','Dropdown','',0,0,'','',0,'','',0,''),(3,'allCountries','Select a Country','Dropdown','',0,0,'','',0,'','',0,''),(4,'ishuman','Subscribe to We interrupt this transmission','Checkbox','1',200,0,'This helps us prevent spam.','',0,'','',0,''),(5,'fixedEmail','Your Email','Text','',100,0,'','',1,'','',0,''),(6,'fixedWebsite','Your Website','Text','',200,0,'Please enter your website.','',1,'','',0,''),(7,'emailSubject','Email Subject','Text','',200,0,'Please enter a subject for the email.','',1,'','',0,''),(8,'resetButton','','Reset','Reset Form',0,0,'','',0,'','',0,''),(12,'subscribe_catalog','Subscribe: CATALOG','Dropdown','slug_one',0,1,'','a:2:{i:0;s:1:\"1\";i:1;s:1:\"2\";}',1,'','',5000,'a:0:{}'),(13,'subscribe_weinterruptthistransmission','Subscribe: We interrupt this transmission','Dropdown','slug_one',0,1,'','a:2:{i:0;s:1:\"1\";i:1;s:1:\"2\";}',1,'','',5000,'a:0:{}');
/*!40000 ALTER TABLE `wp_customcontactforms_fields` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_customcontactforms_forms`
--

DROP TABLE IF EXISTS `wp_customcontactforms_forms`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_customcontactforms_forms` (
  `id` int(11) NOT NULL AUTO_INCREMENT,
  `form_slug` varchar(100) NOT NULL,
  `form_title` varchar(200) NOT NULL,
  `form_action` text NOT NULL,
  `form_method` varchar(4) NOT NULL,
  `form_fields` text NOT NULL,
  `submit_button_text` varchar(200) NOT NULL,
  `custom_code` text NOT NULL,
  `form_style` int(10) NOT NULL DEFAULT '0',
  `form_email` text NOT NULL,
  `form_success_message` text NOT NULL,
  `form_thank_you_page` varchar(200) NOT NULL,
  `form_success_title` varchar(150) NOT NULL DEFAULT 'Form Success!',
  `form_access` text NOT NULL,
  `form_email_subject` varchar(250) NOT NULL,
  `form_email_name` varchar(100) NOT NULL,
  `form_pages` varchar(400) NOT NULL,
  PRIMARY KEY (`id`)
) ENGINE=MyISAM AUTO_INCREMENT=2 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_customcontactforms_forms`
--

LOCK TABLES `wp_customcontactforms_forms` WRITE;
/*!40000 ALTER TABLE `wp_customcontactforms_forms` DISABLE KEYS */;
INSERT INTO `wp_customcontactforms_forms` VALUES (1,'subscriptions','','','Post','a:3:{i:0;s:1:\"5\";i:1;s:2:\"12\";i:2;s:2:\"13\";}','','',0,'info@catalog.org.uk','Thank you. ','','','a:6:{i:0;s:13:\"Administrator\";i:1;s:6:\"Editor\";i:2;s:6:\"Author\";i:3;s:11:\"Contributor\";i:4;s:10:\"Subscriber\";i:5;s:19:\"Non-Registered User\";}','Subscription','www.catalog.org.uk','');
/*!40000 ALTER TABLE `wp_customcontactforms_forms` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_customcontactforms_styles`
--

DROP TABLE IF EXISTS `wp_customcontactforms_styles`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_customcontactforms_styles` (
  `id` int(11) NOT NULL AUTO_INCREMENT,
  `style_slug` varchar(30) NOT NULL,
  `input_width` varchar(10) NOT NULL DEFAULT '200px',
  `textarea_width` varchar(10) NOT NULL DEFAULT '200px',
  `textarea_height` varchar(10) NOT NULL DEFAULT '100px',
  `form_borderwidth` varchar(10) NOT NULL DEFAULT '0px',
  `label_width` varchar(10) NOT NULL DEFAULT '200px',
  `form_width` varchar(10) NOT NULL DEFAULT '100%',
  `submit_width` varchar(10) NOT NULL DEFAULT 'auto',
  `submit_height` varchar(10) NOT NULL DEFAULT '40px',
  `label_fontsize` varchar(10) NOT NULL DEFAULT '1em',
  `title_fontsize` varchar(10) NOT NULL DEFAULT '1.2em',
  `field_fontsize` varchar(10) NOT NULL DEFAULT '1.3em',
  `submit_fontsize` varchar(10) NOT NULL DEFAULT '1.1em',
  `field_bordercolor` varchar(10) NOT NULL DEFAULT '999999',
  `form_borderstyle` varchar(30) NOT NULL DEFAULT 'none',
  `form_bordercolor` varchar(20) NOT NULL DEFAULT '',
  `field_fontcolor` varchar(20) NOT NULL DEFAULT '333333',
  `label_fontcolor` varchar(20) NOT NULL DEFAULT '333333',
  `title_fontcolor` varchar(20) NOT NULL DEFAULT '333333',
  `submit_fontcolor` varchar(20) NOT NULL DEFAULT '333333',
  `form_fontfamily` varchar(150) NOT NULL DEFAULT 'Tahoma, Verdana, Arial',
  `field_backgroundcolor` varchar(20) NOT NULL DEFAULT 'f5f5f5',
  `field_borderstyle` varchar(20) NOT NULL DEFAULT 'solid',
  `form_padding` varchar(20) NOT NULL DEFAULT '8px',
  `form_margin` varchar(20) NOT NULL DEFAULT '7px',
  `title_margin` varchar(20) NOT NULL DEFAULT '4px',
  `label_margin` varchar(20) NOT NULL DEFAULT '6px',
  `textarea_backgroundcolor` varchar(20) NOT NULL DEFAULT 'f5f5f5',
  `success_popover_bordercolor` varchar(20) NOT NULL DEFAULT 'efefef',
  `dropdown_width` varchar(20) NOT NULL DEFAULT 'auto',
  `success_popover_fontsize` varchar(20) NOT NULL DEFAULT '12px',
  `success_popover_title_fontsize` varchar(20) NOT NULL DEFAULT '1.3em',
  `success_popover_height` varchar(20) NOT NULL DEFAULT '200px',
  `success_popover_fontcolor` varchar(20) NOT NULL DEFAULT '333333',
  `success_popover_title_fontcolor` varchar(20) NOT NULL DEFAULT '333333',
  `form_backgroundcolor` varchar(20) NOT NULL DEFAULT 'ffffff',
  `field_borderround` varchar(20) NOT NULL DEFAULT '6px',
  `tooltip_backgroundcolor` varchar(20) NOT NULL DEFAULT '000000',
  `tooltip_fontsize` varchar(20) NOT NULL DEFAULT '12px',
  `tooltip_fontcolor` varchar(20) NOT NULL DEFAULT 'ffffff',
  PRIMARY KEY (`id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_customcontactforms_styles`
--

LOCK TABLES `wp_customcontactforms_styles` WRITE;
/*!40000 ALTER TABLE `wp_customcontactforms_styles` DISABLE KEYS */;
/*!40000 ALTER TABLE `wp_customcontactforms_styles` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_customcontactforms_user_data`
--

DROP TABLE IF EXISTS `wp_customcontactforms_user_data`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_customcontactforms_user_data` (
  `id` int(11) NOT NULL AUTO_INCREMENT,
  `data_time` int(11) NOT NULL DEFAULT '0',
  `data_formid` int(11) NOT NULL,
  `data_formpage` varchar(250) NOT NULL,
  `data_value` longtext NOT NULL,
  PRIMARY KEY (`id`)
) ENGINE=MyISAM AUTO_INCREMENT=91 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_customcontactforms_user_data`
--

LOCK TABLES `wp_customcontactforms_user_data` WRITE;
/*!40000 ALTER TABLE `wp_customcontactforms_user_data` DISABLE KEYS */;
INSERT INTO `wp_customcontactforms_user_data` VALUES (1,1333458897,1,'catalog.org.uk/test/','s:10:\"fixedEmail\";s:21:\"hello@emmaleach.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(2,1338756500,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:19:\"9voltjohn@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(3,1338810715,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:21:\"goodgreyday@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(4,1339016706,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:17:\"hen@roeders.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(5,1339332365,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:22:\"mattcarter86@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(6,1339449785,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:19:\"matjenner@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(7,1339961144,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:26:\"parry.fiona@googlemail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(8,1342474197,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:23:\"hello@lesleysharpe.info\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(9,1342476758,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:31:\"Judith.carlton@mattsgallery.org\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(10,1342477041,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:24:\"rosannagreaves@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(11,1342477353,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:26:\"melanie@melaniejackson.net\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(12,1342477795,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:26:\"hannahliley@googlemail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(13,1342478396,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:27:\"Christinedotscott@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(14,1342481296,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:27:\"coxesorangepippin@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(15,1342504833,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:25:\"Florahrobertson@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(16,1342506400,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:23:\"maxjohnporter@gmail.com\";s:17:\"subscribe_catalog\";s:2:\"No\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(17,1342506515,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:22:\"Mike@mikenelson.org.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(18,1342507011,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:30:\"carolyn@experimentaldogs.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(19,1342508110,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:36:\"jordanbaseman@experimentaldogs.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(20,1342509796,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:24:\"simon.vincenzi@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(21,1342513616,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:27:\"katherinehunt@hotmail.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(22,1342515422,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:22:\"cheryl@artsadmin.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(23,1342516623,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:34:\"emilybutler@whitechapelgallery.org\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(24,1342519354,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:16:\"Scott@pdbq.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(25,1342524582,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:22:\"marine@artsadmin.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(26,1342528538,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:32:\"sabine.unamun@artscouncil.org.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(27,1342531638,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:25:\"sparklyfish61@hotmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(28,1342544905,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:24:\"duncan@shotgunsounds.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(29,1342545491,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:18:\"roy.voss@uwe.ac.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(30,1342619787,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:24:\"sarahblaszczok@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(31,1342622988,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:27:\"christinedotscott@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(32,1342773395,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:23:\"a_ohanlon@hotmail.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(33,1343834472,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:21:\"marruairi@hotmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(34,1344012221,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:28:\"katy.fitzpatrick@tate.org.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(35,1347380528,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:23:\"onlytheory@ntlworld.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(36,1349684971,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:16:\"oli@zilla.org.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(37,1350220526,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:19:\"jararocha@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(38,1351529793,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:18:\"holly@artlicks.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(39,1352315941,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:24:\"liz.helman@dsl.pipex.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(40,1352853499,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:23:\"Studio@taralangford.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(41,1359024833,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:18:\"kimsukie@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(42,1361925861,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:18:\"Mail@tether.org.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(43,1363884537,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:23:\"eiraszadurski@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(44,1363884814,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:20:\"zoeanspach@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(45,1365950687,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:20:\"simon@measure.org.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(46,1367224333,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:23:\"francis@cca-glasgow.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(47,1369762307,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:29:\"hannah.dodwell@doctors.net.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(48,1371808055,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:19:\"a.lucas@clara.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(49,1372683540,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:26:\"natasha_rees@hotmail.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(50,1376238676,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:20:\"mari@protocinema.org\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(51,1378386611,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:28:\"johncorneliusryan@eircom.net\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(52,1378995850,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:18:\"janined8@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(53,1380795002,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:19:\"ozgeersoy@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(54,1381325279,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:18:\"niwaanna@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(55,1381343754,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:19:\"ozgeersoy@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(56,1381921853,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:22:\"merveelveren@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(57,1383226239,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:21:\"hello@mollypalmer.net\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(58,1384625071,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:20:\"c.nichols@arts.ac.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(59,1387022141,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:15:\"cj@cjmahony.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(60,1389007436,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:22:\"ivonoates@talktalk.net\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(61,1391785388,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:19:\"lara.ogel@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(62,1392635744,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:22:\"lisa.wilkens@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(63,1394988803,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:32:\"klarge@zabludowiczcollection.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(64,1394988816,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:24:\"kellylarge@hotmail.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(65,1396952952,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:26:\"eastop.sam1@googlemail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(66,1397143229,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:24:\"marianne@marianneryan.eu\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(67,1397477003,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:19:\"msundram@ucu.org.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(68,1397492432,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:25:\"c.fitzpatrick@yahoo.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(69,1398245301,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:21:\"steve@artsadmin.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:2:\"No\";'),(70,1398263978,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:31:\"deb.verhoff@watermillcenter.org\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(71,1398608985,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:23:\"joanna@joannakidney.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(72,1401872019,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:34:\"poppybowers@whitechapelgallery.org\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(73,1408200084,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:24:\"burningthework@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(74,1409228537,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:28:\"georgina.kennedy@tate.org.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(75,1411840255,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:22:\"Huren.marsh3@which.net\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(76,1418644535,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:21:\"stinehebert@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(77,1420294778,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:19:\"igeorge13@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(78,1424524375,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:21:\"Louiseohare@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(79,1448055663,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:20:\"matt@mattfratson.com\";s:17:\"subscribe_catalog\";s:2:\"No\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(80,1453380107,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:42:\"isabella.panattoni-wallace@courtauld.ac.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(81,1454412679,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:30:\"hymie@eastlondonarttours.co.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(82,1454441528,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:27:\"matthew.giraudeau@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(83,1454602403,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:25:\"sarah.pickering@ucl.ac.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(84,1455527175,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:13:\"sevo@kein.org\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(85,1456136191,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:26:\"hemmo.siponen.15@ucl.ac.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(86,1457698258,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:28:\"jamesravinet@southend.gov.uk\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(87,1458816512,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:22:\"joshuaybarbo@gmail.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(88,1459979548,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:30:\"magali@archipelagoprojects.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(89,1460544184,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:30:\"magali@archipelagoprojects.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";'),(90,1460636008,1,'catalog.org.uk/communicate/','s:10:\"fixedEmail\";s:17:\"saya_sr@yahoo.com\";s:17:\"subscribe_catalog\";s:3:\"Yes\";s:37:\"subscribe_weinterruptthistransmission\";s:3:\"Yes\";');
/*!40000 ALTER TABLE `wp_customcontactforms_user_data` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_links`
--

DROP TABLE IF EXISTS `wp_links`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_links` (
  `link_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `link_url` varchar(255) NOT NULL DEFAULT '',
  `link_name` varchar(255) NOT NULL DEFAULT '',
  `link_image` varchar(255) NOT NULL DEFAULT '',
  `link_target` varchar(25) NOT NULL DEFAULT '',
  `link_description` varchar(255) NOT NULL DEFAULT '',
  `link_visible` varchar(20) NOT NULL DEFAULT 'Y',
  `link_owner` bigint(20) unsigned NOT NULL DEFAULT '1',
  `link_rating` int(11) NOT NULL DEFAULT '0',
  `link_updated` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `link_rel` varchar(255) NOT NULL DEFAULT '',
  `link_notes` mediumtext NOT NULL,
  `link_rss` varchar(255) NOT NULL DEFAULT '',
  PRIMARY KEY (`link_id`),
  KEY `link_visible` (`link_visible`)
) ENGINE=MyISAM AUTO_INCREMENT=8 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_links`
--

LOCK TABLES `wp_links` WRITE;
/*!40000 ALTER TABLE `wp_links` DISABLE KEYS */;
INSERT INTO `wp_links` VALUES (1,'http://codex.wordpress.org/','Documentation','','','','Y',1,0,'0000-00-00 00:00:00','','',''),(2,'http://wordpress.org/news/','WordPress Blog','','','','Y',1,0,'0000-00-00 00:00:00','','','http://wordpress.org/news/feed/'),(3,'http://wordpress.org/extend/ideas/','Suggest Ideas','','','','Y',1,0,'0000-00-00 00:00:00','','',''),(4,'http://wordpress.org/support/','Support Forum','','','','Y',1,0,'0000-00-00 00:00:00','','',''),(5,'http://wordpress.org/extend/plugins/','Plugins','','','','Y',1,0,'0000-00-00 00:00:00','','',''),(6,'http://wordpress.org/extend/themes/','Themes','','','','Y',1,0,'0000-00-00 00:00:00','','',''),(7,'http://planet.wordpress.org/','WordPress Planet','','','','Y',1,0,'0000-00-00 00:00:00','','','');
/*!40000 ALTER TABLE `wp_links` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_options`
--

DROP TABLE IF EXISTS `wp_options`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_options` (
  `option_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `blog_id` int(11) NOT NULL DEFAULT '0',
  `option_name` varchar(64) NOT NULL DEFAULT '',
  `option_value` longtext NOT NULL,
  `autoload` varchar(20) NOT NULL DEFAULT 'yes',
  PRIMARY KEY (`option_id`),
  UNIQUE KEY `option_name` (`option_name`)
) ENGINE=MyISAM AUTO_INCREMENT=10334 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_options`
--

LOCK TABLES `wp_options` WRITE;
/*!40000 ALTER TABLE `wp_options` DISABLE KEYS */;
INSERT INTO `wp_options` VALUES (1,0,'siteurl','http://catalog.org.uk','yes'),(2,0,'blogname','CATALOG','yes'),(3,0,'blogdescription','access to tools','yes'),(4,0,'users_can_register','0','yes'),(5,0,'admin_email','oli@zilla.org.uk','yes'),(6,0,'start_of_week','1','yes'),(7,0,'use_balanceTags','0','yes'),(8,0,'use_smilies','1','yes'),(9,0,'require_name_email','1','yes'),(10,0,'comments_notify','1','yes'),(11,0,'posts_per_rss','10','yes'),(12,0,'rss_use_excerpt','0','yes'),(13,0,'mailserver_url','mail.example.com','yes'),(14,0,'mailserver_login','login@example.com','yes'),(15,0,'mailserver_pass','password','yes'),(16,0,'mailserver_port','110','yes'),(17,0,'default_category','1','yes'),(18,0,'default_comment_status','closed','yes'),(19,0,'default_ping_status','closed','yes'),(20,0,'default_pingback_flag','','yes'),(21,0,'default_post_edit_rows','20','yes'),(22,0,'posts_per_page','10','yes'),(23,0,'date_format','F j, Y','yes'),(24,0,'time_format','g:i a','yes'),(25,0,'links_updated_date_format','F j, Y g:i a','yes'),(26,0,'links_recently_updated_prepend','<em>','yes'),(27,0,'links_recently_updated_append','</em>','yes'),(28,0,'links_recently_updated_time','120','yes'),(29,0,'comment_moderation','','yes'),(30,0,'moderation_notify','1','yes'),(31,0,'permalink_structure','/%postname%/','yes'),(32,0,'gzipcompression','0','yes'),(33,0,'hack_file','0','yes'),(34,0,'blog_charset','UTF-8','yes'),(35,0,'moderation_keys','','no'),(36,0,'active_plugins','a:2:{i:0;s:45:\"custom-contact-forms/custom-contact-forms.php\";i:1;s:24:\"wordpress-seo/wp-seo.php\";}','yes'),(37,0,'home','http://catalog.org.uk','yes'),(38,0,'category_base','','yes'),(39,0,'ping_sites','http://rpc.pingomatic.com/','yes'),(40,0,'advanced_edit','0','yes'),(41,0,'comment_max_links','2','yes'),(42,0,'gmt_offset','0','yes'),(43,0,'default_email_category','1','yes'),(44,0,'recently_edited','a:5:{i:0;s:62:\"/var/www/catalog/docroot/wp-content/themes/catalog-1/style.css\";i:2;s:60:\"/var/www/catalog/docroot/wp-content/themes/catalog-1/rtl.css\";i:3;s:64:\"/var/www/catalog/docroot/wp-content/themes/catalog-1/content.php\";i:4;s:71:\"/var/www/catalog/docroot/wp-content/themes/catalog-1/content-single.php\";i:5;s:69:\"/var/www/catalog/docroot/wp-content/themes/catalog-1/content-page.php\";}','no'),(45,0,'template','catalog-1','yes'),(46,0,'stylesheet','catalog-1','yes'),(47,0,'comment_whitelist','1','yes'),(48,0,'blacklist_keys','','no'),(49,0,'comment_registration','','yes'),(50,0,'rss_language','en','yes'),(51,0,'html_type','text/html','yes'),(52,0,'use_trackback','0','yes'),(53,0,'default_role','subscriber','yes'),(54,0,'db_version','17056','yes'),(55,0,'uploads_use_yearmonth_folders','1','yes'),(56,0,'upload_path','','yes'),(57,0,'blog_public','1','yes'),(58,0,'default_link_category','2','yes'),(59,0,'show_on_front','page','yes'),(60,0,'tag_base','','yes'),(61,0,'show_avatars','1','yes'),(62,0,'avatar_rating','G','yes'),(63,0,'upload_url_path','','yes'),(64,0,'thumbnail_size_w','150','yes'),(65,0,'thumbnail_size_h','150','yes'),(66,0,'thumbnail_crop','1','yes'),(67,0,'medium_size_w','300','yes'),(68,0,'medium_size_h','300','yes'),(69,0,'avatar_default','mystery','yes'),(70,0,'enable_app','0','yes'),(71,0,'enable_xmlrpc','0','yes'),(72,0,'large_size_w','1024','yes'),(73,0,'large_size_h','1024','yes'),(74,0,'image_default_link_type','file','yes'),(75,0,'image_default_size','','yes'),(76,0,'image_default_align','','yes'),(77,0,'close_comments_for_old_posts','','yes'),(78,0,'close_comments_days_old','14','yes'),(79,0,'thread_comments','1','yes'),(80,0,'thread_comments_depth','5','yes'),(81,0,'page_comments','','yes'),(82,0,'comments_per_page','50','yes'),(83,0,'default_comments_page','newest','yes'),(84,0,'comment_order','asc','yes'),(85,0,'sticky_posts','a:0:{}','yes'),(86,0,'widget_categories','a:2:{i:2;a:4:{s:5:\"title\";s:0:\"\";s:5:\"count\";i:0;s:12:\"hierarchical\";i:0;s:8:\"dropdown\";i:0;}s:12:\"_multiwidget\";i:1;}','yes'),(87,0,'widget_text','a:2:{i:2;a:0:{}s:12:\"_multiwidget\";i:1;}','yes'),(88,0,'widget_rss','a:2:{i:2;a:0:{}s:12:\"_multiwidget\";i:1;}','yes'),(89,0,'timezone_string','','yes'),(90,0,'embed_autourls','1','yes'),(91,0,'embed_size_w','','yes'),(92,0,'embed_size_h','600','yes'),(93,0,'page_for_posts','0','yes'),(94,0,'page_on_front','2','yes'),(95,0,'default_post_format','0','yes'),(96,0,'wp_user_roles','a:5:{s:13:\"administrator\";a:2:{s:4:\"name\";s:13:\"Administrator\";s:12:\"capabilities\";a:62:{s:13:\"switch_themes\";b:1;s:11:\"edit_themes\";b:1;s:16:\"activate_plugins\";b:1;s:12:\"edit_plugins\";b:1;s:10:\"edit_users\";b:1;s:10:\"edit_files\";b:1;s:14:\"manage_options\";b:1;s:17:\"moderate_comments\";b:1;s:17:\"manage_categories\";b:1;s:12:\"manage_links\";b:1;s:12:\"upload_files\";b:1;s:6:\"import\";b:1;s:15:\"unfiltered_html\";b:1;s:10:\"edit_posts\";b:1;s:17:\"edit_others_posts\";b:1;s:20:\"edit_published_posts\";b:1;s:13:\"publish_posts\";b:1;s:10:\"edit_pages\";b:1;s:4:\"read\";b:1;s:8:\"level_10\";b:1;s:7:\"level_9\";b:1;s:7:\"level_8\";b:1;s:7:\"level_7\";b:1;s:7:\"level_6\";b:1;s:7:\"level_5\";b:1;s:7:\"level_4\";b:1;s:7:\"level_3\";b:1;s:7:\"level_2\";b:1;s:7:\"level_1\";b:1;s:7:\"level_0\";b:1;s:17:\"edit_others_pages\";b:1;s:20:\"edit_published_pages\";b:1;s:13:\"publish_pages\";b:1;s:12:\"delete_pages\";b:1;s:19:\"delete_others_pages\";b:1;s:22:\"delete_published_pages\";b:1;s:12:\"delete_posts\";b:1;s:19:\"delete_others_posts\";b:1;s:22:\"delete_published_posts\";b:1;s:20:\"delete_private_posts\";b:1;s:18:\"edit_private_posts\";b:1;s:18:\"read_private_posts\";b:1;s:20:\"delete_private_pages\";b:1;s:18:\"edit_private_pages\";b:1;s:18:\"read_private_pages\";b:1;s:12:\"delete_users\";b:1;s:12:\"create_users\";b:1;s:17:\"unfiltered_upload\";b:1;s:14:\"edit_dashboard\";b:1;s:14:\"update_plugins\";b:1;s:14:\"delete_plugins\";b:1;s:15:\"install_plugins\";b:1;s:13:\"update_themes\";b:1;s:14:\"install_themes\";b:1;s:11:\"update_core\";b:1;s:10:\"list_users\";b:1;s:12:\"remove_users\";b:1;s:9:\"add_users\";b:1;s:13:\"promote_users\";b:1;s:18:\"edit_theme_options\";b:1;s:13:\"delete_themes\";b:1;s:6:\"export\";b:1;}}s:6:\"editor\";a:2:{s:4:\"name\";s:6:\"Editor\";s:12:\"capabilities\";a:34:{s:17:\"moderate_comments\";b:1;s:17:\"manage_categories\";b:1;s:12:\"manage_links\";b:1;s:12:\"upload_files\";b:1;s:15:\"unfiltered_html\";b:1;s:10:\"edit_posts\";b:1;s:17:\"edit_others_posts\";b:1;s:20:\"edit_published_posts\";b:1;s:13:\"publish_posts\";b:1;s:10:\"edit_pages\";b:1;s:4:\"read\";b:1;s:7:\"level_7\";b:1;s:7:\"level_6\";b:1;s:7:\"level_5\";b:1;s:7:\"level_4\";b:1;s:7:\"level_3\";b:1;s:7:\"level_2\";b:1;s:7:\"level_1\";b:1;s:7:\"level_0\";b:1;s:17:\"edit_others_pages\";b:1;s:20:\"edit_published_pages\";b:1;s:13:\"publish_pages\";b:1;s:12:\"delete_pages\";b:1;s:19:\"delete_others_pages\";b:1;s:22:\"delete_published_pages\";b:1;s:12:\"delete_posts\";b:1;s:19:\"delete_others_posts\";b:1;s:22:\"delete_published_posts\";b:1;s:20:\"delete_private_posts\";b:1;s:18:\"edit_private_posts\";b:1;s:18:\"read_private_posts\";b:1;s:20:\"delete_private_pages\";b:1;s:18:\"edit_private_pages\";b:1;s:18:\"read_private_pages\";b:1;}}s:6:\"author\";a:2:{s:4:\"name\";s:6:\"Author\";s:12:\"capabilities\";a:10:{s:12:\"upload_files\";b:1;s:10:\"edit_posts\";b:1;s:20:\"edit_published_posts\";b:1;s:13:\"publish_posts\";b:1;s:4:\"read\";b:1;s:7:\"level_2\";b:1;s:7:\"level_1\";b:1;s:7:\"level_0\";b:1;s:12:\"delete_posts\";b:1;s:22:\"delete_published_posts\";b:1;}}s:11:\"contributor\";a:2:{s:4:\"name\";s:11:\"Contributor\";s:12:\"capabilities\";a:5:{s:10:\"edit_posts\";b:1;s:4:\"read\";b:1;s:7:\"level_1\";b:1;s:7:\"level_0\";b:1;s:12:\"delete_posts\";b:1;}}s:10:\"subscriber\";a:2:{s:4:\"name\";s:10:\"Subscriber\";s:12:\"capabilities\";a:2:{s:4:\"read\";b:1;s:7:\"level_0\";b:1;}}}','yes'),(97,0,'widget_search','a:2:{i:2;a:1:{s:5:\"title\";s:0:\"\";}s:12:\"_multiwidget\";i:1;}','yes'),(98,0,'widget_recent-posts','a:2:{i:2;a:2:{s:5:\"title\";s:0:\"\";s:6:\"number\";i:5;}s:12:\"_multiwidget\";i:1;}','yes'),(99,0,'widget_recent-comments','a:2:{i:2;a:2:{s:5:\"title\";s:0:\"\";s:6:\"number\";i:5;}s:12:\"_multiwidget\";i:1;}','yes'),(100,0,'widget_archives','a:2:{i:2;a:3:{s:5:\"title\";s:0:\"\";s:5:\"count\";i:0;s:8:\"dropdown\";i:0;}s:12:\"_multiwidget\";i:1;}','yes'),(101,0,'widget_meta','a:2:{i:2;a:1:{s:5:\"title\";s:0:\"\";}s:12:\"_multiwidget\";i:1;}','yes'),(102,0,'sidebars_widgets','a:2:{s:19:\"wp_inactive_widgets\";a:13:{i:0;s:7:\"pages-2\";i:1;s:10:\"calendar-2\";i:2;s:7:\"links-2\";i:3;s:6:\"text-2\";i:4;s:5:\"rss-2\";i:5;s:11:\"tag_cloud-2\";i:6;s:10:\"nav_menu-2\";i:7;s:8:\"search-2\";i:8;s:14:\"recent-posts-2\";i:9;s:17:\"recent-comments-2\";i:10;s:10:\"archives-2\";i:11;s:12:\"categories-2\";i:12;s:6:\"meta-2\";}s:13:\"array_version\";i:3;}','yes'),(103,0,'cron','a:3:{i:1461440652;a:3:{s:16:\"wp_version_check\";a:1:{s:32:\"40cd750bba9870f18aada2478b24840a\";a:3:{s:8:\"schedule\";s:10:\"twicedaily\";s:4:\"args\";a:0:{}s:8:\"interval\";i:43200;}}s:17:\"wp_update_plugins\";a:1:{s:32:\"40cd750bba9870f18aada2478b24840a\";a:3:{s:8:\"schedule\";s:10:\"twicedaily\";s:4:\"args\";a:0:{}s:8:\"interval\";i:43200;}}s:16:\"wp_update_themes\";a:1:{s:32:\"40cd750bba9870f18aada2478b24840a\";a:3:{s:8:\"schedule\";s:10:\"twicedaily\";s:4:\"args\";a:0:{}s:8:\"interval\";i:43200;}}}i:1461440657;a:1:{s:19:\"wp_scheduled_delete\";a:1:{s:32:\"40cd750bba9870f18aada2478b24840a\";a:3:{s:8:\"schedule\";s:5:\"daily\";s:4:\"args\";a:0:{}s:8:\"interval\";i:86400;}}}s:7:\"version\";i:2;}','yes'),(104,0,'_transient_doing_cron','1461398136','yes'),(105,0,'_site_transient_update_core','O:8:\"stdClass\":3:{s:7:\"updates\";a:1:{i:0;O:8:\"stdClass\":7:{s:8:\"response\";s:7:\"upgrade\";s:3:\"url\";s:31:\"https://wordpress.org/download/\";s:7:\"package\";s:56:\"http://downloads.wordpress.org/release/wordpress-4.5.zip\";s:7:\"current\";s:3:\"4.5\";s:6:\"locale\";s:5:\"en_US\";s:11:\"php_version\";s:5:\"5.2.4\";s:13:\"mysql_version\";s:3:\"5.0\";}}s:12:\"last_checked\";i:1461398136;s:15:\"version_checked\";s:3:\"3.1\";}','yes'),(1932,0,'_site_transient_update_plugins','O:8:\"stdClass\":3:{s:12:\"last_checked\";i:1461398136;s:7:\"checked\";a:4:{s:19:\"akismet/akismet.php\";s:5:\"2.5.3\";s:45:\"custom-contact-forms/custom-contact-forms.php\";s:7:\"5.0.0.1\";s:9:\"hello.php\";s:3:\"1.6\";s:24:\"wordpress-seo/wp-seo.php\";s:5:\"1.1.5\";}s:8:\"response\";a:0:{}}','yes'),(109,0,'_site_transient_update_themes','O:8:\"stdClass\":1:{s:12:\"last_checked\";i:1461398137;}','yes'),(110,0,'_transient_random_seed','0485f3b962dda7627ec7fa05a4a75669','yes'),(111,0,'auth_salt','HAk=Zp/6}u7WAiSux5zd!@aTz7G^wbP+pt3qO?vz**l=F*Ap|jaA:u{~ISV3>YAb','yes'),(112,0,'logged_in_salt','|B$nH`8yuh!21,kOd^;m-*CvVj|^QKkI{PXt*lO0  mvcDc@UFXT:-peb&pGf68A','yes'),(113,0,'widget_pages','a:2:{i:2;a:0:{}s:12:\"_multiwidget\";i:1;}','yes'),(114,0,'widget_calendar','a:2:{i:2;a:0:{}s:12:\"_multiwidget\";i:1;}','yes'),(115,0,'widget_links','a:2:{i:2;a:0:{}s:12:\"_multiwidget\";i:1;}','yes'),(116,0,'widget_tag_cloud','a:2:{i:2;a:0:{}s:12:\"_multiwidget\";i:1;}','yes'),(117,0,'widget_nav_menu','a:2:{i:2;a:0:{}s:12:\"_multiwidget\";i:1;}','yes'),(118,0,'dashboard_widget_options','a:4:{s:25:\"dashboard_recent_comments\";a:1:{s:5:\"items\";i:5;}s:24:\"dashboard_incoming_links\";a:5:{s:4:\"home\";s:21:\"http://catalog.org.uk\";s:4:\"link\";s:97:\"http://blogsearch.google.com/blogsearch?scoring=d&partner=wordpress&q=link:http://catalog.org.uk/\";s:3:\"url\";s:130:\"http://blogsearch.google.com/blogsearch_feeds?scoring=d&ie=utf-8&num=10&output=rss&partner=wordpress&q=link:http://catalog.org.uk/\";s:5:\"items\";i:10;s:9:\"show_date\";b:0;}s:17:\"dashboard_primary\";a:7:{s:4:\"link\";s:26:\"http://wordpress.org/news/\";s:3:\"url\";s:31:\"http://wordpress.org/news/feed/\";s:5:\"title\";s:14:\"WordPress Blog\";s:5:\"items\";i:2;s:12:\"show_summary\";i:1;s:11:\"show_author\";i:0;s:9:\"show_date\";i:1;}s:19:\"dashboard_secondary\";a:7:{s:4:\"link\";s:28:\"http://planet.wordpress.org/\";s:3:\"url\";s:33:\"http://planet.wordpress.org/feed/\";s:5:\"title\";s:20:\"Other WordPress News\";s:5:\"items\";i:5;s:12:\"show_summary\";i:0;s:11:\"show_author\";i:0;s:9:\"show_date\";i:0;}}','yes'),(119,0,'nonce_salt','&p|~]2-=6PX;Jj#iR!W1P(ez3aKM_AFt0)i+w0H=jEvL|3KesL!_#|P_Je*RKu,{','yes'),(227,0,'current_theme','Catalog 1','yes'),(121,0,'can_compress_scripts','1','yes'),(158,0,'_transient_timeout_feed_mod_3300e117382e9f25040bda3e732dde55','1298863185','no'),(159,0,'_transient_feed_mod_3300e117382e9f25040bda3e732dde55','1298819985','no'),(156,0,'_transient_timeout_feed_3300e117382e9f25040bda3e732dde55','1298863185','no'),(157,0,'_transient_feed_3300e117382e9f25040bda3e732dde55','a:4:{s:5:\"child\";a:1:{s:0:\"\";a:1:{s:3:\"rss\";a:1:{i:0;a:6:{s:4:\"data\";s:1:\"\n\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:7:\"version\";s:3:\"2.0\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:1:{s:7:\"channel\";a:1:{i:0;a:6:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:3:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:47:\"link:http://catalog.org.uk/ - Google Blog Search\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"http://blogsearch.google.com/blogsearch?scoring=d&ie=ISO-8859-1&num=10&q=link:http://catalog.org.uk/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:81:\"Your search - <b>link:http://catalog.org.uk/</b> - did not match any documents.   \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://a9.com/-/spec/opensearch/1.1/\";a:3:{s:12:\"totalResults\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:10:\"startIndex\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:12:\"itemsPerPage\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"10\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}}}}s:4:\"type\";i:128;s:7:\"headers\";a:9:{s:4:\"date\";s:29:\"Sun, 27 Feb 2011 15:19:45 GMT\";s:6:\"pragma\";s:8:\"no-cache\";s:7:\"expires\";s:29:\"Fri, 01 Jan 1990 00:00:00 GMT\";s:13:\"cache-control\";s:25:\"no-cache, must-revalidate\";s:12:\"content-type\";s:23:\"text/xml; charset=UTF-8\";s:10:\"set-cookie\";s:138:\"PREF=ID=2603a00e823e21cc:TM=1298819985:LM=1298819985:S=_Z7TjMTRteLNoww2; expires=Tue, 26-Feb-2013 15:19:45 GMT; path=/; domain=.google.com\";s:22:\"x-content-type-options\";s:7:\"nosniff\";s:6:\"server\";s:4:\"bsfe\";s:16:\"x-xss-protection\";s:13:\"1; mode=block\";}s:5:\"build\";s:14:\"20090627192103\";}','no'),(728,0,'recently_activated','a:0:{}','yes'),(1928,0,'_site_transient_timeout_poptags_40cd750bba9870f18aada2478b24840a','1333457978','yes'),(1929,0,'_site_transient_poptags_40cd750bba9870f18aada2478b24840a','a:40:{s:6:\"widget\";a:3:{s:4:\"name\";s:6:\"widget\";s:4:\"slug\";s:6:\"widget\";s:5:\"count\";s:4:\"2477\";}s:4:\"post\";a:3:{s:4:\"name\";s:4:\"Post\";s:4:\"slug\";s:4:\"post\";s:5:\"count\";s:4:\"1672\";}s:6:\"plugin\";a:3:{s:4:\"name\";s:6:\"plugin\";s:4:\"slug\";s:6:\"plugin\";s:5:\"count\";s:4:\"1488\";}s:5:\"posts\";a:3:{s:4:\"name\";s:5:\"posts\";s:4:\"slug\";s:5:\"posts\";s:5:\"count\";s:4:\"1249\";}s:5:\"admin\";a:3:{s:4:\"name\";s:5:\"admin\";s:4:\"slug\";s:5:\"admin\";s:5:\"count\";s:4:\"1237\";}s:7:\"sidebar\";a:3:{s:4:\"name\";s:7:\"sidebar\";s:4:\"slug\";s:7:\"sidebar\";s:5:\"count\";s:4:\"1202\";}s:8:\"comments\";a:3:{s:4:\"name\";s:8:\"comments\";s:4:\"slug\";s:8:\"comments\";s:5:\"count\";s:3:\"881\";}s:6:\"images\";a:3:{s:4:\"name\";s:6:\"images\";s:4:\"slug\";s:6:\"images\";s:5:\"count\";s:3:\"809\";}s:7:\"twitter\";a:3:{s:4:\"name\";s:7:\"twitter\";s:4:\"slug\";s:7:\"twitter\";s:5:\"count\";s:3:\"778\";}s:4:\"page\";a:3:{s:4:\"name\";s:4:\"page\";s:4:\"slug\";s:4:\"page\";s:5:\"count\";s:3:\"758\";}s:6:\"google\";a:3:{s:4:\"name\";s:6:\"google\";s:4:\"slug\";s:6:\"google\";s:5:\"count\";s:3:\"739\";}s:5:\"links\";a:3:{s:4:\"name\";s:5:\"links\";s:4:\"slug\";s:5:\"links\";s:5:\"count\";s:3:\"686\";}s:5:\"image\";a:3:{s:4:\"name\";s:5:\"image\";s:4:\"slug\";s:5:\"image\";s:5:\"count\";s:3:\"675\";}s:3:\"seo\";a:3:{s:4:\"name\";s:3:\"seo\";s:4:\"slug\";s:3:\"seo\";s:5:\"count\";s:3:\"600\";}s:3:\"rss\";a:3:{s:4:\"name\";s:3:\"rss\";s:4:\"slug\";s:3:\"rss\";s:5:\"count\";s:3:\"530\";}s:7:\"gallery\";a:3:{s:4:\"name\";s:7:\"gallery\";s:4:\"slug\";s:7:\"gallery\";s:5:\"count\";s:3:\"517\";}s:7:\"widgets\";a:3:{s:4:\"name\";s:7:\"widgets\";s:4:\"slug\";s:7:\"widgets\";s:5:\"count\";s:3:\"445\";}s:5:\"pages\";a:3:{s:4:\"name\";s:5:\"pages\";s:4:\"slug\";s:5:\"pages\";s:5:\"count\";s:3:\"443\";}s:4:\"ajax\";a:3:{s:4:\"name\";s:4:\"AJAX\";s:4:\"slug\";s:4:\"ajax\";s:5:\"count\";s:3:\"439\";}s:9:\"wordpress\";a:3:{s:4:\"name\";s:9:\"wordpress\";s:4:\"slug\";s:9:\"wordpress\";s:5:\"count\";s:3:\"430\";}s:8:\"facebook\";a:3:{s:4:\"name\";s:8:\"Facebook\";s:4:\"slug\";s:8:\"facebook\";s:5:\"count\";s:3:\"428\";}s:6:\"social\";a:3:{s:4:\"name\";s:6:\"social\";s:4:\"slug\";s:6:\"social\";s:5:\"count\";s:3:\"400\";}s:9:\"shortcode\";a:3:{s:4:\"name\";s:9:\"shortcode\";s:4:\"slug\";s:9:\"shortcode\";s:5:\"count\";s:3:\"389\";}s:6:\"jquery\";a:3:{s:4:\"name\";s:6:\"jquery\";s:4:\"slug\";s:6:\"jquery\";s:5:\"count\";s:3:\"379\";}s:10:\"javascript\";a:3:{s:4:\"name\";s:10:\"javascript\";s:4:\"slug\";s:10:\"javascript\";s:5:\"count\";s:3:\"373\";}s:4:\"feed\";a:3:{s:4:\"name\";s:4:\"feed\";s:4:\"slug\";s:4:\"feed\";s:5:\"count\";s:3:\"355\";}s:10:\"buddypress\";a:3:{s:4:\"name\";s:10:\"buddypress\";s:4:\"slug\";s:10:\"buddypress\";s:5:\"count\";s:3:\"354\";}s:5:\"photo\";a:3:{s:4:\"name\";s:5:\"photo\";s:4:\"slug\";s:5:\"photo\";s:5:\"count\";s:3:\"354\";}s:5:\"video\";a:3:{s:4:\"name\";s:5:\"video\";s:4:\"slug\";s:5:\"video\";s:5:\"count\";s:3:\"350\";}s:5:\"email\";a:3:{s:4:\"name\";s:5:\"email\";s:4:\"slug\";s:5:\"email\";s:5:\"count\";s:3:\"345\";}s:5:\"media\";a:3:{s:4:\"name\";s:5:\"media\";s:4:\"slug\";s:5:\"media\";s:5:\"count\";s:3:\"345\";}s:6:\"photos\";a:3:{s:4:\"name\";s:6:\"photos\";s:4:\"slug\";s:6:\"photos\";s:5:\"count\";s:3:\"340\";}s:5:\"flash\";a:3:{s:4:\"name\";s:5:\"flash\";s:4:\"slug\";s:5:\"flash\";s:5:\"count\";s:3:\"328\";}s:4:\"tags\";a:3:{s:4:\"name\";s:4:\"tags\";s:4:\"slug\";s:4:\"tags\";s:5:\"count\";s:3:\"318\";}s:5:\"stats\";a:3:{s:4:\"name\";s:5:\"stats\";s:4:\"slug\";s:5:\"stats\";s:5:\"count\";s:3:\"312\";}s:4:\"link\";a:3:{s:4:\"name\";s:4:\"link\";s:4:\"slug\";s:4:\"link\";s:5:\"count\";s:3:\"309\";}s:7:\"content\";a:3:{s:4:\"name\";s:7:\"content\";s:4:\"slug\";s:7:\"content\";s:5:\"count\";s:3:\"301\";}s:8:\"category\";a:3:{s:4:\"name\";s:8:\"category\";s:4:\"slug\";s:8:\"category\";s:5:\"count\";s:3:\"289\";}s:7:\"comment\";a:3:{s:4:\"name\";s:7:\"comment\";s:4:\"slug\";s:7:\"comment\";s:5:\"count\";s:3:\"289\";}s:4:\"spam\";a:3:{s:4:\"name\";s:4:\"spam\";s:4:\"slug\";s:4:\"spam\";s:5:\"count\";s:3:\"283\";}}','yes'),(10231,0,'_transient_timeout_plugin_slugs','1459428776','no'),(10232,0,'_transient_plugin_slugs','a:4:{i:0;s:19:\"akismet/akismet.php\";i:1;s:45:\"custom-contact-forms/custom-contact-forms.php\";i:2;s:9:\"hello.php\";i:3;s:24:\"wordpress-seo/wp-seo.php\";}','no'),(6528,0,'_site_transient_timeout_wporg_theme_feature_list','1393358813','yes'),(6529,0,'_site_transient_wporg_theme_feature_list','a:5:{s:6:\"Colors\";a:15:{i:0;s:5:\"black\";i:1;s:4:\"blue\";i:2;s:5:\"brown\";i:3;s:4:\"gray\";i:4;s:5:\"green\";i:5;s:6:\"orange\";i:6;s:4:\"pink\";i:7;s:6:\"purple\";i:8;s:3:\"red\";i:9;s:6:\"silver\";i:10;s:3:\"tan\";i:11;s:5:\"white\";i:12;s:6:\"yellow\";i:13;s:4:\"dark\";i:14;s:5:\"light\";}s:7:\"Columns\";a:6:{i:0;s:10:\"one-column\";i:1;s:11:\"two-columns\";i:2;s:13:\"three-columns\";i:3;s:12:\"four-columns\";i:4;s:12:\"left-sidebar\";i:5;s:13:\"right-sidebar\";}s:8:\"Features\";a:19:{i:1;s:8:\"blavatar\";i:2;s:10:\"buddypress\";i:3;s:17:\"custom-background\";i:4;s:13:\"custom-colors\";i:5;s:13:\"custom-header\";i:6;s:11:\"custom-menu\";i:7;s:12:\"editor-style\";i:8;s:21:\"featured-image-header\";i:9;s:15:\"featured-images\";i:10;s:15:\"flexible-header\";i:11;s:20:\"front-page-post-form\";i:12;s:19:\"full-width-template\";i:13;s:12:\"microformats\";i:14;s:12:\"post-formats\";i:15;s:20:\"rtl-language-support\";i:16;s:11:\"sticky-post\";i:17;s:13:\"theme-options\";i:18;s:17:\"threaded-comments\";i:19;s:17:\"translation-ready\";}s:7:\"Subject\";a:3:{i:0;s:7:\"holiday\";i:1;s:13:\"photoblogging\";i:2;s:8:\"seasonal\";}s:5:\"Width\";a:2:{i:0;s:11:\"fixed-width\";i:1;s:14:\"flexible-width\";}}','yes'),(151,0,'theme_mods_toolbox','a:1:{i:0;b:0;}','yes'),(153,0,'theme_mods_catalog','a:2:{i:0;b:0;s:18:\"nav_menu_locations\";a:1:{s:7:\"primary\";i:3;}}','yes'),(180,0,'nav_menu_options','a:2:{i:0;b:0;s:8:\"auto_add\";a:0:{}}','yes'),(228,0,'theme_mods_catalog-1','a:2:{i:0;b:0;s:18:\"nav_menu_locations\";a:1:{s:7:\"primary\";i:3;}}','yes'),(3344,0,'_transient_timeout_feed_mod_895a6fef0cc57461ead214388fd67e81','1349479190','no'),(3345,0,'_transient_feed_mod_895a6fef0cc57461ead214388fd67e81','1349435990','no'),(1942,0,'customContactFormsAdminOptions','a:32:{s:16:\"show_widget_home\";i:1;s:17:\"show_widget_pages\";i:1;s:19:\"show_widget_singles\";i:1;s:22:\"show_widget_categories\";i:1;s:20:\"show_widget_archives\";i:1;s:16:\"default_to_email\";s:16:\"oli@zilla.org.uk\";s:18:\"default_from_email\";s:16:\"oli@zilla.org.uk\";s:17:\"default_from_name\";s:20:\"Custom Contact Forms\";s:20:\"default_form_subject\";s:37:\"Someone Filled Out Your Contact Form!\";s:21:\"remember_field_values\";i:0;s:22:\"enable_widget_tooltips\";i:1;s:13:\"mail_function\";s:7:\"default\";s:26:\"form_success_message_title\";s:26:\"Successful Form Submission\";s:20:\"form_success_message\";s:69:\"Thank you for filling out our web form. We will get back to you ASAP.\";s:13:\"enable_jquery\";i:1;s:9:\"code_type\";s:5:\"XHTML\";s:20:\"show_install_popover\";i:0;s:22:\"email_form_submissions\";i:1;s:23:\"enable_dashboard_widget\";i:1;s:10:\"admin_ajax\";i:1;s:9:\"smtp_host\";s:0:\"\";s:15:\"smtp_encryption\";s:4:\"none\";s:19:\"smtp_authentication\";i:0;s:13:\"smtp_username\";s:0:\"\";s:13:\"smtp_password\";s:0:\"\";s:9:\"smtp_port\";s:0:\"\";s:25:\"default_form_error_header\";s:36:\"You filled out the form incorrectly.\";s:28:\"default_form_bad_permissions\";s:56:\"You don\'t have the proper permissions to view this form.\";s:26:\"enable_form_access_manager\";i:0;s:16:\"dashboard_access\";i:2;s:24:\"form_page_inclusion_only\";i:0;s:20:\"max_file_upload_size\";i:10;}','yes'),(1943,0,'widget_custom-contact-forms','a:2:{i:2;a:0:{}s:12:\"_multiwidget\";i:1;}','yes'),(1944,0,'_transient_timeout_feed_d92d5700315fd164345ad01a4c9e72fc','1333498869','no'),(1945,0,'_transient_feed_d92d5700315fd164345ad01a4c9e72fc','a:4:{s:5:\"child\";a:1:{s:0:\"\";a:1:{s:3:\"rss\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"\n\n\n\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:7:\"version\";s:3:\"2.0\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:1:{s:7:\"channel\";a:1:{i:0;a:6:{s:4:\"data\";s:62:\"\n	\n	\n	\n	\n	\n	\n	\n	\n	\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n	\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:3:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"Bethesda Web Development, SEO, Google Adwords, and Wordpress Programming » Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:27:\"http://www.taylorlovett.com\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:164:\"Affordable Bethesda Web Development solutions from a native English speaking Washington DC resident; Wordpress blogs, Search Engine Optimization, Adwords, and more.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:13:\"lastBuildDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 03 Apr 2012 03:13:12 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"language\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"en\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"generator\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"http://wordpress.org/?v=3.3.1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"item\";a:14:{i:0;a:6:{s:4:\"data\";s:56:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"Custom Contact Forms 5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:81:\"http://www.taylorlovett.com/custom-contact-forms/custom-contact-forms-5-released/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:90:\"http://www.taylorlovett.com/custom-contact-forms/custom-contact-forms-5-released/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 20 Mar 2012 15:46:47 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:6:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:24:\"Bethesda Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:26:\"Content Management Systems\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:3:\"PHP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:23:\"PHP Wordpress Functions\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:27:\"Washington DC Web Developer\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"http://www.taylorlovett.com/?p=1036\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:363:\"Big news for Custom Contact Forms! After months of developing, we just released version 5. CCF version 5 is going to change the ways you build your forms dramatically. The theme for this new version is improved admin user interface. New Features: Rearrange attached fields with drag-and-drop Rearrange attached field options with drag-and-drop Restyled form [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:614:\"<p>Big news for Custom Contact Forms! After months of developing, we just released version 5. CCF version 5 is going to change the ways you build your forms dramatically. The theme for this new version is improved admin user interface.</p>\n<p><span>New Features:</span></p>\n<ul>\n<li>Rearrange attached fields with drag-and-drop</li>\n<li>Rearrange attached field options with drag-and-drop</li>\n<li>Restyled form and field manager</li>\n<li>Save and delete buttons next to each form, field, field option, and style</li>\n<li>Bugs fixed</li>\n</ul>\n<p>Development will continue on Custom Contact Forms. Stay tuned.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"http://www.taylorlovett.com/custom-contact-forms/custom-contact-forms-5-released/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:50:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"Custom Contact Forms Development Resumes Again\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-4705/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-4705/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 22 Dec 2011 15:13:35 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:4:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:15:\"PHP Programming\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"http://www.taylorlovett.com/?p=1010\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:194:\"Hey guys, after another four month hiatus Custom Contact Form development is resuming. Version 4.7.0.5 will be released in the next couple days which will fix some E_NOTICE PHP bugs. Stay tuned!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:202:\"<p>Hey guys, after another four month hiatus Custom Contact Form development is resuming. Version 4.7.0.5 will be released in the next couple days which will fix some E_NOTICE PHP bugs. Stay tuned!</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-4705/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:62:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:47:\"Custom Contact Forms 4.6.0.1 Fixes Major IE Bug\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"http://www.taylorlovett.com/wordpress-plugins/custom-contact-forms-4-6-0-1-fixes-major-ie-bug/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"http://www.taylorlovett.com/wordpress-plugins/custom-contact-forms-4-6-0-1-fixes-major-ie-bug/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 07 Jun 2011 15:54:09 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:8:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:10:\"Javascript\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:6:\"JQuery\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:24:\"Bethesda Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:18:\"Maryland Wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:23:\"Rockville Web Developer\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:7;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=969\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:300:\"After discovering a bug in the admin panel some months ago, where when using the form, style, or field manager, the browser goes to a page showing a -1, we have finally fixed this bug. It turns out WordPress was loading an old version of the JQuery Forms plugin, the newest version had this bug [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:431:\"<p>After discovering a bug in the admin panel some months ago, where when using the form, style, or field manager, the browser goes to a page showing a -1, we have finally fixed this bug. It turns out WordPress was loading an old version of the JQuery Forms plugin, the newest version had this bug fixed. CCF now includes it&#8217;s own version of the JQuery Forms plugin fixing this bug. Thanks to everyone who reported this!</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"http://www.taylorlovett.com/wordpress-plugins/custom-contact-forms-4-6-0-1-fixes-major-ie-bug/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:53:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"Custom Contact Forms Development Is Underway\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:106:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-development-is-underway/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:115:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-development-is-underway/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 23 May 2011 14:56:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:5:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:15:\"PHP Programming\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:25:\"Rockville Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=967\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:298:\"Hey guys, just wanted to let you know that the development on Custom Contact Forms has started up again after a 4-5 month break. CCF has now been downloaded over 100,000 times and is still growing. Expect to see a new fixed field for dates (that uses datePicker jQuery) as well as a few other [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:350:\"<p>Hey guys, just wanted to let you know that the development on Custom Contact Forms has started up again after a 4-5 month break. CCF has now been downloaded over 100,000 times and is still growing. Expect to see a new fixed field for dates (that uses datePicker jQuery) as well as a few other surprises in the next couple weeks!</p>\n<p>Enjoy.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:111:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-development-is-underway/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:65:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:41:\"50,000 Downloads for Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:98:\"http://www.taylorlovett.com/maryland-wordpress-customization/50000-downloads-custom-contact-forms/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"http://www.taylorlovett.com/maryland-wordpress-customization/50000-downloads-custom-contact-forms/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 31 Jan 2011 16:19:39 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:9:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:25:\"Rockville Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:14:\"Contact Form 7\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:13:\"Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:24:\"Secure Fast Contact Form\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:7;a:5:{s:4:\"data\";s:9:\"Web Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:8;a:5:{s:4:\"data\";s:10:\"WP Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=956\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:324:\"In under 8 months, Custom Contact Forms has been downloaded 50,000 times! Can you believe it? Before creating CCF, we tried to use Contact Form 7 and Secure Fast Contact Form on our websites but there just wasn\'t enough customization. We need our form submissions saved in the database and a style manager to customize [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:786:\"In under 8 months, Custom Contact Forms has been downloaded 50,000 times! Can you believe it? Before creating CCF, we tried to use Contact Form 7 and Secure Fast Contact Form on our websites but there just wasn\'t enough customization. We need our form submissions saved in the database and a style manager to customize every aspect of our forms.\r\n\r\nCustom Contact Forms was created by website owners for website owners. We love when you guys send us feature requests and suggestions which we regularly incorporate in new versions. If you have any feedback, please email it to us!\r\n\r\nWe couldn\'t be more proud of what Custom Contact Forms has become and we LOVE our loyal fans. Thanks to everyone who helped make CCF the most intuitive and customizable contact form plugin for WordPress!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"http://www.taylorlovett.com/maryland-wordpress-customization/50000-downloads-custom-contact-forms/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:65:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:61:\"Fields Disappearing Bug Fixed in Custom Contact Forms 4.0.9.5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:100:\"http://www.taylorlovett.com/custom-contact-forms/fields-disappearing-bug-fixed-custom-contact-forms/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:109:\"http://www.taylorlovett.com/custom-contact-forms/fields-disappearing-bug-fixed-custom-contact-forms/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 14 Jan 2011 16:34:30 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:9:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:19:\"Maryland Web Design\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:22:\"Maryland Web Developer\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:23:\"PHP Wordpress Functions\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:27:\"Washington DC Web Developer\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:9:\"Wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:7;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:8;a:5:{s:4:\"data\";s:22:\"XHTML Wordpress Themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=929\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:312:\"Since the inception of Custom Contact Forms there has been a very strange bug that has bunch of people. After detaching fields in a certain order, fields would start to randomly disappear and blank spaces would pop up in the attachment dropdown. This was an error in logic. If two fields were attached to a [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:1979:\"Since the inception of Custom Contact Forms there has been a very strange bug that has bunch of people. After detaching fields in a certain order, fields would start to randomly disappear and blank spaces would pop up in the attachment dropdown. This was an error in logic. If two fields were attached to a form one with ID 1 and the other with 11, the fields would be stored in the database accordingly: 1,11, . Detaching the first field would remove instances of 1, from that string, but there are two instances of 1, in that string, some the resulting string would be 1 which would throw everything off from then on. This has been fixed by using serialization to store attached fields and field options. Also the Javascript Conflict bug has been fixed. If you are still experiencing this bug, simply disable jQuery on the frontend in \"General Settings\".\r\n\r\nCustom Contact Forms 4.1.0 is going to be released in the next week. It will have many new features such as a fixed field for states and countries as well as a dashboard widget for saved form submissions. We are in dire need of beta testers. If you are interested please fill out the following form:<input name=\"meta_tooltip\" type=\"hidden\" />\r\n\r\n<form class=\"blog-horizontal-form\" action=\"http://www.aweber.com/scripts/addlead.pl\" method=\"post\"> <span>Join the Custom Contact Forms Team</span  <input type=\"text\" name=\"name\" value=\"Your Name\" onclick=\"value=\'\'\" /> <input type=\"text\" name=\"email\" value=\"Your Email\" onclick=\"value=\'\'\" />\r\n<input type=\"submit\" value=\"Sign Me Up!\" /><input name=\"meta_split_id\" type=\"hidden\" /><input name=\"listname\" type=\"hidden\" value=\"ccf-feats-bugs\" /><input id=\"redirect_185f7d78ad10400e624dd96b2a942504\" name=\"redirect\" type=\"hidden\" /><input name=\"meta_adtracking\" type=\"hidden\" value=\"CCF_News_Posts_4.0.9.5\" /><input name=\"meta_message\" type=\"hidden\" value=\"1\" /><input name=\"meta_required\" type=\"hidden\" value=\"name,email\" /><input name=\"meta_tooltip\" type=\"hidden\" />\r\n</form>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:105:\"http://www.taylorlovett.com/custom-contact-forms/fields-disappearing-bug-fixed-custom-contact-forms/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:68:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"10,000 Downloads!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"http://www.taylorlovett.com/maryland-wordpress-customization/10000-downloads-wordpress-plugin/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"http://www.taylorlovett.com/maryland-wordpress-customization/10000-downloads-wordpress-plugin/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 14 Nov 2010 18:14:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:10:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:25:\"Rockville Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:10:\"Javascript\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:23:\"Javascript in Wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:6:\"JQuery\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:7;a:5:{s:4:\"data\";s:5:\"MySQL\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:8;a:5:{s:4:\"data\";s:3:\"PHP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:9;a:5:{s:4:\"data\";s:23:\"PHP Wordpress Functions\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=854\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:322:\"Custom Contact Forms has been download over 10,000 times in it\'s first 5 months. Thanks to everyone who has provided feedback and bug reports. 4.1.0 is in the works and hopefully will make Custom Contact Forms available to more types of server configurations. CCF has grown in to quite the plugin and is only gaining [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:636:\"<p>Custom Contact Forms has been download over 10,000 times in it\'s first 5 months. Thanks to everyone who has provided feedback and bug reports. 4.1.0 is in the works and hopefully will make Custom Contact Forms available to more types of server configurations. CCF has grown in to quite the plugin and is only gaining more features. In the future we hope to add lead capturing and internet marketing functionality. Thanks!</p>\r\n\r\n<p><a href=\"http://downloads.wordpress.org/plugin/custom-contact-forms.4.0.2.zip\" title=\"Download Custom Contact Forms WordPress Plugin\" rel=\"nofollow\" class=\"extern\">Download Custom Contact Forms</a></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"http://www.taylorlovett.com/maryland-wordpress-customization/10000-downloads-wordpress-plugin/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:65:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:26:\"Custom Contact Forms 4.0.0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:88:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-4-0-0/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:97:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-4-0-0/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 26 Oct 2010 16:02:42 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:9:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:15:\"PHP Programming\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:19:\"Website Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:26:\"Content Management Systems\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:3:\"PHP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:7;a:5:{s:4:\"data\";s:23:\"PHP Wordpress Functions\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:8;a:5:{s:4:\"data\";s:15:\"Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=840\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:323:\"Custom Contact Forms 4.0.0, the most intuitive and customizable contact form plugin for WordPress, is about to be released. Here is a short list of some of the new features being added: Import/Export/Create Backups at the click of a button New style options for your forms Ability to add a different CSS class to each [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:1268:\"<p>Custom Contact Forms 4.0.0, the most intuitive and customizable contact form plugin for WordPress, is about to be released. Here is a short list of some of the new features being added:</p>\r\n<ul>\r\n<li>Import/Export/Create Backups at the click of a button</li>\r\n<li>New style options for your forms</li>\r\n<li>Ability to add a different CSS class to each field</li>\r\n<li> <span>*</span> All form submissions saved to database and displayed in administration panel in a visually appealing way. You can enable/disable the emailing of form submissions now.</li>\r\n<li><span>*</span> AJAX in the admin panel - now you can save, delete, and manage everything in the admin panel without refreshing the page. This will save you time.</li>\r\n</ul>\r\n<p>Right now you can download the latest 4.0.0 beta version on the <a href=\"http://wordpress.org/extend/plugins/custom-contact-forms/download/\" title=\"Custom Contact Forms WordPress Plugin Download Page\">WordPress CCF Download</a> page. Right now the only thing that is left to do is debug the new AJAX features. We need debuggers. Right now we are adding anyone who helps us with debugging to the WordPress page as a contributor with a link to the website of their choice. Email admin@taylorlovett.com if you\'re interested.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-4-0-0/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:62:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"Custom Contact Forms 3.0.0 and 3.1.0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:98:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-3-0-0-and-3-1-0/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-3-0-0-and-3-1-0/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 31 Aug 2010 17:11:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:8:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:15:\"PHP Programming\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:19:\"Website Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:30:\"Contact Form Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:5:\"MySQL\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:7;a:5:{s:4:\"data\";s:3:\"PHP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:98:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-3-0-0-and-3-1-0/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:313:\"Custom Contact Forms 3.0.0 was released and shortly after so was 3.1.0. CCF has grown to be quite the plugin, packed with awesome features, many of which you will not find in any contact form plugin. An interesting new feature is Custom Html Forms. This feature allows people who are skill with Html and Css [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:1478:\"<p>Custom Contact Forms 3.0.0 was released and shortly after so was 3.1.0. CCF has grown to be quite the plugin, packed with awesome features, many of which you will not find in any contact form plugin.</p>\n<p>An interesting new feature is Custom Html Forms. This feature allows people who are skill with Html and Css to use CCF simply to process forms. Now you can write the Html for your forms using the code provided by this feature as a framework. This feature makes this plugin ideal for web developers.</p>\n<p>CCF 3.1.0 also finally has a reusable widget. Create forms in the CCF admin page, then on the widgets page chose which form you want to display. As with all forms you can use the default style or create a custom style and attach it accordingly. The possibilities with this plugin are endless and, best of all, it is very easy to use and navigate.</p>\n<p>A few other new features to mention:<br />\nAbility to not use Jquery &#8211; great if you want to keep your page load time down<br />\nAbility to use a custom thank you message and thank you message title individually for each form.<br />\nAbility to change the background color of text areas<br />\nAbility to include forms in your theme files via php code<br />\nMuch more!</p>\n<p>CCF 3.5.0 will boast the ability to add drop down and radio fields. A new manager will be added to the plugin, the Field Options Manager which allows you to create options for drop downs and radio fields.</p>\n<p>Get excited!</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-3-0-0-and-3-1-0/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:47:\"\n		\n		\n		\n		\n		\n				\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:26:\"Custom Contact Forms 2.2.4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:88:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-2-2-4/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:97:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-2-2-4/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 18 Aug 2010 21:54:59 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:3:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=811\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:341:\"Custom Contact Forms 2.2.4 has been released. This stable version features field instructions. Now you can add instructions to each of your fields so when someone highlights certain field a stylish JQuery popover is displayed showing the instruction. This will be the first of many fancy JQuery features to be added in the near future. [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:464:\"<p>Custom Contact Forms 2.2.4 has been released.</p>\n<p>This stable version features field instructions. Now you can add instructions to each of your fields so when someone highlights certain field a stylish JQuery popover is displayed showing the instruction. This will be the first of many fancy JQuery features to be added in the near future.</p>\n<p>In the coming days there will be a few minor updates involving bug fixes and mail function updates. Enjoy!</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-2-2-4/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:62:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:26:\"Custom Contact Forms 2.2.0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"http://www.taylorlovett.com/custom-contact-forms/custom-contact-forms-220/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"http://www.taylorlovett.com/custom-contact-forms/custom-contact-forms-220/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 09 Aug 2010 14:59:49 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:8:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:24:\"Bethesda Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:23:\"Custom Wordpress Themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:18:\"Maryland Wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:23:\"PHP Wordpress Functions\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:7;a:5:{s:4:\"data\";s:5:\"XHTML\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=806\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:316:\"Custom Contact Forms 2.2.0 has been released and sports a number of new useful features. A plugin news feed has been added to the administratin panel displaying the latest news, tips, and tricks concerning Custom Contact Forms. A form has been added to the admin page allowing anyone to report a bug as well as [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:963:\"<p>Custom Contact Forms 2.2.0 has been released and sports a number of new useful features. A plugin news feed has been added to the administratin panel displaying the latest news, tips, and tricks concerning Custom Contact Forms. A form has been added to the admin page allowing anyone to report a bug as well as suggest new features. </p>\n<p>Custom Contact Forms is constantly being developed and these new features really allows blog owners to steer development in the direction of their best interest. Finally a plugin navigation menu has been included at the top of the admin page allowing users to more fluidly control their contact forms.</p>\n<p>Suggest a feature has already provided us with some great ideas. Custom Contact Forms someday some may have a mailing list function allowing you to build a list for internet marketing. Excited yet? Custom Contact Forms is already the best contact forms WordPress plugin by far and is only getting better.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:79:\"http://www.taylorlovett.com/custom-contact-forms/custom-contact-forms-220/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:50:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"Custom Contact Forms 2.1.0 Released\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"http://www.taylorlovett.com/wordpress-plugins/custom-contact-forms-2-1-0/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:82:\"http://www.taylorlovett.com/wordpress-plugins/custom-contact-forms-2-1-0/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 07 Aug 2010 03:31:19 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:4:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:15:\"PHP Programming\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:25:\"Rockville Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=801\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:357:\"Custom Contact Forms 2.1.0 brings a bunch of new, great features to WordPress blog owners. Create, edit, and delete form styles; customize every aspect of your contact forms. Create multiple styles and attach different styles to different forms &#8220;Are You Human?&#8221;, new fixed field added Custom Contact Forms news feed added to admin page The [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:566:\"<p>Custom Contact Forms 2.1.0 brings a bunch of new, great features to WordPress blog owners.</p>\n<ul>\n<li>Create, edit, and delete form styles; customize every aspect of your contact forms.</li>\n<li>Create multiple styles and attach different styles to different forms</li>\n<li>&#8220;Are You Human?&#8221;, new fixed field added</li>\n<li>Custom Contact Forms news feed added to admin page</li>\n</ul>\n<p>The fact is that Custom Contact Forms is THE best and most customizable contact/web forms plugin available for WordPress today. Best of all it is 100% free.</p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"http://www.taylorlovett.com/wordpress-plugins/custom-contact-forms-2-1-0/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:71:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:45:\"Raving Reviews for Custom Contact Forms 1.1.1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"http://www.taylorlovett.com/wordpress-plugins/raving-reviews-for-custom-contact-forms/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:95:\"http://www.taylorlovett.com/wordpress-plugins/raving-reviews-for-custom-contact-forms/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 27 Jul 2010 20:34:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:11:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:15:\"PHP Programming\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:25:\"Rockville Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:24:\"Bethesda Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:7:\"Captcha\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:26:\"Content Management Systems\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:7;a:5:{s:4:\"data\";s:23:\"Custom Wordpress Themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:8;a:5:{s:4:\"data\";s:15:\"Mozilla Firefox\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:9;a:5:{s:4:\"data\";s:17:\"PHP Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:10;a:5:{s:4:\"data\";s:23:\"PHP Wordpress Functions\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=737\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:336:\"The first stable version of my WordPress Plugin, Custom Contact Forms has been released in version 1.1.1. Version 1.1.1 includes fixed fields that are included automatically and not listed with user fields. The first fixed field added to Custom Contact Forms is a secure captcha. As well as fixed fields, plugin users can now make [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:1671:\"<p>The first stable version of my WordPress Plugin, Custom Contact Forms has been released in version 1.1.1. Version 1.1.1 includes fixed fields that are included automatically and not listed with user fields. The first fixed field added to Custom Contact Forms is a secure captcha.</p>\r\n\r\n<p>As well as fixed fields, plugin users can now make a custom thank you message and have fields remember how users previously filled them out; error messages have also now been added to the WordPress plugin.</p>\r\n\r\n<p>Custom Contact Forms is quickly becoming a popular WordPress. It is much more intuitive than any other contact form WordPress plugin and is extremely easy to use. Custom Contact Forms has been downloaded and installed over 240 times in its first two weeks. Here\'s a review from a WordPress blog owner:</p>\r\n<div class=\"quoteholder\">\r\n\r\n<div class=\"blockquoter\"><span>You have the best of the WP contact forms.  Outstanding effort. Congrats!</span></div>\r\n\r\n<p class=\"center\">Mark Lasserre - <a href=\"http://www.lasserre.us\" title=\"Rockville Web Design Site\" rel=\"nofollow\">lasserre.us</a></p>\r\n</div>\r\n\r\n<p>Most importantly Custom Contact Forms updates itself automatically if you have an old version so they are no reason not to upgrade immediately. If you have any suggestions are problem with my WordPress plugin, please <a href=\"/contact\" title=\"Email the Rockville Web Developer\">email me</a> and I will fix them same-day guaranteed.</p>\r\n\r\n<p class=\"download\"><a class=\"extern\" href=\"http://wordpress.org/extend/plugins/custom-contact-forms/\" title=\"Download Custom Contact Forms WordPress Plugin\" rel=\"nofollow\">Download Custom Contact Forms 1.1.1</a></p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"http://www.taylorlovett.com/wordpress-plugins/raving-reviews-for-custom-contact-forms/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:13;a:6:{s:4:\"data\";s:71:\"\n		\n		\n		\n		\n		\n				\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n\n		\n		\n			\n			\n		\n		\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:5:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"Custom Contact Forms 1.0 Released\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:95:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-1-0-released/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:104:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-1-0-released/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 18 Jul 2010 23:02:46 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:11:{i:0;a:5:{s:4:\"data\";s:20:\"Custom Contact Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:15:\"PHP Programming\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:25:\"Rockville Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:26:\"Search Engine Optimization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:23:\"Wordpress Customization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:24:\"Bethesda Web Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:23:\"Custom Wordpress Themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:7;a:5:{s:4:\"data\";s:3:\"PHP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:8;a:5:{s:4:\"data\";s:23:\"PHP Wordpress Functions\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:9;a:5:{s:4:\"data\";s:18:\"Wordpress Comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:10;a:5:{s:4:\"data\";s:17:\"Wordpress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"http://www.taylorlovett.com/?p=734\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:320:\"My new WordPress plugin, Custom Contact Forms 1.0, has finally be released. Custom Contact Forms is a WordPress plugin for handling and displaying custom web forms; insert the provided code in any page, post, category, or archive in which you want a web form to show. This plugin allows you to create fields with a [...]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Taylor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:902:\"<p>My new WordPress plugin, <a href=\"/wordpress-plugins\" title=\"Maryland WordPress Plugins\">Custom Contact Forms 1.0</a>, has finally be released.</p>\r\n<p>Custom Contact Forms is a WordPress plugin for handling and displaying custom web forms; insert the provided code in any page, post, category, or archive in which you want a web form to show. This plugin allows you to create fields with a variety of options and to attach them to specific forms you create.</p>\r\n\r\n<p>Definitely allows for more customization than any other WordPress contact form plugin out there today. The greatest part of this plugin is the comprehensive admin page which allows you to manage fields, forms, and tons of customizable options in one place! Also comes with a web form widget to drag-and-drop in to your sidebar. It has been tested on WordPress version 2.7.1 and up. Give it a try on your blog today; it\'s free!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:100:\"http://www.taylorlovett.com/maryland-wordpress-customization/custom-contact-forms-1-0-released/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:4:\"href\";s:63:\"http://www.taylorlovett.com/category/custom-contact-forms/feed/\";s:3:\"rel\";s:4:\"self\";s:4:\"type\";s:19:\"application/rss+xml\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:44:\"http://purl.org/rss/1.0/modules/syndication/\";a:2:{s:12:\"updatePeriod\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"hourly\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:15:\"updateFrequency\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}}}}s:4:\"type\";i:128;s:7:\"headers\";a:11:{s:4:\"date\";s:29:\"Tue, 03 Apr 2012 12:21:08 GMT\";s:6:\"server\";s:6:\"Apache\";s:7:\"expires\";s:29:\"Thu, 19 Nov 1981 08:52:00 GMT\";s:13:\"cache-control\";s:62:\"no-store, no-cache, must-revalidate, post-check=0, pre-check=0\";s:6:\"pragma\";s:8:\"no-cache\";s:10:\"x-pingback\";s:38:\"http://www.taylorlovett.com/xmlrpc.php\";s:4:\"etag\";s:34:\"\"ac4a91b9aad55f85d9e2276819cb0bd6\"\";s:10:\"set-cookie\";s:50:\"PHPSESSID=88d8d39494396c03ace1aa1de339da58; path=/\";s:13:\"last-modified\";s:29:\"Tue, 03 Apr 2012 03:13:12 GMT\";s:10:\"connection\";s:5:\"close\";s:12:\"content-type\";s:23:\"text/xml; charset=UTF-8\";}s:5:\"build\";s:14:\"20090627192103\";}','no'),(1946,0,'_transient_timeout_feed_mod_d92d5700315fd164345ad01a4c9e72fc','1333498869','no'),(1947,0,'_transient_feed_mod_d92d5700315fd164345ad01a4c9e72fc','1333455669','no'),(1988,0,'wpseo_xml','a:0:{}','yes'),(1989,0,'wpseo_indexation','a:1:{i:0;b:0;}','yes'),(1990,0,'wpseo_social','a:4:{s:9:\"opengraph\";N;s:9:\"fb_pageid\";N;s:10:\"fb_adminid\";N;s:8:\"fb_appid\";N;}','yes'),(1991,0,'wpseo','a:1:{s:7:\"version\";s:5:\"1.1.5\";}','yes'),(3342,0,'_transient_timeout_feed_895a6fef0cc57461ead214388fd67e81','1349479190','no'),(3343,0,'_transient_feed_895a6fef0cc57461ead214388fd67e81','a:4:{s:5:\"child\";a:1:{s:0:\"\";a:1:{s:3:\"rss\";a:1:{i:0;a:6:{s:4:\"data\";s:1:\" \";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:7:\"version\";s:3:\"2.0\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:1:{s:7:\"channel\";a:1:{i:0;a:6:{s:4:\"data\";s:29:\"                             \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:4:{s:0:\"\";a:8:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"Yoast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"http://yoast.com\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Tweaking Websites\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:13:\"lastBuildDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 04 Oct 2012 07:03:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"language\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"en-US\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"generator\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"http://wordpress.org/?v=3.4.2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"image\";a:1:{i:0;a:6:{s:4:\"data\";s:5:\"     \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"Yoast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:3:\"url\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"http://yoast.com/wp-content/themes/yoast-v4/images/yoast-rss-logo.png\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"http://yoast.com\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"width\";a:1:{i:0;a:5:{s:4:\"data\";s:3:\"144\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:6:\"height\";a:1:{i:0;a:5:{s:4:\"data\";s:3:\"103\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Tweaking Websites\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}s:4:\"item\";a:20:{i:0;a:6:{s:4:\"data\";s:11:\"           \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"Video SEO just became a lot easier!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/j--NgCN8Fr4/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://yoast.com/video-seo-release/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 19 Sep 2012 20:40:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=46687\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:756:\"<p>The Video SEO plugin I have been talking about for far too long has finally been finished and released. The short version is, it&#8217;s for sale for $89, find out more here. Keep on reading for a bit of backstory. Video SEO is probably one of the most technically challenging aspects of SEO. There are&#8230;</p><p><a\nhref=\"http://yoast.com/video-seo-release/\">Video SEO just became a lot easier!</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:3780:\"<p>The <a\nhref=\"http://yoast.com/wordpress/video-seo/\">Video SEO plugin</a> I have been talking about for far too long has finally been finished and released. The short version is, it&#8217;s for sale for $89, find out more <a\nhref=\"http://yoast.com/wordpress/video-seo/\">here</a>. Keep on reading for a bit of backstory.</p><p>Video SEO is probably one of the most technically challenging aspects of SEO. There are several ways to make it known to Google that a certain page contains a video, ranging from Facebook share markup, Schema.org videoObject markup, MediaRSS enhancements to feeds to XML Video sitemaps. This plugin supports all four of those methods.</p><p>It&#8217;s a <em>lot</em> of work to get all this working seamlessly, but I think I&#8217;ve nailed it all. I wanted to make it as simple as putting a video in a post and then having the plugin do <em>all</em> the needed work. I succeeded. If you now use oEmbed to embed a video from say, Vimeo, into your blog, just by copy/pasting the URL onto a single line in your editor, and hit update, you&#8217;ll see that the Video SEO plugin grabs all the needed metadata from the Vimeo API and does all the legwork needed to make your video&#8217;s rank.</p><p>How you&#8217;ll know that it&#8217;s recognized the video? Because it will update the snippet into a video snippet:</p><p><img\nclass=\"alignnone\" title=\"Video Snippet Preview\" src=\"http://cdn.yoast.com/wp-content/uploads/2010/10/video-snippet-590x156.png\" alt=\"Video Snippet Preview\" width=\"590\" height=\"156\" /></p><p>It doesn&#8217;t just do that for Vimeo video&#8217;s, it works with a lot of platforms, including YouTube. How it does the YouTube thing is a question some of the more experienced SEO&#8217;s will ask. I leave that as an exercise to the reader. Check my <a\nhref=\"http://yoast.com/video-sitemap.xml\">video-sitemap.xml</a> and see if you can find it. Whether that&#8217;ll keep working? I don&#8217;t know.</p><p>Of course the video SEO plugin is based on and uses large parts of my <a\nhref=\"http://yoast.com/wordpress/seo/\">WordPress SEO plugin</a>, and therefor needs that to run. This will really allow you to take any site with video to the next level though. I&#8217;m very proud of it and hope that those of you running video sites will see the benefits and buy it.</p><p>Now I know some people will start to complain that it&#8217;s a paid plugin. I can even understand that to a certain extent. Please just realize that it&#8217;s impossible to build a plugin like this and support it, without being paid for those efforts. It takes a <em>lot</em> of work, almost 1.5 years of thinking and learning has gone into making this plugin as good as it is, and it&#8217;ll probably require very regular updates to keep in line with all the supported video platforms. To be able to do that, I have to charge for the plugin. It&#8217;s called a business model. Be glad that I found one, as it will also support the continued development of the core SEO plugin.</p><p>I hope, and fully expect it to work out well for everyone involved. I&#8217;d love to hear your thoughts and, I&#8217;ll be honest, I&#8217;d love even more to see you <a\nhref=\"http://yoast.com/wordpress/video-seo/\">buy the plugin</a>!</p><p><a\nhref=\"http://yoast.com/video-seo-release/\">Video SEO just became a lot easier!</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/j--NgCN8Fr4\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"http://yoast.com/video-seo-release/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:3:\"139\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:73:\"http://cdn.yoast.com/wp-content/uploads/2010/10/video-snippet-590x156.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:6:{s:4:\"data\";s:2:\"  \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:73:\"http://cdn.yoast.com/wp-content/uploads/2010/10/video-snippet-590x156.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:1:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:21:\"Video Snippet Preview\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"http://yoast.com/video-seo-release/#utm_source=rss&utm_medium=rss&utm_campaign=video-seo-release\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:16:\"                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"Google Analytics Dashboard for WordPress Blogs\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/WkB5HaRNB0I/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"http://yoast.com/google-analytics-dashboard/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 11 Sep 2012 09:11:47 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Analytics\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45996\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:808:\"<p>One of the great new features of the ‘new Google Analytics’ are the custom dashboards. If you do not use them yet, you most definitely should. I’m using custom dashboards to measure SEO, PPC, ROI, conversions and more. I also made a custom dashboard for WordPress blogs using Yoast’s Google Analytics for WordPress plugin. I&#8230;</p><p><a\nhref=\"http://yoast.com/google-analytics-dashboard/\">Google Analytics Dashboard for WordPress Blogs</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/jeroen/\">Jeroen van Eck</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Jeroen van Eck\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:6513:\"<p><img\nclass=\"alignright size-full wp-image-46002\" title=\"Google Analytics Dashboard for WordPress blogs\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/09/FI_GAforWP.png\" alt=\"Google Analytics Dashboard for WordPress blogs\" width=\"203\" height=\"137\" />One of the great new features of the ‘new Google Analytics’ are the custom dashboards. If you do not use them yet, you most definitely should. I’m using custom dashboards to measure SEO, PPC, ROI, conversions and more. I also made a custom dashboard for WordPress blogs using Yoast’s <a\nhref=\"http://yoast.com/wordpress/google-analytics/\">Google Analytics for WordPress plugin</a>. I already shared it in Dutch on <a\nhref=\"http://www.jeroenvaneck.com/\">my own blog</a>, but Joost asked me to share it with his readers as well. So here it is.</p><h2>About the dashboard</h2><p>This dashboard is meant to give a quick insight into all the important things you want to know about your blog at any given time. First of all I’d like to explain some metrics I’ve chosen to use in this dashboard. Firstly I chose to use visits instead of visitors because you also want to know when someone visits your blog multiple times. Secondly I chose to use unique page views instead of page views because I want to know how many people read my posts, not how many times they are read. Thirdly with this dashboard I tried to create insights into metrics about posts instead of metrics about all pages.</p><h2>How to build this dashboard</h2><p>First of all this dashboard of course contains a section regarding the most important core metrics. In this case I chose to include widgets containing the number of visits, the number of new visitors, a graph of the number of visits over the chosen period, the pages per visit and the average time on site. So far: nothing special. These widgets you can create without filtering any data.</p><h2>Google Analytics for WordPress</h2><p>For the following sections you need to use the Google Analytics for WordPress plugin. The plugin will allow you to use custom variables to track post types, authors, categories and tags. In the settings of the plugin you can activate them in Custom Variable Settings (in advanced settings). These settings allow you to show the interesting data for your dashboard. Depending on which Custom Variables you use you have to tweak your dashboard. For this dashboard we’ve used the following settings:</p><p><a\nclass=\"thickbox\" href=\"http://cdn2.yoast.com/wp-content/uploads/2012/09/custom-variable-settings-yoast.jpg\"><img\nclass=\"alignnone size-large wp-image-45997\" title=\"Custom Variable Settings Yoast\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/09/custom-variable-settings-yoast-536x389.jpg\" alt=\"Custom Variable Settings Yoast\" width=\"536\" height=\"389\" /></a></p><p>When you use different settings you have to check which variable is saved in which custom variable key.<br\n/> With these settings you are able to count the number of posts read on your blog and the most read posts. Because the plugin creates a custom variable containing the post type for each post that has been viewed you only need to filter the pages containing any kind of post type.</p><p>The widget settings for the number of posts read will look like this:</p><p><a\nclass=\"thickbox\" href=\"http://cdn3.yoast.com/wp-content/uploads/2012/09/number-of-posts-read.jpg\"><img\nclass=\"alignnone size-large wp-image-46001\" title=\"Number of posts read\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/09/number-of-posts-read-536x283.jpg\" alt=\"Number of posts read\" width=\"536\" height=\"283\" /></a></p><p>The widget settings for the most read posts will look like this:</p><p><a\nclass=\"thickbox\" href=\"http://cdn3.yoast.com/wp-content/uploads/2012/09/most-read-posts.jpg\"><img\nclass=\"alignnone size-large wp-image-46000\" title=\"Most read posts\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/09/most-read-posts-536x309.jpg\" alt=\"Most read posts\" width=\"536\" height=\"309\" /></a></p><p>The other custom variables created by the plugin allow you to show a few other interesting numbers. In this example we’ve chosen to show the most read authors and most read categories, but you could also show the most read tags or the number of posts by publication year.</p><p>The widget settings for the most read authors will look like this:</p><p><a\nclass=\"thickbox\" href=\"http://cdn2.yoast.com/wp-content/uploads/2012/09/most-read-authors.jpg\"><img\nclass=\"alignnone size-large wp-image-45998\" title=\"Most read authors\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/09/most-read-authors-536x288.jpg\" alt=\"Most read authors\" width=\"536\" height=\"288\" /></a></p><p>The widget settings for the most read categories will look like this:</p><p><a\nclass=\"thickbox\" href=\"http://cdn2.yoast.com/wp-content/uploads/2012/09/most-read-categories.jpg\"><img\nclass=\"alignnone size-large wp-image-45999\" title=\"Most read categories\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/09/most-read-categories-536x288.jpg\" alt=\"Most read categories\" width=\"536\" height=\"288\" /></a></p><h2>Sources</h2><p>Lastly the dashboard contains an overview of the most important traffic sources split up in used medium, social sources and used organic search terms.</p><h2>Installation</h2><p>I recommend you try to build this dashboard on your own. Not only to understand how it works but also to be able to choose to represent data in a different way. But of course I will provide you with <a\nhref=\"https://www.google.com/analytics/web/permalink?uid=aoWyebltTe6p_02PrR16og\">a link</a> to the dashboard configuration, which you can save to the desired profile in your Google Analytics account. Remember you need to have the Google Analytics for WordPress plugin installed as mentioned to be able to see all the correct data. Otherwise you still have to tweak the dashboard yourself.</p><p>Hope you enjoy your dashboard. Do you have any questions or suggestions? Leave a comment below.</p><p><a\nhref=\"http://yoast.com/google-analytics-dashboard/\">Google Analytics Dashboard for WordPress Blogs</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/jeroen/\">Jeroen van Eck</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/WkB5HaRNB0I\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"http://yoast.com/google-analytics-dashboard/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"28\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:71:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/FI_GAforWP-180x114.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:6:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:63:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/FI_GAforWP.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"Google Analytics Dashboard for WordPress blogs\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:71:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/FI_GAforWP-180x114.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:83:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/custom-variable-settings-yoast.jpg\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"Custom Variable Settings Yoast\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:90:\"http://cdn.yoast.com/wp-content/uploads/2012/09/custom-variable-settings-yoast-180x114.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:73:\"http://cdn3.yoast.com/wp-content/uploads/2012/09/number-of-posts-read.jpg\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"Number of posts read\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:81:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/number-of-posts-read-180x114.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:68:\"http://cdn3.yoast.com/wp-content/uploads/2012/09/most-read-posts.jpg\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Most read posts\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:75:\"http://cdn.yoast.com/wp-content/uploads/2012/09/most-read-posts-180x114.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:70:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/most-read-authors.jpg\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Most read authors\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:78:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/most-read-authors-180x114.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:73:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/most-read-categories.jpg\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"Most read categories\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:80:\"http://cdn.yoast.com/wp-content/uploads/2012/09/most-read-categories-180x114.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:114:\"http://yoast.com/google-analytics-dashboard/#utm_source=rss&utm_medium=rss&utm_campaign=google-analytics-dashboard\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:15:\"               \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"WooThemes chooses WordPress SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/LKmy1Veod_c/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"http://yoast.com/welcome-woothemes-users/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 10 Sep 2012 14:07:29 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:4:{i:0;a:5:{s:4:\"data\";s:9:\"WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:17:\"WordPress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:13:\"WordPress SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:16:\"WordPress Themes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=46021\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:838:\"<p>WooThemes once again showed that they are at the forefront of WordPress development today: they deprecated their WooFramework&#8217;s SEO functionality and recommend their users to switch to WordPress SEO by Yoast. I&#8217;ve worked closely with Matt Cohen, WooThemes CTO, to build an import functionality for WooThemes users straight into WordPress SEO. I recently added statistics&#8230;</p><p><a\nhref=\"http://yoast.com/welcome-woothemes-users/\">WooThemes chooses WordPress SEO</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:3313:\"<p><img\nclass=\"alignright size-full wp-image-45991\" title=\"WooThemes chooses WordPress SEO\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/06/FI_WordPress.png\" alt=\"WooThemes chooses WordPress SEO\" width=\"203\" height=\"137\" />WooThemes once again showed that they are at the forefront of WordPress development today: they <a\nhref=\"http://www.woothemes.com/2012/09/every-line-of-code-audited/\">deprecated their WooFramework&#8217;s SEO functionality</a> and recommend their users to switch to <a\nhref=\"http://yoast.com/wordpress/seo/\">WordPress SEO by Yoast</a>. I&#8217;ve worked closely with Matt Cohen, WooThemes CTO, to build an import functionality for WooThemes users straight into WordPress SEO.</p><p>I recently added statistics tracking to my two main plugins, and about 125,000 of you have already kindly agreed to send me some anonymous data. Because of that, I now know that <a\nhref=\"http://www.woothemes.com/2012/06/canvas/\">WooThemes Canvas</a> is actually one of the 10 most used themes <em>and</em> is used as a parent theme quite often as well, and their dozens of other themes are very, very popular, so this could mean a lot of new users for my SEO plugin. I welcome you all!</p><h2>WooSEO Import</h2><p>The WooSEO import functionality is very simple, activate the WordPress SEO plugin, go to SEO -&gt; Import and you&#8217;ll see this:</p><p><img\nclass=\"alignnone size-full wp-image-46022\" title=\"WooThemes Import at work: check the import from Woothemes box, press import\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/09/woothemes-import.png\" alt=\"WooThemes Import at work: check the import from Woothemes box, press import\" width=\"527\" height=\"281\" /></p><p>You can check if the data has imported ok by opening up some posts and seeing if your WordPress SEO box contains the titles and meta descriptions you had entered in WooSEO. If it has imported ok, repeat the process above but check the &#8220;Delete the old data&#8221; checkbox, this will make sure your database is as clean as can be by deleting the old WooSEO values from the database.</p><h2>Thank you to WooThemes!</h2><p>By doing this, WooThemes is finally doing what I&#8217;ve been proposing theme companies do <a\nhref=\"http://yoast.com/wordpress-seo-theme/\">for ages now</a>: stop trying to provide an SEO framework and focus on good code, great design and the functionality to change that design. That&#8217;s a step I thank &amp; applaud them for and I fully hope other theme vendors will do the same. I&#8217;m open to working with everybody on building import functionality when they decide to take this step.</p><p>Let me know what you think in the comments, and if you&#8217;re a recent &#8220;convert&#8221; coming from WooSEO, I&#8217;d seriously love to hear that too!</p><p><a\nhref=\"http://yoast.com/welcome-woothemes-users/\">WooThemes chooses WordPress SEO</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/LKmy1Veod_c\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"http://yoast.com/welcome-woothemes-users/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"39\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:73:\"http://cdn3.yoast.com/wp-content/uploads/2012/06/FI_WordPress-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:2:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:65:\"http://cdn3.yoast.com/wp-content/uploads/2012/06/FI_WordPress.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"WooThemes chooses WordPress SEO\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:73:\"http://cdn3.yoast.com/wp-content/uploads/2012/06/FI_WordPress-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:69:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/woothemes-import.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"WooThemes Import at work: check the import from Woothemes box, press import\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:77:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/woothemes-import-180x114.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:108:\"http://yoast.com/welcome-woothemes-users/#utm_source=rss&utm_medium=rss&utm_campaign=welcome-woothemes-users\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:15:\"               \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Twitter Cards in action\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/uQYktVK1qOM/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"http://yoast.com/twitter-cards-in-action/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 05 Sep 2012 20:22:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:12:\"Social Media\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:7:\"Twitter\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45981\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:749:\"<p>I first wrote about Twitter Cards in June, when Twitter had just announced them, today I got a tweet from Paul Savage who noticed that they were now enabled for yoast.com. That&#8217;s super awesome news as it means that the implementation I did in my WordPress SEO plugin works. Of course I had to do&#8230;</p><p><a\nhref=\"http://yoast.com/twitter-cards-in-action/\">Twitter Cards in action</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:3768:\"<p><img\nclass=\"alignright size-full wp-image-45989\" title=\"Twitter Cards in action\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/09/ionen_social_Twitter.png\" alt=\"Twitter Cards in action\" width=\"203\" height=\"137\" />I first wrote about <a\nhref=\"http://yoast.com/twitter-cards/\">Twitter Cards</a> in June, when Twitter had just announced them, today I got a tweet from <a\nhref=\"http://twitter.com/paulsavage\">Paul Savage</a> who noticed that they were now enabled for yoast.com. That&#8217;s super awesome news as it means that the implementation I did in my <a\nhref=\"http://yoast.com/wordpress/seo/\">WordPress SEO plugin</a> works.</p><p>Of course I had to do some tweaking afterwards, because as it turns out Twitter&#8217;s scraper for the Twitter Card data is easily confused (it doesn&#8217;t understand how to parse multiple og:images meta tags). But let me show you what it means if it works well; if you tweet an article from this site, you&#8217;ll see a normal tweet with a new &#8220;View Summary&#8221; link:</p><p><img\nclass=\"alignnone size-full wp-image-45983\" title=\"Tweet with summary button\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/09/tweet-summary-button.png\" alt=\"Tweet with summary button\" width=\"513\" height=\"88\" /></p><p>When you click that View summary link, the link &#8220;expands&#8221; and you&#8217;ll see this, the complete Twitter Card:</p><p><img\nclass=\"alignnone size-full wp-image-45982\" title=\"Expanded Twitter Card\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/09/twitter-expanded-twitter-card.png\" alt=\"Expanded Twitter Card\" width=\"513\" height=\"314\" /></p><p>As you might notice my Twitter account is there twice, the top one is because I&#8217;m the author of that article, the second one is because I set the @yoast account as the main account for this site. So if you see an article tweeted that&#8217;s been written by Michiel, you&#8217;ll see his twitter account on top and the main @yoast account in the bottom:</p><p><img\nclass=\"size-full wp-image-45984 alignnone\" title=\"Twitter Card Michiel\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/09/twitter-card-michiel.png\" alt=\"Twitter Card Michiel\" width=\"448\" height=\"187\" /></p><h2>Can I have Twitter Cards for my site?</h2><p>I know you&#8217;re asking yourself that question. I tested some sites that are running my SEO plugin on which I knew the Twitter Cards implementation in it is activated, but unfortunately couldn&#8217;t find any working examples outside of my own site yet. It seems that you really have to <a\nhref=\"https://dev.twitter.com/form/participate-twitter-cards\">apply to participate</a> with your site next to having the functionality active on your site (you can activate it on the SEO -&gt; Social menu).</p><p>So, the next step is another update of my SEO plugin which improves a bit on the current Twitter Card implementation now that I can test properly, expect that somewhere early next week. This update will also rely on OpenGraph when activated too where possible so you don&#8217;t have another 10 lines of Twitter meta data but instead only 3 or 4 lines for Twitter and the rest of the data coming from OpenGraph. Looking forward to seeing this work on other sites that run my SEO plugin!</p><p><a\nhref=\"http://yoast.com/twitter-cards-in-action/\">Twitter Cards in action</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/uQYktVK1qOM\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"http://yoast.com/twitter-cards-in-action/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"49\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:80:\"http://cdn.yoast.com/wp-content/uploads/2012/09/ionen_social_Twitter-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:4:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:72:\"http://cdn.yoast.com/wp-content/uploads/2012/09/ionen_social_Twitter.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Twitter Cards in action\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:80:\"http://cdn.yoast.com/wp-content/uploads/2012/09/ionen_social_Twitter-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:73:\"http://cdn3.yoast.com/wp-content/uploads/2012/09/tweet-summary-button.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"Tweet with summary button\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:80:\"http://cdn2.yoast.com/wp-content/uploads/2012/09/tweet-summary-button-125x88.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:82:\"http://cdn3.yoast.com/wp-content/uploads/2012/09/twitter-expanded-twitter-card.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:21:\"Expanded Twitter Card\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:90:\"http://cdn3.yoast.com/wp-content/uploads/2012/09/twitter-expanded-twitter-card-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:73:\"http://cdn3.yoast.com/wp-content/uploads/2012/09/twitter-card-michiel.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"Twitter Card Michiel\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:81:\"http://cdn3.yoast.com/wp-content/uploads/2012/09/twitter-card-michiel-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:108:\"http://yoast.com/twitter-cards-in-action/#utm_source=rss&utm_medium=rss&utm_campaign=twitter-cards-in-action\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:13:\"             \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"WordPress Archive Pages: the tutorial\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/ituadafIpro/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"http://yoast.com/wordpress-archive-pages/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 22 Aug 2012 13:26:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45944\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:813:\"<p>On any bigger site, you&#8217;ll get archive pages of some sort. Whether they are taxonomy or category archives, like this SEO category, Custom Post Type archives like this one for our WordPress plugin reviews or my speaking engagements, or even date archives: they all share the same common traits. In WordPress an archive will, by default, consist&#8230;</p><p><a\nhref=\"http://yoast.com/wordpress-archive-pages/\">WordPress Archive Pages: the tutorial</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:8281:\"<p><img\nclass=\"alignright size-full wp-image-45974\" title=\"WordPress Archive Pages\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/08/ionen_content_WP1.png\" alt=\"WordPress Archive Pages\" width=\"203\" height=\"137\" />On any bigger site, you&#8217;ll get archive pages of some sort. Whether they are taxonomy or category archives, like this <a\nhref=\"http://yoast.com/cat/seo/\">SEO category</a>, Custom Post Type archives like this one for our <a\nhref=\"http://yoast.com/wp-plugin-review/\">WordPress plugin reviews</a> or my <a\nhref=\"http://yoast.com/speaking/\">speaking engagements</a>, or even date archives: they all share the same common traits. In WordPress an archive will, by default, consist only of a listing of posts. As these pages will get visited by normal people, that means those visitors are &#8220;thrown&#8221; upon a page that doesn&#8217;t try to tell them where they are.</p><p>This lack of introduction gives visitors only two options: leave immediately because they don&#8217;t understand where they&#8217;ve ended up, or click through to an article, without you having had <em>any</em> chance of pushing them in the right direction.</p><p>Because of that, every decent archive needs an &#8220;introduction&#8221;. This can be as simple as just a header that stands out, but for more important sections of your site, it actually pays of to write a bit of content.</p><p>Before you write that content though, you first have to make sure that the content you write actually displays on those archive pages.</p><h2>Show introductory content on archive pages</h2><h3>Categories, Tags and Custom Taxonomies</h3><p>For category, tag or custom taxonomy archives, you can simply create a custom template by creating a file. For categories, for instance, this file would be called category.php. If you don&#8217;t know how template hierarchy works within WordPress, check out <a\nhref=\"http://yoast.com/wordpress-theme-anatomy/\">our infographic</a> on the topic.</p><p>In this template, above the standard WordPress loop, you add the following code:</p><pre class=\"brush: php; title: ; notranslate\">&lt;!--?php if ( !get_query_var( \'paged\' ) ) { ?--&gt;&lt;/pre&gt;\n&lt;h1&gt;&lt;/h1&gt;\n&lt;pre&gt;\n  &lt;!--?php echo wpautop( term_description() ); ?--&gt;\n&lt;!--?php } ?--&gt;</pre><p>This uses the title you set for the category / tag / custom taxonomy, as well as the description, which you can fill in the WordPress backend.</p><p>If you uses <a\nhref=\"http://yoast.com/wp-theme/genesis/\">Genesis</a>, you don&#8217;t need to create an extra file, you can probably just check the box in your Genesis theme settings:</p><p><img\nclass=\"alignnone\" title=\"Genesis Archive Settings\" src=\"http://cdn3.yoast.com/wp-content/uploads/2011/09/genesis-archive-settings.png\" alt=\"Genesis Archive Settings\" width=\"575\" height=\"99\" /></p><p>Or if that doesn&#8217;t work, you can just add this to your child theme&#8217;s functions.php (there&#8217;s still no need to make that file):</p><pre class=\"brush: php; title: ; notranslate\">&lt;!--?php &lt;br ?--&gt;function yoast_term_archive_intro() {\n  if ( !is_category() &amp;&amp; !is_tag() &amp;&amp; !is_tax() )\n    return;\n\n  if( get_query_var( \'paged\' ) )\n    return;\n\n  echo \'&lt;/pre&gt;\n&lt;h1 class=&quot;entry-title&quot;&gt;\'.single_term_title(\'\', false).\'&lt;/h1&gt;\n&lt;pre&gt;\n\';\n  echo \'&lt;/pre&gt;\n&lt;div class=&quot;entry-content&quot;&gt;\'.wpautop( term_description() ).\'&lt;/div&gt;\n&lt;pre&gt;\n\';\n}\nadd_action( \'genesis_before_loop\', \'yoast_term_archive_intro\', 20 );</pre><p>Of course you can add some extra code or classes in there to style those boxes a bit more.</p><h3>Custom Post Type archives</h3><p>For custom post type archives, this might actually be a bit harder. The beginning of the process is the same: you can create a new file, the name of which should contain your post type: <em>archive-{posttype}.php</em>.</p><p>Then you could output the name of the post type using the following code:</p><pre class=\"brush: php; title: ; notranslate\">if ( !get_query_var( \'paged\' ) ) {\n$pt = get_post_type_object( get_post_type() );\necho \'&lt;/pre&gt;\n&lt;h1&gt;\'.$pt-&gt;labels-&gt;name.\'&lt;/h1&gt;\n&lt;pre&gt;\n\';\n}</pre><p>This is where the tricky bit comes in though: there is no backend in WordPress to input descriptions for these types of pages, nor is there a preferred way of storing that data. I added input fields for these to my Genesis child theme settings, which is too much to explain here, of course you could also hardcode it but that&#8217;s a bit ugly&#8230;</p><p>Within Genesis, with the data coming from my child theme settings, I output the text using the following code in my functions.php (again, no reason to create a new file):</p><pre class=\"brush: php; title: ; notranslate\">&lt;!--?php &lt;br ?--&gt;function yoast_cpt_intro() {\n  if ( !is_post_type_archive() )\n    return;\n\n  if( get_query_var( \'paged\' ) )\n    return;\n\n  $pt = get_post_type();\n  if ( genesis_get_option( $pt.\'-title\', \'child-settings\' ) ) {\n    echo \'&lt;/pre&gt;\n&lt;h1&gt;\'.genesis_get_option( $pt.\'-title\', \'child-settings\' ).\'&lt;/h1&gt;\n&lt;pre&gt;\n\';\n    echo wpautop( genesis_get_option( $pt.\'-intro\', \'child-settings\' ) );\n  }\n}\nadd_action( \'genesis_before_loop\', \'yoast_cpt_intro\', 20 );</pre><h2>Prevent duplicate content</h2><p>To avoid <a\nhref=\"http://yoast.com/articles/duplicate-content/\">duplicate content</a>, we only add the introduction to the first page of an archive, if that archive is a paginated one. With the introduction of <a\nhref=\"http://yoast.com/rel-next-prev-paginated-archives/\">rel=&#8221;next&#8221; and rel=&#8221;previous&#8221;</a>, sites that have implemented this well will be getting more visitors to the first page of a paginated series of archives anyway, but we still don&#8217;t want to show the same content on multiple pages.</p><p>You might have noticed this line of code in the Genesis examples above:</p><pre class=\"brush: php; title: ; notranslate\">if( get_query_var( \'paged\' ) )\nreturn;</pre><p>This does exactly that: prevent the duplicate content.</p><h2>Styling the archive introduction text</h2><p>You should make sure that your introductory text for your archive really stands out. Remember, it&#8217;s not &#8220;just&#8221; there for SEO reasons, it&#8217;s there because people will read it! It&#8217;s very tempting to make it look just like another post, but you should take a bit more time and style it properly.</p><p>I personally like the way we&#8217;ve done that in our recent redesign, this is for instance what the <a\nhref=\"http://yoast.com/cat/wordpress/\">WordPress category</a> intro looks like:</p><p><img\nclass=\"alignnone size-full wp-image-45947\" title=\"WordPress category introduction\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/08/wordpress-category-introduction.png\" alt=\"WordPress category introduction\" width=\"560\" height=\"187\" /></p><p>Of course, the text for that introduction is a bit poor. I should probably do a much better job myself of explaining people where to go for what kinds of content, so I&#8217;ll get right on that once I finish this post&#8230; Which brings me to the last bit:</p><h2>HTML in category descriptions</h2><p>HTML in descriptions for categories, tags and custom taxonomies is currently disallow by default. I think that&#8217;s changing in an upcoming release, but for now you&#8217;ll have to fix that. If you&#8217;re using my WordPress SEO plugin, this has already been fixed for you, if not, AppThemes has quite a <a\nhref=\"http://docs.appthemes.com/tutorials/allow-html-in-taxonomy-descriptions/\">good tutorial</a> on it.</p><p>Let me know what you did with your archive pages in the comments, I&#8217;m very curious to see good examples!</p><p><a\nhref=\"http://yoast.com/wordpress-archive-pages/\">WordPress Archive Pages: the tutorial</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/ituadafIpro\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"http://yoast.com/wordpress-archive-pages/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"34\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:78:\"http://cdn2.yoast.com/wp-content/uploads/2012/08/ionen_content_WP1-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:3:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:70:\"http://cdn3.yoast.com/wp-content/uploads/2012/08/ionen_content_WP1.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"WordPress Archive Pages\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:78:\"http://cdn2.yoast.com/wp-content/uploads/2012/08/ionen_content_WP1-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:2:\"  \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:77:\"http://cdn3.yoast.com/wp-content/uploads/2011/09/genesis-archive-settings.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:1:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:24:\"Genesis Archive Settings\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:84:\"http://cdn3.yoast.com/wp-content/uploads/2012/08/wordpress-category-introduction.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"WordPress category introduction\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:91:\"http://cdn.yoast.com/wp-content/uploads/2012/08/wordpress-category-introduction-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:108:\"http://yoast.com/wordpress-archive-pages/#utm_source=rss&utm_medium=rss&utm_campaign=wordpress-archive-pages\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:11:\"           \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"Why relative URLs should be forbidden for web developers\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/qPbEHoWyZgc/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:47:\"http://yoast.com/relative-urls-issues/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 17 Aug 2012 09:52:18 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Webdesign & development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45908\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:782:\"<p>Twitter is the website / web service most of us love and sometimes hate, a service that has become an integral part of most of our online identities. It&#8217;s one of the services we expect to be there when we Google ourselves or other people. So when you Google yourself and instead of twitter.com, you&#8230;</p><p><a\nhref=\"http://yoast.com/relative-urls-issues/\">Why relative URLs should be forbidden for web developers</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:10926:\"<p>Twitter is the website / web service most of us love and sometimes hate, a service that has become an integral part of most of our online identities. It&#8217;s one of the services we expect to be there when we Google ourselves or other people. So when you Google yourself and instead of twitter.com, you see a weird result, you think &#8220;huh&#8221;. Then, when you&#8217;re like me, you try to figure out what caused that and once you figure it, you think &#8220;d0h!&#8221;. You&#8217;d think the people at Twitter would know better than to use relative URLs or even worse, a HOST header to determine the domain, resulting in this result when you search for my name:</p><p><img\nclass=\"aligncenter size-full wp-image-45910\" title=\"yoast - twitter\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/08/yoast-twitter.png\" alt=\"yoast - twitter\" width=\"522\" height=\"83\" /></p><p>Relative URLs stink. They really do. All sorts of SEO problems on the web are caused by the use of relative URLs in links, canonicals and more. We find issues with them in our <a\nhref=\"http://yoast.com/hire-me/website-review/\">website reviews</a> on a regular basis, but as you can see bigger sites like Twitter also have massive issues because of them. I&#8217;ll try to explain why you shouldn&#8217;t use them and what you could do instead, as it might be simple things like this that hold you back from performing well with your website.</p><h2>What are relative URLs?</h2><p>Relative URLs are all URLs that do not contain a fully qualified domain name and path, but instead just the path or a portion of the path. So when your website is example.com, you could be linking to your contact page from your homepage like this:</p><pre class=\"brush: xml; title: ; notranslate\">&lt;a href=&quot;contact.html&quot;&gt;Contact&lt;/a&gt;</pre><p>And back to your homepage from your contact page like this:</p><pre class=\"brush: xml; title: ; notranslate\">&lt;a href=&quot;/&quot;&gt;Home&lt;/a&gt;</pre><p>The / refers to the directory / on the domain. So even when you&#8217;re three levels deep in a directory structure, linking to / would link to the frontpage. Lastly, when you&#8217;re on the corporate page of your about section, for instance <em>example.com/about/corporate.html</em>, you could link to your contact page like this:</p><pre class=\"brush: xml; title: ; notranslate\">&lt;a href=&quot;../contact.html&quot;&gt;Contact&lt;/a&gt;</pre><p>All the resulting URLs are calculated by your browser based on the base URL. By default, this is the current URL that&#8217;s in your location bar, but using the <code>base</code> element, you could set it to something else, like this:</p><pre class=\"brush: xml; title: ; notranslate\">&lt;base href=&quot;http://www.example.com/subdirectory/&quot;&gt;</pre><p>Doing this would make the second link above, the link to /, resolve to <em>http://www.example.com/subdirectory/</em>.</p><p>This was all fine when HTML was invented and websites consisted of real static HTML pages in directory structures. Now though, most of the web is built with content management systems, changing URLs is easier and some URLs might behave differently than what you&#8217;d expect. Because of that, relative URLs can cause a few different types of issues, all of which can be pretty detrimental for your SEO and your server performance.</p><h3>Why are relative URLs still being used?</h3><p>Relative URLs are often used because developers have a test environment on another hostname and it makes it easy for them to move stuff between their test environment and their live environment. Other reasons include that it&#8217;s &#8220;just easier in website maintenance&#8221;. They&#8217;re also, in my opinion falsely, <a\nhref=\"http://www.websiteoptimization.com/speed/tweak/relative/\">promoted</a> by some websites about site speed because they&#8217;re &#8220;shorter&#8221; and thus &#8220;faster&#8221;.</p><p>In reality, all of these reasons are false when you look at the bigger picture. The few minutes a developer might save by using relative URLs are offset by countless hours an SEO might be spending to solve the issues caused.</p><h2>Some of the problems caused by relative URLs</h2><p>Issues caused by the use of relative URLs are vast and plentiful, and any seasoned SEO can probably give you a few examples of clients that have had huge losses because of them. Let me show you a couple of them:</p><h3>A completely indexed test environment</h3><p>When you have a menu structure that relies on relative URLs, one wrong link in your content to your test environment would cause the entire test environment to be spidered and indexed, causing massive <a\nhref=\"http://yoast.com/articles/duplicate-content/\">duplicate content issues</a>. This happens more often than you think, in fact, have you checked whether the test environment you used to test your last few development projects are indexed by Google? I bet some of you will now find out that they are indexed.</p><h3>Spider traps</h3><p>Most of the times I&#8217;ve found what we call &#8220;spider traps&#8221; they&#8217;re caused by wrongly used relative URLs. Let me show you an example: a site linking to ./example instead of ../example/, from the /contact/ page. A link to ./ means you&#8217;re linking to the current directory. When the current URL ends in /contact/ this means that a link to ./example/ resolves to /contact/example/. So clicking that link would take me to http://www.example.com/contact/example/, if your CMS is set up to serve the same page for /contact/example/ as it serves for /contact/, which is a <em>very</em> common case, you&#8217;ll now have a spider trap. Because that /content/example/ page also links to ./example/, which now resolves to /contact/example/example/, which then links to ./example/ again and thus links to /contact/example/example/example/ etc. etc. etc. You probably get the issue, and I hope you also understand why this could be <em>very</em> detrimental for your search engine rankings.</p><p>These kinds of issues are <em>very</em> easily found using a tool like <a\nhref=\"http://www.screamingfrog.co.uk/seo-spider/\">Screaming Frog</a>, which I think every webmaster should have in its arsenal.</p><h3>Relative canonical URLs</h3><p>Issues can also be caused by using relative canonical URLs. A <a\nhref=\"http://yoast.com/canonical-url-links/\">canonical URL</a> is supposed to link to the &#8220;perfect&#8221; URL for a piece of content on your website. If you use a relative link and also have a subdomain or test environment that&#8217;s indexed, you suddenly have several versions of a piece of content that all proclaim themselves as the canonical version of that piece of content&#8230; You can understand a search engine having a hard time dealing with this.</p><h4>A little knowledge is a dangerous thing&#8230;</h4><p>At Twitter, they figured out that they shouldn&#8217;t use relative canonicals. So a developer there thought he was smart and probably defined the domain part of the canonical URL using the HOST header information. This causes the very issue that I talked about in the introduction above, because now the IP result in the screenshot above has a canonical URL pointing to itself, causing Google to show Twitter&#8217;s IP&#8217;s in search results everywhere instead of the proper domain&#8230;</p><h3>Protocol-relative URLs</h3><p>Another issue is the so-called protocol relative URL. This is a URL that leaves of the http:// or https:// bit. This type of relative URL does have its uses, but it should not be deployed outside of those useful cases. The useful cases are when it&#8217;s used inside JavaScript or CSS, so files are served over the same protocol as the current page, especially because when you&#8217;re on a https URL, serving anything over http basically breaks the security. Using protocol relative URLs within links or canonical URLs is a <em>very bad idea</em> though, because you can still have duplicate content issues between http and https versions of a website.</p><h2>The solution</h2><p>WordPress core has this solution solved in a very nice way, using a couple of solutions:</p><h3>Absolute URLs everywhere</h3><p>Whenever WordPress outputs a URL, it&#8217;s always a full, absolute URL. For the domain name part of that it uses the domain you set in the General settings. This is the type of solution everyone should use: the domain name should be in a configuration file, this would allow you to still easily migrate between development environment and live environment by just using different configuration files.</p><h3>Canonical Redirects</h3><p>Whenever WordPress detects that you are on a specific article but are not using the proper &#8220;canonical&#8221; URL, it&#8217;ll try to 301 redirect you to the correct version. For the cases when it doesn&#8217;t detect this (it for instance ignores query parameters added to the URL), there is:</p><h3>The canonical link URL element</h3><p>When you&#8217;re on a single post or page, WordPress puts out a <a\nhref=\"http://yoast.com/canonical-url-links/\">canonical link element</a>, based on what the URL of the current article should be, irregardless of what&#8217;s in your browsers location bar. My <a\nhref=\"http://yoast.com/wordpress/seo/\">WordPress SEO plugin</a> extends this functionality to display canonical link elements just about everywhere within WordPress, and you should do this in your CMS too.</p><h2>Conclusion</h2><p>Twitter&#8217;s issue could be rather easily resolved, as we&#8217;ve discussed, by using proper absolute URLs everywhere in their code. There are no real good arguments against not doing that. While Twitter is not a direct e-commerce site and might not have the biggest of issues with losing a bit of traffic, I&#8217;ve had issues with relative URLs and relative canonicals at clients that have cost those clients upwards of a hundred thousand euro&#8217;s. The very small gain in web development time, if any, is never, ever, worth that.</p><p>So you should be using absolute URLs at all times, canonical redirects when possible and canonical link elements should ideally be on every page you serve out. After all, when you&#8217;re building a brand, do you really want to lose that brand in the search result pages? I think that&#8217;s a waste and I&#8217;m guessing you do too.</p><p><a\nhref=\"http://yoast.com/relative-urls-issues/\">Why relative URLs should be forbidden for web developers</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/qPbEHoWyZgc\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"http://yoast.com/relative-urls-issues/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"60\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:73:\"http://cdn3.yoast.com/wp-content/uploads/2012/08/yoast-twitter-125x83.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:65:\"http://cdn.yoast.com/wp-content/uploads/2012/08/yoast-twitter.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"yoast – twitter\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:73:\"http://cdn3.yoast.com/wp-content/uploads/2012/08/yoast-twitter-125x83.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:102:\"http://yoast.com/relative-urls-issues/#utm_source=rss&utm_medium=rss&utm_campaign=relative-urls-issues\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:11:\"           \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"Redesign and more :)\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/Dzq5aIAuyBM/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://yoast.com/redesign-and-more/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 15 Aug 2012 11:47:45 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"Offtopic\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45894\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:794:\"<p>Yoast keeps changing and growing in many, many ways. One of those is a redesign, which is now live. We&#8217;re finally using the theme framework we&#8217;ve been recommending to others for ages: StudioPress&#8217; Genesis. We used an external developer for most of the development, just because I&#8217;m too pressed for time myself and didn&#8217;t want&#8230;</p><p><a\nhref=\"http://yoast.com/redesign-and-more/\">Redesign and more :)</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:2569:\"<p><img\nclass=\"alignright size-full wp-image-45895\" title=\"yoast redesign\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/08/yoast-redesign.png\" alt=\"yoast redesign\" width=\"347\" height=\"156\" />Yoast keeps changing and growing in many, many ways. One of those is a redesign, which is now live. We&#8217;re finally using the theme framework we&#8217;ve been recommending to others for ages: <a\nhref=\"http://yoast.com/out/genesis/\">StudioPress&#8217; Genesis</a>. We used an external developer for most of the development, just because I&#8217;m too pressed for time myself and didn&#8217;t want this to wait. His name is <a\nhref=\"http://www.billerickson.net/\">Bill Erickson</a> and he comes <em>highly</em> recommended, he&#8217;s been an absolute pleasure to work with.</p><p>I hope you like it, a longer story on the how and why of this will come soon, as we make sure we&#8217;ve fixed all small bugs.</p><h2>Other changes at Yoast</h2><p>But there&#8217;s more&#8230; While we work on the new design, we can also tell you that we&#8217;ve actually hired a part-time designer, who&#8217;ll be joining us September 1st to start out several new projects. We&#8217;re excited to have her on board but we won&#8217;t tell you more than that just yet!</p><p>Related to that I have finally convinced my wife that I need her in the company too, to head up our research &#8220;department&#8221; (she&#8217;s a Ph. D. in criminology/sociology). While she will continue to teach and do research at <a\nhref=\"http://www.studyatavans.com/en/home\">Avans</a>, she will also be helping us out with a research project, for which an intern will be starting soon as well.</p><p>One more thing&#8230;</p><p><a\nhref=\"http://yoast.com/wordpress/video-seo/\">Video SEO</a>! It&#8217;s like, ready. We&#8217;re hard at work preparing documentation and the necessary infrastructure, but the plugin will go on sale within the next few weeks.</p><p>That&#8217;s it for now, enjoy the new design and make sure you subscribe to the newsletter so we can keep you up to date.</p><p><a\nhref=\"http://yoast.com/redesign-and-more/\">Redesign and more :)</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/Dzq5aIAuyBM\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"http://yoast.com/redesign-and-more/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"85\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:75:\"http://cdn3.yoast.com/wp-content/uploads/2012/08/yoast-redesign-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:66:\"http://cdn.yoast.com/wp-content/uploads/2012/08/yoast-redesign.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"yoast redesign\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:75:\"http://cdn3.yoast.com/wp-content/uploads/2012/08/yoast-redesign-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"http://yoast.com/redesign-and-more/#utm_source=rss&utm_medium=rss&utm_campaign=redesign-and-more\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:14:\"              \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"Tag Optimization for WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/99yY97SLdX4/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:42:\"http://yoast.com/optimizing-tags/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 04 Jul 2012 14:51:30 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45845\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:769:\"<p>In our website reviews we regularly encounter websites who&#8217;ve got just as many tags as posts, or 20,000 posts and 5,000 tags. This is undesirable as it means you&#8217;re not using tags to relate your posts together, which is what you should do. We usually tell them to optimize their tags but that&#8217;s easier to&#8230;</p><p><a\nhref=\"http://yoast.com/optimizing-tags/\">Tag Optimization for WordPress</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:4501:\"<p>In our <a\nhref=\"http://yoast.com/hire-me/website-review/\">website reviews</a> we regularly encounter websites who&#8217;ve got just as many tags as posts, or 20,000 posts and 5,000 tags. This is undesirable as it means you&#8217;re not using tags to relate your posts together, which is what you should do. We usually tell them to optimize their tags but that&#8217;s easier to say than do. Deleting them is easy, but that&#8217;s not a solution. What you <em>should</em> be doing is merging multiple tags into one, adding more posts to a tag or delete &amp; redirect them to your homepage.</p><p>That&#8217;s not something you want to do manually, as it&#8217;s a lot of work. That&#8217;s why I built a tool called the Term Optimizer. This tool helps you find tags or other taxonomy terms that are used only once, or even less, and allows you to merge them, redirect them, etc.</p><h2>Optimize your WordPress Tags with the Term Optimizer</h2><p>It&#8217;s simple, once you&#8217;ve bought the file, you place it in your WordPress root directory, it needs to have <em>wp- load.php</em> in the same directory. You then open the URL and you&#8217;ll be seeing an interface like this (click for larger version):</p><p><a\nclass=\"thickbox\" href=\"http://cdn.yoast.com/wp-content/uploads/2012/07/Term-Optimizer-by-Yoast.png\"><img\nclass=\"alignnone size-large wp-image-45853\" title=\"Easy Tag Optimization with Term Optimizer by Yoast\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/07/Term-Optimizer-by-Yoast-590x533.png\" alt=\"Easy Tag Optimization with Term Optimizer by Yoast\" width=\"580\" height=\"523\" /></a></p><p>By default it&#8217;ll search for all tags that are used less than 4 times. As you can see, there&#8217;s a checkbox before each post. If you check them and use the drop down in the top, you can choose from several actions:</p><p><img\nclass=\"aligncenter size-full wp-image-45855\" title=\"With selected tags, do the following: merge, delete &amp; redirect, shows posts with term, search &amp; tag\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/07/with-selected-do.png\" alt=\"With selected tags, do the following: merge, delete &amp; redirect, shows posts with term, search &amp; tag\" width=\"372\" height=\"133\" /></p><p>If you choose merge and selected, you&#8217;ll be presented with a second screen that allows you to choose the tag you want to merge these tags with. Once that&#8217;s done, if your .htaccess file is writeable, the tool will automatically add the redirect lines to your .htaccess file.</p><p>Pressing delete will do something similar, you&#8217;ll be able to redirect to the homepage, to a category or to a custom URL:</p><p><img\nclass=\"aligncenter size-full wp-image-45849\" title=\"Delete &amp; redirect tag\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/07/delete-redirect-tag.png\" alt=\"Delete &amp; redirect tag\" width=\"312\" height=\"199\" /></p><p>This allows you to optimize your tags with only a few minutes / hours work, instead of having to get a developer to do all this work for you.</p><h2>Quickly Adding Tags to Posts</h2><p>Sometimes you realize that you should have created a certain tag and it&#8217;s now a lot of work to do that through the interface. With the term optimizer you can do that quite simply (click for larger image):</p><p><a\nclass=\"thickbox\" href=\"http://cdn3.yoast.com/wp-content/uploads/2012/07/search-tag.png\"><img\nclass=\"aligncenter size-large wp-image-45860\" title=\"Search &amp; Tag posts\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/07/search-tag-590x632.png\" alt=\"Search &amp; Tag posts\" width=\"580\" height=\"621\" /></a></p><h2>Buy this Tool, start Optimizing your Tags Now!</h2><p>We&#8217;ll be making this available to our past website review customers who need it for free, if you&#8217;re not a website review customer but just want to clean up your tags or other terms, you can buy it now:</p><div\nclass=\"aligncenter\"><a\nclass=\"button\" href=\"http://gum.co/vyvF\">Buy Term Optimizer</a></div><p><a\nhref=\"http://yoast.com/optimizing-tags/\">Tag Optimization for WordPress</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/99yY97SLdX4\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:38:\"http://yoast.com/optimizing-tags/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"86\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:84:\"http://cdn3.yoast.com/wp-content/uploads/2012/07/Term-Optimizer-by-Yoast-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:4:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:75:\"http://cdn.yoast.com/wp-content/uploads/2012/07/Term-Optimizer-by-Yoast.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"Easy Tag Optimization with Term Optimizer by Yoast\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:84:\"http://cdn3.yoast.com/wp-content/uploads/2012/07/Term-Optimizer-by-Yoast-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:68:\"http://cdn.yoast.com/wp-content/uploads/2012/07/with-selected-do.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"With selected tags, do the following: merge, delete & redirect, shows posts with term, search & tag\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:77:\"http://cdn2.yoast.com/wp-content/uploads/2012/07/with-selected-do-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:72:\"http://cdn2.yoast.com/wp-content/uploads/2012/07/delete-redirect-tag.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:21:\"Delete & redirect tag\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:80:\"http://cdn2.yoast.com/wp-content/uploads/2012/07/delete-redirect-tag-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:63:\"http://cdn3.yoast.com/wp-content/uploads/2012/07/search-tag.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Search & Tag posts\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:70:\"http://cdn.yoast.com/wp-content/uploads/2012/07/search-tag-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"http://yoast.com/optimizing-tags/#utm_source=rss&utm_medium=rss&utm_campaign=optimizing-tags\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:14:\"              \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"Twitter Cards, Open Graph & Social Meta Data\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/QeKlh469Q54/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"http://yoast.com/twitter-cards/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 16 Jun 2012 06:22:25 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:4:{i:0;a:5:{s:4:\"data\";s:12:\"Social Media\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:9:\"OpenGraph\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:7:\"Twitter\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:17:\"WordPress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45800\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:788:\"<p>Two days ago, Twitter introduced a new system called Twitter Cards (see their docs). It allows site owners to enhance the expanded tweets Twitter creates for their site, much in the same was as  OpenGraph tags give site owners the chance to determine what their posts &#38; pages will look like when shared on Facebook. In&#8230;</p><p><a\nhref=\"http://yoast.com/twitter-cards/\">Twitter Cards, Open Graph &#038; Social Meta Data</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:5576:\"<p><a\nhref=\"http://cdn3.yoast.com/wp-content/uploads/2012/06/example-card-web-summary.png\"><img\nclass=\"alignright size-medium wp-image-45801\" title=\"Example Twitter Card\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/06/example-card-web-summary-300x156.png\" alt=\"Example Twitter Card\" width=\"300\" height=\"156\" /></a>Two days ago, Twitter <a\nhref=\"https://dev.twitter.com/blog/twitter-cards\">introduced</a> a new system called Twitter Cards (see <a\nhref=\"https://dev.twitter.com/docs/cards\">their docs</a>). It allows site owners to enhance the expanded tweets Twitter creates for their site, much in the same was as  OpenGraph tags give site owners the chance to determine what their posts &amp; pages will look like when shared on Facebook. In fact, Twitter chose to fall back to OpenGraph data when their specific tags aren&#8217;t being used, just as Google+ does.</p><p>A while back Alex posted about <a\nhref=\"http://yoast.com/facebook-open-graph-protocol/\">OpenGraph</a> here and users of my <a\nhref=\"http://yoast.com/wordpress/seo/\">WordPress SEO plugin</a> will have noticed that quite some development went into (and actually still goes into) the OpenGraph settings of that plugin. With this change, that development has been worth while even more. Google+, Facebook and Twitter now all use the basic OpenGraph tags like og:url, <code>og:description</code>, <code>og:title</code> and <code>og:image</code>.</p><p>This means that for a full Twitter Cards implementation, you only really need to add three lines to your site. For instance for every post <a\nhref=\"http://yoast.com/author/michiel/\">Michiel</a> writes on this site, we&#8217;d need to add this:</p><pre class=\"brush: xml; title: ; notranslate\">&lt;meta name=&quot;twitter:card&quot; value=&quot;summary&quot;&gt;\n&lt;meta name=&quot;twitter:site&quot; value=&quot;@yoast&quot;&gt;\n&lt;meta name=&quot;twitter:creator&quot; value=&quot;@michielheijmans&quot;&gt;</pre><p>All the other data would be taken from the OpenGraph metadata that&#8217;s already there. When I noticed this, I realized that the Twitter Card implementation for my SEO plugin would be a breeze; so I went ahead and build it. I&#8217;m currently waiting for access to their beta so I can test it, but the implementation is mostly done. It&#8217;ll add a Twitter contact field to every user&#8217;s profile using the <a\nhref=\"http://yoast.com/user-contact-fields-wordpress/\">method I wrote about a few days ago</a>. Next to that it&#8217;ll allow you to set a site Twitter account and check a box to say you want to include the data, that&#8217;s it. If you want to have a play, the code is already in the WordPress SEO trunk, so you can download it from the <a\nhref=\"http://wordpress.org/extend/plugins/wordpress-seo/developers/\">developers page</a>.</p><h2>What Twitter Cards mean for OpenGraph</h2><p>As you&#8217;ll understand, Twitter Cards made OpenGraph even more important than it already was. No site on the web should be without the basic OpenGraph meta data anymore. Microsoft recently announced <a\nhref=\"http://blogs.msdn.com/b/ie/archive/2012/05/14/sharing-links-from-ie10-on-windows-8.aspx\">suport for OpenGraph in IE10</a> in Windows 8 as well, which just adds another reason.</p><p>It makes sense too: the OpenGraph protocol is relatively easy yet allows for a bit more than just a meta description and title tag. So go forth and implement OpenGraph!</p><h2>Merge it all into one standard</h2><p>There are some things that obviously need to be worked on though. The fact that Twitter requires the <code>twitter:card</code> meta tag sort of annoys me, as it seems to me they could have just mapped the <code>og:type</code> meta tag for that, which would make implementation even easier. The same goes for the <code>og:url</code> meta tag, Facebook falls back to the <code>rel=canonical</code> element when it&#8217;s there and there is no <code>og:url</code> element, I&#8217;m hoping Twitter will do the same but they haven&#8217;t specified it yet.</p><p>In the <a\nhref=\"https://www.facebook.com/groups/opengraph/\">Facebook group</a> that discusses the Open Graph Protocol I already saw <a\nhref=\"https://www.facebook.com/groups/opengraph/permalink/447342028623970/\">Tantek Çelik say</a> what I was thinking:</p><blockquote><p>og:&#8230; twitter:&#8230; &#8211; it&#8217;s like vendor prefixes for meta tags! looks like a good opportunity to create a microformat based on commonalities among all this vendor-specific work.</p></blockquote><p>All I can say is: yes! Hell yes! Because before you know it, Pinterest will create some meta tags too, StumbleUpon will follow and we&#8217;ll have even more code spaghetti in the <code>&lt;head&gt;</code>s of our pages.</p><p>For now though, I like what Twitter did with their Twitter Cards change, here&#8217;s to hoping I get into the beta soon.</p><p><strong>Update September 5th, 2012:</strong> it now works for yoast.com! Here are some <a\nhref=\"http://yoast.com/twitter-cards-in-action/\">more thoughts on the topic</a>.</p><p><a\nhref=\"http://yoast.com/twitter-cards/\">Twitter Cards, Open Graph &#038; Social Meta Data</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/QeKlh469Q54\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"http://yoast.com/twitter-cards/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"35\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:84:\"http://cdn.yoast.com/wp-content/uploads/2012/06/example-card-web-summary-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:77:\"http://cdn3.yoast.com/wp-content/uploads/2012/06/example-card-web-summary.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"Example Twitter Card\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:84:\"http://cdn.yoast.com/wp-content/uploads/2012/06/example-card-web-summary-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:88:\"http://yoast.com/twitter-cards/#utm_source=rss&utm_medium=rss&utm_campaign=twitter-cards\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:13:\"             \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:6:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"User Contact Fields in WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/gHUBwi4FUAk/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"http://yoast.com/user-contact-fields-wordpress/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 13 Jun 2012 08:00:26 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:5:{i:0;a:5:{s:4:\"data\";s:9:\"WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Facebook\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:6:\"Google\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:7:\"Twitter\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:17:\"WordPress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:24:\"http://yoast.com/?p=1593\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:778:\"<p>WordPress comes with a &#8220;default&#8221; set of user contact fields, which has always looked random to me: AIM, Yahoo IM and Jabber / Google Talk, instead of what I&#8217;d want to have there: Twitter, Facebook and Google+. A while back I got frustrated enough to have a look at how this was actually dealt with&#8230;</p><p><a\nhref=\"http://yoast.com/user-contact-fields-wordpress/\">User Contact Fields in WordPress</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:3157:\"<p>WordPress comes with a &#8220;default&#8221; set of user contact fields, which has always looked random to me: AIM, Yahoo IM and Jabber / Google Talk, instead of what I&#8217;d want to have there: Twitter, Facebook and Google+. A while back I got frustrated enough to have a look at how this was actually dealt with in the backend of WordPress, and fix it, so in WordPress 2.9 an API was added as a result of ticket <a\nhref=\"http://core.trac.wordpress.org/ticket/10240\">#10240</a>.</p><p>This change allowed for developers to add user contact fields in a very simple way. The example code below adds Twitter and removes Yahoo IM, and yes, this is all the code that&#8217;s needed to do it:</p><pre class=\"brush: php; title: ; notranslate\">function add_twitter_contactmethod( $contactmethods ) {\n  // Add Twitter\n  if ( !isset( $contactmethods[\'twitter\'] ) )\n    $contactmethods[\'twitter\'] = \'Twitter\';\n\n  // Remove Yahoo IM\n  if ( isset( $contactmethods[\'yim\'] ) )\n    unset( $contactmethods[\'yim\'] );\n\n  return $contactmethods;\n}\nadd_filter( \'user_contactmethods\', \'add_twitter_contactmethod\', 10, 1 );</pre><p>Easy does it, right? Retrieving the user contact field isn&#8217;t much harder either, for example, if you&#8217;re on a singular page, use the following code:</p><pre class=\"brush: php; title: ; notranslate\">if ( is_singular() ) {\n  global $post;\n  $twitter = get_the_author_meta( \'twitter\', $post-&gt;post_author );\n}</pre><p>And there you have it! My <a\nhref=\"http://yoast.com/wordpress/seo/\">WordPress SEO plugin</a> uses this exact method to add a Google+ profile field for users to be used in conjunction with the <a\nhref=\"http://yoast.com/highlighting-wordpress-authors-search/\">author highlighting</a> features of Google. If you&#8217;d want to echo the Google+ user contact field that plugin creates, do the following:</p><pre class=\"brush: php; title: ; notranslate\">if ( is_singular() ) {\n  global $post;\n  the_author_meta( \'googleplus\', $post-&gt;post_author );\n}</pre><p>As you can see this uses <code>the_author_meta</code> instead of <code>get_the_author_meta</code>. The <code>$post</code> global and the <code>$post-&gt;post_author</code> reference would strictly speaking not even be needed as they&#8217;re called from the global otherwise within the function, but this might prevent issues with retrieving the wrong user contact fields.</p><p>That&#8217;s it! Now you can add and remove user contact fields as you wish. You can do this in your theme&#8217;s <em>functions.php</em> or in a plugin, be sure to add the <code>isset</code> code around it to prevent notices though!</p><p><a\nhref=\"http://yoast.com/user-contact-fields-wordpress/\">User Contact Fields in WordPress</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/gHUBwi4FUAk\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"http://yoast.com/user-contact-fields-wordpress/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"20\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:120:\"http://yoast.com/user-contact-fields-wordpress/#utm_source=rss&utm_medium=rss&utm_campaign=user-contact-fields-wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:17:\"                 \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"WordPress SEO 1.2 – Major Upgrade\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/9gwcWupQ9Is/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://yoast.com/wordpress-seo-1-2/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 12 Jun 2012 13:11:26 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:3:{i:0;a:5:{s:4:\"data\";s:9:\"WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:17:\"WordPress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:13:\"WordPress SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45751\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:751:\"<p>My WordPress SEO plugin has been updated to 1.2. A few weeks back I did a series of bug fix updates and while doing that I noticed there where things that were really bugging me in the plugin. Everybody seemed to focus on the settings and hardly anyone was working with the snippet preview and&#8230;</p><p><a\nhref=\"http://yoast.com/wordpress-seo-1-2/\">WordPress SEO 1.2 &#8211; Major Upgrade</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:8046:\"<p>My WordPress SEO plugin has been updated to 1.2. A few weeks back I did a series of bug fix updates and while doing that I noticed there where things that were <em>really</em> bugging me in the plugin. Everybody seemed to focus on the settings and hardly anyone was working with the snippet preview and the page analysis functionality, in my opinion the most important pieces of the plugin. This update will try and gently push you to use that functionality more.</p><p>Next to that, I also did a major overhaul of the two most important settings pages, so let&#8217;s discuss these changes first:</p><h2>The new SEO settings pages</h2><p>The plugin used to have a &#8220;Titles&#8221; and an &#8220;Indexation&#8221; page. That was confusing as the titles page also covered the meta descriptions and had pieces for each (custom) post type and (custom) taxonomy and the Indexation page had other settings for these same post types and taxonomies. So I decided to merge them into one and divide them into tabs for the separate sections.</p><p>These sections now look as follows:</p><p><img\nclass=\"alignnone size-full wp-image-45755\" title=\"Titles Meta settings\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/06/Titles-Meta-settings.png\" alt=\"Titles Meta settings\" width=\"580\" height=\"631\" /></p><p>And the section for post types:</p><p><img\nclass=\"alignnone size-full wp-image-45756\" title=\"titles meta settings for post types\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/06/titles-metas-post-types.png\" alt=\"titles meta settings for post types\" width=\"580\" height=\"502\" /></p><p>As you can see, they&#8217;re much cleaner. Both post types and taxonomies can now be noindex, followed straight from this interface as well, with the option to override the global setting on a per post or per term (eg. a tag or category) basis.</p><h2>Rel=&#8221;author&#8221;</h2><p>As I mentioned in my previous post about <a\nhref=\"http://yoast.com/push-rel-author-head/\">rel=&#8221;author&#8221; through your head</a>, this feature is now in WordPress SEO 1.2. Simply go to your author profile and fill your Google+ URL and it&#8217;ll be added to each post automagically.</p><h2>Default Settings</h2><p>The WordPress SEO plugin until now always lacked proper default settings. It had them but it didn&#8217;t show them to the user in the titles section and it didn&#8217;t have them for various other sections. While there&#8217;s still more work to do with guiding people to get the right settings, the plugin now sets defaults that should work well for 99% of sites on install.</p><p>This also means the plugin, when freshly installed, will now automatically enable XML Sitemaps and will detect automatically whether force rewrite needs to be enabled or not. That should save me some support headaches.</p><p>But, as I said, those sections aren&#8217;t really that important. This bit is:</p><h2>The Snippet Preview &amp; Focus keyword</h2><p>An enormous amount of bugs have been fixed in the snippet preview and the focus keyword functionality. Most of them are related to non-ascii characters and languages such as Russian and Arabian, but others involve keywords with dollar signs or even simple dashes. &#8220;<a\nhref=\"http://yoast.nl/seo-trainingen/in-company-seo-training/\">In-company SEO training</a>&#8221; for instance will now be properly recognized as a focus keyword.</p><p>The bolding of keywords in the snippet preview has also been fixed for all cases I knew went wrong. If you still have issues, be sure to let me know through the forums; but I fully expect this release to fix most of them.</p><h2>The Page Analysis functionality</h2><p>When I introduced this functionality in May 2011 I thought it was the best thing since sliced bread, but as I said, I couldn&#8217;t get enough people to use it properly. Linkdex, who contributed the original code, always calculated a &#8220;score&#8221; for each page based on that code and I had decided to not use that score. The reason I left it out was simple: I didn&#8217;t want people to optimize for that last percent.</p><p>For this release, I decided it was time to re-think that approach and come up with something better. Now, each post, page or other post type will get a &#8220;score&#8221;, but there are only 4 options:</p><ul><li>bad (red)</li><li>poor (orange)</li><li>ok (yellow)</li><li>good (green)</li></ul><p>They look as follows:</p><p><img\nclass=\"aligncenter size-full wp-image-45754\" title=\"Score buttons\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/06/score_buttons.png\" alt=\"Score buttons\" width=\"164\" height=\"19\" /></p><p>This score is shown inside the publish box:</p><p><img\nclass=\"aligncenter size-full wp-image-45752\" title=\"SEO Score shown inside the publish box\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/06/seo-score-publish-box.png\" alt=\"SEO Score shown inside the publish box\" width=\"288\" height=\"96\" /></p><p>But, more importantly, it&#8217;s also shown in the overview of posts and pages, alongside other key SEO info (click for large version):</p><p><a\nclass=\"thickbox\" href=\"http://cdn2.yoast.com/wp-content/uploads/2012/06/seo-score-pages-overview.png\"><img\nclass=\"aligncenter size-large wp-image-45753\" title=\"SEO Score in the pages overview\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/06/seo-score-pages-overview-590x231.png\" alt=\"SEO Score in the pages overview\" width=\"580\" height=\"227\" /></a></p><p>As you can see, you can show the SEO score, the focus keyword, the meta description and the title; and you have the ability to sort by the first three of those values. This makes it easy to find posts that don&#8217;t have a focus keyword or have a low SEO score. You can also easily disable those columns that you&#8217;d rather not see. Within the posts overview, there are two colors for posts that aren&#8217;t a score. Grey means the post has no focus keyword and thus no score; blue means the post is set to noindex, so the score doesn&#8217;t matter.</p><h2>Questions and Answers about this release</h2><ul><li><strong>Why is this 1.2 and not 2.0?</strong><br\n/> I&#8217;ve decided my WordPress SEO plugin will follow the same version numbering as WordPress, so each point release is a major version increase. This prevents version number inflation so we don&#8217;t have WordPress SEO 25 in 4-5 years time.</li><li><strong>Will all my settings be saved when I upgrade?</strong><br\n/> Yes. But it won&#8217;t hurt you to go through all your settings and check whether you&#8217;re still doing what&#8217;s best for you. It won&#8217;t force the new defaults on you if you&#8217;ve already got the plugin installed, but there&#8217;s a button you can push if you want it to.</li><li><strong>Does this version do <em>X</em>?</strong><br\n/> It might. Why not download it and see for yourself? If it doesn&#8217;t, open a thread in the forums and let&#8217;s talk about it. Be warned though, I refuse most feature requests.</li><li><strong>You removed the setting for X, how can I change that now?</strong><br\n/> First of all, I tend to remove stuff for a good reason. Think about why I did that and see if you really need to change it. If you do, there&#8217;s a good chance the <a\nhref=\"http://yoast.com/wordpress/seo/api-docs/\">WordPress SEO API</a>, which has a ton of actions and filters added in this release, will allow you to change it programmatically.</li></ul><p>That&#8217;s it! Go and play with it and let me know what you think about this upgrade in the comments!</p><p><a\nhref=\"http://yoast.com/wordpress-seo-1-2/\">WordPress SEO 1.2 &#8211; Major Upgrade</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/9gwcWupQ9Is\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"http://yoast.com/wordpress-seo-1-2/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:3:\"369\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:81:\"http://cdn2.yoast.com/wp-content/uploads/2012/06/Titles-Meta-settings-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:5:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:73:\"http://cdn3.yoast.com/wp-content/uploads/2012/06/Titles-Meta-settings.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"Titles Meta settings\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:81:\"http://cdn2.yoast.com/wp-content/uploads/2012/06/Titles-Meta-settings-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:76:\"http://cdn3.yoast.com/wp-content/uploads/2012/06/titles-metas-post-types.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"titles meta settings for post types\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:83:\"http://cdn.yoast.com/wp-content/uploads/2012/06/titles-metas-post-types-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:66:\"http://cdn2.yoast.com/wp-content/uploads/2012/06/score_buttons.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Score buttons\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:73:\"http://cdn2.yoast.com/wp-content/uploads/2012/06/score_buttons-125x19.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:74:\"http://cdn2.yoast.com/wp-content/uploads/2012/06/seo-score-publish-box.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:38:\"SEO Score shown inside the publish box\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:81:\"http://cdn3.yoast.com/wp-content/uploads/2012/06/seo-score-publish-box-125x96.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:77:\"http://cdn2.yoast.com/wp-content/uploads/2012/06/seo-score-pages-overview.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"SEO Score in the pages overview\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:85:\"http://cdn3.yoast.com/wp-content/uploads/2012/06/seo-score-pages-overview-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"http://yoast.com/wordpress-seo-1-2/#utm_source=rss&utm_medium=rss&utm_campaign=wordpress-seo-1-2\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:16:\"                \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"Push rel=”author” through your head\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/Aq4UeMKt4bQ/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:47:\"http://yoast.com/push-rel-author-head/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 08 Jun 2012 12:36:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:4:{i:0;a:5:{s:4:\"data\";s:3:\"SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:9:\"WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:17:\"WordPress Plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:13:\"WordPress SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45687\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:848:\"<p>No this title wasn&#8217;t a pun. It&#8217;s dead serious. My buddy Arjan discovered yesterday that Google is now allowing rel=&#8221;author&#8221; markup through a &#60;link&#62; element in the head of your site. This makes adding rel=&#8221;author&#8221; to your site properly a lot easier, and allows me to add it to my WordPress SEO plugin. The rel=&#8221;author&#8221; link&#8230;</p><p><a\nhref=\"http://yoast.com/push-rel-author-head/\">Push rel=&#8221;author&#8221; through your head</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:3833:\"<p><a\nhref=\"http://cdn2.yoast.com/wp-content/uploads/2012/06/rel-author.png\"><img\nclass=\"alignright size-full wp-image-45689\" title=\"rel=author in action\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/06/rel-author.png\" alt=\"rel=author in action\" width=\"200\" height=\"102\" /></a>No this title wasn&#8217;t a pun. It&#8217;s dead serious. My buddy <a\nhref=\"http://www.uprise.nl/\">Arjan</a> discovered yesterday that Google is now allowing <a\nhref=\"http://yoast.com/wordpress-rel-author-rel-me/\">rel=&#8221;author&#8221;</a> markup through a &lt;link&gt; element in the head of your site. This makes adding rel=&#8221;author&#8221; to your site properly a lot easier, and allows me to add it to my WordPress SEO plugin.</p><h2>The rel=&#8221;author&#8221; link element</h2><p>So the element should look like this:</p><pre>&lt;link rel=\"author\" href=\"<a href=\"https://plus.google.com/115369062315673853712/posts\" target=\"_blank\">https://plus.google.com/115369062315673853712/posts</a>\"/&gt;</pre><p>Where the Google+ link should link to your Google+ profile. It&#8217;s really that simple. I reached out to Google  to get confirmation that this would work and would keep working and they confirmed. So making author highlights work is now a three step process:</p><h2>Getting author highlights</h2><p>It&#8217;s a simple three step process:</p><ol><li>Add the above link to the &lt;head&gt; of the URLs you&#8217;d like your face to appear on.</li><li>On your Google+ profile, you need to make sure to have a link pointing back to the site you want the author highlight to work on.</li><li>Make sure your +1&#8242;s are public on your Google+ profile or it won&#8217;t work.</li></ol><p>Once you&#8217;ve done the above, use the <a\nhref=\"http://www.google.com/webmasters/tools/richsnippets\">rich snippet testing tool</a> to confirm it works.</p><h2>rel=&#8221;author&#8221; in my WordPress SEO plugin</h2><p>This already works in the development version of my WordPress SEO plugin, you can download that from the <a\nhref=\"http://wordpress.org/extend/plugins/wordpress-seo/developers/\">developers page</a>. That version has a bucket load of improvements and some new features, so you might want to test that anyway, it&#8217;ll probably be released early next week.</p><p>If you&#8217;re looking for it in the development version, there are two spots: on each users profile page there&#8217;s a new Google+ contact method:</p><p\nstyle=\"text-align: center;\"><img\nclass=\"size-full wp-image-45693 aligncenter\" title=\"Google Plus for rel=&quot;author&quot;\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/06/google-plus-profile.png\" alt=\"Google Plus for rel=&quot;author&quot;\" width=\"553\" height=\"285\" /></p><p>When a user fills this out, the link will automatically be added to each post or page he/she publishes. On the &#8220;new&#8221; Title&#8217;s &amp; Meta&#8217;s settings page under SEO, you&#8217;ll find a drop down which allows you to choose which author should be shown on the frontpage:</p><p><img\nclass=\"wp-image-45694 alignnone\" title=\"rel=author drop down for homepage\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/06/home-rel-author.png\" alt=\"rel=author drop down for homepage\" width=\"580\" /></p><p>That&#8217;s it. Let me know whether this works for you!</p><p><a\nhref=\"http://yoast.com/push-rel-author-head/\">Push rel=&#8221;author&#8221; through your head</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/Aq4UeMKt4bQ\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"http://yoast.com/push-rel-author-head/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:3:\"132\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:70:\"http://cdn.yoast.com/wp-content/uploads/2012/06/rel-author-125x102.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:3:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:63:\"http://cdn2.yoast.com/wp-content/uploads/2012/06/rel-author.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"rel=author in action\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:70:\"http://cdn.yoast.com/wp-content/uploads/2012/06/rel-author-125x102.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:71:\"http://cdn.yoast.com/wp-content/uploads/2012/06/google-plus-profile.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"Google Plus for rel=”author”\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:79:\"http://cdn.yoast.com/wp-content/uploads/2012/06/google-plus-profile-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:68:\"http://cdn2.yoast.com/wp-content/uploads/2012/06/home-rel-author.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"rel=author drop down for homepage\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:76:\"http://cdn3.yoast.com/wp-content/uploads/2012/06/home-rel-author-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:102:\"http://yoast.com/push-rel-author-head/#utm_source=rss&utm_medium=rss&utm_campaign=push-rel-author-head\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:11:\"           \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:6:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"Common sense for your website\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/6FCA-xZElVg/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"http://yoast.com/common-sense/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 06 Jun 2012 13:34:17 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:3:{i:0;a:5:{s:4:\"data\";s:3:\"SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:22:\"Usability & Conversion\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:12:\"Social Media\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45649\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:740:\"<p>I am the last one to tell a website owner that his job is to become the local SEO or usability expert. That would be unrealistic. Why should a constructor learn SEO? He should not. Why should a gardner know all about user experience? He should not. But how about applying some common sense to&#8230;</p><p><a\nhref=\"http://yoast.com/common-sense/\">Common sense for your website</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/michiel/\">Michiel Heijmans</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"Michiel Heijmans\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:8071:\"<p>I am the last one to tell a website owner that his job is to become the local SEO or usability expert. That would be unrealistic. Why should a constructor learn SEO? He should not. Why should a gardner know all about user experience? He should not. But how about applying some common sense to your website?</p><p>Let&#8217;s go over an imaginary website, top to bottom:</p><h2>Browser</h2><p>Your browser has a couple of spots where your &lt;title&gt; is shown, like in the upper left and on a tab. That means your page title should start with he main subject of the page, not your site name. If it would start with your site name, all tabs would read the same title.</p><p>Next to that, you want your browser to display the website as quick as possible, meaning you should make your website as fast as possible. Sure, browser cache and compression might be way over your head, but how about not using a template with tables and combining your CSS and JavaScript files? Or lowering the number of CSS and JavaScript files by losing all &#8216;extra&#8217; WordPress plugins, assuming your site is in WordPress of course.</p><h2>Header</h2><p>Do your really think putting all these items in your header help visitors or Google:</p><ul><li>RSS, Facebook, Twitter, Google+</li><li>Telephone number</li><li>Additional menu for About Us, Privacy Policy, Contact, Directions, Terms &amp; Conditions</li><li>Subscription form for email newsletter</li><li>Banner for your own or even worse other company&#8217;s products</li><li>Quality Marks</li><li>etc</li></ul><p>And all that in the first 100px of your website. Squeezed together and made to be skipped anyway. That header area should contain only the necessary, all other items should be in a sidebar or footer area. If you want people to call you, list your phone number. Make it large, but no larger than your logo. If you are the best painter in Maine, make that statement in the header. No need for all the other fuzz.</p><p>With your header comes the menu (in most cases). If you would list 30 items in the menu, do you think that would add focus to your website or do you think just using six items would guide your visitor more? Consider creating a submenu and add that structure to your breadcrumbs as well.</p><p>So far I have not mentioned anything strange or difficult to implement, right? It&#8217;s all common sense and you have thought at least 10 times &#8220;I know that already&#8221;. So why are not all websites set up with these basics? Why is there so much crap on the web?</p><h2>Content</h2><p>Your page content should contain at least 300 words. That has a simple reason: would your page be a great source for the topic or keyword you want to rank for when it would only contain 50 words? Is that all there is to say about that keyword? I don&#8217;t believe that, you don&#8217;t believe that and Google does not believe that. There should be a significant amount of content for your page to be considered a great source of information.</p><p>Of course you will write some posts or pages that are much shorter, like your contact page, but do your really want to rank that page? No, not on most websites. Don&#8217;t go crazy over this on pages like that, that&#8217;s not worth the effort. Get them on your site with other pages and guide them to your contact form.</p><p>An easy way to do that is by using <a\ntitle=\"Where do you want me to click?\" href=\"http://yoast.com/call-to-action/\">a call-to-action</a>. Make that call-to-action stand out by using colors that are not overused in your design or use a much larger font. Surround the call-to-action with enough whitespace. If you are adding your fourth call-to-action, please realize that that again is killing all focus on the website. Stick to one and let the content do the rest.</p><p>Focus in your content can be achieved by adding subheadings to your text that should be structured in (again) a logical matter, pretty much the same way you should set up a Word document:</p><ul><li>H1<ul\nstyle=\"margin-bottom: 0;\"><li>H2<ul\nstyle=\"margin-bottom: 0;\"><li>H3</li><li>H3</li></ul></li><li>H2</li></ul></li></ul><p>That also means one H1 per page, being the site name on the homepage and the page title on the other pages.</p><p>I think we all agree nowadays that reading on a computer screen is not as pleasant as reading text on paper. But we should make things as convenient as possible: make short sentences and even more important, create short paragraphs. I&#8217;d like to create paragraphs that are four to eight lines long and I hope this is a nice read ;)</p><p>In these paragraphs you should link to your own pages as well as to other websites. The great thing about these links to your own pages is that these links are really valuable as they are surrounded with relevant, related content. Next to that, you can easily use your keywords of choice in the anchor text. Unfortunately most people seem to think that these links should only go to other websites. A regrettable misunderstanding.</p><h2>Sharing</h2><p>If you write great content.. Let me rephrase that: <strong>provided</strong> you write great content, people will be more than willing to tell others about your piece. Of course you should add social sharing buttons below the content. These buttons should not be styled in some fashionable way, but should look like the commonly used share buttons &#8211; see below this post ;) &#8211; for better recognition as sharing buttons.</p><p>I&#8217;d use Facebook, Twitter, Share-by-email and Google+ for all websites, Linkedin for business news / economy related websites and Pinterest only when you have that amazing image in the post that people might want to share. Do not list a share option, just because people you know are using it, but only use those sharing options you think are relevant for your website.</p><p>The fashionable buttons can be used for subscription options, like links to your Facebook profile or your Youtube channel. In most cases, the square icons are used for this, or the round icons you find on yoast.com.</p><h2>Footer</h2><p>This is not a great footer:</p><blockquote><p>© SomewebsiteImade.com. All rights reserved. Reproduction of this content only after written permission.</p></blockquote><p>First: really? Share buttons <em>and</em> telling people they should not use your content on other websites? We actually encountered this in one of the <a\ntitle=\"Website Review\" href=\"http://yoast.com/hire-me/website-review/\">websites we have reviewed</a>.</p><p>Next to that, I think the entire footer should be used for extra contact information (or a small form) and other information that you really want to list on your website like a small link list, perhaps some recent news items and a small category list (max 8 items or so). Not sure about this, but why not throw in some social profiles as well..</p><p>What I really dislike is a footer that has one million links in it. That reduces the value of all other links and all focus on the page.</p><p>So, in conclusion, I think you should not so much focus on hearsay about SEO, but think about what seems logical and makes the most sense. Only when your website makes common sense to you, you should go look for someone that can help you with the not so logical Search Engine and Usability optimization issues ;)</p><h3>Any additions?</h3><p>Common sense is not as easy as it looks for a lot of people. If you have any comments or additions to the list above, please drop me a line in the comments!</p><p><a\nhref=\"http://yoast.com/common-sense/\">Common sense for your website</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/michiel/\">Michiel Heijmans</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/6FCA-xZElVg\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"http://yoast.com/common-sense/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"43\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"http://yoast.com/common-sense/#utm_source=rss&utm_medium=rss&utm_campaign=common-sense\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:13;a:6:{s:4:\"data\";s:13:\"             \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"Why should I visit your website?\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/um_-AjHfIe4/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:47:\"http://yoast.com/introductory-content/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 May 2012 19:18:17 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"Usability & Conversion\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45638\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:775:\"<p>One thing we often recommend in our site analyses, is the use of introductory content on a homepage. We get quite a lot response on that, with people being unclear how to do that. &#8220;Where should I put that content?&#8221; or &#8220;How long should that content be?&#8221; or the one I dislike the most: &#8220;I&#8230;</p><p><a\nhref=\"http://yoast.com/introductory-content/\">Why should I visit your website?</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/michiel/\">Michiel Heijmans</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"Michiel Heijmans\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:5554:\"<p>One thing we often recommend <a\ntitle=\"Our website reviews deal with SEO, usability and more\" href=\"http://yoast.com/hire-me/website-review/\">in our site analyses</a>, is the use of introductory content on a homepage. We get quite a lot response on that, with people being unclear how to do that. &#8220;Where should I put that content?&#8221; or &#8220;How long should that content be?&#8221; or the one I dislike the most: &#8220;I don&#8217;t need that&#8221;.</p><h2>The main goal of introductory content</h2><p>I can not emphasize this enough. Introductory content is meant for your most valued visitors: us people and Google. Introductory content helps those visitors to grasp the leitmotif of your website. It also tells the visitor why you are the source to turn to, whether or not in combination with the title of your website.</p><p>There are two main ways to list that introductory content:</p><h3>The right slogan or tagline as introductory content</h3><p><img\nclass=\"alignright size-full wp-image-45640\" title=\"Chicago Tribune logo\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/05/chicago-tribune.png\" alt=\"Chicago Tribune logo: notice the caption\" width=\"318\" height=\"79\" />If only things where always this simple. <a\ntitle=\"Chicago Tribune\" href=\"http://www.chicagotribune.com/\" rel=\"nofollow\">Chicago Tribune</a> has a small caption below the logo that tells all: We are a Chicago based news provider bringing you all the latest news and we are doing this for such a long time you can consider us a trustworthy source.</p><p>The Chicago Tribune can do that this way and get away with it. But if you are a local news agency that brings mainly local news, you might need a different approach. Just the tagline might not be enough.</p><p>Suppose you are running the website of that more local newsletter, for instance the <a\ntitle=\"Local newspaper for Stowe\" href=\"http://www.stowetoday.com/\" rel=\"nofollow\">Stowe Today</a>. I really love these kind of websites, since they seem to be made with more care and passion than most websites. But it totally lacks introductory content. You have to know Stowe Today to know what the website is about.</p><p>A huge number of inbound links is telling Google what the Chicago Tribune is about, but I can&#8217;t imagine Stowe Today benefitting from such a number of in-links. The website will have to tell Google itself what it is about. It&#8217;s not.</p><p>The website starts off with a lot of (local) banner ads and some featured articles, but nowhere on that page it tells me &#8216;bringing you local news from Stowe, including human interest stories, upcoming events and more&#8217;. If I would not have known better, it might also have been a blog from a very enthusiastic local student, earning an extra buck this way. I also checked the <a\ntitle=\"About Sowe Today\" href=\"http://www.stowetoday.com/site/about/\">About</a>. page of the website, but that only refers to other publications.</p><h3>Adding a few paragraphs as an introduction</h3><p>Most news websites or webshops think they have no space for a few extra paragraphs of introductory content. The website should start with either news or products. I call bullsh*t on that.</p><p>I&#8217;m not a big fan of the somewhat sneaky way the <a\ntitle=\"Hidden introductory content\" href=\"http://www.hypedc.com/\" rel=\"nofollow\">online sneakershop Hypedc.com</a> did this:</p><p><img\nclass=\"aligncenter size-large wp-image-45641\" title=\"Hypedc.com source code\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/05/hypedccom-590x215.png\" alt=\"Hypedc.com source code\" width=\"580\" height=\"211\" /><br\n/> As you can see, the introduction is there, but is not shown on the page itself. You are serving that intro to Google, but not to your customers. Why not!?</p><p>But that is just one way. I&#8217;m a much bigger fan of the way <a\ntitle=\"WP Types introductory content\" href=\"http://wp-types.com/\">WP-Types.com</a> is doing this, for instance:</p><p><img\nclass=\"aligncenter size-full wp-image-45642\" title=\"wp-types\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/05/wp-types.png\" alt=\"WP-Types\" width=\"556\" height=\"288\" /></p><p>&#8220;But they just have a couple of products&#8221;. I hear you, that&#8217;s right. But how about the way <a\ntitle=\"Large intro for SurfStitch\" href=\"http://www.surfstitch.com/\" rel=\"nofollow\">SurfStitch</a> is doing this? That&#8217;s actually quite common for (Magento) webshops. List the products first, than the introduction.</p><p>I think that is a pretty good practice, since your products tell a global story and you are able to refine that with the additional introduction below.</p><h3>Your two cents</h3><p>I&#8217;d like to make a bold statement on introductory content for webshops and am looking forward to your opinion on that, as a webdesigner, SEO or customer:</p><blockquote><p>A webshop&#8217;s homepage does not need any overview of products. A great textual introduction works much better.</p></blockquote><p>Looking forward to your thoughts!</p><p><a\nhref=\"http://yoast.com/introductory-content/\">Why should I visit your website?</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/michiel/\">Michiel Heijmans</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/um_-AjHfIe4\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"http://yoast.com/introductory-content/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"27\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:75:\"http://cdn2.yoast.com/wp-content/uploads/2012/05/chicago-tribune-125x79.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:3:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:67:\"http://cdn.yoast.com/wp-content/uploads/2012/05/chicago-tribune.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"Chicago Tribune logo\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:75:\"http://cdn2.yoast.com/wp-content/uploads/2012/05/chicago-tribune-125x79.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:61:\"http://cdn.yoast.com/wp-content/uploads/2012/05/hypedccom.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"Hypedc.com source code\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:69:\"http://cdn.yoast.com/wp-content/uploads/2012/05/hypedccom-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:61:\"http://cdn2.yoast.com/wp-content/uploads/2012/05/wp-types.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"wp-types\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:69:\"http://cdn3.yoast.com/wp-content/uploads/2012/05/wp-types-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:102:\"http://yoast.com/introductory-content/#utm_source=rss&utm_medium=rss&utm_campaign=introductory-content\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:14;a:6:{s:4:\"data\";s:11:\"           \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"Penguin, Panda, it’s not that black and white..\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/UDijxOyZ450/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:47:\"http://yoast.com/penguin-panda-issues/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 14 May 2012 12:37:38 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:3:\"SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45611\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:818:\"<p>We&#8217;re getting quite a few site review requests and SEO consultancy requests recently for people that have been hit by a sudden drop in traffic after the recent Google Penguin update. Because there has been quite some news about Google&#8217;s Penguin update and before that its Panda update, people are blaming those. In our perspective,&#8230;</p><p><a\nhref=\"http://yoast.com/penguin-panda-issues/\">Penguin, Panda, it&#8217;s not that black and white..</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:4523:\"<p><a\nhref=\"http://cdn2.yoast.com/wp-content/uploads/2012/05/Yoast_penguin.jpg\"><img\nclass=\"alignright size-medium wp-image-45821\" title=\"Yoast - Penguin update\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/05/Yoast_penguin-206x300.jpg\" alt=\"Yoast - Penguin update\" width=\"206\" height=\"300\" /></a>We&#8217;re getting quite a few <a\ntitle=\"Website Review\" href=\"http://yoast.com/hire-me/website-review/\">site review</a> requests and SEO consultancy requests recently for people that have been hit by a sudden drop in traffic after the recent Google Penguin update. Because there has been quite some news about Google&#8217;s Penguin update and before that its Panda update, people are blaming those. In our perspective, whether you&#8217;re blaming Penguin, Panda or another update from Google isn&#8217;t really that interesting if you&#8217;re not an SEO. What matters most is: you&#8217;ve lost traffic, how are you going to get it back?</p><h2>Why you&#8217;d want to know whether the Penguin update caused it</h2><p>The idea is that if you know which update caused your traffic to drop and you know what that update targeted, you only have to fix that specific issue and your rankings will be magically restored. The reality is that it&#8217;s <em>really </em>not that black and white. Quite often now people blame one update, but if we look at the SearchMetrics stats for their domain, they&#8217;ve had a gradual decline over the last few months with a bigger decline in recent weeks. If we based our actions solely on what Penguin update targeted (and that&#8217;s not even really clear yet within the SEO community) we might be missing other issues.</p><p>There were other updates that didn&#8217;t get named by Google in the same way but had a <em>huge</em> impact in some countries. We&#8217;ve seen sites with over-optimized anchor text being hit from the beginning of the year already, but suddenly people now attribute that to Penguin. The end result for you as a site owner: it doesn&#8217;t matter.</p><p>You need to fix <em>all</em> your issues, not just the ones that this specific update &#8220;targets&#8221;.</p><h2>How to get &#8220;your&#8221; traffic back</h2><p>First of all, it&#8217;s not your traffic. It&#8217;s Google&#8217;s traffic. Being mad at Google, or anyone else for that matter, won&#8217;t help you one bit, it&#8217;s Google&#8217;s traffic and they can do what they want with it. So to regain the traffic your website was getting from Google, you need to play by their rules and in all honesty: those rules haven&#8217;t changed all that much over the last 10 years. The only thing that&#8217;s happening is that all the ways people found of bending those rules are slowly breaking.</p><p>Don&#8217;t try and play a game with Google if you don&#8217;t understand what you&#8217;re doing. There are dozens of great blackhats out there whom I respect, but that&#8217;s because they do their own research and they don&#8217;t start complaining publicly when Google catches them. If you have to read about and apply other people&#8217;s tricks, you&#8217;re probably not going to win. As the old saying goes: if you can&#8217;t stand the heat, stay out of the kitchen.</p><p>So how <em>do</em> you get your traffic back? By getting your site re-aligned with Google&#8217;s values. If you&#8217;ve lost in the Panda update or Penguin update and now recently lost a lot of traffic <em>again</em>, Google is sending you a message: your website doesn&#8217;t fit our idea of quality. Fix that. Don&#8217;t try to remove the one or two links that you think might have hurt you.</p><p>Now of course, you&#8217;re more than welcome to <a\ntitle=\"Website Review\" href=\"http://yoast.com/hire-me/website-review/\">order a website review</a> and get our opinion, but please don&#8217;t expect us to come up with a silver bullet. There are no silver bullets in SEO, just a lot of shiny silver drops of sweat, coming from your forehead.</p><p><a\nhref=\"http://yoast.com/penguin-panda-issues/\">Penguin, Panda, it&#8217;s not that black and white..</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/UDijxOyZ450\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"http://yoast.com/penguin-panda-issues/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"85\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:73:\"http://cdn.yoast.com/wp-content/uploads/2012/05/Yoast_penguin-125x125.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:66:\"http://cdn2.yoast.com/wp-content/uploads/2012/05/Yoast_penguin.jpg\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:24:\"Yoast – Penguin update\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:73:\"http://cdn.yoast.com/wp-content/uploads/2012/05/Yoast_penguin-125x125.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:102:\"http://yoast.com/penguin-panda-issues/#utm_source=rss&utm_medium=rss&utm_campaign=penguin-panda-issues\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:15;a:6:{s:4:\"data\";s:11:\"           \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:30:\"Having a blast at BlueGlass LA\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/r_uYdP0kJkU/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:45:\"http://yoast.com/blast-blueglass-la/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 24 Apr 2012 17:18:26 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:3:\"SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:10:\"Conference\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45602\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:775:\"<p>I&#8217;m currently sitting in the conference room for BlueGlass LA, listening to Marty Weintraub and finishing my presentation I&#8217;ll be giving this afternoon. Which leads me to the point of this post as I&#8217;m going to try and prove a point, therefore the following video is not really meant for you to watch but for&#8230;</p><p><a\nhref=\"http://yoast.com/blast-blueglass-la/\">Having a blast at BlueGlass LA</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:2098:\"<p>I&#8217;m currently sitting in the conference room for <a\nhref=\"http://www.blueglass.com/conferences/la/\">BlueGlass LA</a>, listening to <a\nhref=\"http://www.aimclearblog.com/author/aimclear/\">Marty Weintraub</a> and finishing my presentation I&#8217;ll be giving this afternoon. Which leads me to the point of this post as I&#8217;m going to try and prove a point, therefore the following video is not really meant for you to watch but for me to test something with:</p><p><iframe\nwidth=\"570\" height=\"321\" src=\"http://www.youtube.com/embed/CSMUB1u5VXI?fs=1&#038;feature=oembed\" frameborder=\"0\" allowfullscreen></iframe></p><p>As a side note, BlueGlass LA is probably the best conference I&#8217;ve been to in a while, with a ridiculous line-up of speakers, if you&#8217;re going to go to an internet marketing conference, BlueGlass conferences are seriously among the very best in the US, second only to SEOktoberfest.</p> <span\nitemprop=\"video\" itemscope itemtype=\"http://schema.org/VideoObject\"><meta\nitemprop=\"name\" content=\"Having a blast at BlueGlass LA\"><meta\nitemprop=\"thumbnailURL\" content=\"http://cdn2.yoast.com/wp-content/uploads/2012/04/blueglass-la-e280a2-best-online-marketing-conf-on-the-west-coast-e280a2-yoast-300x225.jpg\"><meta\nitemprop=\"description\" content=\"Having a blast at BlueGlass LA with some of the most awesome internet marketers in the world.\"><meta\nitemprop=\"uploadDate\" content=\"2012-04-24T19:18:26+00:00\"><meta\nitemprop=\"embedURL\" content=\"http://www.youtube-nocookie.com/v/CSMUB1u5VXI\"><meta\nitemprop=\"duration\" content=\"PT4M5S\"></span><p><a\nhref=\"http://yoast.com/blast-blueglass-la/\">Having a blast at BlueGlass LA</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/r_uYdP0kJkU\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:41:\"http://yoast.com/blast-blueglass-la/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:1:{s:7:\"content\";a:1:{i:0;a:6:{s:4:\"data\";s:6:\"      \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:45:\"http://www.youtube-nocookie.com/v/CSMUB1u5VXI\";s:8:\"duration\";s:3:\"245\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:5:{s:6:\"player\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:45:\"http://www.youtube-nocookie.com/v/CSMUB1u5VXI\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"BlueGlass LA • Best Online Marketing Conf on the West Coast • Yoast\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"Having a blast at BlueGlass LA with some of the most awesome internet marketers in the world.\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:138:\"http://cdn2.yoast.com/wp-content/uploads/2012/04/blueglass-la-e280a2-best-online-marketing-conf-on-the-west-coast-e280a2-yoast-300x225.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"keywords\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Conference,BlueGlass LA\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:98:\"http://yoast.com/blast-blueglass-la/#utm_source=rss&utm_medium=rss&utm_campaign=blast-blueglass-la\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:16;a:6:{s:4:\"data\";s:11:\"           \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:19:\"Why I dislike Bo.lt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/6OfPelIL784/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"http://yoast.com/dislike-bolt/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 21 Apr 2012 21:59:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Social Media\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45589\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:710:\"<p>When I released my updated WordPress SEO article a few weeks back, my buddy Avinash was kind enough to tweet it. He tweeted it, at first, with a bo.lt link. Bo.lt is a sharing service that allows you to basically make a copy of a page and add some notes or even some changes to&#8230;</p><p><a\nhref=\"http://yoast.com/dislike-bolt/\">Why I dislike Bo.lt</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:4689:\"<p><img\nclass=\"alignright size-full wp-image-45593\" title=\"bo.lt logo\" src=\"http://cdn3.yoast.com/wp-content/uploads/2012/04/bo.lt-logo.jpg\" alt=\"bo.lt logo\" width=\"200\" height=\"200\" />When I released my updated <a\nhref=\"http://yoast.com/articles/wordpress-seo/\">WordPress SEO article</a> a few weeks back, my buddy <a\nhref=\"http://www.kaushik.net/avinash/\">Avinash</a> was kind enough to tweet it. He tweeted it, at first, with a <a\nhref=\"http://bo.lt\">bo.lt</a> link. Bo.lt is a sharing service that allows you to basically make a copy of a page and add some notes or even some changes to the page. The idea is nice, as a webmaster though, I hate it. Let me explain why.</p><p>You see, bo.lt makes a <em>copy</em> of the page at the moment it&#8217;s prepared for sharing, they say they do that because of speed. As Avinash tweets a lot, he probably made that copy a couple of hours before he shared it. This wouldn&#8217;t be so much of an issue if I hadn&#8217;t added stuff to the page in the mean time and fixed a lot of typo&#8217;s. Everyone who&#8217;d use Avinash&#8217;s link wouldn&#8217;t see those changes. And bo.lt decided that for me, without asking me anything, or even worse, giving me the option to opt-out.</p><h2>SEO Impact</h2><p>Surely those bo.lt guys are at least trying to give the rankings for those pages people share through its service their links back? No. They don&#8217;t. Well, not unless you&#8217;re not already adding <code>rel=\"canonical\"</code> elements to your site yourself. Each user has its own subdomain. Avinash&#8217;s subdomain is zqi.bo.lt. As you can <a\nhref=\"http://www.google.com/search?q=site%3Abo.lt+yoast&amp;pws=0\">see for yourself</a>, quite a few of his shared pages are indexed by Google. That shouldn&#8217;t be possible. Bo.lt should add a canonical back to the original page if there isn&#8217;t one in the source already.</p><h2>No Analytics</h2><p>They claim a webmaster gets all his normal stuff, ads and analytics etc. Except that for both Clicky and Google Analytics there are no views measured for that bo.lt link, because Clicky refuses pageviews from other domains and I&#8217;ve filtered those out of Google Analytics to prevent others from rendering my analytics useless (yes, people do try that). So, &#8220;my&#8221; visitors don&#8217;t get the changes I made to the copy, making me look stupid and I can&#8217;t track which visitors those were and where they came from&#8230; At this point, I want out.</p><h2>Opt Out</h2><p>I&#8217;ve gone through their documentation, both normal and for developers, and there simply is no documented way to opt-out. So I decided to dive a bit deeper and figure out which user-agent bo.lt uses. It turns out that they actually <em>do</em> have a <a\nhref=\"http://bo.lt/ua\">page about their user-agent</a>. The next step would normally be simple: add a line to your robots.txt blocking bo.lt. Unfortunately, in my tests, bo.lt never actually retrieved the robots.txt file so they&#8217;re not adhering to the robots.txt protocol. They <em>really</em> should. They&#8217;re taking my content, they&#8217;re not asking for permission and they&#8217;re not allowing me to opt-out. Someone could sue them over that. I&#8217;m just going to request, through this blog post:</p><p><strong>Bo.lt, please add an option to opt my sites out of your service.</strong></p><p>Also, in my opinion, if you&#8217;re using bo.lt, you should probably start considering alternatives.</p><p>Disclaimer: please be aware that I like Avinash a lot and don&#8217;t blame <em>him</em> for anything. He&#8217;s a great guy and an inspiration to a lot of us in the online marketing industry. It&#8217;s the bo.lt service I dislike and I think that after reading this he will switch to something else as well.</p><h2>A &#8220;hard&#8221; out</h2><p>I figured out a &#8220;hard&#8221; way to get out of bo.lt doing its thing, add the following to your <em>.htaccess</em> file:</p><pre class=\"brush: plain; title: ; notranslate\">RewriteBase /\nRewriteEngine on\nRewriteCond %{HTTP_USER_AGENT} bo.lt/ua\nRewriteRule . - [F,L]</pre><p>This will block bo.lt, giving it a &#8220;forbidden&#8221; page.</p><p><a\nhref=\"http://yoast.com/dislike-bolt/\">Why I dislike Bo.lt</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/6OfPelIL784\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"http://yoast.com/dislike-bolt/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"14\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:71:\"http://cdn2.yoast.com/wp-content/uploads/2012/04/bo.lt-logo-125x125.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:63:\"http://cdn3.yoast.com/wp-content/uploads/2012/04/bo.lt-logo.jpg\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"bo.lt logo\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:71:\"http://cdn2.yoast.com/wp-content/uploads/2012/04/bo.lt-logo-125x125.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"http://yoast.com/dislike-bolt/#utm_source=rss&utm_medium=rss&utm_campaign=dislike-bolt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:17;a:6:{s:4:\"data\";s:12:\"            \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:27:\"WordPress Stats Infographic\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/RkHT86bonB8/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:42:\"http://yoast.com/wordpress-stats/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 16 Apr 2012 11:30:37 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45554\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:761:\"<p>My Google Analytics plugin recently hit 3 million downloads and my WordPress SEO plugin hit its first million downloads. I thought those stats were cool and I decided to have an infographic made with more WordPress stats and dive in a little bit more and gather some stats that I thought would be interesting. If you&#8230;</p><p><a\nhref=\"http://yoast.com/wordpress-stats/\">WordPress Stats Infographic</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:3356:\"<p><div\nclass=\"alignright\"><a\nhref=\"http://pinterest.com/pin/create/button/?url=http%3A%2F%2Fyoast.com%2Fwordpress-stats%2F&media=http%3A%2F%2Fcdn.yoast.com%2Fwp-content%2Fuploads%2F2012%2F04%2Fwordpress-stats-infographic-yoast-full.jpg&description=WordPress+Stats+infographic+by+Yoast\" class=\"pin-it-button\" count-layout=\"vertical\"><img\nborder=\"0\" src=\"//assets.pinterest.com/images/PinExt.png\" title=\"Pin It\" /></a><script type=\"text/javascript\" src=\"//assets.pinterest.com/js/pinit.js\"></script></div>My <a\nhref=\"http://yoast.com/wordpress/google-analytics/\">Google Analytics plugin</a> recently hit 3 million downloads and my <a\nhref=\"http://yoast.com/wordpress/seo/\">WordPress SEO plugin</a> hit its first million downloads. I thought those stats were cool and I decided to have an infographic made with more WordPress stats and dive in a little bit more and gather some stats that I thought would be interesting.</p><p>If you read any blogs in the world, by now you&#8217;ll know <a\nhref=\"http://royal.pingdom.com/2012/04/11/wordpress-completely-dominates-top-100-blogs/\">WordPress dominates the top 100 blogs in the world</a>, <a\nhref=\"http://ma.tt/2012/04/wordpress-and-the-top-100/\">Matt had some interesting comments</a> about that. We&#8217;ve seen more WordPress stats, like <a\nhref=\"http://lorelle.wordpress.com/2012/03/29/wordpress-stats-and-numbers-breaking-their-own-records/\">these by Lorelle</a>. I then started adding more stats on my own.</p><p>I asked <a\nhref=\"http://www.experian.com/hitwise/index.html\">Experian Hitwise</a> to give me some stats about visits to WordPress.org, Drupal.org and Joomla.org in the UK and US, which they did (thanks!). <a\nhref=\"https://www.odesk.com/trends/WordPress\">oDesk</a> and <a\nhref=\"http://www.freelancer.com/hire/Wordpress\">Freelancer.com</a> have some great WordPress stats pages and of course there&#8217;s a bit of info <a\nhref=\"http://wordpress.org/extend/plugins/\">on WordPress</a>.org itself. So, with all of that and some I&#8217;m probably forgetting, <a\nhref=\"http://www.designbysoap.co.uk/design/infographic-design/?utm_source=yoast&amp;utm_medium=post&amp;utm_campaign=wordpress-stats\">Design by Soap</a> made the following infographic for me, I hope you like it, if you do, please share it! (<a\nclass=\"thickbox\" href=\"http://cdn.yoast.com/wp-content/uploads/2012/04/wordpress-stats-infographic-yoast-full.jpg\">click here for a larger version</a>)</p><h2>WordPress Stats</h2><p><a\nclass=\"thickbox\" href=\"http://cdn.yoast.com/wp-content/uploads/2012/04/wordpress-stats-infographic-yoast-full.jpg\"><img\nclass=\"alignnone size-full wp-image-45559\" title=\"WordPress Stats infographic by Yoast\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/04/wordpress-stats-infographic-yoast1.jpg\" alt=\"WordPress Stats infographic by Yoast\" width=\"582\" height=\"3382\" /></a></p><p><a\nhref=\"http://yoast.com/wordpress-stats/\">WordPress Stats Infographic</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/RkHT86bonB8\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:38:\"http://yoast.com/wordpress-stats/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"57\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:56:\"http://yoast.com//assets.pinterest.com/images/PinExt.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:2:{i:0;a:6:{s:4:\"data\";s:2:\"  \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:56:\"http://yoast.com//assets.pinterest.com/images/PinExt.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:1:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Pin It\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:87:\"http://cdn2.yoast.com/wp-content/uploads/2012/04/wordpress-stats-infographic-yoast1.jpg\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"WordPress Stats infographic by Yoast\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:94:\"http://cdn.yoast.com/wp-content/uploads/2012/04/wordpress-stats-infographic-yoast1-125x125.jpg\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"http://yoast.com/wordpress-stats/#utm_source=rss&utm_medium=rss&utm_campaign=wordpress-stats\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:18;a:6:{s:4:\"data\";s:10:\"          \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:6:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"The ethics of SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/YfVDkmGVt78/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"http://yoast.com/ethics-seo/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 04 Apr 2012 08:29:32 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:3:\"SEO\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:4:\"Spam\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45531\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:774:\"<p>The type of SEO I help my clients do and promote to you using this blog is often labeled white hat SEO because it stays within Google&#8217;s and other search engines guidelines. Other SEO&#8217;s don&#8217;t care about Google&#8217;s guidelines as much and do what&#8217;s called &#8220;black hat SEO&#8221;. Far too often though, black hat SEO&#8230;</p><p><a\nhref=\"http://yoast.com/ethics-seo/\">The ethics of SEO</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:6527:\"<p>The type of SEO I help my clients do and promote to you using this blog is often labeled white hat SEO because it stays within Google&#8217;s and other search engines guidelines. Other SEO&#8217;s don&#8217;t care about Google&#8217;s guidelines as much and do what&#8217;s called &#8220;black hat SEO&#8221;. Far too often though, black hat SEO is confused with the hacking of sites and the use of other tactics not outside the laws of Google but the laws of our lands. I think it&#8217;s time for me to explain where I stand in this.</p><h2>My background</h2><p>As a former Theology student and as someone raised in the Christian tradition, I have a fairly specific (and in some eyes: stringent) set of ethics. I don&#8217;t work on gambling or porn related sites because of that. I&#8217;m aware that others have different opinions on this and I don&#8217;t judge others when they have other ethics with regards to their work. To each his own. Sometimes though, I draw the line. Among my friends are some of the world&#8217;s best black hat SEO&#8217;s. These are also guys that will <em>never</em> break a law or willfully hurt other people to get their rankings, they just game Google&#8217;s algorithms. I know <a\nhref=\"http://mattcutts.com/blog/\">Matt</a> knows at least some of them and there&#8217;s even a form of &#8220;honor&#8221; among them: he seems to appreciate their ability to outwit their algorithm. Unfortunately not everyone in the SEO &#8220;community&#8221; is that clean: some people <em>are </em>willing to break laws or hurt other people. After the last SES conference in Amsterdam, which I arranged the speakers for, one of the speakers (not the keynote :) ) admitted to me he wouldn&#8217;t mind teaching other people how to hack sites or how to build trojans to gain links. I was too startled to give a proper response but decided later that day that I would never allow him back on a conference I arranged speakers for.</p><h2>Spammy Link Building in the Netherlands</h2><p>The last few days there&#8217;s been <a\nhref=\"http://www.molblog.nl/bericht/douwe-egberts-kpn-pon-en-randstad-betrokken-bij-icomment-spam-i/\">an outcry</a> in the Netherlands over several companies using comment spam and forum spam as a method of gaining links. They&#8217;d been caught creating fake profiles on all sort of sites and pretending to interact while really only inserting their links. I had to laugh a bit, as would most of my UK, American and German friends, as that&#8217;s <em>so</em> common outside of the Netherlands nobody would be surprised to see that anymore. There was <a\nhref=\"http://www.molblog.nl/bericht/de-buzzmollen-van-groupon/\">one specific case</a> though that &#8220;hurt&#8221; more than others (which was by another company by the way). Someone had willfully created an account on a forum for MS (multiple sclerosis) patients, claiming to be a patient, while was spamming links there to health related offers. That&#8217;s so low that it hurts.</p><h2>Outing Non-ethical SEO practices: immoral?</h2><p>Recently Joe Hall, whom I respect a lot, did a post saying <a\nhref=\"http://joehall.me/seo-outing-is-immoral/29/\">SEO &#8220;outing&#8221; is immoral</a>. He mentions that while the outed practices themselves might be non-ethical, those people have families too, etc. Basically: people lose their jobs because of it. That&#8217;s true. And that&#8217;s sad. Especially as most of those people will not know what hit them. I will counter that though: those companies have grown by using their unethical methods, costing other people their jobs in other companies. This is a zero-sum game in most cases. Google doesn&#8217;t tell people what to buy, it helps them find <em>where</em> they can buy it. Keep this in your mind at all times: search doesn&#8217;t create demand, it merely funnels it. I refuse to let people who use unethical SEO methods &#8220;win&#8221; because they support families, simply because their more ethical competitors support families too. I recently <a\nhref=\"http://yoast.com/godaddy-link-building/\">outed GoDaddy</a> over using spammy link building techniques and got a lot of flack for that from other people in the industry. Some seem to think that it&#8217;s all of &#8220;us&#8221; (SEO&#8217;s) against &#8220;them&#8221; (Google). I wholeheartedly disagree. GoDaddy was using its paying customers to strengthen their own SEO without consulting them, in fact, they were specifically hiding what they were doing in their editor. I don&#8217;t mind them &#8220;playing&#8221; Google&#8217;s algorithms. I mind them abusing their customers websites without their consent. The only way of making that stop is to ask Google to remove the value that abuse has. In the same way I loathe WordPress plugin developers who add links to their users sites without consent. I will <em>not</em> &#8221;out&#8221; people for buying high quality, relevant links from high quality websites related to their own topic, I have less issues outing people who hack into my website to gain a few links. This happens more often than I dare to admit.</p><h2>Policing the web</h2><p>Joe goes further and says:</p><blockquote><p>&#8220;If your paycheck doesn’t say “Google” on it, it’s not your job to police the web.&#8221;</p></blockquote><p>My paycheck doesn&#8217;t say Google. I&#8217;m not policing the web. Neither is Google. Google is trying to maintain a set of rules <em>within its own index</em>. It has all the rights in the world to do that. My paycheck doesn&#8217;t say &#8220;WordPress&#8221; either, yet I help develop that project because we all benefit. There <em>really</em> is such a thing as &#8220;the common good&#8221;. That&#8217;s entirely different from outing every SEO I find that does something outside of Google&#8217;s guidelines, I&#8217;m smart enough to create my own set of ethics. I hope you are too. I for one intend to help them battle unethical SEO&#8217;s because I think we all benefit from that.</p><p><a\nhref=\"http://yoast.com/ethics-seo/\">The ethics of SEO</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/joost/\">Joost de Valk</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/YfVDkmGVt78\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"http://yoast.com/ethics-seo/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:3:\"101\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:82:\"http://yoast.com/ethics-seo/#utm_source=rss&utm_medium=rss&utm_campaign=ethics-seo\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:19;a:6:{s:4:\"data\";s:15:\"               \";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:7:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:42:\"7 ways to Increase Sales by creating Trust\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://feedproxy.google.com/~r/joostdevalk/~3/1ssU1JMTUtQ/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"http://yoast.com/7-ways-to-increase-sales-by-creating-trust/#comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 26 Mar 2012 13:09:54 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:2:{i:0;a:5:{s:4:\"data\";s:22:\"Usability & Conversion\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:28:\"Conversion Rate Optimization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://yoast.com/?p=45457\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:779:\"<p>The key to conversing a visitor into a client is the creation of trust. Your product can be the greatest thing on earth or the dullest office supply ever, both can be sold online when your visitor knows you are the best supplier for that product or service. We often advise on how to gain&#8230;</p><p><a\nhref=\"http://yoast.com/7-ways-to-increase-sales-by-creating-trust/\">7 ways to Increase Sales by creating Trust</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/michiel/\">Michiel Heijmans</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"Michiel Heijmans\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:6646:\"<p>The key to conversing a visitor into a client is the creation of trust. Your product can be the greatest thing on earth or the dullest office supply ever, both can be sold online when your visitor knows you are the best supplier for that product or service.</p><p>We often advise on how to gain trust in our <a\ntitle=\"Website Review\" href=\"http://yoast.com/hire-me/website-review/\">website reviews</a>, and I&#8217;ve compiled a list of some of the advice we&#8217;ve given over time. Of course, trust can be earned in more ways than this, but we&#8217;ll give you these seven to start with.</p><h2>1. Use clear and normal language</h2><p>This is an often overseen issue that causes a lot of misgrief with your visitors. You should speak their language, not drown them in a sea of technical specs you don&#8217;t even understand yourself. Use a clear and direct style of writing. Keep your audience in mind. Do not focus on telling them what you want to tell them, focus on providing as many arguments as possible why their quality of life improves after buying that specific product.</p><h2>2. Testimonials</h2><p>Do not brag about your products yourself. If your products or services are really that good, I&#8217;m sure you&#8217;ll find someone else that can do the bragging for you. Make sure your visitor understand that the testimonial is written by an actual customer, by listing at least name and company and if the customer agrees, even a picture of him. Video seems to be the next big thing in testimonials, by the way. In my opinion, that video testimonial should be accompanied by a written excerpt:</p><div\nid=\"attachment_45461\" class=\"wp-caption alignright\"><a\nhref=\"http://cdn.yoast.com/wp-content/uploads/2012/03/testimonials-cloversites.com_.png\"><img\nclass=\"size-large wp-image-45461\" title=\"Testimonials as seen on cloversites.com\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/03/testimonials-cloversites.com_-590x472.png\" alt=\"Testimonials as seen on cloversites.com\" width=\"580\" height=\"464\" /></a><p\nclass=\"wp-caption-text\">Testimonials as seen on cloversites.com</p></div><h2>3. Verified signs</h2><p>Everyone can create a verified sign, so don&#8217;t let those verified signs fool you. But the majority of your visitors actually believe that you are the &#8216;Most appreciated hairdresser of Mississippi&#8217; or the &#8216;Best Plummer 2006&#8242;. Man, I hate those signs. But when the signs are from well-known companies, they really do add value to a webshop:</p><div\nid=\"attachment_45459\" class=\"wp-caption alignright\"><a\nhref=\"http://cdn2.yoast.com/wp-content/uploads/2012/03/verified-signs-dx.com_.png\"><img\nclass=\"size-large wp-image-45459\" title=\"&quot;Verified&quot; signs\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/03/verified-signs-dx.com_-590x76.png\" alt=\"&quot;Verified&quot; signs\" width=\"580\" height=\"74\" /></a><p\nclass=\"wp-caption-text\">&quot;Verified&quot; signs</p></div><p>By investing in the guidelines of the right verification companies  the webshop shows that it has been keeping the customer in mind when setting up the website.</p><h2>4. Pictures</h2><p>If you recognize the woman on this picture, please call the following toll-free number&#8230;:</p><p><a\nhref=\"http://cdn3.yoast.com/wp-content/uploads/2012/03/picture-stock.png\"><img\nclass=\"alignright size-large wp-image-45460\" title=\"Stock photography\" src=\"http://cdn2.yoast.com/wp-content/uploads/2012/03/picture-stock-590x314.png\" alt=\"Stock photography\" width=\"580\" height=\"308\" /></a></p><p>You can do better than that stock photo. Listing actual pictures of yourself and/or your employees pushes conversion due to recognition and identification.</p><h2>5. List your physical address</h2><p>This one is really simple: people want to know there is a place to go to in case of problems (if any). Having an actual store next to your webshop works even better, especially if a lot of your customers are relatively local.</p><p>In the Netherlands <a\nhref=\"http://digitalstreet.nl/\">digitalstreet.nl</a> made this concept into a huge success, even though they&#8217;re located in the south-west of the Netherlands (quite near to where we are), people come from all over the Netherlands because they&#8217;d rather buy the product in the store. There are more stories like that, but even if you don&#8217;t want to do that, just listing your address on check-out pages increases trust a lot.</p><h2>6. What happens after check-out?</h2><p>There&#8217;s this hesitation in almost all buying decisions: right before you click the Pay Now button. What&#8217;s going to happen next? Am I charged for taxes, import, anything else? Can I select a wrapping paper? Explain what happens after clicking that button. That way the customer is included in your ordering process and there are absolutely no suprises. That can be done with just a few short lines of text:</p><p><a\nhref=\"http://cdn2.yoast.com/wp-content/uploads/2012/03/checkout-bloomingdales.com_.png\"><img\nclass=\"alignright size-large wp-image-45458\" title=\"checkout message on bloomingdales.com\" src=\"http://cdn.yoast.com/wp-content/uploads/2012/03/checkout-bloomingdales.com_-590x244.png\" alt=\"checkout message on bloomingdales.com\" width=\"580\" height=\"239\" /></a></p><h2>7. Show you care about more than making money</h2><p>The most important thing is that your website has to reflect your believe in the product or service you provide. Just a list of products is not enough. Also tell your customer about your company, your main values or mission statement. I really love the 1% for the Planet from Yvon Chouinard (Patagonia) and Craig Mathews (Blue Ribbon Flies) <a\nhref=\"http://www.onepercentfortheplanet.org/\">http://www.onepercentfortheplanet.org</a>. Next to showing that you are involved, it also creates a huge sympathy and trust factor.</p><h2>We&#8217;d love to hear your tips!</h2><p>If you are selling products or services on your website, you must have thought about this subject. I&#8217;m curious: What have you done on your website to increase trust? What are you going to do?</p><p><a\nhref=\"http://yoast.com/7-ways-to-increase-sales-by-creating-trust/\">7 ways to Increase Sales by creating Trust</a> is a post by <a\nrel=\"author\" href=\"http://yoast.com/author/michiel/\">Michiel Heijmans</a> on <a\nhref=\"http://yoast.com\">Yoast - Tweaking Websites</a>.A good WordPress blog needs good hosting, you don\'t want your blog to be slow, or, even worse, down, do you? Check out my thoughts on <a\nhref=\"http://yoast.com/wordpress-hosting/\">WordPress hosting</a>!</p><img src=\"http://feeds.feedburner.com/~r/joostdevalk/~4/1ssU1JMTUtQ\" height=\"1\" width=\"1\"/>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:36:\"http://wellformedweb.org/CommentAPI/\";a:1:{s:10:\"commentRss\";a:1:{i:0;a:5:{s:4:\"data\";s:65:\"http://yoast.com/7-ways-to-increase-sales-by-creating-trust/feed/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:38:\"http://purl.org/rss/1.0/modules/slash/\";a:1:{s:8:\"comments\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"44\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:90:\"http://cdn3.yoast.com/wp-content/uploads/2012/03/testimonials-cloversites.com_-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"content\";a:4:{i:0;a:6:{s:4:\"data\";s:4:\"    \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:81:\"http://cdn.yoast.com/wp-content/uploads/2012/03/testimonials-cloversites.com_.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:3:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"Testimonials as seen on cloversites.com\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"Testimonials as seen on cloversites.com\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:90:\"http://cdn3.yoast.com/wp-content/uploads/2012/03/testimonials-cloversites.com_-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:4:\"    \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:75:\"http://cdn2.yoast.com/wp-content/uploads/2012/03/verified-signs-dx.com_.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:3:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"“Verified” signs\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"\"Verified\" signs\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:81:\"http://cdn.yoast.com/wp-content/uploads/2012/03/verified-signs-dx.com_-125x98.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:66:\"http://cdn3.yoast.com/wp-content/uploads/2012/03/picture-stock.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Stock photography\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:74:\"http://cdn2.yoast.com/wp-content/uploads/2012/03/picture-stock-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:3:\"   \";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"url\";s:80:\"http://cdn2.yoast.com/wp-content/uploads/2012/03/checkout-bloomingdales.com_.png\";s:6:\"medium\";s:5:\"image\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:29:\"http://search.yahoo.com/mrss/\";a:2:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"checkout message on bloomingdales.com\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:4:\"type\";s:4:\"html\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"thumbnail\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"url\";s:87:\"http://cdn.yoast.com/wp-content/uploads/2012/03/checkout-bloomingdales.com_-125x125.png\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:1:{s:8:\"origLink\";a:1:{i:0;a:5:{s:4:\"data\";s:146:\"http://yoast.com/7-ways-to-increase-sales-by-creating-trust/#utm_source=rss&utm_medium=rss&utm_campaign=7-ways-to-increase-sales-by-creating-trust\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:44:\"http://purl.org/rss/1.0/modules/syndication/\";a:2:{s:12:\"updatePeriod\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"hourly\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:15:\"updateFrequency\";a:1:{i:0;a:5:{s:4:\"data\";s:1:\"1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"link\";a:2:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:3:\"rel\";s:4:\"self\";s:4:\"type\";s:19:\"application/rss+xml\";s:4:\"href\";s:39:\"http://feeds.feedburner.com/joostdevalk\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:3:\"rel\";s:3:\"hub\";s:4:\"href\";s:32:\"http://pubsubhubbub.appspot.com/\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:42:\"http://rssnamespace.org/feedburner/ext/1.0\";a:5:{s:4:\"info\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:3:\"uri\";s:11:\"joostdevalk\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:14:\"emailServiceId\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"joostdevalk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:18:\"feedburnerHostname\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://feedburner.google.com\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"feedFlare\";a:7:{i:0;a:5:{s:4:\"data\";s:22:\"Subscribe with Podnova\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:82:\"http://www.podnova.com/add.srf?url=http%3A%2F%2Ffeeds.feedburner.com%2Fjoostdevalk\";s:3:\"src\";s:47:\"http://www.podnova.com/img_chicklet_podnova.gif\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:24:\"Subscribe with NewsGator\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:103:\"http://www.newsgator.com/ngs/subscriber/subext.aspx?url=http%3A%2F%2Ffeeds.feedburner.com%2Fjoostdevalk\";s:3:\"src\";s:42:\"http://www.newsgator.com/images/ngsub1.gif\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:23:\"Subscribe with Netvibes\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:89:\"http://www.netvibes.com/subscribe.php?url=http%3A%2F%2Ffeeds.feedburner.com%2Fjoostdevalk\";s:3:\"src\";s:44:\"http://www.netvibes.com/img/add2netvibes.gif\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:25:\"Subscribe with Pageflakes\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:92:\"http://www.pageflakes.com/subscribe.aspx?url=http%3A%2F%2Ffeeds.feedburner.com%2Fjoostdevalk\";s:3:\"src\";s:87:\"http://www.pageflakes.com/ImageFile.ashx?instanceId=Static_4&fileName=ATP_blu_91x17.gif\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:4;a:5:{s:4:\"data\";s:24:\"Subscribe with My Yahoo!\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:79:\"http://add.my.yahoo.com/rss?url=http%3A%2F%2Ffeeds.feedburner.com%2Fjoostdevalk\";s:3:\"src\";s:59:\"http://us.i1.yimg.com/us.yimg.com/i/us/my/addtomyyahoo4.gif\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:5;a:5:{s:4:\"data\";s:19:\"Subscribe with ODEO\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:85:\"http://odeo.com/listen/subscribe?feed=http%3A%2F%2Ffeeds.feedburner.com%2Fjoostdevalk\";s:3:\"src\";s:43:\"http://odeo.com/img/badge-channel-black.gif\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:6;a:5:{s:4:\"data\";s:21:\"Subscribe with Google\";s:7:\"attribs\";a:1:{s:0:\"\";a:2:{s:4:\"href\";s:84:\"http://fusion.google.com/add?feedurl=http%3A%2F%2Ffeeds.feedburner.com%2Fjoostdevalk\";s:3:\"src\";s:51:\"http://buttons.googlesyndication.com/fusion/add.gif\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:15:\"browserFriendly\";a:1:{i:0;a:5:{s:4:\"data\";s:195:\"This is the combined feed for Yoast.com and the WordPress podcast. Subscribe now to get WordPress & Magento tips & tricks, helping you optimize your site for speed, search engines and conversion!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}}}}s:4:\"type\";i:128;s:7:\"headers\";a:9:{s:12:\"content-type\";s:23:\"text/xml; charset=UTF-8\";s:4:\"etag\";s:27:\"uYu1F2vVYVXddF3J0lKIf8BvLxs\";s:13:\"last-modified\";s:29:\"Fri, 05 Oct 2012 10:43:40 GMT\";s:4:\"date\";s:29:\"Fri, 05 Oct 2012 11:19:49 GMT\";s:7:\"expires\";s:29:\"Fri, 05 Oct 2012 11:19:49 GMT\";s:13:\"cache-control\";s:18:\"private, max-age=0\";s:22:\"x-content-type-options\";s:7:\"nosniff\";s:16:\"x-xss-protection\";s:13:\"1; mode=block\";s:6:\"server\";s:3:\"GSE\";}s:5:\"build\";s:14:\"20090627192103\";}','no'),(2076,0,'category_children','a:0:{}','yes'),(10221,0,'_transient_timeout_feed_mod_a5420c83891a9c88ad2a4f04584a5efc','1459385573','no'),(10222,0,'_transient_feed_mod_a5420c83891a9c88ad2a4f04584a5efc','1459342373','no'),(10229,0,'_transient_timeout_feed_mod_1a5f760f2e2b48827d4974a60857e7c2','1459385576','no'),(10230,0,'_transient_feed_mod_1a5f760f2e2b48827d4974a60857e7c2','1459342376','no'),(10235,0,'rewrite_rules','a:1712:{s:47:\"category/(.+?)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:52:\"index.php?category_name=$matches[1]&feed=$matches[2]\";s:42:\"category/(.+?)/(feed|rdf|rss|rss2|atom)/?$\";s:52:\"index.php?category_name=$matches[1]&feed=$matches[2]\";s:35:\"category/(.+?)/page/?([0-9]{1,})/?$\";s:53:\"index.php?category_name=$matches[1]&paged=$matches[2]\";s:17:\"category/(.+?)/?$\";s:35:\"index.php?category_name=$matches[1]\";s:44:\"tag/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:42:\"index.php?tag=$matches[1]&feed=$matches[2]\";s:39:\"tag/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:42:\"index.php?tag=$matches[1]&feed=$matches[2]\";s:32:\"tag/([^/]+)/page/?([0-9]{1,})/?$\";s:43:\"index.php?tag=$matches[1]&paged=$matches[2]\";s:14:\"tag/([^/]+)/?$\";s:25:\"index.php?tag=$matches[1]\";s:45:\"type/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:50:\"index.php?post_format=$matches[1]&feed=$matches[2]\";s:40:\"type/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:50:\"index.php?post_format=$matches[1]&feed=$matches[2]\";s:33:\"type/([^/]+)/page/?([0-9]{1,})/?$\";s:51:\"index.php?post_format=$matches[1]&paged=$matches[2]\";s:15:\"type/([^/]+)/?$\";s:33:\"index.php?post_format=$matches[1]\";s:12:\"robots\\.txt$\";s:18:\"index.php?robots=1\";s:14:\".*wp-atom.php$\";s:19:\"index.php?feed=atom\";s:13:\".*wp-rdf.php$\";s:18:\"index.php?feed=rdf\";s:13:\".*wp-rss.php$\";s:18:\"index.php?feed=rss\";s:14:\".*wp-rss2.php$\";s:19:\"index.php?feed=rss2\";s:14:\".*wp-feed.php$\";s:19:\"index.php?feed=feed\";s:22:\".*wp-commentsrss2.php$\";s:34:\"index.php?feed=rss2&withcomments=1\";s:90:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:100:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:120:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:115:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:115:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:83:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:103:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:98:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:91:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:98:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:83:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:99:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:109:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:129:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:124:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:124:\"the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:92:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:112:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:107:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:100:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:107:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:92:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_2013_v3_cropwide)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:102:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:112:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:132:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:127:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:127:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:95:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:115:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:110:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:103:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:110:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:95:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0013lowres)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:102:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:112:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:132:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:127:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:127:\"the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:95:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:115:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:110:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:103:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:110:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:95:\"(the-press-photograph-is-a-message/catalog_thepressphotograph_imma2013_0029lowres)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:74:\"impossible-school/screen-shot-2012-08-01-at-11-05-47/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:84:\"impossible-school/screen-shot-2012-08-01-at-11-05-47/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:104:\"impossible-school/screen-shot-2012-08-01-at-11-05-47/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:99:\"impossible-school/screen-shot-2012-08-01-at-11-05-47/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:99:\"impossible-school/screen-shot-2012-08-01-at-11-05-47/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:67:\"(impossible-school/screen-shot-2012-08-01-at-11-05-47)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:87:\"(impossible-school/screen-shot-2012-08-01-at-11-05-47)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:82:\"(impossible-school/screen-shot-2012-08-01-at-11-05-47)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:75:\"(impossible-school/screen-shot-2012-08-01-at-11-05-47)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:82:\"(impossible-school/screen-shot-2012-08-01-at-11-05-47)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:67:\"(impossible-school/screen-shot-2012-08-01-at-11-05-47)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:68:\"impossible-school/catalog-impossible-book-page/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:78:\"impossible-school/catalog-impossible-book-page/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:98:\"impossible-school/catalog-impossible-book-page/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"impossible-school/catalog-impossible-book-page/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"impossible-school/catalog-impossible-book-page/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(impossible-school/catalog-impossible-book-page)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:81:\"(impossible-school/catalog-impossible-book-page)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:76:\"(impossible-school/catalog-impossible-book-page)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"(impossible-school/catalog-impossible-book-page)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:76:\"(impossible-school/catalog-impossible-book-page)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(impossible-school/catalog-impossible-book-page)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:49:\"impossible-school/untitled1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:59:\"impossible-school/untitled1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:79:\"impossible-school/untitled1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:74:\"impossible-school/untitled1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:74:\"impossible-school/untitled1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:42:\"(impossible-school/untitled1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:62:\"(impossible-school/untitled1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:57:\"(impossible-school/untitled1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:50:\"(impossible-school/untitled1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:57:\"(impossible-school/untitled1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:42:\"(impossible-school/untitled1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:52:\"dittoditto/catalog_dittoditto1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:62:\"dittoditto/catalog_dittoditto1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:82:\"dittoditto/catalog_dittoditto1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:77:\"dittoditto/catalog_dittoditto1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:77:\"dittoditto/catalog_dittoditto1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:45:\"(dittoditto/catalog_dittoditto1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:65:\"(dittoditto/catalog_dittoditto1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:60:\"(dittoditto/catalog_dittoditto1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:53:\"(dittoditto/catalog_dittoditto1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:60:\"(dittoditto/catalog_dittoditto1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:45:\"(dittoditto/catalog_dittoditto1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:56:\"dittoditto/dittodittolibrary_72dpi/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:66:\"dittoditto/dittodittolibrary_72dpi/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:86:\"dittoditto/dittodittolibrary_72dpi/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:81:\"dittoditto/dittodittolibrary_72dpi/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:81:\"dittoditto/dittodittolibrary_72dpi/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:49:\"(dittoditto/dittodittolibrary_72dpi)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:69:\"(dittoditto/dittodittolibrary_72dpi)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(dittoditto/dittodittolibrary_72dpi)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:57:\"(dittoditto/dittodittolibrary_72dpi)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:64:\"(dittoditto/dittodittolibrary_72dpi)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:49:\"(dittoditto/dittodittolibrary_72dpi)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:58:\"dittoditto/dittoditto_documentation1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:68:\"dittoditto/dittoditto_documentation1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:88:\"dittoditto/dittoditto_documentation1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:83:\"dittoditto/dittoditto_documentation1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:83:\"dittoditto/dittoditto_documentation1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:51:\"(dittoditto/dittoditto_documentation1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:71:\"(dittoditto/dittoditto_documentation1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(dittoditto/dittoditto_documentation1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:59:\"(dittoditto/dittoditto_documentation1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:66:\"(dittoditto/dittoditto_documentation1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:51:\"(dittoditto/dittoditto_documentation1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:58:\"dittoditto/dittoditto_documentation2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:68:\"dittoditto/dittoditto_documentation2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:88:\"dittoditto/dittoditto_documentation2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:83:\"dittoditto/dittoditto_documentation2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:83:\"dittoditto/dittoditto_documentation2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:51:\"(dittoditto/dittoditto_documentation2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:71:\"(dittoditto/dittoditto_documentation2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(dittoditto/dittoditto_documentation2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:59:\"(dittoditto/dittoditto_documentation2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:66:\"(dittoditto/dittoditto_documentation2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:51:\"(dittoditto/dittoditto_documentation2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:53:\"dittoditto/bp-saturday-sound_72/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:63:\"dittoditto/bp-saturday-sound_72/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:83:\"dittoditto/bp-saturday-sound_72/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"dittoditto/bp-saturday-sound_72/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"dittoditto/bp-saturday-sound_72/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:46:\"(dittoditto/bp-saturday-sound_72)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:66:\"(dittoditto/bp-saturday-sound_72)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:61:\"(dittoditto/bp-saturday-sound_72)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:54:\"(dittoditto/bp-saturday-sound_72)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:61:\"(dittoditto/bp-saturday-sound_72)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:46:\"(dittoditto/bp-saturday-sound_72)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:53:\"dittoditto/bp-saturday-sound_32/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:63:\"dittoditto/bp-saturday-sound_32/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:83:\"dittoditto/bp-saturday-sound_32/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"dittoditto/bp-saturday-sound_32/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"dittoditto/bp-saturday-sound_32/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:46:\"(dittoditto/bp-saturday-sound_32)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:66:\"(dittoditto/bp-saturday-sound_32)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:61:\"(dittoditto/bp-saturday-sound_32)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:54:\"(dittoditto/bp-saturday-sound_32)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:61:\"(dittoditto/bp-saturday-sound_32)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:46:\"(dittoditto/bp-saturday-sound_32)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:69:\"dittoditto/catalog_dittoditto_tatebritain2013_1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:79:\"dittoditto/catalog_dittoditto_tatebritain2013_1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:99:\"dittoditto/catalog_dittoditto_tatebritain2013_1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:94:\"dittoditto/catalog_dittoditto_tatebritain2013_1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:94:\"dittoditto/catalog_dittoditto_tatebritain2013_1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:62:\"(dittoditto/catalog_dittoditto_tatebritain2013_1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:82:\"(dittoditto/catalog_dittoditto_tatebritain2013_1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:77:\"(dittoditto/catalog_dittoditto_tatebritain2013_1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:70:\"(dittoditto/catalog_dittoditto_tatebritain2013_1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:77:\"(dittoditto/catalog_dittoditto_tatebritain2013_1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:62:\"(dittoditto/catalog_dittoditto_tatebritain2013_1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:69:\"dittoditto/catalog_dittoditto_tatebritain2012_1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:79:\"dittoditto/catalog_dittoditto_tatebritain2012_1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:99:\"dittoditto/catalog_dittoditto_tatebritain2012_1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:94:\"dittoditto/catalog_dittoditto_tatebritain2012_1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:94:\"dittoditto/catalog_dittoditto_tatebritain2012_1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:62:\"(dittoditto/catalog_dittoditto_tatebritain2012_1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:82:\"(dittoditto/catalog_dittoditto_tatebritain2012_1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:77:\"(dittoditto/catalog_dittoditto_tatebritain2012_1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:70:\"(dittoditto/catalog_dittoditto_tatebritain2012_1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:77:\"(dittoditto/catalog_dittoditto_tatebritain2012_1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:62:\"(dittoditto/catalog_dittoditto_tatebritain2012_1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:69:\"dittoditto/catalog_dittoditto_tatebritain2012_2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:79:\"dittoditto/catalog_dittoditto_tatebritain2012_2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:99:\"dittoditto/catalog_dittoditto_tatebritain2012_2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:94:\"dittoditto/catalog_dittoditto_tatebritain2012_2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:94:\"dittoditto/catalog_dittoditto_tatebritain2012_2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:62:\"(dittoditto/catalog_dittoditto_tatebritain2012_2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:82:\"(dittoditto/catalog_dittoditto_tatebritain2012_2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:77:\"(dittoditto/catalog_dittoditto_tatebritain2012_2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:70:\"(dittoditto/catalog_dittoditto_tatebritain2012_2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:77:\"(dittoditto/catalog_dittoditto_tatebritain2012_2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:62:\"(dittoditto/catalog_dittoditto_tatebritain2012_2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:68:\"dittoditto/catalog_dittoditto_tatemodern2012_3/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:78:\"dittoditto/catalog_dittoditto_tatemodern2012_3/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:98:\"dittoditto/catalog_dittoditto_tatemodern2012_3/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"dittoditto/catalog_dittoditto_tatemodern2012_3/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"dittoditto/catalog_dittoditto_tatemodern2012_3/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(dittoditto/catalog_dittoditto_tatemodern2012_3)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:81:\"(dittoditto/catalog_dittoditto_tatemodern2012_3)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:76:\"(dittoditto/catalog_dittoditto_tatemodern2012_3)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"(dittoditto/catalog_dittoditto_tatemodern2012_3)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:76:\"(dittoditto/catalog_dittoditto_tatemodern2012_3)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(dittoditto/catalog_dittoditto_tatemodern2012_3)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:68:\"dittoditto/catalog_dittoditto_tatemodern2012_4/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:78:\"dittoditto/catalog_dittoditto_tatemodern2012_4/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:98:\"dittoditto/catalog_dittoditto_tatemodern2012_4/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"dittoditto/catalog_dittoditto_tatemodern2012_4/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"dittoditto/catalog_dittoditto_tatemodern2012_4/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(dittoditto/catalog_dittoditto_tatemodern2012_4)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:81:\"(dittoditto/catalog_dittoditto_tatemodern2012_4)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:76:\"(dittoditto/catalog_dittoditto_tatemodern2012_4)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"(dittoditto/catalog_dittoditto_tatemodern2012_4)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:76:\"(dittoditto/catalog_dittoditto_tatemodern2012_4)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(dittoditto/catalog_dittoditto_tatemodern2012_4)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:68:\"dittoditto/catalog_dittoditto_tatemodern2012_1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:78:\"dittoditto/catalog_dittoditto_tatemodern2012_1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:98:\"dittoditto/catalog_dittoditto_tatemodern2012_1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"dittoditto/catalog_dittoditto_tatemodern2012_1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"dittoditto/catalog_dittoditto_tatemodern2012_1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(dittoditto/catalog_dittoditto_tatemodern2012_1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:81:\"(dittoditto/catalog_dittoditto_tatemodern2012_1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:76:\"(dittoditto/catalog_dittoditto_tatemodern2012_1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"(dittoditto/catalog_dittoditto_tatemodern2012_1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:76:\"(dittoditto/catalog_dittoditto_tatemodern2012_1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(dittoditto/catalog_dittoditto_tatemodern2012_1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:68:\"dittoditto/catalog_dittoditto_tatemodern2012_2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:78:\"dittoditto/catalog_dittoditto_tatemodern2012_2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:98:\"dittoditto/catalog_dittoditto_tatemodern2012_2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"dittoditto/catalog_dittoditto_tatemodern2012_2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"dittoditto/catalog_dittoditto_tatemodern2012_2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(dittoditto/catalog_dittoditto_tatemodern2012_2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:81:\"(dittoditto/catalog_dittoditto_tatemodern2012_2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:76:\"(dittoditto/catalog_dittoditto_tatemodern2012_2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"(dittoditto/catalog_dittoditto_tatemodern2012_2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:76:\"(dittoditto/catalog_dittoditto_tatemodern2012_2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(dittoditto/catalog_dittoditto_tatemodern2012_2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:57:\"we-interrupt-this-transmission/fs-1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:67:\"we-interrupt-this-transmission/fs-1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:87:\"we-interrupt-this-transmission/fs-1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:82:\"we-interrupt-this-transmission/fs-1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:82:\"we-interrupt-this-transmission/fs-1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:50:\"(we-interrupt-this-transmission/fs-1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:70:\"(we-interrupt-this-transmission/fs-1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/fs-1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:58:\"(we-interrupt-this-transmission/fs-1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:65:\"(we-interrupt-this-transmission/fs-1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:50:\"(we-interrupt-this-transmission/fs-1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:57:\"we-interrupt-this-transmission/jc-1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:67:\"we-interrupt-this-transmission/jc-1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:87:\"we-interrupt-this-transmission/jc-1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:82:\"we-interrupt-this-transmission/jc-1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:82:\"we-interrupt-this-transmission/jc-1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:50:\"(we-interrupt-this-transmission/jc-1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:70:\"(we-interrupt-this-transmission/jc-1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/jc-1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:58:\"(we-interrupt-this-transmission/jc-1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:65:\"(we-interrupt-this-transmission/jc-1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:50:\"(we-interrupt-this-transmission/jc-1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel1-1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel1-1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel1-1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel1-1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel1-1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel2-1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel2-1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel2-1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel2-1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel2-1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel1-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel1-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel1-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel1-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel1-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel2-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel2-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel2-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel2-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel2-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:70:\"we-interrupt-this-transmission/channel1-3_lowres/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:80:\"we-interrupt-this-transmission/channel1-3_lowres/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:100:\"we-interrupt-this-transmission/channel1-3_lowres/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:95:\"we-interrupt-this-transmission/channel1-3_lowres/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:95:\"we-interrupt-this-transmission/channel1-3_lowres/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:63:\"(we-interrupt-this-transmission/channel1-3_lowres)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:83:\"(we-interrupt-this-transmission/channel1-3_lowres)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"(we-interrupt-this-transmission/channel1-3_lowres)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-3_lowres)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:78:\"(we-interrupt-this-transmission/channel1-3_lowres)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:63:\"(we-interrupt-this-transmission/channel1-3_lowres)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:70:\"we-interrupt-this-transmission/channel2-3_lowres/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:80:\"we-interrupt-this-transmission/channel2-3_lowres/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:100:\"we-interrupt-this-transmission/channel2-3_lowres/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:95:\"we-interrupt-this-transmission/channel2-3_lowres/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:95:\"we-interrupt-this-transmission/channel2-3_lowres/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:63:\"(we-interrupt-this-transmission/channel2-3_lowres)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:83:\"(we-interrupt-this-transmission/channel2-3_lowres)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"(we-interrupt-this-transmission/channel2-3_lowres)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-3_lowres)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:78:\"(we-interrupt-this-transmission/channel2-3_lowres)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:63:\"(we-interrupt-this-transmission/channel2-3_lowres)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:71:\"we-interrupt-this-transmission/catalog_broadcast3/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:81:\"we-interrupt-this-transmission/catalog_broadcast3/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:101:\"we-interrupt-this-transmission/catalog_broadcast3/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:96:\"we-interrupt-this-transmission/catalog_broadcast3/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:96:\"we-interrupt-this-transmission/catalog_broadcast3/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:64:\"(we-interrupt-this-transmission/catalog_broadcast3)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:84:\"(we-interrupt-this-transmission/catalog_broadcast3)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:79:\"(we-interrupt-this-transmission/catalog_broadcast3)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/catalog_broadcast3)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:79:\"(we-interrupt-this-transmission/catalog_broadcast3)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:64:\"(we-interrupt-this-transmission/catalog_broadcast3)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel1-4/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel1-4/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel1-4/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-4/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-4/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-4)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel1-4)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-4)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel1-4)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-4)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-4)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel1-5/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel1-5/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel1-5/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-5/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-5/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-5)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel1-5)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-5)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel1-5)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-5)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-5)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel2-4/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel2-4/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel2-4/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-4/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-4/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-4)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel2-4)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-4)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel2-4)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-4)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-4)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel2-5/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel2-5/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel2-5/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-5/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-5/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-5)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel2-5)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-5)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel2-5)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-5)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-5)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel2-6/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel2-6/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel2-6/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-6/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-6/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-6)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel2-6)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-6)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel2-6)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-6)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-6)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel1-6/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel1-6/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel1-6/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-6/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-6/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-6)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel1-6)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-6)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel1-6)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-6)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-6)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel1-7/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel1-7/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel1-7/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-7/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-7/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-7)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel1-7)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-7)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel1-7)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-7)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-7)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel2-7/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel2-7/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel2-7/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-7/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-7/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-7)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel2-7)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-7)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel2-7)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-7)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-7)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel2-8/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel2-8/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel2-8/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-8/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-8/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-8)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel2-8)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-8)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel2-8)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-8)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-8)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel1-8/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel1-8/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel1-8/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-8/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-8/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-8)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel1-8)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-8)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel1-8)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-8)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-8)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel1-9/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel1-9/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel1-9/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-9/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel1-9/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-9)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel1-9)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-9)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel1-9)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel1-9)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel1-9)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/channel2-9/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/channel2-9/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/channel2-9/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-9/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/channel2-9/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-9)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/channel2-9)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-9)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/channel2-9)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/channel2-9)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/channel2-9)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel2-10/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel2-10/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel2-10/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-10/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-10/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-10)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel2-10)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-10)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel2-10)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-10)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-10)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel1-10/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel1-10/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel1-10/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-10/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-10/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-10)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel1-10)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-10)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel1-10)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-10)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-10)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel1-11/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel1-11/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel1-11/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-11/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-11/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-11)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel1-11)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-11)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel1-11)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-11)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-11)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel2-11/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel2-11/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel2-11/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-11/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-11/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-11)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel2-11)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-11)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel2-11)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-11)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-11)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel2-12/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel2-12/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel2-12/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-12/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-12/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-12)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel2-12)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-12)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel2-12)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-12)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-12)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel1-12/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel1-12/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel1-12/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-12/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-12/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-12)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel1-12)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-12)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel1-12)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-12)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-12)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel1-13/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel1-13/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel1-13/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-13/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-13/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-13)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel1-13)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-13)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel1-13)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-13)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-13)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel2-13/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel2-13/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel2-13/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-13/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-13/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-13)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel2-13)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-13)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel2-13)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-13)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-13)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel2-14/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel2-14/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel2-14/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-14/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-14/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-14)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel2-14)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-14)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel2-14)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-14)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-14)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel1-14/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel1-14/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel1-14/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-14/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-14/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-14)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel1-14)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-14)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel1-14)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-14)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-14)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel1-15/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel1-15/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel1-15/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-15/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-15/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-15)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel1-15)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-15)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel1-15)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-15)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-15)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel2-15/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel2-15/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel2-15/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-15/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-15/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-15)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel2-15)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-15)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel2-15)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-15)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-15)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel2-16/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel2-16/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel2-16/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-16/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-16/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-16)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel2-16)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-16)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel2-16)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-16)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-16)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel1-16/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel1-16/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel1-16/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-16/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-16/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-16)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel1-16)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-16)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel1-16)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-16)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-16)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel1-17/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel1-17/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel1-17/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-17/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-17/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-17)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel1-17)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-17)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel1-17)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-17)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-17)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:66:\"we-interrupt-this-transmission/channel2-17-1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:76:\"we-interrupt-this-transmission/channel2-17-1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:96:\"we-interrupt-this-transmission/channel2-17-1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:91:\"we-interrupt-this-transmission/channel2-17-1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:91:\"we-interrupt-this-transmission/channel2-17-1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:59:\"(we-interrupt-this-transmission/channel2-17-1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:79:\"(we-interrupt-this-transmission/channel2-17-1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:74:\"(we-interrupt-this-transmission/channel2-17-1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:67:\"(we-interrupt-this-transmission/channel2-17-1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:74:\"(we-interrupt-this-transmission/channel2-17-1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:59:\"(we-interrupt-this-transmission/channel2-17-1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:67:\"we-interrupt-this-transmission/channel1-17web/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:77:\"we-interrupt-this-transmission/channel1-17web/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:97:\"we-interrupt-this-transmission/channel1-17web/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:92:\"we-interrupt-this-transmission/channel1-17web/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:92:\"we-interrupt-this-transmission/channel1-17web/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:60:\"(we-interrupt-this-transmission/channel1-17web)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:80:\"(we-interrupt-this-transmission/channel1-17web)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:75:\"(we-interrupt-this-transmission/channel1-17web)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:68:\"(we-interrupt-this-transmission/channel1-17web)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:75:\"(we-interrupt-this-transmission/channel1-17web)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:60:\"(we-interrupt-this-transmission/channel1-17web)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:68:\"we-interrupt-this-transmission/channel2-17-web/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:78:\"we-interrupt-this-transmission/channel2-17-web/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:98:\"we-interrupt-this-transmission/channel2-17-web/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"we-interrupt-this-transmission/channel2-17-web/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:93:\"we-interrupt-this-transmission/channel2-17-web/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(we-interrupt-this-transmission/channel2-17-web)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:81:\"(we-interrupt-this-transmission/channel2-17-web)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:76:\"(we-interrupt-this-transmission/channel2-17-web)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"(we-interrupt-this-transmission/channel2-17-web)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:76:\"(we-interrupt-this-transmission/channel2-17-web)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:61:\"(we-interrupt-this-transmission/channel2-17-web)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel2-18/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel2-18/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel2-18/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-18/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel2-18/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-18)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel2-18)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-18)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel2-18)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel2-18)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel2-18)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/channel1-18/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/channel1-18/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/channel1-18/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-18/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/channel1-18/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-18)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/channel1-18)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-18)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/channel1-18)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/channel1-18)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/channel1-18)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast19/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast19/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast19/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast19/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast19/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast19)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast19)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast19)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast19)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast19)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast19)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast18/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast18/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast18/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast18/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast18/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast18)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast18)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast18)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast18)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast18)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast18)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast17/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast17/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast17/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast17/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast17/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast17)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast17)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast17)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast17)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast17)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast17)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast16/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast16/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast16/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast16/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast16/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast16)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast16)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast16)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast16)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast16)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast16)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast15/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast15/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast15/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast15/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast15/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast15)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast15)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast15)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast15)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast15)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast15)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast14/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast14/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast14/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast14/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast14/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast14)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast14)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast14)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast14)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast14)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast14)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast13/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast13/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast13/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast13/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast13/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast13)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast13)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast13)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast13)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast13)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast13)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast12/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast12/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast12/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast12/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast12/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast12)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast12)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast12)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast12)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast12)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast12)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast11/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast11/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast11/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast11/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast11/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast11)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast11)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast11)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast11)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast11)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast11)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast10/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast10/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast10/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast10/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast10/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast10)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast10)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast10)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast10)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast10)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast10)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/broadcast9/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/broadcast9/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/broadcast9/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast9/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast9/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast9)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/broadcast9)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast9)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/broadcast9)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast9)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast9)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/broadcast8/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/broadcast8/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/broadcast8/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast8/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast8/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast8)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/broadcast8)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast8)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/broadcast8)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast8)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast8)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/broadcast7/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/broadcast7/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/broadcast7/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast7/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast7/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast7)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/broadcast7)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast7)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/broadcast7)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast7)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast7)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/broadcast6/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/broadcast6/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/broadcast6/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast6/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast6/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast6)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/broadcast6)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast6)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/broadcast6)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast6)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast6)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/broadcast5/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/broadcast5/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/broadcast5/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast5/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast5/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast5)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/broadcast5)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast5)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/broadcast5)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast5)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast5)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/broadcast4/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/broadcast4/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/broadcast4/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast4/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast4/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast4)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/broadcast4)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast4)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/broadcast4)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast4)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast4)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/broadcast2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/broadcast2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/broadcast2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/broadcast2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/broadcast2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/broadcast1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/broadcast1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/broadcast1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/broadcast1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/broadcast1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:66:\"we-interrupt-this-transmission/broadcast16-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:76:\"we-interrupt-this-transmission/broadcast16-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:96:\"we-interrupt-this-transmission/broadcast16-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:91:\"we-interrupt-this-transmission/broadcast16-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:91:\"we-interrupt-this-transmission/broadcast16-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:59:\"(we-interrupt-this-transmission/broadcast16-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:79:\"(we-interrupt-this-transmission/broadcast16-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:74:\"(we-interrupt-this-transmission/broadcast16-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:67:\"(we-interrupt-this-transmission/broadcast16-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:74:\"(we-interrupt-this-transmission/broadcast16-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:59:\"(we-interrupt-this-transmission/broadcast16-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:66:\"we-interrupt-this-transmission/broadcast12-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:76:\"we-interrupt-this-transmission/broadcast12-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:96:\"we-interrupt-this-transmission/broadcast12-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:91:\"we-interrupt-this-transmission/broadcast12-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:91:\"we-interrupt-this-transmission/broadcast12-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:59:\"(we-interrupt-this-transmission/broadcast12-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:79:\"(we-interrupt-this-transmission/broadcast12-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:74:\"(we-interrupt-this-transmission/broadcast12-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:67:\"(we-interrupt-this-transmission/broadcast12-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:74:\"(we-interrupt-this-transmission/broadcast12-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:59:\"(we-interrupt-this-transmission/broadcast12-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast9-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast9-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast9-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast9-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast9-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast9-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast9-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast9-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast9-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast9-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast9-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast8-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast8-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast8-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast8-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast8-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast8-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast8-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast8-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast8-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast8-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast8-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast6-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast6-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast6-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast6-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast6-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast6-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast6-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast6-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast6-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast6-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast6-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast5-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast5-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast5-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast5-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast5-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast5-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast5-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast5-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast5-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast5-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast5-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast4-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast4-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast4-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast4-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast4-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast4-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast4-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast4-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast4-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast4-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast4-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:63:\"we-interrupt-this-transmission/broadcast3/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:73:\"we-interrupt-this-transmission/broadcast3/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:93:\"we-interrupt-this-transmission/broadcast3/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast3/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:88:\"we-interrupt-this-transmission/broadcast3/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast3)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"(we-interrupt-this-transmission/broadcast3)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast3)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(we-interrupt-this-transmission/broadcast3)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:71:\"(we-interrupt-this-transmission/broadcast3)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:56:\"(we-interrupt-this-transmission/broadcast3)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast2-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast2-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast2-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast2-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast2-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast2-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast2-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast2-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast2-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast2-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast2-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast1-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast1-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast1-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast1-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast1-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast1-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast1-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast1-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast1-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast1-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast1-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast3-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast3-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast3-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast3-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast3-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast3-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast3-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast3-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast3-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast3-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast3-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast20/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast20/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast20/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast20/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast20/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast20)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast20)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast20)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast20)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast20)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast20)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast21/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast21/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast21/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast21/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast21/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast21)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast21)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast21)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast21)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast21)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast21)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-23/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-23/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-23/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-23/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-23/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-23)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-23)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-23)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-23)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-23)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-23)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast22/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast22/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast22/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast22/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast22/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast22)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast22)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast22)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast22)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast22)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast22)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-24/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-24/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-24/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-24/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-24/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-24)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-24)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-24)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-24)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-24)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-24)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-25/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-25/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-25/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-25/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-25/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-25)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-25)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-25)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-25)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-25)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-25)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-26/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-26/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-26/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-26/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-26/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-26)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-26)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-26)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-26)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-26)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-26)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-27/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-27/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-27/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-27/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-27/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-27)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-27)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-27)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-27)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-27)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-27)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-28/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-28/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-28/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-28/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-28/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-28)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-28)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-28)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-28)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-28)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-28)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast29/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast29/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast29/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast29/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast29/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast29)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast29)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast29)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast29)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast29)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast29)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast30/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast30/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast30/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast30/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast30/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast30)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast30)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast30)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast30)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast30)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast30)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-32/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-32/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-32/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-32/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-32/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-32)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-32)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-32)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-32)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-32)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-32)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-33/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-33/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-33/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-33/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-33/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-33)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-33)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-33)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-33)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-33)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-33)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:67:\"we-interrupt-this-transmission/broadcast-33-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:77:\"we-interrupt-this-transmission/broadcast-33-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:97:\"we-interrupt-this-transmission/broadcast-33-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:92:\"we-interrupt-this-transmission/broadcast-33-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:92:\"we-interrupt-this-transmission/broadcast-33-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:60:\"(we-interrupt-this-transmission/broadcast-33-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:80:\"(we-interrupt-this-transmission/broadcast-33-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:75:\"(we-interrupt-this-transmission/broadcast-33-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:68:\"(we-interrupt-this-transmission/broadcast-33-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:75:\"(we-interrupt-this-transmission/broadcast-33-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:60:\"(we-interrupt-this-transmission/broadcast-33-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-34/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-34/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-34/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-34/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-34/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-34)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-34)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-34)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-34)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-34)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-34)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-36/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-36/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-36/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-36/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-36/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-36)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-36)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-36)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-36)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-36)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-36)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-37/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-37/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-37/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-37/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-37/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-37)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-37)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-37)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-37)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-37)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-37)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast38/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast38/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast38/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast38/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast38/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast38)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast38)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast38)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast38)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast38)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast38)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast39/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast39/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast39/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast39/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast39/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast39)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast39)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast39)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast39)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast39)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast39)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast40/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast40/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast40/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast40/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast40/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast40)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast40)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast40)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast40)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast40)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast40)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:65:\"we-interrupt-this-transmission/broadcast-41/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:75:\"we-interrupt-this-transmission/broadcast-41/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:95:\"we-interrupt-this-transmission/broadcast-41/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-41/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:90:\"we-interrupt-this-transmission/broadcast-41/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-41)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:78:\"(we-interrupt-this-transmission/broadcast-41)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-41)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:66:\"(we-interrupt-this-transmission/broadcast-41)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:73:\"(we-interrupt-this-transmission/broadcast-41)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:58:\"(we-interrupt-this-transmission/broadcast-41)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast42/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast42/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast42/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast42/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast42/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast42)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast42)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast42)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast42)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast42)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast42)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast43/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast43/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast43/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast43/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast43/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast43)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast43)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast43)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast43)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast43)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast43)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast44/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast44/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast44/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast44/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast44/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast44)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast44)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast44)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast44)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast44)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast44)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:64:\"we-interrupt-this-transmission/broadcast45/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:74:\"we-interrupt-this-transmission/broadcast45/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:94:\"we-interrupt-this-transmission/broadcast45/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast45/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:89:\"we-interrupt-this-transmission/broadcast45/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast45)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:77:\"(we-interrupt-this-transmission/broadcast45)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast45)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"(we-interrupt-this-transmission/broadcast45)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:72:\"(we-interrupt-this-transmission/broadcast45)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:57:\"(we-interrupt-this-transmission/broadcast45)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:90:\"if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:100:\"if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:120:\"if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:115:\"if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:115:\"if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:83:\"(if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:103:\"(if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:98:\"(if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:91:\"(if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:98:\"(if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:83:\"(if-i-knew-then-what-i-know-now/catalog_dittoditto_tatemodern2012_1-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:86:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:96:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:116:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:111:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:111:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:79:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:99:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:94:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:87:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:94:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:79:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:86:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:96:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:116:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:111:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:111:\"if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:79:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:99:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:94:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:87:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:94:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:79:\"(if-i-knew-then-what-i-know-now/catalog_ifiknewps_fiveyears2012_2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:46:\"journal/application-file/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:56:\"journal/application-file/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:76:\"journal/application-file/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"journal/application-file/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"journal/application-file/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:39:\"(journal/application-file)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:59:\"(journal/application-file)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:54:\"(journal/application-file)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:47:\"(journal/application-file)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:54:\"(journal/application-file)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:39:\"(journal/application-file)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:44:\"journal/branch-meeting/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:54:\"journal/branch-meeting/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:74:\"journal/branch-meeting/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"journal/branch-meeting/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"journal/branch-meeting/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:37:\"(journal/branch-meeting)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:57:\"(journal/branch-meeting)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:52:\"(journal/branch-meeting)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:45:\"(journal/branch-meeting)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:52:\"(journal/branch-meeting)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:37:\"(journal/branch-meeting)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:44:\"journal/first-meeting1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:54:\"journal/first-meeting1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:74:\"journal/first-meeting1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"journal/first-meeting1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"journal/first-meeting1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:37:\"(journal/first-meeting1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:57:\"(journal/first-meeting1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:52:\"(journal/first-meeting1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:45:\"(journal/first-meeting1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:52:\"(journal/first-meeting1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:37:\"(journal/first-meeting1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:44:\"journal/first-meeting2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:54:\"journal/first-meeting2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:74:\"journal/first-meeting2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"journal/first-meeting2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:69:\"journal/first-meeting2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:37:\"(journal/first-meeting2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:57:\"(journal/first-meeting2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:52:\"(journal/first-meeting2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:45:\"(journal/first-meeting2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:52:\"(journal/first-meeting2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:37:\"(journal/first-meeting2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:55:\"journal/catalog_fiveyears8_lowres/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:65:\"journal/catalog_fiveyears8_lowres/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:85:\"journal/catalog_fiveyears8_lowres/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:80:\"journal/catalog_fiveyears8_lowres/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:80:\"journal/catalog_fiveyears8_lowres/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:48:\"(journal/catalog_fiveyears8_lowres)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:68:\"(journal/catalog_fiveyears8_lowres)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:63:\"(journal/catalog_fiveyears8_lowres)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:56:\"(journal/catalog_fiveyears8_lowres)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:63:\"(journal/catalog_fiveyears8_lowres)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:48:\"(journal/catalog_fiveyears8_lowres)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:53:\"journal/catalog_ifiknew_studio1/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:63:\"journal/catalog_ifiknew_studio1/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:83:\"journal/catalog_ifiknew_studio1/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"journal/catalog_ifiknew_studio1/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"journal/catalog_ifiknew_studio1/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:46:\"(journal/catalog_ifiknew_studio1)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:66:\"(journal/catalog_ifiknew_studio1)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:61:\"(journal/catalog_ifiknew_studio1)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:54:\"(journal/catalog_ifiknew_studio1)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:61:\"(journal/catalog_ifiknew_studio1)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:46:\"(journal/catalog_ifiknew_studio1)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:53:\"journal/catalog_ifiknew_studio2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:63:\"journal/catalog_ifiknew_studio2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:83:\"journal/catalog_ifiknew_studio2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"journal/catalog_ifiknew_studio2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"journal/catalog_ifiknew_studio2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:46:\"(journal/catalog_ifiknew_studio2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:66:\"(journal/catalog_ifiknew_studio2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:61:\"(journal/catalog_ifiknew_studio2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:54:\"(journal/catalog_ifiknew_studio2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:61:\"(journal/catalog_ifiknew_studio2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:46:\"(journal/catalog_ifiknew_studio2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:54:\"journal/dittodittolibrary2_72dpi/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:64:\"journal/dittodittolibrary2_72dpi/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:84:\"journal/dittodittolibrary2_72dpi/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:79:\"journal/dittodittolibrary2_72dpi/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:79:\"journal/dittodittolibrary2_72dpi/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:47:\"(journal/dittodittolibrary2_72dpi)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:67:\"(journal/dittodittolibrary2_72dpi)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:62:\"(journal/dittodittolibrary2_72dpi)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:55:\"(journal/dittodittolibrary2_72dpi)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:62:\"(journal/dittodittolibrary2_72dpi)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:47:\"(journal/dittodittolibrary2_72dpi)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:55:\"journal/dittoditto_documentation3/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:65:\"journal/dittoditto_documentation3/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:85:\"journal/dittoditto_documentation3/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:80:\"journal/dittoditto_documentation3/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:80:\"journal/dittoditto_documentation3/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:48:\"(journal/dittoditto_documentation3)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:68:\"(journal/dittoditto_documentation3)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:63:\"(journal/dittoditto_documentation3)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:56:\"(journal/dittoditto_documentation3)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:63:\"(journal/dittoditto_documentation3)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:48:\"(journal/dittoditto_documentation3)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:40:\"journal/tate-tanks/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:50:\"journal/tate-tanks/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:70:\"journal/tate-tanks/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"journal/tate-tanks/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:65:\"journal/tate-tanks/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:33:\"(journal/tate-tanks)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:53:\"(journal/tate-tanks)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:48:\"(journal/tate-tanks)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:41:\"(journal/tate-tanks)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:48:\"(journal/tate-tanks)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:33:\"(journal/tate-tanks)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:38:\"journal/img_1685/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:48:\"journal/img_1685/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:68:\"journal/img_1685/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:63:\"journal/img_1685/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:63:\"journal/img_1685/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:31:\"(journal/img_1685)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:51:\"(journal/img_1685)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:46:\"(journal/img_1685)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:39:\"(journal/img_1685)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:46:\"(journal/img_1685)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:31:\"(journal/img_1685)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:37:\"journal/profile/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:47:\"journal/profile/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:67:\"journal/profile/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:62:\"journal/profile/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:62:\"journal/profile/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:30:\"(journal/profile)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:50:\"(journal/profile)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:45:\"(journal/profile)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:38:\"(journal/profile)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:45:\"(journal/profile)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:30:\"(journal/profile)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:56:\"journal/catalog_resonancefmdec2012/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:66:\"journal/catalog_resonancefmdec2012/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:86:\"journal/catalog_resonancefmdec2012/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:81:\"journal/catalog_resonancefmdec2012/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:81:\"journal/catalog_resonancefmdec2012/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:49:\"(journal/catalog_resonancefmdec2012)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:69:\"(journal/catalog_resonancefmdec2012)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(journal/catalog_resonancefmdec2012)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:57:\"(journal/catalog_resonancefmdec2012)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:64:\"(journal/catalog_resonancefmdec2012)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:49:\"(journal/catalog_resonancefmdec2012)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:54:\"function/if-i-knew_emailout72dpi/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:64:\"function/if-i-knew_emailout72dpi/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:84:\"function/if-i-knew_emailout72dpi/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:79:\"function/if-i-knew_emailout72dpi/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:79:\"function/if-i-knew_emailout72dpi/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:47:\"(function/if-i-knew_emailout72dpi)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:67:\"(function/if-i-knew_emailout72dpi)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:62:\"(function/if-i-knew_emailout72dpi)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:55:\"(function/if-i-knew_emailout72dpi)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:62:\"(function/if-i-knew_emailout72dpi)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:47:\"(function/if-i-knew_emailout72dpi)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:56:\"function/catalog_fiveyears2_lowres/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:66:\"function/catalog_fiveyears2_lowres/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:86:\"function/catalog_fiveyears2_lowres/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:81:\"function/catalog_fiveyears2_lowres/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:81:\"function/catalog_fiveyears2_lowres/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:49:\"(function/catalog_fiveyears2_lowres)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:69:\"(function/catalog_fiveyears2_lowres)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(function/catalog_fiveyears2_lowres)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:57:\"(function/catalog_fiveyears2_lowres)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:64:\"(function/catalog_fiveyears2_lowres)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:49:\"(function/catalog_fiveyears2_lowres)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:56:\"function/catalog_fiveyears3_lowres/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:66:\"function/catalog_fiveyears3_lowres/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:86:\"function/catalog_fiveyears3_lowres/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:81:\"function/catalog_fiveyears3_lowres/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:81:\"function/catalog_fiveyears3_lowres/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:49:\"(function/catalog_fiveyears3_lowres)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:69:\"(function/catalog_fiveyears3_lowres)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"(function/catalog_fiveyears3_lowres)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:57:\"(function/catalog_fiveyears3_lowres)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:64:\"(function/catalog_fiveyears3_lowres)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:49:\"(function/catalog_fiveyears3_lowres)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:34:\"function/tca/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:44:\"function/tca/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:64:\"function/tca/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:59:\"function/tca/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:59:\"function/tca/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:27:\"(function/tca)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:47:\"(function/tca)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:42:\"(function/tca)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:35:\"(function/tca)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:42:\"(function/tca)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:27:\"(function/tca)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:35:\"function/fs-2/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:45:\"function/fs-2/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:65:\"function/fs-2/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:60:\"function/fs-2/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:60:\"function/fs-2/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:28:\"(function/fs-2)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:48:\"(function/fs-2)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:43:\"(function/fs-2)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:36:\"(function/fs-2)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:43:\"(function/fs-2)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:28:\"(function/fs-2)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:70:\"function/catalog_thepressphotograph_2013_v3_crop/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:80:\"function/catalog_thepressphotograph_2013_v3_crop/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:100:\"function/catalog_thepressphotograph_2013_v3_crop/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:95:\"function/catalog_thepressphotograph_2013_v3_crop/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:95:\"function/catalog_thepressphotograph_2013_v3_crop/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:63:\"(function/catalog_thepressphotograph_2013_v3_crop)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:83:\"(function/catalog_thepressphotograph_2013_v3_crop)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:78:\"(function/catalog_thepressphotograph_2013_v3_crop)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:71:\"(function/catalog_thepressphotograph_2013_v3_crop)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:78:\"(function/catalog_thepressphotograph_2013_v3_crop)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:63:\"(function/catalog_thepressphotograph_2013_v3_crop)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:43:\"contents/catalog_crop/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:53:\"contents/catalog_crop/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:73:\"contents/catalog_crop/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:68:\"contents/catalog_crop/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:68:\"contents/catalog_crop/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:36:\"(contents/catalog_crop)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:56:\"(contents/catalog_crop)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:51:\"(contents/catalog_crop)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:44:\"(contents/catalog_crop)/page/?([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&paged=$matches[2]\";s:51:\"(contents/catalog_crop)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:36:\"(contents/catalog_crop)(/[0-9]+)?/?$\";s:49:\"index.php?attachment=$matches[1]&page=$matches[2]\";s:55:\"the-press-photograph-is-a-message/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:65:\"the-press-photograph-is-a-message/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:85:\"the-press-photograph-is-a-message/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:80:\"the-press-photograph-is-a-message/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:80:\"the-press-photograph-is-a-message/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:48:\"(the-press-photograph-is-a-message)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:68:\"(the-press-photograph-is-a-message)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:63:\"(the-press-photograph-is-a-message)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:56:\"(the-press-photograph-is-a-message)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:63:\"(the-press-photograph-is-a-message)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:48:\"(the-press-photograph-is-a-message)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:39:\"impossible-school/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:49:\"impossible-school/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:69:\"impossible-school/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"impossible-school/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:64:\"impossible-school/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:32:\"(impossible-school)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:52:\"(impossible-school)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:47:\"(impossible-school)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:40:\"(impossible-school)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:47:\"(impossible-school)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:32:\"(impossible-school)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:32:\"dittoditto/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:42:\"dittoditto/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:62:\"dittoditto/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:57:\"dittoditto/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:57:\"dittoditto/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:25:\"(dittoditto)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:45:\"(dittoditto)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:40:\"(dittoditto)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:33:\"(dittoditto)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:40:\"(dittoditto)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:25:\"(dittoditto)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:52:\"we-interrupt-this-transmission/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:62:\"we-interrupt-this-transmission/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:82:\"we-interrupt-this-transmission/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:77:\"we-interrupt-this-transmission/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:77:\"we-interrupt-this-transmission/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:45:\"(we-interrupt-this-transmission)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:65:\"(we-interrupt-this-transmission)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:60:\"(we-interrupt-this-transmission)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:53:\"(we-interrupt-this-transmission)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:60:\"(we-interrupt-this-transmission)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:45:\"(we-interrupt-this-transmission)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:26:\"test/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:36:\"test/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:56:\"test/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:51:\"test/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:51:\"test/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:19:\"(test)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:39:\"(test)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:34:\"(test)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:27:\"(test)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:34:\"(test)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:19:\"(test)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:52:\"if-i-knew-then-what-i-know-now/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:62:\"if-i-knew-then-what-i-know-now/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:82:\"if-i-knew-then-what-i-know-now/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:77:\"if-i-knew-then-what-i-know-now/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:77:\"if-i-knew-then-what-i-know-now/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:45:\"(if-i-knew-then-what-i-know-now)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:65:\"(if-i-knew-then-what-i-know-now)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:60:\"(if-i-knew-then-what-i-know-now)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:53:\"(if-i-knew-then-what-i-know-now)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:60:\"(if-i-knew-then-what-i-know-now)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:45:\"(if-i-knew-then-what-i-know-now)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:33:\"communicate/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:43:\"communicate/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:63:\"communicate/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:58:\"communicate/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:58:\"communicate/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:26:\"(communicate)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:46:\"(communicate)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:41:\"(communicate)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:34:\"(communicate)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:41:\"(communicate)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:26:\"(communicate)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:27:\"index/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:37:\"index/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:57:\"index/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:52:\"index/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:52:\"index/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:20:\"(index)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:40:\"(index)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:35:\"(index)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:28:\"(index)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:35:\"(index)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:20:\"(index)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:29:\"journal/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:39:\"journal/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:59:\"journal/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:54:\"journal/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:54:\"journal/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:22:\"(journal)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:42:\"(journal)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:37:\"(journal)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:30:\"(journal)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:37:\"(journal)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:22:\"(journal)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:30:\"function/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:40:\"function/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:60:\"function/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:55:\"function/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:55:\"function/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:23:\"(function)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:43:\"(function)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:38:\"(function)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:31:\"(function)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:38:\"(function)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:23:\"(function)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:42:\"contents/biographies/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:52:\"contents/biographies/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:72:\"contents/biographies/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:67:\"contents/biographies/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:67:\"contents/biographies/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:35:\"(contents/biographies)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:55:\"(contents/biographies)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:50:\"(contents/biographies)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:43:\"(contents/biographies)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:50:\"(contents/biographies)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:35:\"(contents/biographies)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:30:\"contents/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:40:\"contents/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:60:\"contents/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:55:\"contents/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:55:\"contents/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:23:\"(contents)/trackback/?$\";s:35:\"index.php?pagename=$matches[1]&tb=1\";s:43:\"(contents)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:38:\"(contents)/(feed|rdf|rss|rss2|atom)/?$\";s:47:\"index.php?pagename=$matches[1]&feed=$matches[2]\";s:31:\"(contents)/page/?([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&paged=$matches[2]\";s:38:\"(contents)/comment-page-([0-9]{1,})/?$\";s:48:\"index.php?pagename=$matches[1]&cpage=$matches[2]\";s:23:\"(contents)(/[0-9]+)?/?$\";s:47:\"index.php?pagename=$matches[1]&page=$matches[2]\";s:32:\"feed/(feed|rdf|rss|rss2|atom)/?$\";s:27:\"index.php?&feed=$matches[1]\";s:27:\"(feed|rdf|rss|rss2|atom)/?$\";s:27:\"index.php?&feed=$matches[1]\";s:20:\"page/?([0-9]{1,})/?$\";s:28:\"index.php?&paged=$matches[1]\";s:27:\"comment-page-([0-9]{1,})/?$\";s:38:\"index.php?&page_id=2&cpage=$matches[1]\";s:41:\"comments/feed/(feed|rdf|rss|rss2|atom)/?$\";s:42:\"index.php?&feed=$matches[1]&withcomments=1\";s:36:\"comments/(feed|rdf|rss|rss2|atom)/?$\";s:42:\"index.php?&feed=$matches[1]&withcomments=1\";s:29:\"comments/page/?([0-9]{1,})/?$\";s:28:\"index.php?&paged=$matches[1]\";s:44:\"search/(.+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:40:\"index.php?s=$matches[1]&feed=$matches[2]\";s:39:\"search/(.+)/(feed|rdf|rss|rss2|atom)/?$\";s:40:\"index.php?s=$matches[1]&feed=$matches[2]\";s:32:\"search/(.+)/page/?([0-9]{1,})/?$\";s:41:\"index.php?s=$matches[1]&paged=$matches[2]\";s:14:\"search/(.+)/?$\";s:23:\"index.php?s=$matches[1]\";s:47:\"author/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:50:\"index.php?author_name=$matches[1]&feed=$matches[2]\";s:42:\"author/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:50:\"index.php?author_name=$matches[1]&feed=$matches[2]\";s:35:\"author/([^/]+)/page/?([0-9]{1,})/?$\";s:51:\"index.php?author_name=$matches[1]&paged=$matches[2]\";s:17:\"author/([^/]+)/?$\";s:33:\"index.php?author_name=$matches[1]\";s:69:\"([0-9]{4})/([0-9]{1,2})/([0-9]{1,2})/feed/(feed|rdf|rss|rss2|atom)/?$\";s:80:\"index.php?year=$matches[1]&monthnum=$matches[2]&day=$matches[3]&feed=$matches[4]\";s:64:\"([0-9]{4})/([0-9]{1,2})/([0-9]{1,2})/(feed|rdf|rss|rss2|atom)/?$\";s:80:\"index.php?year=$matches[1]&monthnum=$matches[2]&day=$matches[3]&feed=$matches[4]\";s:57:\"([0-9]{4})/([0-9]{1,2})/([0-9]{1,2})/page/?([0-9]{1,})/?$\";s:81:\"index.php?year=$matches[1]&monthnum=$matches[2]&day=$matches[3]&paged=$matches[4]\";s:39:\"([0-9]{4})/([0-9]{1,2})/([0-9]{1,2})/?$\";s:63:\"index.php?year=$matches[1]&monthnum=$matches[2]&day=$matches[3]\";s:56:\"([0-9]{4})/([0-9]{1,2})/feed/(feed|rdf|rss|rss2|atom)/?$\";s:64:\"index.php?year=$matches[1]&monthnum=$matches[2]&feed=$matches[3]\";s:51:\"([0-9]{4})/([0-9]{1,2})/(feed|rdf|rss|rss2|atom)/?$\";s:64:\"index.php?year=$matches[1]&monthnum=$matches[2]&feed=$matches[3]\";s:44:\"([0-9]{4})/([0-9]{1,2})/page/?([0-9]{1,})/?$\";s:65:\"index.php?year=$matches[1]&monthnum=$matches[2]&paged=$matches[3]\";s:26:\"([0-9]{4})/([0-9]{1,2})/?$\";s:47:\"index.php?year=$matches[1]&monthnum=$matches[2]\";s:43:\"([0-9]{4})/feed/(feed|rdf|rss|rss2|atom)/?$\";s:43:\"index.php?year=$matches[1]&feed=$matches[2]\";s:38:\"([0-9]{4})/(feed|rdf|rss|rss2|atom)/?$\";s:43:\"index.php?year=$matches[1]&feed=$matches[2]\";s:31:\"([0-9]{4})/page/?([0-9]{1,})/?$\";s:44:\"index.php?year=$matches[1]&paged=$matches[2]\";s:13:\"([0-9]{4})/?$\";s:26:\"index.php?year=$matches[1]\";s:27:\"[^/]+/attachment/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:37:\"[^/]+/attachment/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:57:\"[^/]+/attachment/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:52:\"[^/]+/attachment/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:52:\"[^/]+/attachment/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";s:20:\"([^/]+)/trackback/?$\";s:31:\"index.php?name=$matches[1]&tb=1\";s:40:\"([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:43:\"index.php?name=$matches[1]&feed=$matches[2]\";s:35:\"([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:43:\"index.php?name=$matches[1]&feed=$matches[2]\";s:28:\"([^/]+)/page/?([0-9]{1,})/?$\";s:44:\"index.php?name=$matches[1]&paged=$matches[2]\";s:35:\"([^/]+)/comment-page-([0-9]{1,})/?$\";s:44:\"index.php?name=$matches[1]&cpage=$matches[2]\";s:20:\"([^/]+)(/[0-9]+)?/?$\";s:43:\"index.php?name=$matches[1]&page=$matches[2]\";s:16:\"[^/]+/([^/]+)/?$\";s:32:\"index.php?attachment=$matches[1]\";s:26:\"[^/]+/([^/]+)/trackback/?$\";s:37:\"index.php?attachment=$matches[1]&tb=1\";s:46:\"[^/]+/([^/]+)/feed/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:41:\"[^/]+/([^/]+)/(feed|rdf|rss|rss2|atom)/?$\";s:49:\"index.php?attachment=$matches[1]&feed=$matches[2]\";s:41:\"[^/]+/([^/]+)/comment-page-([0-9]{1,})/?$\";s:50:\"index.php?attachment=$matches[1]&cpage=$matches[2]\";}','yes'),(10217,0,'_transient_timeout_feed_mod_867bd5c64f85878d03a060509cd2f92c','1459385571','no'),(10218,0,'_transient_feed_mod_867bd5c64f85878d03a060509cd2f92c','1459342371','no'),(10219,0,'_transient_timeout_feed_a5420c83891a9c88ad2a4f04584a5efc','1459385573','no'),(10220,0,'_transient_feed_a5420c83891a9c88ad2a4f04584a5efc','a:4:{s:5:\"child\";a:1:{s:0:\"\";a:1:{s:3:\"rss\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"\n	\n\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:7:\"version\";s:3:\"2.0\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:1:{s:7:\"channel\";a:1:{i:0;a:6:{s:4:\"data\";s:117:\"\n		\n		\n		\n		\n		\n		\n				\n\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n\n	\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"WordPress Plugins » View: شعبية\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:45:\"https://wordpress.org/plugins/browse/popular/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"WordPress Plugins » View: شعبية\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"language\";a:1:{i:0;a:5:{s:4:\"data\";s:3:\"ary\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 30 Mar 2016 12:42:18 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"generator\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://bbpress.org/?v=1.1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"item\";a:30:{i:0;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"https://wordpress.org/plugins/wp-super-cache/#post-2572\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 05 Nov 2007 11:40:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"2572@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"A very fast caching engine for WordPress that produces static html files.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"Donncha O Caoimh\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"https://wordpress.org/plugins/tinymce-advanced/#post-2082\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 27 Jun 2007 15:00:26 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"2082@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"Enables the advanced features of TinyMCE, the WordPress WYSIWYG editor.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Andrew Ozz\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"https://wordpress.org/plugins/wordpress-seo/#post-8321\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 01 Jan 2009 20:34:44 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"8321@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:114:\"Improve your WordPress SEO: Write better content and have a fully optimized WordPress site using Yoast SEO plugin.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/plugins/woocommerce/#post-29860\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 05 Sep 2011 08:13:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"29860@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:97:\"WooCommerce is a powerful, extendable eCommerce plugin that helps you sell anything. Beautifully.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"WooThemes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"https://wordpress.org/plugins/advanced-custom-fields/#post-25254\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 17 Mar 2011 04:07:30 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"25254@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"Customise WordPress with powerful, professional and intuitive fields\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"elliotcondon\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"https://wordpress.org/plugins/duplicate-post/#post-2646\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 05 Dec 2007 17:40:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"2646@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"Clone posts and pages.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Lopo\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"https://wordpress.org/plugins/jetpack/#post-23862\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 20 Jan 2011 02:21:38 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"23862@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"Increase your traffic, view your stats, speed up your site, and protect yourself from hackers with Jetpack.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Tim Moore\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"https://wordpress.org/plugins/akismet/#post-15\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 09 Mar 2007 22:11:30 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"15@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:98:\"Akismet checks your comments against the Akismet Web service to see if they look like spam or not.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Matt Mullenweg\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"https://wordpress.org/plugins/google-analytics-for-wordpress/#post-2316\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 14 Sep 2007 12:15:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"2316@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:124:\"Track your WordPress site easily with the latest tracking codes and lots added data for search result pages and error pages.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Joost de Valk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://wordpress.org/plugins/regenerate-thumbnails/#post-6743\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 23 Aug 2008 14:38:58 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"6743@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"Allows you to regenerate your thumbnails after changing the thumbnail sizes.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"Alex Mills (Viper007Bond)\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"https://wordpress.org/plugins/wordfence/#post-29832\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 04 Sep 2011 03:13:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"29832@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:138:\"The Wordfence WordPress security plugin provides free enterprise-class WordPress security, protecting your website from hacks and malware.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Wordfence\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"https://wordpress.org/plugins/google-sitemap-generator/#post-132\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 09 Mar 2007 22:31:32 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"132@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:105:\"This plugin will generate a special XML sitemap which will help search engines to better index your blog.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Arne Brachhold\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wordpress.org/plugins/nextgen-gallery/#post-1169\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 23 Apr 2007 20:08:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"1169@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:121:\"The most popular WordPress gallery plugin and one of the most popular plugins of all time with over 14 million downloads.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Alex Rabe\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:13;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"https://wordpress.org/plugins/wp-pagenavi/#post-363\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 09 Mar 2007 23:17:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"363@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"Adds a more advanced paging navigation interface.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Lester Chan\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:14;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://wordpress.org/plugins/really-simple-captcha/#post-9542\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 09 Mar 2009 02:17:35 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"9542@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:138:\"Really Simple CAPTCHA is a CAPTCHA module intended to be called from other plugins. It is originally created for my Contact Form 7 plugin.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"Takayuki Miyoshi\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:15;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"https://wordpress.org/plugins/contact-form-7/#post-2141\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 02 Aug 2007 12:45:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"2141@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"Just another contact form plugin. Simple but flexible.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"Takayuki Miyoshi\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:16;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"https://wordpress.org/plugins/all-in-one-seo-pack/#post-753\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 30 Mar 2007 20:08:18 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"753@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:150:\"The most downloaded plugin for WordPress (almost 30 million downloads). Use All in One SEO Pack to automatically optimize your site for Search Engines\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"uberdose\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:17;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wordpress.org/plugins/w3-total-cache/#post-12073\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 29 Jul 2009 18:46:31 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"12073@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:132:\"Easy Web Performance Optimization (WPO) using caching: browser, page, object, database, minify and content delivery network support.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"Frederick Townes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:18;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"https://wordpress.org/plugins/hello-dolly/#post-5790\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 29 May 2008 22:11:34 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"5790@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:150:\"This is not just a plugin, it symbolizes the hope and enthusiasm of an entire generation summed up in two words sung most famously by Louis Armstrong.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Matt Mullenweg\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:19;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://wordpress.org/plugins/wordpress-importer/#post-18101\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 20 May 2010 17:42:45 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"18101@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:101:\"Import posts, pages, comments, custom fields, categories, tags and more from a WordPress export file.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Brian Colinger\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:20;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"https://wordpress.org/plugins/siteorigin-panels/#post-51888\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 11 Apr 2013 10:36:42 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"51888@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:111:\"Build responsive page layouts using the widgets you know and love using this simple drag and drop page builder.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Greg Priday\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:21;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"https://wordpress.org/plugins/disable-comments/#post-26907\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 27 May 2011 04:42:58 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"26907@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:134:\"Allows administrators to globally disable comments on their site. Comments can be disabled according to post type. Multisite friendly.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Samir Shah\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:22;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://wordpress.org/plugins/wp-multibyte-patch/#post-28395\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 14 Jul 2011 12:22:53 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"28395@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:71:\"Multibyte functionality enhancement for the WordPress Japanese package.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"plugin-master\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:23;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wordpress.org/plugins/black-studio-tinymce-widget/#post-31973\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 10 Nov 2011 15:06:14 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"31973@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"The visual editor widget for Wordpress.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Marco Chiesi\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:24;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"https://wordpress.org/plugins/google-analytics-dashboard-for-wp/#post-50539\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 10 Mar 2013 17:07:11 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"50539@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:127:\"Displays Google Analytics reports in your WordPress Dashboard. Inserts the latest Google Analytics tracking code in your pages.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Alin Marcu\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:25;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://wordpress.org/plugins/better-wp-security/#post-21738\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 22 Oct 2010 22:06:05 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"21738@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:150:\"Protect your WordPress site by hiding vital areas of your site, protecting access to important files, preventing brute-force login attempts, detecting\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"iThemes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:26;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://wordpress.org/plugins/wpclef/#post-47509\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 27 Dec 2012 01:25:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"47509@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:138:\"Modern two-factor that people love to use: strong authentication without passwords or tokens; single sign on/off; magical user experience.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Dave Ross\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:27;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"https://wordpress.org/plugins/updraftplus/#post-38058\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 21 May 2012 15:14:11 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"38058@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:148:\"Backup and restoration made easy. Complete backups; manual or scheduled (backup to S3, Dropbox, Google Drive, Rackspace, FTP, SFTP, email + others).\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"David Anderson\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:28;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"https://wordpress.org/plugins/duplicator/#post-26607\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 16 May 2011 12:15:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"26607@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:88:\"Duplicate, clone, backup, move and transfer an entire site from one location to another.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Cory Lamle\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:29;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Meta Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"https://wordpress.org/plugins/ml-slider/#post-49521\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 14 Feb 2013 16:56:31 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"49521@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:145:\"Easy to use WordPress slider plugin. Create SEO optimised responsive slideshows with Nivo Slider, Flex Slider, Coin Slider and Responsive Slides.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Matcha Labs\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:4:\"href\";s:46:\"https://wordpress.org/plugins/rss/view/popular\";s:3:\"rel\";s:4:\"self\";s:4:\"type\";s:19:\"application/rss+xml\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}}}}s:4:\"type\";i:128;s:7:\"headers\";a:12:{s:6:\"server\";s:5:\"nginx\";s:4:\"date\";s:29:\"Wed, 30 Mar 2016 12:52:52 GMT\";s:12:\"content-type\";s:23:\"text/xml; charset=UTF-8\";s:10:\"connection\";s:5:\"close\";s:4:\"vary\";s:15:\"Accept-Encoding\";s:25:\"strict-transport-security\";s:11:\"max-age=360\";s:7:\"expires\";s:29:\"Wed, 30 Mar 2016 13:17:18 GMT\";s:13:\"cache-control\";s:0:\"\";s:6:\"pragma\";s:0:\"\";s:13:\"last-modified\";s:31:\"Wed, 30 Mar 2016 12:42:18 +0000\";s:15:\"x-frame-options\";s:10:\"SAMEORIGIN\";s:4:\"x-nc\";s:11:\"HIT lax 250\";}s:5:\"build\";s:14:\"20090627192103\";}','no'),(10227,0,'_transient_timeout_feed_1a5f760f2e2b48827d4974a60857e7c2','1459385576','no'),(10228,0,'_transient_feed_1a5f760f2e2b48827d4974a60857e7c2','a:4:{s:5:\"child\";a:1:{s:0:\"\";a:1:{s:3:\"rss\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"\n	\n\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:7:\"version\";s:3:\"2.0\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:1:{s:7:\"channel\";a:1:{i:0;a:6:{s:4:\"data\";s:117:\"\n		\n		\n		\n		\n		\n		\n				\n\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n\n	\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"WordPress Plugins » View: Recently Updated\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:45:\"https://wordpress.org/plugins/browse/updated/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"WordPress Plugins » View: Recently Updated\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"language\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"en-US\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 30 Mar 2016 12:43:40 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"generator\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://bbpress.org/?v=1.1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"item\";a:30:{i:0;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"2J Slideshow\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"https://wordpress.org/plugins/2j-slideshow/#post-89641\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 21 Oct 2015 11:50:10 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"89641@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:106:\"Fully responsive slideshow, advanced mobile devices support. Slideshow with highly customizable interface.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"2J-Slideshow\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:72:\"WPSSO Mobile App Meta - for Apple\'s mobile Safari and Twitter\'s App Card\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://wordpress.org/plugins/wpsso-am/#post-72526\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 24 Sep 2014 21:26:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"72526@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:137:\"WPSSO extension to provide Apple Store / iTunes and Google Play App meta tags for Apple&#039;s mobile Safari and Twitter&#039;s App Card.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"JS Morisset\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"Forms\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"https://wordpress.org/plugins/forms-contact/#post-92293\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 15 Dec 2015 13:23:56 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"92293@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:149:\"Forms are one of the most important elements of your website. If you need a simple configured and best functioning forms, our plugin is what you need\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"Huge-IT\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"eFlyerMaker Sign-up Form Builder\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"https://wordpress.org/plugins/eflyermaker-sign-up-form-builder/#post-97124\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 22 Mar 2016 22:20:54 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97124@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:150:\"Get the WordPress eFlyerMaker&#039;s Newsletter Sign Up Forms Builder Plugin. Ready-to use, 100% customizable, Including more than 75 specials effects\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"eflyermaker\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"Gallery - Photo Albums - Portfolio\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://wordpress.org/plugins/easy-media-gallery/#post-50321\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 07 Mar 2013 00:27:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"50321@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"The best gallery, photo albums, portfolio, slider and image carousel for Wordpress.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"GhozyLab\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:47:\"Robo Gallery - Photo Gallery and Images Gallery\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"https://wordpress.org/plugins/robo-gallery/#post-84509\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 12 Jul 2015 17:55:58 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"84509@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:138:\"Gallery with highly customizable interface, advanced and FREE Wordpress images gallery. Responsive gallery with advanced mobility support.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"robosoft\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:19:\"Contact Form Plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"https://wordpress.org/plugins/contact-form-lite/#post-79994\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 02 Apr 2015 16:22:39 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"79994@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:126:\"Form Plugin - Create best responsive contact form using form builder plugin just in minutes. Yeah, it&#039;s really that easy.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"GhozyLab\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:21:\"BMLT WordPress Plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"https://wordpress.org/plugins/bmlt-wordpress-satellite-plugin/#post-11263\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 15 Jun 2009 02:47:34 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"11263@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:79:\"This is a &#34;satellite&#34; plugin for the Basic Meeting List Toolbox (BMLT).\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"magblogapi\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"Event Calendar AutoPOP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://wordpress.org/plugins/eventupon-calendar/#post-92174\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 13 Dec 2015 19:18:12 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"92174@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:145:\"The only calendar that autoPOPulates your events to thousands and can pull events from thousands of organizations and autoPOPulate your calendar!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"maksim270\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"Lightbox\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://wordpress.org/plugins/lightbox/#post-70019\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 19 Jul 2014 21:39:15 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"70019@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"Lightbox is the perfect tool for viewing photos.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"Huge-IT\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"No CAPTCHA reCAPTCHA\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://wordpress.org/plugins/no-captcha-recaptcha/#post-75152\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 06 Dec 2014 16:06:24 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"75152@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:121:\"Protect WordPress login, registration, comment and BuddyPress registration forms with Google&#039;s No CAPTCHA reCAPTCHA.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Collizo4sky\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:26:\"WooCommerce Discounts Plus\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/plugins/woocommerce-discounts-plus/#post-74618\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 22 Nov 2014 20:18:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"74618@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:100:\"An amazing WooCommerce extension to implement multiple discount criterias with ultimate convenience.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Fahad Mahmood\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:38:\"eCommerce Product Catalog by impleCode\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://wordpress.org/plugins/ecommerce-product-catalog/#post-63200\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 24 Jan 2014 11:27:48 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"63200@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:149:\"100% responsive eCommerce Product Catalog plugin is a powerful and free software for beautiful products and services management on WordPress website.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"impleCode\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:13;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:19:\"Broken Link Checker\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://wordpress.org/plugins/broken-link-checker/#post-2441\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 08 Oct 2007 21:35:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"2441@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:131:\"This plugin will check your posts, comments and other content for broken links and missing images, and notify you if any are found.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"Janis Elsts\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:14;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"WP iCal Availability\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://wordpress.org/plugins/wp-ical-availability/#post-96065\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 02 Mar 2016 12:15:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"96065@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:120:\"This calendar imports an iCal feed from an external website, like Airbnb, and shows the availability based on that feed.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"wpicalavailability\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:15;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:27:\"Videe.TV Video Monetization\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/plugins/videetv-video-monetization/#post-91339\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 24 Nov 2015 17:37:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"91339@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:149:\"Videe.TV is a free of cost solution with a VAST/VPAID compliant player, a video content library &#38; monetization opportunities in a single package!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"Videe.TV\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:16;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"Stacksight\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"https://wordpress.org/plugins/stacksight/#post-86436\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 18 Aug 2015 10:31:48 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"86436@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:150:\"Realtime inisights for you wordpress applications\nGet a realtime stream of events and logs from your wordpress applications (and other opensource appl\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"liorkesos\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:17;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Advanced Ads\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"https://wordpress.org/plugins/advanced-ads/#post-68888\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 19 Jun 2014 13:00:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"68888@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:141:\"Manage and optimize your ads as easy as creating posts. Including support for AdSense, ad injection, ad planning, ad widget, and ad rotation.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Thomas Maier\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:18;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"Ultimate Hover Effects\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"https://wordpress.org/plugins/ultimate-hover-effects/#post-80780\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 19 Apr 2015 22:52:31 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"80780@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:100:\"Ultimate Hover Effects WordPress is impressive modern, yet stylish hover effects for image captions.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"wpeffects\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:19;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Icon Links Widget\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"https://wordpress.org/plugins/icon-links-widget/#post-74205\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 11 Nov 2014 12:01:25 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"74205@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:108:\"A simple icon links widget, allowing you to add FontAwesome icons to any widget area and link them anywhere.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Yusri Mathews\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:20;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"WP Legal Pages\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"https://wordpress.org/plugins/wplegalpages/#post-64713\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 04 Mar 2014 09:52:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"64713@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:124:\"Wp Legal Pages is a simple 1 click legal page management plugin. You can quickly add in legal pages to your wordpress sites.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"WPEka Club\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:21;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:21:\"Amazing Hover Effects\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:63:\"https://wordpress.org/plugins/amazing-hover-effects/#post-71166\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 19 Aug 2014 23:04:50 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"71166@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:95:\"Amazing Hover Effects wordpress is an impressive hover effects powered by pure CSS3 and iHover.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"noor-e-alam\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:22;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"Simple Ads and Banner Manager\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"https://wordpress.org/plugins/simple-ads-and-banner-manager-lite/#post-96151\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 04 Mar 2016 03:28:14 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"96151@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"Simple plugin to automaticaly insert and rotate banner or ads in your post.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"todiadiyatmo\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:23;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Testimonial Slider\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"https://wordpress.org/plugins/testimonial-add/#post-79935\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 01 Apr 2015 07:57:48 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"79935@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:147:\"Easily add eye catching , social proofing Testimonial&#039;s to your Wordpress Website using Testimonial Slider. Fully responsive and mobile ready.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"WEB-SETTLER\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:24;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Video Gallery\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"https://wordpress.org/plugins/gallery-video/#post-71839\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 07 Sep 2014 18:11:05 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"71839@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:109:\"Video Gallery plugin was created and specifically designed to show your video files in unusual splendid ways.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"Huge-IT\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:25;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"SimplePay Official Wordpress Plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/plugins/simplepay-nigeria-official/#post-93598\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 14 Jan 2016 17:38:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"93598@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"SimplePay is the best Online Payment Gateway for the Nigerian market.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"SimplePay Official\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:26;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:27:\"Functionality for zap theme\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wordpress.org/plugins/functionality-for-zap-theme/#post-96942\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 15:04:18 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"96942@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"zap functionality plugin adds additional functions to zap theme.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"Cohhe\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:27;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:35:\"Tickera - WordPress Event Ticketing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:72:\"https://wordpress.org/plugins/tickera-event-ticketing-system/#post-74610\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 22 Nov 2014 14:20:02 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"74610@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"Transform your WordPress site into a full-featured event ticketing system\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"Tickera\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:28;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"Calculated Fields Form\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"https://wordpress.org/plugins/calculated-fields-form/#post-50617\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 12 Mar 2013 00:39:05 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"50617@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:112:\"Calculated Fields Form is a plugin for creating forms with dynamically calculated fields and display the result.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"codepeople\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:29;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"appful Mobile App Plugin - create a native mobile App - iOS & Android mobile App\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://wordpress.org/plugins/appful/#post-85708\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 05 Aug 2015 06:41:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"85708@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:103:\"Create a stunning native mobile App in 5 minutes. Mobile App for iPhone &#38; Android. Try us for free!\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Oskar Neumann\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:4:\"href\";s:46:\"https://wordpress.org/plugins/rss/view/updated\";s:3:\"rel\";s:4:\"self\";s:4:\"type\";s:19:\"application/rss+xml\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}}}}s:4:\"type\";i:128;s:7:\"headers\";a:12:{s:6:\"server\";s:5:\"nginx\";s:4:\"date\";s:29:\"Wed, 30 Mar 2016 12:52:56 GMT\";s:12:\"content-type\";s:23:\"text/xml; charset=UTF-8\";s:10:\"connection\";s:5:\"close\";s:4:\"vary\";s:15:\"Accept-Encoding\";s:25:\"strict-transport-security\";s:11:\"max-age=360\";s:7:\"expires\";s:29:\"Wed, 30 Mar 2016 13:18:40 GMT\";s:13:\"cache-control\";s:0:\"\";s:6:\"pragma\";s:0:\"\";s:13:\"last-modified\";s:31:\"Wed, 30 Mar 2016 12:43:40 +0000\";s:15:\"x-frame-options\";s:10:\"SAMEORIGIN\";s:4:\"x-nc\";s:11:\"HIT lax 250\";}s:5:\"build\";s:14:\"20090627192103\";}','no'),(10213,0,'_transient_timeout_feed_mod_ac0b00fe65abe10e0c5b588f3ed8c7ca','1459385571','no'),(10214,0,'_transient_feed_mod_ac0b00fe65abe10e0c5b588f3ed8c7ca','1459342371','no'),(10215,0,'_transient_timeout_feed_867bd5c64f85878d03a060509cd2f92c','1459385571','no'),(10216,0,'_transient_feed_867bd5c64f85878d03a060509cd2f92c','a:4:{s:5:\"child\";a:1:{s:0:\"\";a:1:{s:3:\"rss\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"\n\n\n\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:7:\"version\";s:3:\"2.0\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:1:{s:7:\"channel\";a:1:{i:0;a:6:{s:4:\"data\";s:61:\"\n	\n	\n	\n	\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"WordPress Planet\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://planet.wordpress.org/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"language\";a:1:{i:0;a:5:{s:4:\"data\";s:2:\"en\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:47:\"WordPress Planet - http://planet.wordpress.org/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"item\";a:50:{i:0;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"WPTavern: A Little Communication Goes a Long Way\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52977\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"http://wptavern.com/a-little-communication-goes-a-long-way\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4926:\"<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/01/CommunicationFeaturedImage.jpg\"><img class=\"size-full wp-image-15569\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/01/CommunicationFeaturedImage.jpg?resize=637%2C200\" alt=\"Communication Featured Image\" /></a>photo credit: <a href=\"http://www.flickr.com/photos/elycefeliz/3224486233/\">elycefeliz</a> &#8211; <a href=\"http://creativecommons.org/licenses/by-nc-nd/2.0/\">cc</a>\n<p>Whether you manage WordPress plugins, themes, or a service, a key component to keeping users happy is communication. Users and especially paying customers want to know what&#8217;s going on. Going an extended period of time without communicating leads to doubt, a feeling of abandonment, and speculation.</p>\n<p>Communicating is not hard and these days, developers have more ways than ever to keep users and customers informed. If you&#8217;re experiencing writer&#8217;s block or don&#8217;t know what to write about, here are a few ideas.</p>\n<ul>\n<li>New Features</li>\n<li>Major Bug Fixes</li>\n<li>White Papers</li>\n<li>User Testimonials/Reviews</li>\n<li>Major Changes or Announcements</li>\n</ul>\n<p>The key is to maintain a cycle where you communicate, users and customers provide feedback, and implement the feedback into continued improvements. While it doesn&#8217;t always work this way, it&#8217;s an ideal strategy that keeps developers and users on the same page.</p>\n<h2>Controlling The Flow of Information</h2>\n<p>Ideally, a news site is not the first place users should discover what&#8217;s going on with a particular project. Blogs attached to a project&#8217;s site are an excellent way to keep insiders and outsiders informed. By utilizing Facebook, Twitter, change logs, and a blog, you control the flow of information and what you want people to know.</p>\n<p>Speaking of change logs, last year, <a href=\"http://wptavern.com/wordpress-plugin-developers-need-to-communicate-better-in-change-logs\">I offered advice</a> on what information to include and how to differentiate between the changes. Users read change logs and should be an important part of any developer&#8217;s communication strategy.</p>\n<h2>How Much Communication?</h2>\n<p>There&#8217;s no set rule on how much you should communicate but with all the options available, there&#8217;s no excuse not to push out a few updates a week. However, this all depends on how many users you have, how much development activity is going on, etc. Sometimes, there&#8217;s nothing to report and that&#8217;s fine. When it becomes concerning is when there is a lack of communication after a month or more.</p>\n<h2>Communication Can Make or Break a Business</h2>\n<p>Most of what I&#8217;ve discussed so far deals with software development. However, there is one aspect of communication that can make or break a business and that&#8217;s during a security issue.</p>\n<p>If your plugin, theme, or service experiences a security issue, the best thing to do is own it, be as transparent as possible, and inform users immediately. A great example is when <a href=\"https://ithemes.com/2014/09/23/important-security-update-for-all-customers/\">iThemes experienced a security breach</a> in late 2014, that affected approximately 60,000 customers.</p>\n<p>iThemes CEO Cory Miller could have swept the breach under the rug and fix things behind the scenes but instead, chose to <a href=\"http://wptavern.com/ithemes-suffers-security-breach-customers-urged-to-reset-passwords\">immediately inform customers</a>. In his post, he explains what happened, takes full responsibility, and explains what they&#8217;re going to do to make things right.</p>\n<p>As the company learned more about the breach, they shared that information with customers and the public. Thanks to Miller’s honest approach of attacking the issue head on, a lot of upset customers pledged their support for the company.</p>\n<h2>Be Honest</h2>\n<p>If iThemes chose to keep the breach under wraps for as long as possible, chances are that at some point it would be exposed likely causing the company irreparable damage. Humans are not perfect and security vulnerabilities happen, but it&#8217;s how they&#8217;re handled that can make or break a business.</p>\n<p>Be honest with yourself and to those giving you money. Nothing good happens by ignoring customers or setting unrealistic expectations.</p>\n<p>As the user and customer base of plugins, themes, and services increases, so does the impact of communication. You don&#8217;t have to write a thesis every week but it&#8217;s nice to know that the developers behind a project have a pulse, especially if it&#8217;s for something people are paying for.</p>\n<p>If communication is something you&#8217;re struggling with, let us know in the comments. If you develop a popular theme or plugin, let us know what your strategy is for keeping people informed.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 29 Mar 2016 23:24:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"WPTavern: Keep Track of Your WordPress.org Themes and Plugins with WP Dev Dashboard\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52662\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"http://wptavern.com/keep-track-of-your-wordpress-org-themes-and-plugins-with-wp-dev-dashboard\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4595:\"<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/controls.jpg\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/controls.jpg?resize=960%2C443\" alt=\"photo credit: 	Drew Patrick Miller\" class=\"size-full wp-image-52988\" /></a>photo credit: <a href=\"https://stocksnap.io/photo/2724C9A9DE\">	Drew Patrick Miller</a>\n<p>The official <a href=\"https://wordpress.org/plugins/\" target=\"_blank\">plugin directory</a> is arguably the best place to host a plugin if you&#8217;re looking for the widest distribution, but it&#8217;s also one of the most inhospitable for developers. A current meta team <a href=\"https://make.wordpress.org/meta/2016/02/25/plugin-directory-v3/\" target=\"_blank\">initiative</a> is focused on improving search, including prioritizing translated plugins for international users, and streamlining plugin submission, among other improvements. This <a href=\"http://wptavern.com/the-wordpress-plugin-directory-is-getting-a-makeover\" target=\"_blank\">major overhaul</a> is slated to be finished at the end of June 2016.</p>\n<p>In the meantime, WordPress.org plugin author <a href=\"http://mickeykaycreative.com/\" target=\"_blank\">Mickey Kay</a> has created a plugin that he intends to be the go-to resource for plugin and theme authors looking for a better management experience. The <a href=\"https://wordpress.org/plugins/wp-dev-dashboard/\" target=\"_blank\">WP Dev Dashboard</a> plugin offers statistics for all of your WordPress.org plugins and themes in one convenient dashboard, along with a list of unresolved support requests.</p>\n<p><a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/wp-dev-dashboard.gif\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/wp-dev-dashboard.gif?resize=1025%2C814\" alt=\"wp-dev-dashboard\" class=\"aligncenter size-full wp-image-52980\" /></a></p>\n<p>In a post titled &#8220;<a href=\"http://mickeykay.me/2016/03/model-for-new-wordpress-plugin-directory/\" target=\"_blank\">A model for the new WordPress plugin directory</a>,&#8221; Kay identifies some of the common pain points that developers experience with the existing directory: &#8220;dependency on SVN instead of Git, inconsistent search results, inclusion of obsolete information, obfuscation of more important statistics, etc.&#8221;</p>\n<p>Kay built WP Dev Dashboard to assist those who are trying to manage numerous extensions on WordPress.org, a process that currently requires drilling down into each plugin/theme to view data and support requests.</p>\n<p>&#8220;If I had to sum up the main problem I&#8217;m trying to solve, it&#8217;d be something like this: As a developer, and now maintainer of 16 plugins, it&#8217;s become all too easy for me to lose track of support requests, outdated core WP compatibility, and last updated dates,&#8221; Kay said.</p>\n<p>&#8220;The current directory requires developers to manually click through to each plugin via their &#8220;<a href=\"https://profiles.wordpress.org/mcguive7/#content-plugins\" target=\"_blank\">dashboard</a>&#8221; to check these stats. Plus, there are no options for notifications and/or other helpful automated features that would make my life much simpler.&#8221;</p>\n<p>When he first released the plugin, he planned to launch a free, hosted service that could automatically send out regular notifications for things like unresolved tickets and daily/weekly/monthly download counts. The hosted service would provide a centralized command center for managing WordPress.org-hosted extensions.</p>\n<p>&#8220;I haven&#8217;t built anything yet as there&#8217;s so much talk about building out a better solution natively within WordPress.org,&#8221; Kay said. &#8220;My strong preference would be for the new plugin directory efforts to incorporate ideas like these to create a better, more seamless experience for both end users and developers.&#8221;</p>\n<p>One of the items on the roadmap for the second milestone is the creation of a &#8220;<a href=\"https://meta.trac.wordpress.org/ticket/1571\" target=\"_blank\">Plugin Author Admin</a>.&#8221; Kay hopes that his implementation could serve as an inspiration for what WordPress.org could provide for developers with the existing Plugin API.</p>\n<p>&#8220;The base functionality is already there as part of WordPress core, and all of the data is readily available via the existing Plugin API,&#8221; Kay said. &#8220;I think plugin authors stand to gain a ton from an updated admin/dashboard experience, and with 40,000+ plugins and counting, that’s a lot of happy points.&#8221;</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 29 Mar 2016 21:10:22 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"WPTavern: WordPress Contributor Rian Rietveld Wins Heroes of Accessibility Award\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52962\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:90:\"http://wptavern.com/wordpress-contributor-rian-rietveld-wins-heroes-of-accessibility-award\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2407:\"<p><a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/rian.jpg\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/rian.jpg?resize=760%2C382\" alt=\"rian\" class=\"aligncenter size-full wp-image-52968\" /></a></p>\n<p>The 31st Annual <a href=\"http://www.csun.edu/cod/conference/2016/sessions/\" target=\"_blank\">International Technology and Persons with Disabilities Conference</a> was held in San Diego, California, last week. Every year thousands of attendees gather to share knowledge and best practices for technology that removes barriers for people with disabilities.</p>\n<p>This year <a href=\"http://www.rianrietveld.com/\" target=\"_blank\">Rian Rietveld</a> was recognized by <a href=\"http://Knowbility.org\" target=\"_blank\">Knowbility.org</a> for her accessibility contributions to WordPress core. She took first place in the Individual Achievement category of the Heroes of Accessibility Awards. Rietveld&#8217;s nomination read as follows:</p>\n<blockquote><p>She leads the push to make WordPress core accessible and is a knowledgeable, dedicated, and effective advocate for accessibility in the global WordPress community. Her achievements in 2015 were significant and are having a major impact on the core accessibility of the application that is used to build more than 25% of all the websites in the world.</p></blockquote>\n<p>Other finalists included <a href=\"http://www.karlgroves.com/\" target=\"_blank\">Karl Groves</a>, developer of <a href=\"http://wptavern.com/access-monitor-plugin-tests-wordpress-sites-for-accessibility-compliance\" target=\"_blank\">Tenon.io</a>, and <a href=\"https://twitter.com/mostgood\" target=\"_blank\">Sally Shephard</a>, an iOS developer and accessibility educator. A <a href=\"http://events.tvworldwide.com/Events/CSUN2016/TabId/1294/VideoId/2223/Knowbilitys-Second-Annual-Community-Heroes-Of-Accessibility-Awards.aspx\" target=\"_blank\">video of the awards ceremony</a> is available on the event&#8217;s website and you can see Rietveld&#8217;s award announced starting from the 6:50 timestamp.</p>\n<p>In addition to her core contributions, Rietveld provides accessibility auditing and consultancy for WordPress plugin and theme developers. After learning that she had won, Rietveld said the award was &#8220;a huge encouragement to continue working on WordPress accessibility together with the team.&#8221;</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 29 Mar 2016 18:15:10 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:83:\"WPTavern: Modern Tribe Acquires GigPress, Exploring SaaS Events Management Solution\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52870\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"http://wptavern.com/modern-tribe-acquires-gigpress-exploring-saas-events-management-solution\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4434:\"<a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/gigpress.jpg\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/gigpress.jpg?resize=960%2C505\" alt=\"photo credit: Antoine Beauvillain\" class=\"size-full wp-image-52906\" /></a>photo credit: <a href=\"https://stocksnap.io/photo/P6IFK1ELC6\">Antoine Beauvillain</a>\n<p><a href=\"http://tri.be/\" target=\"_blank\">Modern Tribe</a>, a top digital agency with a <a href=\"https://profiles.wordpress.org/moderntribe/#content-plugins\" target=\"_blank\">collection</a> of popular plugins on WordPress.org, announced that it has <a href=\"http://tri.be/blog/welcoming-gigpress-to-modern-tribe/\" target=\"_blank\">acquired GigPress</a>. With 20,000+ active installs and more than 260,000 downloads, <a href=\"https://wordpress.org/plugins/gigpress/\" target=\"_blank\">GigPress</a> is one of the most widely used plugins for musicians and performers who want to manage events with WordPress.</p>\n<p>Despite the plugin&#8217;s solid placement in the WordPress events niche, GigPress creator Derek Hogue is passing the keys over to Modern Tribe as an alternative to letting it &#8220;slowly die of neglect.&#8221; In his <a href=\"http://gigpress.com/blog/2016/03/gigpress-joins-modern-tribe/\" target=\"_blank\">acquisition announcement</a>, Hogue said:</p>\n<blockquote><p>Eventually I started using other CMS’ more often than not, so my passion and impetus for improving GigPress fell off a cliff.</p>\n<p>For several years I kept GigPress alive via mostly bug fixes and compatibility updates. Last year I finally decided that the best hope for bringing my baby from its extended adolescence into adulthood would be to find it a new home.</p></blockquote>\n<p>Hogue assured users that GigPress will continue to be a free, open-source plugin but with better support and a brighter future. He confessed that he was not able to sufficiently monetize the plugin to make it worth his time.</p>\n<p>&#8220;You can give away your plugin for free all day long, but as soon as you hit a certain scale, support becomes a burden,&#8221; Hogue said. &#8220;Creating revenue from plugins in WordPress takes an infrastructure which is prohibitive for many small developers.&#8221;</p>\n<p>Modern Tribe, however, has fresh plans for GigPress and has already added some compatibilities for its <a href=\"https://theeventscalendar.com/product/wordpress-events-calendar/\" target=\"_blank\">Events Calendar</a> and <a href=\"https://theeventscalendar.com/product/wordpress-event-tickets-plus/\" target=\"_blank\">Event Tickets Plus</a> plugins.</p>\n<p>&#8220;GigPress has a big foothold in a really important vertical and a strong user base,&#8221; said Modern Tribe CEO Shane Pearlman. &#8220;One of our former team members made the introduction a few months back and exploring it together, the team was excited.&#8221;</p>\n<p>Pearlman and his team see GigPress as a key addition to their suite of event management plugins but are still considering different paths for monetizing it.</p>\n<p>&#8220;We’re definitely going to start serving specific verticals, with live music and touring artists being one of those,&#8221; Pearlman said. &#8220;Whether that’s directly through the evolution of the GigPress product, or introduction of complementary products is still in planing. Our first step is to gracefully integrate our <a href=\"https://wordpress.org/plugins/event-tickets/\" target=\"_blank\">Event Tickets</a> plugin so that bands and venues can sell tickets through the WP commerce platform of choice.&#8221;</p>\n<p>Pearlman said that as one of the principal players in the events management space, Modern Tribe plans to go beyond calendars and tickets. The team is looking into a SaaS model for its growing suite of event management plugins.</p>\n<p>&#8220;We are actively exploring the nuances of a SaaS solution,&#8221; he said. &#8220;We have an internal business plan showdown in progress and another strategic acquisition conversation in play.&#8221; Pearlman would not elaborate on the company&#8217;s next acquisition.</p>\n<p>The good news for those using GigPress is that Modern Tribe plans to build a profitable business on it, which will help to fund the support and future development of the open source plugin. If you&#8217;ve been waiting for help and updates in the past, chances are the experience of using GigPress will soon be greatly improved.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 23:29:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:72:\"WPTavern: HeroPress Publishes Essays From 18 Countries in its First Year\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52918\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:82:\"http://wptavern.com/heropress-publishes-essays-from-18-countries-in-its-first-year\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3247:\"<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/01/heropress.jpg\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/01/heropress.jpg?resize=956%2C423\" alt=\"heropress\" class=\"aligncenter size-full wp-image-37733\" /></a><br />\n<a href=\"http://heropress.com/\">HeroPress.com, </a>where inspirational essays are published each week from people across the world is one year old. In a <a href=\"http://heropress.com/one-year/\">post celebrating the milestone</a>, Topher DeRosia highlights some of the site&#8217;s accomplishments throughout 2015.</p>\n<p>Authors from <a href=\"http://heropress.com/contributor-map/\">eighteen countries</a> have published essays including, Lebanon, Nepal, New Zealand, Nigeria, and more. There are twice as many men as women with published essays, something DeRosia says he is working on, &#8220;That tilts SLIGHTLY better in the coming weeks, but not enough, so I’m looking for the voices and wisdom of more women,&#8221; he said.</p>\n<p>DeRosia thanked his family for their support and <a href=\"https://x-team.com/profile/dave-rosen/\">Dave Rosen</a>, Founder of web development firm <a href=\"https://x-team.com/about/\">X-Team</a>, for facilitating the idea and allowing him to manage the site despite <a href=\"http://wptavern.com/heropress-fails-to-attract-backers-cancels-kickstarter-campaign-ahead-of-deadline\">failing to reach his crowdfunding goal</a> in early 2015.</p>\n<p>To learn about the site&#8217;s origin and its future, I invite you to listen to our one hour interview with DeRosia. In it, he describes what inspired him to create the site and shares a personal story of someone who couldn’t submit an essay because they’re spending all of their time trying to stay alive.</p>\n<div class=\"audio-shortcode-wrap\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/01/heropress.jpg?resize=175%2C131\" alt=\"HeroPress Publishes Essays From 18 Countries in its First Year\" class=\"landscape cw-greater thumbnail post-thumbnail audio-image\" /><!--[if lt IE 9]><script>document.createElement(\'audio\');</script><![endif]-->\n<a href=\"http://wptavern.com/wp-content/uploads/2016/03/EPISODE-227-The-HeroPress-Story-with-Topher-DeRosia.mp3\">http://wptavern.com/wp-content/uploads/2016/03/EPISODE-227-The-HeroPress-Story-with-Topher-DeRosia.mp3</a></div><div class=\"media-shortcode-extend\"><div class=\"media-info audio-info\"><ul class=\"media-meta\"><li><span class=\"prep\">Run Time</span><span class=\"data\">1:09:57</span></li><li><span class=\"prep\">Artist</span><span class=\"data\">Jeff Chandler and Marcus Couch</span></li><li><span class=\"prep\">Album</span><span class=\"data\">WordPress Weekly</span></li><li><span class=\"prep\">Track</span><span class=\"data\">227</span></li><li><span class=\"prep\">File Type</span><span class=\"data\">MP3</span></li><li><span class=\"prep\">File Name</span><span class=\"data\"><a href=\"http://wptavern.com/wp-content/uploads/2016/03/EPISODE-227-The-HeroPress-Story-with-Topher-DeRosia.mp3\">EPISODE-227-The-HeroPress-Story-with-Topher-DeRosia.mp3</a></span></li><li><span class=\"prep\">Mime Type</span><span class=\"data\">audio/mpeg</span></li></ul></div><button class=\"media-info-toggle\">Audio Info</button></div>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 23:28:31 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"WPTavern: Add Child Theme Support to Any WordPress Theme\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52912\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"http://wptavern.com/add-child-theme-support-to-any-wordpress-theme\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2736:\"<a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/child-theme.jpg\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/child-theme.jpg?resize=960%2C562\" alt=\"photo credit: Leeroy\" class=\"size-full wp-image-52929\" /></a>photo credit: <a href=\"https://stocksnap.io/photo/R0C7A5M4WB\">Leeroy</a>\n<p>If you&#8217;re a developer, you may take for granted how easy it is for you to create a child theme for storing customizations separate from the parent theme. This one seemingly simple task can pose a significant hurdle for your average WordPress user. Without understanding the best practice of creating a child theme, users resort to cramming all changes into the active theme. This puts them in a vulnerable position when security updates are available but they cannot update without overwriting their changes.</p>\n<p><a href=\"https://twitter.com/mgibbs189\" target=\"_blank\">Matt Gibbs</a>, lead developer of <a href=\"https://facetwp.com/\" target=\"_blank\">FacetWP</a>, has created a little project to help users with creating child themes. &#8220;<a href=\"https://github.com/FacetWP/use-child-theme\" target=\"_blank\">Use Child Theme</a>&#8221; is a simple drop-in PHP class that theme developers can use to alert their users to activate a child theme and automatically create one for them.</p>\n<div class=\"embed-wrap\"></div>\n<p>&#8220;Normally, themes have to point users to a child theme documentation page or link to a pre-built child theme zip,&#8221; Gibbs said. &#8220;Most users don&#8217;t even bother.&#8221;</p>\n<p>Gibbs said the Use Child Theme project was built to make it easy for theme authors to support it. The project was also an offshoot of his experiences supporting FacetWP.</p>\n<p>&#8220;I do a lot of plugin support, and this issue keeps coming up over and over,&#8221; Gibbs said. &#8220;Users are on super old theme versions and they&#8217;re afraid to upgrade because they&#8217;ve modified the parent theme at one point, and don&#8217;t want to lose changes.&#8221;</p>\n<p>The idea behind <a href=\"https://github.com/FacetWP/use-child-theme\" target=\"_blank\">Use Child Theme</a> is to automatically create a child theme for someone who otherwise might not know how to create one. It&#8217;s not a plugin but rather a tool that theme developers can opt to include with just one line in functions.php:</p>\n<pre class=\"brush: php; light: true; title: ; notranslate\">include( dirname( __FILE__ ) . \'/use-child-theme.php\' );</pre>\n<p>WordPress theme developers, is this a method you would consider using to prompt users to activate a child theme? Or would you rather rely on links to documentation and/or a download link to a pre-built child theme?</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 21:27:41 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"WPTavern: Take the Mental Health in Tech 2016 Survey\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52889\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"http://wptavern.com/take-the-mental-health-in-tech-2016-survey\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2517:\"<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/mental-health-in-tech-2016.png\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/mental-health-in-tech-2016.png?resize=1025%2C528\" alt=\"mental-health-in-tech-2016\" class=\"aligncenter size-full wp-image-52893\" /></a></p>\n<p>Ed Finkler is on a mission to raise mental health awareness in the tech community with his <a href=\"https://osmihelp.org/\" target=\"_blank\">Open Source Mental Illness</a> (OSMI) campaign. In 2013 Finkler started speaking at conferences and gathering information on mental health in the tech workplace. His goal is to provide resources and documentation that companies can use to create more supportive environments for those dealing with mental health disorders.</p>\n<p>As part of the organization&#8217;s ongoing research, Finkler and the team at OSMI have authored <a href=\"https://cojfunkatroncom.typeform.com/to/Ao6BTw\" target=\"_blank\">a survey open to anyone working in the IT/tech community</a>. Respondents are not required to have a mental health issue in order to participate. The responses are recorded as anonymous and the survey does not collect any personal information.</p>\n<p>The bulk of the questions in the 10-minute survey gather information about employee&#8217;s perceptions of their co-workers and employer&#8217;s stance on dealing with mental health issues in the workplace. It asks if employers provide education on mental health topics, if there would be negative consequences of discussing these disorders in the workplace, and what kinds of benefits employers offer for treating mental health issues.</p>\n<p>After the survey concludes, OSMI will release the stats and information collected under a <a href=\"https://creativecommons.org/licenses/by-sa/4.0/\" target=\"_blank\">Creative Commons Attribution-ShareAlike 4.0 International license</a>.</p>\n<p>Finkler, who has suffered from depression, anxiety, and ADHD, is working to combat the associated shame and stigma by speaking openly about mental illness at tech conferences, including Open Source Bridge, Connect-JS, and Laracon US. In May, he will be speaking at <a href=\"https://2016.minneapolis.wordcamp.org/\" target=\"_blank\">WordCamp Minneapolis</a>. Check out <a href=\"https://channel9.msdn.com/Shows/Code+To+Live/Open-Sourcing-Mental-Health\" target=\"_blank\">Josh Holmes&#8217; interview with Finkler</a> in a recent episode of Code to Live to find out more about how he started OSMI.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 18:10:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"Akismet: Akismet WordPress Plugin 3.1.9\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"http://blog.akismet.com/?p=1907\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"http://blog.akismet.com/2016/03/28/akismet-wordpress-plugin-3-1-9/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:937:\"<p>Version 3.1.9 of <a href=\"http://wordpress.org/plugins/akismet/\">the Akismet plugin for WordPress</a> is now available.</p>\n<p>This update adds compatibility that allows Akismet to be auto-configured, and it fixes a bug where some comment data wouldn&#8217;t get included in the Akismet API request.</p>\n<p>To upgrade, visit the Updates page of your WordPress dashboard and follow the instructions. If you need to download the plugin zip file directly, links to all versions are available in <a href=\"http://wordpress.org/plugins/akismet/\">the WordPress plugins directory</a>.</p><br />  <a rel=\"nofollow\" href=\"http://feeds.wordpress.com/1.0/gocomments/akismet.wordpress.com/1907/\"><img alt=\"\" border=\"0\" src=\"http://feeds.wordpress.com/1.0/comments/akismet.wordpress.com/1907/\" /></a> <img alt=\"\" border=\"0\" src=\"http://pixel.wp.com/b.gif?host=blog.akismet.com&blog=116920&post=1907&subd=akismet&ref=&feed=1\" width=\"1\" height=\"1\" />\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 18:05:24 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Christopher Finke\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"Post Status: WordPress and SaaS — Draft podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"https://poststatus.com/?p=23047\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"https://poststatus.com/wordpress-saas-draft-podcast/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2616:\"<p>Welcome to the Post Status <a href=\"https://poststatus.com/category/draft\">Draft podcast</a>, which you can find <a href=\"https://itunes.apple.com/us/podcast/post-status-draft-wordpress/id976403008\">on iTunes</a>, <a href=\"http://www.stitcher.com/podcast/krogsgard/post-status-draft-wordpress-podcast\">Stitcher</a>, and <a href=\"http://simplecast.fm/podcasts/1061/rss\">via RSS</a> for your favorite podcatcher. Post Status Draft is hosted by Joe Hoyle &#8212; the CTO of Human Made &#8212; and Brian Krogsgard.</p>\n<p><span>Software as a service (SaaS) is often viewed as a holy grail for successful online business. The ability to generate recurring revenue that doesn’t require hours-for-dollars is attractive to most entrepreneurs.</span></p>\n<p><span>WordPress can be a helpful tool to get a lot of SaaS functionality out of the box. In today’s episode, we discuss WordPress and SaaS in two contexts: one, using WordPress as a technology basis for a SaaS in another industry, and two, creating a SaaS catered to the WordPress world.</span></p>\n<!--[if lt IE 9]><script>document.createElement(\'audio\');</script><![endif]-->\n<a href=\"https://poststatus.com/category/planet/feed/\"></a>\n<p><a href=\"http://audio.simplecast.com/33745.mp3\">Direct Download</a></p>\n<h3>Links</h3>\n<p><span>We mentioned the following SaaS products, and probably some others too.</span></p>\n<ul>\n<li><span><a href=\"http://www.happytables.com/\">Happy Tables</a> </span></li>\n<li><span><a href=\"http://restaurantengine.com/\">Restaurant Engine</a> </span></li>\n<li><span><a href=\"https://eventsmart.com/\">Event Smart</a> </span></li>\n<li><span><a href=\"http://faithmade.com/\">Faithmade</a> </span></li>\n<li><span><a href=\"http://varsitynewsnetwork.com/\">Varsity News Network</a> </span></li>\n<li><a href=\"https://www.imagely.com/\">Imagely</a></li>\n<li><span><a href=\"http://rainmakerplatform.com/\">Rainmaker</a> </span></li>\n<li><span><a href=\"https://wordpress.com/\">WordPress.com</a> </span></li>\n<li><span><a href=\"http://optinmonster.com/\">OptinMonster</a> </span></li>\n<li><span><a href=\"https://ithemes.com/sync/\">iThemes Sync</a> </span></li>\n<li><span><a href=\"https://wpremote.com/\">WP Remote</a> </span></li>\n<li><span><a href=\"https://akismet.com/\">Akismet</a> </span></li>\n<li><span><a href=\"https://vaultpress.com/\">VaultPress</a> </span></li>\n</ul>\n<p>Today’s podcast is sponsored by WP Migrate DB Pro by <a href=\"https://deliciousbrains.com/\">Delicious Brains</a>, the tool that makes syncing your databases effortless. Check out WP Migrate DB Pro and all their other great products on their website.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 17:44:47 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Katie Richards\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"WPTavern: Draft and Save Customizer Changes for Later with New Customize Snapshots Plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52655\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:99:\"http://wptavern.com/draft-and-save-customizer-changes-for-later-with-new-customize-snapshots-plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6422:\"<a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/snapshots.jpg\"><img src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/snapshots.jpg?resize=750%2C446\" alt=\"photo credit: Chantel Lucas\" class=\"size-full wp-image-52875\" /></a>photo credit: <a href=\"https://stocksnap.io/photo/410Y7ES74I\">Chantel Lucas</a>\n<p>As the WordPress customizer becomes more widely adopted by theme and plugin developers, users often have a host of live preview options to play with when personalizing their sites. Different combinations can produce wildly different designs. What if you could save a preview of customizations before going live with it? This is the idea behind the new <a href=\"https://wordpress.org/plugins/customize-snapshots/\" target=\"_blank\">Customize Snapshots</a> plugin from Weston Ruter, Derek Herman, and the team at <a href=\"https://xwp.co/\" target=\"_blank\">XWP</a>.</p>\n<p>Customize Snapshots lets you draft and preview customizer states that can be shared via a private URL that the plugin generates. Users who are not authenticated can preview snapshots on the frontend without loading the customizer. Authenticated users will be able to load the snapshot inside the customizer to make further edits or publish the draft.</p>\n<p><a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/customize-snapshot.gif\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/customize-snapshot.gif?resize=1025%2C525\" alt=\"customize-snapshot\" class=\"aligncenter size-full wp-image-52864\" /></a></p>\n<p>You may not be able to see it in the demo above, but snapshots can be saved with a scope of full or dirty, according to the plugin details page:</p>\n<ul>\n<li><strong>Full:</strong> will playback all the settings during preview [changeset]</li>\n<li><strong>Dirty:</strong> will only playback the ones that were marked dirty when the snapshot was taken [snapshot]</li>\n</ul>\n<p>&#8220;Snapshots was written as a feature plugin to implement a key feature that the <a href=\"https://make.wordpress.org/core/2015/01/26/customizer-transactions-proposal/\" target=\"_blank\">Customizer Transactions proposal</a> will make possible,&#8221; Weston Ruter said. Ruter is the Technology Director at XWP and a co-maintainer of WordPress&#8217; core customizer component. He said the plugin was also developed specifically for a client&#8217;s project requirements.</p>\n<p>&#8220;Customize Snapshots stores the Customizer state in a custom post type,&#8221; he said. &#8220;You can access the frontend of the site with the UUID for the snapshot added as a URL parameter to load the site with that Customizer state applied. So this makes it possible to preview Customizer changes on other devices entirely.&#8221;</p>\n<h3>Coming Soon: Schedule Customizier Changes to Go Live at a Future Date</h3>\n<p>WordPress core lacks the ability to schedule out changes to content that has already been published. The only option for editing published posts is to push changes live. This is also the same for the customizer, but the XWP team is aiming to add scheduling to Customize Snapshots.</p>\n<p>&#8220;The idea here, though not implemented yet in the feature plugin, is that you could also schedule a snapshot (aka transaction) to go live at a certain time,&#8221; Ruter said. &#8220;So you could bundle up a bunch of changes in the Customizer and &#8216;Save &amp; Publish&#8217; at a scheduled time, like Sunday at midnight.&#8221;</p>\n<p>With transactions added to the customizer, users could build up a large &#8216;changeset&#8217; as a draft, including things like building new pages, adding a collection of widgets, and updating menu items. The entire set of changes can then be scheduled to go live at the same time.</p>\n<p>&#8220;On the other side of that coin, it allows for there to be revision history for changes made in the Customizer,&#8221; Ruter said. &#8220;And this will work seamlessly with the <a href=\"https://github.com/xwp/wp-customize-posts\" target=\"_blank\">Customize Posts</a> feature plugin &#8211; the goal being to let the author do as much as possible during a Customizer session, for all changes to be previewed together, submitted for review and iteration, and staged for publishing at some point in time.&#8221;</p>\n<p>Ruter said he sees Customize Snapshots as another take on the common desire to build out content on a staging environment, preview changes, and then promote those changes to production.</p>\n<p>&#8220;This is a hard problem to solve, and lots of plugins are available with solutions, like WP-CFM, Ramp, and others,&#8221; he said. &#8220;But in the Customizer it&#8217;s something you can get for free because of its model, and you don&#8217;t need multiple environments. You just need to indicate which snapshot/transaction state you want to preview.&#8221;</p>\n<p>If you previously had a difficult time grasping the technical details of Ruter&#8217;s <a href=\"https://make.wordpress.org/core/2015/01/26/customizer-transactions-proposal/\" target=\"_blank\">customizer transactions proposal</a>, the Customize Snapshots plugin is a perfect example of the kind of functionality that transactions would enable. The feature plugin is an adaptation of his proposed changes that implement the more fundamental “transactions” construct.</p>\n<p>Customize Snapshots adds to <a href=\"https://profiles.wordpress.org/xwp/#content-plugins\" target=\"_blank\">XWP&#8217;s collection of plugins</a> that extend the customizer in innovative ways and intersect with <a href=\"https://make.wordpress.org/core/2015/09/23/outlining-a-possible-roadmap-for-the-customizer/\" target=\"_blank\">the framework&#8217;s long-term roadmap</a>. Occasionally, this will also tie into client work, as with the case of Customize Snapshots.</p>\n<p>&#8220;We try to propose Customizer solutions for client projects as a way to fund Customizer advances, but we also believe in the Customizer and would be working on it regardless,&#8221; Ruter said.</p>\n<p><a href=\"https://wordpress.org/plugins/customize-snapshots/\" target=\"_blank\">Customize Snapshots</a> makes the customizer a more collaborative environment within WordPress. If you need to make a large number of changes and share a preview with others, this plugin will help you do that. The ability to see snapshots in the admin and schedule changes will make it even more useful in the future.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 25 Mar 2016 20:52:53 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"WPTavern: Get Your Widgets Ready for WordPress 4.5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52812\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"http://wptavern.com/get-your-widgets-ready-for-wordpress-4-5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2255:\"<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/07/testing.jpg\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/07/testing.jpg?resize=960%2C474\" alt=\"testing\" class=\"aligncenter size-full wp-image-46092\" /></a></p>\n<p>WordPress 4.5 is right around the corner with the <a href=\"https://wordpress.org/news/2016/03/wordpress-4-5-release-candidate/\" target=\"_blank\">first release candidate</a> now available for download. It includes <a href=\"https://core.trac.wordpress.org/log/trunk?action=stop_on_copy&mode=stop_on_copy&rev=37077&stop_rev=37026&limit=120&verbose=on\" target=\"_blank\">49 changes</a> from the last beta &#8211; improvements to the new custom logo feature, a minor update to jQuery, updates to inline documentation, and fixes for various small bugs.</p>\n<p>The upcoming release is packed full of <a href=\"https://make.wordpress.org/core/2016/03/10/customizer-improvements-in-4-5/\" target=\"_blank\">improvements to the customizer</a>: selective refresh, support for setting-less controls, and device preview. Plugin and theme authors who want to be on the cutting edge of the customizer&#8217;s new capabilities will want to review Weston Ruter&#8217;s post on <a href=\"https://make.wordpress.org/core/2016/03/22/implementing-selective-refresh-support-for-widgets/\" target=\"_blank\">Implementing Selective Refresh Support for Widgets</a>. All of the default WordPress themes and core widgets will ship with selective refresh in 4.5, but the feature is opt-in for plugins and themes.</p>\n<p>For most themes with standard sidebars, adding selective refresh is as simple as including one line to declare theme support:</p>\n<pre class=\"brush: php; light: true; title: ; notranslate\">add_theme_support( \'customize-selective-refresh-widgets\' );</pre>\n<p>Adding support for widgets is a bit more involved, depending on whether the widget uses JavaScript for initialization. Ruter&#8217;s post includes a tutorial for how to add selective refresh in either scenario. The <a href=\"https://make.wordpress.org/core/version-4-5-project-schedule/\" target=\"_blank\">target release date for 4.5</a> is April 12, 2016, so plugin and theme developers still have three weeks to add support.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 25 Mar 2016 16:18:43 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"WPTavern: Versions of WP-CLI Prior to 0.23.0 Are Incompatible with WordPress 4.5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52830\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:90:\"http://wptavern.com/versions-of-wp-cli-prior-to-0-23-0-are-incompatible-with-wordpress-4-5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1873:\"<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/12/restful-wp-cli.png\"><img class=\"aligncenter size-full wp-image-49286\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2015/12/restful-wp-cli.png?resize=1025%2C459\" alt=\"restful-wp-cli\" /></a>Daniel Bachhuber, maintainer of <a href=\"http://wp-cli.org/\">WP-CLI</a>, a popular command line interface utility for managing WordPress sites, <a href=\"http://wp-cli.org/blog/version-0.23.0.html\">has released</a> version 0.23.0. This release includes a number of bug fixes, improvements, and features, but the most important thing to note is that earlier versions of WP-CLI will not work with WordPress 4.5.</p>\n<p>According to Bachhuber, WordPress 4.5 loads a file in wp-settings.php and since WP-CLI uses a custom wp-settings-cli.php file, 0.23.0 and above are the only versions compatible with WordPress 4.5. Bachhuber created a <a href=\"https://core.trac.wordpress.org/ticket/34936\">new ticket on Trac</a> to start a discussion on using wp-settings.php instead of the custom file.</p>\n<p>&#8220;WP-CLI uses a custom wp-settings-cli.php to load WordPress, instead of wp-settings.php,&#8221; Bachhuber said. &#8220;While I appreciate the <a class=\"ext-link\" href=\"http://wp-cli.org/blog/how-wp-cli-loads-wordpress.html\">historical justifications</a> for the bootstrap process, it would be much better if WP-CLI could use wp-settings.php because, occasionally, there are <a class=\"ext-link\" href=\"http://wp-cli.org/blog/versions-0.21.1-and-0.20.4.html\">substantial problems</a> arising from needing to maintain a fork.&#8221;</p>\n<p>To see a full list of changes with detailed explanations on how to use new features such as installing community commands from the package index, check out the <a href=\"http://wp-cli.org/blog/version-0.23.0.html\">release post</a>.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 24 Mar 2016 21:59:59 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"WPTavern: WPWeekly Episode 227 – The HeroPress Story with Topher DeRosia\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://wptavern.com?p=52825&preview_id=52825\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:80:\"http://wptavern.com/wpweekly-episode-227-the-heropress-story-with-topher-derosia\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2102:\"<p>In this episode of WordPress Weekly, <a href=\"http://marcuscouch.com/\">Marcus Couch</a> and I are joined by <a href=\"https://topher1kenobe.com/\">Topher DeRosia</a> to learn about the origins of <a href=\"http://heropress.com/\">HeroPress</a>. DeRosia explains his motivation for creating the site and why despite not reaching his crowdfunding goal, decided to press on.</p>\n<p>We also discuss the impact the essays are having on people across the world and whether or not HeroPress is accomplishing <a href=\"http://heropress.com/about/\">its mission</a>. Last but not least, DeRosia shares a personal story of someone who couldn&#8217;t write an essay for the site because they&#8217;re spending all of their time trying to stay alive.</p>\n<h2>Plugins Picked By Marcus:</h2>\n<p><a href=\"https://wordpress.org/plugins/media-from-ftp/\">Media from FTP</a> allows you to import items into the WordPress media library that are uploaded via FTP.</p>\n<p class=\"shortdesc\"><a href=\"https://wordpress.org/plugins/wp-open-last-modified/\">WP Open Last Modified </a>adds the last modified date and the current revision of your post/page using the [last_modified_date] shortcode.</p>\n<p><a href=\"https://wordpress.org/plugins/advanced-wp-reset/\">Advanced WordPress Reset</a> is a convenient way to restore WordPress back to a fresh install without having to go through the traditional installation process.</p>\n<h2>WPWeekly Meta:</h2>\n<p><strong>Next Episode:</strong> Wednesday, March 30th 9:30 P.M. Eastern</p>\n<p><strong>Subscribe To WPWeekly Via Itunes: </strong><a href=\"https://itunes.apple.com/us/podcast/wordpress-weekly/id694849738\" target=\"_blank\">Click here to subscribe</a></p>\n<p><strong>Subscribe To WPWeekly Via RSS: </strong><a href=\"http://www.wptavern.com/feed/podcast\" target=\"_blank\">Click here to subscribe</a></p>\n<p><strong>Subscribe To WPWeekly Via Stitcher Radio: </strong><a href=\"http://www.stitcher.com/podcast/wordpress-weekly-podcast?refid=stpr\" target=\"_blank\">Click here to subscribe</a></p>\n<p><strong>Listen To Episode #227:</strong><br />\n</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 24 Mar 2016 20:56:59 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:13;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"WP Mobile Apps: WordPress for iOS: Version 6.0\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"http://apps.wordpress.org/?p=3229\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://apps.wordpress.com/2016/03/24/wordpress-for-ios-version-6-0/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2905:\"<p>Hello, WordPress users! <a href=\"https://itunes.apple.com/us/app/wordpress/id335703880?mt=8&uo=6&at=&ct=\">Version 6.0 of the WordPress for iOS app</a> is now available in the App Store.</p>\n<h1>What&#8217;s New:</h1>\n<p><strong>Delete sites from the app!</strong>  We know, we know, creating WordPress.com sites can get addictive. But if you feel like decluttering your dashboard, you can now delete a site (or two) directly from the app.</p>\n\n<a href=\"https://apps.wordpress.com/img_2103/\"><img width=\"169\" height=\"300\" src=\"https://apps.files.wordpress.com/2016/03/img_2103.png?w=169&h=300\" class=\"attachment-medium size-medium\" alt=\"It\'s now possible to delete sites from within the app.\" /></a>\n<a href=\"https://apps.wordpress.com/img_2104/\"><img width=\"169\" height=\"300\" src=\"https://apps.files.wordpress.com/2016/03/img_2104.png?w=169&h=300\" class=\"attachment-medium size-medium\" alt=\"You can choose to keep all your content when deleting a site.\" /></a>\n\n<p><strong>More improvements.</strong> Several magical <a href=\"https://github.com/wordpress-mobile/WordPress-iOS/issues?utf8=✓&q=is%3Aclosed+is%3Aissue+milestone%3A6.0+label%3A%22%5BType%5D+Enhancement%22+\">behind-the-scenes improvements</a> to make sure our codebase is stronger than ever.</p>\n<p><strong>Bug fixes.</strong> As usual, we squashed some bugs, but there weren&#8217;t many this time around. Keep an eye on <a href=\"https://github.com/wordpress-mobile/WordPress-iOS/issues?utf8=✓&q=is%3Aclosed+is%3Aissue+milestone%3A6.0+label%3A%22%5BType%5D+Bug%22+\">the complete list of bugs here</a>.</p>\n<h1>Thank You!</h1>\n<p>Thanks to all of the contributors who worked on this release:<br />\n<a href=\"https://github.com/aerych\">@aerych</a>, <a href=\"https://github.com/alexcurylo\">@alexcurylo</a>, <a href=\"https://github.com/astralbodies\">@astralbodies</a>, <a href=\"https://github.com/diegoreymendez\">@diegoreymendez</a>, <a href=\"https://github.com/frosty\">@frosty</a>, <a href=\"https://github.com/hugobaeta\">@hugobaeta</a>, <a href=\"https://github.com/jleandroperez\">@jleandroperez</a>, <a href=\"https://github.com/koke\">@koke</a>, <a href=\"https://github.com/kurzee\">@kurzee</a>, <a href=\"https://github.com/kwonye\">@kwonye</a>, <a href=\"https://github.com/mattmiklic\">@mattmiklic</a>, <a href=\"https://github.com/maxme\">@maxme</a>, <a href=\"https://github.com/oguzkocer\">@oguzkocer</a>, <a href=\"https://github.com/sendhil\">@sendhil</a> and <a href=\"https://github.com/SergioEstevao\">@SergioEstevao</a>..</p>\n<p>You can track the development progress for the next update by visiting <a href=\"https://github.com/wordpress-mobile/WordPress-iOS/issues?q=is%3Aopen+is%3Aissue+milestone%3A6.1\" target=\"_blank\">our 6.1 milestone on GitHub</a>. Until next time!</p><img alt=\"\" border=\"0\" src=\"https://pixel.wp.com/b.gif?host=apps.wordpress.com&blog=108068616&post=3229&subd=apps&ref=&feed=1\" width=\"1\" height=\"1\" />\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 24 Mar 2016 12:48:04 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"diegoreymendez\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:14;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:81:\"WPTavern: Cast of Silicon Valley Nails The Meaning of Automattic on The First Try\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52809\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"http://wptavern.com/cast-of-silicon-valley-nails-the-meaning-of-automattic-on-the-first-try\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1475:\"<p><a href=\"http://www.hbo.com/silicon-valley\">Silicon Valley</a> is a comedic television series on HBO about a group of six engineers who create a startup company in Silicon Valley. <a href=\"http://www.wired.com/\">Wired.com</a> sat down with the cast and gave them the names to real startup companies to see if they could guess what they do.</p>\n<p>Among the names mentioned is <a href=\"https://automattic.com/\">Automattic</a>. Fast forward to <a href=\"https://youtu.be/5Y64UeNeiOM?t=1m14s\">1:14</a> to watch Kumail Nanjiani, who plays <a href=\"http://www.hbo.com/silicon-valley/cast-and-crew/kumail-nanjiani/index.html\">Dinesh</a> on the show, correctly guess the meaning of the name on his first try, &#8220;Automattic with two T&#8217;s is a company ran by a dude named Matt,&#8221; he says. His response to being told he&#8217;s correct is pretty funny.</p>\n<p>Warning, the video contains strong language and is not safe for work.</p>\n<div class=\"embed-wrap\"></div>\n<p>Automattic, founded in 2005, is the driving force behind WordPress.com and a handful of other services like Akismet, Gravatar, VaultPress, IntenseDebate, Polldaddy, and more.</p>\n<p>While many people are confused between WordPress the software project and WordPress.com, the reason for two T&#8217;s in Automattic was guessed correctly on the first try by someone who is not deeply involved in the community. There&#8217;s something mildly humorous about that.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 23 Mar 2016 23:45:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:15;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:53:\"WPTavern: Restrict BuddyPress Signups by Email Domain\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52202\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:63:\"http://wptavern.com/restrict-buddypress-signups-by-email-domain\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2637:\"<p><a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2015/02/mailboxes.jpg\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2015/02/mailboxes.jpg?resize=1024%2C496\" alt=\"mailboxes\" class=\"aligncenter size-full wp-image-39214\" /></a></p>\n<p>Spam is one of the most discouraging things about managing a BuddyPress-powered social network. Since WordPress itself is already a magnet for spam signups and comments, BuddyPress is subject to the same and then some. With an ordinary WordPress site you can block most of it fairly well, but with BuddyPress you often have to wade through signups to verify that real humans aren&#8217;t getting blocked.</p>\n<p>One of the best ways to cut down on the avalanche of unwanted signups is to restrict them by email domain. <a href=\"https://wordpress.org/plugins/bp-rsed/\" target=\"_blank\">BP Restrict Signup by Email Domain</a> is a plugin that allows you to whitelist an email domain or set of domains that will be required for registration on the site. You can also set an error message and create a custom message to appear on the registration page.</p>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/email-address-restrictions.png\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/email-address-restrictions.png?resize=566%2C862\" alt=\"email-address-restrictions\" class=\"aligncenter size-full wp-image-52791\" /></a></p>\n<p>The plugin was created by BuddyPress contributing developer Ray Hoh for the <a href=\"http://commons.gc.cuny.edu/\" target=\"_blank\">CUNY Academic Commons</a>. It&#8217;s part of a suite of plugins recommended by the <a href=\"http://commonsinabox.org/\" target=\"_blank\">Commons In A Box (CBOX)</a> free software project. The university uses the plugin to ensure that anyone signing up to the Academic Commons will have a CUNY email address. You can see it in action on the <a href=\"http://commons.gc.cuny.edu/register/\" target=\"_blank\">registration page</a>.</p>\n<p>BP Restrict Signup by Email Domain works on both single site and multisite installations of WordPress. It has been tested with the latest version of BuddyPress (2.5) but should also be compatible back to version 1.6.</p>\n<p>Not every social site can afford to limit email domains, but this plugin works well for academic sites, nonprofit or other types of organizations, or any community that excludes all but a few set email domains. <a href=\"https://wordpress.org/plugins/bp-rsed/\" target=\"_blank\">BP Restrict Signup by Email Domain</a> is open source on WordPress.org and is actively maintained for use on CUNY.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 23 Mar 2016 23:09:28 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:16;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"WPTavern: Frederick Townes Confirms W3 Total Cache is Not Abandoned\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52766\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"http://wptavern.com/frederick-townes-confirms-w3-total-cache-is-not-abandoned\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:7219:\"<p><a href=\"https://wordpress.org/plugins/w3-total-cache/\">W3 Total Cache</a> is a free, caching WordPress plugin created by <a href=\"https://profiles.wordpress.org/fredericktownes/\">Frederick Townes</a> that&#8217;s active on more than one million sites. While the plugin&#8217;s core functionality is free to use, there&#8217;s a handful of services users can buy from within the plugin such as enhanced support to server and site configurations.</p>\n<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/W3TCUpsells.png\"><img class=\"size-full wp-image-52768\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/W3TCUpsells.png?resize=1025%2C700\" alt=\"W3 Total Cache Upsells\" /></a>W3 Total Cache Upsells\n<p>A recent post by Scott Tuchman on the <a href=\"https://www.facebook.com/groups/advancedwp/permalink/1116520665076813/\">Advanced WordPress Facebook group</a> cites that the plugin hasn&#8217;t been updated in more than seven months and is not compatible with WordPress 4.4.2. Out of 44 reports, 34 people say W3 Total Cache 0.9.4.1 doesn&#8217;t work with WordPress 4.4.2.</p>\n<a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/W3TCBroken.png\"><img class=\"size-full wp-image-52769\" src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/W3TCBroken.png?resize=884%2C626\" alt=\"W3 Total Cache Not Compatible With WordPress 4.4.2\" /></a>W3 Total Cache Not Compatible With WordPress 4.4.2\n<p>The plugin was recently updated with the <a href=\"https://plugins.trac.wordpress.org/changeset/1375883/w3-total-cache\">only change</a> being the readme.txt file which states it has been tested up to WordPress 4.5. A cursory glance at the support forums indicates <a href=\"https://wordpress.org/support/topic/how-come-the-version-0941-now-says-updated-on-mar-21\">some users</a> are <a href=\"https://wordpress.org/support/topic/compatible-up-to-45-but-no-update-since-9-months-ago\">not pleased</a> with the simple update.</p>\n<h2>A Rocky Year</h2>\n<p>In 2015, a disgruntled customer who purchased services from <a href=\"http://www.w3-edge.com/\">W3 Edge</a>, <a href=\"https://www.reddit.com/r/Wordpress/comments/2r7un1/my_experience_with_what_its_like_with_w3_total/\">described their negative experience</a> in a post on the WordPress subreddit. The complaints include, a lack of communication, not receiving purchased services, and project delays. Mike McAlister, of <a href=\"https://arraythemes.com/\">Array Themes</a>, told the Tavern about his experience with W3 Edge.</p>\n<blockquote><p>In 2014, I signed up for the premium version of W3 Total Cache to unlock some of the advanced caching features. The email confirmation said that the license would auto-renew unless cancelled, so I contacted them right away with my request to cancel the auto-renewal. I didn&#8217;t hear anything back and wrongly assumed this was taken care of.</p>\n<p>Fast forward one year and I get an email out of nowhere that my W3 license had been renewed. I immediately contacted W3 with details of my order and politely requested a solution, but never heard a response.</p>\n<p>I wrote a total of four emails and several tweets directed at W3 Edge and its founder, Frederick Townes, with not a single response throughout the ordeal. Like many others, I had to resort to calling the bank and filing a dispute to get my money back, which dragged the issue out for several months.</p></blockquote>\n<p>At the end of the Reddit thread, W3 Edge <a href=\"https://www.reddit.com/r/Wordpress/comments/2r7un1/my_experience_with_what_its_like_with_w3_total/cqag9sw\">responded to the criticism</a> and admitted that the company let users down with its lack of engagement. It also admitted to having a small team and the challenges involved with its support model.</p>\n<p>&#8220;One of the largest lessons learned is that there&#8217;s a lot to get right especially with a small team,&#8221; W3 Edge said. &#8220;We&#8217;ve made some changes to the team recently and we&#8217;re working to rectify experiences like the ones noted here. Since it’s the customer experience that matters and not intentions, I apologize for the negative experiences. Our mission remains to enable independent publishers with great software and solutions.&#8221;</p>\n<h2>W3 Total Cache Status Update</h2>\n<p>The company&#8217;s <a href=\"https://twitter.com/w3edge/with_replies?lang=en\">official Twitter account</a> has been inactive since April of 2015 and the <a href=\"https://www.w3-edge.com/weblog/\">last post published</a> on its blog was 10 months ago. Combined with the lack of plugin updates, it&#8217;s understandable why customers and users are concerned with the plugin&#8217;s status.</p>\n<p>Frederick Townes, founder of W3 Edge, issued the following statement to the Tavern.</p>\n<blockquote><p>Since the last update, development and other operations have been ongoing. There have been several hundred bug fixes based on user feedback, more than 100 improvements and numerous major improvements. We’ve added tens of thousands of unit tests for the various bugs and improvements in an attempt to allow us to release more updates faster in the future.</p>\n<p>We’re also working on a new services and support model, which is more exclusive in an attempt to reduce the volume of service requests and misaligned customer / subscriber expectations.</p>\n<p>Our goal is unchanged, to create easy ways for publishers and developers to increase WordPress performance and tune user-experience in self-hosted environments. As we work towards leaving beta and moving towards a 1.0 release (and making our GitHub repository public rather than private) our goal is to offer hosted services that use automation to simplify the performance optimization process in the future.</p></blockquote>\n<p>I spoke to Townes for an hour on Skype and he comes across as a sincere, concerned business owner who is struggling to find a system that works for the amount of support volume he and his team are dealing with. I asked what keeps him motivated to continue working on W3 Total Cache, &#8220;I love solving complex problems which is what W3 Total Cache does,&#8221; Townes replied.</p>\n<p>I can only imagine how heavy the burdens are maintaining a free plugin that&#8217;s active on more than a million sites. Joost de Valk, founder of <a href=\"https://yoast.com/\">Yoast.com</a>, and lead developer of <a href=\"https://wordpress.org/plugins/wordpress-seo/\">WordPress SEO</a>, a plugin active on more than one million sites shared some of the <a href=\"https://yoast.com/yoast-seo-3-0-release-a-recap/\">lessons he learned</a> after users experienced issues upgrading to 3.0.</p>\n<h2>Have The Changes Worked?</h2>\n<p>While researching for this article, I requested feedback from thousands of people to learn what recent customers are experiencing with the company but no one responded. This can mean any number of things but it&#8217;s difficult to determine whether the changes mentioned in the Reddit thread have improved the situation without getting feedback from recent customers.</p>\n<p>If you&#8217;ve recently purchased services from W3 Edge, please share your experience with us in the comments.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 23 Mar 2016 20:42:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:17;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"WPTavern: GitHub Issue and Pull Request Templates: Choose Your Own Adventure\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52746\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"http://wptavern.com/github-issue-and-pull-request-templates-choose-your-own-adventure\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2633:\"<p>Last month GitHub <a href=\"http://wptavern.com/github-introduces-issue-and-pull-request-templates\" target=\"_blank\">introduced issue and pull request templates</a> in response to the <a href=\"http://wptavern.com/open-source-project-maintainers-confront-github-with-open-letter-on-issue-management\" target=\"_blank\">&#8220;Dear GitHub&#8221; letter of complaints</a> from open source project maintainers. The new templates let maintainers streamline contributions to be more structured and meaningful for the project.</p>\n<p>Creating issue and pull request templates could be a boring addition to your project&#8217;s task list, or you can have a little fun with <a href=\"https://twitter.com/TalAter\" target=\"_blank\">Tal Ater</a>&#8216;s new <a href=\"https://www.talater.com/open-source-templates/\" target=\"_blank\">open source template generator</a>. It leads you on a whimsical journey inspired by Lewis Carroll and H.P. Lovecraft while creating templates for your project.</p>\n<p><a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/issue-pull-request-generator.png\"><img src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/issue-pull-request-generator.png?resize=1025%2C485\" alt=\"issue-pull-request-generator\" class=\"aligncenter size-full wp-image-52757\" /></a></p>\n<p>The generator lets you build your templates in the style of a Choose Your Own Adventure book. At every step you make selections that will help structure the final templates. For example, you can choose whether or not to focus on bug reports, or prioritize new features/improvements, or make room for both in your issues template.</p>\n<p>In a post titled &#8220;<a href=\"http://www.theopensourcer.com/2016/learning-to-ship-through-ridiculousness/\" target=\"_blank\">Learn to Ship Faster by Embracing Ridiculousness</a>,&#8221; Ater explains how he built the project over three days as an exercise to help him learn to let go and ship imperfect products:</p>\n<blockquote><p>The project’s own imperfections are by definition its greatest strengths. Is it user friendly? About as friendly as a mad hatter. Does the writing make sense? Absolutely not. Did I get it from idea to shipping in 3 days? Abso-freaking-lutely.</p></blockquote>\n<p>The result is a fun little time machine that transports you back to childhood while outputting some useful templates for your open source projects. They may require a bit of additional tweaking for your particular use, but Ater&#8217;s <a href=\"https://www.talater.com/open-source-templates/#/\" target=\"_blank\">generator</a> gives you an easy way to get started.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 23 Mar 2016 16:32:44 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:18;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"WPTavern: WordPress Theme Review Team Moves Towards Automating Review Process\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52730\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"http://wptavern.com/wordpress-theme-review-team-moves-towards-automating-review-process\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2402:\"<a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2015/01/red-pen.jpg\"><img src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2015/01/red-pen.jpg?resize=1024%2C500\" alt=\"photo credit: pollas - cc\" class=\"size-full wp-image-37241\" /></a>photo credit: <a href=\"https://www.flickr.com/photos/pollas/526544001/\">pollas</a> &#8211; <a href=\"http://creativecommons.org/licenses/by-nc-sa/2.0/\">cc</a>\n<p>Getting a theme approved for the WordPress directory can sometimes take months, depending on the number of corrections required and reviewers available to handle the queue. As part of a larger plan to make things more efficient, the WordPress Theme Review Team is making progress towards automating many of the time-consuming checks involved in reviewing submissions and updates.</p>\n<p><a href=\"https://twitter.com/grapplerulrich\" target=\"_blank\">Ulrich Pogson</a>, who is leading the effort, published a <a href=\"https://make.wordpress.org/themes/2016/03/21/work-on-requirements-automation-update-1/\" target=\"_blank\">list of requirements</a> that might be good candidates for automated checks. Each item is now an issue on GitHub where contributors can discuss implementation and help build the checks. A few examples include &#8220;<a href=\"https://github.com/Otto42/theme-check/issues/133\" target=\"_blank\">Use the Customizer for implementing theme options</a>,&#8221; &#8220;<a href=\"https://github.com/Otto42/theme-check/issues/134\" target=\"_blank\">Don’t include any plugins</a>,&#8221; and &#8220;<a href=\"https://github.com/Otto42/theme-check/issues/126\" target=\"_blank\">Don’t include admin/feature pointers</a>.&#8221;</p>\n<p>During the most recent meeting, the team approved a <a href=\"https://make.wordpress.org/themes/2016/03/22/22-march-team-meeting/\" target=\"_blank\">list of 13 requirements</a> they are aiming to automate. They will need to write checks for each one and are inviting collaboration on GitHub.</p>\n<p>&#8220;It could be making a pull request, helping write the regex, or contributing ideas how to implement the check,&#8221; Pogson said. &#8220;Once the checks have been written we need help testing them for false positives.&#8221;</p>\n<p>Check out the <a href=\"https://github.com/Otto42/theme-check/issues\" target=\"_blank\">issues queue</a> for the Theme Check plugin if you want to help the team automate more checks.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 22 Mar 2016 22:30:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:19;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:81:\"WPTavern: Submit Pull Requests to WordPress Core with the GitHub-to-Patch Utility\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52711\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"http://wptavern.com/submit-pull-requests-to-wordpress-core-with-the-github-to-patch-utility\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3623:\"<p><a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/github-to-patch.png\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/github-to-patch.png?resize=1025%2C499\" alt=\"github-to-patch\" class=\"aligncenter size-full wp-image-52720\" /></a></p>\n<p>When Matt Mullenweg asked the audience who has used Git and/or GitHub during his <a href=\"http://wptavern.com/matt-mullenwegs-state-of-the-word-highlights-internationalization-mobile-and-new-tools-for-wordpress-contributors\" target=\"_blank\">2014 State of the Word</a> address, the response was almost unanimous. “Whoah, that’s all the hands!” he exclaimed before announcing that core contributors will soon be able to submit pull requests on GitHub.</p>\n<p>Two years later, an official patch workflow has not yet been established. In addition to ironing out the logistics, contributors must also take into account what might be lost or gained in the GitHub approach to problem solving. The GitHub pull request collaboration style is markedly different than the lengthy discussions that happen on WordPress Trac.</p>\n<p>Nevertheless, WordPress contributors who use GitHub as part of daily life are eager to see progress on an official pipeline for pull requests. In the meantime, Ryan McCue has just launched a utility that allows contributors to submit pull requests to core. <a href=\"https://rmccue.io/patch/\" target=\"_blank\">GitHub-to-Patch</a> is a proof-of-concept that provides an easy way to submit a pull request as a patch.</p>\n<p>The process that McCue outlines in his <a href=\"http://journal.rmccue.io/367/patch-wordpress-via-github/\" target=\"_blank\">post</a> involves submitting a pull request to the <a href=\"https://github.com/WordPress/WordPress\" target=\"_blank\">WordPress/WordPress repo</a>, selecting the request via the utility, and associating the request with the corresponding ticket number. He also advises heading back to the ticket to leave a comment about the patch you added.</p>\n<p><a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/github-to-patch-step-1.png\"><img src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/github-to-patch-step-1.png?resize=1025%2C703\" alt=\"github-to-patch-step-1\" class=\"aligncenter size-full wp-image-52726\" /></a></p>\n<p>&#8220;Internally, the utility uses GitHub’s API to get a patch format of the pull request, then uses Trac’s XML-RPC API to upload,&#8221; McCue said. &#8220;This requires your WordPress.org credentials, and because of cross-origin policy, also requires an intermediary server. I hope to fix this in the future, either by integrating the tool into Trac itself, or by using OAuth with WordPress.org.&#8221;</p>\n<p>McCue clarified on Twitter that his utility is not meant to be a final solution to WordPress/GitHub interactions but rather a stop-gap measure until a better solution is available. He <a href=\"https://twitter.com/rmccue/status/712143679780200448\" target=\"_blank\">referenced</a> Weston Ruter&#8217;s approach that <a href=\"https://make.xwp.co/2015/12/05/streamlining-contributions-to-wordpress-core-via-github/\" target=\"_blank\">uses Travis CI to handle uploading patches from trusted pull requests to Trac</a> as one of the more elegant examples in the works.</p>\n<p>For those with no SVN experience, GitHub-to-Patch significantly lowers the barrier to entry for contributing to core. If you don&#8217;t want to use the <a href=\"https://rmccue.io/patch/\" target=\"_blank\">utility</a> on McCue&#8217;s server, the code is available on GitHub and can be installed on your own server.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 22 Mar 2016 18:34:38 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:20;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"WPTavern: WordPress Adopts Accessibility Coding Standards for All New and Updated Code\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52690\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:96:\"http://wptavern.com/wordpress-adopts-accessibility-coding-standards-for-all-new-and-updated-code\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3221:\"<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/paper-1.jpg\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/paper-1.jpg?resize=960%2C501\" alt=\"photo credit: Startup Stock Photos\" class=\"size-full wp-image-52706\" /></a>photo credit: <a href=\"https://stocksnap.io/photo/L2KBJB91D6\">Startup Stock Photos</a>\n<p>The Accessibility Team announced today that the <a href=\"https://make.wordpress.org/core/handbook/best-practices/coding-standards/accessibility-coding-standards/\" target=\"_blank\">WordPress Accessibility Coding Standards</a> have been approved for the core handbook. The team <a href=\"http://wptavern.com/your-chance-to-give-feedback-on-wordpress-accessibility-coding-standards\" target=\"_blank\">sought feedback on the draft of the guidelines</a> earlier this year and, after a few revisions, the coding standards are out of draft status.</p>\n<p>Contributors will now be required to meet these guidelines in order to have their code merged into core:</p>\n<blockquote><p>All new or updated code released in WordPress must conform with the <a href=\"https://www.w3.org/WAI/intro/wcag\" target=\"_blank\">WCAG 2.0 guidelines</a> at level AA.</p></blockquote>\n<p>Level AA, according to accessibility team member Rian Rietveld, includes guidelines used as a reference for a legal standard in many countries. WordPress&#8217; new accessibility coding standards cover five key areas:</p>\n<ul>\n<li>HTML Semantics</li>\n<li>Color Contrast</li>\n<li>Keyboard Accessibility</li>\n<li>Images and Icons</li>\n<li>Labeling</li>\n</ul>\n<p>The default Twenty Sixteen theme is already compliant with WCAG 2 AA and more <a href=\"https://wordpress.org/themes/tags/accessibility-ready/\" target=\"_blank\">accessibility-ready themes</a> are tagged in the official directory. At this time, themes and plugins hosted on WordPress.org are not required to meet these guidelines.</p>\n<p>&#8220;Having a dedicated principle that WordPress needs to meet a certain level of accessibility standards is incredibly powerful,&#8221; contributor Joe Dolson said in a reaction on his <a href=\"https://www.joedolson.com/2016/03/wordpress-goes-wcag-mean/\" target=\"_blank\">blog</a>.</p>\n<p>&#8220;Since it doesn’t change the fact that the WordPress Accessibility team consists of a relatively small group of part-time volunteers, we have to realistically acknowledge that we won’t catch everything.</p>\n<p>&#8220;But that still leaves us with an overall arc that leads to a future with a more accessible WordPress, and that’s an unmistakable win for accessibility,&#8221; he said.</p>\n<p>Vocal accessibility advocates have been <a href=\"http://wptavern.com/your-chance-to-give-feedback-on-wordpress-accessibility-coding-standards\" target=\"_blank\">calling for WordPress to adopt a set of standards</a> and these new guidelines demonstrate the project&#8217;s commitment to serving those with a disability. With WCAG 2 AA established as the standard, the accessibility team is now in a better position to provide a list of requirements for an <a href=\"https://make.wordpress.org/accessibility/2014/05/02/automated-accessibility-testing/\" target=\"_blank\">automated testing tool</a>.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 22 Mar 2016 05:17:25 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:21;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"WPTavern: WP Engine Adds 2FA to User Portal, Opt-In PHP 7 Support In the Works\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52657\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:88:\"http://wptavern.com/wp-engine-adds-2fa-to-user-portals-opt-in-php-7-support-in-the-works\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6799:\"<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/11/wp-engine.jpg\"><img class=\"aligncenter size-full wp-image-34106\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/11/wp-engine.jpg?resize=1025%2C427\" alt=\"wp-engine\" /></a></p>\n<p>WP Engine <a href=\"https://wpengine.com/blog/two-factor-authentication/\" target=\"_blank\">announced</a> today that two-factor authentication (2FA) is now available to its 42,000 customers. The security measure will help combat increasing attempts on the host&#8217;s user portal.</p>\n<p>&#8220;As we grow, almost everything about the company changes, and security is one of them,&#8221; said WP Engine founder Jason Cohen. &#8220;For example, we see things like fraudulent accounts and account impersonation/phishing, and other things which didn’t appear often when we were smaller and less of a target.&#8221;</p>\n<p>Adding 2FA is part of a larger plan for improved security that the company began last year when it hired Eric Murphy as its new security director.</p>\n<p>&#8220;We’ve had a cross-departmental internal security group of about a dozen people for a few years now, but in 2015 we decided we needed even more leadership in that area,&#8221; Cohen said.</p>\n<p>&#8220;We hired Eric last year, in fact before the December security incident, so in hindsight that was excellent timing.&#8221;</p>\n<p>Murphy is now overseeing the technical aspects of security, like firewalls and VPNs, as well as the social engineering and training aimed at protecting customer account access.</p>\n<p>After the December breach where <a href=\"http://wptavern.com/wp-engine-security-breach-customer-credentials-exposed\" target=\"_blank\">customer credentials were exposed</a>, WP Engine began moving its customers off of Linode&#8217;s cloud infrastructure. Cohen confirmed that thousands of customers have been moved and that no new customers have been added to Linode.</p>\n<h3>The Challenges of Implementing 2FA</h3>\n<p>Although providing 2FA for accounts is a security best practice, Cohen said that it would not have prevented the December breach, as the entry point was with Linode. Regardless, WP Engine customers have been requesting 2FA support for the user portal for years. When asked why it took the company so long to implement it, Cohen identified a few of the technical challenges.</p>\n<p>&#8220;One of the challenges was in identity recovery,&#8221; he said. &#8220;We can’t use email as a way to recover from a lost phone, because then the email address becomes a &#8216;single factor,&#8217; i.e. you can use it to recover your password as well as your phone aspect.</p>\n<p>&#8220;However, nowadays with the advent of Google Authenticator and other apps, plus people’s general awareness of how to use things like scratch codes, we felt it was now not going to be hard for people to use,&#8221; Cohen said.</p>\n<p>When it comes to protecting WordPress, WP Engine customers have always been able to use a plugin to add 2FA. Cohen said that the company is investigating a solution to make it more convenient for customers who manage multiple accounts.</p>\n<p>&#8220;Suppose you manage 50 WP sites and you want 2FA,&#8221; he said. &#8220;So do you configure 2FA on every site and have 50 entries in your Google Authenticator App? That stinks!</p>\n<p>&#8220;So, something better would be a SSO system somewhere, have 2FA on <em>that</em>, and then use that to get into WordPress,&#8221; Cohen said.</p>\n<p>&#8220;Another way would be to use OAuth, e.g. use Google OAuth on WP, and indeed for customers who already use Google Apps, we do recommend that method. Another method might be that our own User Portal be an OAuth provider.&#8221;</p>\n<p>With a host of solutions already available, Cohen said they are also considering simply pointing customers to a list of recommendations.</p>\n<p>&#8220;Even if we do our own, we’d always support the other methods,&#8221; he said. &#8220;The idea isn’t to box anyone into a single method.&#8221;</p>\n<h3>WP Engine Plans to Add Opt-In PHP 7 Support in 2016</h3>\n<p>WP Engine is currently <a href=\"https://wpengine.com/blog/php-7-the-way-of-the-future/\" target=\"_blank\">working on a PHP 7 implementation</a> for all customers. In December, the company tested 25 concurrent users over 5 minutes across 10 randomly selected URLs — run against a basic WordPress (4.3.1) install on its Mercury Vagrant configuration. The results showed that PHP 7 handles the raw hits 2.6x faster than PHP 5.5.</p>\n<p><a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/wp-engine-testing.png\"><img class=\"aligncenter size-full wp-image-52674\" src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/wp-engine-testing.png?resize=1025%2C709\" alt=\"wp-engine-testing\" /></a></p>\n<p>Unfortunately, customers who are eager to see WP Engine upgrade to PHP 7 across the board will be waiting for the rest of the WordPress ecosystem to catch up. As an alternative, the company is looking at the possibility of making PHP 7 an opt-in.</p>\n<p>&#8220;We have PHP7 running on some machines,&#8221; Cohen said. &#8220;But it’s actually amazing how few WP sites in the field are compatible. We’re finding that it&#8217;s less than 20%. There will need to be an opt-in for that reason.&#8221;</p>\n<p>Although WordPress core is compatible with PHP 7, the vast majority of WordPress plugins and themes are not.</p>\n<p>&#8220;Even WooCommerce doesn’t completely work with it,&#8221; Cohen said. &#8220;Many big, popular plugins are not yet compatible. With PHP v5.5 there was some of that, but this is much more. Of course PHP7 is the future so it’s inevitable, but it’s going to take more time than some other PHP releases did.&#8221;</p>\n<p>Cohen said the best case scenario would be for customers to choose PHP 7 on an install-by-install basis and change at any time. He does not yet have an ETA, as the company is working on an undisclosed big project that Cohen says is part and parcel of it.</p>\n<p>&#8220;We have to make some decisions about how much to put into it before release, versus releasing it earlier and then layering in more things afterwards,&#8221; he said.</p>\n<p>There are several large hurdles to allowing PHP version selection on an install-by-install basis, which need to be worked out before rolling it out to thousands of customers.</p>\n<p>&#8220;One challenge is running multiple versions at the same time on the same machine,&#8221; Cohen said. &#8220;Another is tech support — if something doesn’t work in it, we need our 150+ support techs to understand how to figure that out and help.&#8221;</p>\n<p>Cohen said he could see opt-in PHP 7 support happening for customers as early as this year but could not specify when.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 21 Mar 2016 20:17:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:22;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"Matt: Chamath on Growing Facebook\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46387\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://ma.tt/2016/03/chamath-on-growing-facebook/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1405:\"<p><span class=\"embed-youtube\"></span></p>\n<p>This is a cool talk from <a href=\"https://twitter.com/chamath\">Chamath Palihapitiya</a> from a few years ago in 2013 which makes it extra interesting. It seems like a smaller audience so it&#8217;s fun and unguarded. (Though a great thing about Chamath is he&#8217;s incredibly candid in every context.) You can&#8217;t see the slides in the video, and there&#8217;s not much to them, but here they are:</p>\n<p> \n<div> <strong> <a href=\"https://www.slideshare.net/growthhackersconference/how-we-put-facebook-on-the-path-to-1-billion-users\" title=\"Facebook&#x27;s Growth Hacker on how they put Facebook on the Path to 1 Billion Users\" target=\"_blank\">Facebook&#x27;s Growth Hacker on how they put Facebook on the Path to 1 Billion Users</a> </strong> from <strong><a target=\"_blank\" href=\"http://www.slideshare.net/growthhackersconference\">growthhackersconference</a></strong> </div>\n<p>Here are the values he talks about at the end:</p>\n<ol>\n<li>Very high IQ.</li>\n<li>Strong sense of purpose.</li>\n<li>Relentless focus on success.</li>\n<li>Aggressive and competitive.</li>\n<li>High quality bar bordering on perfectionism.</li>\n<li>Likes changing and disrupting things.</li>\n<li>New ideas on how to do things better.</li>\n<li>High integrity.</li>\n<li>Surrounds themselves with good people.</li>\n<li>Cares about building real value over perception.</li>\n</ol>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 21 Mar 2016 02:00:08 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:23;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"WPTavern: In Case You Missed It – Issue 5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://wptavern.com?p=52645&preview_id=52645\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"http://wptavern.com/in-case-you-missed-it-issue-5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:7253:\"<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/01/ICYMIFeaturedImage.png\" rel=\"attachment wp-att-50955\"><img class=\"size-full wp-image-50955\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/01/ICYMIFeaturedImage.png?resize=676%2C292\" alt=\"In Case You Missed It Featured Image\" /></a>photo credit: <a href=\"http://www.flickr.com/photos/112901923@N07/16153818039\">Night Moves</a> &#8211; <a href=\"https://creativecommons.org/licenses/by-nc/2.0/\">(license)</a>\n<p>There&#8217;s a lot of great WordPress content published in the community but not all of it is featured on the Tavern. This post is an assortment of items related to WordPress that caught my eye but didn&#8217;t make it into a full post.</p>\n<h2>Human Made Hires Siobhan McKeown</h2>\n<p>Development firm, Human Made Ltd., <a href=\"https://hmn.md/2016/03/17/siobhan-mckeown-joins-human-made/\">announced</a> that it has hired Siobhan McKeown as their events director. Human Made worked closely with McKeown who helped organize and run <a href=\"https://feelingrestful.com\">A Day of REST</a>, a conference devoted to the WordPress REST API. According to the post, McKeown&#8217;s role is to expand the company&#8217;s events, including the Day of Rest conference.</p>\n<h2>WordPress is the Light in a Sea of Darkness</h2>\n<p>Raghavendra Satish Peri from India, who discovered at the age of 14 that he was 80% blind, <a href=\"http://heropress.com/essays/finding-hope-darkness/\">describes how WordPress</a> became a shining light in a sea of darkness.</p>\n<blockquote><p>WordPress has changed the way I see my life, today I am a full time <a href=\"http://www.digitala11y.com\">Digital Accessibility Consultant</a> &amp; I build most of my code examples on WP. This is helping me grow professionally &amp; personally each day. I am financially independent, travel around the world, attend &amp; speak at conferences/meet-ups, fought depression with my writing, wrote a bucket list &amp; am actively pursuing it. All this would have not been possible with the power of publishing &amp; WP has simplified it for me.</p></blockquote>\n<p>In the post, Satish Peri says he has two wishes. The first is to attend WordCamp US and meet Matt Mullenweg. The second is to see every part of WordPress core be accessible. While the <a href=\"https://make.wordpress.org/accessibility/\">WordPress accessibility team</a> is working on his second wish, how can we as a community grant the first?</p>\n<h2>WordPress&#8217; Greatest Threat Isn&#8217;t a CMS</h2>\n<p>Chris Wallace explains why the <a href=\"http://chriswallace.org/the-biggest-threat-to-wordpress-isnt-another-cms/\">greatest threat to WordPress</a> isn&#8217;t a competing CMS, but the people who criticize it in a rude and disrespectful way.</p>\n<blockquote><p>But the biggest threat to WordPress right now is not a CMS. Heck, it’s not even a technology challenge or an issue with legacy code. The biggest threat to WordPress is people in the community who voice opinions in a rude and disrespectful way, echoing a deep lack of appreciation for the contributors and project leaders simply trying to make WordPress better within the framework of being used on 25% of the web <em>with a desire to continue increasing that number</em>.</p></blockquote>\n<p>I tried to explain <a href=\"http://wptavern.com/how-not-to-communicate-grievances-with-wordpress\">how to be helpful</a> when criticizing WordPress last year, but I&#8217;m not sure I made an impact. I know from experience that encountering a constant barrage of criticism is unhealthy and can lead to burnout. The same holds true for those who are committed to improving WordPress on a daily basis.</p>\n<p>It&#8217;s not that things need to be sugarcoated, it&#8217;s that criticism should be given in an actionable way to make things better for all involved. It&#8217;s also about civil discourse and treating others with respect.</p>\n<p>The final part of Wallace&#8217;s post is great advice:</p>\n<blockquote><p>Let’s all take a few minutes to be grateful for the opportunity to make a living off the hard work of thousands of other people who donated their time and code to build something that has made a huge impact on the Internet and in people’s actual lives.</p></blockquote>\n<h2>Matt Mullenweg on The Changelog Podcast</h2>\n<p>Matt Mullenweg appeared on <a href=\"https://changelog.com/197/\">The Changelog podcast</a> to discuss the future of WordPress and how Calypso fits in. It&#8217;s a great show as the duo dive deep into the role JavaScript plays in the future of WordPress.</p>\n<h2>Developing a WordPress Plugin That Uses Service APIs</h2>\n<p>Smashing Magazine <a href=\"https://www.smashingmagazine.com/2016/03/making-a-wordpress-plugin-that-uses-service-apis/\">published a great guide</a> that explains how to create a plugin that taps into third-party service APIs.</p>\n<h2>Adopting Plugins is Life Changing for Some</h2>\n<p><a href=\"http://www.zdnet.com/meet-the-team/us/david-gewirtz/\">David Gewirtz</a>, who writes for ZDNet, describes how <a href=\"http://www.zdnet.com/article/a-year-later-what-happens-when-you-adopt-an-open-source-project/\">adopting 10 WordPress plugins changed his life</a>. It&#8217;s one of the coolest stories I&#8217;ve read on the use of the <a href=\"http://wptavern.com/adopt-me-plugin-tag-is-now-in-use-on-wordpress-org\">&#8220;Adopt-Me&#8221; tag</a> in the WordPress plugin directory. One of the best parts of the story is when Gewirtz explains what happened when he adopted a plugin with more than 10K active installs.</p>\n<blockquote><p>Seamless Donations had more than 10,000 active users on the day I adopted it. I expected my workload would be roughly the same as for the widget. I&#8217;d make a few security fixes as they came along and tweaks for compatibility.</p>\n<p>I was wrong.</p>\n<p>I also expected the users to be seasoned webmasters. After all, if you&#8217;re installing an open source project on your server, you&#8217;re obviously going to be experienced with Linux and PHP and all the rest, right? Right?</p>\n<p>Oh, how wrong I was.</p></blockquote>\n<p>Definitely give this a read if you&#8217;re thinking about adopting a popular plugin.</p>\n<h2>Warm Weather Wapuu</h2>\n<p>As a traditional part of this series, I end each issue by featuring a Wapuu design. For those who don&#8217;t know, Wapuu is the <a href=\"http://wapuu.jp/2015/12/12/wapuu-origins/\">unofficial mascot</a> of the WordPress project. Since the first day of Spring in the US is Sunday, March 20th, I decided to feature the Wapuu family from WordCamp Miami. Each member of the family except for the basketball one, is a reminder that warmer weather is on the way!</p>\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">The official <a href=\"https://twitter.com/hashtag/wcmia?src=hash\">#wcmia</a> Wapuu family. <a href=\"http://t.co/U2Ao9Yh0qN\">pic.twitter.com/U2Ao9Yh0qN</a></p>\n<p>&mdash; WordCamp Miami (@wordcampmiami) <a href=\"https://twitter.com/wordcampmiami/status/606179756472692736\">June 3, 2015</a></p></blockquote>\n<p></p>\n<p>That&#8217;s it for issue five. If you recently discovered a cool resource or post related to WordPress, please share it with us in the comments.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 19 Mar 2016 01:40:10 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:24;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:79:\"WPTavern: WordPress 4.5 to Add oEmbed Support for Twitter Moments and Timelines\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52535\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"http://wptavern.com/wordpress-4-5-to-add-oembed-support-for-twitter-moments-and-timelines\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:1549:\"<p>WordPress introduced oEmbed support for tweets in its <a href=\"https://codex.wordpress.org/Version_3.4\" target=\"_blank\">3.4 release</a>, but recent changes to Twitter&#8217;s API requires updates to core. On May 1, Twitter will be <a href=\"https://twittercommunity.com/t/deprecation-of-xml-response-type-for-single-tweet-oembed/62013\" target=\"_blank\">removing the XML response format</a> from the single Tweet oEmbed endpoint. Twitter engineer Niall Kennedy opened a <a href=\"https://core.trac.wordpress.org/ticket/36197\" target=\"_blank\">ticket</a> to change the oEmbed URL for single tweets from api.twitter.com to publish.twitter.com.</p>\n<p>In addition to the patch Kennedy submitted with the ticket, core committer Dominik Schilling added a patch to extend the provider list to support <a href=\"https://about.twitter.com/moments\" target=\"_blank\">moments</a> and <a href=\"https://support.twitter.com/articles/164083\" target=\"_blank\">timelines</a> from Twitter.</p>\n<p>The update was included in this week&#8217;s <a href=\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-4/\" target=\"_blank\">WordPress 4.5 Beta 4 release</a>. To see it in action you can take the latest beta for a test drive or check out the embedded moment and timeline links below.</p>\n<p><a class=\"twitter-moment\" href=\"https://twitter.com/i/moments/650667182356082688\">The Obamas\' wedding anniversary</a></p>\n<p><a class=\"twitter-grid\" href=\"https://twitter.com/TwitterDev/timelines/539487832448843776\">National Park Tweets</a></p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 21:29:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:25;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"Post Status: WordPress Hosting — Draft podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"https://poststatus.com/?p=22401\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"https://poststatus.com/wordpress-hosting-draft-podcast/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2464:\"<p>Welcome to the Post Status <a href=\"https://poststatus.com/category/draft\">Draft podcast</a>, which you can find <a href=\"https://itunes.apple.com/us/podcast/post-status-draft-wordpress/id976403008\">on iTunes</a>, <a href=\"http://www.stitcher.com/podcast/krogsgard/post-status-draft-wordpress-podcast\">Stitcher</a>, and <a href=\"http://simplecast.fm/podcasts/1061/rss\">via RSS</a> for your favorite podcatcher. Post Status Draft is hosted by Joe Hoyle &#8212; the CTO of Human Made &#8212; and Brian Krogsgard.</p>\n<p>WordPress hosting is always a hot topic of conversation, due to the difficult task of differentiating one host from another. There is also a lot of money and marketing involved in the industry &#8212; an industry that includes some of the largest companies in the WordPress ecosystem.</p>\n<p>In this episode, Joe and I attempt to break down what different types of hosting are available, how they are applicable to WordPress, and even dig in to some of the drama and politics that surround the hosting world.</p>\n<p>The techical part of the conversation is the first 50 minutes or so, and around that mark, we get into the politics and non-technical issues around WordPress hosting, as well as tell some stories of how companies have successfully marketed themselves by getting embedded in the WordPress community.</p>\n<p><a href=\"https://audio.simplecast.com/32589.mp3\">https://audio.simplecast.com/32589.mp3</a><br />\n<a href=\"https://audio.simplecast.com/32589.mp3\">Direct Download</a></p>\n<h3>Links</h3>\n<ul>\n<li><a href=\"http://reviewsignal.com\">Review Signal</a> is a great resource for comparing hosting.</li>\n<li>The 2015 <a href=\"http://reviewsignal.com/blog/2015/07/28/wordpress-hosting-performance-benchmarks-2015/\">Review Signal WordPress hosting review</a> is a nice guide.</li>\n<li>WordPress <a href=\"https://wordpress.org/hosting/\">recommended hosting page</a> is a source of a number of questions.</li>\n<li>We talk about a lot of different hosting companies during this episode. Just Google them.</li>\n</ul>\n<p>This episode is sponsored by one of our great partners, Prospress. Check out <a href=\"https://poststatus.com/organizations/prospress-inc/\">Prospress&#8217;s Post Status profile</a>, as well as <a href=\"https://prospress.com/?utm_source=post_status&utm_medium=banner&utm_campaign=ps_ads\">their website</a>. They are the makers of the excellent WooCommerce Subscriptions plugin, amongst other helpful products.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 20:02:49 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Brian Krogsgard\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:26;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"WPTavern: Is W3C Replicating the WordPress Pingback System?\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52624\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"http://wptavern.com/is-w3c-replicating-the-wordpress-pingback-system\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6137:\"<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/JamesRichmanProfile.png\" rel=\"attachment wp-att-52632\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/JamesRichmanProfile.png?resize=150%2C150\" alt=\"JamesRichmanProfile\" class=\"alignright size-thumbnail wp-image-52632\" /></a>This post was contributed by guest author <a href=\"http://1stwebdesigner.com/\" target=\"_blank\">James Richman</a>. James writes about marketing, digital design, entrepreneurship, and technology. He has gained most of his experience from running a variety of his own businesses for more than a decade.<br />\n&nbsp;</p>\n<hr />\n<p>On January 12, 2016, the W3C (the World Wide Web Consortium) released its first public working draft of <a href=\"https://www.w3.org/TR/2016/WD-webmention-20160112/\" target=\"_blank\">Webmentions</a>, but the announcement didn’t feel new. In fact, Webmentions have been around since IndieWebCamp created them in 2013, and <a href=\"https://www.toptal.com/wordpress\" target=\"_blank\">top WordPress developers</a> are already using a Webmentions plugin to utilize the tool.</p>\n<p>Yet, for those who use WordPress, Webmentions seemed like a retread of WordPress’ Pingback system from the early 2000s, which featured a similar concept.</p>\n<p>The Pingback system was invented in 2002 by Stuart Langridge, and in essence, it allowed pieces that were published on different WordPress sites to talk to each other. This is perhaps best explained by walking through an example scenario:</p>\n<ol>\n<li>Website A posts a new entry on its blog.</li>\n<li>Website B responds to that blog post with its own post and links to the post on Website A.</li>\n<li>The Pingback system then notifies Website A that Website B wrote about and linked to its blog post.</li>\n<li>Website A then verifies the content and link on Website B. If it is not spam, Website A will post a comment on the original blog post linking to Website B’s post.</li>\n</ol>\n<p>It’s important to note a few things about the Pingback system. First, it is exclusively for WordPress sites, and both sites have to enable Pingback for it to work. Second, the whole Pingback system is automated, streamlining the process of trackbacks, which is the manual equivalent of the automated Pingback.</p>\n<p>Yet despite its perks, <a href=\"http://wptavern.com/its-time-for-xml-rpc-in-wordpress-to-hit-the-road\" target=\"_blank\">Pingback system usage</a> declined after the automatic system was taken advantage of by spammers.</p>\n<p>The issue of spamming and abuse of such a communication channel has long been the problem with this type of communication channel. Prior to Pingbacks, WordPress used a Trackback system that provided the same type of communication.</p>\n<p>The only difference between the Trackback system and Pingbacks is that Trackbacks had to be inputted manually. Spamming problems were just as prevalent with trackbacks. In fact the WPTavern site <a href=\"http://wptavern.com/wptavern-was-trackbacked-to-death\" target=\"_blank\">shut down in 2010</a> because of trackback spam.</p>\n<p>So what makes Webmentions different than the Pingbacks and Trackbacks that came before? Well, not all that much. Turns out, Webmentions do the exact same thing as the Pingback system; they just do it better.</p>\n<p>The biggest difference between the two is the code they’re composed of. Pingback uses XMLRPC, an outdated approach that encodes data with XML and then transports that data with HTTP. The Pingback system is bulky and slow. Webmentions, on the other hand, uses HTTP and x-www-form-urlencoded content, a much more widely accepted format in today’s world. The result is that Webmentions is much faster and much easier to integrate.</p>\n<p>As Pingback’s creator Langridge <a href=\"http://www.kryogenix.org/days/2014/11/29/enabling-webmentions/\" target=\"_blank\">points out on his blog</a>, “XMLRPC is considerably less popular than it was, and is really heavyweight for this sort of thing. We’ve learned since then that HTTP can actually do all this stuff for us way more simply.” If you haven’t guessed, the Pingback founder has converted to Webmentions too.</p>\n<p>Webmention’s growing popularity is due to the tool’s ease of use and the fact that it blocks spam effectively with the <a href=\"http://indiewebcamp.com/Vouch\" target=\"_blank\">Vouch protocol</a>. But Webmentions also look better aesthetically in the comments section. Pingback comments look robotic and aren’t exactly readable; a Pingback comment contains the title of the post that sent the Pingback and an ellipsed summary that doesn’t make much sense.</p>\n<p>Webmentions look and feel like human comments with the help of the <a href=\"https://github.com/pfefferle/wordpress-semantic-linkbacks\" target=\"_blank\">Semantic Linkbacks plugin</a>. This plugin parses the Webmention linkback and translates it into a full sentence (e.g. ‘Sarah mentioned this post in her article x on site y’) and can even include the author’s profile picture.</p>\n<p>Webmentions are quickly replacing the Pingback system because of the tool’s convenience and better implementation to reach a similar goal, and this has been happening prior to W3C’s public endorsement. So what does W3C’s support of <a href=\"http://indiewebcamp.com/webmention\" target=\"_blank\">IndieWebCamp’s creation</a> mean?</p>\n<p>Ultimately, W3C’s announcement will likely help cement Webmention’s place on the internet. And so W3C’s recent push can be and should be considered as an effort to standardize the wild web.</p>\n<p>The internet was created to communicate and share information, yet individual pieces of content are unable to communicate with each other as easily as users can. The Pingback system was a worthy, but flawed, attempt to change that, and now Pingback’s legacy survives through the broader support and growing distribution of Webmention’s network. If Webmentions become more popular, maybe one day in the future, they will connect the strands of the web together, so that the web will have earned its namesake in truth.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 17:40:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:27;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:107:\"WPTavern: Cory Miller and Pippin Williamson Discuss the Importance of Mental Health on Office Hours Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52599\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:117:\"http://wptavern.com/cory-miller-and-pippin-williamson-discuss-the-importance-of-mental-health-on-office-hours-podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2006:\"<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/heart.jpg\" rel=\"attachment wp-att-52604\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/heart.jpg?resize=1024%2C587\" alt=\"photo credit: rubryan\" class=\"size-full wp-image-52604\" /></a>photo credit: <a href=\"https://www.flickr.com/photos/rubyran2626/2263837091/in/faves-57854010@N05/\">rubryan</a>\n<p>In the latest episode of <a href=\"http://officehours.fm/\" target=\"_blank\">Office Hours</a>, a WordPress business podcast, host Carrie Dils interviewed <a href=\"https://ithemes.com/\" target=\"_blank\">Cory Miller</a> and <a href=\"https://pippinsplugins.com/\" target=\"_blank\">Pippin Williamson</a> to discuss the importance of personal wellness. The episode is titled &#8220;<a href=\"http://officehours.fm/podcast/95-2/\" target=\"_blank\">Taking Care of Your Business Means Taking Care of Yourself</a>&#8221; and the video is now available on OfficeHours.fm.</p>\n<p>Both Miller and Williamson are successful WordPress entrepreneurs who have recently shared their experiences on maintaining mental health. In this interview Dils chats with the guests about stress and depression and how they can impact your business. They each share tips for how to recharge or &#8220;Go find your soul food,&#8221; as Williamson put it. The episode covers a broad range of topics that aren&#8217;t often discussed in the world of business:</p>\n<ul>\n<li>Extracting yourself from toxic relationships</li>\n<li>Fear of failure/ fear of not working</li>\n<li>Setting healthy boundaries</li>\n<li>Taking breaks</li>\n<li>Establishing a support team</li>\n<li>Transparency with peers</li>\n<li>Combatting negative thoughts</li>\n<li>Finding a mentor</li>\n</ul>\n<p>If you are experiencing the unique pressures of entrepreneurship or struggling with maintaining your mental health, check out the <a href=\"http://officehours.fm/podcast/95-2/\" target=\"_blank\">latest episode of Office Hours</a> for some practical tips.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 05:25:23 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:28;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:82:\"WPTavern: WPForms Aims to be the Most Beginner Friendly Forms Plugin for WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52516\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"http://wptavern.com/wpforms-aims-to-be-the-most-beginner-friendly-forms-plugin-for-wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:9192:\"<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsFeaturedImage.png\" rel=\"attachment wp-att-52594\"><img class=\"aligncenter size-full wp-image-52594\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsFeaturedImage.png?resize=817%2C261\" alt=\"WPForms Featured Image\" /></a></p>\n<p><a href=\"https://wordpress.org/plugins/wpforms-lite/\">WPForms Lite</a> is a new plugin developed by <a href=\"https://profiles.wordpress.org/smub/\">Syed Balkhi</a> and <a href=\"https://profiles.wordpress.org/jaredatch/\">Jared Atchison</a> that aims to be the most beginner friendly form creation plugin in the market, &#8220;We made simple tasks EASY rather than letting the complex tasks define how hard simple will be,&#8221; Balkhi told the Tavern. I took the plugin for a test drive to see how easy it is to use.</p>\n<h2>A Great Introduction</h2>\n<p>Upon activation, a WPForms introduction screen is displayed. This screen provides information on how to create your first form and includes an embedded video explaining how. I had to watch the video a few times to follow along but overall it serves its purpose.</p>\n<p>If video is not your thing, consider walking through the <a href=\"https://wpforms.com/docs/creating-first-form/\">step by step guide</a> on the WPForms website. Those who want to jump right in can do so by clicking the <strong>WPForms &gt; Add New</strong> link.</p>\n<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsIntroductionScreen.png\" rel=\"attachment wp-att-52581\"><img class=\"size-full wp-image-52581\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsIntroductionScreen.png?resize=1025%2C675\" alt=\"WP Forms Introduction Screen\" /></a>WPForms Introduction Screen\n<h2>WPForm User Interface Forces You to Focus</h2>\n<p>One of the first things I noticed is the user interface and how it appears over WordPress. It was shocking at first to see WordPress disappear but the team chose to use this interface to avoid being constrained with WordPress&#8217; user interface. After working with WPForms for more than an hour, I found myself enjoying the fact that the interface forced me to focus on creating my form.</p>\n<p>WPForms ships with six different templates to handle the most common use cases. All templates except the Blank Form and the Simple Contact form require you to upgrade to the commercial version. I chose the simple contact form template.</p>\n<a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormTemplates.png\" rel=\"attachment wp-att-52582\"><img class=\"size-full wp-image-52582\" src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormTemplates.png?resize=1025%2C559\" alt=\"WPForm Templates\" /></a>WPForm Templates\n<p>The simple contact form template automatically adds a name, email, paragraph, and submit fields to the form. An important time saver that sets WPForms apart from other plugins is that, the fields are automatically flagged as required.</p>\n<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormSimpleContactFormTemplate.png\" rel=\"attachment wp-att-52583\"><img class=\"size-full wp-image-52583\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormSimpleContactFormTemplate.png?resize=1025%2C605\" alt=\"WPForm Simple Contact Form Template\" /></a>WPForm Simple Contact Form Template\n<p>You can rearrange the fields by clicking and dragging them up or down. Rearranging fields is a breeze, doesn&#8217;t require a page refresh, and doesn&#8217;t bog down the browser. When clicking on a field, its properties are displayed on the left where you can configure its label, format, description, and whether or not its required.</p>\n<p>Advanced options enable you to determine a field&#8217;s size, placeholder text, default values, and whether to hide the label or sub-labels. Switching between screens and configuring fields is a fast, straightforward process.</p>\n<a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormFieldOptions.png\" rel=\"attachment wp-att-52584\"><img class=\"size-full wp-image-52584\" src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormFieldOptions.png?resize=1025%2C671\" alt=\"WPForm Field Options\" /></a>WPForm Field Options\n<p>Once the fields are configured, you&#8217;ll want to click the Settings screen. This is where you can configure what happens when a visitor clicks the submit button. You can enable or disable email notifications and use smart tags to configure the form&#8217;s output. This version of WPForms Lite doesn&#8217;t have email templates but Balkhi says it&#8217;s something the team is working on.</p>\n<a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormSmartTags.png\" rel=\"attachment wp-att-52585\"><img class=\"size-full wp-image-52585\" src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormSmartTags.png?resize=1025%2C489\" alt=\"WPForm Smart Tags\" /></a>WPForm Smart Tags\n<p>Here is what the form&#8217;s output looks like in Thunderbird. Personally, I like Jetpack&#8217;s formatting style more but this could change once WPForms supports email templates.</p>\n<a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormOutput.png\" rel=\"attachment wp-att-52586\"><img class=\"size-full wp-image-52586\" src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormOutput.png?resize=836%2C367\" alt=\"WPForm Output\" /></a>WPForms Output\n<p>As a comparison, this is what Jetpack&#8217;s Contact Form module output looks like in Thunderbird. The text looks better and I appreciate the bold field names.</p>\n<a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/JetpacksFormOutput.png\" rel=\"attachment wp-att-52588\"><img class=\"size-full wp-image-52588\" src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/JetpacksFormOutput.png?resize=809%2C310\" alt=\"Jetpack Contact Form Output\" /></a>Jetpack Contact Form Module Output\n<p>WPForms battles spam using two different methods, honeypot and <a href=\"https://wpforms.com/docs/setup-captcha-wpforms/\">reCAPTCHA.</a> reCAPTCHA is a free,  <a href=\"https://www.google.com/recaptcha/intro/index.html\">anti-spam service</a> provided by Google. In order to use it with WPForms, you&#8217;ll need to sign up for an account and add your site key and secret key to WPForm&#8217;s settings page.</p>\n<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsSettingsPage.png\" rel=\"attachment wp-att-52590\"><img class=\"size-full wp-image-52590\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsSettingsPage.png?resize=1025%2C420\" alt=\"WPForms Settings Page\" /></a>WPForms Settings Page\n<p>Once a form is configured and saved, adding it to a page is easy. Simply create a new page in WordPress and in the editor, click the Add Form button. A modal will pop up giving you the option to choose which form to add to the page. You can also choose whether to show the form&#8217;s title and description from this box. When a form is added to the page, WPForms puts a shortcode like [ wpforms id=&#8221;50582&#8243; ] into the content area.</p>\n<a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormInsertUI.png\" rel=\"attachment wp-att-52592\"><img class=\"size-full wp-image-52592\" src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormInsertUI.png?resize=498%2C219\" alt=\"UI For Inserting a WPForm into a Page\" /></a>UI For Inserting a WPForm into a Page\n<p>I configured WPForms to not apply styling to my form. However, you can choose whether WPForms applies base and form theme styling or base styling only. You&#8217;ll want to experiment with these options to see if your form looks any better with styles applied.</p>\n<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsTavernContactForm.png\" rel=\"attachment wp-att-52593\"><img class=\"size-full wp-image-52593\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/WPFormsTavernContactForm.png?resize=696%2C881\" alt=\"WPForms Contact Form on The Tavern Frontend\" /></a>WPForms Contact Form on The Tavern Frontend\n<h2>My Verdict?</h2>\n<p>You should know that outside of creating simple contact forms and what&#8217;s available via the standard fields, almost everything else requires you to upgrade to the commercial version, including the ability to store and view form entries in WordPress. However, the plugin doesn&#8217;t nag or annoy you with popups that a commercial version is available. Upgrade prompts are only triggered when trying to access a commercial feature.</p>\n<p>After putting WPForms Lite through its paces, it&#8217;s definitely one of the easiest and fastest ways to set up a contact form. It&#8217;s clear by using the supplied templates that Balkhi and his team have considered common pitfalls and have done a great job eliminating them.</p>\n<p>I haven&#8217;t looked into the contact form space in WordPress for a few years but after testing WPForms, I&#8217;m motivated to compare some of the most popular plugins in the space to see how each one tackles the user experience. Expect a detailed roundup in the next few weeks.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 18 Mar 2016 02:05:36 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:29;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:123:\"WPTavern: Stack Overflow Survey Results Show WordPress is Trending Up, Despite Being Ranked Among Most Dreaded Technologies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52540\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:132:\"http://wptavern.com/stack-overflow-survey-results-show-wordpress-is-trending-up-despite-being-ranked-among-most-dreaded-technologies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:7217:\"<p><a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/stack-overflow-developer-survey-2016.png\" rel=\"attachment wp-att-52554\"><img src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/stack-overflow-developer-survey-2016.png?resize=1025%2C462\" alt=\"stack-overflow-developer-survey-2016\" class=\"aligncenter size-full wp-image-52554\" /></a></p>\n<p>Stack Overflow published the results of its <a href=\"https://stackoverflow.com/research/developer-survey-2016\" target=\"_blank\">2016 Developer Survey</a>, summarizing responses from 56,033 developers in 173 countries. The 45-question survey collected answers from more than twice as many developers as the previous year.</p>\n<p>The results were published along with a disclaimer recognizing that the survey is &#8220;biased against devs who don&#8217;t speak English, or who don&#8217;t like taking English-language surveys.&#8221; Nevertheless, since the survey captured responses from such a large number of developers on a site that receives 40 million visitors per month, the results are definitely worth a read.</p>\n<p>The average age of developers surveyed was 29.6 years old and 92.8% of the respondents were male. Most of them are at least partially self-taught (69%) with 45% of them having acquired degrees in computer science or a related field.</p>\n<p>A quick developer profile of those surveyed shows that the largest section (28%) is made up of those who identify as a full-stack web developer.</p>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/developer-profile.png\" rel=\"attachment wp-att-52557\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/developer-profile.png?resize=1025%2C490\" alt=\"developer-profile\" class=\"aligncenter size-full wp-image-52557\" /></a></p>\n<h3>Developers Value Diversity</h3>\n<p>Despite the fact that the vast majority of the respondents were male, the results indicate that developers value diversity. In summarizing 42,156 responses, Stack Overflow found the following:</p>\n<blockquote><p>Overall, about 73% of developers tell us they think diversity is at least somewhat important in the workplace. 41% of developers say diversity is very important. And developers who most often influence hiring decisions are more likely to believe in the value of diversity than other developer types.</p></blockquote>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/diversity.png\" rel=\"attachment wp-att-52544\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/diversity.png?resize=1025%2C481\" alt=\"diversity\" class=\"aligncenter size-full wp-image-52544\" /></a></p>\n<h3>Visual Basic and WordPress Top the List for Most Dreaded Technologies</h3>\n<p>WordPress moved up one spot from last year in the ranking of <a href=\"https://stackoverflow.com/research/developer-survey-2016#technology-most-loved-dreaded-and-wanted\" target=\"_blank\">most dreaded technologies</a> that respondents would prefer not to use. This is not surprising given that the most popular tags for posts on Stack Overflow are JavaScript, Java, Android, and Python.</p>\n<p><a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/most-dreaded.png\" rel=\"attachment wp-att-52546\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/most-dreaded.png?resize=1025%2C634\" alt=\"most-dreaded\" class=\"aligncenter size-full wp-image-52546\" /></a></p>\n<p>On the other hand, when surveying the <a href=\"https://stackoverflow.com/research/developer-survey-2016#most-popular-technologies-per-occupation\" target=\"_blank\">most popular technologies per developer type</a>, WordPress is currently used by 24.1% of front-end developers. As a side note, this also corresponds roughly to its current <a href=\"http://w3techs.com/technologies/history_overview/content_management/all\" target=\"_blank\">market share</a> (26%).</p>\n<h3>WordPress and JavaScript Technologies Are Trending Up</h3>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/trending-technologies.png\" rel=\"attachment wp-att-52548\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/trending-technologies.png?resize=1025%2C842\" alt=\"trending-technologies\" class=\"aligncenter size-full wp-image-52548\" /></a></p>\n<p>Newer technologies like React, Node.js, and AngularJS are trending, with the above percentages representing the change in share of Stack Overflow votes between January 2015 and January 2016. All three are also among the <a href=\"https://stackoverflow.com/research/developer-survey-2016#technology-top-paying-tech\" target=\"_blank\">top-paying technologies</a> per occupation for both full stack and front-end developers.</p>\n<p>It&#8217;s worth noting that all of these trending technologies are also becoming more readily integrated with WordPress, and will be more widely used when the REST API is finally merged with core.</p>\n<p>Despite the fact that WordPress ranks second in the most dreaded technology category, it is also trending up 18.5% from 2015. According to these results, WordPress&#8217; popularity is increasing at a rate similar to that of many JavaScript-based technologies.</p>\n<h3>Job Title and Remote Work Are Important Priorities for Experienced Developers</h3>\n<p>The 2016 results found that 91% of developers surveyed worldwide are “gainfully employed” (full-time, self-employed, or freelance). Developers are in high demand, with just 15% of respondents actively looking for a job. It&#8217;s also interesting to note that 78% of developers surveyed are interested in exploring new employment opportunities.</p>\n<p>If you&#8217;re trying to hire a developer, one of the most important things to consider is that they highly prioritize being able to work remotely. Responses from 49,521 developers indicate that as they gain more years of experience, both job title and remote work options are increasing priorities.</p>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/priorities.png\" rel=\"attachment wp-att-52549\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/priorities.png?resize=1025%2C675\" alt=\"priorities\" class=\"aligncenter size-full wp-image-52549\" /></a></p>\n<p>Only 30% of developers currently work remotely part-time or full-time, but Stack Overflow found that remote developers are more likely to love their jobs than other developers. If you own a company that hires developers, chances are that you will attract a larger, more experienced pool of applicants if employees are allowed to work remotely.</p>\n<p>Developers who want to get a better understanding of the broader industry&#8217;s work challenges, salary expectations, and most popular technologies will want to review the full <a href=\"https://stackoverflow.com/research/developer-survey-2016\" target=\"_blank\">results of the survey</a>.</p>\n<p>The document includes some important feedback for the WordPress community to consider. Although WordPress is among the technologies that are trending up, the broader development community still does not seem to enjoy working with it. How can we make the software more developer-friendly without compromising user friendliness?</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 17 Mar 2016 21:57:29 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:30;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:42:\"WPTavern: WPWeekly Episode 226 – Burnout\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://wptavern.com?p=52552&preview_id=52552\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"http://wptavern.com/wpweekly-episode-226-burnout\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2888:\"<p>In this episode of WordPress Weekly, <a href=\"http://marcuscouch.com/\">Marcus Couch</a> and I discuss the symptoms of burnout and share tips on how to prevent it. We provide a status update on WordPress 4.5 and discuss my experience hooking up a site to Apple News Publisher. To round out the show, Marcus shares his experience using Shopify&#8217;s new WordPress plugin.</p>\n<h2>Stories Discussed:</h2>\n<p><a href=\"http://wptavern.com/when-contributing-to-wordpress-full-time-leads-to-burnout\">When Contributing to WordPress Full-Time Leads to Burnout</a><br />\n<a href=\"http://wptavern.com/wordpress-global-translation-day-set-for-april-24-2016\">WordPress Global Translation Day Set for April 24, 2016</a><br />\n<a href=\"http://wptavern.com/tickets-for-wordcamp-jacksonville-2016-now-on-sale\">Tickets for WordCamp Jacksonville 2016 Now on Sale</a><br />\n<a href=\"http://wptavern.com/how-to-connect-your-wordpress-powered-site-to-apple-news-publisher\">How to Connect Your WordPress Powered Site to Apple News Publisher</a><br />\n<a href=\"http://wptavern.com/shopify-launches-official-plugin-for-wordpress\">Shopify Launches Official Plugin for WordPress</a></p>\n<h2>Plugins Picked By Marcus:</h2>\n<p><a href=\"https://wordpress.org/plugins/shopify-ecommerce-shopping-cart/\">Shopify</a> is an eCommerce plugin for WordPress that makes selling products on your site simple. In just a few clicks, you can create a Buy Button that lets visitors securely checkout from any page on your site.</p>\n<p><a href=\"https://wordpress.org/plugins/woomaxmin/\">WooMaxMin for WooCommerce </a>gives you the ability to set up minimum and maximum purchase limits for your customers.</p>\n<p><a href=\"https://wordpress.org/plugins/lifterlms-wpmktgengine-extension/\">LifterLMS &#8211; WPMKTGENGINE Extension </a>allows you to automatically track all of the participation within a LifterLMS installation from your WPMktgEngine customer database. You can use this information to incorporate their participation with courses and memberships along with other activity information to target messages, create new products that will hit the mark, and build tighter and trusting relationships with customers.</p>\n<h2>WPWeekly Meta:</h2>\n<p><strong>Next Episode:</strong> Wednesday, March 23rd 9:30 P.M. Eastern</p>\n<p><strong>Subscribe To WPWeekly Via Itunes: </strong><a href=\"https://itunes.apple.com/us/podcast/wordpress-weekly/id694849738\" target=\"_blank\">Click here to subscribe</a></p>\n<p><strong>Subscribe To WPWeekly Via RSS: </strong><a href=\"http://www.wptavern.com/feed/podcast\" target=\"_blank\">Click here to subscribe</a></p>\n<p><strong>Subscribe To WPWeekly Via Stitcher Radio: </strong><a href=\"http://www.stitcher.com/podcast/wordpress-weekly-podcast?refid=stpr\" target=\"_blank\">Click here to subscribe</a></p>\n<p><strong>Listen To Episode #226:</strong><br />\n</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 17 Mar 2016 21:05:23 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:31;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"Matt: Saving the Open Web\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46383\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:42:\"https://ma.tt/2016/03/saving-the-open-web/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:230:\"<p><a href=\"http://buytaert.net/can-we-save-the-open-web\">Dries Buytaert asks &#8220;Can we save the open web?&#8221;</a> and makes an amazing case for why we should. I agree with and endorse basically everything in that post.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 17 Mar 2016 14:39:32 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:32;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:88:\"WPTavern: Fight for the Future Launches “Save Security” Campaign in Support of Apple\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52486\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"http://wptavern.com/fight-for-the-future-launches-save-security-campaign-in-support-of-apple\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3063:\"<p><a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/save-security.png\" rel=\"attachment wp-att-52525\"><img src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/save-security.png?resize=1025%2C456\" alt=\"save-security\" class=\"aligncenter size-full wp-image-52525\" /></a></p>\n<p><a href=\"https://www.fightforthefuture.org/\" target=\"_blank\">Fight for the Future</a>, a non-profit organization that works to preserve freedom of expression on the web, launched its new &#8220;<a href=\"https://savesecurity.org/\" target=\"_blank\">Save Security</a>&#8221; campaign today in support of Apple. The FBI has requested that the company hack into an iPhone recovered from one of the terrorists involved in the <a href=\"https://en.wikipedia.org/wiki/2015_San_Bernardino_attack\" target=\"_blank\">San Bernardino mass shooting</a> to assist in the criminal investigation.</p>\n<p>Apple has refused numerous court orders to create a new tool that would allow the government to circumvent the iPhone&#8217;s security measures that protect the encrypted communications of private individuals. The company will go to court on March 22nd for hearing in Riverside, CA. Fight for the Future plans to display thousands of statements in support of Apple from Internet users outside the courthouse.</p>\n<p>The Save Security campaign website summarized what is at stake with the government forcing Apple to weaken its encryption:</p>\n<blockquote><p>In its attacks on Apple, the FBI is seeking a legal precedent that would let them force any company to weaken the security of its products. Engineers use consumer products like the iPhone to maintain the most sensitive systems on the planet. Hospitals. Air traffic control. Nuclear power. What the FBI is asking for puts lives at risk, by undermining security everywhere.</p></blockquote>\n<p>Two weeks ago, Automattic <a href=\"https://transparency.automattic.com/2016/03/03/automattic-and-wordpress-com-stand-with-apple-to-support-digital-security/\" target=\"_blank\">announced</a> that it stands with Apple to support digital security. The company <a href=\"https://cloudup.com/iZG9vzAV3U3\" target=\"_blank\">filed an amicus brief</a> in support of Apple alongside Cloudflare, Ebay, Kickstarter, Twitter, GitHub, Reddit, Square, and other leading technology companies.</p>\n<p>&#8220;The fact is that if a security flaw exists, there is no way to ensure that only trusted governments, investigating a crime, can exploit that vulnerability,&#8221; Automattic&#8217;s attorney Paul Sieminski said in the announcement. &#8220;Improving security for everyone means aggressively finding and closing holes, not creating new ones.&#8221;</p>\n<p>If you want to join in Fight for the Future&#8217;s campaign to support Apple, the <a href=\"https://savesecurity.org/\" target=\"_blank\">SaveSecurity.org</a> website offers a profile picture you can use as well as a website banner (see <a href=\"https://savesecurity.org/?ALWAYS_SHOW_SC_BANNER=true\" target=\"_blank\">live demo</a>) to raise awareness.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 16 Mar 2016 22:56:45 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:33;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"WPTavern: How to Connect Your WordPress Powered Site to Apple News Publisher\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52502\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"http://wptavern.com/how-to-connect-your-wordpress-powered-site-to-apple-news-publisher\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5623:\"<p>When Apple News Publisher <a href=\"http://www.apple.com/pr/library/2015/06/08Apple-Announces-News-App-for-iPhone-iPad.html\">launched in September, 2015</a>, it partnered with 20 publishers including, ESPN, The New York Times, and CNN. Today, publishers large and small are able to <a href=\"https://icloud.com/newspublisher\">sign up</a> to Apple&#8217;s <a href=\"https://developer.apple.com/news-publisher/\">News Publisher program</a> which delivers content from sites to devices running iOS 9 or above. Since its launch, the service has garnered more than <a href=\"http://9to5mac.com/2015/10/27/apple-news-40-million/\">40 million users</a>.</p>\n<p>Aside from its user base, one of the main benefits to syndicating through News Publisher is that content is optimized across all of Apple&#8217;s iOS 9 devices, providing a better user experience as opposed to RSS readers that can render content unpredictably.</p>\n<h2>Configuring Sites for News Publisher</h2>\n<p>There are three options for publishers to push content to the service. You can use the content creation screen inside of News Publisher, connect an existing site using a plugin, or submit the URL to your site&#8217;s RSS feed.</p>\n<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/NewsPublisherContentAuthoring.png\" rel=\"attachment wp-att-52504\"><img class=\"size-full wp-image-52504\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/NewsPublisherContentAuthoring.png?resize=1025%2C544\" alt=\"News Publisher Content Creation Screen\" /></a>News Publisher Content Creation Screen\n<p>I submitted the Tavern to News Publisher a few weeks ago and received a notification today that the site is approved. When submitting your site, you&#8217;ll need to give Apple your contact phone number and physical address. You&#8217;ll also need to upload a PNG logo that&#8217;s transparent, less than 2MB in size, and meets <a href=\"https://help.apple.com/newspublisher/icloud/#/apd7c9ae979c\">Apple&#8217;s logo guidelines</a>.</p>\n<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/PublisherSubmissionProcess2.png\" rel=\"attachment wp-att-52506\"><img class=\"size-full wp-image-52506\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/PublisherSubmissionProcess2.png?resize=837%2C652\" alt=\"News Publisher Submission Process\" /></a>News Publisher Submission Process\n<p>If you use WordPress and your site is approved, consider using the <a href=\"https://wordpress.org/plugins/publish-to-apple-news/\">Publish to Apple News</a> plugin developed by <a href=\"http://www.alleyinteractive.com/\">Alley Interactive</a> and other contributing developers. Once installed, visit your channel&#8217;s administration page in News Publisher and click on the API Key link. This will give you the three things needed to connect your site.</p>\n<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/ChannelAPIInfo.png\" rel=\"attachment wp-att-52507\"><img class=\"size-full wp-image-52507\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/ChannelAPIInfo.png?resize=693%2C536\" alt=\"Channel API Information\" /></a>Channel API Information\n<p>Login to your WordPress site and visit <strong>Settings &gt; Apple News</strong> and insert the following information into the corresponding fields. Since the field names and order don&#8217;t match, I created this short list.</p>\n<ul>\n<li>Channel ID &gt; API Channel</li>\n<li>Key ID &gt; API Key</li>\n<li>Secret &gt; API Secret</li>\n</ul>\n<p>From the settings screen, you can configure if the plugin should publish and update articles to Apple News automatically and whether to do it at the same time as WordPress in one action. You can also choose which Post Types are available. At the bottom of the screen, there are a host of design options that enable you to alter the display of how your articles look in Apple News.</p>\n<a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/NewsPublisherOptionsPage.png\" rel=\"attachment wp-att-52508\"><img class=\"size-full wp-image-52508\" src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/NewsPublisherOptionsPage.png?resize=757%2C835\" alt=\"News Publisher Plugin Options Page\" /></a>News Publisher Plugin Options Page\n<p>I don&#8217;t know what the Tavern&#8217;s content looks like on News Publisher as I wait for the initial series of posts to be approved. For the time being, the content is styled with the default settings.</p>\n<h3>Monetizing Your Feed</h3>\n<p>To monetize your News Publisher feed, enable iTunes connect with your developer ID. If you don&#8217;t have one, you&#8217;ll need to enroll in <a href=\"https://developer.apple.com/programs/enroll/\">Apple&#8217;s Developer Program </a>Once that&#8217;s complete, sign the Apple News Content Agreement and provide your tax and banking information on iTunes Connect. Note, that in order to <a href=\"https://help.apple.com/newspublisher/icloud/#/apdd44eeeeeb\">place ads</a> in your content, you need to publish articles from a CMS like WordPress.</p>\n<h2>Is News Publisher Worth the Hassle?</h2>\n<p>As a new publisher to Apple&#8217;s syndication system, it&#8217;s too early to tell if signing up was a waste of time or a benefit to readers. In the next week or two, I&#8217;ll report my findings, including feedback from Tavern readers on what they think of the format. Until then, you can subscribe to our channel by <a href=\"https://apple.news/TQYQeeBHDRce_JL3U0PCWGw\">opening this link</a> on a device that uses iOS 9 or later. If you subscribe to the Tavern, tell us about your experience in the comments.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 16 Mar 2016 20:46:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:34;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"Matt: Kat Hagan Works Differently\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46347\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://ma.tt/2016/03/kat-hagan-works-differently/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:246:\"<p><span class=\"embed-youtube\"></span></p>\n<p>&nbsp;</p>\n<p><a href=\"http://workdifferent.com/wdstories-kat-hagan-automatic/\">Kat Hagan is an engineer and a team lead at Automattic, and you can read all about her story that led her there</a>.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 16 Mar 2016 18:51:19 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:35;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"WPTavern: Dyad: A Beautiful Free WordPress Theme for Photographers and Foodies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52207\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:87:\"http://wptavern.com/dyad-a-beautiful-free-wordpress-theme-for-photographers-and-foodies\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2976:\"<p><a href=\"https://wordpress.org/themes/dyad/\" target=\"_blank\">Dyad</a> is the latest free theme release from the folks at Automattic. It was designed to suit creative websites, with written content and photographs receiving equal treatment.</p>\n<p>The theme is actually a fork of <a href=\"https://wordpress.org/themes/receptar/\" target=\"_blank\">Receptar</a>, a theme by <a href=\"http://www.webmandesign.eu/\" target=\"_blank\">WebMan Design</a>. The original split-screen, book-like design for single posts was created to look like a modern cook book.</p>\n<p>Automattic designers added a featured content slider to the homepage along with a sticky top navigation menu, among other changes. The featured tag can be set in the customizer. If you don&#8217;t want to use the slider, the theme will default to displaying the custom header image (which is set by adding a featured image to the page assigned as the static homepage).</p>\n<p><a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/dyad-screenshot.png\" rel=\"attachment wp-att-52479\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/dyad-screenshot.png?resize=660%2C683\" alt=\"dyad-screenshot\" class=\"aligncenter size-full wp-image-52479\" /></a></p>\n<p>The homepage sports a grid layout for posts with featured images and excerpts side-by-side. Single posts display the featured image and title at 50% of of the screen with the content on the other half. The layout responds nicely for mobile devices.</p>\n<p><a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/dyad-single-post-responsive.png\" rel=\"attachment wp-att-52495\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/dyad-single-post-responsive.png?resize=660%2C391\" alt=\"dyad-single-post-responsive\" class=\"aligncenter size-full wp-image-52495\" /></a></p>\n<p>Dyad includes one expandable widget area in the footer. Any widgets dropped into this area will expand to fit one, two, three, or four columns. The footer also includes space for a social links menu with icons available for 26 different social accounts.</p>\n<p>Check out a <a href=\"https://dyaddemo.wordpress.com/\" target=\"_blank\">live demo</a> of Dyad on WordPress.com to see the theme in action.</p>\n<p>One consideration for using the theme is that you will always need to have large-sized feature images readily available to maintain the design. The optimal size is 1800px x 1280px. This shouldn&#8217;t be a problem for photography, cooking, portfolio, or other image-heavy sites. However, if your content is more text-oriented with a few scattered images, you may want to select a different theme.</p>\n<p><a href=\"https://wordpress.org/themes/dyad/\" target=\"_blank\">Dyad</a> is Automattic&#8217;s 87th free theme release on WordPress.org. Full documentation for setting it up is available on the theme&#8217;s WordPress.com <a href=\"https://wordpress.com/themes/dyad/\" target=\"_blank\">homepage</a>.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 16 Mar 2016 17:47:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:36;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:94:\"WPTavern: White House Seeks Feedback on GitHub for Government-Wide Open Source Software Policy\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52437\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:104:\"http://wptavern.com/white-house-seeks-feedback-on-github-for-government-wide-open-source-software-policy\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3710:\"<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/white-house.jpg\" rel=\"attachment wp-att-52474\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/white-house.jpg?resize=1024%2C520\" alt=\"photo credit: The White House Washington DC - (license)\" class=\"size-full wp-image-52474\" /></a>photo credit: <a href=\"http://www.flickr.com/photos/71380981@N06/19902559769\">The White House Washington DC</a> &#8211; <a href=\"https://creativecommons.org/licenses/by-nc-nd/2.0/\">(license)</a>\n<p>The White House is <a href=\"https://sourcecode.cio.gov/\" target=\"_blank\">calling for developers to comment</a> on its proposed draft for a Government-wide Open Source Software policy. In the request for public comment, the <a href=\"https://www.whitehouse.gov/omb/\" target=\"_blank\">White House Office of Management and Budget (OMB)</a> outlined two major goals for the new policy:</p>\n<blockquote><p>This policy requires that, among other things: (1) new custom code whose development is paid for by the Federal Government be made available for reuse across Federal agencies; and (2) a portion of that new custom code be released to the public as Open Source Software (OSS).</p></blockquote>\n<p>The pilot program proposed in the draft policy would require &#8220;covered agencies to release at least 20 percent of their newly-developed custom code, in addition to the release of all custom code developed by Federal employees at covered agencies as part of their official duties.&#8221;</p>\n<p>Specifically, the government is asking for feedback on a list of considerations regarding releasing custom code as open source. A few examples include the following:</p>\n<ul>\n<li>To what extent is the proposed pilot an effective means to fuel innovation, lower costs, benefit the public, and meet the operational and mission needs of covered agencies?</li>\n<li>Would a different minimum percentage be more or less effective in achieving the goals above?</li>\n<li>To what extent could this policy have an effect on the software development market? For example, could such a policy increase or decrease competition among vendors, dollar amounts bid on Federal contracts, or total life-cycle cost to the Federal Government?</li>\n<li>What opportunities and challenges exist in Government-wide adoption of an open source policy?</li>\n</ul>\n<p>Encouraging developers to produce reusable code to be shared across federal agencies could significantly lower development costs and improve government efficiency. It could also promote transparency of the code quality produced by vendors and employees.</p>\n<p>After the embarrassing <a href=\"http://nymag.com/daily/intelligencer/2013/10/silicon-valley-reacts-to-healthcaregov.html\" target=\"_blank\">debacle of Healthcare.gov</a>, which cost taxpayers hundreds of millions of dollars, it&#8217;s good to see government embracing open source in an expanded capacity.</p>\n<h3>How to Contribute</h3>\n<p>You can join the conversation by participating in discussions on the <a href=\"https://github.com/whitehouse/source-code-policy/issues\" target=\"_blank\">source code policy GitHub issues</a> or by logging a new issue. The White House even welcomes changes and line edits to the policy content via <a href=\"https://github.com/whitehouse/source-code-policy/edit/gh-pages/pages/index.md\" target=\"_blank\">pull requests</a>.</p>\n<p>Anyone can <a href=\"https://github.com/WhiteHouse/source-code-policy\" target=\"_blank\">contribute on GitHub</a> to help shape the federal source code policy until April 11, 2016. At that time public contributions will be closed and the White House will analyze feedback while creating the final policy.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 15 Mar 2016 22:54:28 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:37;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"WPTavern: Shopify Launches Official Plugin for WordPress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52450\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"http://wptavern.com/shopify-launches-official-plugin-for-wordpress\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2620:\"<p>Shopify <a href=\"https://www.shopify.com/blog/113145925-introducing-shopify-for-wordpress\" target=\"_blank\">announced</a> today that the company is jumping into the WordPress market with a new official plugin and three WordPress themes. The Canadian company captures just <a href=\"https://wappalyzer.com/categories/ecommerce\" target=\"_blank\">8% of the e-commerce technology market share</a>, trailing WooCommerce (31%), Magento (19%), OpenCart (11%), Prestashop (10%), and others (13%).</p>\n<p>The new <a href=\"https://github.com/Shopify/buy-button-wordpress\" target=\"_blank\">Shopify Buy Button</a> plugin is intended for users who already have a business set up on WordPress and are only looking to sell a few products with a buy button, as opposed to a full-fledged store. It allows users to sell products that have already been added to their Shopify stores and requires a $9/month Shopify Lite subscription.</p>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/shopify-wp.gif\" rel=\"attachment wp-att-52463\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/shopify-wp.gif?resize=975%2C549\" alt=\"shopify-wp\" class=\"aligncenter size-full wp-image-52463\" /></a></p>\n<p>Shopify partnered with Themezilla, Themify, and Ultralinx to build Shopify-powered WordPress themes. The themes are only free to download for a limited time, which leaves users without updates unless they purchase the theme from the commercial provider.</p>\n<p>The corresponding plugin is currently hosted on GitHub but is in the process of being reviewed for WordPress.org, according to product representative Daniel Patricio.</p>\n<p>&#8220;Many users have already been using it through the themes for a couple weeks now so we just wanted to get it out there to the rest of our users,&#8221; Patricio said. &#8220;We are in the review cycle to get it listed and should be up shortly where people will be able to get updates as we add features.&#8221;</p>\n<p>It is not advisable to use or install the plugin until it is hosted on WordPress.org, as Shopify currently has no way to deliver security updates to users. It is unclear why the company chose to officially launch its new WordPress integration without updates in mind, but this is a major concern. If a vulnerability were discovered, the company has no straightforward way to alert people who have downloaded the plugin from GitHub.</p>\n<p>When asked for an ETA for the plugin&#8217;s arrival on WordPress.org, Patricio said, &#8220;We don&#8217;t have a timeline yet but will be getting it up there soon.&#8221;</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 15 Mar 2016 19:23:16 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:38;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:38:\"Matt: What’s in My Bag, 2016 edition\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46172\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:51:\"https://ma.tt/2016/03/whats-in-my-bag-2016-edition/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:13433:\"<p>Many people have been requesting an update to <a href=\"https://ma.tt/2015/01/whats-in-my-bag-2014/\">my what&#8217;s in my bag post from last year</a>. Almost every single item in the bag has changed, this year has had particularly high turnover. We&#8217;re <a href=\"https://ma.tt/2015/05/macbook-usb-c-review/\">still in a weird teenage period of USB-C adoption</a>, and I hope by next year to have many fewer non-USB-C or Lightning cables. Things with a asterisk * are the same from last year. Without further ado:</p>\n<p><a href=\"http://i0.wp.com/ma.tt/files/2016/02/DSC_1387.jpg?ssl=1\"><img class=\"aligncenter size-full wp-image-46178\" src=\"http://i0.wp.com/ma.tt/files/2016/02/DSC_1387.jpg?w=604&ssl=1\" alt=\"\" /></a></p>\n<ol>\n<li><a href=\"http://shop.lululemon.com/products/clothes-accessories/men-bags/Mens-Cruiser-Backpack\">This is my favorite item of the new year, a Lululemon Cruiser backpack</a> that has a million pockets both inside and outside, and allows me to carry more stuff, more comfortably, and access it faster. Lululemon updates their products and designs every few months, but if you ever spot something like this online or in the store check it out. Hat tip on this one to <a href=\"http://roseinmidair.com/\">Rose</a>.</li>\n<li><a href=\"http://www.amazon.com/gp/product/B00TX5YUCM\">A short Lightning + micro USB cable</a>, which is great for pairing with a battery pack. I sometimes carry a few of these around and give them away all the time, as &#8220;do you have a light?&#8221; has evolved to &#8220;do you have a charge?&#8221; in the new millenium.</li>\n<li><a href=\"http://www.amazon.com/gp/product/B012V56D2A\">Short regular USB to USB-C cable</a>.</li>\n<li><a href=\"http://www.amazon.com/gp/product/B000BX47X2\">Belkin Retractable Ethernet</a>. *</li>\n<li>Anker <a href=\"http://www.amazon.com/gp/product/B0119OI9XU\">USB-C to USB-C cable</a>. Make sure to read the reviews when you buy these to get the ones that do the proper voltage. I can charge a Macbook with this, and the new Nexus 5x, directly from the battery pack or the #43 wall charger.</li>\n<li><a href=\"http://www.amazon.com/gp/product/B000CDFYNS\">Mini-USB cable</a>, which I use for the odd older device (like a Nikon camera) that still does mini-USB (that older big one). Would love to get rid of this one.</li>\n<li>A charge cable for #45, the Fitbit Charge HR. <a href=\"http://www.amazon.com/gp/product/B0142A96G2\">You can buy these cheap on Amazon</a>, and if you lose it you&#8217;re out of luck, so I usually keep a few at home and one in my bag.</li>\n<li><a href=\"http://www.apple.com/shop/product/ME291AM/A/lightning-to-usb-cable\">This is my goldilocks regular lightning cable, not too long and not too short</a>, 0.5m.</li>\n<li>A retractable micro-USB.</li>\n<li><a href=\"http://www.apple.com/shop/product/MLA02LL/A/magic-mouse-2\">Apple Magic Mouse 2</a>, the new one that charges via Lightning, natch.</li>\n<li>Way over to the right, <a href=\"http://www.muji.us/store/stationery/notebooks.html\">a small Muji notebook</a>.</li>\n<li>This is a weird but cool cable, <a href=\"http://www.amazon.com/gp/product/B00T7BK9PY\">basically bridges USB to Norelco shavers</a>. I use a Norelco beard trimmer and for some reason all of these companies think we want to carry around proprietary chargers, this is a slightly unwieldy cable but better than carrying around the big Norelco power brick.</li>\n<li>Lockpick set. *</li>\n<li><a href=\"https://www.honest.com/bath-and-body/honest-organic-lip-balm-trio\">Lavender mint organic lip balm from Honest Co</a>, which I think I got for free somewhere.</li>\n<li><a href=\"http://www.aesop.com/usa/skin-care/lip/rosehip-seed-lip-cream.html\">Aesop rosehip seed lip cream</a>, which I bought mostly for the smell, when it&#8217;s done I&#8217;ll probably switch to <a href=\"http://www.aesop.com/usa/skin-care/lip/avail-lip-balm.html\">their lip balm</a>. (I should do a cosmetics version of this for my dopp kit, it&#8217;s had lots of trial and error as well.) I love Aesop, especially t<a href=\"http://www.aesop.com/usa/body-care/cleanse/resurrection-aromatique-hand-wash-4.html\">heir Resurrection line</a>.</li>\n<li><a href=\"http://www.amazon.com/Aveda-Blue-Oil-0-24-oz/dp/B0031KN9UE\">Aveda Blue Oil</a> that I find relaxing. *</li>\n<li><a href=\"http://www.amazon.com/Apple-Thunderbolt-Cable-0-5-Meter-MD862LL/dp/B00WVDGZM6/\">Short thunderbolt to thunderbolt cable</a>, which is great for transferring between computers. *</li>\n<li>Muji international power adapter, much simpler, lighter, and cooler than what I used before.</li>\n<li>Way on the top right, this is probably the least-travel-friendly thing I travel with, but the utility is so great I put up with it. It&#8217;s the <a href=\"http://www.amazon.com/gp/product/B00D4LBOV6\">Sennheiser Culture Series Wideband Headset</a>, which I use for podcasts, Skype, Facetime, Zoom, and Google Hangout calls with external folks and teams inside of Automattic. Light, comfortable, great sound quality, and great at blocking out background noise so you don&#8217;t annoy other people on the call. Worth the hassle.</li>\n<li>A customized Macbook Pro 15&#8243;, in space grey, with the WordPress logo that shines through.</li>\n<li><a href=\"http://www.amazon.com/Belkin-Car-Vent-Mount-Smartphones/dp/B00O5JARCI/\">Belkin car mount</a>, which is great for rentals. *</li>\n<li>A <a href=\"http://www.amazon.com/gp/product/B00X8Z47XA\">USB 3.0 SD / CompactFlash / etc reader</a>.</li>\n<li>microSD to SD adapter, with a 64gb micro SD in it. Good for cameras, phones, and occasionally transferring files. Can be paired with the card reader if the computer has a USB port but not a SD reader. <a href=\"http://www.amazon.com/dp/B010Q588D4/\">When you get a microSD card it usually comes with this</a>.</li>\n<li>One of my new favorite things: <a href=\"http://www.dxo.com/us/dxo-one\">DxO One camera</a>. It&#8217;s a SLR-quality camera that plugs in directly to the lightning port on your iPhone, and can store the photos directly on your phone. Photo quality is surprisingly good, the only problem I&#8217;ve had with it is the lightning port pop-up will no longer close. The other similar device I tried but wasn&#8217;t as good was the <a href=\"http://www.getolympus.com/us/en/air-a01.html\">Olympus Air A01</a>, so I just carry around the DxO now.</li>\n<li><a href=\"https://www.amazon.com/gp/product/B007PTCFFW/\">TP-LINK TL-WR702N Wireless N150 Travel Router</a>, which works so-so. Not sure why I still carry this, haven&#8217;t used it in a while. *</li>\n<li><a href=\"http://www.amazon.com/gp/product/B018TGGH4E\">Aukey car 49.5W 3-port USB adapter</a>, which has two high-powered USB ports and a Quick Charge 3.0 USB-C port.</li>\n<li>My favorite external battery right now, the <a href=\"http://www.amazon.com/gp/product/B019IFIJW8\">RAVPower 20100mAh Portable Charger</a>, also with Quick Charge 3.0 and a USB-C port. This thing is a beast, can charge a USB-C Macbook too.</li>\n<li><a href=\"http://www.amazon.com/High-Resolution-Display-Adaptive-PagePress-Sensors/dp/B00IOY8XWQ\">Kindle Voyage</a> with the <a href=\"http://www.amazon.com/Limited-Edition-Premium-Leather-Origami/dp/B00NO84J0W\">brown leather cover</a>. *</li>\n<li>Macbook power adapter.</li>\n<li>Very cool <a href=\"http://en-us.sennheiser.com/momentum-wireless-headphones-with-mic\">Sennheiser Momentum Wireless</a> headphones in ivory,customized with the WordPress logo. I&#8217;m testing this out as a possible gift for <a href=\"https://automattic.com/\">Automatticians</a> when they reach a certain number of years at the company. For a fuller review, <a href=\"https://ma.tt/2015/04/best-headphones-spring-2015-edition/\">see this post</a>.</li>\n<li><a href=\"https://www.cotopaxi.com/products/waterbottle-white?variant=8128462529\">Cotopaxi water bottle</a> that I got for free at the <a href=\"https://sas.summit.co/\">Summit at Sea conference</a>. The backpack has a handy area to carry a water bottle, and I&#8217;ve become a guy who refills water bottles at the airport instead of always buying disposable ones.</li>\n<li>Special cord for the #30 Momentum headphones.</li>\n<li><a href=\"http://www.amazon.com/dp/B004C51HRY/\">Retractable 1/8th inch audio cable</a>. *</li>\n<li><a href=\"http://www.amazon.com/dp/B00IYA2ZJW/\">Powerbeats 2 Wireless headphones</a> that I use for running, working out, or just going around the city.</li>\n<li><a href=\"http://www.amazon.com/gp/product/B00E9W11QM\">Belkin headphone splitter</a>, for sharing audio when watching a movie on a plane. *</li>\n<li><a href=\"https://www.google.com/chromecast/speakers/\">Chromecast audio</a>, which I&#8217;ve never used but it&#8217;s so small and light I carry it around just in case.</li>\n<li><a href=\"https://www.google.com/chromecast/tv/\">Chromecast TV</a>, which I&#8217;ve also never used but also small and light and I&#8217;m sure it&#8217;ll come in handy one of these days.</li>\n<li>Verizon iPhone 6s+, which is normal, but the new thing here is I&#8217;ve stopped carrying a wallet, and a separate phone case, and now carry this big &#8216;ol <a href=\"http://www.amazon.com/gp/product/B00VGDQRAW\">Sena Heritage Wallet Book</a>. At first I felt utterly ridiculous doing this as it feels GINORMOUS at first, but after it wore in a little bit, and I got used to it, it&#8217;s so freeing to only have one thing to keep track of, and it&#8217;s also forced me to carry a lot less than I used to in my wallet.</li>\n<li>Maison Bonnet sunglasses. Hat tip to <a href=\"https://about.me/tonyconrad\">Tony</a>.</li>\n<li>Stickers! <a href=\"http://wapuu.jp/\">Wapuu</a> and <a href=\"https://slack.com/\">Slack</a>.</li>\n<li><a href=\"http://www.amazon.com/Blinks-Ultralight-Comfortable-Contoured-Blindfold/dp/B000WNX21Y/\">Bucky eye shades</a>, like an eye mask but has a curve so it doesn’t touch your eyes. I don’t use this often but when I do it’s a life-saver. *</li>\n<li>My favorite USB wall plug, after trying dozens, is this <a href=\"https://www.amazon.com/gp/product/B00UWMCXD8/\">Aukey 30W / 6A travel wall charger</a>. I love the foldable plug, and it&#8217;s really fast.</li>\n<li>I generally only have one wall charger, but temporarily carrying around this <a href=\"http://www.amazon.com/gp/product/B019C23ZGW\">Tronsmart 33W USB-C + USB charger with Quick Charge 3.0</a>, which can very quickly charge the battery or the Nexus, and a Macbook in a pinch. Hopefully will combine this and #42 sometime this year. One thing I really dislike about this item is the bright light on it, which I need to cover with tape.</li>\n<li>The only pill / vitamin / anything I take every day: <a href=\"http://www.elysiumhealth.com/\">Elysium Health Basis</a>. I&#8217;m not an expert or a doctor, but read up on them and the research around it, pretty interesting stuff.</li>\n<li><a href=\"https://www.fitbit.com/chargehr\">Fitbit Charge HR</a>. I gave up on my Apple Watch. I&#8217;ll probably try the Fitbit watch when it comes out. My favorite feature is the sleep tracking. Least favorite is the retro screen, and that it doesn&#8217;t always show the time.</li>\n<li><a href=\"http://www.amazon.com/Sharpie-Permanent-Markers-Marker-32101PP/dp/B000XANH9S\">Double-sided sharpie (thick and thin point)</a> and a <a href=\"http://www.muji.us/store/pen-pencils.html\">Muji pen</a>.</li>\n<li><a href=\"http://www.westoneaudio.com/index.php/products/hearing-protection/es49-custom-hearing-protection.html\">Westone ES49 custom earplugs</a>, for if I go to concerts or anyplace overly loud. *</li>\n<li>Some index cards, good for brainstorming.</li>\n<li>Passport. * As Mia Farrow said about Frank Sinatra, &#8220;I learned to bring my passport to dinner.&#8221;</li>\n<li>Jetpack notebook, I like to have a paper notebook to take notes, especially in group or product meetings, because there isn&#8217;t the distraction of a screen.</li>\n<li><a href=\"https://www.google.com/nexus/5x/\">Nexus 5x</a>, which is definitely one of the better Android devices I&#8217;ve had, paired with <a href=\"https://fi.google.com/\">Google Project Fi</a> phone / data service, which has saved me thousands of dollars with its $10/gb overseas data pricing. Since my iPhone is so huge, I tried to go for a smaller Android device. I always travel with both in case something happens to one phone, for network diversity, and as I said this has better international data pricing than Verizon.</li>\n<li>Business card holder. *</li>\n<li>Post-it notes.</li>\n</ol>\n<p>All in all 13 items stayed the same, the other 40 are new to this edition.</p>\n<p><a href=\"http://i0.wp.com/ma.tt/files/2016/02/DSC_1387.jpg?ssl=1\"><img class=\"aligncenter size-full wp-image-46178\" src=\"http://i0.wp.com/ma.tt/files/2016/02/DSC_1387.jpg?w=604&ssl=1\" alt=\"\" /></a></p>\n<p>That&#8217;s a wrap, folks! If you have any questions or suggestions please drop them in the comments. Once my <a href=\"https://ma.tt/2016/02/lent-this-year-buying-things/\">no-buying-things moratorium for Lent</a> is over I can start trying new things out again.</p>\n<p>Update 2016-03-26: A few people have asked how much the bag weighs with all of this stuff in it. I didn&#8217;t weigh it at the time of the photo, but at the airport the other day I put it on the luggage scale and it came in at 16 pounds, which is probably close enough. The pockets on the Lululemon backpack distribute the &#8220;stuff&#8221; pretty well and it doesn&#8217;t feel heavy at all, and doesn&#8217;t stick out too far on my back.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 15 Mar 2016 17:24:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:39;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"WPTavern: Tickets for WordCamp Jacksonville 2016 Now on Sale\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52421\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:70:\"http://wptavern.com/tickets-for-wordcamp-jacksonville-2016-now-on-sale\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:2514:\"<p><a href=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/wordcamp-jacksonville.png\" rel=\"attachment wp-att-52424\"><img src=\"http://i1.wp.com/wptavern.com/wp-content/uploads/2016/03/wordcamp-jacksonville.png?resize=1025%2C502\" alt=\"wordcamp-jacksonville\" class=\"aligncenter size-full wp-image-52424\" /></a></p>\n<p>Florida hosts some of the most successful and longest-running WordCamps in the US with events in Miami, Orlando, and Tampa Bay. Jacksonville, the largest city in Florida with a population of more than 800,000, will be hosting its very first WordCamp. The event will be held April 16-17 downtown at the <a href=\"https://2016.jacksonville.wordcamp.org/location/\" target=\"_blank\">Florida State College</a> campus.</p>\n<p>According to <a href=\"http://frankcorso.me/\" target=\"_blank\">Frank Corso</a>, lead organizer for the WordCamp and an organizer of the Gainesville WordPress Meetup, the team is planning for 250 attendees. The WordPress community in northern Florida is working together to make the event happen.</p>\n<p>&#8220;One of the co-organizers is the organizer of the local WPjax meet-up group and another organizer is the organizer of another city&#8217;s WP meetup group,&#8221; Corso said. &#8220;A few of us started talking at WordCamp Miami 2015 and realized that we really wanted to have a local WordCamp in our area. So, we reached out some others in the Jacksonville area to see if there was enough demand for it. We received a large amount of support for it and decided to proceed.&#8221;</p>\n<p>Last week the event&#8217;s organizers introduced the <a href=\"https://2016.jacksonville.wordcamp.org/2016/03/11/introducing-the-first-round-of-speakers/\" target=\"_blank\">first round of speakers</a>, which includes local tech entrepreneurs and WordPress community leaders from around Florida. The deadline for speaker applications has passed, but organizers are still looking for <a href=\"https://2016.jacksonville.wordcamp.org/2016/03/03/call-for-volunteers/\" target=\"_blank\">volunteers</a> and <a href=\"https://2016.jacksonville.wordcamp.org/2016/01/04/call-for-sponsors/\" target=\"_blank\">sponsors</a>.</p>\n<p>WordCamp Jacksonville <a href=\"https://2016.jacksonville.wordcamp.org/tickets/\" target=\"_blank\">tickets</a> went on sale today, but there are only 250 available due to venue capacity. Follow <a href=\"https://twitter.com/WordCampJax\" target=\"_blank\">@WordCampJax</a> and the #wcjax hashtag on Twitter for all the latest news.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 14 Mar 2016 22:34:00 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:40;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"WPTavern: When Contributing to WordPress Full-Time Leads to Burnout\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52409\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"http://wptavern.com/when-contributing-to-wordpress-full-time-leads-to-burnout\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4014:\"<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/BurnoutFeaturedImage.png\" rel=\"attachment wp-att-52418\"><img class=\"size-full wp-image-52418\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/BurnoutFeaturedImage.png?resize=657%2C333\" alt=\"Burnout Featured Image\" /></a><a href=\"http://www.flickr.com/photos/12480780@N05/24053903526\">Fireplace 4</a> &#8211; <a href=\"https://creativecommons.org/licenses/by-nc-nd/2.0/\">(license)</a>\n<p>As a distributed worker, one of the toughest obstacles I face is burnout. It&#8217;s one of the reasons I took a month off from all things WordPress. According to <a href=\"http://www.merriam-webster.com/dictionary/burnout\">Merriam-Webster</a>, burnout is, &#8220;the condition of someone who has become very physically and emotionally tired after doing a difficult job for a long time.&#8221; Once burnout sets in, it&#8217;s tough to recover without avoiding the job completely.</p>\n<p>Drew Jaynes, WordPress core developer, describes how contributing to the WordPress project full-time <a href=\"http://werdswords.com/contributing-full-time-isnt-everyone/\">led to burnout</a>.</p>\n<p>&#8220;Here’s the thing: burnout is a real struggle. And when you’re working on something full-bore, 100 percent of the time, and you burnout, there aren’t a lot of good options to help combat that except to keep pressing on and try to get your groove back,&#8221; Jaynes said.</p>\n<p>Recognizing the signs that burnout is imminent is an important step towards avoiding it, &#8220;I typically realize I’m burned out when I basically lose interest in whatever thing I’d been previously passionate about. Burnout is the result of going at something too hard for too long. And then when you stop, getting started again is a struggle,&#8221; he said.</p>\n<p>Jaynes realized it was time to move on from full-time contributing to something new after experiencing burnout three times in seven months. Although he will continue to contribute back to WordPress, it will be in a more limited role as he focuses on products.</p>\n<h2>How Matt Mullenweg Avoids Burnout</h2>\n<p>People combat burnout differently based on their individual circumstances. When asked <a href=\"https://www.producthunt.com/live/matt-mullenweg#comment-151645\">how he combats burnout</a> in an <a href=\"http://wptavern.com/highlights-from-matt-mullenwegs-qa-session-on-product-hunt\">Ask Me Anything segment</a> in September 2015, Matt Mullenweg, CEO of Automattic, responded:</p>\n<blockquote><p>Everything is connected, so if one of ( health | diet | relationships | family | work | soul | creative outlet ) is running on empty for too long, it will impact the others and you might end up treating the symptom rather than the cause. Recovery always comes from the people around you who give you unconditional love and support, which I&#8217;ve been lucky to have since I was an infant.</p>\n<p>To avoid it now I try to take small mini-breaks frequently, be that a ten minute meditation every day, jogging a few times a week, or taking a few days to recharge once a month. I find that&#8217;s better (and less stressful) than trying to do a big blow-out reset or vacation once a year. Conversely, a lot of times when people think I&#8217;m on vacation I&#8217;m actually working as much or more than when I&#8217;m at home, just from a more interesting location (often with fewer distractions). Funnily enough I&#8217;m more likely to actually take time off and unplug at home, and more likely to be working when in an exotic location.</p></blockquote>\n<p>I work for a company that has an unlimited vacation policy. I took advantage of it by taking a month off to clear my mind to help me refocus and it worked wonders for my mental well-being. If you feel it&#8217;s necessary and your employer has a similar policy, don&#8217;t be afraid to ask for some time off to regroup. What do you do to combat burnout? Please share your advice in the comments.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 14 Mar 2016 22:05:50 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:41;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"Matt: Addicted to Distraction\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46355\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:46:\"https://ma.tt/2016/03/addicted-to-distraction/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:665:\"<blockquote><p>Addiction is the relentless pull to a substance or an activity that becomes so compulsive it ultimately interferes with everyday life. By that definition, nearly everyone I know is addicted in some measure to the Internet. It has arguably replaced work itself as our most socially sanctioned addiction. [&#8230;]</p>\n<p>Denial is any addict’s first defense. No obstacle to recovery is greater than the infinite capacity to rationalize our compulsive behaviors.</p></blockquote>\n<p>Oldie but goodie <a href=\"http://www.nytimes.com/2015/11/29/opinion/sunday/addicted-to-distraction.html?_r=2\">from the New York Times, Addicted to Distraction</a>.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 14 Mar 2016 18:57:38 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:42;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:65:\"WPTavern: WordPress Global Translation Day Set for April 24, 2016\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=51996\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"http://wptavern.com/wordpress-global-translation-day-set-for-april-24-2016\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:4941:\"<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/08/globe.jpg\" rel=\"attachment wp-att-29134\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/08/globe.jpg?resize=1024%2C499\" alt=\"photo credit: . Entrer dans le rêve - cc\" class=\"size-full wp-image-29134\" /></a>photo credit: <a href=\"https://www.flickr.com/photos/tranbina/4765484383/\">. Entrer dans le rêve</a> &#8211; <a href=\"http://creativecommons.org/licenses/by-nc-sa/2.0/\">cc</a>\n<p>The WordPress Polyglots team is planning its first ever <a href=\"https://make.wordpress.org/polyglots/2016/03/02/wordpress-global-translation-day-april-24th-2016/\" target=\"_blank\">Global Translation Day</a> to be held April 24, 2016, in every timezone around the globe. The 24-hour translation sprint will start at dawn in the East and end in the West. In addition to translating strings, organizers are also looking to grow the translation teams and educate new translators. They have identified the following three goals for the event:</p>\n<ul>\n<li>Show people who are interested in translating WordPress in their language how to get involved</li>\n<li>Translate and validate the waiting strings for current projects under the supervision of the current General translation editors</li>\n<li>Add more general translation editors to different translation teams</li>\n</ul>\n<p>The Global Translation Day is an ambitious undertaking that involves coordinating a 24-hour live stream of tutorials about translating WordPress in different languages, as well as local, on-site contributor teams.</p>\n<p>&#8220;Not very many people know how big the translation efforts around WordPress are, how dedicated our volunteer Translation Editors are to making sure we have quality, consistent software translations,&#8221; Polyglots contributor Petya Raykovska said. &#8220;We wanted the Global Translation Day to shed a bit of light on that and especially on the local teams.</p>\n<h3>Growing the WordPress Platform by Making it More Internationally Accessible</h3>\n<p>The Polyglots team is slowly chipping away at the world&#8217;s most widely spoken languages to provide core, theme, and plugin translations for users in their own languages.</p>\n<p>&#8220;We have many languages that need a lot of help,&#8221; Raykovska said. &#8220;Our Japanese, German, French, Dutch, Spanish, Portuguese teams are amazing, these are active 100% translated locales,&#8221; she said. &#8220;But when it comes to plugin and theme translations, that’s where the demand is greatest.</p>\n<p>&#8220;On the other hand, we have languages that need help for WordPress core. All the Indian languages can use a huge push, our African and Asian languages need help.&#8221;</p>\n<p>The progress of each locale is tracked on the <a href=\"https://make.wordpress.org/polyglots/teams/\" target=\"_blank\">Translation Teams</a> page, displaying the percentage of strings translated for each.</p>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/translations.png\" rel=\"attachment wp-att-52391\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/translations.png?resize=1025%2C395\" alt=\"translations\" class=\"aligncenter size-full wp-image-52391\" /></a></p>\n<p>&#8220;Some of the biggest languages in the world are represented in this chart and if we got them to 100% that could have a huge impact on WordPress itself,&#8221; Raykovska said.</p>\n<p>&#8220;If you remember the big jump WordPress did in 2011 and then in 2014, when international downloads surpassed English downloads, half of those international downloads were for Japanese,&#8221; she said.</p>\n<p>&#8220;Now imagine what impact languages like Chinese, Hindi (and other Indian languages) and other languages in countries where English is not a default language, can have. The Global WordPress Translation day is about making WordPress accessible to more people and also about helping the platform’s growth,&#8221; Raykovska said.</p>\n<p>The Polyglots are calling all multilingual contributors to join in the event. Raykovska reports that so far they have more than 60 teams committing to take part, with 10 mini-contributor days held locally and more incoming. The Polyglots are also planning to host remote events where local teams use their own Slack channels to onboard contributors and work on translations.</p>\n<p>Contributors can choose from a number of ways to get involved. You can record a video in your language for the promotion clip, volunteer to do a live stream talk about translating WordPress into your language, organize a local contributor day, or get involved with the main organization.</p>\n<p>If you have the language skills to participate in the translation sprint, it&#8217;s one of the easiest ways to start contributing to WordPress and help prepare the platform for its next major international leap. Join #polyglots on Slack to connect with the team.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 14 Mar 2016 18:11:02 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:43;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"Matt: Changelog Podcast\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46350\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"https://ma.tt/2016/03/changelog-podcast/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:575:\"<p>I know a lot of people are on their way to SxSW right now, <a href=\"https://changelog.com/197/\">here&#8217;s a podcast I joined called The Changelog you can download and check out on the way there</a> (or back). It&#8217;s a bit more technical than the interviews I normally do, we talk about Javascript, Calypso, the philosophy of open source and WordPress, some of the thinking behind Automattic&#8217;s acquisitions, and my favorite programming books. I hope <a href=\"https://changelog.com/197/\">you can check it out</a>, Adam and Jerod did a great job on this one.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 12 Mar 2016 02:17:19 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:44;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:43:\"WPTavern: In Case You Missed It – Issue 4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"http://wptavern.com?p=52368&preview_id=52368\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"http://wptavern.com/in-case-you-missed-it-issue-4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6892:\"<a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/01/ICYMIFeaturedImage.png\" rel=\"attachment wp-att-50955\"><img class=\"size-full wp-image-50955\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/01/ICYMIFeaturedImage.png?resize=676%2C292\" alt=\"In Case You Missed It Featured Image\" /></a>photo credit: <a href=\"http://www.flickr.com/photos/112901923@N07/16153818039\">Night Moves</a> &#8211; <a href=\"https://creativecommons.org/licenses/by-nc/2.0/\">(license)</a>\n<p>There&#8217;s a lot of great WordPress content published in the community but not all of it is featured on the Tavern. This post is an assortment of items related to WordPress that caught my eye but didn&#8217;t make it into a full post.</p>\n<h2>Justin Tadlock Announces Simpler Pricing</h2>\n<p>Justin Tadlock <a href=\"http://themehybrid.com/weblog/simpler-pricing-for-theme-designer-and-plugin-developer\">revamped his pricing</a> model for his <a href=\"http://themehybrid.com/plugins/plugin-developer\">Plugin Developer</a> and <a href=\"http://themehybrid.com/plugins/theme-designer\">Theme Designer</a> plugins. Based on two months of feedback, Tadlock removed the pricing tiers in favor of a single price. Both plugins are $90 and come with source files, one year of support, and access to the Theme Hybrid Slack channel.</p>\n<p>Existing customers have already been upgraded and can take advantage of the new perks. What&#8217;s nice is that Tadlock is giving those who purchased the plugins for $125 a partial refund of $35 to make up the difference.</p>\n<h2>Using WordPress to Break The Silence</h2>\n<p>Mahangu Weerasinghe, who works at Automattic as a Happiness Engineer, <a href=\"http://heropress.com/essays/breaking-the-silence/\">published a fantastic essay</a> on HeroPress this week that describes how WordPress helped him break his silence. Weerasinghe suffers from stuttering and as a result, remained silent even if he had something to say. It&#8217;s an inspirational story and the best content I&#8217;ve read all week. There are many quotable spots in the post, but this is my favorite.</p>\n<blockquote><p>There are a lot of things we cannot control in this world, many forces at work that we cannot even see. But, as members of this community, I think we can content ourselves with this thought:</p>\n<p>Because of the GPL, and the way it works, WordPress will be available as a publishing platform for decades to come, and long after the next social network comes and goes, for as long as the Internet remains free and accessible, anyone with WordPress will be able to have their say.</p>\n<p>What WordPress did for me, it can do for others. And that’s why we need to keep going.</p>\n<p>Because every silence can be overcome.</p></blockquote>\n<p>Congrats Weerasinghe on defeating the silence and helping others to do the same.</p>\n<h2>Automattic Acquires Pressable</h2>\n<p>Automattic has purchased the rest of Vid Luther&#8217;s common stock shares in Pressable and has effectively <a href=\"https://poststatus.com/automattic-pressable/\">acquired the company</a>. Chris Lauzon, a Happiness Engineer at Automattic, is the company&#8217;s interim CEO. Be sure to read Matt Mulleweng&#8217;s statement which clearly indicates to me that the company is not part of Automattic&#8217;s long-term interests.</p>\n<h2>Matt Mullenweg in The Irish Times</h2>\n<p>Ciara O&#8217;Brien <a href=\"http://www.irishtimes.com/business/technology/matt-mullenweg-how-wordpress-got-the-whole-world-blogging-1.2558828\">interviewed Matt Mullenweg</a> when he visited Dublin, Ireland to speak at an Irish Software Association event. It&#8217;s one of the better interviews I&#8217;ve read in recent memory and if you know Matt well enough, you can tell which parts of the interview he showed his sense of humor.</p>\n<p>For example, when asked how he relaxes and switches off work mode, he responds &#8220;Well, this is lovely. We have tea and little cookies.” I can almost guarantee you that he chuckled while making that remark.</p>\n<h2>Introvert Reviews Pressnomics</h2>\n<p>Jeff Matson, who leads the documentation efforts for Rocketgenius, <a href=\"http://jeffmatson.net/realization-of-progress-and-success/\">documented</a> (pun intended) his experience at Pressnomics 4. Thanks to his involvement in the community the past few years, people recognized him and started conversations with him instead of the other way around.</p>\n<blockquote><p>I’m the nerd with the thick glasses, overgrown beard, and a hoodie; the guy who lives in a rather small apartment, drives a Kia, and shops at outlet malls. To put it simply, I’m your typical every-day middle-class 20-something guy. Certainly not the typically targeted clientele for such a high level business-centric conference.</p></blockquote>\n<p>Yet, he had a great time and strengthened relationships and created new ones with members of the community. As a friend, it&#8217;s great to see Jeff make large strides both in his professional and personal life.</p>\n<h2>Co-Organizing WordCamp Miami</h2>\n<p>David Bisset <a href=\"http://davidbisset.com/wordcamp-miami-2016-the-mega-review/\">shares his experience</a> co-organizing one of the largest WordCamps in the US. According to a recent tweet, the team is already making plans for WordCamp Miami, FL 2017.</p>\n<blockquote class=\"twitter-tweet\"><p lang=\"en\" dir=\"ltr\">One of the reasons <a href=\"https://twitter.com/hashtag/wcmia?src=hash\">#wcmia</a> organization team is so great: post-conference planning meetups. 2017 planning has begun. <a href=\"https://t.co/NZF31TRNOj\">pic.twitter.com/NZF31TRNOj</a></p>\n<p>&mdash; David Bisset (@dimensionmedia) <a href=\"https://twitter.com/dimensionmedia/status/708282526477979650\">March 11, 2016</a></p></blockquote>\n<p></p>\n<h2>Wapuu of the North!</h2>\n<p>As a traditional part of this series, I end each issue by featuring a Wapuu design. For those who don&#8217;t know, Wapuu is the <a href=\"http://wapuu.jp/2015/12/12/wapuu-origins/\">unofficial mascot</a> of the WordPress project. St. Patrick&#8217;s day is right around the corner, so what better way to celebrate than with a Wapuu with Irish roots. Meet, The Wapuu of the North.</p>\n<p>The Wapuu of the North was created by Peter of <a href=\"http://1440design.com/wordpress/branding-wordcamp-belfast/\" target=\"_blank\">1440 Design</a> for WordCamp Belfast, Ireland. This particular Wapuu has quite the head of hair!</p>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/belfast_wapuu.jpg\" rel=\"attachment wp-att-52005\"><img class=\"aligncenter size-full wp-image-52005\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/belfast_wapuu.jpg?resize=1000%2C1000\" alt=\"belfast_wapuu\" /></a></p>\n<p>That&#8217;s it for issue four. If you recently discovered a cool resource or post related to WordPress, please share it with us in the comments.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 12 Mar 2016 01:24:46 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:45;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:77:\"WPTavern: OnePress: A Free Single-Page WordPress Theme Built with Bootstrap 4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=51305\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:86:\"http://wptavern.com/onepress-a-free-single-page-wordpress-theme-built-with-bootstrap-4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3001:\"<p>If you&#8217;re a fan of the scrolling single-page parallax style themes, <a href=\"https://wordpress.org/themes/onepress/\" target=\"_blank\">OnePress</a> is a new one on WordPress.org that may pique your interest. After less than a month in the official directory, it has already been installed on more than 3,000 websites. OnePress was developed by the folks at <a href=\"https://www.famethemes.com/themes/onepress/\" target=\"_blank\">FameThemes</a> using <a href=\"http://v4-alpha.getbootstrap.com/\" target=\"_blank\">Bootstrap version 4</a>. It is suitable for business, portfolio, and agency websites.</p>\n<p>The theme features a full-screen background image with action buttons in the first major section. Scrolling further down reveals an about section, services, a video lightbox, an animated counter, team section, latest news, and contact form (powered by Contact Form 7).</p>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/onepress.png\" rel=\"attachment wp-att-52246\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/onepress.png?resize=1025%2C769\" alt=\"onepress\" class=\"aligncenter size-full wp-image-52246\" /></a></p>\n<p>All of the sections can be easily configured in the customizer and each has design options such as overlay color and opacity, section titles and subtitles, number of columns, and more. You can elect to hide any of the sections that you don&#8217;t want to use.</p>\n<p>Also, if you&#8217;re not a fan of the parallax animations, there are options to disable them per element or globally for all the animations in the theme. You can also disable the sticky header when scrolling.</p>\n<p><a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/onepress-customizer.png\" rel=\"attachment wp-att-52356\"><img src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/onepress-customizer.png?resize=1025%2C374\" alt=\"onepress-customizer\" class=\"aligncenter size-full wp-image-52356\" /></a></p>\n<p>OnePress includes controls in the customizer for setting social profiles in the footer. It also includes a setting for pasting in a MailChimp Action URL for a newsletter signup form.</p>\n<p>Check out a <a href=\"http://www.famethemes.com/preview/?theme=OnePress\" target=\"_blank\">live demo</a> of OnePress and click the menu items or scroll to view all of the sections. You can also toggle through desktop, tablet, and mobile views. Its smooth responsiveness and mobile-friendly menu are powered by Bootstrap.</p>\n<p>OnePress is an excellent example of how a single-page WordPress theme can be easily configurable via WordPress&#8217; native customizer. It is available for <a href=\"https://wordpress.org/themes/onepress/\" target=\"_blank\">download from WordPress.org</a> or via your admin theme browser. The OnePress homepage on FameThemes has thorough <a href=\"http://docs.famethemes.com/article/43-onepress-documentation\" target=\"_blank\">documentation</a> for setting up each of the sections.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 11 Mar 2016 22:10:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:46;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:59:\"WPTavern: WordPress 4.5 Improves Comment Moderation Screens\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52295\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"http://wptavern.com/wordpress-4-5-improves-comment-moderation-screens\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:6151:\"<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/08/comments.png\" rel=\"attachment wp-att-28128\"><img class=\"aligncenter size-full wp-image-28128\" src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2014/08/comments.png?resize=984%2C455\" alt=\"comments\" /></a>Building on the momentum generated from the <a href=\"https://make.wordpress.org/core/2015/10/28/comment-object-and-query-features-in-4-4/\">WordPress 4.4 development cycle</a>, WordPress 4.5 includes a number of enhancements to comments. In a <a href=\"https://make.wordpress.org/core/2016/03/09/comment-changes-in-wordpress-4-5/\">post on the Make Core blog</a>, Rachel Baker explains the changes and what to expect.</p>\n<p>&#8220;WordPress 4.5 includes several ancient bug fixes and a few enhancements in the Comments component. We have <a href=\"https://core.trac.wordpress.org/query?status=closed&component=Comments&milestone=4.5&group=resolution&col=id&col=summary&col=owner&col=type&col=priority&col=component&col=version&order=priority\">closed 25 tickets</a>,&#8221; Baker said.</p>\n<p>The biggest change users will notice are the design improvements to the comment moderation screen when clicking one of the available links in a comment moderation email. Instead of appearing as a large block of plain-text, comments are formatted as long as they contain the following HTML elements.</p>\n<ul>\n<li>A &#8211; Links</li>\n<li>Abbr &#8211; Abbreviations</li>\n<li>Acronym &#8211; Defines an acronym</li>\n<li>B &#8211; Bold</li>\n<li>Blockquote &#8211; Specifies a section that is quoted from another source</li>\n<li>Cite &#8211; Defines the title of a work</li>\n<li>Code &#8211; Defines a piece of computer code</li>\n<li>Del &#8211; Defines text that has been deleted from a document</li>\n<li>Em &#8211; Emphasizes text</li>\n<li>I &#8211; Italicize</li>\n<li>Q &#8211; Defines a short quotation</li>\n<li>S &#8211; Specifies text that is no longer correct</li>\n<li>Strike &#8211; Defines strikethrough text</li>\n<li>Strong &#8211; Defines important text</li>\n</ul>\n<p>During testing, I noticed that in some cases, the text still appears in a large block as if the paragraph tag is ignored. I&#8217;ve already reported this issue to Baker who is looking into it. As you can see, the text that is bold, blockquoted, linked, and italicized, maintains its formatting on the moderation screen.</p>\n<a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/CommentFormattingOnModerationScreen.png\" rel=\"attachment wp-att-52346\"><img class=\"size-full wp-image-52346\" src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/CommentFormattingOnModerationScreen.png?resize=1025%2C571\" alt=\"Formatted Text On The Comment Moderation Screen\" /></a>Formatted Text On The Comment Moderation Screen\n<p>In addition to visual enhancements, an Edit Comment link was added to the bottom of the comment. In the future, it would be nice to edit a comment in place during the moderation flow, similar to how Quick Edit works, instead of navigating to a different screen. Other notable changes include:</p>\n<ul>\n<li>Updated message styles that match other screens.</li>\n<li>The comment date is only wrapped in a link if the comment permalink exists.</li>\n<li><code>#wpbody-content</code> is appended to comment moderation email links for accessibility.</li>\n<li>The <code>rel=nofollow</code> attribute and value pair will no longer be added to relative or same domain links within <code>comment_content</code>.</li>\n<li><code>WP_Comment_Query</code> now supports the <code>author_url</code> parameter.</li>\n<li>The new <code>pre_wp_update_comment_count_now</code> filter allows you to bail out of updating the comment count for a given Post.</li>\n</ul>\n<h2>Maximum Comment Field Length</h2>\n<p>Those who publish lengthy comments will be happy to know that in WordPress 4.5, &#8220;the comment fields will enforce the maximum length of each field’s respective database column with hardcoded attributes. The hardcoded limits can be adjusted to accommodate custom database schemas using the <code>comment_form_default_fields</code> filter,&#8221; Baker said. By default, the limits are as follows:</p>\n<ul>\n<li>Comment: 65525 characters</li>\n<li>Name : 245 characters</li>\n<li>Email: 100 characters</li>\n<li>Url: 200 characters</li>\n</ul>\n<p>When comments are submitted in 4.5, they&#8217;ll be checked by the new <code>wp_get_comment_fields_max_lengths()</code> function and the <code>wp_get_comment_fields_max_lengths</code> filter. If a value is more than the limit, a <code>WP_Error</code> is displayed. If a user publishes a comment and sees an error page, they&#8217;ll be able to navigate back to their comment via a link rather than having to use their browser&#8217;s back button.</p>\n<a href=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/CommentErrorNavigation.png\" rel=\"attachment wp-att-52347\"><img class=\"size-full wp-image-52347\" src=\"http://i0.wp.com/wptavern.com/wp-content/uploads/2016/03/CommentErrorNavigation.png?resize=724%2C354\" alt=\"Comment Error Page Navigation\" /></a>Comment Error Page Navigation\n<p>It&#8217;s great that comments continue to receive attention, even if there&#8217;s a long way to go. Unfortunately, the ability to <a href=\"https://core.trac.wordpress.org/ticket/33717\">send a notification email when a comment is approved from moderation</a> was punted to a future release. I&#8217;m looking forward to reviewing plugins that allow users to easily configure the comment length limits as seen above. It would be nice to configure the limits so spammers see an error message because of their comment&#8217;s length rather than being placed into the moderation queue.</p>\n<p>To see and test these improvements yourself, download and install <a href=\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-3/\">WordPress beta 3</a> on a test site. If you think you’ve discovered a bug, please create a new post on the <a href=\"https://wordpress.org/support/forum/alphabeta\" target=\"_blank\">Alpha/Beta area</a> of the support forums. What do you think of these changes to comments in WordPress 4.5?</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 11 Mar 2016 20:07:32 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Jeff Chandler\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:47;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"WPTavern: GitHub Now Supports Emoji Reactions for Pull Requests, Issues, and Comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:28:\"http://wptavern.com/?p=52304\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:93:\"http://wptavern.com/github-now-supports-emoji-reactions-for-pull-requests-issues-and-comments\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:3903:\"<p>Last month GitHub finally <a href=\"http://wptavern.com/github-responds-to-letter-from-open-source-project-maintainers\" target=\"_blank\">responded</a> to the <a href=\"http://wptavern.com/open-source-project-maintainers-confront-github-with-open-letter-on-issue-management\" target=\"_blank\">open letter on issue management</a> that has now been <a href=\"https://docs.google.com/spreadsheets/d/1oGsg02jS-PnlIMJ3OlWIOEmhtG-udTwuDz_vsQPBHKs/htmlview?usp=sharing&sle=true\" target=\"_blank\">signed</a> by nearly 2,000 open source project maintainers. GitHub officially apologized for the lack of communication and promised to add new features and iterate on the core experience.</p>\n<p>Shortly after acknowledging the letter, GitHub <a href=\"http://wptavern.com/github-introduces-issue-and-pull-request-templates\" target=\"_blank\">introduced templates for issues and pull requests</a>, which allow project maintainers to guide contributors towards submitting more meaningful contributions.</p>\n<p>One of the other major requests included in the open letter was a voting system to declutter +1&#8217;s from issues. While the +1&#8217;s constitute valuable feedback, maintainers need a better UI to help make these conversations easier to read.</p>\n<p>GitHub has now answered this request by <a href=\"https://github.com/blog/2119-pull-request-and-issue-reactions\" target=\"_blank\">adding emoji reactions to pull requests, issues, and comments</a>. Emoji support is nothing new but organizing it into reactions helps keep comments more manageable:</p>\n<blockquote><p>In many cases, especially on popular projects, the result is a long thread full of emoji and not much content, which makes it difficult to have a discussion. With reactions, you can now reduce the noise in these threads.</p></blockquote>\n<p>Reactions are currently limited to six emoji that are commonly used in GitHub conversations:</p>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/github-reactions.gif\" rel=\"attachment wp-att-52312\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/github-reactions.gif?resize=917%2C359\" alt=\"github-reactions\" class=\"aligncenter size-full wp-image-52312\" /></a></p>\n<p>Going forward, emoji reactions should make life easier for project maintainers, as they provide a quick way to assess consensus. If contributors embrace emoji reactions, the new feature can help maintainers gauge how widespread a bug is. They also serve to highlight the most helpful comments in a conversation.</p>\n<p>Emoji reactions, which were also recently adopted by Slack and Facebook, are making their way into more applications as an alternative way of offering feedback. Path was one of the first social apps to offer reactions in 2012. Buzzfeed has taken the feature to a new level with the addition of gif reaction options at the end of articles:</p>\n<p><a href=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/buzzfeed-reactions.png\" rel=\"attachment wp-att-52327\"><img src=\"http://i2.wp.com/wptavern.com/wp-content/uploads/2016/03/buzzfeed-reactions.png?resize=1025%2C601\" alt=\"buzzfeed-reactions\" class=\"aligncenter size-full wp-image-52327\" /></a></p>\n<p>A feature that was once limited to social networks is now changing communication in the workplace by facilitating conversations for large groups of people. While emoji reactions offer people more ways of expressing themselves, they can also serve as a metric, a gauge, and a voting system.</p>\n<p>The new <a href=\"http://wptavern.com/new-feature-plugin-for-wordpress-adds-emoji-reactions-to-posts\" target=\"_blank\">Reactions feature plugin</a> for WordPress received no small amount of criticism when it was introduced earlier this week. Even if the plugin never reaches the proposal stage, the conversation about the value of emoji reactions in modern communication is worth having.</p>\n<div id=\"epoch-width-sniffer\"></div>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 11 Mar 2016 16:10:15 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Sarah Gooding\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:48;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"Matt: From Silence to Publishing\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"https://ma.tt/?p=46343\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"https://ma.tt/2016/03/from-silence-to-publishing/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:722:\"<blockquote><p>My parents first noticed my stutter when I was three years old. For the longest time, I thought I would one day be rid of it. I went for speech therapy, I did fluency exercises, I prayed. But now, at age thirty, I’m fairly confident that it’s here to stay. [&#8230;]</p>\n<p>Somehow, as I progressed through high school, the expectant pauses of those listening to me were more difficult to bear that the nicknames and name calling. Often, I would not speak up, even when I had something I wanted to say.</p>\n<p>My default setting was silence.</p></blockquote>\n<p><a href=\"http://heropress.com/essays/breaking-the-silence/\">Read the rest of Mahangu Weerasinghe&#8217;s story, Breaking the Silence</a>.</p>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 10 Mar 2016 22:48:42 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"Matt\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:49;a:6:{s:4:\"data\";s:13:\"\n	\n	\n	\n	\n	\n	\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"Post Status: Automattic has purchased a majority stake in Pressable\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"https://poststatus.com/?p=22262\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"https://poststatus.com/automattic-pressable/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:5218:\"<p><a href=\"https://automattic.com\">Automattic</a> has purchased a majority stake in <a href=\"https://pressable.com/\">Pressable</a>, one of the earliest managed WordPress hosting companies, founded in 2010. They were first known as ZippyKid, and <a href=\"https://poststatus.com/zippykid-pressable/\">rebranded in 2013</a>.</p>\n<p>Automattic was already a shareholder in Pressable, most recently as the primary investor of <a href=\"https://www.crunchbase.com/organization/pressable#/entity\">a $1.5 million round</a> in April of 2015.</p>\n<p>Technically, Automattic purchased  common stock shares from Vid Luther, the CEO of Pressable. The monetary value of that common stock was, &#8220;enough to be debt free,&#8221; according to Vid. He owned about 37% of the company, or 4.5 million shares of 7 million shares of common stock (versus preferred shares). The company has also been in debt, reportedly close to $1 million worth.</p>\n<p>Automattic is now the majority owner of Pressable, and since Vid sold his shares, this is effectively an acquisition, and Automattic will be able to set the direction of the company from now on. Chris Lauzon, a Happiness Engineer at Automattic, is the interim CEO. There are other smaller investors in Pressable whom maintain their shares in the company, and it&#8217;s unknown what those investors will do.</p>\n<p>When I confirmed the exit with Vid, he said, &#8220;This is the best thing that I could have done for my family, or myself.&#8221; He was burning the candle at both ends, working twice as much as he wanted to be working, and wasn&#8217;t seeing the growth and success that he dreamed of for so many years. Pressable has always done okay in the managed WordPress market, but never outpaced quick-growth and heavily funded WP Engine, or the first entry to the market, Pagely. But Pressable has not been in a position of strength for a really long time.</p>\n<p>Pagely, WP Engine, and Pressable were really the first three into the market of managed hosting &#8212; a market that now includes nearly every big name host. It&#8217;s fascinating to see the different directions they&#8217;ve gone since. WP Engine <a href=\"https://www.crunchbase.com/organization/wp-engine#/entity\">has raised</a> nearly $40 million over the years and gone for scale (Automattic also invested in their Series A), while Pagely has bootstrapped the whole way and really hit their stride in the last couple of years with a move to the higher end of the market. Dozens of managed hosting companies exist today.</p>\n<p>The work these three companies put into the early managed market got the attention of the biggest players in the market, like GoDaddy and EIG (owner of BlueHost, HostGator, and many more). Pressable fought hard, and Vid&#8217;s exit from the company comes after a long road with many challenges.</p>\n<p>Pressable has long been on Rackspace infrastructure, as Vid had relationships with them going back a long time; that infrastructure suffered <a href=\"http://wptavern.com/recent-pressable-outages-the-result-of-a-slow-loris-attack\">a few catastrophic outages</a> from attacks that cost Pressable quite a few customers in January 2015, stunting progress.</p>\n<p>They nearly sold Pressable to WP Engine about two years ago, and decided against it at the 11th hour. The financing round last year was a period of rejuvenation for them, after a troubled period between the malicious attacks on their infrastructure and some internal issues, and the team was looking forward to new opportunities moving forward, including a potential focus on hosting catered for eCommerce with WordPress.</p>\n<p>Speaking to an agency owner with clients at Pressable, they told me they believe they, &#8220;always struggled to find their voice and audience in a space that quickly filled up.&#8221; I agree with the observation.</p>\n<p>Pressable&#8217;s revenues were under $2 million per year, and they have a team of about 10 people. Vid is no longer at the company; his last day was March 7th. It remains to be seen exactly what direction Automattic will take the company, though I presume it will continue business as usual for now, like they did <a href=\"https://poststatus.com/automattic-acquired-woocommerce-woothemes/\">after the WooThemes acquisition</a>. While Automattic now owns the company, Matt Mullenweg made it clear to me that it&#8217;s not in their long term interest to be significantly involved in the traditional hosting business.</p>\n<p>Matt Mullenweg gave the following statement about the purchase:</p>\n<blockquote><p>Automattic is happy to be an investor in a number of WordPress-related companies and web hosts, and will continue to invest in the future. With Pressable we&#8217;ve unfortunately been forced to take a more active role to protect Pressable&#8217;s customers, employees, and our investment. Chris Lauzon, a Happiness Engineer at Automattic, has been temporarily working with the Pressable team to get everything in order, especially on the support side. Automattic continues to enjoy working with and supporting many great WordPress hosts, and we expect that Pressable will be able to operate fully independently in the future.</p></blockquote>\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 10 Mar 2016 21:59:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Brian Krogsgard\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}}}}}}}}s:4:\"type\";i:128;s:7:\"headers\";a:10:{s:6:\"server\";s:5:\"nginx\";s:4:\"date\";s:29:\"Wed, 30 Mar 2016 12:52:51 GMT\";s:12:\"content-type\";s:8:\"text/xml\";s:14:\"content-length\";s:6:\"230461\";s:10:\"connection\";s:5:\"close\";s:4:\"vary\";s:15:\"Accept-Encoding\";s:13:\"last-modified\";s:29:\"Wed, 30 Mar 2016 12:30:13 GMT\";s:15:\"x-frame-options\";s:10:\"SAMEORIGIN\";s:4:\"x-nc\";s:11:\"HIT lax 250\";s:13:\"accept-ranges\";s:5:\"bytes\";}s:5:\"build\";s:14:\"20090627192103\";}','no'),(10211,0,'_transient_timeout_feed_ac0b00fe65abe10e0c5b588f3ed8c7ca','1459385571','no'),(10212,0,'_transient_feed_ac0b00fe65abe10e0c5b588f3ed8c7ca','a:4:{s:5:\"child\";a:1:{s:0:\"\";a:1:{s:3:\"rss\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"\n\n\n\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:7:\"version\";s:3:\"2.0\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:1:{s:7:\"channel\";a:1:{i:0;a:6:{s:4:\"data\";s:49:\"\n	\n	\n	\n	\n	\n	\n	\n	\n	\n	\n		\n		\n		\n		\n		\n		\n		\n		\n		\n	\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:3:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"WordPress News\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:26:\"https://wordpress.org/news\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"WordPress News\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:13:\"lastBuildDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 24 Mar 2016 03:50:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"language\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"en-US\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"generator\";a:1:{i:0;a:5:{s:4:\"data\";s:38:\"https://wordpress.org/?v=4.5-RC1-37092\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"item\";a:10:{i:0;a:6:{s:4:\"data\";s:39:\"\n		\n		\n		\n		\n				\n		\n		\n\n		\n		\n				\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:3:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"WordPress 4.5 Release Candidate\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://wordpress.org/news/2016/03/wordpress-4-5-release-candidate/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 24 Mar 2016 03:50:27 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:3:{i:0;a:5:{s:4:\"data\";s:11:\"Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:3:\"4.5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4165\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:344:\"The release candidate for WordPress 4.5 is now available. We&#8217;ve made 49 changes since releasing Beta 4 a week ago. RC means we think we’re done, but with millions of users and thousands of plugins and themes, it’s possible we’ve missed something. We hope to ship WordPress 4.5 on Tuesday, April 12, but we need your help [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Mike Schroder\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:2251:\"<p>The release candidate for WordPress 4.5 is now available.</p>\n<p>We&#8217;ve made <a href=\"https://core.trac.wordpress.org/log/trunk?action=stop_on_copy&amp;mode=stop_on_copy&amp;rev=37077&amp;stop_rev=37026&amp;limit=120&amp;verbose=on\">49 changes</a> since releasing Beta 4 a week ago. RC means we think we’re done, but with millions of users and thousands of plugins and themes, it’s possible we’ve missed something. We hope to ship WordPress 4.5 on <strong>Tuesday, April 12</strong>, but we need your help to get there.</p>\n<p>If you haven’t tested 4.5 yet, now is the time!</p>\n<p><strong>Think you&#8217;ve found a bug?</strong> Please post to the <a href=\"https://wordpress.org/support/forum/alphabeta/\">Alpha/Beta support forum</a>. If any known issues come up, you&#8217;ll be able to <a href=\"https://core.trac.wordpress.org/report/5\">find them here</a>.</p>\n<p>To test WordPress 4.5, you can use the <a href=\"https://wordpress.org/plugins/wordpress-beta-tester/\">WordPress Beta Tester</a> plugin or you can <a href=\"https://wordpress.org/wordpress-4.5-RC1.zip\">download the release candidate here</a> (zip).</p>\n<p>For more information about what’s new in version 4.5, check out the <a href=\"https://wordpress.org/news/2016/02/wordpress-4-5-beta-1/\">Beta 1</a>, <a href=\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-2/\">Beta 2</a>, <a href=\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-3/\">Beta 3</a>, and <a href=\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-4/\">Beta 4</a> blog posts.</p>\n<p><strong>Developers</strong>, please test your plugins and themes against WordPress 4.5 and update your plugin&#8217;s <em>Tested up to</em> version in the readme to 4.5 before next week. If you find compatibility problems, we never want to break things, so please be sure to post to the support forums so we can figure those out before the final release.</p>\n<p>Be sure to <a href=\"https://make.wordpress.org/core/\">follow along the core development blog</a>, where we&#8217;ll continue to post <a href=\"https://make.wordpress.org/core/tag/dev-notes+4-5/\">notes for developers</a> for 4.5.</p>\n<p><em>Free as in Freedom</em><br />\n<em>It is WordPress 4.5</em><br />\n<em>Also free as in beer</em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:42:\"\n		\n		\n		\n		\n				\n		\n		\n		\n\n		\n		\n				\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:3:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"WordPress 4.5 Beta 4\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-4/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 17 Mar 2016 04:30:25 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:4:{i:0;a:5:{s:4:\"data\";s:11:\"Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:3:\"4.5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:4:\"beta\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4155\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:329:\"WordPress 4.5 Beta 4 is now available! This software is still in development, so we don’t recommend you run it on a production site. Consider setting up a test site just to play with the new version. To test WordPress 4.5, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Mike Schroder\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:3409:\"<p>WordPress 4.5 Beta 4 is now available!</p>\n<p>This software is still in development<strong>,</strong> so we don’t recommend you run it on a production site. Consider setting up a test site just to play with the new version. To test WordPress 4.5, try the <a href=\"https://wordpress.org/plugins/wordpress-beta-tester/\" target=\"_blank\">WordPress Beta Tester</a> plugin (you’ll want “bleeding edge nightlies”). Or you can <a href=\"https://wordpress.org/wordpress-4.5-beta4.zip\" target=\"_blank\">download the beta here</a> (zip).</p>\n<p>For more information on what&#8217;s new in 4.5, check out the <a href=\"https://wordpress.org/news/2016/02/wordpress-4-5-beta-1/\">Beta 1</a>, <a href=\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-2/\">Beta 2</a>, and <a href=\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-3/\">Beta 3</a> blog posts, along with <a href=\"https://make.wordpress.org/core/tag/4-5+dev-notes/\">in-depth field guides on make/core</a>. This is the final <a href=\"https://make.wordpress.org/core/version-4-5-project-schedule/\">planned beta</a> of WordPress 4.5, with a release candidate scheduled for next week.</p>\n<p>Some of the changes in Beta 4 include:</p>\n<ul>\n<li>Add support for oEmbed <strong>moments and timelines from Twitter</strong> (<a href=\"https://core.trac.wordpress.org/ticket/36197\">#36197</a>).</li>\n<li>More changes to better support <strong>HHVM with Imagick</strong>.<strong> </strong>Please test with HHVM setups and resizing/rotating images (<a href=\"https://core.trac.wordpress.org/ticket/35973\">#35973</a>).</li>\n<li>Tightened up the <strong>Inline Link</strong> feature (<a href=\"https://core.trac.wordpress.org/ticket/33301\">#33301</a>, <a href=\"https://core.trac.wordpress.org/ticket/30468\">#30468</a>).</li>\n<li>Support <code>&lt;hr&gt;</code> <strong>editor shortcut</strong> with 3 or more dashes (<code>---</code>); no spaces. To give more time to study the best shortcuts for users, text patterns for bold and italic have been removed and won&#8217;t ship with for 4.5 (<a href=\"https://core.trac.wordpress.org/ticket/33300\">#33300</a>).</li>\n<li>Fixes for <strong>SSL with Responsive Images</strong>. Please test with SSL, especially on sites with mixed http/https setups (<a href=\"https://core.trac.wordpress.org/ticket/34945\">#34945</a>).</li>\n<li>Allow rewrite rules to work in nested <strong>WordPress installations on IIS</strong> (<a href=\"https://core.trac.wordpress.org/ticket/35558\">#35558</a>).</li>\n<li><strong>Various bug fixes</strong>. We&#8217;ve made <a href=\"https://core.trac.wordpress.org/log/?action=stop_on_copy&amp;mode=stop_on_copy&amp;rev=37025&amp;stop_rev=36932&amp;limit=200&amp;verbose=on\">almost 100 changes</a> during the last week.</li>\n</ul>\n<p><strong>If you think you’ve found a bug</strong>, you can post to the <a href=\"https://wordpress.org/support/forum/alphabeta\" target=\"_blank\">Alpha/Beta area</a> in the support forums. We’d love to hear from you! If you’re comfortable writing a reproducible bug report, <a href=\"https://make.wordpress.org/core/reports/\" target=\"_blank\">file one on the WordPress Trac</a>. There, you can also find <a href=\"https://core.trac.wordpress.org/tickets/major\" target=\"_blank\">a list of known bugs.</a></p>\n<p>Happy testing!</p>\n<p class=\"p1\"><em>Llegamos al fin</em><br />\n<em>del tiempo pa&#8217; beta</em><br />\n<em>¡Pruébalo Ahora!</em></p>\n\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:42:\"\n		\n		\n		\n		\n				\n		\n		\n		\n\n		\n		\n				\n			\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:3:{s:0:\"\";a:6:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"WordPress 4.5 Beta 3\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-3/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Thu, 10 Mar 2016 06:59:26 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"category\";a:4:{i:0;a:5:{s:4:\"data\";s:11:\"Development\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:1;a:5:{s:4:\"data\";s:8:\"Releases\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:2;a:5:{s:4:\"data\";s:3:\"4.5\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}i:3;a:5:{s:4:\"data\";s:4:\"beta\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:34:\"https://wordpress.org/news/?p=4128\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:329:\"WordPress 4.5 Beta 3 is now available! This software is still in development, so we don’t recommend you run it on a production site. Consider setting up a test site just to play with the new version. To test WordPress 4.5, try the WordPress Beta Tester plugin (you’ll want “bleeding edge nightlies”). Or you can [&#8230;]\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"Mike Schroder\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:40:\"http://purl.org/rss/1.0/modules/content/\";a:1:{s:7:\"encoded\";a:1:{i:0;a:5:{s:4:\"data\";s:3631:\"<p>WordPress 4.5 Beta 3 is now available!</p>\n<p>This software is still in development<strong>,</strong> so we don’t recommend you run it on a production site. Consider setting up a test site just to play with the new version. To test WordPress 4.5, try the <a href=\"https://wordpress.org/plugins/wordpress-beta-tester/\" target=\"_blank\">WordPress Beta Tester</a> plugin (you’ll want “bleeding edge nightlies”). Or you can <a href=\"https://wordpress.org/wordpress-4.5-beta3.zip\" target=\"_blank\">download the beta here</a> (zip).</p>\n<p>For more information on what&#8217;s new in 4.5, check out the <a href=\"https://wordpress.org/news/2016/02/wordpress-4-5-beta-1/\">Beta 1</a> and <a href=\"https://wordpress.org/news/2016/03/wordpress-4-5-beta-2/\">Beta 2</a> blog posts, along with <a href=\"https://make.wordpress.org/core/tag/4-5+dev-notes/\">in-depth field guides on make/core</a>. Some of the fixes in Beta 3 include:</p>\n<ul>\n<li>Many <strong>Theme Logo Support</strong> (<a href=\"https://core.trac.wordpress.org/ticket/33755\">#33755</a>) fixes, including support for bundled Twenty Fifteen (<a href=\"https://core.trac.wordpress.org/ticket/35944\">#35944</a>).</li>\n<li>Add <strong>Responsive Preview</strong> to theme install previewer (<a href=\"https://core.trac.wordpress.org/ticket/36017\">#36017</a>).</li>\n<li>Support <strong>Imagick in HHVM</strong> (<a href=\"https://core.trac.wordpress.org/ticket/35973\">#35973</a>).</li>\n<li><strong>Whitelist IPTC, XMP, and EXIF profiles</strong> from <code>strip_meta()</code> to maintain authorship, copyright, license, and image orientation (<a href=\"https://core.trac.wordpress.org/ticket/28634\">#28634</a>).</li>\n<li>Support <strong>Windows shares/DFS roots</strong> in <code>wp_normalize_path()</code> (<a href=\"https://core.trac.wordpress.org/ticket/35996\">#35996</a>).</li>\n<li><span class=\"s1\">New installs default to <strong>generating secret keys and salts locally</strong> instead of relying on the <span class=\"s2\">WordPress.org</span> API. Please test installing WP in situations where it can’t connect to the internet <span class=\"s1\">(like on a ','no'),(10332,0,'_site_transient_timeout_theme_roots','1461405337','yes'),(10333,0,'_site_transient_theme_roots','a:3:{s:9:\"catalog-1\";s:7:\"/themes\";s:7:\"catalog\";s:7:\"/themes\";s:7:\"toolbox\";s:7:\"/themes\";}','yes'),(10225,0,'_transient_timeout_feed_mod_57bc725ad6568758915363af670fd8bc','1459385574','no'),(10226,0,'_transient_feed_mod_57bc725ad6568758915363af670fd8bc','1459342374','no'),(10223,0,'_transient_timeout_feed_57bc725ad6568758915363af670fd8bc','1459385574','no'),(10224,0,'_transient_feed_57bc725ad6568758915363af670fd8bc','a:4:{s:5:\"child\";a:1:{s:0:\"\";a:1:{s:3:\"rss\";a:1:{i:0;a:6:{s:4:\"data\";s:3:\"\n	\n\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:7:\"version\";s:3:\"2.0\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:1:{s:0:\"\";a:1:{s:7:\"channel\";a:1:{i:0;a:6:{s:4:\"data\";s:117:\"\n		\n		\n		\n		\n		\n		\n				\n\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n		\n\n	\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:7:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"WordPress Plugins » View: Newest\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:41:\"https://wordpress.org/plugins/browse/new/\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:33:\"WordPress Plugins » View: Newest\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:8:\"language\";a:1:{i:0;a:5:{s:4:\"data\";s:5:\"en-US\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 30 Mar 2016 12:46:28 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:9:\"generator\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"http://bbpress.org/?v=1.1\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"item\";a:30:{i:0;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:26:\"Ajax Marketing Slider Lite\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/plugins/ajax-marketing-slider-lite/#post-97367\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 14:48:35 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97367@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:131:\"A fully responsive Ajax content slider, display entire post categories from one Ajax slider.Customizable fonts, colors and buttons.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"soamdev\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:1;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"WP Content Scheduler With Range\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:73:\"https://wordpress.org/plugins/wp-content-scheduler-with-range/#post-97402\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 07:40:59 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97402@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:76:\"Scheduler of WordPress posts, custom posts, pages, WooCommerce products etc.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"cedcommerce\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:2;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:19:\"Multisite Directory\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:61:\"https://wordpress.org/plugins/multisite-directory/#post-97355\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 25 Mar 2016 23:46:07 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97355@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:108:\"Add a browseable, flexible directory of the sites in a WP Multisite network. Each subsite gets its own page.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Meitar\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:3;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:16:\"Wholesale Market\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"https://wordpress.org/plugins/wholesale-market/#post-97404\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 10:35:52 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97404@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:38:\"Add wholesale price for Wholesale User\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"cedcommerce\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:4;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:22:\"Multisite Store Viewer\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"https://wordpress.org/plugins/multisite-store-viewer/#post-97361\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 07:45:40 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97361@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"List all sites\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"cedcommerce\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:5;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:24:\"WidgetPack Review System\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"https://wordpress.org/plugins/widgetpack-review-system/#post-97384\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 27 Mar 2016 04:34:50 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97384@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:145:\"The WidgetPack Review System replaces default WordPress comments with social review service to get more reviews mean more traffic and more sales.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:10:\"widgetpack\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:6;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:21:\"Bulk Edit Post Titles\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:63:\"https://wordpress.org/plugins/bulk-edit-post-titles/#post-97472\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 29 Mar 2016 03:58:20 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97472@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:41:\"Use this plugin to Bulk edit post titles.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Yogesh Pawar\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:7;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:27:\"Social Mobile Messaging Bar\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wordpress.org/plugins/social-mobile-messaging-bar/#post-97364\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 13:36:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97364@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:144:\"Customers can message you or share your website on smart phone with our Social Mobile Messaging Bar. Messaging via Skype, Messenger, SMS, email.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"zotabox\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:8;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:19:\"EDD Discount Emails\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:61:\"https://wordpress.org/plugins/edd-discount-emails/#post-97394\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 27 Mar 2016 23:32:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97394@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"Set a list of emails to limit the usability of a discount code in Easy Digital Downloads.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"EngageWP\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:9;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"Block & Disable All New User Registrations & Comments Completely\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:102:\"https://wordpress.org/plugins/block-disable-all-new-user-registrations-comments-completely/#post-97044\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 21 Mar 2016 02:11:03 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97044@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:150:\"This simple plugin blocks all users from being able to register no matter what, this also blocks comments from being able to be inserted into the data\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Chris Flannagan\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:10;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:20:\"BNE Gallery Extended\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:62:\"https://wordpress.org/plugins/bne-gallery-extended/#post-97387\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 27 Mar 2016 09:44:01 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97387@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:120:\"Simple add-on to the default WordPress gallery shortcode, [gallery] to include a 3D Carousel and Masonry display option.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Bluenotes\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:11;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:24:\"Related Listicles Widget\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:66:\"https://wordpress.org/plugins/related-listicles-widget/#post-97159\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 23 Mar 2016 01:29:58 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97159@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:78:\"Add listicles from Listicor.com to your pages using either widget or shortcode\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"Relevad\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:12;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"Seeder\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"https://wordpress.org/plugins/seeder/#post-97358\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 03:59:37 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97358@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:58:\"Perform heavy / infrequent actions in a controlled manner.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Aaron Holbrook\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:13;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:13:\"System Report\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:55:\"https://wordpress.org/plugins/system-report/#post-97360\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 04:10:53 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97360@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:97:\"Quickly identify important aspects of your server, PHP, WordPress installation, theme and plugins\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Aaron Holbrook\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:14;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"HideMeIn\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:50:\"https://wordpress.org/plugins/hidemein/#post-97382\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 22:27:15 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97382@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:150:\"HideMeIn is a WordPress Plugin that hides you from other users’ eyes.\nOnce installed and activated no one will see you in administrators’ dashboar\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"Daniele Alessandra\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:15;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"Super Accordion\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"https://wordpress.org/plugins/super-accordion/#post-96438\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 08 Mar 2016 23:33:05 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"96438@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:70:\"Very easy and powerful collapsible accordion plugin for post and page.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"shadowvault\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:16;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:40:\"ShopSocially Referral and Loyalty Plugin\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:75:\"https://wordpress.org/plugins/shopsocially-referral-and-loyalty/#post-97015\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 20 Mar 2016 18:05:11 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97015@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:84:\"ShopSocially offers a Saas based social commerce platform aimed at online retailers.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"shopsocially\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:17;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"GlotPress – Translation Propagation\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:68:\"https://wordpress.org/plugins/gp-translation-propagation/#post-97381\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 21:05:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97381@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:44:\"Brings Translation Propagation to GlotPress.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:27:\"Dominik Schilling (ocean90)\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:18;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:27:\"Freightview for WooCommerce\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"https://wordpress.org/plugins/freightview-for-woocommerce/#post-97080\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Tue, 22 Mar 2016 00:00:39 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97080@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:85:\"Give your customers real freight quotes from your WooCommerce store with Freightview.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"freightview\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:19;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:25:\"CartStack for WooCommerce\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:67:\"https://wordpress.org/plugins/cartstack-for-woocommerce/#post-97072\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 21 Mar 2016 17:30:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97072@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:112:\"CartStack for WooCommerce is the leading shopping cart abandonment recovery plugin for the WooCommerce platform.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"cartstack\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:20;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"Keyword Meta\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"https://wordpress.org/plugins/keyword-meta/#post-96829\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Wed, 16 Mar 2016 15:40:09 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"96829@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:48:\"Add tags in head of page as meta&#039;s keywords\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"appleuser\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:21;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:18:\"ePages Online Shop\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:60:\"https://wordpress.org/plugins/epages-online-shop/#post-96336\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 07 Mar 2016 13:33:13 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"96336@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:70:\"Connect your ePages Online Shop with WordPress in less than 3 minutes.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:6:\"ePages\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:22;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:29:\"WordPress Virgin Money Giving\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:64:\"https://wordpress.org/plugins/wp-virgin-money-giving/#post-97078\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 21 Mar 2016 22:39:42 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97078@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:54:\"A widget to show your Virgin Money Giving information.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"erichmond\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:23;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"Articoolo\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"https://wordpress.org/plugins/articoolo-unique-content-creator/#post-97389\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 27 Mar 2016 13:40:38 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97389@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:145:\"Use Articoolo plugin to create unique, proofread, high-quality content for your blog. Just choose a topic and let our plugin create your content.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:9:\"articoolo\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:24;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:11:\"WP Q&A Quiz\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:52:\"https://wordpress.org/plugins/wp-qa-quiz/#post-97370\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 15:59:59 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97370@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:89:\"Easy to use plugin that extend your site with Questions &#38; Answers quiz functionality.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"andreuka\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:25;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:14:\"Better Content\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:56:\"https://wordpress.org/plugins/better-content/#post-97329\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 25 Mar 2016 14:02:07 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97329@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:92:\"Users can decide on the frontend to receive emails when a particular post has been modified.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:8:\"iamklaus\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:26;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:49:\"Event Importer for Meetup and The Events Calendar\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:91:\"https://wordpress.org/plugins/event-importer-for-meetup-and-the-events-calendar/#post-97449\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Mon, 28 Mar 2016 21:13:57 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97449@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:69:\"Automatically import events from Meetup.com into The Events Calendar.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:12:\"dabernathy89\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:27;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:32:\"Syntax Highlighter for WP Editor\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:74:\"https://wordpress.org/plugins/syntax-highlighter-for-wp-editor/#post-97392\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sun, 27 Mar 2016 19:08:06 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97392@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:124:\"Replaces the defaults WordPress Theme and Plugin Editor with an enhanced editor with syntax highlighting and line numbering.\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:17:\"Arthur Gareginyan\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:28;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:23:\"WP-edtior-with-uploader\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:65:\"https://wordpress.org/plugins/wp-editor-with-uploader/#post-97368\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Sat, 26 Mar 2016 15:27:49 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97368@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:37:\"Use wp_editor with an uploader button\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:4:\"mrxx\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}i:29;a:6:{s:4:\"data\";s:30:\"\n			\n			\n			\n			\n			\n			\n					\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";s:5:\"child\";a:2:{s:0:\"\";a:5:{s:5:\"title\";a:1:{i:0;a:5:{s:4:\"data\";s:15:\"SkyDesk SalesIQ\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:57:\"https://wordpress.org/plugins/skydesk-salesiq/#post-97319\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:7:\"pubDate\";a:1:{i:0;a:5:{s:4:\"data\";s:31:\"Fri, 25 Mar 2016 06:15:51 +0000\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:4:\"guid\";a:1:{i:0;a:5:{s:4:\"data\";s:36:\"97319@https://wordpress.org/plugins/\";s:7:\"attribs\";a:1:{s:0:\"\";a:1:{s:11:\"isPermaLink\";s:5:\"false\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}s:11:\"description\";a:1:{i:0;a:5:{s:4:\"data\";s:39:\"Convert Website Visitors into Customers\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}s:32:\"http://purl.org/dc/elements/1.1/\";a:1:{s:7:\"creator\";a:1:{i:0;a:5:{s:4:\"data\";s:7:\"skydesk\";s:7:\"attribs\";a:0:{}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}s:27:\"http://www.w3.org/2005/Atom\";a:1:{s:4:\"link\";a:1:{i:0;a:5:{s:4:\"data\";s:0:\"\";s:7:\"attribs\";a:1:{s:0:\"\";a:3:{s:4:\"href\";s:42:\"https://wordpress.org/plugins/rss/view/new\";s:3:\"rel\";s:4:\"self\";s:4:\"type\";s:19:\"application/rss+xml\";}}s:8:\"xml_base\";s:0:\"\";s:17:\"xml_base_explicit\";b:0;s:8:\"xml_lang\";s:0:\"\";}}}}}}}}}}}}s:4:\"type\";i:128;s:7:\"headers\";a:12:{s:6:\"server\";s:5:\"nginx\";s:4:\"date\";s:29:\"Wed, 30 Mar 2016 12:52:54 GMT\";s:12:\"content-type\";s:23:\"text/xml; charset=UTF-8\";s:10:\"connection\";s:5:\"close\";s:4:\"vary\";s:15:\"Accept-Encoding\";s:25:\"strict-transport-security\";s:11:\"max-age=360\";s:7:\"expires\";s:29:\"Wed, 30 Mar 2016 13:21:28 GMT\";s:13:\"cache-control\";s:0:\"\";s:6:\"pragma\";s:0:\"\";s:13:\"last-modified\";s:31:\"Wed, 30 Mar 2016 12:46:28 +0000\";s:15:\"x-frame-options\";s:10:\"SAMEORIGIN\";s:4:\"x-nc\";s:11:\"HIT lax 250\";}s:5:\"build\";s:14:\"20090627192103\";}','no');
/*!40000 ALTER TABLE `wp_options` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_postmeta`
--

DROP TABLE IF EXISTS `wp_postmeta`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_postmeta` (
  `meta_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `post_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `meta_key` varchar(255) DEFAULT NULL,
  `meta_value` longtext,
  PRIMARY KEY (`meta_id`),
  KEY `post_id` (`post_id`),
  KEY `meta_key` (`meta_key`)
) ENGINE=MyISAM AUTO_INCREMENT=517 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_postmeta`
--

LOCK TABLES `wp_postmeta` WRITE;
/*!40000 ALTER TABLE `wp_postmeta` DISABLE KEYS */;
INSERT INTO `wp_postmeta` VALUES (1,2,'_wp_page_template','default'),(2,2,'_edit_lock','1392991286:2'),(3,2,'_edit_last','2'),(4,5,'_edit_last','2'),(5,5,'_edit_lock','1426856820:2'),(6,5,'_wp_page_template','default'),(7,7,'_edit_last','5'),(8,7,'_edit_lock','1392134369:5'),(9,7,'_wp_page_template','default'),(10,9,'_edit_last','2'),(11,9,'_wp_page_template','default'),(12,9,'_edit_lock','1414439086:2'),(13,11,'_edit_last','2'),(14,11,'_edit_lock','1455747210:2'),(15,11,'_wp_page_template','default'),(16,14,'_menu_item_type','post_type'),(17,14,'_menu_item_menu_item_parent','0'),(18,14,'_menu_item_object_id','11'),(19,14,'_menu_item_object','page'),(20,14,'_menu_item_target',''),(21,14,'_menu_item_classes','a:1:{i:0;s:0:\"\";}'),(22,14,'_menu_item_xfn',''),(23,14,'_menu_item_url',''),(25,15,'_menu_item_type','post_type'),(26,15,'_menu_item_menu_item_parent','0'),(27,15,'_menu_item_object_id','9'),(28,15,'_menu_item_object','page'),(29,15,'_menu_item_target',''),(30,15,'_menu_item_classes','a:1:{i:0;s:0:\"\";}'),(31,15,'_menu_item_xfn',''),(32,15,'_menu_item_url',''),(34,16,'_menu_item_type','post_type'),(35,16,'_menu_item_menu_item_parent','0'),(36,16,'_menu_item_object_id','7'),(37,16,'_menu_item_object','page'),(38,16,'_menu_item_target',''),(39,16,'_menu_item_classes','a:1:{i:0;s:0:\"\";}'),(40,16,'_menu_item_xfn',''),(41,16,'_menu_item_url',''),(43,17,'_menu_item_type','post_type'),(44,17,'_menu_item_menu_item_parent','0'),(45,17,'_menu_item_object_id','5'),(46,17,'_menu_item_object','page'),(47,17,'_menu_item_target',''),(48,17,'_menu_item_classes','a:1:{i:0;s:0:\"\";}'),(49,17,'_menu_item_xfn',''),(50,17,'_menu_item_url',''),(52,18,'_menu_item_type','post_type'),(53,18,'_menu_item_menu_item_parent','0'),(54,18,'_menu_item_object_id','2'),(55,18,'_menu_item_object','page'),(56,18,'_menu_item_target',''),(57,18,'_menu_item_classes','a:1:{i:0;s:0:\"\";}'),(58,18,'_menu_item_xfn',''),(59,18,'_menu_item_url',''),(61,1,'_edit_lock','1311430237:4'),(62,1,'_edit_last','1'),(63,31,'_edit_last','5'),(64,31,'_edit_lock','1424126134:3'),(65,31,'_wp_page_template','default'),(66,46,'_wp_attached_file','2011/05/tumblr_lfjhvou0Xs1qgaxjko1_1280.jpg'),(67,46,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"800\";s:6:\"height\";s:4:\"1215\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'63\'\";s:4:\"file\";s:43:\"2011/05/tumblr_lfjhvou0Xs1qgaxjko1_1280.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:43:\"tumblr_lfjhvou0Xs1qgaxjko1_1280-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:43:\"tumblr_lfjhvou0Xs1qgaxjko1_1280-197x300.jpg\";s:5:\"width\";s:3:\"197\";s:6:\"height\";s:3:\"300\";}s:5:\"large\";a:3:{s:4:\"file\";s:44:\"tumblr_lfjhvou0Xs1qgaxjko1_1280-674x1024.jpg\";s:5:\"width\";s:3:\"674\";s:6:\"height\";s:4:\"1024\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(75,64,'_wp_attached_file','2011/07/application-file.jpg'),(76,64,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"600\";s:6:\"height\";s:3:\"442\";s:14:\"hwstring_small\";s:23:\"height=\'94\' width=\'128\'\";s:4:\"file\";s:28:\"2011/07/application-file.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:28:\"application-file-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:28:\"application-file-300x221.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"221\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(77,65,'_wp_attached_file','2011/07/branch-meeting.jpg'),(78,65,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"600\";s:6:\"height\";s:3:\"424\";s:14:\"hwstring_small\";s:23:\"height=\'90\' width=\'128\'\";s:4:\"file\";s:26:\"2011/07/branch-meeting.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:26:\"branch-meeting-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:26:\"branch-meeting-300x212.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"212\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(79,66,'_wp_attached_file','2011/07/first-meeting1.jpg'),(80,66,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"600\";s:6:\"height\";s:3:\"349\";s:14:\"hwstring_small\";s:23:\"height=\'74\' width=\'128\'\";s:4:\"file\";s:26:\"2011/07/first-meeting1.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:26:\"first-meeting1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:26:\"first-meeting1-300x174.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"174\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(81,67,'_wp_attached_file','2011/07/first-meeting2.jpg'),(82,67,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"600\";s:6:\"height\";s:3:\"395\";s:14:\"hwstring_small\";s:23:\"height=\'84\' width=\'128\'\";s:4:\"file\";s:26:\"2011/07/first-meeting2.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:26:\"first-meeting2-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:26:\"first-meeting2-300x197.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"197\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(85,138,'_wp_attached_file','2011/10/IF-I-KNEW_emailout72dpi.jpg'),(86,138,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"722\";s:6:\"height\";s:3:\"480\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:35:\"2011/10/IF-I-KNEW_emailout72dpi.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:35:\"IF-I-KNEW_emailout72dpi-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:35:\"IF-I-KNEW_emailout72dpi-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"4\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D50\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1318252593\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:5:\"0.008\";s:5:\"title\";s:0:\"\";}}'),(87,167,'_wp_attached_file','2011/02/CATALOG_FiveYears8_lowres.jpg'),(88,167,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"480\";s:6:\"height\";s:3:\"722\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'63\'\";s:4:\"file\";s:37:\"2011/02/CATALOG_FiveYears8_lowres.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:37:\"CATALOG_FiveYears8_lowres-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:37:\"CATALOG_FiveYears8_lowres-199x300.jpg\";s:5:\"width\";s:3:\"199\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"5.6\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D50\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1319300449\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:5:\"0.008\";s:5:\"title\";s:0:\"\";}}'),(89,176,'_wp_attached_file','2012/01/CATALOG_FiveYears2_lowres.jpg'),(90,176,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"722\";s:6:\"height\";s:3:\"480\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:37:\"2012/01/CATALOG_FiveYears2_lowres.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:37:\"CATALOG_FiveYears2_lowres-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:37:\"CATALOG_FiveYears2_lowres-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"3.5\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D50\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1319300400\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:4:\"0.02\";s:5:\"title\";s:0:\"\";}}'),(91,177,'_wp_attached_file','2012/01/CATALOG_FiveYears3_lowres.jpg'),(92,177,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"722\";s:6:\"height\";s:3:\"480\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:37:\"2012/01/CATALOG_FiveYears3_lowres.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:37:\"CATALOG_FiveYears3_lowres-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:37:\"CATALOG_FiveYears3_lowres-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"3.5\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D50\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1319299594\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:4:\"0.02\";s:5:\"title\";s:0:\"\";}}'),(93,202,'_edit_last','5'),(94,202,'_wp_page_template','full-width-page.php'),(127,229,'_yoast_wpseo_metadesc',''),(126,229,'_yoast_wpseo_title',''),(125,229,'_yoast_wpseo_focuskw',''),(172,254,'_wp_attached_file','2011/02/FS-2.jpg'),(173,254,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"533\";s:6:\"height\";s:3:\"536\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'95\'\";s:4:\"file\";s:16:\"2011/02/FS-2.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:16:\"FS-2-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:16:\"FS-2-298x300.jpg\";s:5:\"width\";s:3:\"298\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(103,202,'_edit_lock','1392131826:5'),(104,138,'_wp_attachment_image_alt','IF I KNEW THEN WHAT I KNOW NOW'),(105,229,'_edit_last','2'),(106,229,'_wp_page_template','default'),(115,229,'_edit_lock','1392134313:5'),(128,229,'_yoast_wpseo_meta-robots-noindex','0'),(129,229,'_yoast_wpseo_meta-robots-nofollow','0'),(130,229,'_yoast_wpseo_meta-robots-adv','none'),(131,229,'_yoast_wpseo_canonical',''),(132,229,'_yoast_wpseo_redirect',''),(133,11,'_yoast_wpseo_focuskw',''),(134,11,'_yoast_wpseo_title',''),(135,11,'_yoast_wpseo_metadesc',''),(136,11,'_yoast_wpseo_meta-robots-noindex','0'),(137,11,'_yoast_wpseo_meta-robots-nofollow','0'),(138,11,'_yoast_wpseo_meta-robots-adv','none'),(139,11,'_yoast_wpseo_canonical',''),(140,11,'_yoast_wpseo_redirect',''),(141,245,'_edit_last','2'),(142,245,'_edit_lock','1459342720:2'),(349,597,'_wp_attached_file','2011/02/CATALOG_crop.jpg'),(350,597,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"597\";s:6:\"height\";s:3:\"616\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'93\'\";s:4:\"file\";s:24:\"2011/02/CATALOG_crop.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"CATALOG_crop-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"CATALOG_crop-290x300.jpg\";s:5:\"width\";s:3:\"290\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(145,245,'_yoast_wpseo_focuskw',''),(146,245,'_yoast_wpseo_title',''),(147,245,'_yoast_wpseo_metadesc',''),(148,245,'_yoast_wpseo_meta-robots-noindex','0'),(149,245,'_yoast_wpseo_meta-robots-nofollow','0'),(150,245,'_yoast_wpseo_meta-robots-adv','none'),(151,245,'_yoast_wpseo_canonical',''),(152,245,'_yoast_wpseo_redirect',''),(153,245,'_wp_page_template','default'),(154,250,'_wp_attached_file','2011/02/tca.jpeg'),(155,250,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"319\";s:6:\"height\";s:3:\"236\";s:14:\"hwstring_small\";s:23:\"height=\'94\' width=\'128\'\";s:4:\"file\";s:16:\"2011/02/tca.jpeg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:15:\"tca-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:15:\"tca-300x221.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"221\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(156,202,'_yoast_wpseo_focuskw',''),(157,202,'_yoast_wpseo_title',''),(158,202,'_yoast_wpseo_metadesc',''),(159,202,'_yoast_wpseo_meta-robots-noindex','0'),(160,202,'_yoast_wpseo_meta-robots-nofollow','0'),(161,202,'_yoast_wpseo_meta-robots-adv','none'),(162,202,'_yoast_wpseo_canonical',''),(163,202,'_yoast_wpseo_redirect',''),(164,5,'_yoast_wpseo_focuskw',''),(165,5,'_yoast_wpseo_title',''),(166,5,'_yoast_wpseo_metadesc',''),(167,5,'_yoast_wpseo_meta-robots-noindex','0'),(168,5,'_yoast_wpseo_meta-robots-nofollow','0'),(169,5,'_yoast_wpseo_meta-robots-adv','none'),(170,5,'_yoast_wpseo_canonical',''),(171,5,'_yoast_wpseo_redirect',''),(174,258,'_wp_attached_file','2012/05/CATALOG_dittoditto1.jpg'),(175,258,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"468\";s:6:\"height\";s:3:\"311\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:31:\"2012/05/CATALOG_dittoditto1.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:31:\"CATALOG_dittoditto1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:31:\"CATALOG_dittoditto1-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(176,257,'_edit_last','5'),(177,257,'_edit_lock','1424126667:3'),(178,257,'_yoast_wpseo_focuskw',''),(179,257,'_yoast_wpseo_title',''),(180,257,'_yoast_wpseo_metadesc',''),(181,257,'_yoast_wpseo_meta-robots-noindex','0'),(182,257,'_yoast_wpseo_meta-robots-nofollow','0'),(183,257,'_yoast_wpseo_meta-robots-adv','none'),(184,257,'_yoast_wpseo_canonical',''),(185,257,'_yoast_wpseo_redirect',''),(186,257,'_wp_page_template','default'),(187,269,'_wp_attached_file','2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg'),(188,269,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"656\";s:6:\"height\";s:3:\"436\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:50:\"2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:35:\"CATALOG_IFIKNEW_studio1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:35:\"CATALOG_IFIKNEW_studio1-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D50\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1332929273\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:17:\"0.033333333333333\";s:5:\"title\";s:0:\"\";}}'),(189,270,'_wp_attached_file','2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg'),(190,270,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"656\";s:6:\"height\";s:3:\"436\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:50:\"2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:35:\"CATALOG_IFIKNEW_studio2-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:35:\"CATALOG_IFIKNEW_studio2-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D50\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1332929542\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:17:\"0.033333333333333\";s:5:\"title\";s:0:\"\";}}'),(191,270,'_wp_attachment_backup_sizes','a:1:{s:9:\"full-orig\";a:3:{s:5:\"width\";s:3:\"722\";s:6:\"height\";s:3:\"480\";s:4:\"file\";s:27:\"CATALOG_IFIKNEW_studio2.jpg\";}}'),(192,269,'_wp_attachment_backup_sizes','a:1:{s:9:\"full-orig\";a:3:{s:5:\"width\";s:3:\"722\";s:6:\"height\";s:3:\"480\";s:4:\"file\";s:27:\"CATALOG_IFIKNEW_studio1.jpg\";}}'),(193,7,'_yoast_wpseo_focuskw',''),(194,7,'_yoast_wpseo_title',''),(195,7,'_yoast_wpseo_metadesc',''),(196,7,'_yoast_wpseo_meta-robots-noindex','0'),(197,7,'_yoast_wpseo_meta-robots-nofollow','0'),(198,7,'_yoast_wpseo_meta-robots-adv','none'),(199,7,'_yoast_wpseo_canonical',''),(200,7,'_yoast_wpseo_redirect',''),(201,2,'_yoast_wpseo_focuskw',''),(202,2,'_yoast_wpseo_title','Contents - CATALOG'),(203,2,'_yoast_wpseo_metadesc',''),(204,2,'_yoast_wpseo_meta-robots-noindex','0'),(205,2,'_yoast_wpseo_meta-robots-nofollow','0'),(206,2,'_yoast_wpseo_meta-robots-adv','none'),(207,2,'_yoast_wpseo_canonical',''),(208,2,'_yoast_wpseo_redirect',''),(209,284,'_wp_attached_file','2012/06/DittoDittoLibrary2_72dpi.jpg'),(210,284,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"542\";s:6:\"height\";s:3:\"544\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'95\'\";s:4:\"file\";s:36:\"2012/06/DittoDittoLibrary2_72dpi.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:36:\"DittoDittoLibrary2_72dpi-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:36:\"DittoDittoLibrary2_72dpi-298x300.jpg\";s:5:\"width\";s:3:\"298\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:16:\"CanoScan LiDE 25\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1338725755\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(211,285,'_wp_attached_file','2012/06/DittoDittoLibrary_72dpi.jpg'),(212,285,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"800\";s:6:\"height\";s:3:\"435\";s:14:\"hwstring_small\";s:23:\"height=\'69\' width=\'128\'\";s:4:\"file\";s:35:\"2012/06/DittoDittoLibrary_72dpi.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:35:\"DittoDittoLibrary_72dpi-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:35:\"DittoDittoLibrary_72dpi-300x163.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"163\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:16:\"CanoScan LiDE 25\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1338725942\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(213,297,'_wp_attached_file','2012/05/DittoDitto_documentation1.jpg'),(214,297,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"747\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'128\'\";s:4:\"file\";s:37:\"2012/05/DittoDitto_documentation1.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:37:\"DittoDitto_documentation1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:37:\"DittoDitto_documentation1-300x224.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"224\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:8:\"iPhone 4\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1339240759\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"3.85\";s:3:\"iso\";s:3:\"125\";s:13:\"shutter_speed\";s:17:\"0.066666666666667\";s:5:\"title\";s:0:\"\";}}'),(215,298,'_wp_attached_file','2012/05/DittoDitto_documentation2.jpg'),(216,298,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"747\";s:6:\"height\";s:4:\"1000\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'71\'\";s:4:\"file\";s:37:\"2012/05/DittoDitto_documentation2.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:37:\"DittoDitto_documentation2-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:37:\"DittoDitto_documentation2-224x300.jpg\";s:5:\"width\";s:3:\"224\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:8:\"iPhone 4\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1339185508\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"3.85\";s:3:\"iso\";s:3:\"200\";s:13:\"shutter_speed\";s:17:\"0.066666666666667\";s:5:\"title\";s:0:\"\";}}'),(217,301,'_wp_attached_file','2011/02/DittoDitto_documentation3.jpg'),(218,301,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"747\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'128\'\";s:4:\"file\";s:37:\"2011/02/DittoDitto_documentation3.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:37:\"DittoDitto_documentation3-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:37:\"DittoDitto_documentation3-300x224.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"224\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:8:\"iPhone 4\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1339171287\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"3.85\";s:3:\"iso\";s:3:\"160\";s:13:\"shutter_speed\";s:17:\"0.066666666666667\";s:5:\"title\";s:0:\"\";}}'),(219,304,'_wp_attached_file','2012/05/FS-1.jpg'),(220,304,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"800\";s:6:\"height\";s:3:\"542\";s:14:\"hwstring_small\";s:23:\"height=\'86\' width=\'128\'\";s:4:\"file\";s:16:\"2012/05/FS-1.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:16:\"FS-1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:16:\"FS-1-300x203.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"203\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:16:\"CanoScan LiDE 25\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1332334217\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(221,305,'_wp_attached_file','2012/05/JC-1.jpeg'),(222,305,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1337\";s:6:\"height\";s:3:\"935\";s:14:\"hwstring_small\";s:23:\"height=\'89\' width=\'128\'\";s:4:\"file\";s:17:\"2012/05/JC-1.jpeg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:16:\"JC-1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:16:\"JC-1-300x209.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"209\";}s:5:\"large\";a:3:{s:4:\"file\";s:17:\"JC-1-1024x716.jpg\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"716\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(224,314,'_wp_attached_file','2012/05/Channel1-1.jpg'),(225,314,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"678\";s:14:\"hwstring_small\";s:23:\"height=\'86\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Channel1-1.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel1-1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Channel1-1-300x203.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"203\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:16:\"CanoScan LiDE 25\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1332334217\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(226,315,'_wp_attached_file','2012/05/Channel2-1.jpeg'),(227,315,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"693\";s:14:\"hwstring_small\";s:23:\"height=\'88\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Channel2-1.jpeg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel2-1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Channel2-1-300x207.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"207\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(228,319,'_wp_attached_file','2012/05/BP-Saturday-Sound_72.jpg'),(229,319,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"3000\";s:6:\"height\";s:4:\"2201\";s:14:\"hwstring_small\";s:23:\"height=\'93\' width=\'128\'\";s:4:\"file\";s:32:\"2012/05/BP-Saturday-Sound_72.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:32:\"BP-Saturday-Sound_72-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:32:\"BP-Saturday-Sound_72-300x220.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"220\";}s:5:\"large\";a:3:{s:4:\"file\";s:33:\"BP-Saturday-Sound_72-1024x751.jpg\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"751\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"4.5\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D3X\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1339249761\";s:9:\"copyright\";s:16:\"Tate Photography\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:4:\"1600\";s:13:\"shutter_speed\";s:17:\"0.016666666666667\";s:5:\"title\";s:0:\"\";}}'),(230,320,'_wp_attached_file','2012/05/BP-Saturday-Sound_32.jpg'),(231,320,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"3000\";s:6:\"height\";s:4:\"2063\";s:14:\"hwstring_small\";s:23:\"height=\'88\' width=\'128\'\";s:4:\"file\";s:32:\"2012/05/BP-Saturday-Sound_32.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:32:\"BP-Saturday-Sound_32-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:32:\"BP-Saturday-Sound_32-300x206.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"206\";}s:5:\"large\";a:3:{s:4:\"file\";s:33:\"BP-Saturday-Sound_32-1024x704.jpg\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"704\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"4\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D3X\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1339239038\";s:9:\"copyright\";s:16:\"Tate Photography\";s:12:\"focal_length\";s:2:\"32\";s:3:\"iso\";s:4:\"1600\";s:13:\"shutter_speed\";s:17:\"0.016666666666667\";s:5:\"title\";s:0:\"\";}}'),(232,326,'_wp_attached_file','2011/02/Tate-Tanks.jpg'),(233,326,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1936\";s:6:\"height\";s:4:\"2592\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'71\'\";s:4:\"file\";s:22:\"2011/02/Tate-Tanks.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Tate-Tanks-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Tate-Tanks-224x300.jpg\";s:5:\"width\";s:3:\"224\";s:6:\"height\";s:3:\"300\";}s:5:\"large\";a:3:{s:4:\"file\";s:23:\"Tate-Tanks-764x1024.jpg\";s:5:\"width\";s:3:\"764\";s:6:\"height\";s:4:\"1024\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:8:\"iPhone 4\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1343414314\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"3.85\";s:3:\"iso\";s:3:\"125\";s:13:\"shutter_speed\";s:17:\"0.066666666666667\";s:5:\"title\";s:0:\"\";}}'),(234,337,'_wp_attached_file','2012/08/Screen-shot-2012-08-01-at-11.05.47.png'),(235,337,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1051\";s:6:\"height\";s:3:\"694\";s:14:\"hwstring_small\";s:23:\"height=\'84\' width=\'128\'\";s:4:\"file\";s:46:\"2012/08/Screen-shot-2012-08-01-at-11.05.47.png\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:46:\"Screen-shot-2012-08-01-at-11.05.47-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:46:\"Screen-shot-2012-08-01-at-11.05.47-300x198.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"198\";}s:5:\"large\";a:3:{s:4:\"file\";s:47:\"Screen-shot-2012-08-01-at-11.05.47-1024x676.png\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"676\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(236,335,'_edit_last','5'),(237,335,'_edit_lock','1392131795:5'),(238,335,'_yoast_wpseo_focuskw',''),(239,335,'_yoast_wpseo_title',''),(240,335,'_yoast_wpseo_metadesc',''),(241,335,'_yoast_wpseo_meta-robots-noindex','0'),(242,335,'_yoast_wpseo_meta-robots-nofollow','0'),(243,335,'_yoast_wpseo_meta-robots-adv','none'),(244,335,'_yoast_wpseo_canonical',''),(245,335,'_yoast_wpseo_redirect',''),(246,335,'_wp_page_template','default'),(250,339,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1051\";s:6:\"height\";s:3:\"694\";s:14:\"hwstring_small\";s:23:\"height=\'84\' width=\'128\'\";s:4:\"file\";s:40:\"2012/08/CATALOG-impossible-book-page.png\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:40:\"CATALOG-impossible-book-page-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:40:\"CATALOG-impossible-book-page-300x198.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"198\";}s:5:\"large\";a:3:{s:4:\"file\";s:41:\"CATALOG-impossible-book-page-1024x676.png\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"676\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(249,339,'_wp_attached_file','2012/08/CATALOG-impossible-book-page.png'),(251,340,'_wp_attached_file','2012/08/Untitled1.png'),(252,340,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"402\";s:6:\"height\";s:3:\"280\";s:14:\"hwstring_small\";s:23:\"height=\'89\' width=\'128\'\";s:4:\"file\";s:21:\"2012/08/Untitled1.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:21:\"Untitled1-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:21:\"Untitled1-300x208.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"208\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(265,360,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"533\";s:6:\"height\";s:3:\"536\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'95\'\";s:4:\"file\";s:22:\"2012/05/Channel1-2.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel1-2-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Channel1-2-298x300.jpg\";s:5:\"width\";s:3:\"298\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(264,360,'_wp_attached_file','2012/05/Channel1-2.jpg'),(266,361,'_wp_attached_file','2012/05/Channel2-2.jpg'),(267,361,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"124\";s:14:\"hwstring_small\";s:23:\"height=\'15\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Channel2-2.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel2-2-150x124.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"124\";}s:6:\"medium\";a:3:{s:4:\"file\";s:21:\"Channel2-2-300x37.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:2:\"37\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(268,372,'_wp_attached_file','2011/02/IMG_1685.jpg'),(269,372,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"2592\";s:6:\"height\";s:4:\"1936\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'128\'\";s:4:\"file\";s:20:\"2011/02/IMG_1685.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:20:\"IMG_1685-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:20:\"IMG_1685-300x224.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"224\";}s:5:\"large\";a:3:{s:4:\"file\";s:21:\"IMG_1685-1024x764.jpg\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"764\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:8:\"iPhone 4\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1319114967\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"3.85\";s:3:\"iso\";s:2:\"80\";s:13:\"shutter_speed\";s:18:\"0.0026525198938992\";s:5:\"title\";s:0:\"\";}}'),(270,9,'_yoast_wpseo_focuskw',''),(271,9,'_yoast_wpseo_title',''),(272,9,'_yoast_wpseo_metadesc',''),(273,9,'_yoast_wpseo_meta-robots-noindex','0'),(274,9,'_yoast_wpseo_meta-robots-nofollow','0'),(275,9,'_yoast_wpseo_meta-robots-adv','none'),(276,9,'_yoast_wpseo_canonical',''),(277,9,'_yoast_wpseo_redirect',''),(278,401,'_wp_attached_file','2012/10/Channel1-3_lowres.jpg'),(279,401,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"382\";s:6:\"height\";s:3:\"620\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'59\'\";s:4:\"file\";s:29:\"2012/10/Channel1-3_lowres.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:29:\"Channel1-3_lowres-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:29:\"Channel1-3_lowres-184x300.jpg\";s:5:\"width\";s:3:\"184\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:16:\"CanoScan LiDE 25\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1347889770\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(280,402,'_wp_attached_file','2012/10/Channel2-3_lowres.jpg'),(281,402,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"422\";s:6:\"height\";s:4:\"1913\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'21\'\";s:4:\"file\";s:29:\"2012/10/Channel2-3_lowres.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:29:\"Channel2-3_lowres-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:28:\"Channel2-3_lowres-66x300.jpg\";s:5:\"width\";s:2:\"66\";s:6:\"height\";s:3:\"300\";}s:5:\"large\";a:3:{s:4:\"file\";s:30:\"Channel2-3_lowres-225x1024.jpg\";s:5:\"width\";s:3:\"225\";s:6:\"height\";s:4:\"1024\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(282,406,'_wp_attached_file','2012/05/CATALOG_broadcast3.jpeg'),(283,406,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"534\";s:6:\"height\";s:3:\"620\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'82\'\";s:4:\"file\";s:31:\"2012/05/CATALOG_broadcast3.jpeg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:30:\"CATALOG_broadcast3-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:30:\"CATALOG_broadcast3-258x300.jpg\";s:5:\"width\";s:3:\"258\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(284,415,'_wp_attached_file','2011/02/profile.jpg'),(285,415,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"320\";s:6:\"height\";s:3:\"240\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'128\'\";s:4:\"file\";s:19:\"2011/02/profile.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:19:\"profile-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:19:\"profile-300x225.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"225\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.4\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"iPhone 4S\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1348070504\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"4.28\";s:3:\"iso\";s:2:\"80\";s:13:\"shutter_speed\";s:17:\"0.016666666666667\";s:5:\"title\";s:0:\"\";}}'),(286,430,'_wp_attached_file','2012/05/Channel1-4.jpg'),(287,430,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"530\";s:6:\"height\";s:3:\"300\";s:14:\"hwstring_small\";s:23:\"height=\'72\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Channel1-4.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel1-4-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Channel1-4-300x169.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"169\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(288,431,'_wp_attached_file','2012/05/Channel1-5.jpg'),(289,431,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"770\";s:6:\"height\";s:3:\"511\";s:14:\"hwstring_small\";s:23:\"height=\'84\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Channel1-5.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel1-5-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Channel1-5-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(290,432,'_wp_attached_file','2012/05/Channel2-4.jpg'),(291,432,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"436\";s:6:\"height\";s:3:\"726\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'57\'\";s:4:\"file\";s:22:\"2012/05/Channel2-4.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel2-4-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Channel2-4-180x300.jpg\";s:5:\"width\";s:3:\"180\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:16:\"CanoScan LiDE 25\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1351712222\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(292,433,'_wp_attached_file','2012/05/Channel2-5.jpg'),(293,433,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"703\";s:6:\"height\";s:4:\"1000\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'67\'\";s:4:\"file\";s:22:\"2012/05/Channel2-5.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel2-5-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Channel2-5-210x300.jpg\";s:5:\"width\";s:3:\"210\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(294,447,'_wp_attached_file','2012/05/Channel2-6.jpg'),(295,447,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"800\";s:6:\"height\";s:3:\"579\";s:14:\"hwstring_small\";s:23:\"height=\'92\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Channel2-6.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel2-6-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Channel2-6-300x217.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"217\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(296,448,'_wp_attached_file','2012/05/Channel1-6.jpg'),(297,448,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"538\";s:6:\"height\";s:3:\"700\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'73\'\";s:4:\"file\";s:22:\"2012/05/Channel1-6.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Channel1-6-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Channel1-6-230x300.jpg\";s:5:\"width\";s:3:\"230\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(298,457,'_wp_attached_file','2011/02/CATALOG_ResonanceFMDec2012.jpg'),(299,457,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"623\";s:6:\"height\";s:3:\"465\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'128\'\";s:4:\"file\";s:38:\"2011/02/CATALOG_ResonanceFMDec2012.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:38:\"CATALOG_ResonanceFMDec2012-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:38:\"CATALOG_ResonanceFMDec2012-300x223.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"223\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:8:\"iPhone 4\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1353624404\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"3.85\";s:3:\"iso\";s:3:\"400\";s:13:\"shutter_speed\";s:17:\"0.066666666666667\";s:5:\"title\";s:0:\"\";}}'),(300,474,'_wp_attached_file','2012/05/channel1-7.jpg'),(301,474,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"855\";s:6:\"height\";s:3:\"575\";s:14:\"hwstring_small\";s:23:\"height=\'86\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/channel1-7.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"channel1-7-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"channel1-7-300x201.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"201\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(302,475,'_wp_attached_file','2012/05/channel2-7.jpg'),(303,475,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"500\";s:6:\"height\";s:3:\"529\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'90\'\";s:4:\"file\";s:22:\"2012/05/channel2-7.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"channel2-7-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"channel2-7-283x300.jpg\";s:5:\"width\";s:3:\"283\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(304,479,'_wp_attached_file','2012/05/channel2-8.jpg'),(305,479,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"664\";s:6:\"height\";s:3:\"944\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'67\'\";s:4:\"file\";s:22:\"2012/05/channel2-8.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"channel2-8-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"channel2-8-211x300.jpg\";s:5:\"width\";s:3:\"211\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:32:\"(c) Royal Botanic Gardens, Kew (\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:110:\"Royal Botanic Gardens, Kew; (c) Royal Botanic Gardens, Kew (book); Supplied by The Public Catalogue Foundation\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:82:\"This image is copyrighted. For further information please read Rights Usage Terms.\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(306,480,'_wp_attached_file','2012/05/channel1-8.jpg'),(307,480,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"640\";s:6:\"height\";s:3:\"350\";s:14:\"hwstring_small\";s:23:\"height=\'70\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/channel1-8.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"channel1-8-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"channel1-8-300x164.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"164\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(308,483,'_wp_attached_file','2012/05/channel1-9.jpg'),(309,483,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"745\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/channel1-9.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"channel1-9-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"channel1-9-300x223.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"223\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:8:\"iPhone 4\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1362945418\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"3.85\";s:3:\"iso\";s:3:\"500\";s:13:\"shutter_speed\";s:17:\"0.066666666666667\";s:5:\"title\";s:0:\"\";}}'),(310,484,'_wp_attached_file','2012/05/channel2-9.jpg'),(311,484,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"883\";s:6:\"height\";s:3:\"693\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'122\'\";s:4:\"file\";s:22:\"2012/05/channel2-9.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"channel2-9-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"channel2-9-300x235.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"235\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(312,487,'_wp_attached_file','2012/05/channel2-10.jpg'),(313,487,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"600\";s:6:\"height\";s:3:\"442\";s:14:\"hwstring_small\";s:23:\"height=\'94\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel2-10.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel2-10-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel2-10-300x221.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"221\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(314,488,'_wp_attached_file','2012/05/channel1-10.png'),(315,488,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1280\";s:6:\"height\";s:3:\"800\";s:14:\"hwstring_small\";s:23:\"height=\'80\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel1-10.png\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel1-10-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel1-10-300x187.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"187\";}s:5:\"large\";a:3:{s:4:\"file\";s:24:\"channel1-10-1024x640.png\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"640\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(316,490,'_wp_attached_file','2012/05/channel1-11.jpeg'),(317,490,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1018\";s:6:\"height\";s:3:\"538\";s:14:\"hwstring_small\";s:23:\"height=\'67\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/channel1-11.jpeg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel1-11-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel1-11-300x158.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"158\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(318,491,'_wp_attached_file','2012/05/channel2-11.jpg'),(319,491,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"869\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'113\'\";s:4:\"file\";s:23:\"2012/05/channel2-11.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel2-11-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel2-11-300x254.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"254\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:27:\"Museum of Photographic Arts\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1271686876\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(320,509,'_wp_attached_file','2012/05/channel2-12.jpg'),(321,509,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"400\";s:6:\"height\";s:3:\"536\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'71\'\";s:4:\"file\";s:23:\"2012/05/channel2-12.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel2-12-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel2-12-223x300.jpg\";s:5:\"width\";s:3:\"223\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(322,510,'_wp_attached_file','2012/05/channel1-12.jpg'),(323,510,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1200\";s:6:\"height\";s:3:\"796\";s:14:\"hwstring_small\";s:23:\"height=\'84\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel1-12.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel1-12-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel1-12-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}s:5:\"large\";a:3:{s:4:\"file\";s:24:\"channel1-12-1024x679.jpg\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"679\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(324,511,'_wp_attached_file','2012/05/channel1-13.jpg'),(325,511,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"747\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel1-13.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel1-13-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel1-13-300x224.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"224\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:8:\"iPhone 4\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1373576685\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"3.85\";s:3:\"iso\";s:3:\"125\";s:13:\"shutter_speed\";s:17:\"0.066666666666667\";s:5:\"title\";s:0:\"\";}}'),(326,512,'_wp_attached_file','2012/05/channel2-13.jpg'),(327,512,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"242\";s:14:\"hwstring_small\";s:23:\"height=\'30\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel2-13.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel2-13-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"channel2-13-300x72.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:2:\"72\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(347,587,'_wp_attached_file','2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg'),(348,587,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"290\";s:6:\"height\";s:3:\"163\";s:14:\"hwstring_small\";s:23:\"height=\'71\' width=\'128\'\";s:4:\"file\";s:55:\"2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\";s:5:\"sizes\";a:1:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:55:\"CATALOG_Thepressphotograph_2013_v3_cropwide-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(330,524,'_edit_last','5'),(331,524,'_edit_lock','1427802976:2'),(332,524,'_yoast_wpseo_focuskw',''),(333,524,'_yoast_wpseo_title',''),(334,524,'_yoast_wpseo_metadesc',''),(335,524,'_yoast_wpseo_meta-robots-noindex','0'),(336,524,'_yoast_wpseo_meta-robots-nofollow','0'),(337,524,'_yoast_wpseo_meta-robots-adv','none'),(338,524,'_yoast_wpseo_canonical',''),(339,524,'_yoast_wpseo_redirect',''),(340,524,'_wp_page_template','default'),(341,533,'_wp_attached_file','2011/02/CATALOG_Thepressphotograph_2013_v3_crop.jpg'),(342,533,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"300\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'96\'\";s:4:\"file\";s:51:\"2011/02/CATALOG_Thepressphotograph_2013_v3_crop.jpg\";s:5:\"sizes\";a:1:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:51:\"CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(343,543,'_wp_attached_file','2013/08/CATALOG_thepressphotograph_2013_v2.jpg'),(344,543,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"647\";s:14:\"hwstring_small\";s:23:\"height=\'82\' width=\'128\'\";s:4:\"file\";s:46:\"2013/08/CATALOG_thepressphotograph_2013_v2.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:46:\"CATALOG_thepressphotograph_2013_v2-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:46:\"CATALOG_thepressphotograph_2013_v2-300x194.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"194\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(351,612,'_wp_attached_file','2012/05/channel2-14.jpg'),(352,612,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"625\";s:6:\"height\";s:3:\"899\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'66\'\";s:4:\"file\";s:23:\"2012/05/channel2-14.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel2-14-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel2-14-208x300.jpg\";s:5:\"width\";s:3:\"208\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(353,613,'_wp_attached_file','2012/05/channel1-14.jpg'),(354,613,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"563\";s:14:\"hwstring_small\";s:23:\"height=\'72\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel1-14.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel1-14-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel1-14-300x168.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"168\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(355,617,'_wp_attached_file','2012/05/channel1-15.jpg'),(356,617,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"618\";s:6:\"height\";s:3:\"274\";s:14:\"hwstring_small\";s:23:\"height=\'56\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel1-15.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel1-15-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel1-15-300x133.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"133\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(357,618,'_wp_attached_file','2012/05/channel2-15.jpg'),(358,618,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"749\";s:6:\"height\";s:3:\"480\";s:14:\"hwstring_small\";s:23:\"height=\'82\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel2-15.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel2-15-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel2-15-300x192.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"192\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(359,622,'_wp_attached_file','2012/05/channel2-16.jpg'),(360,622,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"680\";s:6:\"height\";s:3:\"673\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'96\'\";s:4:\"file\";s:23:\"2012/05/channel2-16.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel2-16-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel2-16-300x296.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"296\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(361,623,'_wp_attached_file','2012/05/channel1-16.jpg'),(362,623,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1021\";s:6:\"height\";s:3:\"573\";s:14:\"hwstring_small\";s:23:\"height=\'71\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel1-16.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel1-16-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel1-16-300x168.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"168\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(363,627,'_wp_attached_file','2012/05/channel1-17.jpg'),(364,627,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"500\";s:6:\"height\";s:3:\"391\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'122\'\";s:4:\"file\";s:23:\"2012/05/channel1-17.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel1-17-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel1-17-300x234.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"234\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(365,628,'_wp_attached_file','2012/05/channel2-17-1.jpeg'),(366,628,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"667\";s:6:\"height\";s:3:\"672\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'95\'\";s:4:\"file\";s:26:\"2012/05/channel2-17-1.jpeg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:25:\"channel2-17-1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:25:\"channel2-17-1-297x300.jpg\";s:5:\"width\";s:3:\"297\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:12:\"C4700 series\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(367,629,'_wp_attached_file','2012/05/channel1-17web.jpg'),(368,629,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"782\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'122\'\";s:4:\"file\";s:26:\"2012/05/channel1-17web.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:26:\"channel1-17web-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:26:\"channel1-17web-300x234.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"234\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(369,630,'_wp_attached_file','2012/05/channel2-17-web.jpg'),(370,630,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:4:\"1007\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'95\'\";s:4:\"file\";s:27:\"2012/05/channel2-17-web.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:27:\"channel2-17-web-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:27:\"channel2-17-web-297x300.jpg\";s:5:\"width\";s:3:\"297\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:12:\"C4700 series\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(371,634,'_wp_attached_file','2012/05/channel2-18.jpg'),(372,634,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"623\";s:6:\"height\";s:3:\"480\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'124\'\";s:4:\"file\";s:23:\"2012/05/channel2-18.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel2-18-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel2-18-300x231.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"231\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(373,635,'_wp_attached_file','2012/05/channel1-18.jpg'),(374,635,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"720\";s:6:\"height\";s:3:\"540\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/channel1-18.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"channel1-18-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"channel1-18-300x225.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"225\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(375,642,'_wp_attached_file','2012/05/Broadcast19.png'),(376,642,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"900\";s:6:\"height\";s:3:\"509\";s:14:\"hwstring_small\";s:23:\"height=\'72\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast19.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast19-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast19-300x169.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"169\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(377,646,'_wp_attached_file','2012/05/Broadcast18.png'),(378,646,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"900\";s:6:\"height\";s:3:\"340\";s:14:\"hwstring_small\";s:23:\"height=\'48\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast18.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast18-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast18-300x113.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"113\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(379,647,'_wp_attached_file','2012/05/Broadcast17.png'),(380,647,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"999\";s:6:\"height\";s:3:\"477\";s:14:\"hwstring_small\";s:23:\"height=\'61\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast17.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast17-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast17-300x143.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"143\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(381,648,'_wp_attached_file','2012/05/Broadcast16.png'),(382,648,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"999\";s:6:\"height\";s:3:\"416\";s:14:\"hwstring_small\";s:23:\"height=\'53\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast16.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast16-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast16-300x124.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"124\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(383,649,'_wp_attached_file','2012/05/Broadcast15.png'),(384,649,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"999\";s:6:\"height\";s:3:\"311\";s:14:\"hwstring_small\";s:23:\"height=\'39\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast15.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast15-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast15-300x93.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:2:\"93\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(385,650,'_wp_attached_file','2012/05/Broadcast14.png'),(386,650,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"572\";s:14:\"hwstring_small\";s:23:\"height=\'73\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast14.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast14-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast14-300x171.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"171\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(387,651,'_wp_attached_file','2012/05/broadcast13.png'),(388,651,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"986\";s:6:\"height\";s:3:\"317\";s:14:\"hwstring_small\";s:23:\"height=\'41\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/broadcast13.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"broadcast13-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"broadcast13-300x96.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:2:\"96\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(389,652,'_wp_attached_file','2012/05/Broadcast12.png'),(390,652,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"540\";s:14:\"hwstring_small\";s:23:\"height=\'69\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast12.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast12-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast12-300x162.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"162\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(391,653,'_wp_attached_file','2012/05/Broadcast11.png'),(392,653,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"899\";s:6:\"height\";s:3:\"343\";s:14:\"hwstring_small\";s:23:\"height=\'48\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast11.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast11-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast11-300x114.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"114\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(393,654,'_wp_attached_file','2012/05/Broadcast10.png'),(394,654,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"334\";s:14:\"hwstring_small\";s:23:\"height=\'42\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast10.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast10-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast10-300x100.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"100\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(395,655,'_wp_attached_file','2012/05/Broadcast9.png'),(396,655,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1500\";s:6:\"height\";s:3:\"563\";s:14:\"hwstring_small\";s:23:\"height=\'48\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Broadcast9.png\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Broadcast9-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast9-300x112.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"112\";}s:5:\"large\";a:3:{s:4:\"file\";s:23:\"Broadcast9-1024x384.png\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"384\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(397,656,'_wp_attached_file','2012/05/Broadcast8.png'),(398,656,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"892\";s:6:\"height\";s:3:\"494\";s:14:\"hwstring_small\";s:23:\"height=\'70\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Broadcast8.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Broadcast8-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast8-300x166.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"166\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(399,657,'_wp_attached_file','2012/05/Broadcast7.png'),(400,657,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"898\";s:6:\"height\";s:3:\"446\";s:14:\"hwstring_small\";s:23:\"height=\'63\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Broadcast7.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Broadcast7-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast7-300x148.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"148\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(401,658,'_wp_attached_file','2012/05/Broadcast6.png'),(402,658,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"900\";s:6:\"height\";s:3:\"495\";s:14:\"hwstring_small\";s:23:\"height=\'70\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Broadcast6.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Broadcast6-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast6-300x165.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"165\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(403,659,'_wp_attached_file','2012/05/Broadcast5.png'),(404,659,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"899\";s:6:\"height\";s:3:\"580\";s:14:\"hwstring_small\";s:23:\"height=\'82\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Broadcast5.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Broadcast5-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast5-300x193.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"193\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(405,660,'_wp_attached_file','2012/05/Broadcast4.png'),(406,660,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"898\";s:6:\"height\";s:3:\"568\";s:14:\"hwstring_small\";s:23:\"height=\'80\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Broadcast4.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Broadcast4-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast4-300x189.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"189\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(407,661,'_wp_attached_file','2012/05/Broadcast2.png'),(408,661,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"900\";s:6:\"height\";s:3:\"500\";s:14:\"hwstring_small\";s:23:\"height=\'71\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Broadcast2.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Broadcast2-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast2-300x166.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"166\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(409,662,'_wp_attached_file','2012/05/Broadcast1.png'),(410,662,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"897\";s:6:\"height\";s:3:\"299\";s:14:\"hwstring_small\";s:23:\"height=\'42\' width=\'128\'\";s:4:\"file\";s:22:\"2012/05/Broadcast1.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Broadcast1-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast1-300x100.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"100\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(411,667,'_wp_attached_file','2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg'),(412,667,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"722\";s:6:\"height\";s:3:\"480\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:58:\"2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:58:\"CATALOG_Thepressphotograph_IMMA2013_0013lowres-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:58:\"CATALOG_Thepressphotograph_IMMA2013_0013lowres-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:2:\"11\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D50\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1377941953\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"35\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:17:\"0.016666666666667\";s:5:\"title\";s:0:\"\";}}'),(413,668,'_wp_attached_file','2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg'),(414,668,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"722\";s:6:\"height\";s:3:\"480\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:58:\"2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:58:\"CATALOG_Thepressphotograph_IMMA2013_0029lowres-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:58:\"CATALOG_Thepressphotograph_IMMA2013_0029lowres-300x199.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"199\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:2:\"10\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D50\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1377942488\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"24\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:17:\"0.016666666666667\";s:5:\"title\";s:0:\"\";}}'),(415,669,'_wp_attached_file','2012/05/Broadcast161.png'),(416,669,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"993\";s:6:\"height\";s:3:\"409\";s:14:\"hwstring_small\";s:23:\"height=\'52\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast161.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast161-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast161-300x123.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"123\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(417,670,'_wp_attached_file','2012/05/Broadcast121.png'),(418,670,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"993\";s:6:\"height\";s:3:\"536\";s:14:\"hwstring_small\";s:23:\"height=\'69\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast121.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast121-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast121-300x161.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"161\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(419,671,'_wp_attached_file','2012/05/Broadcast91.png'),(420,671,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"895\";s:6:\"height\";s:3:\"336\";s:14:\"hwstring_small\";s:23:\"height=\'48\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast91.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast91-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast91-300x112.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"112\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(421,672,'_wp_attached_file','2012/05/Broadcast81.png'),(422,672,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"889\";s:6:\"height\";s:3:\"492\";s:14:\"hwstring_small\";s:23:\"height=\'70\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast81.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast81-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast81-300x166.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"166\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(423,673,'_wp_attached_file','2012/05/Broadcast61.png'),(424,673,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"894\";s:6:\"height\";s:3:\"495\";s:14:\"hwstring_small\";s:23:\"height=\'70\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast61.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast61-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast61-300x166.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"166\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(425,674,'_wp_attached_file','2012/05/Broadcast51.png'),(426,674,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"878\";s:6:\"height\";s:3:\"580\";s:14:\"hwstring_small\";s:23:\"height=\'84\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast51.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast51-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast51-300x198.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"198\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(427,675,'_wp_attached_file','2012/05/Broadcast41.png'),(428,675,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"889\";s:6:\"height\";s:3:\"562\";s:14:\"hwstring_small\";s:23:\"height=\'80\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast41.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast41-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast41-300x189.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"189\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(429,676,'_wp_attached_file','2012/05/Broadcast3.png'),(430,676,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"734\";s:6:\"height\";s:3:\"614\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'114\'\";s:4:\"file\";s:22:\"2012/05/Broadcast3.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:22:\"Broadcast3-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:22:\"Broadcast3-300x250.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"250\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(431,678,'_wp_attached_file','2012/05/Broadcast21.png'),(432,678,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"899\";s:6:\"height\";s:3:\"433\";s:14:\"hwstring_small\";s:23:\"height=\'61\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast21.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast21-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast21-300x144.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"144\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(433,679,'_wp_attached_file','2012/05/Broadcast13.png'),(434,679,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"877\";s:6:\"height\";s:3:\"299\";s:14:\"hwstring_small\";s:23:\"height=\'43\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast13.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast13-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast13-300x102.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"102\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(435,681,'_wp_attached_file','2012/05/Broadcast31.png'),(436,681,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"734\";s:6:\"height\";s:3:\"614\";s:14:\"hwstring_small\";s:23:\"height=\'96\' width=\'114\'\";s:4:\"file\";s:23:\"2012/05/Broadcast31.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast31-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast31-300x250.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"250\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(437,696,'_wp_attached_file','2012/05/CATALOG_dittoditto_TateBritain2013_1.jpg'),(438,696,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"719\";s:6:\"height\";s:3:\"494\";s:14:\"hwstring_small\";s:23:\"height=\'87\' width=\'128\'\";s:4:\"file\";s:48:\"2012/05/CATALOG_dittoditto_TateBritain2013_1.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:48:\"CATALOG_dittoditto_TateBritain2013_1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:48:\"CATALOG_dittoditto_TateBritain2013_1-300x206.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"206\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"4.5\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D3X\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1339249761\";s:9:\"copyright\";s:16:\"Tate Photography\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:4:\"1600\";s:13:\"shutter_speed\";s:17:\"0.016666666666667\";s:5:\"title\";s:0:\"\";}}'),(439,697,'_wp_attached_file','2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg'),(440,697,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"719\";s:6:\"height\";s:3:\"494\";s:14:\"hwstring_small\";s:23:\"height=\'87\' width=\'128\'\";s:4:\"file\";s:48:\"2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:48:\"CATALOG_dittoditto_TateBritain2012_1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:48:\"CATALOG_dittoditto_TateBritain2012_1-300x206.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"206\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"4.5\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D3X\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1339249761\";s:9:\"copyright\";s:16:\"Tate Photography\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:4:\"1600\";s:13:\"shutter_speed\";s:17:\"0.016666666666667\";s:5:\"title\";s:0:\"\";}}'),(441,698,'_wp_attached_file','2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg'),(442,698,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"720\";s:6:\"height\";s:3:\"495\";s:14:\"hwstring_small\";s:23:\"height=\'88\' width=\'128\'\";s:4:\"file\";s:48:\"2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:48:\"CATALOG_dittoditto_TateBritain2012_2-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:48:\"CATALOG_dittoditto_TateBritain2012_2-300x206.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"206\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"4\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:9:\"NIKON D3X\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1339239038\";s:9:\"copyright\";s:16:\"Tate Photography\";s:12:\"focal_length\";s:2:\"32\";s:3:\"iso\";s:4:\"1600\";s:13:\"shutter_speed\";s:17:\"0.016666666666667\";s:5:\"title\";s:0:\"\";}}'),(443,705,'_wp_attached_file','2012/05/CATALOG_dittoditto_TateModern2012_3.jpg'),(444,705,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"667\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:47:\"2012/05/CATALOG_dittoditto_TateModern2012_3.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_3-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_3-300x200.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"200\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"3.5\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:20:\"Canon EOS 5D Mark II\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1351429310\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:4:\"1600\";s:13:\"shutter_speed\";s:4:\"0.02\";s:5:\"title\";s:0:\"\";}}'),(445,706,'_wp_attached_file','2012/05/CATALOG_dittoditto_TateModern2012_4.jpg'),(446,706,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"667\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:47:\"2012/05/CATALOG_dittoditto_TateModern2012_4.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_4-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_4-300x200.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"200\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"4.5\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:20:\"Canon EOS 5D Mark II\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1351426235\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:3:\"400\";s:13:\"shutter_speed\";s:4:\"0.02\";s:5:\"title\";s:0:\"\";}}'),(447,707,'_wp_attached_file','2012/05/CATALOG_dittoditto_TateModern2012_1.jpg'),(448,707,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"667\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:47:\"2012/05/CATALOG_dittoditto_TateModern2012_1.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_1-300x200.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"200\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:20:\"Canon EOS 5D Mark II\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1351438147\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:3:\"800\";s:13:\"shutter_speed\";s:4:\"0.02\";s:5:\"title\";s:0:\"\";}}'),(449,708,'_wp_attached_file','2012/05/CATALOG_dittoditto_TateModern2012_2.jpg'),(450,708,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"667\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:47:\"2012/05/CATALOG_dittoditto_TateModern2012_2.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_2-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_2-300x200.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"200\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:20:\"Canon EOS 5D Mark II\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1351439091\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:3:\"800\";s:13:\"shutter_speed\";s:4:\"0.02\";s:5:\"title\";s:0:\"\";}}'),(451,716,'_wp_attached_file','2012/04/CATALOG_dittoditto_TateModern2012_1.jpg'),(452,716,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"667\";s:14:\"hwstring_small\";s:23:\"height=\'85\' width=\'128\'\";s:4:\"file\";s:47:\"2012/04/CATALOG_dittoditto_TateModern2012_1.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:47:\"CATALOG_dittoditto_TateModern2012_1-300x200.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"200\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:20:\"Canon EOS 5D Mark II\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1351438147\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:2:\"50\";s:3:\"iso\";s:3:\"800\";s:13:\"shutter_speed\";s:4:\"0.02\";s:5:\"title\";s:0:\"\";}}'),(453,717,'_wp_attached_file','2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg'),(454,717,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1227\";s:6:\"height\";s:3:\"844\";s:14:\"hwstring_small\";s:23:\"height=\'88\' width=\'128\'\";s:4:\"file\";s:45:\"2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\";s:5:\"sizes\";a:3:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:45:\"CATALOG_IFIKNEWPS_FiveYears2012_1-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:45:\"CATALOG_IFIKNEWPS_FiveYears2012_1-300x206.jpg\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"206\";}s:5:\"large\";a:3:{s:4:\"file\";s:46:\"CATALOG_IFIKNEWPS_FiveYears2012_1-1024x704.jpg\";s:5:\"width\";s:4:\"1024\";s:6:\"height\";s:3:\"704\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:19:\"Canon PowerShot S70\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1350144393\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:6:\"5.8125\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:5:\"0.125\";s:5:\"title\";s:0:\"\";}}'),(455,718,'_wp_attached_file','2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg'),(456,718,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"784\";s:6:\"height\";s:4:\"1000\";s:14:\"hwstring_small\";s:22:\"height=\'96\' width=\'75\'\";s:4:\"file\";s:45:\"2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:45:\"CATALOG_IFIKNEWPS_FiveYears2012_2-150x150.jpg\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:45:\"CATALOG_IFIKNEWPS_FiveYears2012_2-235x300.jpg\";s:5:\"width\";s:3:\"235\";s:6:\"height\";s:3:\"300\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:3:\"2.8\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:8:\"iPhone 4\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:10:\"1350146825\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:4:\"3.85\";s:3:\"iso\";s:4:\"1000\";s:13:\"shutter_speed\";s:17:\"0.066666666666667\";s:5:\"title\";s:0:\"\";}}'),(457,31,'_yoast_wpseo_focuskw',''),(458,31,'_yoast_wpseo_title',''),(459,31,'_yoast_wpseo_metadesc',''),(460,31,'_yoast_wpseo_meta-robots-noindex','0'),(461,31,'_yoast_wpseo_meta-robots-nofollow','0'),(462,31,'_yoast_wpseo_meta-robots-adv','none'),(463,31,'_yoast_wpseo_canonical',''),(464,31,'_yoast_wpseo_redirect',''),(465,757,'_wp_attached_file','2012/05/Broadcast20.png'),(466,757,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"515\";s:14:\"hwstring_small\";s:23:\"height=\'65\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast20.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast20-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast20-300x154.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"154\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(467,764,'_wp_attached_file','2012/05/Broadcast211.png'),(468,764,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"365\";s:14:\"hwstring_small\";s:23:\"height=\'46\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast211.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast211-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast211-300x109.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"109\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(469,766,'_wp_attached_file','2012/05/Broadcast-23.png'),(470,766,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"999\";s:6:\"height\";s:3:\"257\";s:14:\"hwstring_small\";s:23:\"height=\'32\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-23.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-23-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast-23-300x77.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:2:\"77\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(471,768,'_wp_attached_file','2012/05/Broadcast22.png'),(472,768,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"999\";s:6:\"height\";s:3:\"720\";s:14:\"hwstring_small\";s:23:\"height=\'92\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast22.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast22-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast22-300x216.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"216\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(473,773,'_wp_attached_file','2012/05/Broadcast-24.png'),(474,773,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"577\";s:14:\"hwstring_small\";s:23:\"height=\'73\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-24.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-24-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast-24-300x173.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"173\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(477,776,'_wp_attached_file','2012/05/Broadcast-25.png'),(478,776,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"350\";s:14:\"hwstring_small\";s:23:\"height=\'44\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-25.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-25-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast-25-300x105.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"105\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(479,778,'_wp_attached_file','2012/05/Broadcast-26.png'),(480,778,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"555\";s:14:\"hwstring_small\";s:23:\"height=\'71\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-26.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-26-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast-26-300x166.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"166\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(481,779,'_wp_attached_file','2012/05/Broadcast-27.png'),(482,779,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"274\";s:14:\"hwstring_small\";s:23:\"height=\'35\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-27.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-27-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast-27-300x82.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:2:\"82\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(483,780,'_wp_attached_file','2012/05/Broadcast-28.png'),(484,780,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"637\";s:14:\"hwstring_small\";s:23:\"height=\'81\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-28.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-28-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast-28-300x191.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"191\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(485,785,'_wp_attached_file','2012/05/Broadcast29.png'),(486,785,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"571\";s:14:\"hwstring_small\";s:23:\"height=\'73\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast29.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast29-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast29-300x171.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"171\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(487,787,'_wp_attached_file','2012/05/Broadcast30.png'),(488,787,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:3:\"997\";s:6:\"height\";s:3:\"368\";s:14:\"hwstring_small\";s:23:\"height=\'47\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast30.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast30-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast30-300x110.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"110\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(489,791,'_wp_attached_file','2012/05/Broadcast-32.png'),(490,791,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"594\";s:14:\"hwstring_small\";s:23:\"height=\'76\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-32.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-32-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast-32-300x178.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"178\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(491,799,'_wp_attached_file','2012/05/Broadcast-33.png'),(492,799,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"317\";s:14:\"hwstring_small\";s:23:\"height=\'40\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-33.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-33-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast-33-300x95.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:2:\"95\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(493,800,'_wp_attached_file','2012/05/Broadcast-331.png'),(494,800,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"317\";s:14:\"hwstring_small\";s:23:\"height=\'40\' width=\'128\'\";s:4:\"file\";s:25:\"2012/05/Broadcast-331.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:25:\"Broadcast-331-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast-331-300x95.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:2:\"95\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(495,802,'_wp_attached_file','2012/05/Broadcast-34.png'),(496,802,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"541\";s:14:\"hwstring_small\";s:23:\"height=\'69\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-34.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-34-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast-34-300x162.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"162\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(497,806,'_wp_attached_file','2012/05/Broadcast-36.png'),(498,806,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"357\";s:14:\"hwstring_small\";s:23:\"height=\'45\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-36.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-36-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast-36-300x107.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"107\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(499,809,'_wp_attached_file','2012/05/broadcast-37.png'),(500,809,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"738\";s:14:\"hwstring_small\";s:23:\"height=\'94\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/broadcast-37.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"broadcast-37-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"broadcast-37-300x221.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"221\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(501,811,'_wp_attached_file','2012/05/Broadcast38.png'),(502,811,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"363\";s:14:\"hwstring_small\";s:23:\"height=\'46\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast38.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast38-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast38-300x108.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"108\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(503,812,'_wp_attached_file','2012/05/Broadcast39.png'),(504,812,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"413\";s:14:\"hwstring_small\";s:23:\"height=\'52\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast39.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast39-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast39-300x123.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"123\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(505,813,'_wp_attached_file','2012/05/Broadcast40.png'),(506,813,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"444\";s:14:\"hwstring_small\";s:23:\"height=\'56\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast40.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast40-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast40-300x133.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"133\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(507,815,'_wp_attached_file','2012/05/Broadcast-41.png'),(508,815,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"602\";s:14:\"hwstring_small\";s:23:\"height=\'77\' width=\'128\'\";s:4:\"file\";s:24:\"2012/05/Broadcast-41.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:24:\"Broadcast-41-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:24:\"Broadcast-41-300x180.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"180\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(509,817,'_wp_attached_file','2012/05/Broadcast42.png'),(510,817,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"564\";s:14:\"hwstring_small\";s:23:\"height=\'72\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast42.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast42-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast42-300x169.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"169\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(511,819,'_wp_attached_file','2012/05/Broadcast43.png'),(512,819,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"465\";s:14:\"hwstring_small\";s:23:\"height=\'59\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast43.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast43-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast43-300x139.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"139\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(513,822,'_wp_attached_file','2012/05/Broadcast44.png'),(514,822,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"483\";s:14:\"hwstring_small\";s:23:\"height=\'61\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast44.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast44-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast44-300x144.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"144\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}'),(515,824,'_wp_attached_file','2012/05/Broadcast45.png'),(516,824,'_wp_attachment_metadata','a:6:{s:5:\"width\";s:4:\"1000\";s:6:\"height\";s:3:\"533\";s:14:\"hwstring_small\";s:23:\"height=\'68\' width=\'128\'\";s:4:\"file\";s:23:\"2012/05/Broadcast45.png\";s:5:\"sizes\";a:2:{s:9:\"thumbnail\";a:3:{s:4:\"file\";s:23:\"Broadcast45-150x150.png\";s:5:\"width\";s:3:\"150\";s:6:\"height\";s:3:\"150\";}s:6:\"medium\";a:3:{s:4:\"file\";s:23:\"Broadcast45-300x159.png\";s:5:\"width\";s:3:\"300\";s:6:\"height\";s:3:\"159\";}}s:10:\"image_meta\";a:10:{s:8:\"aperture\";s:1:\"0\";s:6:\"credit\";s:0:\"\";s:6:\"camera\";s:0:\"\";s:7:\"caption\";s:0:\"\";s:17:\"created_timestamp\";s:1:\"0\";s:9:\"copyright\";s:0:\"\";s:12:\"focal_length\";s:1:\"0\";s:3:\"iso\";s:1:\"0\";s:13:\"shutter_speed\";s:1:\"0\";s:5:\"title\";s:0:\"\";}}');
/*!40000 ALTER TABLE `wp_postmeta` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_posts`
--

DROP TABLE IF EXISTS `wp_posts`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_posts` (
  `ID` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `post_author` bigint(20) unsigned NOT NULL DEFAULT '0',
  `post_date` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `post_date_gmt` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `post_content` longtext NOT NULL,
  `post_title` text NOT NULL,
  `post_excerpt` text NOT NULL,
  `post_status` varchar(20) NOT NULL DEFAULT 'publish',
  `comment_status` varchar(20) NOT NULL DEFAULT 'open',
  `ping_status` varchar(20) NOT NULL DEFAULT 'open',
  `post_password` varchar(20) NOT NULL DEFAULT '',
  `post_name` varchar(200) NOT NULL DEFAULT '',
  `to_ping` text NOT NULL,
  `pinged` text NOT NULL,
  `post_modified` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `post_modified_gmt` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `post_content_filtered` text NOT NULL,
  `post_parent` bigint(20) unsigned NOT NULL DEFAULT '0',
  `guid` varchar(255) NOT NULL DEFAULT '',
  `menu_order` int(11) NOT NULL DEFAULT '0',
  `post_type` varchar(20) NOT NULL DEFAULT 'post',
  `post_mime_type` varchar(100) NOT NULL DEFAULT '',
  `comment_count` bigint(20) NOT NULL DEFAULT '0',
  PRIMARY KEY (`ID`),
  KEY `post_name` (`post_name`),
  KEY `type_status_date` (`post_type`,`post_status`,`post_date`,`ID`),
  KEY `post_parent` (`post_parent`),
  KEY `post_author` (`post_author`)
) ENGINE=MyISAM AUTO_INCREMENT=827 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_posts`
--

LOCK TABLES `wp_posts` WRITE;
/*!40000 ALTER TABLE `wp_posts` DISABLE KEYS */;
INSERT INTO `wp_posts` VALUES (1,1,'2011-02-26 19:44:10','2011-02-26 19:44:10','Welcome to WordPress. This is your first post. Edit or delete it, then start blogging!','Hello world!','','draft','open','open','','hello-world','','','2011-02-27 17:14:20','2011-02-27 17:14:20','',0,'http://catalog.org.uk/?p=1',0,'post','',1),(2,1,'2011-02-26 19:44:10','2011-02-26 19:44:10','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Contents</strong>\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise <em>IF I KNEW THEN WHAT I KNOW NOW</em> (2011-2012) to a monthly online image-broadcast <em>We interrupt this transmission</em> (2012 to date). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img class=\"alignleft size-full wp-image-597\" title=\"INSERT BLANK CATALOG\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" width=\"1000\" height=\"1200\" />\r\n\r\n&nbsp;','Contents','','publish','closed','closed','','contents','','','2014-02-21 14:01:25','2014-02-21 14:01:25','',0,'http://catalog.org.uk/?page_id=2',0,'page','',0),(283,2,'2012-06-03 12:10:15','2012-06-03 12:10:15','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012). By creating systems to openly test ideas, CATALOG invites participation conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-16','','','2012-06-03 12:10:15','2012-06-03 12:10:15','',2,'http://catalog.org.uk/2-revision-16/',0,'revision','',0),(189,3,'2011-12-12 22:28:51','2011-12-12 22:28:51','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.</span>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\">is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Carolyn Thompson </strong>is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager Communications at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project.  She currently works at the Design Archives in University of Brighton.\r\n</span></p>\r\n&nbsp;','Biographies','','inherit','closed','closed','','31-revision-7','','','2011-12-12 22:28:51','2011-12-12 22:28:51','',31,'http://catalog.org.uk/?p=189',0,'revision','',0),(14,1,'2011-02-27 15:23:51','2011-02-27 15:23:51','Catalog is Joyce Cronin, Frances Scott, and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','','','publish','open','closed','','14','','','2012-04-03 11:33:22','2012-04-03 11:33:22','',0,'http://catalog.org.uk/?p=14',5,'nav_menu_item','',0),(15,1,'2011-02-27 15:23:51','2011-02-27 15:23:51',' ','','','publish','open','closed','','15','','','2012-04-03 11:33:22','2012-04-03 11:33:22','',0,'http://catalog.org.uk/?p=15',4,'nav_menu_item','',0),(16,1,'2011-02-27 15:23:51','2011-02-27 15:23:51',' ','','','publish','open','closed','','16','','','2012-04-03 11:33:22','2012-04-03 11:33:22','',0,'http://catalog.org.uk/?p=16',3,'nav_menu_item','',0),(17,1,'2011-02-27 15:23:51','2011-02-27 15:23:51',' ','','','publish','open','closed','','17','','','2012-04-03 11:33:22','2012-04-03 11:33:22','',0,'http://catalog.org.uk/?p=17',2,'nav_menu_item','',0),(18,1,'2011-02-27 15:23:51','2011-02-27 15:23:51','Catalog is a recently established collective of three artists, writers and project managers who combine and overlap their skills and interests through residencies, exhibitions, visual intervention and critical dialogue.','','','publish','open','closed','','18','','','2012-04-03 11:33:22','2012-04-03 11:33:22','',0,'http://catalog.org.uk/?p=18',1,'nav_menu_item','',0),(4,1,'2011-02-26 19:44:10','2011-02-26 19:44:10','This is an example page. It\'s different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this:\n\n<blockquote>Hi there! I\'m a bike messenger by day, aspiring actor by night, and this is my blog. I live in Los Angeles, have a great dog named Jack, and I like pi&#241;a coladas. (And gettin\' caught in the rain.)</blockquote>\n\n...or something like this:\n\n<blockquote>The XYZ Doohickey Company was founded in 1971, and has been providing quality doohickies to the public ever since. Located in Gotham City, XYZ employs over 2,000 people and does all kinds of awesome things for the Gotham community.</blockquote>\n\nAs a new WordPress user, you should go to <a href=\"http://catalog.org.uk/wp-admin/\">your dashboard</a> to delete this page and create new pages for your content. Have fun!','Sample Page','','inherit','open','open','','2-revision','','','2011-02-26 19:44:10','2011-02-26 19:44:10','',2,'http://catalog.org.uk/?p=4',0,'revision','',0),(5,1,'2011-02-27 15:20:49','2011-02-27 15:20:49','<strong>Function</strong>\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/the-press-photograph-is-a-message/\"><img class=\"size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','publish','closed','closed','','function','','','2015-03-20 13:06:59','2015-03-20 13:06:59','',0,'http://catalog.org.uk/?page_id=5',0,'page','',0),(211,5,'2012-04-03 10:09:15','2012-04-03 10:09:15','<h1>IF I KNEW THEN WHAT I KNOW NOW</h1>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-5','','','2012-04-03 10:09:15','2012-04-03 10:09:15','',202,'http://catalog.org.uk/?p=211',0,'revision','',0),(6,1,'2011-02-27 15:20:44','2011-02-27 15:20:44','','Function','','inherit','open','open','','5-revision','','','2011-02-27 15:20:44','2011-02-27 15:20:44','',5,'http://catalog.org.uk/?p=6',0,'revision','',0),(7,1,'2011-02-27 15:21:10','2011-02-27 15:21:10','<strong>Journal</strong>\r\n\r\n<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n','Journal','','publish','closed','closed','','journal','','','2014-02-11 15:59:29','2014-02-11 15:59:29','',0,'http://catalog.org.uk/?page_id=7',0,'page','',0),(8,1,'2011-02-27 15:21:00','2011-02-27 15:21:00','','Journal','','inherit','open','open','','7-revision','','','2011-02-27 15:21:00','2011-02-27 15:21:00','',7,'http://catalog.org.uk/?p=8',0,'revision','',0),(9,1,'2011-02-27 15:21:20','2011-02-27 15:21:20','<strong>Index</strong>\r\n\r\n<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\r\n</a><a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\r\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\r\n<a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D\r\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://ecflabs.org/grants/projects/sb/we-interrupt-transmission-1\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\r\n</a>\r\n\r\n<strong>N\r\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n<a href=\"http://www.camden.gov.uk/ccm/navigation/leisure/libraries-and-online-learning-centres/swiss-cottage-library/\"target=\"_blank\">Swiss Cottage Library</a>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/projects/wendel/wendel.html\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>\r\n','Index','','publish','closed','closed','','index','','','2014-10-27 19:44:45','2014-10-27 19:44:45','',0,'http://catalog.org.uk/?page_id=9',0,'page','',0),(10,1,'2011-02-27 15:21:14','2011-02-27 15:21:14','','Auto Draft','','inherit','open','open','','9-revision','','','2011-02-27 15:21:14','2011-02-27 15:21:14','',9,'http://catalog.org.uk/?p=10',0,'revision','',0),(11,1,'2011-02-27 15:21:53','2011-02-27 15:21:53','<strong>Communicate</strong>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and organiser of exhibitions and events. She is interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce is a manager at Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England.  Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, <em>Energy Lithuania</em>, was included in <em>The City is a Burning, Blazing Bonfire </em>exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist who works across a wide range of media. Her practice often proposes a subtle interruption of existing contexts, archives, and broadcast media. Recent projects and exhibitions have included: <em>Inside the book an ever-changing spectacle unfolds </em> (2015), Swiss Cottage Library; <em>The Aphotic Zone </em> (2014/2015), ‘The London Open’, Whitechapel Gallery, London; <em> The Star and the Glow Worm </em> (2015), AIR Central Saint Martins; <em> Apex </em> (2014), Tintype Gallery, London; <em> Another way of reading </em> (2014), Swiss Cottage Library; <em> The Black Friar </em> (2013), screened as part of ‘An Endless Volume’ Invisible Fabrick, Lazar House, Norwich; and <em> NOCTURNES </em> (2013), a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR Central Saint Martins and Islington Council. Also in 2013, <em> THE MIRACLE METHODS SERIES: Distance Readers </em>, toured to cinemas and galleries in the UK including Nottingham Contemporary; FACT Liverpool; CCA Glasgow; and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN and Jarman Award nominees, and later in 2014 to venues in the USA. Her solo exhibition opens at Focal Point Gallery, Southend in July 2016. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n<a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','publish','closed','closed','','communicate','','','2016-02-17 22:13:29','2016-02-17 22:13:29','',0,'http://catalog.org.uk/?page_id=11',0,'page','',0),(12,1,'2011-02-27 15:21:35','2011-02-27 15:21:35','','Communicate','','inherit','open','open','','11-revision','','','2011-02-27 15:21:35','2011-02-27 15:21:35','',11,'http://catalog.org.uk/?p=12',0,'revision','',0),(13,1,'2011-02-27 15:20:36','2011-02-27 15:20:36','This is an example page. It\'s different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this:\r\n<blockquote>Hi there! I\'m a bike messenger by day, aspiring actor by night, and this is my blog. I live in Los Angeles, have a great dog named Jack, and I like piña coladas. (And gettin\' caught in the rain.)</blockquote>\r\n...or something like this:\r\n<blockquote>The XYZ Doohickey Company was founded in 1971, and has been providing quality doohickies to the public ever since. Located in Gotham City, XYZ employs over 2,000 people and does all kinds of awesome things for the Gotham community.</blockquote>\r\nAs a new WordPress user, you should go to <a href=\"http://catalog.org.uk/wp-admin/\">your dashboard</a> to delete this page and create new pages for your content. Have fun!','Contents','','inherit','open','open','','2-revision-2','','','2011-02-27 15:20:36','2011-02-27 15:20:36','',2,'http://catalog.org.uk/?p=13',0,'revision','',0),(19,1,'2011-02-27 15:22:28','2011-02-27 15:22:28','Catalog is a recently established collective of three artists, writers and project managers who combine and overlap their skills and interests through residencies, exhibitions, visual intervention and critical dialogue.','Contents','','inherit','closed','closed','','2-revision-3','','','2011-02-27 15:22:28','2011-02-27 15:22:28','',2,'http://catalog.org.uk/?p=19',0,'revision','',0),(20,1,'2011-02-27 15:21:53','2011-02-27 15:21:53','Catalog is Joyce Cronin, Frances Scott, and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-2','','','2011-02-27 15:21:53','2011-02-27 15:21:53','',11,'http://catalog.org.uk/?p=20',0,'revision','',0),(21,1,'2011-02-27 15:20:49','2011-02-27 15:20:49','','Function','','inherit','closed','closed','','5-revision-2','','','2011-02-27 15:20:49','2011-02-27 15:20:49','',5,'http://catalog.org.uk/?p=21',0,'revision','',0),(22,1,'2011-02-27 15:21:20','2011-02-27 15:21:20','','Index','','inherit','closed','closed','','9-revision-2','','','2011-02-27 15:21:20','2011-02-27 15:21:20','',9,'http://catalog.org.uk/?p=22',0,'revision','',0),(23,1,'2011-02-27 15:21:10','2011-02-27 15:21:10','','Journal','','inherit','closed','closed','','7-revision-2','','','2011-02-27 15:21:10','2011-02-27 15:21:10','',7,'http://catalog.org.uk/?p=23',0,'revision','',0),(25,1,'2011-02-27 15:39:31','2011-02-27 15:39:31','Catalog is a recently established collective of three artists, writers and project managers who combine and overlap their skills and interests through residencies, exhibitions, visual intervention and critical dialogue.','Contents','','inherit','closed','closed','','2-revision-4','','','2011-02-27 15:39:31','2011-02-27 15:39:31','',2,'http://catalog.org.uk/?p=25',0,'revision','',0),(24,1,'2011-02-26 19:44:10','2011-02-26 19:44:10','Welcome to WordPress. This is your first post. Edit or delete it, then start blogging!','Hello world!','','inherit','closed','closed','','1-revision','','','2011-02-26 19:44:10','2011-02-26 19:44:10','',1,'http://catalog.org.uk/?p=24',0,'revision','',0),(46,1,'2011-05-08 17:15:34','2011-05-08 17:15:34','','test','','inherit','closed','closed','','tumblr_lfjhvou0xs1qgaxjko1_1280','','','2011-05-08 17:15:34','2011-05-08 17:15:34','',0,'http://catalog.org.uk/wp-content/uploads/2011/05/tumblr_lfjhvou0Xs1qgaxjko1_1280.jpg',0,'attachment','image/jpeg',0),(29,2,'2014-02-07 14:03:25','2014-02-07 14:03:25','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\n\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\n\nhttp://catalog.org.uk/we-interrupt-this-transmission/\nhttp://catalog.org.uk/if-i-knew-then-what-i-know-now/\n\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\n\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" title=\"INSERT BLANK CATALOG\" width=\"1000\" height=\"1200\" class=\"alignleft size-full wp-image-597\" />\n&nbsp;\n\n\n','Contents','','inherit','closed','closed','','2-autosave','','','2014-02-07 14:03:25','2014-02-07 14:03:25','',2,'http://catalog.org.uk/?p=29',0,'revision','',0),(378,3,'2012-09-25 21:09:27','2012-09-25 21:09:27','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant</a>\r\n\r\n<strong>B\r\n</strong><a href=\"http://www.b-side.org.uk/festival-2012/miracle-methods-series-distance-readers\">B-side Festival </a>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\">Melanie Clifford </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W</strong>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-29','','','2012-09-25 21:09:27','2012-09-25 21:09:27','',9,'http://catalog.org.uk/9-revision-29/',0,'revision','',0),(130,2,'2011-10-10 15:08:41','2011-10-10 15:08:41','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <em>this is not a school, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em>www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty jiffy envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir jiffy envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the jiffy envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-27','','','2011-10-10 15:08:41','2011-10-10 15:08:41','',5,'http://catalog.org.uk/?p=130',0,'revision','',0),(129,2,'2011-10-03 18:28:00','2011-10-03 18:28:00','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information.<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-12','','','2011-10-03 18:28:00','2011-10-03 18:28:00','',2,'http://catalog.org.uk/?p=129',0,'revision','',0),(76,2,'2011-09-26 15:21:17','2011-09-26 15:21:17','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Catalog is </span><strong style=\"font-family: \'Vollkorn Regular\', serif;\">Joyce Cronin</strong><span style=\"font-family: \'Vollkorn Regular\', serif;\">, </span><strong><span style=\"font-family: \'Vollkorn Regular\', serif;\">Frances Scott</span></strong> <span style=\"font-family: \'Vollkorn Regular\', serif;\">and <strong>Carolyn Thompson</strong>.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Catalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that</span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> stems from</span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> collective work – we each have our own practice, but also access to tools and shared resources through Catalog.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">We are interested in </span><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>process</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> and the act of working through ideas.\r\n</span><span style=\"font-family: \'Vollkorn Regular\', serif;\">We are interested in </span><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>communication</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> through text, visual language, and learning.\r\n</span><span style=\"font-family: \'Vollkorn Regular\', serif;\">We support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Please contact <strong>info@catalog.org.uk</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> for further information</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-8','','','2011-09-26 15:21:17','2011-09-26 15:21:17','',2,'http://catalog.org.uk/?p=76',0,'revision','',0),(30,2,'2011-02-27 17:14:44','2011-02-27 17:14:44','Catalog is a recently established collective of three artists, writers and project managers who combine and overlap their skills and interests through residencies, exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott, and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-5','','','2011-02-27 17:14:44','2011-02-27 17:14:44','',2,'http://catalog.org.uk/?p=30',0,'revision','',0),(78,2,'2011-07-23 13:39:53','2011-07-23 13:39:53','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong> is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.</span>\r\n<div>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong>is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Carolyn Thompson </strong>is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project.  She currently works at the Design Archives in University of Brighton.</span><strong>\r\n</strong></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>info@catalog.org.uk</strong></span></p>\r\n\r\n</div>\r\n&nbsp;','Communicate','','inherit','closed','closed','','11-revision-8','','','2011-07-23 13:39:53','2011-07-23 13:39:53','',11,'http://catalog.org.uk/?p=78',0,'revision','',0),(31,2,'2011-04-12 10:21:18','2011-04-12 10:21:18','<strong>Biographies</strong>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.</span>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\">is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Catalog was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n</strong> </span></p>\r\n&nbsp;','Biographies','','publish','closed','closed','','biographies','','','2014-02-11 15:18:05','2014-02-11 15:18:05','',2,'http://catalog.org.uk/?page_id=31',0,'page','',0),(190,3,'2012-03-28 11:31:53','2012-03-28 11:31:53','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.</span>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\">is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Catalog was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n</strong> </span></p>\r\n&nbsp;','Biographies','','inherit','closed','closed','','31-revision-8','','','2012-03-28 11:31:53','2012-03-28 11:31:53','',31,'http://catalog.org.uk/?p=190',0,'revision','',0),(32,2,'2011-04-12 10:21:09','2011-04-12 10:21:09','','Biographies','','inherit','closed','closed','','31-revision','','','2011-04-12 10:21:09','2011-04-12 10:21:09','',31,'http://catalog.org.uk/?p=32',0,'revision','',0),(33,3,'2015-02-16 22:36:35','2015-02-16 22:36:35','<strong>Biographies</strong>\n\n<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.</span>\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\">is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Catalog was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\n</strong> </span></p>\n&nbsp;','Biographies','','inherit','closed','closed','','31-autosave','','','2015-02-16 22:36:35','2015-02-16 22:36:35','',31,'http://catalog.org.uk/?p=33',0,'revision','',0),(191,3,'2012-01-30 13:35:46','2012-01-30 13:35:46','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>Carolyn Thompson </strong>is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project.  She currently works at the Design Archives in University of Brighton.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-12','','','2012-01-30 13:35:46','2012-01-30 13:35:46','',11,'http://catalog.org.uk/?p=191',0,'revision','',0),(150,3,'2011-04-12 10:22:51','2011-04-12 10:22:51','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.</span>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\">is an artist, and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Carolyn Thompson</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project. </span></p>\r\n&nbsp;','Biographies','','inherit','closed','closed','','31-revision-3','','','2011-04-12 10:22:51','2011-04-12 10:22:51','',31,'http://catalog.org.uk/?p=150',0,'revision','',0),(34,2,'2011-04-12 10:21:18','2011-04-12 10:21:18','','Biographies','','inherit','closed','closed','','31-revision-2','','','2011-04-12 10:21:18','2011-04-12 10:21:18','',31,'http://catalog.org.uk/?p=34',0,'revision','',0),(35,2,'2016-02-17 22:13:33','2016-02-17 22:13:33','<strong>Communicate</strong>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and organiser of exhibitions and events. She is interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce is a manager at Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England.  Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, <em>Energy Lithuania</em>, was included in <em>The City is a Burning, Blazing Bonfire </em>exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist who works across a wide range of media. Her practice often proposes a subtle interruption of existing contexts, archives, and broadcast media. Recent projects and exhibitions have included: <em>Inside the book an ever-changing spectacle unfolds </em> (2015), Swiss Cottage Library; <em>The Aphotic Zone </em> (2014/2015), ‘The London Open’, Whitechapel Gallery, London; <em> The Star and the Glow Worm </em> (2015), AIR Central Saint Martins; <em> Apex </em> (2014), Tintype Gallery, London; <em> Another way of reading </em> (2014), Swiss Cottage Library; <em> The Black Friar </em> (2013), screened as part of ‘An Endless Volume’ Invisible Fabrick, Lazar House, Norwich; and <em> NOCTURNES </em> (2013), a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR Central Saint Martins and Islington Council. Also in 2013, <em> THE MIRACLE METHODS SERIES: Distance Readers </em>, toured to cinemas and galleries in the UK including Nottingham Contemporary; FACT Liverpool; CCA Glasgow; and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN and Jarman Award nominees, and later in 2014 to venues in the USA. Her solo exhibition opens at Focal Point Gallery, Southend in July 2016. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n<a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-autosave','','','2016-02-17 22:13:33','2016-02-17 22:13:33','',11,'http://catalog.org.uk/?p=35',0,'revision','',0),(192,3,'2012-03-28 11:34:54','2012-03-28 11:34:54','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.</strong>\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-13','','','2012-03-28 11:34:54','2012-03-28 11:34:54','',11,'http://catalog.org.uk/?p=192',0,'revision','',0),(36,2,'2011-02-27 15:41:24','2011-02-27 15:41:24','Catalog is Joyce Cronin, Frances Scott, and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-3','','','2011-02-27 15:41:24','2011-02-27 15:41:24','',11,'http://catalog.org.uk/?p=36',0,'revision','',0),(37,2,'2011-04-12 10:27:21','2011-04-12 10:27:21','<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin</strong> is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n<div>\r\n<p lang=\"en-US\"><strong>Frances Scott </strong>is an artist, and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</p>\r\n<p lang=\"en-US\"><strong>Carolyn Thompson</strong> is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project.</p>\r\n\r\n</div>\r\n&nbsp;','Communicate','','inherit','closed','closed','','11-revision-4','','','2011-04-12 10:27:21','2011-04-12 10:27:21','',11,'http://catalog.org.uk/?p=37',0,'revision','',0),(38,2,'2011-04-12 10:34:21','2011-04-12 10:34:21','<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin</strong> is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n<div>\r\n<p lang=\"en-US\"><strong>Frances Scott </strong>is an artist, and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</p>\r\n<p lang=\"en-US\"><strong>Carolyn Thompson</strong> is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project.</p>\r\n\r\n</div>\r\n&nbsp;','Communicate','','inherit','closed','closed','','11-revision-5','','','2011-04-12 10:34:21','2011-04-12 10:34:21','',11,'http://catalog.org.uk/?p=38',0,'revision','',0),(39,2,'2011-02-27 15:41:30','2011-02-27 15:41:30','','Function','','inherit','closed','closed','','5-revision-3','','','2011-02-27 15:41:30','2011-02-27 15:41:30','',5,'http://catalog.org.uk/?p=39',0,'revision','',0),(40,3,'2011-04-12 11:39:01','2011-04-12 11:39:01','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include\r\n\r\n<em>HAIR </em>an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\n<em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\n<em>RESEARCH </em>includes a collaborative publishing project that documents the early stages of an artist\'s moving-image project, and a series of archival film-screenings of and in Brixton.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-4','','','2011-04-12 11:39:01','2011-04-12 11:39:01','',5,'http://catalog.org.uk/?p=40',0,'revision','',0),(41,2,'2015-03-20 13:04:03','2015-03-20 13:04:03','<strong>Function</strong>\n\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"250\" height=\"150\" /></a>[/caption]\n\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\n\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\n\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\n\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/the-press-photograph-is-a-message/\"><img class=\"size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;','Function','','inherit','closed','closed','','5-autosave','','','2015-03-20 13:04:03','2015-03-20 13:04:03','',5,'http://catalog.org.uk/?p=41',0,'revision','',0),(794,2,'2015-03-20 13:03:02','2015-03-20 13:03:02','<strong>Function</strong>\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/the-press-photograph-is-a-message/\"><img class=\"size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-97','','','2015-03-20 13:03:02','2015-03-20 13:03:02','',5,'http://catalog.org.uk/5-revision-97/',0,'revision','',0),(252,3,'2012-05-16 15:19:45','2012-05-16 15:19:45','<img class=\"alignnone size-thumbnail wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" />','','','inherit','closed','closed','','245-revision-3','','','2012-05-16 15:19:45','2012-05-16 15:19:45','',245,'http://catalog.org.uk/245-revision-3/',0,'revision','',0),(209,5,'2012-04-03 09:51:06','2012-04-03 09:51:06','<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"alignnone size-thumbnail wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"IF I KNEW THEN WHAT I KNOW NOW\" width=\"150\" height=\"150\" /></a>','Function','','inherit','closed','closed','','5-revision-52','','','2012-04-03 09:51:06','2012-04-03 09:51:06','',5,'http://catalog.org.uk/?p=209',0,'revision','',0),(210,5,'2012-04-03 09:48:15','2012-04-03 09:48:15','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-4','','','2012-04-03 09:48:15','2012-04-03 09:48:15','',202,'http://catalog.org.uk/?p=210',0,'revision','',0),(42,3,'2011-04-12 11:41:11','2011-04-12 11:41:11','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include\r\n\r\n<em>HAIR </em>an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\n<em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nand current research includes:\r\n\r\na collaborative publishing project that documents the early stages of an artist\'s moving-image project, and a series of archival film-screenings of and in Brixton.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-5','','','2011-04-12 11:41:11','2011-04-12 11:41:11','',5,'http://catalog.org.uk/?p=42',0,'revision','',0),(43,3,'2011-04-12 10:36:37','2011-04-12 10:36:37','<strong>Joyce Cronin</strong> is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n<div>\r\n<p lang=\"en-US\"><strong>Frances Scott </strong>is an artist, and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</p>\r\n<p lang=\"en-US\"><strong>Carolyn Thompson</strong> is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project.</p>\r\n<p lang=\"en-US\"><strong>info@catalog.org.uk</strong></p>\r\n\r\n</div>\r\n&nbsp;','Communicate','','inherit','closed','closed','','11-revision-6','','','2011-04-12 10:36:37','2011-04-12 10:36:37','',11,'http://catalog.org.uk/?p=43',0,'revision','',0),(44,3,'2011-04-12 11:44:03','2011-04-12 11:44:03','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include:\r\n\r\n<em>HAIR </em>an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\n<em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project that documents the early stages of an artist\'s moving-image project, and a series of archival film-screenings of and in Brixton.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-6','','','2011-04-12 11:44:03','2011-04-12 11:44:03','',5,'http://catalog.org.uk/?p=44',0,'revision','',0),(52,4,'2011-07-23 13:41:25','2011-07-23 13:41:25','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include:</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\"><em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Current research includes:</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">a collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.</span>\r\n\r\n&nbsp;\r\n','Function','','inherit','closed','closed','','5-revision-9','','','2011-07-23 13:41:25','2011-07-23 13:41:25','',5,'http://catalog.org.uk/?p=52',0,'revision','',0),(51,4,'2011-07-23 13:33:47','2011-07-23 13:33:47','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include:</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\"><em>HAIR </em>an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\"><em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Current research includes:</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">a collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.</span>\r\n\r\n&nbsp;\r\n','Function','','inherit','closed','closed','','5-revision-8','','','2011-07-23 13:33:47','2011-07-23 13:33:47','',5,'http://catalog.org.uk/?p=51',0,'revision','',0),(49,4,'2011-04-13 15:52:51','2011-04-13 15:52:51','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include:\r\n\r\n<em>HAIR </em>an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\n<em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-7','','','2011-04-13 15:52:51','2011-04-13 15:52:51','',5,'http://catalog.org.uk/?p=49',0,'revision','',0),(50,4,'2011-04-13 15:50:56','2011-04-13 15:50:56','<strong>Joyce Cronin</strong> is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n<div>\r\n<p lang=\"en-US\"><strong>Frances Scott </strong>is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</p>\r\n<p lang=\"en-US\"><strong>Carolyn Thompson </strong>is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project.  She currently works at the Design Archives in University of Brighton.<strong>\r\n</strong></p>\r\n<p lang=\"en-US\"><strong>info@catalog.org.uk</strong></p>\r\n\r\n</div>\r\n&nbsp;','Communicate','','inherit','closed','closed','','11-revision-7','','','2011-04-13 15:50:56','2011-04-13 15:50:56','',11,'http://catalog.org.uk/?p=50',0,'revision','',0),(75,2,'2011-07-23 14:41:56','2011-07-23 14:41:56','<span style=\"font-family: \'Vollkorn Regular\', serif;\">Catalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Catalog is </span><strong style=\"font-family: \'Vollkorn Regular\', serif;\">Joyce Cronin</strong><span style=\"font-family: \'Vollkorn Regular\', serif;\">, </span><strong><span style=\"font-family: \'Vollkorn Regular\', serif;\">Frances Scott</span></strong> <span style=\"font-family: \'Vollkorn Regular\', serif;\">and <strong>Carolyn Thompson</strong>.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Catalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that</span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> stems from</span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> collective work – we each have our own practice, but also access to tools and shared resources through Catalog.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">We are interested in </span><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>process</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> and the act of working through ideas.\r\n</span><span style=\"font-family: \'Vollkorn Regular\', serif;\">We are interested in </span><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>communication</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> through text, visual language, and learning.\r\n</span><span style=\"font-family: \'Vollkorn Regular\', serif;\">We support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Please contact <strong>info@catalog.org.uk</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> for further information</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-7','','','2011-07-23 14:41:56','2011-07-23 14:41:56','',2,'http://catalog.org.uk/?p=75',0,'revision','',0),(58,4,'2011-07-23 13:42:11','2011-07-23 13:42:11','<span style=\"font-family: \'Vollkorn Regular\', serif;\">Projects we are working on include:</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\"><em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Current research includes:</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">a collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.</span>\r\n\r\n&nbsp;\r\n','Function','','inherit','closed','closed','','5-revision-10','','','2011-07-23 13:42:11','2011-07-23 13:42:11','',5,'http://catalog.org.uk/?p=58',0,'revision','',0),(59,4,'2011-07-23 14:01:44','2011-07-23 14:01:44','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include:</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\"><em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Current research includes:</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">a collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.</span>\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-11','','','2011-07-23 14:01:44','2011-07-23 14:01:44','',5,'http://catalog.org.uk/?p=59',0,'revision','',0),(60,4,'2011-07-23 14:03:41','2011-07-23 14:03:41','<p><span style=\"font-family: \'Vollkorn Regular\', serif;\" _mce_style=\"font-family: \'Vollkorn Regular\', serif;\"><!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include:</span></p>\r\n<p><span style=\"font-family: \'Vollkorn Regular\', serif;\" _mce_style=\"font-family: \'Vollkorn Regular\', serif;\"><em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.</span></p>\r\n<p><span style=\"font-family: \'Vollkorn Regular\', serif;\" _mce_style=\"font-family: \'Vollkorn Regular\', serif;\">Current research includes:</span></p>\r\n<p><span style=\"font-family: \'Vollkorn Regular\', serif;\" _mce_style=\"font-family: \'Vollkorn Regular\', serif;\">a collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.</span></p>\r\n<p><br></p>\r\n\r\n','Function','','inherit','closed','closed','','5-revision-12','','','2011-07-23 14:03:41','2011-07-23 14:03:41','',5,'http://catalog.org.uk/?p=60',0,'revision','',0),(70,4,'2011-07-23 14:43:40','2011-07-23 14:43:40','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include:\r\n\r\n<em>HAIR </em>an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\n<em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-14','','','2011-07-23 14:43:40','2011-07-23 14:43:40','',5,'http://catalog.org.uk/?p=70',0,'revision','',0),(61,2,'2013-08-15 12:50:39','2013-08-15 12:50:39','<img class=\"alignleft size-full wp-image-457\" title=\"CATALOG_ResonanceFMDec2012\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\" alt=\"\" width=\"1000\" height=\"744\" />\n\n<img class=\"alignleft size-full wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\" alt=\"\" width=\"1000\" height=\"1337\" />\n\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\n\n<img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"1000\" height=\"1001\" />\n\n<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\n\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\n\n<img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\n\n<img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"1000\" height=\"707\" />\n\n&nbsp;\n<p style=\"text-align: center;\">&nbsp;</p>\n&nbsp;','Journal','','inherit','closed','closed','','7-autosave','','','2013-08-15 12:50:39','2013-08-15 12:50:39','',7,'http://catalog.org.uk/?p=61',0,'revision','',0),(63,4,'2011-07-23 14:08:16','2011-07-23 14:08:16','Catalog  is a recently established collective of three artists, writers and  project managers who combine and share their skills and interests  through exhibitions, visual intervention and critical dialogue.','Journal','','inherit','closed','closed','','7-revision-4','','','2011-07-23 14:08:16','2011-07-23 14:08:16','',7,'http://catalog.org.uk/?p=63',0,'revision','',0),(62,4,'2011-02-27 15:41:37','2011-02-27 15:41:37','','Journal','','inherit','closed','closed','','7-revision-3','','','2011-02-27 15:41:37','2011-02-27 15:41:37','',7,'http://catalog.org.uk/?p=62',0,'revision','',0),(64,4,'2011-07-23 14:30:30','2011-07-23 14:30:30','','CATALOG_application-file','','inherit','closed','closed','','application-file','','','2011-07-23 14:30:30','2011-07-23 14:30:30','',7,'http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg',0,'attachment','image/jpeg',0),(65,4,'2011-07-23 14:30:31','2011-07-23 14:30:31','','CATALOG_branch-meeting','','inherit','closed','closed','','branch-meeting','','','2011-07-23 14:30:31','2011-07-23 14:30:31','',7,'http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg',0,'attachment','image/jpeg',0),(66,4,'2011-07-23 14:30:32','2011-07-23 14:30:32','','CATALOG_first-meeting1','','inherit','closed','closed','','first-meeting1','','','2011-07-23 14:30:32','2011-07-23 14:30:32','',7,'http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg',0,'attachment','image/jpeg',0),(67,4,'2011-07-23 14:30:34','2011-07-23 14:30:34','','CATALOG_first-meeting2','','inherit','closed','closed','','first-meeting2','','','2011-07-23 14:30:34','2011-07-23 14:30:34','',7,'http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg',0,'attachment','image/jpeg',0),(68,4,'2011-04-12 10:14:19','2011-04-12 10:14:19','<span style=\"font-family: \'Vollkorn Regular\', serif;\">Catalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Catalog is </span><strong style=\"font-family: \'Vollkorn Regular\', serif;\">Joyce Cronin</strong><span style=\"font-family: \'Vollkorn Regular\', serif;\">, </span><strong><span style=\"font-family: \'Vollkorn Regular\', serif;\">Frances Scott</span></strong> <span style=\"font-family: \'Vollkorn Regular\', serif;\">and <strong>Carolyn Thompson</strong>.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Catalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that</span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> stems from</span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> collective work – we each have our own practice, but also access to tools and shared resources through Catalog.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">We are interested in </span><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>process</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> and the act of working through ideas.\r\n</span><span style=\"font-family: \'Vollkorn Regular\', serif;\">We are interested in </span><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>communication</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> through text, visual language, and learning.\r\n</span><span style=\"font-family: \'Vollkorn Regular\', serif;\">We support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Please contact <strong>info@catalog.org.uk</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> for further information</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-6','','','2011-04-12 10:14:19','2011-04-12 10:14:19','',2,'http://catalog.org.uk/?p=68',0,'revision','',0),(69,4,'2011-07-23 14:04:25','2011-07-23 14:04:25','<p><span style=\"font-family: \'Vollkorn Regular\', serif;\" _mce_style=\"font-family: \'Vollkorn Regular\', serif;\"><!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include:</span></p>\r\n<p><span style=\"font-family: \'Vollkorn Regular\', serif;\" _mce_style=\"font-family: \'Vollkorn Regular\', serif;\"><em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.</span></p>\r\n<p><span style=\"font-family: \'Vollkorn Regular\', serif;\" _mce_style=\"font-family: \'Vollkorn Regular\', serif;\">Current research includes:</span></p>\r\n<p><span style=\"font-family: \'Vollkorn Regular\', serif;\" _mce_style=\"font-family: \'Vollkorn Regular\', serif;\">a collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.</span></p>\r\n<p><br></p>\r\n&nbsp;\r\n','Function','','inherit','closed','closed','','5-revision-13','','','2011-07-23 14:04:25','2011-07-23 14:04:25','',5,'http://catalog.org.uk/?p=69',0,'revision','',0),(71,4,'2011-07-23 14:44:10','2011-07-23 14:44:10','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->Projects we are working on include:\r\n\r\n<em>HAIR </em>an exhibition looking at hair as subject, object, and material in contemporary art and its significance in anthropology, science, history, mythology, religion and fairytales.\r\n\r\n<em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.\r\n\r\nCurrent research includes:\r\n\r\na collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-15','','','2011-07-23 14:44:10','2011-07-23 14:44:10','',5,'http://catalog.org.uk/?p=71',0,'revision','',0),(178,2,'2012-01-30 12:29:13','2012-01-30 12:29:13','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nOn 22 October 2011 CATALOG hosted a publishing exercise as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that responded to the phenomenon of the \'alternative education project\'. The session was held at FIVE YEARS, London E8. More information below, and details on the full programme <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">here</a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-41','','','2012-01-30 12:29:13','2012-01-30 12:29:13','',5,'http://catalog.org.uk/?p=178',0,'revision','',0),(73,3,'2011-07-23 14:49:22','2011-07-23 14:49:22','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Projects we are working on include:</span>\r\n\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\"><em>INTERVENTIONS</em> a series of artists\' interventions in spaces including archives, museums, and research centres in South London.</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Current research includes:</span>\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">a collaborative publishing project documenting the early stages of an artist\'s moving-image project and a series of archival film-screenings of and in Brixton.</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-16','','','2011-07-23 14:49:22','2011-07-23 14:49:22','',5,'http://catalog.org.uk/?p=73',0,'revision','',0),(180,2,'2012-03-16 17:15:06','2012-03-16 17:15:06','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London at 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n \r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n \r\nThe chapters were collected and assembled as a whole by CATALOG after the session. \r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n','Function','','inherit','closed','closed','','5-revision-43','','','2012-03-16 17:15:06','2012-03-16 17:15:06','',5,'http://catalog.org.uk/?p=180',0,'revision','',0),(112,4,'2011-10-03 19:21:48','2011-10-03 19:21:48','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\ncoming soon....','Index','','inherit','closed','closed','','9-revision-11','','','2011-10-03 19:21:48','2011-10-03 19:21:48','',9,'http://catalog.org.uk/?p=112',0,'revision','',0),(77,2,'2011-09-26 15:24:04','2011-09-26 15:24:04','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.</span>\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\n<span style=\"font-family: \'Vollkorn Regular\', serif;\">Please contact <strong>info@catalog.org.uk</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> for further information</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-9','','','2011-09-26 15:24:04','2011-09-26 15:24:04','',2,'http://catalog.org.uk/?p=77',0,'revision','',0),(79,2,'2011-07-23 14:08:33','2011-07-23 14:08:33','','Journal','','inherit','closed','closed','','7-revision-5','','','2011-07-23 14:08:33','2011-07-23 14:08:33','',7,'http://catalog.org.uk/?p=79',0,'revision','',0),(85,2,'2011-09-26 15:44:21','2011-09-26 15:44:21','http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg','Journal','','inherit','closed','closed','','7-revision-11','','','2011-09-26 15:44:21','2011-09-26 15:44:21','',7,'http://catalog.org.uk/?p=85',0,'revision','',0),(83,2,'2011-09-26 15:38:41','2011-09-26 15:38:41','<img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting-300x212.jpg\" alt=\"\" title=\"branch-meeting\" width=\"300\" height=\"212\" class=\"alignnone size-medium wp-image-65\" />','Journal','','inherit','closed','closed','','7-revision-9','','','2011-09-26 15:38:41','2011-09-26 15:38:41','',7,'http://catalog.org.uk/?p=83',0,'revision','',0),(84,2,'2011-09-26 15:41:27','2011-09-26 15:41:27','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting-300x212.jpg\" alt=\"\" title=\"branch-meeting\" width=\"300\" height=\"212\" class=\"alignleft size-medium wp-image-65\" /></a>','Journal','','inherit','closed','closed','','7-revision-10','','','2011-09-26 15:41:27','2011-09-26 15:41:27','',7,'http://catalog.org.uk/?p=84',0,'revision','',0),(82,2,'2011-09-26 15:37:53','2011-09-26 15:37:53','[gallery]','Journal','','inherit','closed','closed','','7-revision-8','','','2011-09-26 15:37:53','2011-09-26 15:37:53','',7,'http://catalog.org.uk/?p=82',0,'revision','',0),(101,4,'2011-10-03 18:40:53','2011-10-03 18:40:53','[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Journal','','inherit','closed','closed','','7-revision-20','','','2011-10-03 18:40:53','2011-10-03 18:40:53','',7,'http://catalog.org.uk/?p=101',0,'revision','',0),(87,2,'2011-09-26 15:45:00','2011-09-26 15:45:00','[gallery link=\"file\"]','Journal','','inherit','closed','closed','','7-revision-12','','','2011-09-26 15:45:00','2011-09-26 15:45:00','',7,'http://catalog.org.uk/?p=87',0,'revision','',0),(144,2,'2011-10-11 13:49:52','2011-10-11 13:49:52','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"alignleft size-full wp-image-67\" title=\"CATALOG_first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\" alt=\"\" width=\"600\" height=\"395\" /></a>Visual journal<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"alignleft size-full wp-image-66\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"600\" height=\"349\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a>\r\n\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-27','','','2011-10-11 13:49:52','2011-10-11 13:49:52','',7,'http://catalog.org.uk/?p=144',0,'revision','',0),(88,4,'2011-07-30 21:21:06','2011-07-30 21:21:06','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<span>As the first part of a series of artists\' interventions<em>, </em>in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be </span>located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will<em> </em>comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\nA collection of films made in and about Brixton, by a diverse body of documentary film-makers, artists and Brixton enthusiasts. Selected by Joyce Cronin, the works will be screened within the market-arcades.\r\n\r\n<em>Out of the hours</em>, a new moving image work by Frances Scott that traces activities and material residues outside the trading hours. The accompanying narrative is drawn from recorded testimonials from market workers. Proposed as ‘eye witness’ accounts, they come to reveal the occurrence of an unnamed event in Reliance Arcade, where objects are the physical remainders of some ‘visitation.’ <em>Out of the hours</em> considers collective memory as creative agent, and the role of narrator as (complicit) witness.\r\n\r\n<em>X</em>, an installation of objects and drawings embedded within the existing display-façade and stock of a vintage clothing store, originally a clock and watch shop, in which Carolyn Thompson creates a tension between the past-lives of objects; what was once there, is there now, and is newly inserted. The work slips between drawing and sculpture, using textiles and paper to describe and interpret the lost histories of both the environment in which the work is set, and the current items contained within it. Intimate drawings produced in hair, thread, paper and fabric suggest an essence of those who occupied the shop and owned its clothing and ephemera, whilst dSepicting an absence of physical presence.\r\n\r\n&nbsp;\r\n\r\nFOOTNOTE.\r\n\r\nThe genesis of Brixton Market can be traced back to Atlantic Road in the 1870s, that soon expanded to include Electric Avenue, one of the first streets to have electric light. The indoor market arcades were constructed in 1920s-30s. The various sites comprise a network of stalls and shops, and following extensive campaigning by local residents and community groups, were listed as Grade II buildings in 2010. They continue to form an important part to the social and economic history of the area.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-17','','','2011-07-30 21:21:06','2011-07-30 21:21:06','',5,'http://catalog.org.uk/?p=88',0,'revision','',0),(80,2,'2011-09-26 15:35:28','2011-09-26 15:35:28','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"branch-meeting\" width=\"600\" height=\"424\" class=\"alignnone size-full wp-image-65\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" title=\"application-file\" width=\"600\" height=\"442\" class=\"alignnone size-full wp-image-64\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\" alt=\"\" title=\"first-meeting2\" width=\"600\" height=\"395\" class=\"alignnone size-full wp-image-67\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\" alt=\"\" title=\"first-meeting2\" width=\"600\" height=\"395\" class=\"alignnone size-full wp-image-67\" /></a>','Journal','','inherit','closed','closed','','7-revision-6','','','2011-09-26 15:35:28','2011-09-26 15:35:28','',7,'http://catalog.org.uk/?p=80',0,'revision','',0),(81,2,'2011-09-26 15:36:19','2011-09-26 15:36:19','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignnone size-full wp-image-65\" title=\"branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"><img class=\"alignnone size-full wp-image-64\" title=\"application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"alignnone size-full wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\" alt=\"\" width=\"600\" height=\"395\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"alignnone size-full wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\" alt=\"\" width=\"600\" height=\"395\" /></a>','Journal','','inherit','closed','closed','','7-revision-7','','','2011-09-26 15:36:19','2011-09-26 15:36:19','',7,'http://catalog.org.uk/?p=81',0,'revision','',0),(89,4,'2011-09-26 15:46:14','2011-09-26 15:46:14','[gallery]','Journal','','inherit','closed','closed','','7-revision-13','','','2011-09-26 15:46:14','2011-09-26 15:46:14','',7,'http://catalog.org.uk/?p=89',0,'revision','',0),(143,2,'2011-10-11 13:45:39','2011-10-11 13:45:39','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"600\" height=\"424\" class=\"alignleft size-full wp-image-65\" /></a>','Journal','','inherit','closed','closed','','7-revision-26','','','2011-10-11 13:45:39','2011-10-11 13:45:39','',7,'http://catalog.org.uk/?p=143',0,'revision','',0),(90,4,'2011-10-03 18:17:26','2011-10-03 18:17:26','[gallery]<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2-300x197.jpg\" alt=\"\" title=\"first-meeting2\" width=\"300\" height=\"197\" class=\"aligncenter size-medium wp-image-67\" /></a>','Journal','','inherit','closed','closed','','7-revision-14','','','2011-10-03 18:17:26','2011-10-03 18:17:26','',7,'http://catalog.org.uk/?p=90',0,'revision','',0),(102,4,'2011-10-03 18:36:49','2011-10-03 18:36:49','','Index','','inherit','closed','closed','','9-revision-6','','','2011-10-03 18:36:49','2011-10-03 18:36:49','',9,'http://catalog.org.uk/?p=102',0,'revision','',0),(103,2,'2014-02-21 14:08:17','2014-02-21 14:08:17','<strong>Index</strong>\n\n<strong>A\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\n</a><a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a><strong>\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\n<a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\n\n<strong>B</strong>\n\n<strong>C\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\n\n<strong>D\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\n\n<strong>E\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\n<a href=\"http://ecflabs.org/grants/projects/sb/we-interrupt-transmission-1\" target=\"_blank\">European Cultural Foundation</a>\n\n<strong>F\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\n<strong>\nG</strong>\n\n<strong>H</strong>\n\n<strong>I\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\n\n<strong>J</strong>\n\n<strong>K\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\n\n<strong>L</strong>\n\n<strong>M\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\n</a>\n\n<strong>N\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\n\n<strong>O</strong>\n\n<strong>P\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\n\n<strong>Q</strong>\n\n<strong>R\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\n\n<strong>S</strong>\n<a href=\"http://www.camden.gov.uk/ccm/navigation/leisure/libraries-and-online-learning-centres/swiss-cottage-library/\">\n\n<strong>T\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\n\n<strong>U</strong>\n\n<strong>V</strong>\n\n<strong>W\n</strong><a href=\"http://www.woodmill.org/projects/wendel/wendel.html\" target=\"_blank\">The Woodmill Studios\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\n\n<strong>X</strong>\n\n<strong>Y</strong>\n\n<strong>Z</strong>\n<a href=\"http://www.zabludowiczcollection.com/london\" target=\"_blank\">Zabludowicz Collection - public programme</a>','Index','','inherit','closed','closed','','9-autosave','','','2014-02-21 14:08:17','2014-02-21 14:08:17','',9,'http://catalog.org.uk/?p=103',0,'revision','',0),(91,4,'2011-10-03 18:21:30','2011-10-03 18:21:30','As the first part of a series of artists\' interventions<em>, </em>in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located  in the covered market areas of Brixton in the London Borough of  Lambeth. It will take place in Spring 2012 in the Reliance Aracade,  Market Row, and Brixton Village (previously known as the Granville  Arcade) and in collaboration with market traders. The project will<em> </em>comprise  both new work and archive material that responds to and re-presents the  site of its encounter, as three interconnected strands:[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"aligncenter size-medium wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" /></a>','Journal','','inherit','closed','closed','','7-revision-15','','','2011-10-03 18:21:30','2011-10-03 18:21:30','',7,'http://catalog.org.uk/?p=91',0,'revision','',0),(100,4,'2011-10-03 18:39:57','2011-10-03 18:39:57','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\">\r\n</a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\">\r\n</a>[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Journal','','inherit','closed','closed','','7-revision-19','','','2011-10-03 18:39:57','2011-10-03 18:39:57','',7,'http://catalog.org.uk/?p=100',0,'revision','',0),(99,4,'2011-10-03 18:39:00','2011-10-03 18:39:00','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"size-medium wp-image-66 aligncenter\" title=\"first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1-300x174.jpg\" alt=\"\" width=\"300\" height=\"174\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"aligncenter size-full wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\" alt=\"\" width=\"600\" height=\"395\" /></a>\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"aligncenter size-medium wp-image-65\" title=\"branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting-300x212.jpg\" alt=\"\" width=\"300\" height=\"212\" /></a>[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"aligncenter size-medium wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" /></a>','Journal','','inherit','closed','closed','','7-revision-18','','','2011-10-03 18:39:00','2011-10-03 18:39:00','',7,'http://catalog.org.uk/?p=99',0,'revision','',0),(98,4,'2011-10-03 18:32:02','2011-10-03 18:32:02','As the first part of a series of artists\' interventions<em>, </em>in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located  in the covered market areas of Brixton in the London Borough of  Lambeth. It will take place in Spring 2012 in the Reliance Aracade,  Market Row, and Brixton Village (previously known as the Granville  Arcade) and in collaboration with market traders. The project will<em> </em>comprise  both new work and archive material that responds to and re-presents the  site of its encounter, as three interconnected strands:\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"aligncenter size-medium wp-image-65\" title=\"branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting-300x212.jpg\" alt=\"\" width=\"300\" height=\"212\" /></a>[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"aligncenter size-medium wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" /></a>','Journal','','inherit','closed','closed','','7-revision-17','','','2011-10-03 18:32:02','2011-10-03 18:32:02','',7,'http://catalog.org.uk/?p=98',0,'revision','',0),(92,4,'2011-09-26 15:24:59','2011-09-26 15:24:59','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.</span>\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-10','','','2011-09-26 15:24:59','2011-09-26 15:24:59','',2,'http://catalog.org.uk/?p=92',0,'revision','',0),(94,4,'2011-10-03 18:23:20','2011-10-03 18:23:20','As the first part of a series of artists\' interventions<em>, </em>in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be located  in the covered market areas of Brixton in the London Borough of  Lambeth. It will take place in Spring 2012 in the Reliance Aracade,  Market Row, and Brixton Village (previously known as the Granville  Arcade) and in collaboration with market traders. The project will<em> </em>comprise  both new work and archive material that responds to and re-presents the  site of its encounter, as three interconnected strands:\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"aligncenter size-medium wp-image-65\" title=\"branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting-300x212.jpg\" alt=\"\" width=\"300\" height=\"212\" /></a>[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"aligncenter size-medium wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" /></a>','Journal','','inherit','closed','closed','','7-revision-16','','','2011-10-03 18:23:20','2011-10-03 18:23:20','',7,'http://catalog.org.uk/?p=94',0,'revision','',0),(93,4,'2011-10-03 18:27:35','2011-10-03 18:27:35','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCatalog is a recently established collective of three artists, writers and project managers who combine and share their skills and interests through exhibitions, visual intervention and critical dialogue.\r\n\r\nCatalog is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCatalog was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through Catalog.\r\n\r\nWe are interested in process and the act of working through ideas.\r\nWe are interested in communication through text, visual language, and learning.\r\nWe support artists in all aspects of making, exhibiting and touring work. We can provide assistance and advice on fundraising applications, securing venues, project management, marketing and publicity.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"aligncenter size-medium wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-11','','','2011-10-03 18:27:35','2011-10-03 18:27:35','',2,'http://catalog.org.uk/?p=93',0,'revision','',0),(95,4,'2011-02-27 15:41:33','2011-02-27 15:41:33','','Index','','inherit','closed','closed','','9-revision-3','','','2011-02-27 15:41:33','2011-02-27 15:41:33','',9,'http://catalog.org.uk/?p=95',0,'revision','',0),(97,4,'2011-10-03 18:36:15','2011-10-03 18:36:15','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Index','','inherit','closed','closed','','9-revision-5','','','2011-10-03 18:36:15','2011-10-03 18:36:15','',9,'http://catalog.org.uk/?p=97',0,'revision','',0),(96,4,'2011-10-03 18:35:54','2011-10-03 18:35:54','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"aligncenter size-medium wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" /></a>','Index','','inherit','closed','closed','','9-revision-4','','','2011-10-03 18:35:54','2011-10-03 18:35:54','',9,'http://catalog.org.uk/?p=96',0,'revision','',0),(104,4,'2011-10-03 19:01:40','2011-10-03 19:01:40','coming soon....','Index','','inherit','closed','closed','','9-revision-7','','','2011-10-03 19:01:40','2011-10-03 19:01:40','',9,'http://catalog.org.uk/?p=104',0,'revision','',0),(106,4,'2011-10-03 19:02:55','2011-10-03 19:02:55','coming soon....\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Index','','inherit','closed','closed','','9-revision-8','','','2011-10-03 19:02:55','2011-10-03 19:02:55','',9,'http://catalog.org.uk/?p=106',0,'revision','',0),(122,2,'2011-10-03 19:23:43','2011-10-03 19:23:43','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<span>As the first part of a series of artists\' interventions<em>, </em>in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be </span>located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will<em> </em>comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\nA collection of films made in and about Brixton, by a diverse body of documentary film-makers, artists and Brixton enthusiasts. Selected by Joyce Cronin, the works will be screened within the market-arcades.\r\n\r\n<em>Out of the hours</em>, a new moving image work by Frances Scott that traces activities and material residues outside the trading hours. The accompanying narrative is drawn from recorded testimonials from market workers. Proposed as ‘eye witness’ accounts, they come to reveal the occurrence of an unnamed event in Reliance Arcade, where objects are the physical remainders of some ‘visitation.’ <em>Out of the hours</em> considers collective memory as creative agent, and the role of narrator as (complicit) witness.\r\n\r\n<em>X</em>, an installation of objects and drawings embedded within the existing display-façade and stock of a vintage clothing store, in which Carolyn Thompson creates a tension between the past-lives of objects; what was once there, is there now, and is newly inserted. The work slips between drawing and sculpture, using textiles and paper to describe and interpret the lost histories of both the environment in which the work is set, and the current items contained within it. Intimate drawings produced in hair, thread, paper and fabric suggest an essence of those who occupied the shop and owned its clothing and ephemera, whilst depicting an absence of physical presence.\r\n\r\n&nbsp;\r\n\r\nFOOTNOTE.\r\n\r\nThe genesis of Brixton Market can be traced back to Atlantic Road in the 1870s, that soon expanded to include Electric Avenue, one of the first streets to have electric light. The indoor market arcades were constructed in 1920s-30s. The various sites comprise a network of stalls and shops, and following extensive campaigning by local residents and community groups, were listed as Grade II buildings in 2010. They continue to form an important part to the social and economic history of the area.\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-20','','','2011-10-03 19:23:43','2011-10-03 19:23:43','',5,'http://catalog.org.uk/?p=122',0,'revision','',0),(160,2,'2011-10-03 19:34:42','2011-10-03 19:34:42','&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Index','','inherit','closed','closed','','9-revision-19','','','2011-10-03 19:34:42','2011-10-03 19:34:42','',9,'http://catalog.org.uk/?p=160',0,'revision','',0),(109,4,'2011-10-03 19:16:58','2011-10-03 19:16:58','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\ncoming soon.... akjdflkja adlkjf akatlek ta aksdj athei ais alkdsj tehis  alskj atoewi alks kj to aksj toeih ah l kasdlfj thei aksdfj laksth eih j','Index','','inherit','closed','closed','','9-revision-10','','','2011-10-03 19:16:58','2011-10-03 19:16:58','',9,'http://catalog.org.uk/?p=109',0,'revision','',0),(107,4,'2011-10-03 19:04:58','2011-10-03 19:04:58','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\ncoming soon....','Index','','inherit','closed','closed','','9-revision-9','','','2011-10-03 19:04:58','2011-10-03 19:04:58','',9,'http://catalog.org.uk/?p=107',0,'revision','',0),(110,4,'2011-10-03 18:13:38','2011-10-03 18:13:38','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<span>As the first part of a series of artists\' interventions<em>, </em>in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be </span>located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will<em> </em>comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\nA collection of films made in and about Brixton, by a diverse body of documentary film-makers, artists and Brixton enthusiasts. Selected by Joyce Cronin, the works will be screened within the market-arcades.\r\n\r\n<em>Out of the hours</em>, a new moving image work by Frances Scott that traces activities and material residues outside the trading hours. The accompanying narrative is drawn from recorded testimonials from market workers. Proposed as ‘eye witness’ accounts, they come to reveal the occurrence of an unnamed event in Reliance Arcade, where objects are the physical remainders of some ‘visitation.’ <em>Out of the hours</em> considers collective memory as creative agent, and the role of narrator as (complicit) witness.\r\n\r\n<em>X</em>, an installation of objects and drawings embedded within the existing display-façade and stock of a vintage clothing store, in which Carolyn Thompson creates a tension between the past-lives of objects; what was once there, is there now, and is newly inserted. The work slips between drawing and sculpture, using textiles and paper to describe and interpret the lost histories of both the environment in which the work is set, and the current items contained within it. Intimate drawings produced in hair, thread, paper and fabric suggest an essence of those who occupied the shop and owned its clothing and ephemera, whilst dSepicting an absence of physical presence.\r\n\r\n&nbsp;\r\n\r\nFOOTNOTE.\r\n\r\nThe genesis of Brixton Market can be traced back to Atlantic Road in the 1870s, that soon expanded to include Electric Avenue, one of the first streets to have electric light. The indoor market arcades were constructed in 1920s-30s. The various sites comprise a network of stalls and shops, and following extensive campaigning by local residents and community groups, were listed as Grade II buildings in 2010. They continue to form an important part to the social and economic history of the area.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-18','','','2011-10-03 18:13:38','2011-10-03 18:13:38','',5,'http://catalog.org.uk/?p=110',0,'revision','',0),(202,5,'2012-04-03 09:46:38','2012-04-03 09:46:38','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2011-2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of <em>this is not a school</em>, more information <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">here.</a>\r\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n&nbsp;\r\n\r\n<img class=\"alignnone size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /> <img class=\"alignnone size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" />\r\n<img class=\"alignnone size-full wp-image-717\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\" alt=\"\" width=\"423\" height=\"290\" /> <img class=\"alignnone size-full wp-image-718\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\" alt=\"\" width=\"227\" height=\"290\" />\r\n\r\n&nbsp;','IF I KNEW THEN WHAT I KNOW NOW','','publish','closed','closed','','if-i-knew-then-what-i-know-now','','','2014-02-11 15:17:06','2014-02-11 15:17:06','',0,'http://catalog.org.uk/?page_id=202',0,'page','',0),(111,4,'2011-10-03 19:23:20','2011-10-03 19:23:20','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<span>As the first part of a series of artists\' interventions<em>, </em>in spaces including archives, museums, and research centres in South London, CATALOG is working on a project to be </span>located in the covered market areas of Brixton in the London Borough of Lambeth. It will take place in Spring 2012 in the Reliance Aracade, Market Row, and Brixton Village (previously known as the Granville Arcade) and in collaboration with market traders. The project will<em> </em>comprise both new work and archive material that responds to and re-presents the site of its encounter, as three interconnected strands:\r\n\r\nA collection of films made in and about Brixton, by a diverse body of documentary film-makers, artists and Brixton enthusiasts. Selected by Joyce Cronin, the works will be screened within the market-arcades.\r\n\r\n<em>Out of the hours</em>, a new moving image work by Frances Scott that traces activities and material residues outside the trading hours. The accompanying narrative is drawn from recorded testimonials from market workers. Proposed as ‘eye witness’ accounts, they come to reveal the occurrence of an unnamed event in Reliance Arcade, where objects are the physical remainders of some ‘visitation.’ <em>Out of the hours</em> considers collective memory as creative agent, and the role of narrator as (complicit) witness.\r\n\r\n<em>X</em>, an installation of objects and drawings embedded within the existing display-façade and stock of a vintage clothing store, in which Carolyn Thompson creates a tension between the past-lives of objects; what was once there, is there now, and is newly inserted. The work slips between drawing and sculpture, using textiles and paper to describe and interpret the lost histories of both the environment in which the work is set, and the current items contained within it. Intimate drawings produced in hair, thread, paper and fabric suggest an essence of those who occupied the shop and owned its clothing and ephemera, whilst depicting an absence of physical presence.\r\n\r\n&nbsp;\r\n\r\nFOOTNOTE.\r\n\r\nThe genesis of Brixton Market can be traced back to Atlantic Road in the 1870s, that soon expanded to include Electric Avenue, one of the first streets to have electric light. The indoor market arcades were constructed in 1920s-30s. The various sites comprise a network of stalls and shops, and following extensive campaigning by local residents and community groups, were listed as Grade II buildings in 2010. They continue to form an important part to the social and economic history of the area.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-19','','','2011-10-03 19:23:20','2011-10-03 19:23:20','',5,'http://catalog.org.uk/?p=111',0,'revision','',0),(120,4,'2011-10-03 19:33:43','2011-10-03 19:33:43','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->','Index','','inherit','closed','closed','','9-revision-18','','','2011-10-03 19:33:43','2011-10-03 19:33:43','',9,'http://catalog.org.uk/?p=120',0,'revision','',0),(119,4,'2011-10-03 19:33:23','2011-10-03 19:33:23','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n<p style=\"text-align: center;\">coming soon...</p>','Index','','inherit','closed','closed','','9-revision-17','','','2011-10-03 19:33:23','2011-10-03 19:33:23','',9,'http://catalog.org.uk/?p=119',0,'revision','',0),(115,4,'2011-10-03 19:30:19','2011-10-03 19:30:19','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\ncoming soon....\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Index','','inherit','closed','closed','','9-revision-13','','','2011-10-03 19:30:19','2011-10-03 19:30:19','',9,'http://catalog.org.uk/?p=115',0,'revision','',0),(113,4,'2011-10-03 19:29:52','2011-10-03 19:29:52','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\ncoming soon....\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"aligncenter size-full wp-image-67\" title=\"first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\" alt=\"\" width=\"600\" height=\"395\" /></a>','Index','','inherit','closed','closed','','9-revision-12','','','2011-10-03 19:29:52','2011-10-03 19:29:52','',9,'http://catalog.org.uk/?p=113',0,'revision','',0),(117,4,'2011-10-03 19:31:40','2011-10-03 19:31:40','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>coming soon</strong>','Index','','inherit','closed','closed','','9-revision-15','','','2011-10-03 19:31:40','2011-10-03 19:31:40','',9,'http://catalog.org.uk/?p=117',0,'revision','',0),(118,4,'2011-10-03 19:32:08','2011-10-03 19:32:08','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\ncoming soon...\r\n\r\ncoming soon...','Index','','inherit','closed','closed','','9-revision-16','','','2011-10-03 19:32:08','2011-10-03 19:32:08','',9,'http://catalog.org.uk/?p=118',0,'revision','',0),(116,4,'2011-10-03 19:31:00','2011-10-03 19:31:00','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin</strong> is a gallery manager, writer, project  manager and fundraiser. Currently freelance, she worked as Gallery  Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has  worked for non-profit visual arts organisations for over ten years  including The Drawing Room, Studio Voltaire and the Foundation for  Women’s Art (FWA). She is a visiting tutor at the University of the  Arts, London providing professional development portfolio reviews to  students. Joyce is a graduate of the University of the Arts, with a BA  in History of Art from Camberwell College and MA in Enterprise  Management for the Creative Arts from the London College of  Communications. She is a regular contributor to the Artslant website  and an Artistic Assessor for Arts Council England.\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the  UK and New York. She has also performed in film and installation  projects for artists including Aura Satz, Jennet Thomas and Lucy Cash,  and works freelance in a range of contexts; currently as Artist  assistant to Mike Nelson towards the Venice Biennale 2011, and  previously at organisations including Matt\'s Gallery, Beaconsfield, and  Artsadmin. She has presented talks at institutes across the University  of the Arts London, and at the University of Central Lancashire. Frances  graduated from the BA at Courtauld Institute of Art in 2003, and from  the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>Carolyn Thompson </strong>is a visual artist, writer and  quilt maker. She has exhibited in solo and group exhibitions in the UK  and internationally, including at the Centre for Book Arts, New York,  the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle  Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon  College of Art (University of the Arts London). She has held various  coordination and new media roles within public/non profit art  organisations, including most recently Gallery Manager (Communications)  at Matt\'s Gallery, London, and at the Film and Video Workshop and  Synergy Theatre Project.  She currently works at the Design Archives in  University of Brighton.\r\n\r\ninfo@catalog.org.uk\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Index','','inherit','closed','closed','','9-revision-14','','','2011-10-03 19:31:00','2011-10-03 19:31:00','',9,'http://catalog.org.uk/?p=116',0,'revision','',0),(124,2,'2011-10-07 12:33:11','2011-10-07 12:33:11','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nA Catalog proposal.\r\n\r\nThis is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet. \r\n\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\nTime: 1 hour (10 minutes set up - 40 minutes making - 10 minutes clear out)\r\n\r\nThe procedure:  Participants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session Catalog will send to participants an empty jiffy envelope and a blank postcard. \r\n\r\nParticipants must bring the following to the session:\r\ntheir jiffy envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title. \r\n\r\nCatalog will provide some basic equipment and materials, including A5 papers with which \'chapters\' will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session. \r\n\r\nPlease note: The material placed in the jiffy envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc. \r\n\r\nThe session: On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. Catalog are participants in the session.\r\n\r\nThe booklet: The chapters will be collected and assembled as a whole by Catalog after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.\r\n','Function','','inherit','closed','closed','','5-revision-22','','','2011-10-07 12:33:11','2011-10-07 12:33:11','',5,'http://catalog.org.uk/?p=124',0,'revision','',0),(123,2,'2011-10-07 12:17:52','2011-10-07 12:17:52','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<span style=\"font-family: Georgia; font-size: x-small;\"><strong>IF I KNEW THEN WHAT I KNOW NOW</strong></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">A Catalog proposal.</span></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"><em><span style=\"text-decoration: underline;\">This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet. </span></em></span></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">No previous experience is required. Booking is essential. </span></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"><strong>Time: </strong></span></span><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">1 hour (10 minutes set up - 40 minutes making - 10 minutes clear out)</span></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"><strong>The procedure: </strong></span></span>\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">Participants book in advance, emailing </span></span><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"><span style=\"text-decoration: underline;\">info@catalog.org.uk</span></span></span><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"><strong> </strong></span></span><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">with their postal address. In advance of the session Catalog will send to participants an empty jiffy envelope and a blank postcard. </span></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">Participants must bring the following to the session:</span></span>\r\n<ul>\r\n	<li><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">their 	jiffy envelope filled with content around a topic that they are 	especially interested 			in and/or have knowledge.</span></span></li>\r\n	<li><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">the 	postcard, onto which they should denote their chosen topic’s 	\'chapter\' title. </span></span></li>\r\n</ul>\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">Catalog will provide some basic equipment and materials, including A5 papers with which \'chapters\' will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session. </span></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"><span style=\"text-decoration: underline;\">Please note</span></span></span><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">: The material placed in the jiffy envelope will be used and is </span></span><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"><span style=\"text-decoration: underline;\">non-returnable.</span></span></span><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"> Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc. </span></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"><strong>The session:</strong></span></span>\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. Catalog are participants in the session.</span></span>\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\"><strong>The booklet:</strong></span></span>\r\n<ul>\r\n	<li>\r\n<p lang=\"en-US\"><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">The 	chapters will be collected and assembled as a whole by Catalog after 	the session</span></span></p>\r\n</li>\r\n	<li>\r\n<p lang=\"en-US\"><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">The 	original and new chapter titles will be named in the booklet, 	connections and departures will be made.</span></span></p>\r\n</li>\r\n	<li>\r\n<p lang=\"en-US\"><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">The 	resulting booklet will be duplicated and distributed to all 	participants. </span></span></p>\r\n</li>\r\n	<li>\r\n<p lang=\"en-US\"><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">The 	final document becomes a compendium of the combined knowledge of the 	students in the class at that moment in time. </span></span></p>\r\n</li>\r\n	<li>\r\n<p lang=\"en-US\"><span style=\"font-family: Georgia;\"><span style=\"font-size: x-small;\">There 	is scope to extend participation in this process once the booklet 	has been produced, for example gifting copies of the book to 	nominated people or using the booklet as a \'chapter\' in the next 	booklet in the chain. It is a mobile system that can be repeated, 	modified, and expanded.</span></span></p>\r\n</li>\r\n</ul>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-21','','','2011-10-07 12:17:52','2011-10-07 12:17:52','',5,'http://catalog.org.uk/?p=123',0,'revision','',0),(125,2,'2011-10-07 12:35:24','2011-10-07 12:35:24','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour (10 minutes set up - 40 minutes making - 10 minutes clear out)\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session Catalog will send to participants an empty jiffy envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir jiffy envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCatalog will provide some basic equipment and materials, including A5 papers with which \'chapters\' will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the jiffy envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. Catalog are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong></strong>The chapters will be collected and assembled as a whole by Catalog after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-23','','','2011-10-07 12:35:24','2011-10-07 12:35:24','',5,'http://catalog.org.uk/?p=125',0,'revision','',0),(126,2,'2011-10-07 12:45:22','2011-10-07 12:45:22','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCatalog will host a publishing exercise to run as part of FIVE YEARS\' <em>this is not a school, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full <em>this is not a school </em>programme www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n&nbsp;\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session Catalog will send to participants an empty jiffy envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir jiffy envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCatalog will provide some basic equipment and materials, including A5 papers with which \'chapters\' will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the jiffy envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. Catalog are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by Catalog after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-24','','','2011-10-07 12:45:22','2011-10-07 12:45:22','',5,'http://catalog.org.uk/?p=126',0,'revision','',0),(127,2,'2011-10-10 15:02:10','2011-10-10 15:02:10','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <em>this is not a school, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full <em>this is not a school </em>programme www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n&nbsp;\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session Catalog will send to participants an empty jiffy envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir jiffy envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCatalog will provide some basic equipment and materials, including A5 papers with which \'chapters\' will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the jiffy envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. Catalog are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by Catalog after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-25','','','2011-10-10 15:02:10','2011-10-10 15:02:10','',5,'http://catalog.org.uk/?p=127',0,'revision','',0),(128,2,'2011-10-10 15:07:45','2011-10-10 15:07:45','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <em>this is not a school, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full <em>this is not a school </em>programme www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session Catalog will send to participants an empty jiffy envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir jiffy envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the jiffy envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-26','','','2011-10-10 15:07:45','2011-10-10 15:07:45','',5,'http://catalog.org.uk/?p=128',0,'revision','',0),(131,2,'2011-10-10 15:19:14','2011-10-10 15:19:14','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCATALOG was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through CATALOG.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-13','','','2011-10-10 15:19:14','2011-10-10 15:19:14','',2,'http://catalog.org.uk/?p=131',0,'revision','',0),(132,2,'2011-10-10 15:21:13','2011-10-10 15:21:13','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <em>this is not a school, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em>www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-28','','','2011-10-10 15:21:13','2011-10-10 15:21:13','',5,'http://catalog.org.uk/?p=132',0,'revision','',0),(185,2,'2012-03-16 18:25:58','2012-03-16 18:25:58','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />','Function','','inherit','closed','closed','','5-revision-47','','','2012-03-16 18:25:58','2012-03-16 18:25:58','',5,'http://catalog.org.uk/?p=185',0,'revision','',0),(134,2,'2011-10-03 19:00:14','2011-10-03 19:00:14','[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Journal','','inherit','closed','closed','','7-revision-21','','','2011-10-03 19:00:14','2011-10-03 19:00:14','',7,'http://catalog.org.uk/?p=134',0,'revision','',0),(136,2,'2011-10-10 17:34:37','2011-10-10 17:34:37','[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Journal','','inherit','closed','closed','','7-revision-23','','','2011-10-10 17:34:37','2011-10-10 17:34:37','',7,'http://catalog.org.uk/?p=136',0,'revision','',0),(135,2,'2011-10-10 17:33:36','2011-10-10 17:33:36','[gallery link=\"file\" columns=\"1\"]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Journal','','inherit','closed','closed','','7-revision-22','','','2011-10-10 17:33:36','2011-10-10 17:33:36','',7,'http://catalog.org.uk/?p=135',0,'revision','',0),(137,2,'2011-10-10 17:34:45','2011-10-10 17:34:45','[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Journal','','inherit','closed','closed','','7-revision-24','','','2011-10-10 17:34:45','2011-10-10 17:34:45','',7,'http://catalog.org.uk/?p=137',0,'revision','',0),(138,2,'2011-10-11 13:37:38','2011-10-11 13:37:38','','IF I KNEW THEN...','','inherit','closed','closed','','if-i-knew_emailout72dpi','','','2011-10-11 13:37:38','2011-10-11 13:37:38','',5,'http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg',0,'attachment','image/jpeg',0),(139,2,'2011-10-10 15:31:44','2011-10-10 15:31:44','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em>www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-29','','','2011-10-10 15:31:44','2011-10-10 15:31:44','',5,'http://catalog.org.uk/?p=139',0,'revision','',0),(179,2,'2012-03-16 17:14:10','2012-03-16 17:14:10','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London at 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n \r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n \r\nThe chapters were collected and assembled as a whole by CATALOG after the session. \r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">here</a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n\r\n\r\n','Function','','inherit','closed','closed','','5-revision-42','','','2012-03-16 17:14:10','2012-03-16 17:14:10','',5,'http://catalog.org.uk/?p=179',0,'revision','',0),(140,2,'2011-10-11 13:40:16','2011-10-11 13:40:16','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em>www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-30','','','2011-10-11 13:40:16','2011-10-11 13:40:16','',5,'http://catalog.org.uk/?p=140',0,'revision','',0),(141,2,'2011-10-11 13:41:39','2011-10-11 13:41:39','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em>www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Each participant creates a chapter. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline. How this knowledge or non-knowledge is expressed happens in the format of a booklet. All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\ntheir envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.\r\nthe postcard, onto which they should denote their chosen topic’s \'chapter\' title.\r\n\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-31','','','2011-10-11 13:41:39','2011-10-11 13:41:39','',5,'http://catalog.org.uk/?p=141',0,'revision','',0),(142,2,'2011-10-10 17:34:59','2011-10-10 17:34:59','[gallery]\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a>','Journal','','inherit','closed','closed','','7-revision-25','','','2011-10-10 17:34:59','2011-10-10 17:34:59','',7,'http://catalog.org.uk/?p=142',0,'revision','',0),(147,2,'2011-10-11 13:54:36','2011-10-11 13:54:36','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a>','Journal','','inherit','closed','closed','','7-revision-30','','','2011-10-11 13:54:36','2011-10-11 13:54:36','',7,'http://catalog.org.uk/?p=147',0,'revision','',0),(146,2,'2011-10-11 13:53:27','2011-10-11 13:53:27','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\">\r\n</a><img class=\"alignright size-medium wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file-300x221.jpg\" alt=\"\" width=\"300\" height=\"221\" /><img class=\"alignleft size-medium wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting-300x212.jpg\" alt=\"\" width=\"300\" height=\"212\" />','Journal','','inherit','closed','closed','','7-revision-29','','','2011-10-11 13:53:27','2011-10-11 13:53:27','',7,'http://catalog.org.uk/?p=146',0,'revision','',0),(145,2,'2011-10-11 13:52:41','2011-10-11 13:52:41','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2.jpg\"><img class=\"alignleft size-medium wp-image-67\" title=\"CATALOG_first-meeting2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting2-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" /></a><img class=\"alignright size-medium wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file-300x221.jpg\" alt=\"\" width=\"300\" height=\"221\" /></a><img class=\"alignleft size-medium wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting-300x212.jpg\" alt=\"\" width=\"300\" height=\"212\" /></a>','Journal','','inherit','closed','closed','','7-revision-28','','','2011-10-11 13:52:41','2011-10-11 13:52:41','',7,'http://catalog.org.uk/?p=145',0,'revision','',0),(148,2,'2011-10-11 13:56:46','2011-10-11 13:56:46','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" /></a><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-31','','','2011-10-11 13:56:46','2011-10-11 13:56:46','',7,'http://catalog.org.uk/?p=148',0,'revision','',0),(151,3,'2011-10-11 20:11:20','2011-10-11 20:11:20','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.</span>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\">is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Carolyn Thompson</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a visual artist and writer. She exhibits internationally and possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts). Carolyn has held various co-ordination and technical roles at University of Brighton, Matt\'s Gallery, London, Film and Video Workshop and Synergy Theatre Project. </span></p>\r\n&nbsp;','Biographies','','inherit','closed','closed','','31-revision-4','','','2011-10-11 20:11:20','2011-10-11 20:11:20','',31,'http://catalog.org.uk/?p=151',0,'revision','',0),(172,3,'2011-11-30 16:04:31','2011-11-30 16:04:31','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin</strong> is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>Carolyn Thompson </strong>is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project.  She currently works at the Design Archives in University of Brighton.\r\n\r\ninfo@catalog.org.uk\r\n','Communicate','','inherit','closed','closed','','11-revision-10','','','2011-11-30 16:04:31','2011-11-30 16:04:31','',11,'http://catalog.org.uk/?p=172',0,'revision','',0),(152,3,'2011-10-11 20:41:31','2011-10-11 20:41:31','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.</span>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\">is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Carolyn Thompson </strong>is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager Communications at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project.  She currently works at the Design Archives in University of Brighton.\r\n</span></p>\r\n&nbsp;','Biographies','','inherit','closed','closed','','31-revision-5','','','2011-10-11 20:41:31','2011-10-11 20:41:31','',31,'http://catalog.org.uk/?p=152',0,'revision','',0),(173,2,'2011-11-30 15:31:36','2011-11-30 15:31:36','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>22 OCTOBER 2011, FIVE YEARS London E8 \r\n</strong>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">here </a> \r\n\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-39','','','2011-11-30 15:31:36','2011-11-30 15:31:36','',5,'http://catalog.org.uk/?p=173',0,'revision','',0),(153,2,'2011-10-11 13:43:11','2011-10-11 13:43:11','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em>www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-32','','','2011-10-11 13:43:11','2011-10-11 13:43:11','',5,'http://catalog.org.uk/?p=153',0,'revision','',0),(174,2,'2012-01-30 12:28:00','2012-01-30 12:28:00','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nOn 22 October 2011 CATALOG hosted a publishing exercise as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that responded to the phenomenon of the \'alternative education project\'. The session was held at FIVE YEARS, London E8. More information below, and details on the full programme <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">here</a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-40','','','2012-01-30 12:28:00','2012-01-30 12:28:00','',5,'http://catalog.org.uk/?p=174',0,'revision','',0),(154,2,'2011-11-30 15:24:19','2011-11-30 15:24:19','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>22 OCTOBER 2011, FIVE YEARS London E8 \r\n</strong>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em>www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-33','','','2011-11-30 15:24:19','2011-11-30 15:24:19','',5,'http://catalog.org.uk/?p=154',0,'revision','',0),(155,2,'2011-11-30 15:24:58','2011-11-30 15:24:58','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>22 OCTOBER 2011, FIVE YEARS London E8 \r\n</strong>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em>www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-34','','','2011-11-30 15:24:58','2011-11-30 15:24:58','',5,'http://catalog.org.uk/?p=155',0,'revision','',0),(156,2,'2011-11-30 15:28:14','2011-11-30 15:28:14','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>22 OCTOBER 2011, FIVE YEARS London E8 \r\n</strong>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em>http://www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-35','','','2011-11-30 15:28:14','2011-11-30 15:28:14','',5,'http://catalog.org.uk/?p=156',0,'revision','',0),(159,2,'2011-11-30 15:30:21','2011-11-30 15:30:21','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>22 OCTOBER 2011, FIVE YEARS London E8 \r\n</strong>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme www.fiveyears.org.uk/thisisnotaschool1.html\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-38','','','2011-11-30 15:30:21','2011-11-30 15:30:21','',5,'http://catalog.org.uk/?p=159',0,'revision','',0),(157,2,'2011-11-30 15:29:10','2011-11-30 15:29:10','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>22 OCTOBER 2011, FIVE YEARS London E8 \r\n</strong>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em> <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-36','','','2011-11-30 15:29:10','2011-11-30 15:29:10','',5,'http://catalog.org.uk/?p=157',0,'revision','',0),(158,2,'2011-11-30 15:29:46','2011-11-30 15:29:46','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>22 OCTOBER 2011, FIVE YEARS London E8 \r\n</strong>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nCATALOG will host a publishing exercise to run as part of FIVE YEARS\' <del>THIS IS NOT A SCHOOL</del><em>, </em>a programme of events that respond to the phenomenon of the \'alternative education project\'. The session will be held at FIVE YEARS on 22 October between 5 - 6pm. More information, and how to book if you would like to participate, below.\r\n\r\nDetails on the full programme <em>this is not a school </em> <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW</strong>\r\n\r\n<em>This is a self-publishing exercise. It is a silent exchange of knowledge. Within this class, generosity is a requirement. There is no singular authorial voice. There is a responsibility to share information. The system encourages a relay of ideas. It is not restricted to a particular discipline.  This knowledge or non-knowledge is expressed in the format of a booklet. <em>Each participant creates a chapter. </em>All participants own the booklet.  It is contingent on each participant and how they approach their chapter. Participants will access knowledge on a topic that another has anonymously passed on. There will be one booklet.</em>\r\n\r\nNo previous experience is required. Booking is essential.\r\n\r\n<strong>Time: </strong>1 hour\r\n\r\n<strong>The procedure:</strong>\r\n\r\nParticipants book in advance, emailing info@catalog.org.uk with their postal address. In advance of the session CATALOG will send to participants an empty envelope and a blank postcard.\r\n\r\nParticipants must bring the following to the session:\r\n<ul>\r\n	<li>their envelope filled with content around a topic that they are especially interested 	in and/or have knowledge.</li>\r\n	<li>the postcard, onto which they should denote their chosen topic’s \'chapter\' title.</li>\r\n</ul>\r\nCATALOG will provide some basic equipment and materials, including A5 papers with which chapters will be structured. Participants are welcome to bring any booklet-making items they would like to share in the session.\r\n\r\nPlease note: The material placed in the envelope will be used and is non-returnable. Any material is acceptable, but is preferable that it is in a printed format. eg. print-outs, magazines, books, newspapers etc.\r\n\r\n<strong>The session: </strong>\r\n\r\n<strong> </strong>On arrival, participants will submit their envelope and in return will receive another participant’s material. They will construct and title a \'chapter\' from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. They will form their interpretation of the material they have received in the class, and make their contribution to the booklet from this. The class takes place in silence. Interaction between participants is necessary but non-verbal. CATALOG are participants in the session.\r\n\r\n<strong>The booklet: </strong>\r\n\r\n<strong> </strong>The chapters will be collected and assembled as a whole by CATALOG after the session\r\nThe original and new chapter titles will be named in the booklet, connections and departures will be made.\r\nThe resulting booklet will be duplicated and distributed to all participants. The final document becomes a compendium of the combined knowledge of the students in the class at that moment in time. There is scope to extend participation in this process once the booklet has been produced, for example gifting copies of the book to nominated people or using the booklet as a \'chapter\' in the next booklet in the chain. It is a mobile system that can be repeated, modified, and expanded.','Function','','inherit','closed','closed','','5-revision-37','','','2011-11-30 15:29:46','2011-11-30 15:29:46','',5,'http://catalog.org.uk/?p=158',0,'revision','',0),(161,2,'2011-11-30 15:44:37','2011-11-30 15:44:37','Joyce Cronin\r\nwww.artslant.com/lon/artists/show/160117-joyce-cronin?tab=REVIEWS\r\nwww.artslant.com/mia/articles/show/18690\r\nwww.axisweb.org/dlForum.aspx?ESSAYID=18100\r\n\r\n\r\nFrances Scott\r\n<a href=\"http://www.abyme.org.uk\">www.abyme.org.uk\r\n\r\n\r\nCarolyn Thompson\r\nwww.carolynthompson.co.uk/','Index','','inherit','closed','closed','','9-revision-20','','','2011-11-30 15:44:37','2011-11-30 15:44:37','',9,'http://catalog.org.uk/?p=161',0,'revision','',0),(162,2,'2011-11-30 15:49:43','2011-11-30 15:49:43','Joyce Cronin\r\n<a href=\"http://www.artslant.com/lon/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant selected reviews</a>\r\n\r\n\r\nFrances Scott\r\n<a href=\"http://www.abyme.org.uk\">Abyme</a>\r\n\r\n\r\nCarolyn Thompson\r\n<a href=\"http://www.carolynthompson.co.uk\">Artist website</a>\r\n','Index','','inherit','closed','closed','','9-revision-21','','','2011-11-30 15:49:43','2011-11-30 15:49:43','',9,'http://catalog.org.uk/?p=162',0,'revision','',0),(163,2,'2011-11-30 15:50:47','2011-11-30 15:50:47','Joyce Cronin\r\n<a href=\"http://www.artslant.com/lon/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant selected reviews</a>\r\n\r\n\r\nFrances Scott\r\n<a href=\"http://www.abyme.org.uk\">www.abyme.org.uk</a>\r\n\r\n\r\nCarolyn Thompson\r\n<a href=\"http://www.carolynthompson.co.uk\">www.carolynthompson.co.uk</a>\r\n','Index','','inherit','closed','closed','','9-revision-22','','','2011-11-30 15:50:47','2011-11-30 15:50:47','',9,'http://catalog.org.uk/?p=163',0,'revision','',0),(164,2,'2011-11-30 15:52:22','2011-11-30 15:52:22','Joyce Cronin\r\n<a href=\"http://www.artslant.com/lon/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant selected reviews</a>\r\n\r\n\r\nFrances Scott\r\n<a href=\"http://www.abyme.org.uk\">www.abyme.org.uk</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid</a>\r\n\r\n\r\nCarolyn Thompson\r\n<a href=\"http://www.carolynthompson.co.uk\">www.carolynthompson.co.uk</a>\r\n','Index','','inherit','closed','closed','','9-revision-23','','','2011-11-30 15:52:22','2011-11-30 15:52:22','',9,'http://catalog.org.uk/?p=164',0,'revision','',0),(165,2,'2011-11-30 15:57:14','2011-11-30 15:57:14','<strong>Joyce Cronin</strong>\r\n<a href=\"http://www.artslant.com/lon/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant selected reviews</a>\r\n\r\n\r\n<strong>Frances Scott</strong>\r\n<a href=\"http://www.abyme.org.uk\">www.abyme.org.uk</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid</a>\r\n\r\n\r\n<strong>Carolyn Thompson</strong>\r\n<a href=\"http://www.carolynthompson.co.uk\">www.carolynthompson.co.uk</a>\r\n','Index','','inherit','closed','closed','','9-revision-24','','','2011-11-30 15:57:14','2011-11-30 15:57:14','',9,'http://catalog.org.uk/?p=165',0,'revision','',0),(166,2,'2011-09-26 15:27:19','2011-09-26 15:27:19','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin</strong> is a gallery manager, writer, project manager and fundraiser. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She is a regular contributor to the Artslant website and an Artistic Assessor for Arts Council England.\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>Carolyn Thompson </strong>is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project.  She currently works at the Design Archives in University of Brighton.\r\n\r\ninfo@catalog.org.uk\r\n','Communicate','','inherit','closed','closed','','11-revision-9','','','2011-09-26 15:27:19','2011-09-26 15:27:19','',11,'http://catalog.org.uk/?p=166',0,'revision','',0),(167,2,'2011-11-30 16:07:54','2011-11-30 16:07:54','','CATALOG_FiveYears8_lowres','','inherit','closed','closed','','catalog_fiveyears8_lowres','','','2011-11-30 16:07:54','2011-11-30 16:07:54','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_FiveYears8_lowres.jpg',0,'attachment','image/jpeg',0),(168,2,'2011-10-11 13:59:24','2011-10-11 13:59:24','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"alignleft size-full wp-image-66\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"600\" height=\"349\" /></a>\r\n\r\n&nbsp;\r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-32','','','2011-10-11 13:59:24','2011-10-11 13:59:24','',7,'http://catalog.org.uk/?p=168',0,'revision','',0),(170,2,'2011-11-30 16:11:11','2011-11-30 16:11:11','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"alignleft size-full wp-image-66\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"600\" height=\"349\" /></a>\r\n\r\n&nbsp;\r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-34','','','2011-11-30 16:11:11','2011-11-30 16:11:11','',7,'http://catalog.org.uk/?p=170',0,'revision','',0),(171,3,'2011-10-11 21:26:09','2011-10-11 21:26:09','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.</span>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\">is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Carolyn Thompson </strong>is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager Communications at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project.  She currently works at the Design Archives in University of Brighton.\r\n</span></p>\r\n&nbsp;','Biographies','','inherit','closed','closed','','31-revision-6','','','2011-10-11 21:26:09','2011-10-11 21:26:09','',31,'http://catalog.org.uk/?p=171',0,'revision','',0),(169,2,'2011-11-30 16:08:17','2011-11-30 16:08:17','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_FiveYears8_lowres.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_FiveYears8_lowres.jpg\" alt=\"\" title=\"CATALOG_FiveYears8_lowres\" width=\"480\" height=\"722\" class=\"alignleft size-full wp-image-167\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"alignleft size-full wp-image-66\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"600\" height=\"349\" /></a>\r\n\r\n&nbsp;\r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-33','','','2011-11-30 16:08:17','2011-11-30 16:08:17','',7,'http://catalog.org.uk/?p=169',0,'revision','',0),(175,2,'2011-12-12 22:33:48','2011-12-12 22:33:48','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>Carolyn Thompson </strong>is a visual artist, writer and quilt maker. She has exhibited in solo and group exhibitions in the UK and internationally, including at the Centre for Book Arts, New York, the 18th Istanbul Art Fair, MCO Gallery, Portugal, and the Eagle Gallery, London. Carolyn possesses an MA in Fine Art from Wimbledon College of Art (University of the Arts London). She has held various coordination and new media roles within public/non profit art organisations, including most recently Gallery Manager (Communications) at Matt\'s Gallery, London, and at the Film and Video Workshop and Synergy Theatre Project.  She currently works at the Design Archives in University of Brighton.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-11','','','2011-12-12 22:33:48','2011-12-12 22:33:48','',11,'http://catalog.org.uk/?p=175',0,'revision','',0),(176,2,'2012-01-31 16:45:09','2012-01-31 16:45:09','','CATALOG_FiveYears2_lowres','','inherit','closed','closed','','catalog_fiveyears2_lowres','','','2012-01-31 16:45:09','2012-01-31 16:45:09','',5,'http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg',0,'attachment','image/jpeg',0),(177,2,'2012-01-31 16:45:17','2012-01-31 16:45:17','','CATALOG_FiveYears3_lowres','','inherit','closed','closed','','catalog_fiveyears3_lowres','','','2012-01-31 16:45:17','2012-01-31 16:45:17','',5,'http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg',0,'attachment','image/jpeg',0),(181,2,'2012-03-16 17:15:59','2012-03-16 17:15:59','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n \r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n \r\nThe chapters were collected and assembled as a whole by CATALOG after the session. \r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n\r\n\r\n','Function','','inherit','closed','closed','','5-revision-44','','','2012-03-16 17:15:59','2012-03-16 17:15:59','',5,'http://catalog.org.uk/?p=181',0,'revision','',0),(183,2,'2012-03-16 18:25:14','2012-03-16 18:25:14','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n&nbsp;\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />','Function','','inherit','closed','closed','','5-revision-46','','','2012-03-16 18:25:14','2012-03-16 18:25:14','',5,'http://catalog.org.uk/?p=183',0,'revision','',0),(182,2,'2012-03-16 18:16:28','2012-03-16 18:16:28','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_FiveYears8_lowres.jpg\"><img class=\"alignleft size-full wp-image-167\" title=\"CATALOG_FiveYears8_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_FiveYears8_lowres.jpg\" alt=\"\" width=\"480\" height=\"722\" /></a>','Function','','inherit','closed','closed','','5-revision-45','','','2012-03-16 18:16:28','2012-03-16 18:16:28','',5,'http://catalog.org.uk/?p=182',0,'revision','',0),(208,5,'2012-04-03 09:50:21','2012-04-03 09:50:21','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignnone size-thumbnail wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"IF I KNEW THEN WHAT I KNOW NOW\" width=\"150\" height=\"150\" /></a>','Function','','inherit','closed','closed','','5-revision-51','','','2012-04-03 09:50:21','2012-04-03 09:50:21','',5,'http://catalog.org.uk/?p=208',0,'revision','',0),(186,2,'2012-03-22 17:26:21','2012-03-22 17:26:21','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\nCATALOG 2011','Function','','inherit','closed','closed','','5-revision-48','','','2012-03-22 17:26:21','2012-03-22 17:26:21','',5,'http://catalog.org.uk/?p=186',0,'revision','',0),(188,3,'2011-10-10 15:29:03','2011-10-10 15:29:03','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\nCATALOG was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities. Our work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through CATALOG.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-14','','','2011-10-10 15:29:03','2011-10-10 15:29:03','',2,'http://catalog.org.uk/?p=188',0,'revision','',0),(193,3,'2012-03-28 11:36:03','2012-03-28 11:36:03','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-14','','','2012-03-28 11:36:03','2012-03-28 11:36:03','',11,'http://catalog.org.uk/?p=193',0,'revision','',0),(243,2,'2012-03-28 11:43:43','2012-03-28 11:43:43','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-18','','','2012-03-28 11:43:43','2012-03-28 11:43:43','',11,'http://catalog.org.uk/11-revision-18/',0,'revision','',0),(194,3,'2012-03-28 11:42:22','2012-03-28 11:42:22','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was originally founded in 2010 by <strong>Joyce Cronin, Frances Scott </strong>and <strong>Carolyn Thompson</strong>.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-15','','','2012-03-28 11:42:22','2012-03-28 11:42:22','',11,'http://catalog.org.uk/?p=194',0,'revision','',0),(195,3,'2012-03-28 11:42:31','2012-03-28 11:42:31','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was originally founded in 2010 by <strong>Joyce Cronin, Frances Scott </strong>and <strong>Carolyn Thompson</strong>.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-16','','','2012-03-28 11:42:31','2012-03-28 11:42:31','',11,'http://catalog.org.uk/?p=195',0,'revision','',0),(196,3,'2012-03-28 11:43:05','2012-03-28 11:43:05','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\ninfo@catalog.org.uk','Communicate','','inherit','closed','closed','','11-revision-17','','','2012-03-28 11:43:05','2012-03-28 11:43:05','',11,'http://catalog.org.uk/?p=196',0,'revision','',0),(197,5,'2012-03-22 17:27:16','2012-03-22 17:27:16','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\nCATALOG 2011','Function','','inherit','closed','closed','','5-revision-49','','','2012-03-22 17:27:16','2012-03-22 17:27:16','',5,'http://catalog.org.uk/?p=197',0,'revision','',0),(198,5,'2011-11-30 16:11:25','2011-11-30 16:11:25','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"alignleft size-full wp-image-66\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"600\" height=\"349\" /></a>\r\n\r\n&nbsp;\r\n\r\nCATALOG 2011','Journal','','inherit','closed','closed','','7-revision-35','','','2011-11-30 16:11:25','2011-11-30 16:11:25','',7,'http://catalog.org.uk/?p=198',0,'revision','',0),(199,5,'2012-04-03 09:30:54','2012-04-03 09:30:54','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"alignleft size-full wp-image-66\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"600\" height=\"349\" /></a>\r\n\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-36','','','2012-04-03 09:30:54','2012-04-03 09:30:54','',7,'http://catalog.org.uk/?p=199',0,'revision','',0),(200,5,'2012-04-03 09:31:06','2012-04-03 09:31:06','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"alignleft size-full wp-image-66\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"600\" height=\"349\" /></a>\r\n\r\n&nbsp;\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-37','','','2012-04-03 09:31:06','2012-04-03 09:31:06','',7,'http://catalog.org.uk/?p=200',0,'revision','',0),(201,5,'2012-04-03 09:31:57','2012-04-03 09:31:57','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"size-full wp-image-65 aligncenter\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"600\" height=\"424\" /></a><img class=\"size-full wp-image-64 aligncenter\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"600\" height=\"442\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"size-full wp-image-66 aligncenter\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"600\" height=\"349\" /></a>\r\n\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-38','','','2012-04-03 09:31:57','2012-04-03 09:31:57','',7,'http://catalog.org.uk/?p=201',0,'revision','',0),(203,5,'2012-04-03 09:46:22','2012-04-03 09:46:22','','Auto Draft','','inherit','closed','closed','','202-revision','','','2012-04-03 09:46:22','2012-04-03 09:46:22','',202,'http://catalog.org.uk/?p=203',0,'revision','',0),(233,5,'2012-04-03 11:28:41','2012-04-03 11:28:41','','test','','inherit','closed','closed','','229-revision-2','','','2012-04-03 11:28:41','2012-04-03 11:28:41','',229,'http://catalog.org.uk/229-revision-2/',0,'revision','',0),(205,5,'2012-04-03 09:46:38','2012-04-03 09:46:38','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n&nbsp;','IF I KNEW THEN WHAT I KNOW NOW','','inherit','closed','closed','','202-revision-2','','','2012-04-03 09:46:38','2012-04-03 09:46:38','',202,'http://catalog.org.uk/?p=205',0,'revision','',0),(206,5,'2012-04-03 09:47:11','2012-04-03 09:47:11','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-3','','','2012-04-03 09:47:11','2012-04-03 09:47:11','',202,'http://catalog.org.uk/?p=206',0,'revision','',0),(207,5,'2012-04-03 09:29:26','2012-04-03 09:29:26','IF I KNEW THEN WHAT I KNOW NOW\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-50','','','2012-04-03 09:29:26','2012-04-03 09:29:26','',5,'http://catalog.org.uk/?p=207',0,'revision','',0),(213,5,'2014-02-11 15:06:00','2014-02-11 15:06:00','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\n\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2011-2012)</strong>\n\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of <em>this is not a school</em>, more information <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">here.</a>\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\n\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\n\n&nbsp;\n\n<img class=\"alignnone size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /> <img class=\"alignnone size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" />\n<img class=\"alignnone size-full wp-image-717\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\" alt=\"\" width=\"423\" height=\"290\" /> <img class=\"alignnone size-full wp-image-718\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\" alt=\"\" width=\"227\" height=\"290\" />\n\n&nbsp;','If I Knew Then What I Know Now','','inherit','closed','closed','','202-autosave','','','2014-02-11 15:06:00','2014-02-11 15:06:00','',202,'http://catalog.org.uk/?p=213',0,'revision','',0),(212,5,'2012-04-03 10:09:55','2012-04-03 10:09:55','<entry-header h1>IF I KNEW THEN WHAT I KNOW NOW</entry-header h1>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-6','','','2012-04-03 10:09:55','2012-04-03 10:09:55','',202,'http://catalog.org.uk/?p=212',0,'revision','',0),(214,5,'2012-04-03 10:11:40','2012-04-03 10:11:40','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-7','','','2012-04-03 10:11:40','2012-04-03 10:11:40','',202,'http://catalog.org.uk/?p=214',0,'revision','',0),(215,5,'2012-04-03 10:15:28','2012-04-03 10:15:28','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-8','','','2012-04-03 10:15:28','2012-04-03 10:15:28','',202,'http://catalog.org.uk/?p=215',0,'revision','',0),(216,5,'2012-04-03 10:26:30','2012-04-03 10:26:30','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n[scribd id=87053342 key=key-kb8cddt1xa78tayzmmq mode=list]\r\n&nbsp;','','','inherit','closed','closed','','202-revision-9','','','2012-04-03 10:26:30','2012-04-03 10:26:30','',202,'http://catalog.org.uk/?p=216',0,'revision','',0),(218,5,'2012-04-03 10:29:34','2012-04-03 10:29:34','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\"></a>','','','inherit','closed','closed','','202-revision-11','','','2012-04-03 10:29:34','2012-04-03 10:29:34','',202,'http://catalog.org.uk/?p=218',0,'revision','',0),(221,5,'2012-04-03 10:33:31','2012-04-03 10:33:31','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<a title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87053342/content?start_page=1&view_mode=list&access_key=key-kb8cddt1xa78tayzmmq\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_31782\" width=\"656\" height=\"874\" frameborder=\"0\"></iframe>','','','inherit','closed','closed','','202-revision-14','','','2012-04-03 10:33:31','2012-04-03 10:33:31','',202,'http://catalog.org.uk/?p=221',0,'revision','',0),(217,5,'2012-04-03 10:28:24','2012-04-03 10:28:24','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<a title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\">If I Knew Then What I Know Now</a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87053342/content?start_page=1&view_mode=list&access_key=key-kb8cddt1xa78tayzmmq\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_31782\" width=\"656\" height=\"874\" frameborder=\"0\"></iframe>\r\n&nbsp;','','','inherit','closed','closed','','202-revision-10','','','2012-04-03 10:28:24','2012-04-03 10:28:24','',202,'http://catalog.org.uk/?p=217',0,'revision','',0),(219,5,'2012-04-03 10:31:05','2012-04-03 10:31:05','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\">If I Knew Then What I Know Now</a>','','','inherit','closed','closed','','202-revision-12','','','2012-04-03 10:31:05','2012-04-03 10:31:05','',202,'http://catalog.org.uk/?p=219',0,'revision','',0),(223,5,'2012-04-03 10:37:54','2012-04-03 10:37:54','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\"></a>','','','inherit','closed','closed','','202-revision-15','','','2012-04-03 10:37:54','2012-04-03 10:37:54','',202,'http://catalog.org.uk/?p=223',0,'revision','',0),(220,5,'2012-04-03 10:31:55','2012-04-03 10:31:55','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<img class=\"alignleft size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"722\" height=\"480\" />\r\n\r\n<a title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\">If I Knew Then What I Know Now</a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87053342/content?start_page=1&view_mode=list&access_key=key-kb8cddt1xa78tayzmmq\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_31782\" width=\"656\" height=\"874\" frameborder=\"0\"></iframe>','','','inherit','closed','closed','','202-revision-13','','','2012-04-03 10:31:55','2012-04-03 10:31:55','',202,'http://catalog.org.uk/?p=220',0,'revision','',0),(224,5,'2012-04-03 10:40:36','2012-04-03 10:40:36','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\nSomething here\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\"></a>','','','inherit','closed','closed','','202-revision-16','','','2012-04-03 10:40:36','2012-04-03 10:40:36','',202,'http://catalog.org.uk/?p=224',0,'revision','',0),(228,5,'2011-11-30 15:57:46','2011-11-30 15:57:46','<strong>Joyce Cronin</strong>\r\n<a href=\"http://www.artslant.com/lon/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant selected reviews</a>\r\n\r\n\r\n<strong>Frances Scott</strong>\r\n<a href=\"http://www.abyme.org.uk\">www.abyme.org.uk</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid</a>\r\n\r\n\r\n<strong>Carolyn Thompson</strong>\r\n<a href=\"http://www.carolynthompson.co.uk\">www.carolynthompson.co.uk</a>\r\n','Index','','inherit','closed','closed','','9-revision-25','','','2011-11-30 15:57:46','2011-11-30 15:57:46','',9,'http://catalog.org.uk/9-revision-25/',0,'revision','',0),(225,5,'2012-04-03 10:41:53','2012-04-03 10:41:53','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<a title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\">If I Knew Then What I Know Now</a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87053342/content?start_page=1&view_mode=list&access_key=key-kb8cddt1xa78tayzmmq\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_31782\" width=\"656\" height=\"874\" frameborder=\"0\"></iframe>','','','inherit','closed','closed','','202-revision-17','','','2012-04-03 10:41:53','2012-04-03 10:41:53','',202,'http://catalog.org.uk/?p=225',0,'revision','',0),(226,5,'2012-04-03 10:42:55','2012-04-03 10:42:55','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<a title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87053342/content?start_page=1&view_mode=list&access_key=key-kb8cddt1xa78tayzmmq\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_31782\" width=\"656\" height=\"874\" frameborder=\"0\"></iframe>','','','inherit','closed','closed','','202-revision-18','','','2012-04-03 10:42:55','2012-04-03 10:42:55','',202,'http://catalog.org.uk/?p=226',0,'revision','',0),(227,5,'2012-04-03 10:45:52','2012-04-03 10:45:52','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87053342/content?start_page=1&view_mode=list&access_key=key-kb8cddt1xa78tayzmmq\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_31782\" width=\"656\" height=\"874\" frameborder=\"0\"></iframe>','','','inherit','closed','closed','','202-revision-19','','','2012-04-03 10:45:52','2012-04-03 10:45:52','',202,'http://catalog.org.uk/202-revision-19/',0,'revision','',0),(229,5,'2012-04-03 11:28:41','2012-04-03 11:28:41','[customcontact form=1]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n','test','','publish','closed','closed','','test','','','2012-05-16 14:52:51','2012-05-16 14:52:51','',0,'http://catalog.org.uk/?page_id=229',0,'page','',0),(230,5,'2012-04-03 11:28:36','2012-04-03 11:28:36','','Auto Draft','','inherit','closed','closed','','229-revision','','','2012-04-03 11:28:36','2012-04-03 11:28:36','',229,'http://catalog.org.uk/229-revision/',0,'revision','',0),(335,3,'2012-08-01 10:30:38','2012-08-01 10:30:38','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found (2012)</strong>\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','(Im)Possible School Book: As Found','','publish','closed','closed','','impossible-school','','','2014-02-11 15:16:34','2014-02-11 15:16:34','',0,'http://catalog.org.uk/?page_id=335',0,'page','',0),(234,5,'2012-04-03 12:31:45','2012-04-03 12:31:45','[customcontact form=1]','test','','inherit','closed','closed','','229-revision-3','','','2012-04-03 12:31:45','2012-04-03 12:31:45','',229,'http://catalog.org.uk/229-revision-3/',0,'revision','',0),(236,5,'2012-04-03 12:35:51','2012-04-03 12:35:51','[customcontact form=1]','test','','inherit','closed','closed','','229-revision-5','','','2012-04-03 12:35:51','2012-04-03 12:35:51','',229,'http://catalog.org.uk/229-revision-5/',0,'revision','',0),(235,5,'2012-04-03 12:34:09','2012-04-03 12:34:09','<?php if (function_exists(\'serveCustomContactForm\')) { serveCustomContactForm(1); } ?>','test','','inherit','closed','closed','','229-revision-4','','','2012-04-03 12:34:09','2012-04-03 12:34:09','',229,'http://catalog.org.uk/229-revision-4/',0,'revision','',0),(240,2,'2012-04-03 14:54:53','2012-04-03 14:54:53','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=list&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"true\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_76325\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-22','','','2012-04-03 14:54:53','2012-04-03 14:54:53','',202,'http://catalog.org.uk/202-revision-22/',0,'revision','',0),(245,2,'2012-05-16 15:18:13','2012-05-16 15:18:13','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 45 &gt; March 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast45.png\" alt=\"\" title=\"Broadcast45\" width=\"1000\" height=\"533\" class=\"alignnone size-full wp-image-824\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; photograph taken in Whitby, North Yorkshire, 13 March 2016\r\nRHS. Channel 2 &gt;&gt;&gt; photograph taken of fortune-telling card from arcade penny slot machine, 2016\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 44 &gt; February 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast44.png\" alt=\"\" title=\"Broadcast44\" width=\"1000\" height=\"483\" class=\"alignnone size-full wp-image-822\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'St Elmo\'s Fire\' phenomenon, engraving, unknown, c.1860\r\nRHS. Channel 1 &gt;&gt;&gt; \'Whirling Dervishes perform the ritual dance of the Sufi sect, Ankara, Turkey\'. Photo: Sukri Celil Advan, National Geographic, 2013\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 43 &gt; January 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast43.png\" alt=\"\" title=\"Broadcast43\" width=\"1000\" height=\"465\" class=\"alignnone size-full wp-image-819\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 &gt;&gt;&gt; Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 42 &gt; December 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast42.png\" alt=\"\" title=\"Broadcast42\" width=\"1000\" height=\"564\" class=\"alignnone size-full wp-image-817\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 &gt;&gt;&gt; Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail </em>\r\n\r\n- - -\r\n\r\nBROADCAST 41 &gt; November 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png\" alt=\"\" title=\"Broadcast-41\" width=\"1000\" height=\"602\" class=\"alignnone size-full wp-image-815\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 &gt;&gt;&gt; Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings </em>\r\n\r\n- - -\r\n\r\nBROADCAST 40 &gt; October 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png\" alt=\"\" title=\"Broadcast40\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-813\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 &gt;&gt;&gt; William Klein, \'Who Are You, Polly Magoo?\' (1966), film still  </em>\r\n\r\n- - -\r\n\r\nBROADCAST 39 &gt; September 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png\" alt=\"\" title=\"Broadcast39\" width=\"1000\" height=\"413\" class=\"alignnone size-full wp-image-812\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niall Cronin, photograph taken October 2014 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 38 &gt; August 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png\" alt=\"\" title=\"Broadcast38\" width=\"1000\" height=\"363\" class=\"alignnone size-full wp-image-811\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 &gt;&gt;&gt; Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 37 &gt; July 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" alt=\"\" title=\"broadcast-37\" width=\"1000\" height=\"738\" class=\"alignnone size-full wp-image-809\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 &gt;&gt;&gt; Grete Stern, \'Dream N.42\' (1949). Photomontage </em>\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','publish','closed','closed','','we-interrupt-this-transmission','','','2016-03-30 12:58:39','2016-03-30 12:58:39','',0,'http://catalog.org.uk/?page_id=245',0,'page','',0),(251,2,'2016-03-30 12:57:42','2016-03-30 12:57:42','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 45 &gt; March 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast45.png\" alt=\"\" title=\"Broadcast45\" width=\"1000\" height=\"533\" class=\"alignnone size-full wp-image-824\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; photograph taken in Whitby, North Yorkshire, 13 March 2016\r\nRHS. Channel 2 &gt;&gt;&gt; photograph taken of fortune-telling card from arcade penny slot machine, 2016\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 44 &gt; February 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast44.png\" alt=\"\" title=\"Broadcast44\" width=\"1000\" height=\"483\" class=\"alignnone size-full wp-image-822\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'St Elmo\'s Fire\' phenomenon, engraving, unknown, c.1860\r\nRHS. Channel 1 &gt;&gt;&gt; \'Whirling Dervishes perform the ritual dance of the Sufi sect, Ankara, Turkey\'. Photo: Sukri Celil Advan, National Geographic, 2013\r\n</em>\r\n\r\n- - -\r\nBROADCAST 43 &gt; January 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast43.png\" alt=\"\" title=\"Broadcast43\" width=\"1000\" height=\"465\" class=\"alignnone size-full wp-image-819\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 &gt;&gt;&gt; Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 42 &gt; December 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast42.png\" alt=\"\" title=\"Broadcast42\" width=\"1000\" height=\"564\" class=\"alignnone size-full wp-image-817\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 &gt;&gt;&gt; Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail </em>\r\n\r\n- - -\r\n\r\nBROADCAST 41 &gt; November 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png\" alt=\"\" title=\"Broadcast-41\" width=\"1000\" height=\"602\" class=\"alignnone size-full wp-image-815\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 &gt;&gt;&gt; Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings </em>\r\n\r\n- - -\r\n\r\nBROADCAST 40 &gt; October 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png\" alt=\"\" title=\"Broadcast40\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-813\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 &gt;&gt;&gt; William Klein, \'Who Are You, Polly Magoo?\' (1966), film still  </em>\r\n\r\n- - -\r\n\r\nBROADCAST 39 &gt; September 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png\" alt=\"\" title=\"Broadcast39\" width=\"1000\" height=\"413\" class=\"alignnone size-full wp-image-812\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niall Cronin, photograph taken October 2014 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 38 &gt; August 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png\" alt=\"\" title=\"Broadcast38\" width=\"1000\" height=\"363\" class=\"alignnone size-full wp-image-811\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 &gt;&gt;&gt; Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 37 &gt; July 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" alt=\"\" title=\"broadcast-37\" width=\"1000\" height=\"738\" class=\"alignnone size-full wp-image-809\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 &gt;&gt;&gt; Grete Stern, \'Dream N.42\' (1949). Photomontage </em>\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-autosave','','','2016-03-30 12:57:42','2016-03-30 12:57:42','',245,'http://catalog.org.uk/245-autosave/',0,'revision','',0),(238,2,'2012-04-03 10:54:06','2012-04-03 10:54:06','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View If I Knew Then What I Know Now on Scribd\" href=\"http://www.scribd.com/doc/87053342/If-I-Knew-Then-What-I-Know-Now\"></a>','','','inherit','closed','closed','','202-revision-20','','','2012-04-03 10:54:06','2012-04-03 10:54:06','',202,'http://catalog.org.uk/202-revision-20/',0,'revision','',0),(241,2,'2012-05-16 14:52:49','2012-05-16 14:52:49','[customcontact form=1]\n\n&nbsp;\n\n&nbsp;\n\n','test','','inherit','closed','closed','','229-autosave','','','2012-05-16 14:52:49','2012-05-16 14:52:49','',229,'http://catalog.org.uk/229-autosave/',0,'revision','',0),(239,2,'2012-04-03 14:53:37','2012-04-03 14:53:37','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session.\r\n\r\nWe are currently working on the final document, which will be downloadable here as a PDF in spring 2012. The PDF booklet becomes a compendium of the combined knowledge of the participants in the session at that moment in time.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\">Catalog_if i Knew Then What i Know Now</a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=list&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"true\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_76325\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-21','','','2012-04-03 14:53:37','2012-04-03 14:53:37','',202,'http://catalog.org.uk/202-revision-21/',0,'revision','',0),(242,2,'2012-04-03 13:16:04','2012-04-03 13:16:04','[customcontact form=1]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<a href=\"https://twitter.com/joycecro\" class=\"twitter-follow-button\" data-show-count=\"false\">Follow @joycecro</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>','test','','inherit','closed','closed','','229-revision-6','','','2012-04-03 13:16:04','2012-04-03 13:16:04','',229,'http://catalog.org.uk/229-revision-6/',0,'revision','',0),(244,2,'2012-05-16 14:54:49','2012-05-16 14:54:49','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\n\r\ninfo@catalog.org.uk\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-19','','','2012-05-16 14:54:49','2012-05-16 14:54:49','',11,'http://catalog.org.uk/11-revision-19/',0,'revision','',0),(553,2,'2013-08-15 11:57:06','2013-08-15 11:57:06','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-75','','','2013-08-15 11:57:06','2013-08-15 11:57:06','',5,'http://catalog.org.uk/5-revision-75/',0,'revision','',0),(247,2,'2012-05-16 15:17:57','2012-05-16 15:17:57','<img class=\"alignnone size-thumbnail wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" />','We interrupt this transmission','','inherit','closed','closed','','245-revision','','','2012-05-16 15:17:57','2012-05-16 15:17:57','',245,'http://catalog.org.uk/245-revision/',0,'revision','',0),(248,2,'2012-05-16 15:18:13','2012-05-16 15:18:13','<img class=\"alignnone size-thumbnail wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" />','We interrupt this transmission','','inherit','closed','closed','','245-revision-2','','','2012-05-16 15:18:13','2012-05-16 15:18:13','',245,'http://catalog.org.uk/245-revision-2/',0,'revision','',0),(337,3,'2012-08-01 10:10:36','2012-08-01 10:10:36','','CATALOG pages (im)possible book','','inherit','closed','closed','','screen-shot-2012-08-01-at-11-05-47','','','2012-08-01 10:10:36','2012-08-01 10:10:36','',335,'http://catalog.org.uk/wp-content/uploads/2012/08/Screen-shot-2012-08-01-at-11.05.47.png',0,'attachment','image/png',0),(250,3,'2012-05-16 17:54:56','2012-05-16 17:54:56','','WE INTERRUPT THIS TRANSMISSION','WE INTERRUPT THIS TRANSMISSION','inherit','closed','closed','','tca','','','2012-05-16 17:54:56','2012-05-16 17:54:56','',5,'http://catalog.org.uk/wp-content/uploads/2011/02/tca.jpeg',0,'attachment','image/jpeg',0),(254,2,'2012-05-30 08:10:02','2012-05-30 08:10:02','','TEST IMAGE','Some lovely caption','inherit','closed','closed','','fs-2','','','2012-05-30 08:10:02','2012-05-30 08:10:02','',5,'http://catalog.org.uk/wp-content/uploads/2011/02/FS-2.jpg',0,'attachment','image/jpeg',0),(257,3,'2012-05-31 11:26:20','2012-05-31 11:26:20','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012-)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme, a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"  style=\"text-decoration: underline;\" >CATALOG ADittoDittoLibrary June2012</a> by <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a></p><iframe class=\"scribd_iframe_embed\" src=\"//www.scribd.com/embeds/107099067/content?start_page=1&view_mode=book&access_key=key-16f46tk578ks703oxoc3&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_5880\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_1\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-697\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_2\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-698\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_3.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_3\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-705\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_4.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_4\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-706\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_1\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-707\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_2\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-708\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">IMAGES FROM TOP: <em>A Ditto, Ditto Library</em>, selected pages pdf /// <em>A Ditto, Ditto, Library</em>, details, Tate Britain and Tate Modern, 2012</span>\r\n&nbsp;\r\n','A Ditto, Ditto Library','','publish','closed','closed','','dittoditto','','','2014-02-11 15:15:54','2014-02-11 15:15:54','',0,'http://catalog.org.uk/?page_id=257',0,'page','',0),(258,3,'2012-05-31 11:16:15','2012-05-31 11:16:15','','A Ditto, Ditto Library','A DITTO, DITTO LIBRARY','inherit','closed','closed','','catalog_dittoditto1','','','2012-05-31 11:16:15','2012-05-31 11:16:15','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg',0,'attachment','image/jpeg',0),(259,3,'2012-05-31 11:24:45','2012-05-31 11:24:45','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"aligncenter size-full wp-image-258\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"468\" height=\"311\" /></a>\n\nA Ditto, Ditto Library\n\nTate Britain\nSaturday 9th June 2012\n10 - 2pm\n\nMore information coming soon...\n\n&nbsp;\n\n&nbsp;','','','inherit','closed','closed','','257-revision','','','2012-05-31 11:24:45','2012-05-31 11:24:45','',257,'http://catalog.org.uk/257-revision/',0,'revision','',0),(260,3,'2012-05-31 11:25:08','2012-05-31 11:25:08','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"aligncenter size-full wp-image-258\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"468\" height=\"311\" /></a>\r\n\r\nA Ditto, Ditto Library\r\n\r\nTate Britain\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-2','','','2012-05-31 11:25:08','2012-05-31 11:25:08','',257,'http://catalog.org.uk/257-revision-2/',0,'revision','',0),(261,3,'2012-05-31 11:25:47','2012-05-31 11:25:47','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"aligncenter size-full wp-image-258\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"468\" height=\"311\" /></a>\r\n\r\nA Ditto, Ditto Library\r\n\r\nTate Britain\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-3','','','2012-05-31 11:25:47','2012-05-31 11:25:47','',257,'http://catalog.org.uk/257-revision-3/',0,'revision','',0),(262,3,'2015-02-16 22:44:46','2015-02-16 22:44:46','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012-)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme, a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n<p style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block;\"><a style=\"text-decoration: underline;\" title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\">CATALOG ADittoDittoLibrary June2012</a> by <a style=\"text-decoration: underline;\" title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\">cata_log</a></p>\r\n&nbsp;\r\n\r\n<img class=\"alignnone size-full wp-image-697\" title=\"CATALOG_dittoditto_TateBritain2012_1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg\" alt=\"\" width=\"325\" height=\"222\" /> <img class=\"alignnone size-full wp-image-698\" title=\"CATALOG_dittoditto_TateBritain2012_2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg\" alt=\"\" width=\"325\" height=\"222\" />\r\n<img class=\"alignnone size-full wp-image-705\" title=\"CATALOG_dittoditto_TateModern2012_3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_3.jpg\" alt=\"\" width=\"325\" height=\"216\" /> <img class=\"alignnone size-full wp-image-706\" title=\"CATALOG_dittoditto_TateModern2012_4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_4.jpg\" alt=\"\" width=\"325\" height=\"216\" />\r\n<img class=\"alignnone size-full wp-image-707\" title=\"CATALOG_dittoditto_TateModern2012_1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_1.jpg\" alt=\"\" width=\"325\" height=\"216\" /> <img class=\"alignnone size-full wp-image-708\" title=\"CATALOG_dittoditto_TateModern2012_2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_2.jpg\" alt=\"\" width=\"325\" height=\"216\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">IMAGES FROM TOP: <em>A Ditto, Ditto Library</em>, selected pages pdf /// <em>A Ditto, Ditto, Library</em>, details, Tate Britain and Tate Modern, 2012</span>','A Ditto, Ditto Library','','inherit','closed','closed','','257-autosave','','','2015-02-16 22:44:46','2015-02-16 22:44:46','',257,'http://catalog.org.uk/257-autosave/',0,'revision','',0),(791,2,'2015-02-26 14:59:12','2015-02-26 14:59:12','','Broadcast 32','','inherit','closed','closed','','broadcast-32','','','2015-02-26 14:59:12','2015-02-26 14:59:12','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png',0,'attachment','image/png',0),(263,3,'2012-05-31 11:26:20','2012-05-31 11:26:20','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"aligncenter size-full wp-image-258\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"468\" height=\"311\" /></a>\r\n\r\nA Ditto, Ditto Library\r\n\r\nTate Britain\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-4','','','2012-05-31 11:26:20','2012-05-31 11:26:20','',257,'http://catalog.org.uk/257-revision-4/',0,'revision','',0),(264,3,'2012-05-29 20:10:58','2012-05-29 20:10:58','<img class=\"alignnone size-thumbnail wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" />\r\n<em>We interrupt this transmission </em>\r\n\r\nAn online project accessed via email subscription and twitter.\r\nInformation coming soon...','','','inherit','closed','closed','','245-revision-4','','','2012-05-29 20:10:58','2012-05-29 20:10:58','',245,'http://catalog.org.uk/245-revision-4/',0,'revision','',0),(265,3,'2012-04-03 09:52:36','2012-04-03 09:52:36','[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]','Function','','inherit','closed','closed','','5-revision-53','','','2012-04-03 09:52:36','2012-04-03 09:52:36','',5,'http://catalog.org.uk/5-revision-53/',0,'revision','',0),(266,3,'2012-05-31 13:29:18','2012-05-31 13:29:18','[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250\" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-54','','','2012-05-31 13:29:18','2012-05-31 13:29:18','',5,'http://catalog.org.uk/5-revision-54/',0,'revision','',0),(267,3,'2012-05-31 13:30:12','2012-05-31 13:30:12','[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250\" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-55','','','2012-05-31 13:30:12','2012-05-31 13:30:12','',5,'http://catalog.org.uk/5-revision-55/',0,'revision','',0),(268,3,'2012-05-31 12:54:40','2012-05-31 12:54:40','&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"aligncenter size-full wp-image-258\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"468\" height=\"311\" /></a>\r\n\r\nA Ditto, Ditto Library\r\n\r\nTate Britain\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-5','','','2012-05-31 12:54:40','2012-05-31 12:54:40','',257,'http://catalog.org.uk/257-revision-5/',0,'revision','',0),(269,3,'2012-05-31 19:09:16','2012-05-31 19:09:16','','CATALOG_IFIKNEW_studio1','','inherit','closed','closed','','catalog_ifiknew_studio1','','','2012-05-31 19:09:16','2012-05-31 19:09:16','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg',0,'attachment','image/jpeg',0),(270,3,'2012-05-31 19:09:19','2012-05-31 19:09:19','','CATALOG_IFIKNEW_studio2','','inherit','closed','closed','','catalog_ifiknew_studio2','','','2012-05-31 19:09:19','2012-05-31 19:09:19','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg',0,'attachment','image/jpeg',0),(271,3,'2012-04-03 09:35:01','2012-04-03 09:35:01','<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"size-full wp-image-65 aligncenter\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" /></a><img class=\"size-full wp-image-64 aligncenter\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" /></p>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"size-full wp-image-66 aligncenter\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"656\" /></a></p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-39','','','2012-04-03 09:35:01','2012-04-03 09:35:01','',7,'http://catalog.org.uk/7-revision-39/',0,'revision','',0),(643,2,'2014-01-10 16:42:54','2014-01-10 16:42:54','<strong> We interrupt this transmission (2012 - 2013) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-634\" title=\"channel2-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-18.jpg\" alt=\"\" width=\"1000\" height=\"768\" />\r\n<img class=\"alignnone size-full wp-image-635\" title=\"channel1-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-18.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignleft size-full wp-image-629\" title=\"channel1-17web\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\" alt=\"\" width=\"1000\" height=\"782\" />\r\n<img class=\"alignleft size-full wp-image-630\" title=\"channel2-17 (web)\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\" alt=\"\" width=\"1000\" height=\"1007\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-622\" title=\"channel2-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" width=\"1000\" height=\"989\" />\r\n<img class=\"alignnone size-full wp-image-623\" title=\"channel1-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" width=\"1000\" height=\"561\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-617\" title=\"channel1-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" width=\"1000\" height=\"444\" />\r\n<img class=\"alignnone size-full wp-image-618\" title=\"channel2-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" width=\"1000\" height=\"638\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignleft size-full wp-image-612\" title=\"channel2-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" width=\"1000\" height=\"1438\" />\r\n<img class=\"alignleft size-full wp-image-613\" title=\"channel1-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" width=\"1000\" height=\"563\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignleft size-full wp-image-511\" title=\"channel1-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n<img class=\"alignleft size-full wp-image-512\" title=\"channel2-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" width=\"1000\" height=\"242\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignleft size-full wp-image-509\" title=\"channel2-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" width=\"1000\" height=\"1340\" />\r\n<img class=\"alignleft size-full wp-image-510\" title=\"channel1-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" width=\"1000\" height=\"661\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignleft size-full wp-image-490\" title=\"channel1-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" width=\"1000\" height=\"516\" />\r\n<img class=\"alignleft size-full wp-image-491\" title=\"channel2-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" width=\"1000\" height=\"834\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignleft size-full wp-image-487\" title=\"channel2-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" width=\"1000\" height=\"733\" />\r\n<img class=\"alignleft size-full wp-image-488\" title=\"channel1-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" width=\"1000\" height=\"624\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignleft size-full wp-image-483\" title=\"channel1-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<img class=\"alignleft size-full wp-image-484\" title=\"channel2-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" width=\"1000\" height=\"783\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignleft size-full wp-image-479\" title=\"channel2-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" width=\"1000\" height=\"1416\" />\r\n<img class=\"alignleft size-full wp-image-480\" title=\"channel1-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" width=\"1000\" height=\"546\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignleft size-full wp-image-474\" title=\"channel1-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" width=\"1000\" height=\"672\" />\r\n<img class=\"alignleft size-full wp-image-475\" title=\"channel2-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" width=\"1000\" height=\"1058\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-68','','','2014-01-10 16:42:54','2014-01-10 16:42:54','',245,'http://catalog.org.uk/245-revision-68/',0,'revision','',0),(273,3,'2012-05-31 19:15:06','2012-05-31 19:15:06','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a>\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"size-full wp-image-65 aligncenter\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" /></a><img class=\"size-full wp-image-64 aligncenter\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" /></p>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"size-full wp-image-66 aligncenter\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"656\" /></a></p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-40','','','2012-05-31 19:15:06','2012-05-31 19:15:06','',7,'http://catalog.org.uk/7-revision-40/',0,'revision','',0),(272,3,'2012-05-31 12:57:13','2012-05-31 12:57:13','&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"319\" height=\"236\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<em>We interrupt this transmission </em>\r\n\r\nAn online project accessed via email subscription and twitter.\r\nInformation coming soon...','','','inherit','closed','closed','','245-revision-5','','','2012-05-31 12:57:13','2012-05-31 12:57:13','',245,'http://catalog.org.uk/245-revision-5/',0,'revision','',0),(642,2,'2014-02-06 12:16:08','2014-02-06 12:16:08','','Broadcast19','','inherit','closed','closed','','broadcast19','','','2014-02-06 12:16:08','2014-02-06 12:16:08','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png',0,'attachment','image/png',0),(291,2,'2012-06-03 12:28:36','2012-06-03 12:28:36','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" title=\"DittoDittoLibrary2\" width=\"656\" height=\"657\" class=\"alignleft size-full wp-image-284\" /></a>\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"> </a>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"size-full wp-image-65 aligncenter\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" /></a><img class=\"size-full wp-image-64 aligncenter\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" /></p>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"size-full wp-image-66 aligncenter\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"656\" /></a></p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-45','','','2012-06-03 12:28:36','2012-06-03 12:28:36','',7,'http://catalog.org.uk/7-revision-45/',0,'revision','',0),(274,3,'2012-05-31 19:19:27','2012-05-31 19:19:27','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"> </a>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"size-full wp-image-65 aligncenter\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" /></a><img class=\"size-full wp-image-64 aligncenter\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" /></p>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"size-full wp-image-66 aligncenter\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"656\" /></a></p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-41','','','2012-05-31 19:19:27','2012-05-31 19:19:27','',7,'http://catalog.org.uk/7-revision-41/',0,'revision','',0),(275,3,'2012-05-31 19:21:40','2012-05-31 19:21:40','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"> </a>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"size-full wp-image-65 aligncenter\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" /></a><img class=\"size-full wp-image-64 aligncenter\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" /></p>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"size-full wp-image-66 aligncenter\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"656\" /></a></p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-42','','','2012-05-31 19:21:40','2012-05-31 19:21:40','',7,'http://catalog.org.uk/7-revision-42/',0,'revision','',0),(278,2,'2012-06-03 12:00:28','2012-06-03 12:00:28','&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"size-full wp-image-258 alignleft\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"468\" height=\"311\" /></a>\r\n\r\nCATALOG presents \r\nA Ditto, Ditto Library\r\n10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n\r\nXerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.    Marshall McLuhan, The Medium is the Massage, Penguin, 1967, p123.\r\n\r\nA Ditto, Ditto Library is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG (Joyce Cronin and Frances Scott), a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (IF I KNEW THEN WHAT I KNOW NOW, 2011) to a monthly online image-broadcast (We interrupt this transmission, 2012). By creating systems to openly test ideas, CATALOG invites participation conversation and exchange.  www.catalog.org.uk\r\n\r\n*Please note, all \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n&nbsp;','','','inherit','closed','closed','','257-revision-8','','','2012-06-03 12:00:28','2012-06-03 12:00:28','',257,'http://catalog.org.uk/257-revision-8/',0,'revision','',0),(276,2,'2012-05-31 19:08:01','2012-05-31 19:08:01','&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"aligncenter size-full wp-image-258\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"468\" height=\"311\" /></a>\r\n\r\nA DITTO, DITTO LIBRARY\r\n\r\nTate Britain\r\n\r\nSaturday 9th June 2012\r\n10 - 2pm\r\n\r\nMore information coming soon...\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-6','','','2012-05-31 19:08:01','2012-05-31 19:08:01','',257,'http://catalog.org.uk/257-revision-6/',0,'revision','',0),(279,2,'2012-06-03 12:06:12','2012-06-03 12:06:12','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"size-full wp-image-258 alignleft\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nA Ditto, Ditto Library\r\n10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em><strong>   Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\n*All \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n&nbsp;','','','inherit','closed','closed','','257-revision-9','','','2012-06-03 12:06:12','2012-06-03 12:06:12','',257,'http://catalog.org.uk/257-revision-9/',0,'revision','',0),(277,2,'2012-06-03 11:58:14','2012-06-03 11:58:14','&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"size-full wp-image-258 alignleft\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"468\" height=\"311\" /></a>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div></div>\r\n<div><strong><span style=\"font-family: georgia, serif;\"><span style=\"text-decoration: underline;\">CATALOG presents </span></span></strong></div>\r\n<div><strong><span style=\"text-decoration: underline;\"><span style=\"font-family: georgia, serif; font-size: x-large;\">A</span><span style=\"font-family: georgia, serif; font-size: x-large;\"> </span><span style=\"font-family: georgia, serif; font-size: x-large;\">Ditto, Ditto Library</span></span></strong></div>\r\n<div>\r\n<div><span style=\"text-decoration: underline;\"><strong>10am - 3pm / Saturday </strong><strong>9 June 2012 / </strong><strong>Tate Britain, Millbank London*</strong></span></div>\r\n</div>\r\n<div>\r\n<span style=\"font-family: georgia, serif;\"><strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> </strong>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG,  a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.</span>\r\n<div><span style=\"font-family: georgia, serif;\">\r\n</span></div>\r\n<div><span style=\"font-family: georgia, serif;\"><em>*Please note, all \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.</em></span></div>\r\n</div>\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-7','','','2012-06-03 11:58:14','2012-06-03 11:58:14','',257,'http://catalog.org.uk/257-revision-7/',0,'revision','',0),(295,2,'2012-06-21 18:31:58','2012-06-21 18:31:58','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>9 June 2012 / Tate Britain, Millbank London*\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-13','','','2012-06-21 18:31:58','2012-06-21 18:31:58','',257,'http://catalog.org.uk/257-revision-13/',0,'revision','',0),(280,2,'2012-06-03 12:06:30','2012-06-03 12:06:30','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"size-full wp-image-258 alignleft\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em><strong>   Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\n*All \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n&nbsp;','','','inherit','closed','closed','','257-revision-10','','','2012-06-03 12:06:30','2012-06-03 12:06:30','',257,'http://catalog.org.uk/257-revision-10/',0,'revision','',0),(281,2,'2012-05-31 19:07:12','2012-05-31 19:07:12','[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250\" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignnone\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258\" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-56','','','2012-05-31 19:07:12','2012-05-31 19:07:12','',5,'http://catalog.org.uk/5-revision-56/',0,'revision','',0),(282,2,'2012-03-28 11:30:32','2012-03-28 11:30:32','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG was founded on the premise that working collaboratively and sharing resources can provide a mutually beneficial exchange of ideas and opportunities.\r\n\r\nOur work is two-fold: to work together as a unit to initiate projects and commissions, and to support practicing artists and organisations with our project management, coordination and fundraising skills. It is a model that stems from collective work – we each have our own practice, but also access to tools and shared resources through CATALOG.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-15','','','2012-03-28 11:30:32','2012-03-28 11:30:32','',2,'http://catalog.org.uk/2-revision-15/',0,'revision','',0),(284,2,'2012-06-03 12:14:34','2012-06-03 12:14:34','','DittoDittoLibrary2','','inherit','closed','closed','','dittodittolibrary2_72dpi','','','2012-06-03 12:14:34','2012-06-03 12:14:34','',7,'http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg',0,'attachment','image/jpeg',0),(285,2,'2012-06-03 12:14:40','2012-06-03 12:14:40','','DittoDittoLibrary','','inherit','closed','closed','','dittodittolibrary_72dpi','','','2012-06-03 12:14:40','2012-06-03 12:14:40','',257,'http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg',0,'attachment','image/jpeg',0),(294,2,'2012-06-03 12:17:38','2012-06-03 12:17:38','\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" title=\"DittoDittoLibrary\" width=\"800\" height=\"435\" class=\"alignleft size-full wp-image-285\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\n*All \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n&nbsp;','','','inherit','closed','closed','','257-revision-12','','','2012-06-03 12:17:38','2012-06-03 12:17:38','',257,'http://catalog.org.uk/257-revision-12/',0,'revision','',0),(286,2,'2012-06-03 12:07:32','2012-06-03 12:07:32','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\"><img class=\"size-full wp-image-258 alignleft\" title=\"CATALOG_dittoditto1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>10am - 3pm / Saturday 9 June 2012 / Tate Britain, Millbank London*\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library has been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme.\r\n\r\n*All \'Tate Together\' events are free to attend, no booking needed. \'Chapters\' from the booklet will be printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n&nbsp;','','','inherit','closed','closed','','257-revision-11','','','2012-06-03 12:07:32','2012-06-03 12:07:32','',257,'http://catalog.org.uk/257-revision-11/',0,'revision','',0),(287,2,'2012-05-31 19:16:31','2012-05-31 19:16:31','&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"319\" height=\"236\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<em>\r\n</em>WE INTERRUPT THIS TRANSMISSION\r\n\r\n<em> </em>An online project accessed via email subscription and twitter.\r\n\r\nInformation coming soon...','','','inherit','closed','closed','','245-revision-6','','','2012-05-31 19:16:31','2012-05-31 19:16:31','',245,'http://catalog.org.uk/245-revision-6/',0,'revision','',0),(288,2,'2012-06-03 12:22:07','2012-06-03 12:22:07','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"319\" height=\"236\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe. First broadcast summer 2012.\r\n','','','inherit','closed','closed','','245-revision-7','','','2012-06-03 12:22:07','2012-06-03 12:22:07','',245,'http://catalog.org.uk/245-revision-7/',0,'revision','',0),(289,2,'2012-05-31 19:22:47','2012-05-31 19:22:47','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"> </a>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"size-full wp-image-65 aligncenter\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" /></a><img class=\"size-full wp-image-64 aligncenter\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" /></p>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"size-full wp-image-66 aligncenter\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"656\" /></a></p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-43','','','2012-05-31 19:22:47','2012-05-31 19:22:47','',7,'http://catalog.org.uk/7-revision-43/',0,'revision','',0),(292,2,'2012-06-03 12:33:54','2012-06-03 12:33:54','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"657\" /></a>\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"656\" height=\"462\" class=\"alignleft size-full wp-image-65\" /></a><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" title=\"CATALOG_application-file\" width=\"656\" height=\"482\" class=\"alignleft size-full wp-image-64\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-46','','','2012-06-03 12:33:54','2012-06-03 12:33:54','',7,'http://catalog.org.uk/7-revision-46/',0,'revision','',0),(290,2,'2012-06-03 12:27:24','2012-06-03 12:27:24','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" title=\"DittoDittoLibrary2\" width=\"542\" height=\"544\" class=\"alignleft size-full wp-image-284\" /></a>\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"> </a>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"size-full wp-image-65 aligncenter\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" /></a><img class=\"size-full wp-image-64 aligncenter\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" /></p>\r\n<p style=\"text-align: center;\"><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\"><img class=\"size-full wp-image-66 aligncenter\" title=\"CATALOG_first-meeting1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/first-meeting1.jpg\" alt=\"\" width=\"656\" /></a></p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-44','','','2012-06-03 12:27:24','2012-06-03 12:27:24','',7,'http://catalog.org.uk/7-revision-44/',0,'revision','',0),(293,2,'2012-06-03 12:34:20','2012-06-03 12:34:20','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"657\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"656\" height=\"462\" class=\"alignleft size-full wp-image-65\" /></a><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" title=\"CATALOG_application-file\" width=\"656\" height=\"482\" class=\"alignleft size-full wp-image-64\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-47','','','2012-06-03 12:34:20','2012-06-03 12:34:20','',7,'http://catalog.org.uk/7-revision-47/',0,'revision','',0),(296,2,'2012-06-21 18:44:16','2012-06-21 18:44:16','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong> presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-14','','','2012-06-21 18:44:16','2012-06-21 18:44:16','',257,'http://catalog.org.uk/257-revision-14/',0,'revision','',0),(297,2,'2012-06-21 18:51:22','2012-06-21 18:51:22','','DittoDitto_documentation1','','inherit','closed','closed','','dittoditto_documentation1','','','2012-06-21 18:51:22','2012-06-21 18:51:22','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation1.jpg',0,'attachment','image/jpeg',0),(298,2,'2012-06-21 18:51:27','2012-06-21 18:51:27','','DittoDitto_documentation2','','inherit','closed','closed','','dittoditto_documentation2','','','2012-06-21 18:51:27','2012-06-21 18:51:27','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation2.jpg',0,'attachment','image/jpeg',0),(299,2,'2012-06-21 18:50:29','2012-06-21 18:50:29','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-15','','','2012-06-21 18:50:29','2012-06-21 18:50:29','',257,'http://catalog.org.uk/257-revision-15/',0,'revision','',0),(300,2,'2012-06-21 18:53:03','2012-06-21 18:53:03','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation2.jpg\" alt=\"\" title=\"DittoDitto_documentation2\" width=\"747\" height=\"1000\" class=\"alignleft size-full wp-image-298\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation1.jpg\" alt=\"\" title=\"DittoDitto_documentation1\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-297\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-16','','','2012-06-21 18:53:03','2012-06-21 18:53:03','',257,'http://catalog.org.uk/257-revision-16/',0,'revision','',0),(301,2,'2012-06-21 18:57:11','2012-06-21 18:57:11','','DittoDitto_documentation3','','inherit','closed','closed','','dittoditto_documentation3','','','2012-06-21 18:57:11','2012-06-21 18:57:11','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg',0,'attachment','image/jpeg',0),(559,2,'2013-08-15 12:48:37','2013-08-15 12:48:37','<img class=\"alignleft size-full wp-image-457\" title=\"CATALOG_ResonanceFMDec2012\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\" alt=\"\" width=\"1000\" height=\"744\" />\r\n\r\n<img class=\"alignleft size-full wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\" alt=\"\" width=\"1000\" height=\"1337\" />\r\n\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n\r\n<img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"1000\" height=\"1001\" />\r\n\r\n<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\r\n\r\n<img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n\r\n<img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"1000\" height=\"707\" />\r\n\r\n&nbsp;\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-66','','','2013-08-15 12:48:37','2013-08-15 12:48:37','',7,'http://catalog.org.uk/7-revision-66/',0,'revision','',0),(302,2,'2012-06-03 12:34:46','2012-06-03 12:34:46','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"657\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"656\" height=\"462\" class=\"alignleft size-full wp-image-65\" /></a><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" title=\"CATALOG_application-file\" width=\"656\" height=\"482\" class=\"alignleft size-full wp-image-64\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-48','','','2012-06-03 12:34:46','2012-06-03 12:34:46','',7,'http://catalog.org.uk/7-revision-48/',0,'revision','',0),(303,2,'2012-06-21 18:58:45','2012-06-21 18:58:45','<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" title=\"DittoDitto_documentation3\" width=\"656\" height=\"490\" class=\"alignleft size-full wp-image-301\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"657\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"656\" height=\"462\" class=\"alignleft size-full wp-image-65\" /></a><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" title=\"CATALOG_application-file\" width=\"656\" height=\"482\" class=\"alignleft size-full wp-image-64\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-49','','','2012-06-21 18:58:45','2012-06-21 18:58:45','',7,'http://catalog.org.uk/7-revision-49/',0,'revision','',0),(304,2,'2012-06-21 19:05:42','2012-06-21 19:05:42','','FS-1','','inherit','closed','closed','','fs-1','','','2012-06-21 19:05:42','2012-06-21 19:05:42','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/FS-1.jpg',0,'attachment','image/jpeg',0),(305,2,'2012-06-21 19:05:55','2012-06-21 19:05:55','','JC-1','','inherit','closed','closed','','jc-1','','','2012-06-21 19:05:55','2012-06-21 19:05:55','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/JC-1.jpeg',0,'attachment','image/jpeg',0),(306,2,'2012-06-03 12:24:38','2012-06-03 12:24:38','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe. First broadcast summer 2012.\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-8','','','2012-06-03 12:24:38','2012-06-03 12:24:38','',245,'http://catalog.org.uk/245-revision-8/',0,'revision','',0),(315,2,'2012-07-18 21:02:03','2012-07-18 21:02:03','','Channel2-1','','inherit','closed','closed','','channel2-1','','','2012-07-18 21:02:03','2012-07-18 21:02:03','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg',0,'attachment','image/jpeg',0),(307,2,'2012-06-21 19:07:00','2012-06-21 19:07:00','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBroadcast June 2012\r\nChannel 1: <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/FS-1.jpg\" alt=\"\" title=\"FS-1\" width=\"800\" height=\"542\" class=\"alignleft size-full wp-image-304\" />\r\nChannel 2: <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/JC-1.jpeg\" alt=\"\" title=\"JC-1\" width=\"1337\" height=\"935\" class=\"alignleft size-full wp-image-305\" />\r\n\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-9','','','2012-06-21 19:07:00','2012-06-21 19:07:00','',245,'http://catalog.org.uk/245-revision-9/',0,'revision','',0),(314,2,'2012-07-18 21:01:52','2012-07-18 21:01:52','','Channel1-1','','inherit','closed','closed','','channel1-1','','','2012-07-18 21:01:52','2012-07-18 21:01:52','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg',0,'attachment','image/jpeg',0),(308,3,'2012-05-16 14:55:45','2012-05-16 14:55:45','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-20','','','2012-05-16 14:55:45','2012-05-16 14:55:45','',11,'http://catalog.org.uk/11-revision-20/',0,'revision','',0),(309,3,'2012-07-06 14:36:37','2012-07-06 14:36:37','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on twitter:\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel1\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel1</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel2\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel2</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-21','','','2012-07-06 14:36:37','2012-07-06 14:36:37','',11,'http://catalog.org.uk/11-revision-21/',0,'revision','',0),(311,3,'2012-07-06 14:54:10','2012-07-06 14:54:10','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel1\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel1</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel2\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel2</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-23','','','2012-07-06 14:54:10','2012-07-06 14:54:10','',11,'http://catalog.org.uk/11-revision-23/',0,'revision','',0),(310,3,'2012-07-06 14:37:09','2012-07-06 14:37:09','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel1\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel1</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel2\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel2</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.','Communicate','','inherit','closed','closed','','11-revision-22','','','2012-07-06 14:37:09','2012-07-06 14:37:09','',11,'http://catalog.org.uk/11-revision-22/',0,'revision','',0),(312,3,'2012-07-06 15:00:07','2012-07-06 15:00:07','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel1\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel1</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel2\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel2</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<div id=\"fb-root\"></div>\r\n<script>(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));</script>\r\n\r\n<div class=\"fb-like\" data-href=\"http://www.facebook.com/pages/CATALOG/298852646797948\" data-send=\"true\" data-width=\"450\" data-show-faces=\"false\"></div>','Communicate','','inherit','closed','closed','','11-revision-24','','','2012-07-06 15:00:07','2012-07-06 15:00:07','',11,'http://catalog.org.uk/11-revision-24/',0,'revision','',0),(313,3,'2012-06-21 19:07:41','2012-06-21 19:07:41','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n<strong>Broadcast June 2012</strong>\r\nChannel 1: <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/FS-1.jpg\" alt=\"\" title=\"FS-1\" width=\"800\" height=\"542\" class=\"alignleft size-full wp-image-304\" />\r\nChannel 2: <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/JC-1.jpeg\" alt=\"\" title=\"JC-1\" width=\"1337\" height=\"935\" class=\"alignleft size-full wp-image-305\" />\r\n\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-10','','','2012-06-21 19:07:41','2012-06-21 19:07:41','',245,'http://catalog.org.uk/245-revision-10/',0,'revision','',0),(316,2,'2012-07-16 22:15:45','2012-07-16 22:15:45','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-11','','','2012-07-16 22:15:45','2012-07-16 22:15:45','',245,'http://catalog.org.uk/245-revision-11/',0,'revision','',0),(317,2,'2012-07-18 21:02:44','2012-07-18 21:02:44','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 > July 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" title=\"Channel1-1\" width=\"1000\" height=\"678\" class=\"alignleft size-full wp-image-314\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" title=\"Channel2-1\" width=\"1000\" height=\"693\" class=\"alignleft size-full wp-image-315\" />\r\nLHS. Channel 1 >>> Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010\r\nRHS. Channel 2 >>> Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602\r\n\r\n\r\n\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-12','','','2012-07-18 21:02:44','2012-07-18 21:02:44','',245,'http://catalog.org.uk/245-revision-12/',0,'revision','',0),(318,2,'2012-07-18 21:03:51','2012-07-18 21:03:51','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n&nbsp;\r\n\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em>RHS. Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-13','','','2012-07-18 21:03:51','2012-07-18 21:03:51','',245,'http://catalog.org.uk/245-revision-13/',0,'revision','',0),(319,3,'2012-08-01 09:27:17','2012-08-01 09:27:17','','A Ditto Ditto board','A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012','inherit','closed','closed','','bp-saturday-sound_72','','','2012-08-01 09:27:17','2012-08-01 09:27:17','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg',0,'attachment','image/jpeg',0),(320,3,'2012-08-01 09:32:45','2012-08-01 09:32:45','','A Ditto Ditto Library FS','','inherit','closed','closed','','bp-saturday-sound_32','','','2012-08-01 09:32:45','2012-08-01 09:32:45','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg',0,'attachment','image/jpeg',0),(326,3,'2012-08-01 09:46:51','2012-08-01 09:46:51','','Tate Tanks','','inherit','closed','closed','','tate-tanks','','','2012-08-01 09:46:51','2012-08-01 09:46:51','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg',0,'attachment','image/jpeg',0),(325,3,'2012-08-01 09:41:58','2012-08-01 09:41:58','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]','','','inherit','closed','closed','','257-revision-21','','','2012-08-01 09:41:58','2012-08-01 09:41:58','',257,'http://catalog.org.uk/257-revision-21/',0,'revision','',0),(321,3,'2012-06-21 18:55:17','2012-06-21 18:55:17','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation2.jpg\" alt=\"\" title=\"DittoDitto_documentation2\" width=\"747\" height=\"1000\" class=\"alignleft size-full wp-image-298\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation1.jpg\" alt=\"\" title=\"DittoDitto_documentation1\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-297\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-17','','','2012-06-21 18:55:17','2012-06-21 18:55:17','',257,'http://catalog.org.uk/257-revision-17/',0,'revision','',0),(322,3,'2012-08-01 09:39:30','2012-08-01 09:39:30','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n<img class=\"alignleft size-full wp-image-298\" title=\"DittoDitto_documentation2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation2.jpg\" alt=\"\" width=\"747\" height=\"1000\" />\r\n<img class=\"alignleft size-full wp-image-297\" title=\"DittoDitto_documentation1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/DittoDitto_documentation1.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-18','','','2012-08-01 09:39:30','2012-08-01 09:39:30','',257,'http://catalog.org.uk/257-revision-18/',0,'revision','',0),(323,3,'2012-08-01 09:40:04','2012-08-01 09:40:04','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]','','','inherit','closed','closed','','257-revision-19','','','2012-08-01 09:40:04','2012-08-01 09:40:04','',257,'http://catalog.org.uk/257-revision-19/',0,'revision','',0),(324,3,'2012-08-01 09:41:32','2012-08-01 09:41:32','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]','','','inherit','closed','closed','','257-revision-20','','','2012-08-01 09:41:32','2012-08-01 09:41:32','',257,'http://catalog.org.uk/257-revision-20/',0,'revision','',0),(327,3,'2012-06-21 19:04:29','2012-06-21 19:04:29','<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" title=\"DittoDitto_documentation3\" width=\"656\" height=\"490\" class=\"alignleft size-full wp-image-301\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"657\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"656\" height=\"462\" class=\"alignleft size-full wp-image-65\" /></a><img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" title=\"CATALOG_application-file\" width=\"656\" height=\"482\" class=\"alignleft size-full wp-image-64\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-50','','','2012-06-21 19:04:29','2012-06-21 19:04:29','',7,'http://catalog.org.uk/7-revision-50/',0,'revision','',0),(558,2,'2013-08-15 12:40:52','2013-08-15 12:40:52','<strong>Journal</strong>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\" alt=\"\" title=\"CATALOG_ResonanceFMDec2012\" width=\"623\" height=\"465\" class=\"alignleft size-full wp-image-457\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\" alt=\"\" title=\"Tate Tanks\" width=\"1936\" height=\"2592\" class=\"alignleft size-full wp-image-326\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" title=\"DittoDitto_documentation3\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-301\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" title=\"DittoDittoLibrary2\" width=\"542\" height=\"544\" class=\"alignleft size-full wp-image-284\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" title=\"CATALOG_IFIKNEW_studio2\" width=\"656\" height=\"436\" class=\"alignleft size-full wp-image-270\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" title=\"CATALOG_IFIKNEW_studio1\" width=\"656\" height=\"436\" class=\"alignleft size-full wp-image-269\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" title=\"IMG_1685\" width=\"2592\" height=\"1936\" class=\"alignleft size-full wp-image-372\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"600\" height=\"424\" class=\"alignleft size-full wp-image-65\" />\r\n\r\ntest\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-65','','','2013-08-15 12:40:52','2013-08-15 12:40:52','',7,'http://catalog.org.uk/7-revision-65/',0,'revision','',0),(328,3,'2012-08-01 09:50:33','2012-08-01 09:50:33','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" title=\"Tate Tanks\" width=\"640\" height=\"857\" class=\"alignleft size-large wp-image-326\" /></a>\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"657\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-51','','','2012-08-01 09:50:33','2012-08-01 09:50:33','',7,'http://catalog.org.uk/7-revision-51/',0,'revision','',0),(329,3,'2012-08-01 09:51:45','2012-08-01 09:51:45','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" title=\"Tate Tanks\" width=\"656\" height=\"436\" class=\"alignleft size-large wp-image-326\" /></a>\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"657\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-52','','','2012-08-01 09:51:45','2012-08-01 09:51:45','',7,'http://catalog.org.uk/7-revision-52/',0,'revision','',0),(330,3,'2012-08-01 09:53:20','2012-08-01 09:53:20','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" title=\"Tate Tanks\" width=\"656\" height=\"436\" class=\"alignleft size-large wp-image-326\" /></a>\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"482\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-53','','','2012-08-01 09:53:20','2012-08-01 09:53:20','',7,'http://catalog.org.uk/7-revision-53/',0,'revision','',0),(331,3,'2012-08-01 09:43:26','2012-08-01 09:43:26','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]','','','inherit','closed','closed','','257-revision-22','','','2012-08-01 09:43:26','2012-08-01 09:43:26','',257,'http://catalog.org.uk/257-revision-22/',0,'revision','',0),(332,3,'2012-08-01 10:01:14','2012-08-01 10:01:14','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-23','','','2012-08-01 10:01:14','2012-08-01 10:01:14','',257,'http://catalog.org.uk/257-revision-23/',0,'revision','',0),(333,3,'2012-08-01 10:01:35','2012-08-01 10:01:35','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-24','','','2012-08-01 10:01:35','2012-08-01 10:01:35','',257,'http://catalog.org.uk/257-revision-24/',0,'revision','',0),(334,3,'2012-08-01 10:02:03','2012-08-01 10:02:03','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-25','','','2012-08-01 10:02:03','2012-08-01 10:02:03','',257,'http://catalog.org.uk/257-revision-25/',0,'revision','',0),(338,3,'2012-08-01 10:20:02','2012-08-01 10:20:02','<strong>(Im)Possible School Book: As Found.</strong>\n\nFive Years. Tanks Summer School, Tate Modern. July 2012,\n\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\n\nThe publication can be downloaded here:\n\nhttp://www.fiveyears.org.uk/im.possible.school.html\n\nand purchased here:\n\n&nbsp;\n\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Screen-shot-2012-08-01-at-11.05.47.png\"><img class=\"alignleft size-large wp-image-337\" title=\"CATALOG pages (im)possible book\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Screen-shot-2012-08-01-at-11.05.47-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>','','','inherit','closed','closed','','335-revision','','','2012-08-01 10:20:02','2012-08-01 10:20:02','',335,'http://catalog.org.uk/335-revision/',0,'revision','',0),(339,3,'2012-08-01 10:26:03','2012-08-01 10:26:03','','CATALOG (im)possible book page','','inherit','closed','closed','','catalog-impossible-book-page','','','2012-08-01 10:26:03','2012-08-01 10:26:03','',335,'http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png',0,'attachment','image/png',0),(340,3,'2012-08-01 10:26:56','2012-08-01 10:26:56','','(im)possible image','(IM)POSSIBLE SCHOOL BOOK: AS FOUND','inherit','closed','closed','','untitled1','','','2012-08-01 10:26:56','2012-08-01 10:26:56','',335,'http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png',0,'attachment','image/png',0),(341,3,'2012-08-01 10:26:25','2012-08-01 10:26:25','<strong>\n(Im)Possible School Book: As Found.</strong>\n\nFive Years. Tanks Summer School, Tate Modern. July 2012,\n\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\n\nThe publication can be downloaded here:\n\nhttp://www.fiveyears.org.uk/im.possible.school.html\n\nand purchased here:\n\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\n\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\n\n&nbsp;','','','inherit','closed','closed','','335-revision-2','','','2012-08-01 10:26:25','2012-08-01 10:26:25','',335,'http://catalog.org.uk/335-revision-2/',0,'revision','',0),(342,3,'2012-08-01 10:27:34','2012-08-01 10:27:34','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"402\" height=\"280\" /></a>\r\n(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-3','','','2012-08-01 10:27:34','2012-08-01 10:27:34','',335,'http://catalog.org.uk/335-revision-3/',0,'revision','',0),(343,3,'2012-08-01 10:27:54','2012-08-01 10:27:54','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"402\" height=\"280\" /></a>\r\n</strong>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-4','','','2012-08-01 10:27:54','2012-08-01 10:27:54','',335,'http://catalog.org.uk/335-revision-4/',0,'revision','',0),(345,3,'2012-08-01 10:29:40','2012-08-01 10:29:40','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-6','','','2012-08-01 10:29:40','2012-08-01 10:29:40','',335,'http://catalog.org.uk/335-revision-6/',0,'revision','',0),(344,3,'2012-08-01 10:28:56','2012-08-01 10:28:56','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-5','','','2012-08-01 10:28:56','2012-08-01 10:28:56','',335,'http://catalog.org.uk/335-revision-5/',0,'revision','',0),(346,3,'2013-07-17 21:21:50','2013-07-17 21:21:50','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found (2012)</strong>\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-autosave','','','2013-07-17 21:21:50','2013-07-17 21:21:50','',335,'http://catalog.org.uk/335-autosave/',0,'revision','',0),(347,3,'2012-08-01 10:30:38','2012-08-01 10:30:38','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded here:\r\n\r\nhttp://www.fiveyears.org.uk/im.possible.school.html\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-7','','','2012-08-01 10:30:38','2012-08-01 10:30:38','',335,'http://catalog.org.uk/335-revision-7/',0,'revision','',0),(348,3,'2012-08-01 10:38:37','2012-08-01 10:38:37','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-8','','','2012-08-01 10:38:37','2012-08-01 10:38:37','',335,'http://catalog.org.uk/335-revision-8/',0,'revision','',0),(350,3,'2012-08-01 10:44:30','2012-08-01 10:44:30','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-10','','','2012-08-01 10:44:30','2012-08-01 10:44:30','',335,'http://catalog.org.uk/335-revision-10/',0,'revision','',0),(456,3,'2013-01-29 14:25:34','2013-01-29 14:25:34','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found (2012)</strong>\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-21','','','2013-01-29 14:25:34','2013-01-29 14:25:34','',335,'http://catalog.org.uk/335-revision-21/',0,'revision','',0),(349,3,'2012-08-01 10:43:08','2012-08-01 10:43:08','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded here:\r\n\r\n<a title=\"here\" href=\"http://www.fiveyears.org.uk/im.possible.school.html  \" target=\"_blank\">http://www.fiveyears.org.uk/im.possible.school.html</a>\r\n\r\nand purchased here:\r\n\r\nhttp://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-9','','','2012-08-01 10:43:08','2012-08-01 10:43:08','',335,'http://catalog.org.uk/335-revision-9/',0,'revision','',0),(351,3,'2012-08-01 10:45:24','2012-08-01 10:45:24','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','335-revision-11','','','2012-08-01 10:45:24','2012-08-01 10:45:24','',335,'http://catalog.org.uk/335-revision-11/',0,'revision','',0),(354,3,'2012-08-01 10:46:37','2012-08-01 10:46:37','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-14','','','2012-08-01 10:46:37','2012-08-01 10:46:37','',335,'http://catalog.org.uk/335-revision-14/',0,'revision','',0),(352,3,'2012-08-01 10:45:41','2012-08-01 10:45:41','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','335-revision-12','','','2012-08-01 10:45:41','2012-08-01 10:45:41','',335,'http://catalog.org.uk/335-revision-12/',0,'revision','',0),(353,3,'2012-08-01 10:45:50','2012-08-01 10:45:50','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','335-revision-13','','','2012-08-01 10:45:50','2012-08-01 10:45:50','',335,'http://catalog.org.uk/335-revision-13/',0,'revision','',0),(355,3,'2012-08-01 10:46:49','2012-08-01 10:46:49','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-15','','','2012-08-01 10:46:49','2012-08-01 10:46:49','',335,'http://catalog.org.uk/335-revision-15/',0,'revision','',0),(356,3,'2012-08-01 10:47:28','2012-08-01 10:47:28','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','335-revision-16','','','2012-08-01 10:47:28','2012-08-01 10:47:28','',335,'http://catalog.org.uk/335-revision-16/',0,'revision','',0),(429,2,'2012-12-05 17:13:57','2012-12-05 17:13:57','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found (2012)</strong>\r\n\r\n&nbsp;\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game, a possible method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-18','','','2012-12-05 17:13:57','2012-12-05 17:13:57','',335,'http://catalog.org.uk/335-revision-18/',0,'revision','',0),(459,3,'2013-01-29 14:23:25','2013-01-29 14:23:25','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','Function','','inherit','closed','closed','','5-revision-62','','','2013-01-29 14:23:25','2013-01-29 14:23:25','',5,'http://catalog.org.uk/5-revision-62/',0,'revision','',0),(357,3,'2012-06-03 12:08:44','2012-06-03 12:08:44','[caption id=\"attachment_258\" align=\"alignnone\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258\" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250\" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-57','','','2012-06-03 12:08:44','2012-06-03 12:08:44','',5,'http://catalog.org.uk/5-revision-57/',0,'revision','',0),(426,3,'2012-10-08 12:21:46','2012-10-08 12:21:46','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','Function','','inherit','closed','closed','','5-revision-60','','','2012-10-08 12:21:46','2012-10-08 12:21:46','',5,'http://catalog.org.uk/5-revision-60/',0,'revision','',0),(358,3,'2012-07-06 15:09:07','2012-07-06 15:09:07','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel1\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel1</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<a href=\"https://twitter.com/CATALOGchannel2\" class=\"twitter-follow-button\" data-show-count=\"false\">@CATALOGchannel2</a>\r\n<script>!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");</script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<div id=\"fb-root\"></div>\r\n<script>(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));</script>\r\n\r\n<div class=\"fb-like\" data-href=\"http://www.facebook.com/catalogcommunicate\" data-send=\"true\" data-width=\"450\" data-show-faces=\"false\"></div>','Communicate','','inherit','closed','closed','','11-revision-25','','','2012-07-06 15:09:07','2012-07-06 15:09:07','',11,'http://catalog.org.uk/11-revision-25/',0,'revision','',0),(360,2,'2012-08-10 09:10:48','2012-08-10 09:10:48','','Channel1-2','','inherit','closed','closed','','channel1-2','','','2012-08-10 09:10:48','2012-08-10 09:10:48','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg',0,'attachment','image/jpeg',0),(361,2,'2012-08-10 09:11:29','2012-08-10 09:11:29','','Channel2-2','','inherit','closed','closed','','channel2-2','','','2012-08-10 09:11:29','2012-08-10 09:11:29','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg',0,'attachment','image/jpeg',0),(368,2,'2012-08-10 09:21:46','2012-08-10 09:21:46','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n&nbsp;\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n&nbsp;','','','inherit','closed','closed','','245-revision-20','','','2012-08-10 09:21:46','2012-08-10 09:21:46','',245,'http://catalog.org.uk/245-revision-20/',0,'revision','',0),(364,2,'2012-08-10 09:16:35','2012-08-10 09:16:35','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n&nbsp;\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012<em>\r\n</em>\r\n\r\n<em><img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n</em>\r\n\r\n<em>\r\n</em>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"533\" height=\"536\" />\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>','','','inherit','closed','closed','','245-revision-16','','','2012-08-10 09:16:35','2012-08-10 09:16:35','',245,'http://catalog.org.uk/245-revision-16/',0,'revision','',0),(363,2,'2012-08-10 09:14:49','2012-08-10 09:14:49','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n&nbsp;\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012<em>\r\n</em>\r\n\r\n<em><img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n</em>\r\n\r\n<em><img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"533\" height=\"536\" />\r\n</em>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<em>Channel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n<div></div>','','','inherit','closed','closed','','245-revision-15','','','2012-08-10 09:14:49','2012-08-10 09:14:49','',245,'http://catalog.org.uk/245-revision-15/',0,'revision','',0),(362,2,'2012-07-18 21:04:19','2012-07-18 21:04:19','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n&nbsp;\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-14','','','2012-07-18 21:04:19','2012-07-18 21:04:19','',245,'http://catalog.org.uk/245-revision-14/',0,'revision','',0),(365,2,'2012-08-10 09:19:21','2012-08-10 09:19:21','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n&nbsp;\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"533\" height=\"536\" />\r\n\r\n&nbsp;\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>','','','inherit','closed','closed','','245-revision-17','','','2012-08-10 09:19:21','2012-08-10 09:19:21','',245,'http://catalog.org.uk/245-revision-17/',0,'revision','',0),(370,3,'2012-08-01 10:57:15','2012-08-01 10:57:15','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-26','','','2012-08-01 10:57:15','2012-08-01 10:57:15','',11,'http://catalog.org.uk/11-revision-26/',0,'revision','',0),(366,2,'2012-08-10 09:20:16','2012-08-10 09:20:16','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n&nbsp;\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"533\" height=\"536\" />\r\n\r\n&nbsp;\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n&nbsp;','','','inherit','closed','closed','','245-revision-18','','','2012-08-10 09:20:16','2012-08-10 09:20:16','',245,'http://catalog.org.uk/245-revision-18/',0,'revision','',0),(367,2,'2012-08-10 09:21:06','2012-08-10 09:21:06','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n&nbsp;\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n&nbsp;\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n&nbsp;','','','inherit','closed','closed','','245-revision-19','','','2012-08-10 09:21:06','2012-08-10 09:21:06','',245,'http://catalog.org.uk/245-revision-19/',0,'revision','',0),(372,3,'2012-09-25 20:37:21','2012-09-25 20:37:21','','IMG_1685','','inherit','closed','closed','','img_1685','','','2012-09-25 20:37:21','2012-09-25 20:37:21','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg',0,'attachment','image/jpeg',0),(371,3,'2012-08-27 18:26:06','2012-08-27 18:26:06','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-27','','','2012-08-27 18:26:06','2012-08-27 18:26:06','',11,'http://catalog.org.uk/11-revision-27/',0,'revision','',0),(425,3,'2012-10-05 11:33:19','2012-10-05 11:33:19','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-59','','','2012-10-05 11:33:19','2012-10-05 11:33:19','',5,'http://catalog.org.uk/5-revision-59/',0,'revision','',0),(373,3,'2012-08-01 09:54:08','2012-08-01 09:54:08','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" title=\"Tate Tanks\" width=\"656\" height=\"426\" class=\"alignleft size-large wp-image-326\" /></a>\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"482\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-54','','','2012-08-01 09:54:08','2012-08-01 09:54:08','',7,'http://catalog.org.uk/7-revision-54/',0,'revision','',0),(452,3,'2012-12-05 17:41:18','2012-12-05 17:41:18','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-42','','','2012-12-05 17:41:18','2012-12-05 17:41:18','',9,'http://catalog.org.uk/9-revision-42/',0,'revision','',0),(376,3,'2012-09-25 21:08:01','2012-09-25 21:08:01','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant</a>\r\n\r\n<strong>B\r\n</strong><a href=\"http://www.b-side.org.uk/festival-2012/miracle-methods-series-distance-readers\">B-side Festival </a>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\">Carolyn Thompson</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\">Melanie Clifford </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W</strong>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-28','','','2012-09-25 21:08:01','2012-09-25 21:08:01','',9,'http://catalog.org.uk/9-revision-28/',0,'revision','',0),(374,3,'2012-04-03 10:54:47','2012-04-03 10:54:47','<strong>Joyce Cronin</strong>\r\n<a href=\"http://www.artslant.com/lon/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ARTslant selected reviews</a>\r\n\r\n<strong>Frances Scott</strong>\r\n<a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid</a>\r\n\r\n<strong>Carolyn Thompson</strong>\r\n<a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">www.carolynthompson.co.uk</a>','Index','','inherit','closed','closed','','9-revision-26','','','2012-04-03 10:54:47','2012-04-03 10:54:47','',9,'http://catalog.org.uk/9-revision-26/',0,'revision','',0),(375,3,'2012-09-25 21:07:52','2012-09-25 21:07:52','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant</a>\r\n\r\n<strong>B\r\n</strong><a href=\"http://www.b-side.org.uk/festival-2012/miracle-methods-series-distance-readers\">B-side Festival </a>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\">Carolyn Thompson</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\">Melanie Clifford </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W</strong>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-27','','','2012-09-25 21:07:52','2012-09-25 21:07:52','',9,'http://catalog.org.uk/9-revision-27/',0,'revision','',0),(377,3,'2012-06-03 12:10:42','2012-06-03 12:10:42','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012). By creating systems to openly test ideas, CATALOG invites participation conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-17','','','2012-06-03 12:10:42','2012-06-03 12:10:42','',2,'http://catalog.org.uk/2-revision-17/',0,'revision','',0),(379,3,'2012-09-26 20:18:07','2012-09-26 20:18:07','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant</a>\r\n\r\n<strong>B\r\n</strong><a href=\"http://www.b-side.org.uk/festival-2012/miracle-methods-series-distance-readers\">B-side Festival </a>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\">Melanie Clifford </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\">The Woodmill Studios</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-30','','','2012-09-26 20:18:07','2012-09-26 20:18:07','',9,'http://catalog.org.uk/9-revision-30/',0,'revision','',0),(380,3,'2012-09-26 20:19:46','2012-09-26 20:19:46','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant</a>\r\n\r\n<strong>B\r\n</strong><a href=\"http://www.b-side.org.uk/festival-2012/miracle-methods-series-distance-readers\">B-side Festival </a>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\">Melanie Clifford </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\">The Woodmill Studios</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-31','','','2012-09-26 20:19:46','2012-09-26 20:19:46','',9,'http://catalog.org.uk/9-revision-31/',0,'revision','',0),(381,3,'2012-09-26 20:21:07','2012-09-26 20:21:07','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant</a>\r\n\r\n<strong>B\r\n</strong><a href=\"http://www.b-side.org.uk/festival-2012/miracle-methods-series-distance-readers\">B-side Festival </a>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\">Melanie Clifford\r\n</a><a href=\"http://miraclemethods.org/\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\">The Woodmill Studios</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-32','','','2012-09-26 20:21:07','2012-09-26 20:21:07','',9,'http://catalog.org.uk/9-revision-32/',0,'revision','',0),(383,2,'2012-08-01 10:03:20','2012-08-01 10:03:20','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-26','','','2012-08-01 10:03:20','2012-08-01 10:03:20','',257,'http://catalog.org.uk/257-revision-26/',0,'revision','',0),(466,2,'2013-01-29 15:46:23','2013-01-29 15:46:23','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=book&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_61468\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-35','','','2013-01-29 15:46:23','2013-01-29 15:46:23','',257,'http://catalog.org.uk/257-revision-35/',0,'revision','',0),(384,2,'2012-09-26 21:57:14','2012-09-26 21:57:14','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n<a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\">CATALOG ADittoDittoLibrary June2012</a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"true\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_66856\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-27','','','2012-09-26 21:57:14','2012-09-26 21:57:14','',257,'http://catalog.org.uk/257-revision-27/',0,'revision','',0),(385,2,'2012-09-26 22:01:26','2012-09-26 22:01:26','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk or view excerpts below.\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n&nbsp;\r\n\r\n<a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"true\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_66856\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-28','','','2012-09-26 22:01:26','2012-09-26 22:01:26','',257,'http://catalog.org.uk/257-revision-28/',0,'revision','',0),(386,3,'2012-09-26 20:21:49','2012-09-26 20:21:49','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\">ARTslant</a>\r\n\r\n<strong>B\r\n</strong><a href=\"http://www.b-side.org.uk/festival-2012/miracle-methods-series-distance-readers\">B-side Festival </a>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\">The Woodmill Studios</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-33','','','2012-09-26 20:21:49','2012-09-26 20:21:49','',9,'http://catalog.org.uk/9-revision-33/',0,'revision','',0),(455,3,'2012-12-05 17:26:04','2012-12-05 17:26:04','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found (2012)</strong>\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game, a possible method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n','','','inherit','closed','closed','','335-revision-20','','','2012-12-05 17:26:04','2012-12-05 17:26:04','',335,'http://catalog.org.uk/335-revision-20/',0,'revision','',0),(428,2,'2012-08-01 10:47:39','2012-08-01 10:47:39','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found.</strong>\r\n\r\nFive Years. Tanks Summer School, Tate Modern. July 2012,\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game as a method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','335-revision-17','','','2012-08-01 10:47:39','2012-08-01 10:47:39','',335,'http://catalog.org.uk/335-revision-17/',0,'revision','',0),(388,3,'2012-09-26 22:02:01','2012-09-26 22:02:01','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong>was presented on 9 June 2012 / Tate Britain, Millbank London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> was a live publishing exercise. It was a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant created a page by drawing from a micro-library of material. The content of the library had been assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library was informed by the artists’ projects, exploring sound and performance, commissioned by Tate for the ‘Tate Together’ programme. \'Chapters\' from the booklet were printed on the hour from 11am, with the final work printed between 2 -3pm.\r\n\r\nReference copies of the booklet available to read, please contact info@catalog.org.uk or view excerpts below.\r\n\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"true\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_66856\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-29','','','2012-09-26 22:02:01','2012-09-26 22:02:01','',257,'http://catalog.org.uk/257-revision-29/',0,'revision','',0),(389,3,'2012-10-01 11:05:34','2012-10-01 11:05:34','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong> 11am-5pm, 28 October 2012 / The Tanks, Tate Modern, London \r\n9 June 2012 / Tate Britain, Millbank, London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library is informed by the context of it\'s presentation - exploring sound and performance for the ‘Tate Together’ programme at Tate Britain and moving image practices for Film Action at Tate Tanks.  \'Chapters\' are printed on the hour from 11am. \r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"true\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_66856\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-30','','','2012-10-01 11:05:34','2012-10-01 11:05:34','',257,'http://catalog.org.uk/257-revision-30/',0,'revision','',0),(390,3,'2012-04-03 14:57:51','2012-04-03 14:57:51','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at FIVE YEARS, London between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The resulting PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For   maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=list&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"true\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_76325\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-23','','','2012-04-03 14:57:51','2012-04-03 14:57:51','',202,'http://catalog.org.uk/202-revision-23/',0,'revision','',0),(395,3,'2012-10-01 11:25:47','2012-10-01 11:25:47','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London </strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project held at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\"></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-28','','','2012-10-01 11:25:47','2012-10-01 11:25:47','',202,'http://catalog.org.uk/202-revision-28/',0,'revision','',0),(391,3,'2012-10-01 11:20:12','2012-10-01 11:20:12','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW- P.S \r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London </strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=list&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"true\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_76325\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-24','','','2012-10-01 11:20:12','2012-10-01 11:20:12','',202,'http://catalog.org.uk/202-revision-24/',0,'revision','',0),(392,3,'2012-10-01 11:21:07','2012-10-01 11:21:07','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW- P.S \r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London </strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=list&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"true\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_76325\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-25','','','2012-10-01 11:21:07','2012-10-01 11:21:07','',202,'http://catalog.org.uk/202-revision-25/',0,'revision','',0),(394,3,'2012-10-01 11:24:42','2012-10-01 11:24:42','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London </strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of <em>this is not a school</em> at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\"></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-27','','','2012-10-01 11:24:42','2012-10-01 11:24:42','',202,'http://catalog.org.uk/202-revision-27/',0,'revision','',0),(393,3,'2012-10-01 11:23:53','2012-10-01 11:23:53','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW- P.S \r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London </strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project that was first held as part of this is not a school at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=list&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"true\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_76325\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-26','','','2012-10-01 11:23:53','2012-10-01 11:23:53','',202,'http://catalog.org.uk/202-revision-26/',0,'revision','',0),(440,2,'2012-10-01 11:52:00','2012-10-01 11:52:00','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW\r\nFIVE YEARS, London </strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a project held at Five Years between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"true\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_34381\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-32','','','2012-10-01 11:52:00','2012-10-01 11:52:00','',202,'http://catalog.org.uk/202-revision-32/',0,'revision','',0),(397,3,'2012-10-01 11:43:14','2012-10-01 11:43:14','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London </strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project held at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"true\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_34381\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-30','','','2012-10-01 11:43:14','2012-10-01 11:43:14','',202,'http://catalog.org.uk/202-revision-30/',0,'revision','',0),(396,3,'2012-10-01 11:33:41','2012-10-01 11:33:41','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW\r\n5-6pm on 22 October 2011, FIVE YEARS, London </strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project held at Five Years in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\"></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-29','','','2012-10-01 11:33:41','2012-10-01 11:33:41','',202,'http://catalog.org.uk/202-revision-29/',0,'revision','',0),(441,2,'2012-10-01 13:37:18','2012-10-01 13:37:18','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-40','','','2012-10-01 13:37:18','2012-10-01 13:37:18','',9,'http://catalog.org.uk/9-revision-40/',0,'revision','',0),(398,3,'2012-10-01 11:51:10','2012-10-01 11:51:10','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW- P.S\r\n4-5pm, 13 October 2012, FIVE YEARS, London\r\n</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material is given a live form. The \'chapters\' are reassembled as performances; either by those who created the original chapters, or nominated guests that speak on their behalf. This event is chaired by Amy Botfield.\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW\r\nFIVE YEARS, London </strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW is a project held at Five Years between 5-6pm on 22 October 2011 in response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"true\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_34381\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-31','','','2012-10-01 11:51:10','2012-10-01 11:51:10','',202,'http://catalog.org.uk/202-revision-31/',0,'revision','',0),(439,2,'2012-10-01 12:05:57','2012-10-01 12:05:57','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong> 11am-5pm, 28 October 2012 / The Tanks, Tate Modern, London \r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation. It was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice. It will be next staged at Tate Tanks as part of the <em>Film Action</em> programme, 28 October 2012.  \r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"true\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_66856\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-33','','','2012-10-01 12:05:57','2012-10-01 12:05:57','',257,'http://catalog.org.uk/257-revision-33/',0,'revision','',0),(399,3,'2012-10-01 11:07:34','2012-10-01 11:07:34','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong> 11am-5pm, 28 October 2012 / The Tanks, Tate Modern, London \r\n9 June 2012 / Tate Britain, Millbank, London\r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggered the next. The library is informed by the context of it\'s presentation - exploring sound and performance for the ‘Tate Together’ programme at Tate Britain and moving image practices for Film Action at Tate Tanks.  \'Chapters\' are printed on the hour from 11am. \r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"true\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_66856\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-31','','','2012-10-01 11:07:34','2012-10-01 11:07:34','',257,'http://catalog.org.uk/257-revision-31/',0,'revision','',0),(400,3,'2012-10-01 12:04:17','2012-10-01 12:04:17','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library</strong>\r\n<strong> 11am-5pm, 28 October 2012 / The Tanks, Tate Modern, London \r\n</strong>\r\n\r\n<em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation. It was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice. It will be next shown at Tate Tanks as part of the <em>Film Action</em> programme, 28 October 2012.  \r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.\r\n[caption id=\"attachment_319\" align=\"alignleft\" width=\"640\" caption=\"\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\" style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;\"></a><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"true\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_66856\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-32','','','2012-10-01 12:04:17','2012-10-01 12:04:17','',257,'http://catalog.org.uk/257-revision-32/',0,'revision','',0),(401,2,'2012-10-01 12:12:02','2012-10-01 12:12:02','','Channel1-3_lowres','','inherit','closed','closed','','channel1-3_lowres','','','2012-10-01 12:12:02','2012-10-01 12:12:02','',245,'http://catalog.org.uk/wp-content/uploads/2012/10/Channel1-3_lowres.jpg',0,'attachment','image/jpeg',0),(402,2,'2012-10-01 12:12:20','2012-10-01 12:12:20','','Channel2-3_lowres','','inherit','closed','closed','','channel2-3_lowres','','','2012-10-01 12:12:20','2012-10-01 12:12:20','',245,'http://catalog.org.uk/wp-content/uploads/2012/10/Channel2-3_lowres.jpg',0,'attachment','image/jpeg',0),(403,2,'2012-08-10 09:22:54','2012-08-10 09:22:54','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-21','','','2012-08-10 09:22:54','2012-08-10 09:22:54','',245,'http://catalog.org.uk/245-revision-21/',0,'revision','',0),(411,3,'2012-10-01 13:19:12','2012-10-01 13:19:12','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-36','','','2012-10-01 13:19:12','2012-10-01 13:19:12','',9,'http://catalog.org.uk/9-revision-36/',0,'revision','',0),(408,2,'2012-10-01 12:25:43','2012-10-01 12:25:43','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" title=\"CATALOG_broadcast3\" width=\"1000\" height=\"1159\" class=\"alignleft size-full wp-image-406\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-25','','','2012-10-01 12:25:43','2012-10-01 12:25:43','',245,'http://catalog.org.uk/245-revision-25/',0,'revision','',0),(405,2,'2012-10-01 12:19:34','2012-10-01 12:19:34','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n\r\n<img class=\"alignleft size-full wp-image-401\" title=\"Channel1-3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel1-3_lowres.jpg\" alt=\"\" width=\"382\" height=\"620\" />\r\n\r\n&nbsp;\r\n\r\n<em><img class=\"alignright size-large wp-image-402\" title=\"Channel2-3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel2-3_lowres-225x1024.jpg\" alt=\"\" width=\"225\" height=\"1024\" />\r\n</em>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-23','','','2012-10-01 12:19:34','2012-10-01 12:19:34','',245,'http://catalog.org.uk/245-revision-23/',0,'revision','',0),(406,2,'2012-10-01 12:22:57','2012-10-01 12:22:57','','CATALOG_broadcast3','','inherit','closed','closed','','catalog_broadcast3','','','2012-10-01 12:22:57','2012-10-01 12:22:57','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg',0,'attachment','image/jpeg',0),(407,2,'2012-10-01 12:20:37','2012-10-01 12:20:37','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n\r\n<img class=\"alignleft size-full wp-image-401\" title=\"Channel1-3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel1-3_lowres.jpg\" alt=\"\" width=\"382\" height=\"620\" />\r\n\r\n&nbsp;\r\n\r\n<em><img class=\"alignright size-large wp-image-402\" title=\"Channel2-3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel2-3_lowres-225x1024.jpg\" alt=\"\" width=\"158\" height=\"717\" />\r\n</em>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-24','','','2012-10-01 12:20:37','2012-10-01 12:20:37','',245,'http://catalog.org.uk/245-revision-24/',0,'revision','',0),(404,2,'2012-10-01 12:15:27','2012-10-01 12:15:27','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel1-3_lowres.jpg\"><img class=\"alignleft size-full wp-image-401\" title=\"Channel1-3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel1-3_lowres.jpg\" alt=\"\" width=\"382\" height=\"620\" /></a>\r\n\r\n<em>\r\n</em>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<img class=\"alignleft size-full wp-image-402\" title=\"Channel2-3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/10/Channel2-3_lowres.jpg\" alt=\"\" width=\"422\" height=\"1913\" />','','','inherit','closed','closed','','245-revision-22','','','2012-10-01 12:15:27','2012-10-01 12:15:27','',245,'http://catalog.org.uk/245-revision-22/',0,'revision','',0),(409,2,'2012-09-27 19:34:51','2012-09-27 19:34:51','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\">ArtSlant</a>\r\n\r\n<strong>B\r\n</strong><a href=\"http://www.b-side.org.uk/festival-2012/miracle-methods-series-distance-readers\">B-side Festival </a>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\">The Woodmill Studios</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-34','','','2012-09-27 19:34:51','2012-09-27 19:34:51','',9,'http://catalog.org.uk/9-revision-34/',0,'revision','',0),(410,2,'2012-10-01 13:18:18','2012-10-01 13:18:18','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant</a>\r\n\r\n<strong>B\r\n</strong><a href=\"http://www.b-side.org.uk/festival-2012/miracle-methods-series-distance-readers\" target=\"_blank\">B-side Festival </a>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-35','','','2012-10-01 13:18:18','2012-10-01 13:18:18','',9,'http://catalog.org.uk/9-revision-35/',0,'revision','',0),(412,3,'2012-10-01 13:31:50','2012-10-01 13:31:50','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.workinprogressuk.com/workinprogress/Welcome.html\" target=\"_blank\">The Woodmill Studios\r\nWork in Progress\r\n<strong>\r\nX</strong></a>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-37','','','2012-10-01 13:31:50','2012-10-01 13:31:50','',9,'http://catalog.org.uk/9-revision-37/',0,'revision','',0),(413,3,'2012-10-01 13:33:28','2012-10-01 13:33:28','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\nWork in Progress\r\n</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-38','','','2012-10-01 13:33:28','2012-10-01 13:33:28','',9,'http://catalog.org.uk/9-revision-38/',0,'revision','',0),(414,3,'2012-10-01 13:36:00','2012-10-01 13:36:00','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios</a>\r\n<a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-39','','','2012-10-01 13:36:00','2012-10-01 13:36:00','',9,'http://catalog.org.uk/9-revision-39/',0,'revision','',0),(415,3,'2012-10-02 10:44:40','2012-10-02 10:44:40','','profile','','inherit','closed','closed','','profile','','','2012-10-02 10:44:40','2012-10-02 10:44:40','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg',0,'attachment','image/jpeg',0),(422,5,'2012-10-02 10:48:10','2012-10-02 10:48:10','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg\" alt=\"\" title=\"profile\" width=\"656\" height=\"426\" class=\"alignleft size-full wp-image-415\" /></a>\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img class=\"alignleft size-large wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"482\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\"><img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"2592\" height=\"1936\" /></a>\r\n</a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-56','','','2012-10-02 10:48:10','2012-10-02 10:48:10','',7,'http://catalog.org.uk/7-revision-56/',0,'revision','',0),(416,3,'2012-09-25 20:39:29','2012-09-25 20:39:29','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img class=\"alignleft size-large wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"482\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"> </a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"></a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2.jpg\"><img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\"><img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"2592\" height=\"1936\" /></a>\r\n</a><a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a><img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-55','','','2012-09-25 20:39:29','2012-09-25 20:39:29','',7,'http://catalog.org.uk/7-revision-55/',0,'revision','',0),(423,5,'2012-10-05 11:54:23','2012-10-05 11:54:23','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg\"><img class=\"alignleft size-full wp-image-415\" title=\"profile\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img class=\"alignleft size-large wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"482\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"aligncenter size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a>\r\n\r\n<img class=\"aligncenter size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n</a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\"><img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"2592\" height=\"1936\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-57','','','2012-10-05 11:54:23','2012-10-05 11:54:23','',7,'http://catalog.org.uk/7-revision-57/',0,'revision','',0),(418,5,'2012-09-25 21:10:57','2012-09-25 21:10:57','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-18','','','2012-09-25 21:10:57','2012-09-25 21:10:57','',2,'http://catalog.org.uk/2-revision-18/',0,'revision','',0),(419,5,'2012-10-05 11:22:31','2012-10-05 11:22:31','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-19','','','2012-10-05 11:22:31','2012-10-05 11:22:31','',2,'http://catalog.org.uk/2-revision-19/',0,'revision','',0),(420,5,'2012-10-05 11:25:52','2012-10-05 11:25:52','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-20','','','2012-10-05 11:25:52','2012-10-05 11:25:52','',2,'http://catalog.org.uk/2-revision-20/',0,'revision','',0),(421,5,'2012-08-01 10:55:17','2012-08-01 10:55:17','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" title=\"(im)possible image\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-340\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignnone\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258\" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250\" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-58','','','2012-08-01 10:55:17','2012-08-01 10:55:17','',5,'http://catalog.org.uk/5-revision-58/',0,'revision','',0),(424,5,'2012-10-05 11:56:21','2012-10-05 11:56:21','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg\"><img class=\"alignleft size-full wp-image-415\" title=\"profile\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img class=\"alignleft size-large wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"482\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"size-full wp-image-269 alignleft\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a>\r\n\r\n<img class=\"size-full wp-image-270 alignleft\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\"><img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"2592\" height=\"1936\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-58','','','2012-10-05 11:56:21','2012-10-05 11:56:21','',7,'http://catalog.org.uk/7-revision-58/',0,'revision','',0),(430,2,'2012-12-05 17:16:13','2012-12-05 17:16:13','','Channel1-4','','inherit','closed','closed','','channel1-4','','','2012-12-05 17:16:13','2012-12-05 17:16:13','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg',0,'attachment','image/jpeg',0),(431,2,'2012-12-05 17:16:21','2012-12-05 17:16:21','','Channel1-5','','inherit','closed','closed','','channel1-5','','','2012-12-05 17:16:21','2012-12-05 17:16:21','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg',0,'attachment','image/jpeg',0),(432,2,'2012-12-05 17:16:32','2012-12-05 17:16:32','','Channel2-4','','inherit','closed','closed','','channel2-4','','','2012-12-05 17:16:32','2012-12-05 17:16:32','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg',0,'attachment','image/jpeg',0),(433,2,'2012-12-05 17:16:45','2012-12-05 17:16:45','','Channel2-5','','inherit','closed','closed','','channel2-5','','','2012-12-05 17:16:45','2012-12-05 17:16:45','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg',0,'attachment','image/jpeg',0),(434,2,'2012-10-01 12:28:05','2012-10-01 12:28:05','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;','','','inherit','closed','closed','','245-revision-26','','','2012-10-01 12:28:05','2012-10-01 12:28:05','',245,'http://catalog.org.uk/245-revision-26/',0,'revision','',0),(435,2,'2012-12-05 17:20:11','2012-12-05 17:20:11','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"436\" height=\"726\" />\r\n\r\n<em>\r\n</em>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"530\" height=\"300\" />\r\n\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708\r\nRHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon','','','inherit','closed','closed','','245-revision-27','','','2012-12-05 17:20:11','2012-12-05 17:20:11','',245,'http://catalog.org.uk/245-revision-27/',0,'revision','',0),(436,2,'2012-12-05 17:14:36','2012-12-05 17:14:36','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found (2012)</strong>\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nCATALOG proposed the following game, a possible method of investigation and learning:\r\n\r\nThis is a space where concepts and actions can be developed freely and collectively.\r\n\r\n- - - TRANSFER - - - RECEIVE - - - MANIFEST - - - EXCHANGE - - -\r\n\r\nA game for any number of players.\r\nEach player, at the beginning of the school week, should bring a ´starting point´- in the form of printed material, an object, or concept - that they gift to another player in the class.\r\n\r\nThe recipient of this material must use the summer school, its methods and their learning experience, to interpret their gift in such a way as to create a new provocation – an action, work, text, or response as appropriate. There are no limits to what this could be or how it is presented.\r\n\r\nThe outcome is then passed on to another participant, who can choose to end or continue the cycle. There is the possibility that the game spills beyond the parameters of the week.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-19','','','2012-12-05 17:14:36','2012-12-05 17:14:36','',335,'http://catalog.org.uk/335-revision-19/',0,'revision','',0),(437,2,'2012-12-05 17:24:50','2012-12-05 17:24:50','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em>\r\nRHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon </em>\r\n','','','inherit','closed','closed','','245-revision-28','','','2012-12-05 17:24:50','2012-12-05 17:24:50','',245,'http://catalog.org.uk/245-revision-28/',0,'revision','',0),(438,2,'2012-12-05 17:29:36','2012-12-05 17:29:36','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em>\r\nRHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" title=\"Channel1-5\" width=\"770\" height=\"511\" class=\"alignleft size-full wp-image-431\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" title=\"Channel2-5\" width=\"703\" height=\"1000\" class=\"alignleft size-full wp-image-433\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-29','','','2012-12-05 17:29:36','2012-12-05 17:29:36','',245,'http://catalog.org.uk/245-revision-29/',0,'revision','',0),(442,2,'2012-12-05 17:40:46','2012-12-05 17:40:46','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-41','','','2012-12-05 17:40:46','2012-12-05 17:40:46','',9,'http://catalog.org.uk/9-revision-41/',0,'revision','',0),(444,2,'2012-12-05 17:56:54','2012-12-05 17:56:54','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a project manager and writer, interested in diferent modes of collaborative working, and the processes and dialogues surrounding the acts of making and exhibiting practice. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online, and her text on Deimantas Narkeviius\' \'Energy Lithuania\' was recently included in the \'The City is a Burning, Blazing Bonfire\' exhibition catalogue at Cubitt Gallery, London. Joyce is an Artistic Assessor for Arts Council England, and is currently working on touring a new work by artist Jordan Baseman, funded by the Wellcome Trust.\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York. She recently presented THE MIRACLE METHODS SERIES, film episodes transmitted on local-council information screens and online for b-side festival, Weymouth. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<div class=\"fb-like\" data-href=\"http://www.facebook.com/catalogcommunicate\" data-send=\"true\" data-width=\"450\" data-show-faces=\"false\"></div>\r\n\r\n<div id=\"fb-root\"></div>\r\n<script>(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));</script>\r\n','Communicate','','inherit','closed','closed','','11-revision-29','','','2012-12-05 17:56:54','2012-12-05 17:56:54','',11,'http://catalog.org.uk/11-revision-29/',0,'revision','',0),(443,2,'2012-09-25 20:35:24','2012-09-25 20:35:24','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.<strong>\r\n</strong>\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York, recently for a Lucky PDF live broadcast as part of their commission with Frieze Projects 2011. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<div class=\"fb-like\" data-href=\"http://www.facebook.com/catalogcommunicate\" data-send=\"true\" data-width=\"450\" data-show-faces=\"false\"></div>\r\n\r\n<div id=\"fb-root\"></div>\r\n<script>(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));</script>\r\n','Communicate','','inherit','closed','closed','','11-revision-28','','','2012-09-25 20:35:24','2012-09-25 20:35:24','',11,'http://catalog.org.uk/11-revision-28/',0,'revision','',0),(532,2,'2013-01-29 15:20:47','2013-01-29 15:20:47','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','Function','','inherit','closed','closed','','5-revision-63','','','2013-01-29 15:20:47','2013-01-29 15:20:47','',5,'http://catalog.org.uk/5-revision-63/',0,'revision','',0),(446,3,'2012-12-05 18:01:32','2012-12-05 18:01:32','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a project manager and writer, interested in diferent modes of collaborative working, and the processes and dialogues surrounding the acts of making and exhibiting practice. Currently freelance, Joyce is an Artistic Assessor for Arts Council England, and is working on touring a new work by artist Jordan Baseman, funded by the Wellcome Trust. She has worked for non-profit visual arts organisations for over ten years including Gallery Manager at Matt’s Gallery, Cubitt Gallery, The Drawing Room, Studio Voltaire, and the Foundation for Women’s Art (FWA). Her writing practice includes contributions to the Artslant website and Axis online, and her text on Deimantas Narkeviius\' \'Energy Lithuania\' was recently included in the \'The City is a Burning, Blazing Bonfire\' exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. \r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York. She recently presented THE MIRACLE METHODS SERIES, film episodes transmitted on local-council information screens and online for b-side festival, Weymouth. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<div class=\"fb-like\" data-href=\"http://www.facebook.com/catalogcommunicate\" data-send=\"true\" data-width=\"450\" data-show-faces=\"false\"></div>\r\n\r\n<div id=\"fb-root\"></div>\r\n<script>(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));</script>\r\n','Communicate','','inherit','closed','closed','','11-revision-30','','','2012-12-05 18:01:32','2012-12-05 18:01:32','',11,'http://catalog.org.uk/11-revision-30/',0,'revision','',0),(447,2,'2013-01-07 14:47:14','2013-01-07 14:47:14','','Channel2-6','','inherit','closed','closed','','channel2-6','','','2013-01-07 14:47:14','2013-01-07 14:47:14','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg',0,'attachment','image/jpeg',0),(448,2,'2013-01-07 14:47:47','2013-01-07 14:47:47','','Channel1-6','','inherit','closed','closed','','channel1-6','','','2013-01-07 14:47:47','2013-01-07 14:47:47','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg',0,'attachment','image/jpeg',0),(449,2,'2012-12-05 17:31:22','2012-12-05 17:31:22','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" title=\"Channel1-5\" width=\"770\" height=\"511\" class=\"alignleft size-full wp-image-431\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" title=\"Channel2-5\" width=\"703\" height=\"1000\" class=\"alignleft size-full wp-image-433\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-30','','','2012-12-05 17:31:22','2012-12-05 17:31:22','',245,'http://catalog.org.uk/245-revision-30/',0,'revision','',0),(471,2,'2013-01-07 14:55:05','2013-01-07 14:55:05','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" title=\"Channel1-5\" width=\"770\" height=\"511\" class=\"alignleft size-full wp-image-431\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" title=\"Channel2-5\" width=\"703\" height=\"1000\" class=\"alignleft size-full wp-image-433\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" title=\"Channel2-6\" width=\"1000\" height=\"724\" class=\"alignleft size-full wp-image-447\" /><img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" title=\"Channel1-6\" width=\"1000\" height=\"1295\" class=\"alignleft size-full wp-image-448\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-32','','','2013-01-07 14:55:05','2013-01-07 14:55:05','',245,'http://catalog.org.uk/245-revision-32/',0,'revision','',0),(450,2,'2013-01-07 14:50:48','2013-01-07 14:50:48','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\"><img class=\"alignleft size-full wp-image-246\" title=\"We interrupt this transmission\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/testcard.jpeg\" alt=\"\" width=\"800\" height=\"592\" /></a>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" title=\"Channel1-5\" width=\"770\" height=\"511\" class=\"alignleft size-full wp-image-431\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" title=\"Channel2-5\" width=\"703\" height=\"1000\" class=\"alignleft size-full wp-image-433\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" title=\"Channel2-6\" width=\"800\" height=\"579\" class=\"alignleft size-full wp-image-447\" /><img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" title=\"Channel1-6\" width=\"538\" height=\"700\" class=\"alignleft size-full wp-image-448\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; XXX </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; XXX </em>\r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-31','','','2013-01-07 14:50:48','2013-01-07 14:50:48','',245,'http://catalog.org.uk/245-revision-31/',0,'revision','',0),(472,2,'2013-02-08 15:04:03','2013-02-08 15:04:03','<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" title=\"Channel2-6\" width=\"1000\" height=\"724\" class=\"alignleft size-full wp-image-447\" /><img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" title=\"Channel1-6\" width=\"1000\" height=\"1295\" class=\"alignleft size-full wp-image-448\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" title=\"Channel1-5\" width=\"770\" height=\"511\" class=\"alignleft size-full wp-image-431\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" title=\"Channel2-5\" width=\"703\" height=\"1000\" class=\"alignleft size-full wp-image-433\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>\r\n\r\n\r\n\r\n\r\n\r\n\r\n','','','inherit','closed','closed','','245-revision-33','','','2013-02-08 15:04:03','2013-02-08 15:04:03','',245,'http://catalog.org.uk/245-revision-33/',0,'revision','',0),(451,2,'2012-10-05 12:00:32','2012-10-05 12:00:32','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg\"><img class=\"alignleft size-full wp-image-415\" title=\"profile\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/profile.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img class=\"alignleft size-large wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"482\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"size-full wp-image-269 alignleft\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a>\r\n\r\n<img class=\"size-full wp-image-270 alignleft\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\"><img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"2592\" height=\"1936\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-59','','','2012-10-05 12:00:32','2012-10-05 12:00:32','',7,'http://catalog.org.uk/7-revision-59/',0,'revision','',0),(453,3,'2013-01-29 14:16:15','2013-01-29 14:16:15','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-43','','','2013-01-29 14:16:15','2013-01-29 14:16:15','',9,'http://catalog.org.uk/9-revision-43/',0,'revision','',0),(454,3,'2012-10-08 12:22:12','2012-10-08 12:22:12','[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n','Function','','inherit','closed','closed','','5-revision-61','','','2012-10-08 12:22:12','2012-10-08 12:22:12','',5,'http://catalog.org.uk/5-revision-61/',0,'revision','',0),(457,3,'2013-01-29 14:45:10','2013-01-29 14:45:10','','CATALOG_ResonanceFMDec2012','','inherit','closed','closed','','catalog_resonancefmdec2012','','','2013-01-29 14:45:10','2013-01-29 14:45:10','',7,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg',0,'attachment','image/jpeg',0),(554,2,'2013-01-29 14:48:16','2013-01-29 14:48:16','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\" alt=\"\" title=\"CATALOG_ResonanceFMDec2012\" width=\"656\" height=\"426\" class=\"alignleft size-full wp-image-457\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img class=\"alignleft size-large wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"482\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"size-full wp-image-269 alignleft\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a>\r\n\r\n<img class=\"size-full wp-image-270 alignleft\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\"><img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"2592\" height=\"1936\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-61','','','2013-01-29 14:48:16','2013-01-29 14:48:16','',7,'http://catalog.org.uk/7-revision-61/',0,'revision','',0),(458,3,'2013-01-07 14:57:08','2013-01-07 14:57:08','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\"><img class=\"alignleft size-large wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks-764x1024.jpg\" alt=\"\" width=\"656\" height=\"426\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"656\" height=\"490\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\"><img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"656\" height=\"482\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1.jpg\"><img class=\"size-full wp-image-269 alignleft\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"656\" height=\"436\" /></a>\r\n\r\n<img class=\"size-full wp-image-270 alignleft\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\"><img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"2592\" height=\"1936\" /></a>\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\"><img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"656\" height=\"462\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-64\" title=\"CATALOG_application-file\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/application-file.jpg\" alt=\"\" width=\"656\" height=\"482\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-60','','','2013-01-07 14:57:08','2013-01-07 14:57:08','',7,'http://catalog.org.uk/7-revision-60/',0,'revision','',0),(555,2,'2013-08-15 12:35:02','2013-08-15 12:35:02','<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\" alt=\"\" title=\"CATALOG_ResonanceFMDec2012\" width=\"623\" height=\"465\" class=\"alignleft size-full wp-image-457\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\" alt=\"\" title=\"Tate Tanks\" width=\"1936\" height=\"2592\" class=\"alignleft size-full wp-image-326\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" title=\"DittoDitto_documentation3\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-301\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" title=\"DittoDittoLibrary2\" width=\"542\" height=\"544\" class=\"alignleft size-full wp-image-284\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" title=\"CATALOG_IFIKNEW_studio2\" width=\"656\" height=\"436\" class=\"alignleft size-full wp-image-270\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" title=\"CATALOG_IFIKNEW_studio1\" width=\"656\" height=\"436\" class=\"alignleft size-full wp-image-269\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" title=\"IMG_1685\" width=\"2592\" height=\"1936\" class=\"alignleft size-full wp-image-372\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"600\" height=\"424\" class=\"alignleft size-full wp-image-65\" />\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-62','','','2013-08-15 12:35:02','2013-08-15 12:35:02','',7,'http://catalog.org.uk/7-revision-62/',0,'revision','',0),(463,2,'2013-01-29 15:40:23','2013-01-29 15:40:23','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\"  style=\"text-decoration: underline;\" >Catalog_if i Knew Then What i Know Now</a> by   <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a> </p><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-36','','','2013-01-29 15:40:23','2013-01-29 15:40:23','',202,'http://catalog.org.uk/202-revision-36/',0,'revision','',0),(462,2,'2013-01-29 15:38:21','2013-01-29 15:38:21','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\"></a>\r\n<p style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block;\">&nbsp;</p>\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-35','','','2013-01-29 15:38:21','2013-01-29 15:38:21','',202,'http://catalog.org.uk/202-revision-35/',0,'revision','',0),(460,2,'2012-12-05 17:37:38','2012-12-05 17:37:38','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\"></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-33','','','2012-12-05 17:37:38','2012-12-05 17:37:38','',202,'http://catalog.org.uk/202-revision-33/',0,'revision','',0),(461,2,'2013-01-29 15:33:56','2013-01-29 15:33:56','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\"></a>\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View Catalog_if i Knew Then What i Know Now on Scribd\" href=\"http://www.scribd.com/doc/87819500/Catalog-if-i-Knew-Then-What-i-Know-Now\"  style=\"text-decoration: underline;\" >Catalog_if i Knew Then What i Know Now</a> by   <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a> </p><iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-34','','','2013-01-29 15:33:56','2013-01-29 15:33:56','',202,'http://catalog.org.uk/202-revision-34/',0,'revision','',0),(464,2,'2013-01-29 15:41:26','2013-01-29 15:41:26','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n[scribd id=87819500 key=key-1dhd6i8khd0buarcoyxb mode=scroll]\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-37','','','2013-01-29 15:41:26','2013-01-29 15:41:26','',202,'http://catalog.org.uk/202-revision-37/',0,'revision','',0),(465,2,'2012-12-05 17:34:08','2012-12-05 17:34:08','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<a style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;\" title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-34','','','2012-12-05 17:34:08','2012-12-05 17:34:08','',257,'http://catalog.org.uk/257-revision-34/',0,'revision','',0),(469,2,'2013-01-29 15:59:28','2013-01-29 15:59:28','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// </em><span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<a style=\"font-size: 13px; line-height: 19px;\" href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-38','','','2013-01-29 15:59:28','2013-01-29 15:59:28','',257,'http://catalog.org.uk/257-revision-38/',0,'revision','',0),(468,2,'2013-01-29 15:56:59','2013-01-29 15:56:59','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// </em><span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">In November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s </span><em style=\"font-size: 13px; line-height: 19px;\">Bermuda Triangle Test Transmission</em><span style=\"font-size: 13px; line-height: 19px;\">. Within the hour-long programme - </span><em style=\"font-size: 13px; line-height: 19px;\">Go away I\'m reading </em><span style=\"font-size: 13px; line-height: 19px;\">- a number of records, bought at Wimbledon Greyhound Stadium boot fair for </span><em style=\"font-size: 13px; line-height: 19px;\">A Ditto Ditto Library</em><span style=\"font-size: 13px; line-height: 19px;\">, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.</span>\r\n\r\n<a style=\"font-size: 13px; line-height: 19px;\" href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-37','','','2013-01-29 15:56:59','2013-01-29 15:56:59','',257,'http://catalog.org.uk/257-revision-37/',0,'revision','',0),(467,2,'2013-01-29 15:53:02','2013-01-29 15:53:02','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. </em>Marshall McLuhan, <em>The Medium is the Massage</em>, Penguin, 1967, p123.\r\n\r\n<em>A Ditto, Ditto Library</em> is a live publishing exercise. It is a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' are printed on the hour. Each participant creates a page by drawing from a micro-library of material. The content of the library is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nReference copies of the booklet produced at the end of the day at Tate Britain are available to read, please contact info@catalog.org.uk or view excerpts below.<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=book&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_61468\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-36','','','2013-01-29 15:53:02','2013-01-29 15:53:02','',257,'http://catalog.org.uk/257-revision-36/',0,'revision','',0),(695,2,'2014-02-06 15:04:48','2014-02-06 15:04:48','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<img class=\"size-full wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" width=\"325\" height=\"225\" /> <img class=\"alignnone size-full wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" alt=\"\" width=\"325\" height=\"225\" />\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-51','','','2014-02-06 15:04:48','2014-02-06 15:04:48','',257,'http://catalog.org.uk/257-revision-51/',0,'revision','',0),(470,3,'2013-01-29 16:01:24','2013-01-29 16:01:24','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// </em><span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, lead by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<a style=\"font-size: 13px; line-height: 19px;\" href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_81637\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-39','','','2013-01-29 16:01:24','2013-01-29 16:01:24','',257,'http://catalog.org.uk/257-revision-39/',0,'revision','',0),(473,2,'2013-02-08 15:05:10','2013-02-08 15:05:10','<strong>We interrupt this transmission (2012 to date)\r\n</strong>\r\n&nbsp;\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-34','','','2013-02-08 15:05:10','2013-02-08 15:05:10','',245,'http://catalog.org.uk/245-revision-34/',0,'revision','',0),(474,2,'2013-02-08 15:06:33','2013-02-08 15:06:33','','channel1-7','','inherit','closed','closed','','channel1-7','','','2013-02-08 15:06:33','2013-02-08 15:06:33','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg',0,'attachment','image/jpeg',0),(475,2,'2013-02-08 15:06:48','2013-02-08 15:06:48','','channel2-7','','inherit','closed','closed','','channel2-7','','','2013-02-08 15:06:48','2013-02-08 15:06:48','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg',0,'attachment','image/jpeg',0),(476,2,'2013-02-08 15:05:27','2013-02-08 15:05:27','<strong>We interrupt this transmission (2012 to date)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-35','','','2013-02-08 15:05:27','2013-02-08 15:05:27','',245,'http://catalog.org.uk/245-revision-35/',0,'revision','',0),(477,2,'2013-02-08 15:09:49','2013-02-08 15:09:49','<strong>We interrupt this transmission (2012 to date)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface<span style=\"font-size: xx-small;\"> and</span> 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-36','','','2013-02-08 15:09:49','2013-02-08 15:09:49','',245,'http://catalog.org.uk/245-revision-36/',0,'revision','',0),(478,2,'2013-02-08 15:11:40','2013-02-08 15:11:40','<strong>We interrupt this transmission (2012 to date)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-37','','','2013-02-08 15:11:40','2013-02-08 15:11:40','',245,'http://catalog.org.uk/245-revision-37/',0,'revision','',0),(479,2,'2013-02-20 15:30:23','2013-02-20 15:30:23','Royal Botanic Gardens, Kew; (c) Royal Botanic Gardens, Kew (book); Supplied by The Public Catalogue Foundation','channel2-8','','inherit','closed','closed','','channel2-8','','','2013-02-20 15:30:23','2013-02-20 15:30:23','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg',0,'attachment','image/jpeg',0),(480,2,'2013-02-20 15:35:32','2013-02-20 15:35:32','','channel1-8','','inherit','closed','closed','','channel1-8','','','2013-02-20 15:35:32','2013-02-20 15:35:32','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg',0,'attachment','image/jpeg',0),(481,2,'2013-02-08 15:12:35','2013-02-08 15:12:35','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-38','','','2013-02-08 15:12:35','2013-02-08 15:12:35','',245,'http://catalog.org.uk/245-revision-38/',0,'revision','',0),(482,2,'2013-02-20 15:36:25','2013-02-20 15:36:25','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call and echo between channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-39','','','2013-02-20 15:36:25','2013-02-20 15:36:25','',245,'http://catalog.org.uk/245-revision-39/',0,'revision','',0),(483,2,'2013-04-01 14:06:18','2013-04-01 14:06:18','','channel1-9','','inherit','closed','closed','','channel1-9','','','2013-04-01 14:06:18','2013-04-01 14:06:18','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg',0,'attachment','image/jpeg',0),(484,2,'2013-04-01 14:06:51','2013-04-01 14:06:51','','channel2-9','','inherit','closed','closed','','channel2-9','','','2013-04-01 14:06:51','2013-04-01 14:06:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg',0,'attachment','image/jpeg',0),(485,2,'2013-02-20 15:37:51','2013-02-20 15:37:51','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-40','','','2013-02-20 15:37:51','2013-02-20 15:37:51','',245,'http://catalog.org.uk/245-revision-40/',0,'revision','',0),(486,2,'2013-04-01 14:10:17','2013-04-01 14:10:17','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>> </em> E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from More than a bookshop, Zwemmers and art in the 20th century by Nigel Vaux Halliday, Philip Wilson Publishers, London, 1991\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-41','','','2013-04-01 14:10:17','2013-04-01 14:10:17','',245,'http://catalog.org.uk/245-revision-41/',0,'revision','',0),(487,2,'2013-05-15 19:09:19','2013-05-15 19:09:19','','channel2-10','','inherit','closed','closed','','channel2-10','','','2013-05-15 19:09:19','2013-05-15 19:09:19','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg',0,'attachment','image/jpeg',0),(488,2,'2013-05-15 19:10:10','2013-05-15 19:10:10','','channel1-10','','inherit','closed','closed','','channel1-10','','','2013-05-15 19:10:10','2013-05-15 19:10:10','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png',0,'attachment','image/png',0),(489,2,'2013-04-01 14:11:51','2013-04-01 14:11:51','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-42','','','2013-04-01 14:11:51','2013-04-01 14:11:51','',245,'http://catalog.org.uk/245-revision-42/',0,'revision','',0),(490,2,'2013-06-28 13:23:40','2013-06-28 13:23:40','','channel1-11','','inherit','closed','closed','','channel1-11','','','2013-06-28 13:23:40','2013-06-28 13:23:40','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg',0,'attachment','image/jpeg',0),(491,2,'2013-06-28 13:24:16','2013-06-28 13:24:16','','channel2-11','','inherit','closed','closed','','channel2-11','','','2013-06-28 13:24:16','2013-06-28 13:24:16','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg',0,'attachment','image/jpeg',0),(492,2,'2013-05-15 19:14:09','2013-05-15 19:14:09','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-43','','','2013-05-15 19:14:09','2013-05-15 19:14:09','',245,'http://catalog.org.uk/245-revision-43/',0,'revision','',0),(627,3,'2013-11-26 21:23:53','2013-11-26 21:23:53','','channel1-17','','inherit','closed','closed','','channel1-17','','','2013-11-26 21:23:53','2013-11-26 21:23:53','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17.jpg',0,'attachment','image/jpeg',0),(572,2,'2013-08-15 12:27:21','2013-08-15 12:27:21','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-76','','','2013-08-15 12:27:21','2013-08-15 12:27:21','',5,'http://catalog.org.uk/5-revision-76/',0,'revision','',0),(493,3,'2013-01-29 14:26:29','2013-01-29 14:26:29','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found (2012)</strong>\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-22','','','2013-01-29 14:26:29','2013-01-29 14:26:29','',335,'http://catalog.org.uk/335-revision-22/',0,'revision','',0),(494,3,'2012-12-05 20:50:39','2012-12-05 20:50:39','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a project manager and writer. Currently freelance, she is an Artistic Assessor for Arts Council England and has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. Joyce has worked for non-profit visual arts organisations for over ten years including The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She was Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. Her writing practice includes contributions to the Artslant website and Axis online, and her text on Deimantas Narkevičius\' \'Energy Lithuania\' (2000) was recently included in the \'The City is a Burning, Blazing Bonfire\' exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York. She recently presented THE MIRACLE METHODS SERIES, film episodes transmitted on local-council information screens and online for b-side festival, Weymouth. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-31','','','2012-12-05 20:50:39','2012-12-05 20:50:39','',11,'http://catalog.org.uk/11-revision-31/',0,'revision','',0),(497,3,'2013-07-17 21:33:30','2013-07-17 21:33:30','<strong>A\r\n</strong><a href=\"http://www.afterall.org\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-46','','','2013-07-17 21:33:30','2013-07-17 21:33:30','',9,'http://catalog.org.uk/9-revision-46/',0,'revision','',0),(495,3,'2013-01-29 14:21:30','2013-01-29 14:21:30','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-44','','','2013-01-29 14:21:30','2013-01-29 14:21:30','',9,'http://catalog.org.uk/9-revision-44/',0,'revision','',0),(496,3,'2013-07-17 21:32:56','2013-07-17 21:32:56','<strong>A\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-45','','','2013-07-17 21:32:56','2013-07-17 21:32:56','',9,'http://catalog.org.uk/9-revision-45/',0,'revision','',0),(498,3,'2013-07-17 21:36:15','2013-07-17 21:36:15','<strong>A\r\n</strong><a href=\"http://www.afterall.org\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I</strong>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-47','','','2013-07-17 21:36:15','2013-07-17 21:36:15','',9,'http://catalog.org.uk/9-revision-47/',0,'revision','',0),(499,3,'2013-07-17 21:37:13','2013-07-17 21:37:13','<strong>A\r\n</strong><a href=\"http://www.afterall.org\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/en/subnav_8.htm#youknow\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-48','','','2013-07-17 21:37:13','2013-07-17 21:37:13','',9,'http://catalog.org.uk/9-revision-48/',0,'revision','',0),(500,3,'2013-07-17 21:21:46','2013-07-17 21:21:46','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found (2012)</strong>\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','335-revision-23','','','2013-07-17 21:21:46','2013-07-17 21:21:46','',335,'http://catalog.org.uk/335-revision-23/',0,'revision','',0),(501,3,'2013-07-17 21:37:27','2013-07-17 21:37:27','<strong>A\r\n</strong><a href=\"http://www.afterall.org\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/en/subnav_8.htm#youknow\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-49','','','2013-07-17 21:37:27','2013-07-17 21:37:27','',9,'http://catalog.org.uk/9-revision-49/',0,'revision','',0),(502,3,'2013-07-17 21:49:25','2013-07-17 21:49:25','<strong>A\r\n</strong><a href=\"http://www.afterall.org\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-50','','','2013-07-17 21:49:25','2013-07-17 21:49:25','',9,'http://catalog.org.uk/9-revision-50/',0,'revision','',0),(503,2,'2013-07-17 21:26:37','2013-07-17 21:26:37','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong>is an artist and has shown work in the UK and New York. She recently presented THE MIRACLE METHODS SERIES, film episodes transmitted on local-council information screens and online for b-side festival, Weymouth. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has also performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-32','','','2013-07-17 21:26:37','2013-07-17 21:26:37','',11,'http://catalog.org.uk/11-revision-32/',0,'revision','',0),(504,2,'2013-07-26 13:45:48','2013-07-26 13:45:48','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and New York, her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, flm episodes transmitted on local- council information television and BBC screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. www.abyme.org.uk\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-33','','','2013-07-26 13:45:48','2013-07-26 13:45:48','',11,'http://catalog.org.uk/11-revision-33/',0,'revision','',0),(505,2,'2013-07-26 13:49:41','2013-07-26 13:49:41','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk\">Abyme website</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-34','','','2013-07-26 13:49:41','2013-07-26 13:49:41','',11,'http://catalog.org.uk/11-revision-34/',0,'revision','',0),(506,2,'2013-07-26 13:50:30','2013-07-26 13:50:30','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk\">Abyme</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-35','','','2013-07-26 13:50:30','2013-07-26 13:50:30','',11,'http://catalog.org.uk/11-revision-35/',0,'revision','',0),(570,2,'2013-08-15 13:30:29','2013-08-15 13:30:29','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-37','','','2013-08-15 13:30:29','2013-08-15 13:30:29','',11,'http://catalog.org.uk/11-revision-37/',0,'revision','',0),(507,3,'2012-10-05 11:26:28','2012-10-05 11:26:28','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-21','','','2012-10-05 11:26:28','2012-10-05 11:26:28','',2,'http://catalog.org.uk/2-revision-21/',0,'revision','',0),(508,3,'2013-07-30 21:50:41','2013-07-30 21:50:41','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012-13). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-22','','','2013-07-30 21:50:41','2013-07-30 21:50:41','',2,'http://catalog.org.uk/2-revision-22/',0,'revision','',0),(509,2,'2013-07-31 10:52:37','2013-07-31 10:52:37','','channel2-12','','inherit','closed','closed','','channel2-12','','','2013-07-31 10:52:37','2013-07-31 10:52:37','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg',0,'attachment','image/jpeg',0),(510,2,'2013-07-31 10:53:02','2013-07-31 10:53:02','','channel1-12','','inherit','closed','closed','','channel1-12','','','2013-07-31 10:53:02','2013-07-31 10:53:02','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg',0,'attachment','image/jpeg',0),(511,2,'2013-07-31 10:53:26','2013-07-31 10:53:26','','channel1-13','','inherit','closed','closed','','channel1-13','','','2013-07-31 10:53:26','2013-07-31 10:53:26','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg',0,'attachment','image/jpeg',0),(512,2,'2013-07-31 10:53:47','2013-07-31 10:53:47','','channel2-13','','inherit','closed','closed','','channel2-13','','','2013-07-31 10:53:47','2013-07-31 10:53:47','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg',0,'attachment','image/jpeg',0),(513,2,'2013-06-28 13:28:13','2013-06-28 13:28:13','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1018\" height=\"527\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914 (1914), gelatine silver print, NYC Municipal Archives\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-44','','','2013-06-28 13:28:13','2013-06-28 13:28:13','',245,'http://catalog.org.uk/245-revision-44/',0,'revision','',0),(520,2,'2013-07-31 11:10:52','2013-07-31 11:10:52','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em>\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-51','','','2013-07-31 11:10:52','2013-07-31 11:10:52','',245,'http://catalog.org.uk/245-revision-51/',0,'revision','',0),(514,2,'2013-07-31 10:56:43','2013-07-31 10:56:43','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914 (1914), gelatine silver print, NYC Municipal Archives\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-45','','','2013-07-31 10:56:43','2013-07-31 10:56:43','',245,'http://catalog.org.uk/245-revision-45/',0,'revision','',0),(521,2,'2013-07-31 11:14:02','2013-07-31 11:14:02','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube)</em> \r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-52','','','2013-07-31 11:14:02','2013-07-31 11:14:02','',245,'http://catalog.org.uk/245-revision-52/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (515,2,'2013-07-31 11:00:29','2013-07-31 11:00:29','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<em> LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, The Second Particle Wave Theory, Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<em> LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914 (1914), gelatine silver print, NYC Municipal Archives\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken in Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, Buphane toxicara and Other Flowers of Grahamstown, c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, Le Papillon Fantastique, 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) Practical Gardening for Pleasure and Profit, Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, An Abacus Seller, St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from The Sanct-Blasien Psalter, illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, <em>Cours de peinture par principes</em>, engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, Amiyose, quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from Nineteen Hundred and Nineteen (1928)</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, Atomic Bomb Test - Yucca Flat, Nevada (May 1955)</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, Beached Whale near Beverwijk, Engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-46','','','2013-07-31 11:00:29','2013-07-31 11:00:29','',245,'http://catalog.org.uk/245-revision-46/',0,'revision','',0),(519,2,'2013-07-31 11:09:41','2013-07-31 11:09:41','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<em> LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em>\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<em> LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-50','','','2013-07-31 11:09:41','2013-07-31 11:09:41','',245,'http://catalog.org.uk/245-revision-50/',0,'revision','',0),(516,2,'2013-07-31 11:05:26','2013-07-31 11:05:26','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<em> LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<em> LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-47','','','2013-07-31 11:05:26','2013-07-31 11:05:26','',245,'http://catalog.org.uk/245-revision-47/',0,'revision','',0),(518,2,'2013-07-31 11:09:04','2013-07-31 11:09:04','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<em> LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<em> LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-49','','','2013-07-31 11:09:04','2013-07-31 11:09:04','',245,'http://catalog.org.uk/245-revision-49/',0,'revision','',0),(517,2,'2013-07-31 11:08:15','2013-07-31 11:08:15','<!--more--><strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<wrap small>\r\n<em> LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</wrap>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<em> LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', gelatine silver print, NYC Municipal Archives\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936 (photogravure © National Museum in Wrocław)\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969 (film still) </em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882. Oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909 (video still, youtube)</em> \r\n\r\n<em>---</em>\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; YouTube screen-shot from the \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em>\r\n\r\n<em>---</em>\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', engraving, 1602</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-48','','','2013-07-31 11:08:15','2013-07-31 11:08:15','',245,'http://catalog.org.uk/245-revision-48/',0,'revision','',0),(524,3,'2013-08-15 11:04:20','2013-08-15 11:04:20','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)</strong>\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a> </em>19 April – 1 September 2013.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\"><img class=\"alignright size-full wp-image-668\" title=\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a> <a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\"><img class=\"alignleft size-full wp-image-667\" title=\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">IMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, Conservation Journal, Issue 30, January 1999 /// <em>The press photograph is a message</em>, details, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 /// 16th century Printing Press, engraving from 1908 </span>\r\n','The press photograph is a message','','publish','closed','closed','','the-press-photograph-is-a-message','','','2014-02-11 15:15:29','2014-02-11 15:15:29','',0,'http://catalog.org.uk/?page_id=524',0,'page','',0),(528,2,'2013-07-17 21:49:30','2013-07-17 21:49:30','<strong>A\r\n</strong><a href=\"http://www.afterall.org\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-51','','','2013-07-17 21:49:30','2013-07-17 21:49:30','',9,'http://catalog.org.uk/9-revision-51/',0,'revision','',0),(526,3,'2013-08-05 19:39:49','2013-08-05 19:39:49','<p style=\"text-align: left;\"><strong>The press photograph is a message  (2013)\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/pressphoto.jpeg\"><img class=\"size-full wp-image-525\" title=\"the press photograph is a message\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/pressphoto.jpeg\" alt=\"\" width=\"219\" height=\"166\" /></a> </strong></p>\n&nbsp;','','','inherit','closed','closed','','524-revision','','','2013-08-05 19:39:49','2013-08-05 19:39:49','',524,'http://catalog.org.uk/524-revision/',0,'revision','',0),(664,3,'2014-02-06 13:29:38','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2014-02-06 13:29:38','0000-00-00 00:00:00','',0,'http://catalog.org.uk/?p=664',0,'post','',0),(529,2,'2013-08-11 17:23:20','2013-08-11 17:23:20','<strong>A\r\n</strong><a href=\"http://www.afterall.org\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis</a>\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\">The City is a Burning, Blazing Bonfire</a>\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-52','','','2013-08-11 17:23:20','2013-08-11 17:23:20','',9,'http://catalog.org.uk/9-revision-52/',0,'revision','',0),(530,2,'2013-08-11 17:23:58','2013-08-11 17:23:58','<strong>A\r\n</strong><a href=\"http://www.afterall.org\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis</a>\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-53','','','2013-08-11 17:23:58','2013-08-11 17:23:58','',9,'http://catalog.org.uk/9-revision-53/',0,'revision','',0),(533,2,'2013-08-15 10:53:18','2013-08-15 10:53:18','','THE PRESS PHOTOGRAPH IS A MESSAGE','','inherit','closed','closed','','catalog_thepressphotograph_2013_v3_crop','','','2013-08-15 10:53:18','2013-08-15 10:53:18','',5,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop.jpg',0,'attachment','image/jpeg',0),(534,2,'2013-08-15 10:42:05','2013-08-15 10:42:05','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-64','','','2013-08-15 10:42:05','2013-08-15 10:42:05','',5,'http://catalog.org.uk/5-revision-64/',0,'revision','',0),(537,2,'2013-08-15 10:57:42','2013-08-15 10:57:42','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-66','','','2013-08-15 10:57:42','2013-08-15 10:57:42','',5,'http://catalog.org.uk/5-revision-66/',0,'revision','',0),(536,2,'2013-08-05 19:40:09','2013-08-05 19:40:09','<p style=\"text-align: left;\"><strong>The press photograph is a message  (2013)\n\n</strong></p>\n&nbsp;','','','inherit','closed','closed','','524-revision-2','','','2013-08-05 19:40:09','2013-08-05 19:40:09','',524,'http://catalog.org.uk/524-revision-2/',0,'revision','',0),(535,2,'2013-08-15 10:55:00','2013-08-15 10:55:00','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop.jpg\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"CATALOG_Thepressphotograph_2013_v3_crop\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-533\" /></a>\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-65','','','2013-08-15 10:55:00','2013-08-15 10:55:00','',5,'http://catalog.org.uk/5-revision-65/',0,'revision','',0),(541,2,'2013-08-15 11:10:11','2013-08-15 11:10:11','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n---\r\n','Function','','inherit','closed','closed','','5-revision-70','','','2013-08-15 11:10:11','2013-08-15 11:10:11','',5,'http://catalog.org.uk/5-revision-70/',0,'revision','',0),(538,2,'2013-08-15 11:05:06','2013-08-15 11:05:06','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/?524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>','Function','','inherit','closed','closed','','5-revision-67','','','2013-08-15 11:05:06','2013-08-15 11:05:06','',5,'http://catalog.org.uk/5-revision-67/',0,'revision','',0),(542,2,'2014-02-07 14:10:43','2014-02-07 14:10:43','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\n\n<strong>The press photograph is a message (2013)\n</strong>\n\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\n\n<em>The press photograph is a message</em> was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\n\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a> </em>19 April – 1 September 2013.\n\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\"><img class=\"alignright size-full wp-image-668\" title=\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a> <a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\"><img class=\"alignleft size-full wp-image-667\" title=\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a>\n\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\n\n<span style=\"font-size: 13px; line-height: 19px;\">IMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, Conservation Journal, Issue 30, January 1999 ///  16th century Printing Press, engraving from 1908 /// </span>\n','','','inherit','closed','closed','','524-autosave','','','2014-02-07 14:10:43','2014-02-07 14:10:43','',524,'http://catalog.org.uk/524-autosave/',0,'revision','',0),(539,2,'2013-08-15 11:08:32','2013-08-15 11:08:32','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','Function','','inherit','closed','closed','','5-revision-68','','','2013-08-15 11:08:32','2013-08-15 11:08:32','',5,'http://catalog.org.uk/5-revision-68/',0,'revision','',0),(540,2,'2013-08-15 11:09:03','2013-08-15 11:09:03','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','Function','','inherit','closed','closed','','5-revision-69','','','2013-08-15 11:09:03','2013-08-15 11:09:03','',5,'http://catalog.org.uk/5-revision-69/',0,'revision','',0),(543,2,'2013-08-15 11:20:16','2013-08-15 11:20:16','','CATALOG_thepressphotograph_2013_v2','','inherit','closed','closed','','catalog_thepressphotograph_2013_v2','','','2013-08-15 11:20:16','2013-08-15 11:20:16','',524,'http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg',0,'attachment','image/jpeg',0),(544,2,'2013-08-15 11:04:20','2013-08-15 11:04:20','<p style=\"text-align: left;\"><strong>The press photograph is a message  (2013)</strong></p>\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-3','','','2013-08-15 11:04:20','2013-08-15 11:04:20','',524,'http://catalog.org.uk/524-revision-3/',0,'revision','',0),(545,2,'2013-08-15 11:20:33','2013-08-15 11:20:33','<img src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" title=\"CATALOG_thepressphotograph_2013_v2\" width=\"1000\" height=\"647\" class=\"alignleft size-full wp-image-543\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em>\r\n\r\nClaire Gilman and Margaret Sundell (eds.), The Storyteller, JRP Ringier, Zurich and ICI, New York, 2010\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the eductation programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the exhibition I knOw yoU.\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-4','','','2013-08-15 11:20:33','2013-08-15 11:20:33','',524,'http://catalog.org.uk/524-revision-4/',0,'revision','',0),(546,2,'2013-08-15 11:29:56','2013-08-15 11:29:56','<img src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" title=\"CATALOG_thepressphotograph_2013_v2\" width=\"1000\" height=\"647\" class=\"alignleft size-full wp-image-543\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\n<strong>Irish Museum of Modern Art, 31 August 2013</strong>\r\n\r\n<strong><em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em></strong> /// </em><span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n\r\n\r\nThe press photograph is a message is a participatory event, curated by Katy Fitzpatrick as part of the eductation programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the exhibition I knOw yoU.\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-5','','','2013-08-15 11:29:56','2013-08-15 11:29:56','',524,'http://catalog.org.uk/524-revision-5/',0,'revision','',0),(547,2,'2013-08-15 11:32:52','2013-08-15 11:32:52','<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\n<strong>Irish Museum of Modern Art, 31 August 2013</strong>\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-6','','','2013-08-15 11:32:52','2013-08-15 11:32:52','',524,'http://catalog.org.uk/524-revision-6/',0,'revision','',0),(548,2,'2013-08-15 11:12:06','2013-08-15 11:12:06','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n---\r\n','Function','','inherit','closed','closed','','5-revision-71','','','2013-08-15 11:12:06','2013-08-15 11:12:06','',5,'http://catalog.org.uk/5-revision-71/',0,'revision','',0),(578,2,'2013-08-15 13:51:15','2013-08-15 13:51:15','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-82','','','2013-08-15 13:51:15','2013-08-15 13:51:15','',5,'http://catalog.org.uk/5-revision-82/',0,'revision','',0),(574,2,'2013-08-15 13:46:40','2013-08-15 13:46:40','[caption id=\"attachment_250\" align=\"aligncenter\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-78','','','2013-08-15 13:46:40','2013-08-15 13:46:40','',5,'http://catalog.org.uk/5-revision-78/',0,'revision','',0),(549,2,'2013-08-15 11:45:36','2013-08-15 11:45:36','[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-72','','','2013-08-15 11:45:36','2013-08-15 11:45:36','',5,'http://catalog.org.uk/5-revision-72/',0,'revision','',0),(550,2,'2013-08-15 11:50:56','2013-08-15 11:50:56','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-73','','','2013-08-15 11:50:56','2013-08-15 11:50:56','',5,'http://catalog.org.uk/5-revision-73/',0,'revision','',0),(551,2,'2013-08-15 11:56:52','2013-08-15 11:56:52','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-74','','','2013-08-15 11:56:52','2013-08-15 11:56:52','',5,'http://catalog.org.uk/5-revision-74/',0,'revision','',0),(552,2,'2013-07-30 21:51:08','2013-07-30 21:51:08','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information.\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-23','','','2013-07-30 21:51:08','2013-07-30 21:51:08','',2,'http://catalog.org.uk/2-revision-23/',0,'revision','',0),(556,2,'2013-08-15 12:36:44','2013-08-15 12:36:44','<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\" alt=\"\" title=\"CATALOG_ResonanceFMDec2012\" width=\"623\" height=\"465\" class=\"alignleft size-full wp-image-457\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\" alt=\"\" title=\"Tate Tanks\" width=\"1936\" height=\"2592\" class=\"alignleft size-full wp-image-326\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" title=\"DittoDitto_documentation3\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-301\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" title=\"DittoDittoLibrary2\" width=\"542\" height=\"544\" class=\"alignleft size-full wp-image-284\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" title=\"CATALOG_IFIKNEW_studio2\" width=\"656\" height=\"436\" class=\"alignleft size-full wp-image-270\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" title=\"CATALOG_IFIKNEW_studio1\" width=\"656\" height=\"436\" class=\"alignleft size-full wp-image-269\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" title=\"IMG_1685\" width=\"2592\" height=\"1936\" class=\"alignleft size-full wp-image-372\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"600\" height=\"424\" class=\"alignleft size-full wp-image-65\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-63','','','2013-08-15 12:36:44','2013-08-15 12:36:44','',7,'http://catalog.org.uk/7-revision-63/',0,'revision','',0),(557,2,'2013-08-15 12:40:30','2013-08-15 12:40:30','<strong>Journal</strong>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\" alt=\"\" title=\"CATALOG_ResonanceFMDec2012\" width=\"623\" height=\"465\" class=\"alignleft size-full wp-image-457\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\" alt=\"\" title=\"Tate Tanks\" width=\"1936\" height=\"2592\" class=\"alignleft size-full wp-image-326\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" title=\"DittoDitto_documentation3\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-301\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" title=\"DittoDittoLibrary2\" width=\"542\" height=\"544\" class=\"alignleft size-full wp-image-284\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" title=\"CATALOG_IFIKNEW_studio2\" width=\"656\" height=\"436\" class=\"alignleft size-full wp-image-270\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" title=\"CATALOG_IFIKNEW_studio1\" width=\"656\" height=\"436\" class=\"alignleft size-full wp-image-269\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" title=\"IMG_1685\" width=\"2592\" height=\"1936\" class=\"alignleft size-full wp-image-372\" />\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" title=\"CATALOG_branch-meeting\" width=\"600\" height=\"424\" class=\"alignleft size-full wp-image-65\" />\r\n\r\ntest\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','','','inherit','closed','closed','','7-revision-64','','','2013-08-15 12:40:30','2013-08-15 12:40:30','',7,'http://catalog.org.uk/7-revision-64/',0,'revision','',0),(560,2,'2013-08-11 17:25:27','2013-08-11 17:25:27','<strong>A\r\n</strong><a href=\"http://www.afterall.org\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\">Axis</a>\r\n</a><a href=\"http://artlicks.com/events/3462/just-released-issue-ten\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-54','','','2013-08-11 17:25:27','2013-08-11 17:25:27','',9,'http://catalog.org.uk/9-revision-54/',0,'revision','',0),(561,2,'2013-08-15 13:17:46','2013-08-15 13:17:46','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\" target=\"_blank\">Axis</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org/\" target=\"_blank\">The Miracle Methods Series </a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-55','','','2013-08-15 13:17:46','2013-08-15 13:17:46','',9,'http://catalog.org.uk/9-revision-55/',0,'revision','',0),(562,2,'2013-08-15 13:18:50','2013-08-15 13:18:50','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\" target=\"_blank\">Axis</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a>THE MIRACLE METHODS SERIES: Distance Readers\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-56','','','2013-08-15 13:18:50','2013-08-15 13:18:50','',9,'http://catalog.org.uk/9-revision-56/',0,'revision','',0),(565,2,'2013-08-15 13:23:36','2013-08-15 13:23:36','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\" target=\"_blank\">Axis</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers</a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>P</strong><a href=\"http://www.protocinema.org\"target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong></a><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-59','','','2013-08-15 13:23:36','2013-08-15 13:23:36','',9,'http://catalog.org.uk/9-revision-59/',0,'revision','',0),(563,2,'2013-08-15 13:19:23','2013-08-15 13:19:23','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\" target=\"_blank\">Axis</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers</a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>Q\r\n</strong><strong></strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-57','','','2013-08-15 13:19:23','2013-08-15 13:19:23','',9,'http://catalog.org.uk/9-revision-57/',0,'revision','',0),(564,2,'2013-08-15 13:22:48','2013-08-15 13:22:48','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\" target=\"_blank\">Axis</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson\r\n</a>\r\n\r\n<strong>D<a href=\"http://www.carolynthompson.co.uk/\"> </a></strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach </a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers</a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong>\r\n\r\n<strong>P</strong><a href=\"http://www.protocinema.org\">Protocinema</a>\r\n\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong></a><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-58','','','2013-08-15 13:22:48','2013-08-15 13:22:48','',9,'http://catalog.org.uk/9-revision-58/',0,'revision','',0),(566,2,'2013-08-15 13:25:11','2013-08-15 13:25:11','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\" target=\"_blank\">Axis</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D</strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers</a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P</strong><a href=\"http://www.protocinema.org\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-60','','','2013-08-15 13:25:11','2013-08-15 13:25:11','',9,'http://catalog.org.uk/9-revision-60/',0,'revision','',0),(567,2,'2013-08-15 13:25:54','2013-08-15 13:25:54','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\" target=\"_blank\">Axis</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D</strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers</a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-61','','','2013-08-15 13:25:54','2013-08-15 13:25:54','',9,'http://catalog.org.uk/9-revision-61/',0,'revision','',0),(568,2,'2013-08-15 13:29:00','2013-08-15 13:29:00','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\" target=\"_blank\">Axis</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D</strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://www.ecflabs.org/grants/stepbeyond\">European Cultural Foundation</a> \r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers</a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-62','','','2013-08-15 13:29:00','2013-08-15 13:29:00','',9,'http://catalog.org.uk/9-revision-62/',0,'revision','',0),(569,2,'2013-07-26 13:51:18','2013-07-26 13:51:18','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n(function(d, s, id) {\r\n  var js, fjs = d.getElementsByTagName(s)[0];\r\n  if (d.getElementById(id)) return;\r\n  js = d.createElement(s); js.id = id;\r\n  js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";\r\n  fjs.parentNode.insertBefore(js, fjs);\r\n}(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-36','','','2013-07-26 13:51:18','2013-07-26 13:51:18','',11,'http://catalog.org.uk/11-revision-36/',0,'revision','',0),(571,2,'2013-02-06 10:46:12','2013-02-06 10:46:12','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort. /// </em><span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<a style=\"font-size: 13px; line-height: 19px;\" href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_81637\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-40','','','2013-02-06 10:46:12','2013-02-06 10:46:12','',257,'http://catalog.org.uk/257-revision-40/',0,'revision','',0),(573,2,'2013-08-15 13:46:12','2013-08-15 13:46:12','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-77','','','2013-08-15 13:46:12','2013-08-15 13:46:12','',5,'http://catalog.org.uk/5-revision-77/',0,'revision','',0),(576,2,'2013-08-15 13:50:17','2013-08-15 13:50:17','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-80','','','2013-08-15 13:50:17','2013-08-15 13:50:17','',5,'http://catalog.org.uk/5-revision-80/',0,'revision','',0),(575,2,'2013-08-15 13:49:03','2013-08-15 13:49:03','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-79','','','2013-08-15 13:49:03','2013-08-15 13:49:03','',5,'http://catalog.org.uk/5-revision-79/',0,'revision','',0),(577,2,'2013-08-15 13:51:00','2013-08-15 13:51:00','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-81','','','2013-08-15 13:51:00','2013-08-15 13:51:00','',5,'http://catalog.org.uk/5-revision-81/',0,'revision','',0),(581,2,'2013-08-15 13:58:14','2013-08-15 13:58:14','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-85','','','2013-08-15 13:58:14','2013-08-15 13:58:14','',5,'http://catalog.org.uk/5-revision-85/',0,'revision','',0),(579,2,'2013-08-15 13:53:15','2013-08-15 13:53:15','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-83','','','2013-08-15 13:53:15','2013-08-15 13:53:15','',5,'http://catalog.org.uk/5-revision-83/',0,'revision','',0),(584,2,'2013-08-15 11:40:02','2013-08-15 11:40:02','<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-7','','','2013-08-15 11:40:02','2013-08-15 11:40:02','',524,'http://catalog.org.uk/524-revision-7/',0,'revision','',0),(580,2,'2013-08-15 13:55:17','2013-08-15 13:55:17','[caption id=\"attachment_250\" align=\"alignnone\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\" THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img class=\"alignleft size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-84','','','2013-08-15 13:55:17','2013-08-15 13:55:17','',5,'http://catalog.org.uk/5-revision-84/',0,'revision','',0),(582,2,'2013-08-15 13:59:12','2013-08-15 13:59:12','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignleft\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-86','','','2013-08-15 13:59:12','2013-08-15 13:59:12','',5,'http://catalog.org.uk/5-revision-86/',0,'revision','',0),(583,2,'2013-08-15 13:59:31','2013-08-15 13:59:31','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-87','','','2013-08-15 13:59:31','2013-08-15 13:59:31','',5,'http://catalog.org.uk/5-revision-87/',0,'revision','',0),(587,2,'2013-08-15 14:10:12','2013-08-15 14:10:12','','THE PRESS PHOTOGRAPH IS A MESSAGE _ 2','','inherit','closed','closed','','catalog_thepressphotograph_2013_v3_cropwide','','','2013-08-15 14:10:12','2013-08-15 14:10:12','',524,'http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg',0,'attachment','image/jpeg',0),(586,2,'2013-08-15 14:02:55','2013-08-15 14:02:55','<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"1000\" height=\"500\" class=\"alignleft size-full wp-image-533\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-8','','','2013-08-15 14:02:55','2013-08-15 14:02:55','',524,'http://catalog.org.uk/524-revision-8/',0,'revision','',0),(588,2,'2013-08-15 14:05:39','2013-08-15 14:05:39','<img src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_crop2.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE_2\" width=\"300\" height=\"100\" class=\"alignleft size-full wp-image-585\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-9','','','2013-08-15 14:05:39','2013-08-15 14:05:39','',524,'http://catalog.org.uk/524-revision-9/',0,'revision','',0),(589,2,'2013-08-15 14:15:28','2013-08-15 14:15:28','<img src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" width=\"290\" height=\"163\" class=\"alignleft size-full wp-image-587\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Image: The dot matrix of an inkjet print. (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal\r\n</em><span style=\"font-size: 13px; line-height: 19px;\">, January 1999 Issue 30</span>\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-10','','','2013-08-15 14:15:28','2013-08-15 14:15:28','',524,'http://catalog.org.uk/524-revision-10/',0,'revision','',0),(590,2,'2013-08-15 14:16:17','2013-08-15 14:16:17','<img src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" width=\"1000\" height=\"538\" class=\"alignleft size-full wp-image-587\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Image: The dot matrix of an inkjet print. (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria & Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal\r\n</em><span style=\"font-size: 13px; line-height: 19px;\">, January 1999 Issue 30</span>\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-11','','','2013-08-15 14:16:17','2013-08-15 14:16:17','',524,'http://catalog.org.uk/524-revision-11/',0,'revision','',0),(591,2,'2013-08-15 14:19:00','2013-08-15 14:19:00','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images: </span><span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">January 1999, Issue 30 </span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-12','','','2013-08-15 14:19:00','2013-08-15 14:19:00','',524,'http://catalog.org.uk/524-revision-12/',0,'revision','',0),(640,2,'2014-01-10 16:44:47','2014-01-10 16:44:47','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets were pasted onto panels on the gallery walls as they accumulated over the day. The newspapers were reviewed by CATALOG, and a selection of key stories were identified and annotated throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> was as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images:</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Above: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999 </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Below: 16th century Printing Press, engraving from 1908</span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-21','','','2014-01-10 16:44:47','2014-01-10 16:44:47','',524,'http://catalog.org.uk/524-revision-21/',0,'revision','',0),(639,2,'2013-08-28 19:45:44','2013-08-28 19:45:44','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images:</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Above: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999 </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Below: 16th century Printing Press, engraving from 1908</span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-20','','','2013-08-28 19:45:44','2013-08-28 19:45:44','',524,'http://catalog.org.uk/524-revision-20/',0,'revision','',0),(592,2,'2013-08-15 14:19:14','2013-08-15 14:19:14','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images: </span><span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">January 1999, Issue 30 </span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-13','','','2013-08-15 14:19:14','2013-08-15 14:19:14','',524,'http://catalog.org.uk/524-revision-13/',0,'revision','',0),(641,2,'2013-08-15 12:50:45','2013-08-15 12:50:45','<img class=\"alignleft size-full wp-image-457\" title=\"CATALOG_ResonanceFMDec2012\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_ResonanceFMDec2012.jpg\" alt=\"\" width=\"1000\" height=\"744\" />\r\n\r\n<img class=\"alignleft size-full wp-image-326\" title=\"Tate Tanks\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/Tate-Tanks.jpg\" alt=\"\" width=\"1000\" height=\"1337\" />\r\n\r\n<img class=\"alignleft size-full wp-image-301\" title=\"DittoDitto_documentation3\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/DittoDitto_documentation3.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n\r\n<img class=\"alignleft size-full wp-image-284\" title=\"DittoDittoLibrary2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary2_72dpi.jpg\" alt=\"\" width=\"1000\" height=\"1001\" />\r\n\r\n<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\r\n\r\n<img class=\"alignleft size-full wp-image-372\" title=\"IMG_1685\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/IMG_1685.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n\r\n<img class=\"alignleft size-full wp-image-65\" title=\"CATALOG_branch-meeting\" src=\"http://catalog.org.uk/wp-content/uploads/2011/07/branch-meeting.jpg\" alt=\"\" width=\"1000\" height=\"707\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-67','','','2013-08-15 12:50:45','2013-08-15 12:50:45','',7,'http://catalog.org.uk/7-revision-67/',0,'revision','',0),(593,2,'2013-08-15 14:25:41','2013-08-15 14:25:41','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images:</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999, </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">16th century Printing Press, engraving from 1908</span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-14','','','2013-08-15 14:25:41','2013-08-15 14:25:41','',524,'http://catalog.org.uk/524-revision-14/',0,'revision','',0),(594,2,'2013-07-31 11:18:48','2013-07-31 11:18:48','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em> \r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-53','','','2013-07-31 11:18:48','2013-07-31 11:18:48','',245,'http://catalog.org.uk/245-revision-53/',0,'revision','',0),(595,2,'2013-08-15 14:28:33','2013-08-15 14:28:33','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em> \r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-54','','','2013-08-15 14:28:33','2013-08-15 14:28:33','',245,'http://catalog.org.uk/245-revision-54/',0,'revision','',0),(596,2,'2013-08-15 12:18:07','2013-08-15 12:18:07','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-24','','','2013-08-15 12:18:07','2013-08-15 12:18:07','',2,'http://catalog.org.uk/2-revision-24/',0,'revision','',0),(597,2,'2013-08-15 14:40:50','2013-08-15 14:40:50','','CATALOG_crop','','inherit','closed','closed','','catalog_crop','','','2013-08-15 14:40:50','2013-08-15 14:40:50','',2,'http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg',0,'attachment','image/jpeg',0),(598,2,'2013-08-15 14:37:28','2013-08-15 14:37:28','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-25','','','2013-08-15 14:37:28','2013-08-15 14:37:28','',2,'http://catalog.org.uk/2-revision-25/',0,'revision','',0),(599,2,'2013-08-15 14:01:09','2013-08-15 14:01:09','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A Ditto, Ditto Library\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-88','','','2013-08-15 14:01:09','2013-08-15 14:01:09','',5,'http://catalog.org.uk/5-revision-88/',0,'revision','',0),(600,2,'2013-08-15 14:41:18','2013-08-15 14:41:18','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" title=\"CATALOG_crop\" width=\"1000\" height=\"1200\" class=\"alignleft size-full wp-image-597\" />\r\n&nbsp;\r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-26','','','2013-08-15 14:41:18','2013-08-15 14:41:18','',2,'http://catalog.org.uk/2-revision-26/',0,'revision','',0),(601,2,'2013-08-15 14:50:30','2013-08-15 14:50:30','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" title=\"INSERT BLANK CATALOG\" width=\"1000\" height=\"1200\" class=\"alignleft size-full wp-image-597\" />\r\n&nbsp;\r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-27','','','2013-08-15 14:50:30','2013-08-15 14:50:30','',2,'http://catalog.org.uk/2-revision-27/',0,'revision','',0),(602,2,'2013-08-15 14:26:07','2013-08-15 14:26:07','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images:</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999, </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">16th century Printing Press, engraving from 1908</span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-15','','','2013-08-15 14:26:07','2013-08-15 14:26:07','',524,'http://catalog.org.uk/524-revision-15/',0,'revision','',0),(603,2,'2013-08-15 14:49:24','2013-08-15 14:49:24','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=524-2/\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-89','','','2013-08-15 14:49:24','2013-08-15 14:49:24','',5,'http://catalog.org.uk/5-revision-89/',0,'revision','',0),(604,2,'2013-08-19 12:57:38','2013-08-19 12:57:38','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=thepressphotograph\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-90','','','2013-08-19 12:57:38','2013-08-19 12:57:38','',5,'http://catalog.org.uk/5-revision-90/',0,'revision','',0),(605,2,'2013-08-19 12:57:01','2013-08-19 12:57:01','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images:</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999, </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">16th century Printing Press, engraving from 1908</span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-16','','','2013-08-19 12:57:01','2013-08-19 12:57:01','',524,'http://catalog.org.uk/524-revision-16/',0,'revision','',0),(606,2,'2013-08-19 12:58:45','2013-08-19 12:58:45','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images:</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999, </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">16th century Printing Press, engraving from 1908</span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-17','','','2013-08-19 12:58:45','2013-08-19 12:58:45','',524,'http://catalog.org.uk/524-revision-17/',0,'revision','',0),(607,2,'2013-08-19 12:58:23','2013-08-19 12:58:23','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=the-press-photograph-is-a-message\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-91','','','2013-08-19 12:58:23','2013-08-19 12:58:23','',5,'http://catalog.org.uk/5-revision-91/',0,'revision','',0),(608,2,'2013-08-19 12:59:34','2013-08-19 12:59:34','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/?page_id=the-press-photograph-is-a-message\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-92','','','2013-08-19 12:59:34','2013-08-19 12:59:34','',5,'http://catalog.org.uk/5-revision-92/',0,'revision','',0),(609,2,'2013-08-19 13:00:53','2013-08-19 13:00:53','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/the-press-photograph-is-a-message\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-93','','','2013-08-19 13:00:53','2013-08-19 13:00:53','',5,'http://catalog.org.uk/5-revision-93/',0,'revision','',0),(610,2,'2013-08-19 12:59:06','2013-08-19 12:59:06','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images:</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999, </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">16th century Printing Press, engraving from 1908</span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-18','','','2013-08-19 12:59:06','2013-08-19 12:59:06','',524,'http://catalog.org.uk/524-revision-18/',0,'revision','',0),(617,2,'2013-10-02 06:52:34','2013-10-02 06:52:34','','channel1-15','','inherit','closed','closed','','channel1-15','','','2013-10-02 06:52:34','2013-10-02 06:52:34','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg',0,'attachment','image/jpeg',0),(611,2,'2013-08-15 14:33:29','2013-08-15 14:33:29','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via email subscription and twitter. The images are sent as call-and-echo between CATALOG, as channel 1 and channel 2. Please visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-55','','','2013-08-15 14:33:29','2013-08-15 14:33:29','',245,'http://catalog.org.uk/245-revision-55/',0,'revision','',0),(612,2,'2013-08-26 14:30:08','2013-08-26 14:30:08','','channel2-14','','inherit','closed','closed','','channel2-14','','','2013-08-26 14:30:08','2013-08-26 14:30:08','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg',0,'attachment','image/jpeg',0),(613,2,'2013-08-26 14:30:38','2013-08-26 14:30:38','','channel1-14','','inherit','closed','closed','','channel1-14','','','2013-08-26 14:30:38','2013-08-26 14:30:38','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg',0,'attachment','image/jpeg',0),(614,2,'2013-08-20 21:06:08','2013-08-20 21:06:08','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-56','','','2013-08-20 21:06:08','2013-08-20 21:06:08','',245,'http://catalog.org.uk/245-revision-56/',0,'revision','',0),(615,2,'2013-08-26 14:33:05','2013-08-26 14:33:05','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" title=\"channel2-14\" width=\"1000\" height=\"1438\" class=\"alignleft size-full wp-image-612\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" title=\"channel1-14\" width=\"1000\" height=\"563\" class=\"alignleft size-full wp-image-613\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-57','','','2013-08-26 14:33:05','2013-08-26 14:33:05','',245,'http://catalog.org.uk/245-revision-57/',0,'revision','',0),(616,3,'2013-08-19 13:03:01','2013-08-19 13:03:01','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2012 - 2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> is a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop draws on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invite participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets will be pasted onto panels on the gallery walls as they accumulate over the day. The newspapers have been reviewed by CATALOG, and a selection of key stories will be identified and annotated throughout the process. <em>The press photograph is a message</em> highlights the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirror the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> will be run as an open workshop between 11am - 3pm, in the National Concert Hall, Earlsfort Terrace. No booking required.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images:</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Above: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999 </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Below: 16th century Printing Press, engraving from 1908</span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-19','','','2013-08-19 13:03:01','2013-08-19 13:03:01','',524,'http://catalog.org.uk/524-revision-19/',0,'revision','',0),(618,2,'2013-10-02 06:53:59','2013-10-02 06:53:59','','channel2-15','','inherit','closed','closed','','channel2-15','','','2013-10-02 06:53:59','2013-10-02 06:53:59','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg',0,'attachment','image/jpeg',0),(665,2,'2014-02-06 12:44:23','2014-02-06 12:44:23','<strong> We interrupt this transmission (2012 - 2013) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"1000\" height=\"565\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard \r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach. </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" title=\"Broadcast18\" width=\"1000\" height=\"377\" class=\"alignnone size-full wp-image-646\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" title=\"Broadcast17\" width=\"1000\" height=\"477\" class=\"alignnone size-full wp-image-647\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast16.png\" alt=\"\" title=\"Broadcast16\" width=\"1000\" height=\"416\" class=\"alignnone size-full wp-image-648\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" title=\"Broadcast15\" width=\"1000\" height=\"311\" class=\"alignnone size-full wp-image-649\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" title=\"Broadcast14\" width=\"1000\" height=\"572\" class=\"alignnone size-full wp-image-650\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" title=\"broadcast13\" width=\"1000\" height=\"321\" class=\"alignnone size-full wp-image-651\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast12.png\" alt=\"\" title=\"Broadcast12\" width=\"1000\" height=\"540\" class=\"alignnone size-full wp-image-652\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" title=\"Broadcast11\" width=\"1000\" height=\"381\" class=\"alignnone size-full wp-image-653\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" title=\"Broadcast10\" width=\"1000\" height=\"334\" class=\"alignnone size-full wp-image-654\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast9.png\" alt=\"\" title=\"Broadcast9\" width=\"1000\" height=\"371\" class=\"alignnone size-full wp-image-655\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast8.png\" alt=\"\" title=\"Broadcast8\" width=\"1000\" height=\"553\" class=\"alignnone size-full wp-image-656\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" title=\"Broadcast7\" width=\"1000\" height=\"495\" class=\"alignnone size-full wp-image-657\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast6.png\" alt=\"\" title=\"Broadcast6\" width=\"1000\" height=\"549\" class=\"alignnone size-full wp-image-658\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast5.png\" alt=\"\" title=\"Broadcast5\" width=\"1000\" height=\"643\" class=\"alignnone size-full wp-image-659\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast4.png\" alt=\"\" title=\"Broadcast4\" width=\"1000\" height=\"630\" class=\"alignnone size-full wp-image-660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast2.png\" alt=\"\" title=\"Broadcast2\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-661\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast1.png\" alt=\"\" title=\"Broadcast1\" width=\"897\" height=\"331\" class=\"alignnone size-full wp-image-662\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-72','','','2014-02-06 12:44:23','2014-02-06 12:44:23','',245,'http://catalog.org.uk/245-revision-72/',0,'revision','',0),(619,2,'2013-08-26 14:34:03','2013-08-26 14:34:03','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" title=\"channel2-14\" width=\"1000\" height=\"1438\" class=\"alignleft size-full wp-image-612\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" title=\"channel1-14\" width=\"1000\" height=\"563\" class=\"alignleft size-full wp-image-613\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-58','','','2013-08-26 14:34:03','2013-08-26 14:34:03','',245,'http://catalog.org.uk/245-revision-58/',0,'revision','',0),(666,3,'2013-08-15 13:34:24','2013-08-15 13:34:24','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<a style=\"font-size: 13px; line-height: 19px;\" href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-41','','','2013-08-15 13:34:24','2013-08-15 13:34:24','',257,'http://catalog.org.uk/257-revision-41/',0,'revision','',0),(620,2,'2013-10-02 06:56:50','2013-10-02 06:56:50','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" title=\"channel1-15\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-617\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" title=\"channel2-15\" width=\"1000\" height=\"638\" class=\"alignnone size-full wp-image-618\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" title=\"channel2-14\" width=\"1000\" height=\"1438\" class=\"alignleft size-full wp-image-612\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" title=\"channel1-14\" width=\"1000\" height=\"563\" class=\"alignleft size-full wp-image-613\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-59','','','2013-10-02 06:56:50','2013-10-02 06:56:50','',245,'http://catalog.org.uk/245-revision-59/',0,'revision','',0),(621,2,'2013-10-02 06:57:40','2013-10-02 06:57:40','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" title=\"channel1-15\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-617\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" title=\"channel2-15\" width=\"1000\" height=\"638\" class=\"alignnone size-full wp-image-618\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" title=\"channel2-14\" width=\"1000\" height=\"1438\" class=\"alignleft size-full wp-image-612\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" title=\"channel1-14\" width=\"1000\" height=\"563\" class=\"alignleft size-full wp-image-613\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-60','','','2013-10-02 06:57:40','2013-10-02 06:57:40','',245,'http://catalog.org.uk/245-revision-60/',0,'revision','',0),(622,2,'2013-11-23 15:58:40','2013-11-23 15:58:40','','channel2-16','','inherit','closed','closed','','channel2-16','','','2013-11-23 15:58:40','2013-11-23 15:58:40','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg',0,'attachment','image/jpeg',0),(623,2,'2013-11-23 15:59:16','2013-11-23 15:59:16','','channel1-16','','inherit','closed','closed','','channel1-16','','','2013-11-23 15:59:16','2013-11-23 15:59:16','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg',0,'attachment','image/jpeg',0),(661,2,'2014-02-06 12:42:44','2014-02-06 12:42:44','','Broadcast2','','inherit','closed','closed','','broadcast2','','','2014-02-06 12:42:44','2014-02-06 12:42:44','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast2.png',0,'attachment','image/png',0),(662,2,'2014-02-06 12:43:45','2014-02-06 12:43:45','','Broadcast1','','inherit','closed','closed','','broadcast1','','','2014-02-06 12:43:45','2014-02-06 12:43:45','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast1.png',0,'attachment','image/png',0),(624,2,'2013-10-02 06:58:52','2013-10-02 06:58:52','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" title=\"channel1-15\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-617\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" title=\"channel2-15\" width=\"1000\" height=\"638\" class=\"alignnone size-full wp-image-618\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" title=\"channel2-14\" width=\"1000\" height=\"1438\" class=\"alignleft size-full wp-image-612\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" title=\"channel1-14\" width=\"1000\" height=\"563\" class=\"alignleft size-full wp-image-613\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-61','','','2013-10-02 06:58:52','2013-10-02 06:58:52','',245,'http://catalog.org.uk/245-revision-61/',0,'revision','',0),(625,2,'2013-11-23 16:02:57','2013-11-23 16:02:57','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" title=\"channel2-16\" width=\"1000\" height=\"989\" class=\"alignnone size-full wp-image-622\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" title=\"channel1-16\" width=\"1000\" height=\"561\" class=\"alignnone size-full wp-image-623\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" title=\"channel1-15\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-617\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" title=\"channel2-15\" width=\"1000\" height=\"638\" class=\"alignnone size-full wp-image-618\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" title=\"channel2-14\" width=\"1000\" height=\"1438\" class=\"alignleft size-full wp-image-612\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" title=\"channel1-14\" width=\"1000\" height=\"563\" class=\"alignleft size-full wp-image-613\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-62','','','2013-11-23 16:02:57','2013-11-23 16:02:57','',245,'http://catalog.org.uk/245-revision-62/',0,'revision','',0),(628,3,'2013-11-26 21:25:08','2013-11-26 21:25:08','','channel2-17 (1)','','inherit','closed','closed','','channel2-17-1','','','2013-11-26 21:25:08','2013-11-26 21:25:08','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-1.jpeg',0,'attachment','image/jpeg',0),(629,3,'2013-11-26 21:32:57','2013-11-26 21:32:57','','channel1-17web','','inherit','closed','closed','','channel1-17web','','','2013-11-26 21:32:57','2013-11-26 21:32:57','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg',0,'attachment','image/jpeg',0),(657,2,'2014-02-06 12:37:23','2014-02-06 12:37:23','','Broadcast7','','inherit','closed','closed','','broadcast7','','','2014-02-06 12:37:23','2014-02-06 12:37:23','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png',0,'attachment','image/png',0),(660,2,'2014-02-06 12:41:36','2014-02-06 12:41:36','','Broadcast4','','inherit','closed','closed','','broadcast4','','','2014-02-06 12:41:36','2014-02-06 12:41:36','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast4.png',0,'attachment','image/png',0),(658,2,'2014-02-06 12:38:36','2014-02-06 12:38:36','','Broadcast6','','inherit','closed','closed','','broadcast6','','','2014-02-06 12:38:36','2014-02-06 12:38:36','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast6.png',0,'attachment','image/png',0),(656,2,'2014-02-06 12:35:11','2014-02-06 12:35:11','','Broadcast8','','inherit','closed','closed','','broadcast8','','','2014-02-06 12:35:11','2014-02-06 12:35:11','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast8.png',0,'attachment','image/png',0),(630,3,'2013-11-26 21:39:02','2013-11-26 21:39:02','','channel2-17 (web)','','inherit','closed','closed','','channel2-17-web','','','2013-11-26 21:39:02','2013-11-26 21:39:02','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg',0,'attachment','image/jpeg',0),(655,2,'2014-02-06 12:33:32','2014-02-06 12:33:32','','Broadcast9','','inherit','closed','closed','','broadcast9','','','2014-02-06 12:33:32','2014-02-06 12:33:32','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast9.png',0,'attachment','image/png',0),(633,2,'2013-11-26 21:55:31','2013-11-26 21:55:31','<strong>\r\nWe interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\"><img class=\"alignleft size-full wp-image-629\" title=\"channel1-17web\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\" alt=\"\" width=\"1000\" height=\"782\" /></a>\r\n<em><a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\"><img class=\"alignleft size-full wp-image-630\" title=\"channel2-17 (web)\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\" alt=\"\" width=\"1000\" height=\"1007\" /></a></em>\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, Little Red Riding Hood, c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne.\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', Wild Brother: Strangest of True Stories from the North Woods, The Atlantic Monthly Press, Boston, 1921. p18. </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-622\" title=\"channel2-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" width=\"1000\" height=\"989\" />\r\n<img class=\"alignnone size-full wp-image-623\" title=\"channel1-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" width=\"1000\" height=\"561\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-617\" title=\"channel1-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" width=\"1000\" height=\"444\" />\r\n<img class=\"alignnone size-full wp-image-618\" title=\"channel2-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" width=\"1000\" height=\"638\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignleft size-full wp-image-612\" title=\"channel2-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" width=\"1000\" height=\"1438\" />\r\n<img class=\"alignleft size-full wp-image-613\" title=\"channel1-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" width=\"1000\" height=\"563\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignleft size-full wp-image-511\" title=\"channel1-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n<img class=\"alignleft size-full wp-image-512\" title=\"channel2-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" width=\"1000\" height=\"242\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignleft size-full wp-image-509\" title=\"channel2-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" width=\"1000\" height=\"1340\" />\r\n<img class=\"alignleft size-full wp-image-510\" title=\"channel1-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" width=\"1000\" height=\"661\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignleft size-full wp-image-490\" title=\"channel1-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" width=\"1000\" height=\"516\" />\r\n<img class=\"alignleft size-full wp-image-491\" title=\"channel2-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" width=\"1000\" height=\"834\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignleft size-full wp-image-487\" title=\"channel2-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" width=\"1000\" height=\"733\" />\r\n<img class=\"alignleft size-full wp-image-488\" title=\"channel1-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" width=\"1000\" height=\"624\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignleft size-full wp-image-483\" title=\"channel1-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<img class=\"alignleft size-full wp-image-484\" title=\"channel2-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" width=\"1000\" height=\"783\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignleft size-full wp-image-479\" title=\"channel2-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" width=\"1000\" height=\"1416\" />\r\n<img class=\"alignleft size-full wp-image-480\" title=\"channel1-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" width=\"1000\" height=\"546\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignleft size-full wp-image-474\" title=\"channel1-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" width=\"1000\" height=\"672\" />\r\n<img class=\"alignleft size-full wp-image-475\" title=\"channel2-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" width=\"1000\" height=\"1058\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-64','','','2013-11-26 21:55:31','2013-11-26 21:55:31','',245,'http://catalog.org.uk/245-revision-64/',0,'revision','',0),(631,3,'2013-11-23 16:03:57','2013-11-23 16:03:57','<strong>We interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" title=\"channel2-16\" width=\"1000\" height=\"989\" class=\"alignnone size-full wp-image-622\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" title=\"channel1-16\" width=\"1000\" height=\"561\" class=\"alignnone size-full wp-image-623\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 >>> Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" title=\"channel1-15\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-617\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" title=\"channel2-15\" width=\"1000\" height=\"638\" class=\"alignnone size-full wp-image-618\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 >>> Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" title=\"channel2-14\" width=\"1000\" height=\"1438\" class=\"alignleft size-full wp-image-612\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" title=\"channel1-14\" width=\"1000\" height=\"563\" class=\"alignleft size-full wp-image-613\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 >>> Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" title=\"channel1-13\" width=\"1000\" height=\"747\" class=\"alignleft size-full wp-image-511\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" title=\"channel2-13\" width=\"1000\" height=\"242\" class=\"alignleft size-full wp-image-512\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 >>> Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" title=\"channel2-12\" width=\"1000\" height=\"1340\" class=\"alignleft size-full wp-image-509\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" title=\"channel1-12\" width=\"1000\" height=\"661\" class=\"alignleft size-full wp-image-510\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 >>> Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" title=\"channel1-11\" width=\"1000\" height=\"516\" class=\"alignleft size-full wp-image-490\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" title=\"channel2-11\" width=\"1000\" height=\"834\" class=\"alignleft size-full wp-image-491\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 >>> \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 >>> Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" title=\"channel2-10\" width=\"1000\" height=\"733\" class=\"alignleft size-full wp-image-487\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" title=\"channel1-10\" width=\"1000\" height=\"624\" class=\"alignleft size-full wp-image-488\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 >>> Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" title=\"channel1-9\" width=\"1000\" height=\"745\" class=\"alignleft size-full wp-image-483\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" title=\"channel2-9\" width=\"1000\" height=\"783\" class=\"alignleft size-full wp-image-484\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 >>>  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" title=\"channel2-8\" width=\"1000\" height=\"1416\" class=\"alignleft size-full wp-image-479\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" title=\"channel1-8\" width=\"1000\" height=\"546\" class=\"alignleft size-full wp-image-480\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 >>> Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 >>> Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em> \r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" title=\"channel1-7\" width=\"1000\" height=\"672\" class=\"alignleft size-full wp-image-474\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" title=\"channel2-7\" width=\"1000\" height=\"1058\" class=\"alignleft size-full wp-image-475\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 >>> NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 >>> \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>','','','inherit','closed','closed','','245-revision-63','','','2013-11-23 16:03:57','2013-11-23 16:03:57','',245,'http://catalog.org.uk/245-revision-63/',0,'revision','',0),(659,2,'2014-02-06 12:40:23','2014-02-06 12:40:23','','Broadcast5','','inherit','closed','closed','','broadcast5','','','2014-02-06 12:40:23','2014-02-06 12:40:23','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast5.png',0,'attachment','image/png',0),(634,2,'2014-01-10 16:34:30','2014-01-10 16:34:30','','channel2-18','','inherit','closed','closed','','channel2-18','','','2014-01-10 16:34:30','2014-01-10 16:34:30','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel2-18.jpg',0,'attachment','image/jpeg',0),(635,2,'2014-01-10 16:34:59','2014-01-10 16:34:59','','channel1-18','','inherit','closed','closed','','channel1-18','','','2014-01-10 16:34:59','2014-01-10 16:34:59','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/channel1-18.jpg',0,'attachment','image/jpeg',0),(636,2,'2014-01-10 16:29:49','2014-01-10 16:29:49','<strong>\r\nWe interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignleft size-full wp-image-629\" title=\"channel1-17web\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\" alt=\"\" width=\"1000\" height=\"782\" />\r\n<img class=\"alignleft size-full wp-image-630\" title=\"channel2-17 (web)\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\" alt=\"\" width=\"1000\" height=\"1007\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, Little Red Riding Hood, c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne.\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', Wild Brother: Strangest of True Stories from the North Woods, The Atlantic Monthly Press, Boston, 1921. p18. </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-622\" title=\"channel2-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" width=\"1000\" height=\"989\" />\r\n<img class=\"alignnone size-full wp-image-623\" title=\"channel1-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" width=\"1000\" height=\"561\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-617\" title=\"channel1-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" width=\"1000\" height=\"444\" />\r\n<img class=\"alignnone size-full wp-image-618\" title=\"channel2-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" width=\"1000\" height=\"638\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignleft size-full wp-image-612\" title=\"channel2-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" width=\"1000\" height=\"1438\" />\r\n<img class=\"alignleft size-full wp-image-613\" title=\"channel1-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" width=\"1000\" height=\"563\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignleft size-full wp-image-511\" title=\"channel1-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n<img class=\"alignleft size-full wp-image-512\" title=\"channel2-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" width=\"1000\" height=\"242\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignleft size-full wp-image-509\" title=\"channel2-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" width=\"1000\" height=\"1340\" />\r\n<img class=\"alignleft size-full wp-image-510\" title=\"channel1-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" width=\"1000\" height=\"661\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignleft size-full wp-image-490\" title=\"channel1-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" width=\"1000\" height=\"516\" />\r\n<img class=\"alignleft size-full wp-image-491\" title=\"channel2-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" width=\"1000\" height=\"834\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignleft size-full wp-image-487\" title=\"channel2-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" width=\"1000\" height=\"733\" />\r\n<img class=\"alignleft size-full wp-image-488\" title=\"channel1-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" width=\"1000\" height=\"624\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignleft size-full wp-image-483\" title=\"channel1-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<img class=\"alignleft size-full wp-image-484\" title=\"channel2-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" width=\"1000\" height=\"783\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignleft size-full wp-image-479\" title=\"channel2-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" width=\"1000\" height=\"1416\" />\r\n<img class=\"alignleft size-full wp-image-480\" title=\"channel1-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" width=\"1000\" height=\"546\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignleft size-full wp-image-474\" title=\"channel1-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" width=\"1000\" height=\"672\" />\r\n<img class=\"alignleft size-full wp-image-475\" title=\"channel2-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" width=\"1000\" height=\"1058\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-65','','','2014-01-10 16:29:49','2014-01-10 16:29:49','',245,'http://catalog.org.uk/245-revision-65/',0,'revision','',0),(652,2,'2014-02-06 12:30:43','2014-02-06 12:30:43','','Broadcast12','','inherit','closed','closed','','broadcast12','','','2014-02-06 12:30:43','2014-02-06 12:30:43','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast12.png',0,'attachment','image/png',0),(653,2,'2014-02-06 12:31:24','2014-02-06 12:31:24','','Broadcast11','','inherit','closed','closed','','broadcast11','','','2014-02-06 12:31:24','2014-02-06 12:31:24','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png',0,'attachment','image/png',0),(637,2,'2014-01-10 16:35:40','2014-01-10 16:35:40','<strong>\r\nWe interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-18.jpg\" alt=\"\" title=\"channel2-18\" width=\"623\" height=\"480\" class=\"alignnone size-full wp-image-634\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-18.jpg\" alt=\"\" title=\"channel1-18\" width=\"720\" height=\"540\" class=\"alignnone size-full wp-image-635\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013.\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still. </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignleft size-full wp-image-629\" title=\"channel1-17web\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\" alt=\"\" width=\"1000\" height=\"782\" />\r\n<img class=\"alignleft size-full wp-image-630\" title=\"channel2-17 (web)\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\" alt=\"\" width=\"1000\" height=\"1007\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne.\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18. </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-622\" title=\"channel2-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" width=\"1000\" height=\"989\" />\r\n<img class=\"alignnone size-full wp-image-623\" title=\"channel1-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" width=\"1000\" height=\"561\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-617\" title=\"channel1-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" width=\"1000\" height=\"444\" />\r\n<img class=\"alignnone size-full wp-image-618\" title=\"channel2-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" width=\"1000\" height=\"638\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignleft size-full wp-image-612\" title=\"channel2-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" width=\"1000\" height=\"1438\" />\r\n<img class=\"alignleft size-full wp-image-613\" title=\"channel1-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" width=\"1000\" height=\"563\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignleft size-full wp-image-511\" title=\"channel1-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n<img class=\"alignleft size-full wp-image-512\" title=\"channel2-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" width=\"1000\" height=\"242\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignleft size-full wp-image-509\" title=\"channel2-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" width=\"1000\" height=\"1340\" />\r\n<img class=\"alignleft size-full wp-image-510\" title=\"channel1-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" width=\"1000\" height=\"661\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013.\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignleft size-full wp-image-490\" title=\"channel1-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" width=\"1000\" height=\"516\" />\r\n<img class=\"alignleft size-full wp-image-491\" title=\"channel2-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" width=\"1000\" height=\"834\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignleft size-full wp-image-487\" title=\"channel2-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" width=\"1000\" height=\"733\" />\r\n<img class=\"alignleft size-full wp-image-488\" title=\"channel1-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" width=\"1000\" height=\"624\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignleft size-full wp-image-483\" title=\"channel1-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<img class=\"alignleft size-full wp-image-484\" title=\"channel2-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" width=\"1000\" height=\"783\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignleft size-full wp-image-479\" title=\"channel2-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" width=\"1000\" height=\"1416\" />\r\n<img class=\"alignleft size-full wp-image-480\" title=\"channel1-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" width=\"1000\" height=\"546\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignleft size-full wp-image-474\" title=\"channel1-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" width=\"1000\" height=\"672\" />\r\n<img class=\"alignleft size-full wp-image-475\" title=\"channel2-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" width=\"1000\" height=\"1058\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-66','','','2014-01-10 16:35:40','2014-01-10 16:35:40','',245,'http://catalog.org.uk/245-revision-66/',0,'revision','',0),(638,2,'2014-01-10 16:41:25','2014-01-10 16:41:25','<strong>\r\nWe interrupt this transmission (2012 - 2013)\r\n</strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-634\" title=\"channel2-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-18.jpg\" alt=\"\" width=\"1000\" height=\"768\" />\r\n<img class=\"alignnone size-full wp-image-635\" title=\"channel1-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-18.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignleft size-full wp-image-629\" title=\"channel1-17web\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\" alt=\"\" width=\"1000\" height=\"782\" />\r\n<img class=\"alignleft size-full wp-image-630\" title=\"channel2-17 (web)\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\" alt=\"\" width=\"1000\" height=\"1007\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-622\" title=\"channel2-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" width=\"1000\" height=\"989\" />\r\n<img class=\"alignnone size-full wp-image-623\" title=\"channel1-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" width=\"1000\" height=\"561\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-617\" title=\"channel1-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" width=\"1000\" height=\"444\" />\r\n<img class=\"alignnone size-full wp-image-618\" title=\"channel2-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" width=\"1000\" height=\"638\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignleft size-full wp-image-612\" title=\"channel2-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" width=\"1000\" height=\"1438\" />\r\n<img class=\"alignleft size-full wp-image-613\" title=\"channel1-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" width=\"1000\" height=\"563\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignleft size-full wp-image-511\" title=\"channel1-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n<img class=\"alignleft size-full wp-image-512\" title=\"channel2-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" width=\"1000\" height=\"242\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignleft size-full wp-image-509\" title=\"channel2-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" width=\"1000\" height=\"1340\" />\r\n<img class=\"alignleft size-full wp-image-510\" title=\"channel1-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" width=\"1000\" height=\"661\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignleft size-full wp-image-490\" title=\"channel1-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" width=\"1000\" height=\"516\" />\r\n<img class=\"alignleft size-full wp-image-491\" title=\"channel2-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" width=\"1000\" height=\"834\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignleft size-full wp-image-487\" title=\"channel2-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" width=\"1000\" height=\"733\" />\r\n<img class=\"alignleft size-full wp-image-488\" title=\"channel1-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" width=\"1000\" height=\"624\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignleft size-full wp-image-483\" title=\"channel1-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<img class=\"alignleft size-full wp-image-484\" title=\"channel2-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" width=\"1000\" height=\"783\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignleft size-full wp-image-479\" title=\"channel2-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" width=\"1000\" height=\"1416\" />\r\n<img class=\"alignleft size-full wp-image-480\" title=\"channel1-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" width=\"1000\" height=\"546\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignleft size-full wp-image-474\" title=\"channel1-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" width=\"1000\" height=\"672\" />\r\n<img class=\"alignleft size-full wp-image-475\" title=\"channel2-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" width=\"1000\" height=\"1058\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-67','','','2014-01-10 16:41:25','2014-01-10 16:41:25','',245,'http://catalog.org.uk/245-revision-67/',0,'revision','',0),(651,2,'2014-02-06 12:29:04','2014-02-06 12:29:04','','broadcast13','','inherit','closed','closed','','broadcast13','','','2014-02-06 12:29:04','2014-02-06 12:29:04','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png',0,'attachment','image/png',0),(654,2,'2014-02-06 12:32:30','2014-02-06 12:32:30','','Broadcast10','','inherit','closed','closed','','broadcast10','','','2014-02-06 12:32:30','2014-02-06 12:32:30','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png',0,'attachment','image/png',0),(647,2,'2014-02-06 12:23:51','2014-02-06 12:23:51','','Broadcast17','','inherit','closed','closed','','broadcast17','','','2014-02-06 12:23:51','2014-02-06 12:23:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png',0,'attachment','image/png',0),(645,2,'2014-02-06 12:19:09','2014-02-06 12:19:09','<strong> We interrupt this transmission (2012 - 2013) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"900\" height=\"509\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 11px; line-height: 19px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard \r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach. </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-634\" title=\"channel2-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-18.jpg\" alt=\"\" width=\"1000\" height=\"768\" />\r\n<img class=\"alignnone size-full wp-image-635\" title=\"channel1-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-18.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignleft size-full wp-image-629\" title=\"channel1-17web\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\" alt=\"\" width=\"1000\" height=\"782\" />\r\n<img class=\"alignleft size-full wp-image-630\" title=\"channel2-17 (web)\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\" alt=\"\" width=\"1000\" height=\"1007\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-622\" title=\"channel2-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" width=\"1000\" height=\"989\" />\r\n<img class=\"alignnone size-full wp-image-623\" title=\"channel1-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" width=\"1000\" height=\"561\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-617\" title=\"channel1-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" width=\"1000\" height=\"444\" />\r\n<img class=\"alignnone size-full wp-image-618\" title=\"channel2-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" width=\"1000\" height=\"638\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignleft size-full wp-image-612\" title=\"channel2-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" width=\"1000\" height=\"1438\" />\r\n<img class=\"alignleft size-full wp-image-613\" title=\"channel1-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" width=\"1000\" height=\"563\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignleft size-full wp-image-511\" title=\"channel1-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n<img class=\"alignleft size-full wp-image-512\" title=\"channel2-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" width=\"1000\" height=\"242\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignleft size-full wp-image-509\" title=\"channel2-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" width=\"1000\" height=\"1340\" />\r\n<img class=\"alignleft size-full wp-image-510\" title=\"channel1-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" width=\"1000\" height=\"661\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignleft size-full wp-image-490\" title=\"channel1-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" width=\"1000\" height=\"516\" />\r\n<img class=\"alignleft size-full wp-image-491\" title=\"channel2-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" width=\"1000\" height=\"834\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignleft size-full wp-image-487\" title=\"channel2-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" width=\"1000\" height=\"733\" />\r\n<img class=\"alignleft size-full wp-image-488\" title=\"channel1-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" width=\"1000\" height=\"624\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignleft size-full wp-image-483\" title=\"channel1-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<img class=\"alignleft size-full wp-image-484\" title=\"channel2-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" width=\"1000\" height=\"783\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignleft size-full wp-image-479\" title=\"channel2-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" width=\"1000\" height=\"1416\" />\r\n<img class=\"alignleft size-full wp-image-480\" title=\"channel1-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" width=\"1000\" height=\"546\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignleft size-full wp-image-474\" title=\"channel1-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" width=\"1000\" height=\"672\" />\r\n<img class=\"alignleft size-full wp-image-475\" title=\"channel2-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" width=\"1000\" height=\"1058\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-70','','','2014-02-06 12:19:09','2014-02-06 12:19:09','',245,'http://catalog.org.uk/245-revision-70/',0,'revision','',0),(644,2,'2014-02-06 12:16:25','2014-02-06 12:16:25','<strong> We interrupt this transmission (2012 - 2013) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"900\" height=\"509\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-634\" title=\"channel2-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-18.jpg\" alt=\"\" width=\"1000\" height=\"768\" />\r\n<img class=\"alignnone size-full wp-image-635\" title=\"channel1-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-18.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignleft size-full wp-image-629\" title=\"channel1-17web\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\" alt=\"\" width=\"1000\" height=\"782\" />\r\n<img class=\"alignleft size-full wp-image-630\" title=\"channel2-17 (web)\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\" alt=\"\" width=\"1000\" height=\"1007\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-622\" title=\"channel2-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" width=\"1000\" height=\"989\" />\r\n<img class=\"alignnone size-full wp-image-623\" title=\"channel1-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" width=\"1000\" height=\"561\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-617\" title=\"channel1-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" width=\"1000\" height=\"444\" />\r\n<img class=\"alignnone size-full wp-image-618\" title=\"channel2-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" width=\"1000\" height=\"638\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignleft size-full wp-image-612\" title=\"channel2-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" width=\"1000\" height=\"1438\" />\r\n<img class=\"alignleft size-full wp-image-613\" title=\"channel1-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" width=\"1000\" height=\"563\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignleft size-full wp-image-511\" title=\"channel1-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n<img class=\"alignleft size-full wp-image-512\" title=\"channel2-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" width=\"1000\" height=\"242\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignleft size-full wp-image-509\" title=\"channel2-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" width=\"1000\" height=\"1340\" />\r\n<img class=\"alignleft size-full wp-image-510\" title=\"channel1-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" width=\"1000\" height=\"661\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignleft size-full wp-image-490\" title=\"channel1-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" width=\"1000\" height=\"516\" />\r\n<img class=\"alignleft size-full wp-image-491\" title=\"channel2-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" width=\"1000\" height=\"834\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignleft size-full wp-image-487\" title=\"channel2-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" width=\"1000\" height=\"733\" />\r\n<img class=\"alignleft size-full wp-image-488\" title=\"channel1-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" width=\"1000\" height=\"624\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignleft size-full wp-image-483\" title=\"channel1-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<img class=\"alignleft size-full wp-image-484\" title=\"channel2-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" width=\"1000\" height=\"783\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignleft size-full wp-image-479\" title=\"channel2-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" width=\"1000\" height=\"1416\" />\r\n<img class=\"alignleft size-full wp-image-480\" title=\"channel1-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" width=\"1000\" height=\"546\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignleft size-full wp-image-474\" title=\"channel1-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" width=\"1000\" height=\"672\" />\r\n<img class=\"alignleft size-full wp-image-475\" title=\"channel2-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" width=\"1000\" height=\"1058\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-69','','','2014-02-06 12:16:25','2014-02-06 12:16:25','',245,'http://catalog.org.uk/245-revision-69/',0,'revision','',0),(646,2,'2014-02-06 12:21:51','2014-02-06 12:21:51','','Broadcast18','','inherit','closed','closed','','broadcast18','','','2014-02-06 12:21:51','2014-02-06 12:21:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png',0,'attachment','image/png',0),(648,2,'2014-02-06 12:25:00','2014-02-06 12:25:00','','Broadcast16','','inherit','closed','closed','','broadcast16','','','2014-02-06 12:25:00','2014-02-06 12:25:00','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast16.png',0,'attachment','image/png',0),(649,2,'2014-02-06 12:27:07','2014-02-06 12:27:07','','Broadcast15','','inherit','closed','closed','','broadcast15','','','2014-02-06 12:27:07','2014-02-06 12:27:07','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png',0,'attachment','image/png',0),(650,2,'2014-02-06 12:28:29','2014-02-06 12:28:29','','Broadcast14','','inherit','closed','closed','','broadcast14','','','2014-02-06 12:28:29','2014-02-06 12:28:29','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png',0,'attachment','image/png',0),(663,2,'2014-02-06 12:20:25','2014-02-06 12:20:25','<strong> We interrupt this transmission (2012 - 2013) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"1000\" height=\"565\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard \r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach. </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-634\" title=\"channel2-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-18.jpg\" alt=\"\" width=\"1000\" height=\"768\" />\r\n<img class=\"alignnone size-full wp-image-635\" title=\"channel1-18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-18.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917, www.en.wikipedia.org/wiki/cottingley_fairies accessed 18 December 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignleft size-full wp-image-629\" title=\"channel1-17web\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-17web.jpg\" alt=\"\" width=\"1000\" height=\"782\" />\r\n<img class=\"alignleft size-full wp-image-630\" title=\"channel2-17 (web)\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-17-web.jpg\" alt=\"\" width=\"1000\" height=\"1007\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas. Courtesy National Gallery of Victoria, Melbourne\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-622\" title=\"channel2-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-16.jpg\" alt=\"\" width=\"1000\" height=\"989\" />\r\n<img class=\"alignnone size-full wp-image-623\" title=\"channel1-16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-16.jpg\" alt=\"\" width=\"1000\" height=\"561\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, from \'Dan Graham Drawings 1965 - 1969\', facsimile edition published by Publication Studio Vancouver, 20 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-617\" title=\"channel1-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-15.jpg\" alt=\"\" width=\"1000\" height=\"444\" />\r\n<img class=\"alignnone size-full wp-image-618\" title=\"channel2-15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-15.jpg\" alt=\"\" width=\"1000\" height=\"638\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012. www.bbc.co.uk accessed 16 September 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down ninety metres above the ground, between three tower blocks in North Glasgow\'s Red Road. www.artangel.org.uk last accessed 23 September 2013 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignleft size-full wp-image-612\" title=\"channel2-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-14.jpg\" alt=\"\" width=\"1000\" height=\"1438\" />\r\n<img class=\"alignleft size-full wp-image-613\" title=\"channel1-14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-14.jpg\" alt=\"\" width=\"1000\" height=\"563\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph, www.LIFE.com last accessed 12 August 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignleft size-full wp-image-511\" title=\"channel1-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-13.jpg\" alt=\"\" width=\"1000\" height=\"747\" />\r\n<img class=\"alignleft size-full wp-image-512\" title=\"channel2-13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-13.jpg\" alt=\"\" width=\"1000\" height=\"242\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignleft size-full wp-image-509\" title=\"channel2-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-12.jpg\" alt=\"\" width=\"1000\" height=\"1340\" />\r\n<img class=\"alignleft size-full wp-image-510\" title=\"channel1-12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-12.jpg\" alt=\"\" width=\"1000\" height=\"661\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com accessed 28 June 2013\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignleft size-full wp-image-490\" title=\"channel1-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-11.jpeg\" alt=\"\" width=\"1000\" height=\"516\" />\r\n<img class=\"alignleft size-full wp-image-491\" title=\"channel2-11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-11.jpg\" alt=\"\" width=\"1000\" height=\"834\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, image © 2013 DigitalGlobe / Google earth\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print, NYC Municipal Archives\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignleft size-full wp-image-487\" title=\"channel2-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-10.jpg\" alt=\"\" width=\"1000\" height=\"733\" />\r\n<img class=\"alignleft size-full wp-image-488\" title=\"channel1-10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-10.png\" alt=\"\" width=\"1000\" height=\"624\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure © National Museum in Wrocław\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignleft size-full wp-image-483\" title=\"channel1-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-9.jpg\" alt=\"\" width=\"1000\" height=\"745\" />\r\n<img class=\"alignleft size-full wp-image-484\" title=\"channel2-9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-9.jpg\" alt=\"\" width=\"1000\" height=\"783\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929, from Nigel Vaux Halliday, \'More than a bookshop, Zwemmers and art in the 20th century\', Philip Wilson Publishers, London, 1991 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignleft size-full wp-image-479\" title=\"channel2-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-8.jpg\" alt=\"\" width=\"1000\" height=\"1416\" />\r\n<img class=\"alignleft size-full wp-image-480\" title=\"channel1-8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-8.jpg\" alt=\"\" width=\"1000\" height=\"546\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board. Collection: Royal Botanic Gardens, Kew\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still (YouTube)</em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignleft size-full wp-image-474\" title=\"channel1-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel1-7.jpg\" alt=\"\" width=\"1000\" height=\"672\" />\r\n<img class=\"alignleft size-full wp-image-475\" title=\"channel2-7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/channel2-7.jpg\" alt=\"\" width=\"1000\" height=\"1058\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignleft size-full wp-image-447\" title=\"Channel2-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-6.jpg\" alt=\"\" width=\"1000\" height=\"724\" /><img class=\"alignleft size-full wp-image-448\" title=\"Channel1-6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-6.jpg\" alt=\"\" width=\"1000\" height=\"1295\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still (YouTube) </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignleft size-full wp-image-431\" title=\"Channel1-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-5.jpg\" alt=\"\" width=\"770\" height=\"511\" />\r\n<img class=\"alignleft size-full wp-image-433\" title=\"Channel2-5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-5.jpg\" alt=\"\" width=\"703\" height=\"1000\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignleft size-full wp-image-432\" title=\"Channel2-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-4.jpg\" alt=\"\" width=\"1000\" height=\"1662\" />\r\n<img class=\"alignleft size-full wp-image-430\" title=\"Channel1-4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-4.jpg\" alt=\"\" width=\"1000\" height=\"567\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignleft size-full wp-image-361\" title=\"Channel2-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-2.jpg\" alt=\"\" width=\"1000\" height=\"124\" />\r\n<img class=\"alignleft size-full wp-image-360\" title=\"Channel1-2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-2.jpg\" alt=\"\" width=\"1033\" height=\"1036\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignleft size-full wp-image-314\" title=\"Channel1-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel1-1.jpg\" alt=\"\" width=\"1000\" height=\"678\" />\r\n<img class=\"alignleft size-full wp-image-315\" title=\"Channel2-1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Channel2-1.jpeg\" alt=\"\" width=\"1000\" height=\"693\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-71','','','2014-02-06 12:20:25','2014-02-06 12:20:25','',245,'http://catalog.org.uk/245-revision-71/',0,'revision','',0),(667,3,'2014-02-06 14:14:03','2014-02-06 14:14:03','','CATALOG_Thepressphotograph_IMMA2013_0013lowres','','inherit','closed','closed','','catalog_thepressphotograph_imma2013_0013lowres','','','2014-02-06 14:14:03','2014-02-06 14:14:03','',524,'http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg',0,'attachment','image/jpeg',0),(668,3,'2014-02-06 14:14:09','2014-02-06 14:14:09','','CATALOG_Thepressphotograph_IMMA2013_0029lowres','','inherit','closed','closed','','catalog_thepressphotograph_imma2013_0029lowres','','','2014-02-06 14:14:09','2014-02-06 14:14:09','',524,'http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg',0,'attachment','image/jpeg',0),(669,2,'2014-02-06 14:16:51','2014-02-06 14:16:51','','Broadcast16','','inherit','closed','closed','','broadcast16-2','','','2014-02-06 14:16:51','2014-02-06 14:16:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png',0,'attachment','image/png',0),(670,2,'2014-02-06 14:17:54','2014-02-06 14:17:54','','Broadcast12','','inherit','closed','closed','','broadcast12-2','','','2014-02-06 14:17:54','2014-02-06 14:17:54','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png',0,'attachment','image/png',0),(671,2,'2014-02-06 14:18:53','2014-02-06 14:18:53','','Broadcast9','','inherit','closed','closed','','broadcast9-2','','','2014-02-06 14:18:53','2014-02-06 14:18:53','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png',0,'attachment','image/png',0),(672,2,'2014-02-06 14:19:56','2014-02-06 14:19:56','','Broadcast8','','inherit','closed','closed','','broadcast8-2','','','2014-02-06 14:19:56','2014-02-06 14:19:56','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png',0,'attachment','image/png',0),(673,2,'2014-02-06 14:20:51','2014-02-06 14:20:51','','Broadcast6','','inherit','closed','closed','','broadcast6-2','','','2014-02-06 14:20:51','2014-02-06 14:20:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png',0,'attachment','image/png',0),(677,2,'2014-02-06 13:39:21','2014-02-06 13:39:21','<strong> We interrupt this transmission (2012 - 2013) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"1000\" height=\"565\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard \r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" title=\"Broadcast18\" width=\"1000\" height=\"377\" class=\"alignnone size-full wp-image-646\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" title=\"Broadcast17\" width=\"1000\" height=\"477\" class=\"alignnone size-full wp-image-647\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast16.png\" alt=\"\" title=\"Broadcast16\" width=\"1000\" height=\"416\" class=\"alignnone size-full wp-image-648\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" title=\"Broadcast15\" width=\"1000\" height=\"311\" class=\"alignnone size-full wp-image-649\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" title=\"Broadcast14\" width=\"1000\" height=\"572\" class=\"alignnone size-full wp-image-650\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" title=\"broadcast13\" width=\"1000\" height=\"321\" class=\"alignnone size-full wp-image-651\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast12.png\" alt=\"\" title=\"Broadcast12\" width=\"1000\" height=\"540\" class=\"alignnone size-full wp-image-652\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" title=\"Broadcast11\" width=\"1000\" height=\"381\" class=\"alignnone size-full wp-image-653\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" title=\"Broadcast10\" width=\"1000\" height=\"334\" class=\"alignnone size-full wp-image-654\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast9.png\" alt=\"\" title=\"Broadcast9\" width=\"1000\" height=\"371\" class=\"alignnone size-full wp-image-655\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast8.png\" alt=\"\" title=\"Broadcast8\" width=\"1000\" height=\"553\" class=\"alignnone size-full wp-image-656\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" title=\"Broadcast7\" width=\"1000\" height=\"495\" class=\"alignnone size-full wp-image-657\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast6.png\" alt=\"\" title=\"Broadcast6\" width=\"1000\" height=\"549\" class=\"alignnone size-full wp-image-658\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast5.png\" alt=\"\" title=\"Broadcast5\" width=\"1000\" height=\"643\" class=\"alignnone size-full wp-image-659\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast4.png\" alt=\"\" title=\"Broadcast4\" width=\"1000\" height=\"630\" class=\"alignnone size-full wp-image-660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignleft size-full wp-image-406\" title=\"CATALOG_broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_broadcast3.jpeg\" alt=\"\" width=\"1000\" height=\"1159\" />\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast2.png\" alt=\"\" title=\"Broadcast2\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-661\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast1.png\" alt=\"\" title=\"Broadcast1\" width=\"897\" height=\"331\" class=\"alignnone size-full wp-image-662\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-73','','','2014-02-06 13:39:21','2014-02-06 13:39:21','',245,'http://catalog.org.uk/245-revision-73/',0,'revision','',0),(674,2,'2014-02-06 14:22:09','2014-02-06 14:22:09','','Broadcast5','','inherit','closed','closed','','broadcast5-2','','','2014-02-06 14:22:09','2014-02-06 14:22:09','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png',0,'attachment','image/png',0),(675,2,'2014-02-06 14:23:25','2014-02-06 14:23:25','','Broadcast4','','inherit','closed','closed','','broadcast4-2','','','2014-02-06 14:23:25','2014-02-06 14:23:25','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png',0,'attachment','image/png',0),(676,2,'2014-02-06 14:30:07','2014-02-06 14:30:07','','Broadcast3','','inherit','closed','closed','','broadcast3','','','2014-02-06 14:30:07','2014-02-06 14:30:07','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast3.png',0,'attachment','image/png',0),(725,2,'2014-02-06 14:56:17','2014-02-06 14:56:17','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a> </em>19 April – 1 September 2013.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\"><img class=\"alignright size-full wp-image-668\" title=\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a> <a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\"><img class=\"alignleft size-full wp-image-667\" title=\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a>\r\n<span style=\"font-size: 13px; line-height: 19px;\">The press photograph is a message, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 </span>\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">16th century Printing Press, engraving from 1908\r\n</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Top image:\r\n</span><span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999</span>','','','inherit','closed','closed','','524-revision-25','','','2014-02-06 14:56:17','2014-02-06 14:56:17','',524,'http://catalog.org.uk/524-revision-25/',0,'revision','',0),(678,2,'2014-02-06 14:31:59','2014-02-06 14:31:59','','Broadcast2','','inherit','closed','closed','','broadcast2-2','','','2014-02-06 14:31:59','2014-02-06 14:31:59','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png',0,'attachment','image/png',0),(679,2,'2014-02-06 14:33:20','2014-02-06 14:33:20','','Broadcast1','','inherit','closed','closed','','broadcast1-2','','','2014-02-06 14:33:20','2014-02-06 14:33:20','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png',0,'attachment','image/png',0),(680,2,'2014-02-06 14:30:36','2014-02-06 14:30:36','<strong> We interrupt this transmission (2012 - 2013) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"1000\" height=\"565\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard \r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" title=\"Broadcast18\" width=\"1000\" height=\"377\" class=\"alignnone size-full wp-image-646\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" title=\"Broadcast17\" width=\"1000\" height=\"477\" class=\"alignnone size-full wp-image-647\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" title=\"Broadcast16\" width=\"1000\" height=\"411\" class=\"alignnone size-full wp-image-669\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" title=\"Broadcast15\" width=\"1000\" height=\"311\" class=\"alignnone size-full wp-image-649\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" title=\"Broadcast14\" width=\"1000\" height=\"572\" class=\"alignnone size-full wp-image-650\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" title=\"broadcast13\" width=\"1000\" height=\"321\" class=\"alignnone size-full wp-image-651\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" title=\"Broadcast12\" width=\"1000\" height=\"539\" class=\"alignnone size-full wp-image-670\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" title=\"Broadcast11\" width=\"1000\" height=\"381\" class=\"alignnone size-full wp-image-653\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" title=\"Broadcast10\" width=\"1000\" height=\"334\" class=\"alignnone size-full wp-image-654\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" title=\"Broadcast9\" width=\"1000\" height=\"375\" class=\"alignnone size-full wp-image-671\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" title=\"Broadcast8\" width=\"1000\" height=\"551\" class=\"alignnone size-full wp-image-672\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" title=\"Broadcast7\" width=\"1000\" height=\"495\" class=\"alignnone size-full wp-image-657\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" title=\"Broadcast6\" width=\"1000\" height=\"549\" class=\"alignnone size-full wp-image-673\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" title=\"Broadcast5\" width=\"1000\" height=\"660\" class=\"alignnone size-full wp-image-674\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" title=\"Broadcast4\" width=\"1000\" height=\"629\" class=\"alignnone size-full wp-image-675\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast3.png\" alt=\"\" title=\"Broadcast3\" width=\"1000\" height=\"835\" class=\"alignnone size-full wp-image-676\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast2.png\" alt=\"\" title=\"Broadcast2\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-661\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast1.png\" alt=\"\" title=\"Broadcast1\" width=\"897\" height=\"331\" class=\"alignnone size-full wp-image-662\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-74','','','2014-02-06 14:30:36','2014-02-06 14:30:36','',245,'http://catalog.org.uk/245-revision-74/',0,'revision','',0),(681,2,'2014-02-06 14:36:51','2014-02-06 14:36:51','','Broadcast3','','inherit','closed','closed','','broadcast3-2','','','2014-02-06 14:36:51','2014-02-06 14:36:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png',0,'attachment','image/png',0),(682,2,'2014-02-06 14:34:03','2014-02-06 14:34:03','<strong> We interrupt this transmission (2012 - 2013) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"1000\" height=\"565\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard \r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" title=\"Broadcast18\" width=\"1000\" height=\"377\" class=\"alignnone size-full wp-image-646\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" title=\"Broadcast17\" width=\"1000\" height=\"477\" class=\"alignnone size-full wp-image-647\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" title=\"Broadcast16\" width=\"1000\" height=\"411\" class=\"alignnone size-full wp-image-669\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" title=\"Broadcast15\" width=\"1000\" height=\"311\" class=\"alignnone size-full wp-image-649\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" title=\"Broadcast14\" width=\"1000\" height=\"572\" class=\"alignnone size-full wp-image-650\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" title=\"broadcast13\" width=\"1000\" height=\"321\" class=\"alignnone size-full wp-image-651\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" title=\"Broadcast12\" width=\"1000\" height=\"539\" class=\"alignnone size-full wp-image-670\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" title=\"Broadcast11\" width=\"1000\" height=\"381\" class=\"alignnone size-full wp-image-653\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" title=\"Broadcast10\" width=\"1000\" height=\"334\" class=\"alignnone size-full wp-image-654\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" title=\"Broadcast9\" width=\"1000\" height=\"375\" class=\"alignnone size-full wp-image-671\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" title=\"Broadcast8\" width=\"1000\" height=\"551\" class=\"alignnone size-full wp-image-672\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" title=\"Broadcast7\" width=\"1000\" height=\"495\" class=\"alignnone size-full wp-image-657\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" title=\"Broadcast6\" width=\"1000\" height=\"549\" class=\"alignnone size-full wp-image-673\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" title=\"Broadcast5\" width=\"1000\" height=\"660\" class=\"alignnone size-full wp-image-674\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" title=\"Broadcast4\" width=\"1000\" height=\"629\" class=\"alignnone size-full wp-image-675\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast3.png\" alt=\"\" title=\"Broadcast3\" width=\"1000\" height=\"835\" class=\"alignnone size-full wp-image-676\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" title=\"Broadcast2\" width=\"1000\" height=\"481\" class=\"alignnone size-full wp-image-678\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" title=\"Broadcast1\" width=\"1000\" height=\"340\" class=\"alignnone size-full wp-image-679\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-75','','','2014-02-06 14:34:03','2014-02-06 14:34:03','',245,'http://catalog.org.uk/245-revision-75/',0,'revision','',0),(683,3,'2014-01-10 16:46:20','2014-01-10 16:46:20','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\nIrish Museum of Modern Art, 31 August 2013\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was a participatory event, curated by Katy Fitzpatrick as part of the education programme at IMMA, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives. These \'new\' news-sheets were pasted onto panels on the gallery walls as they accumulated over the day. The newspapers were reviewed by CATALOG, and a selection of key stories were identified and annotated throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> was an open workshop, held in the National Concert Hall, Earlsfort Terrace.\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Images:</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Above: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999 </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Below: 16th century Printing Press, engraving from 1908</span>\r\n\r\n&nbsp;','','','inherit','closed','closed','','524-revision-22','','','2014-01-10 16:46:20','2014-01-10 16:46:20','',524,'http://catalog.org.uk/524-revision-22/',0,'revision','',0),(684,2,'2014-02-06 14:10:54','2014-02-06 14:10:54','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<a style=\"font-size: 13px; line-height: 19px;\" href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\"><img class=\"size-large wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72-1024x751.jpg\" alt=\"\" width=\"640\" height=\"469\" /></a>\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n','','','inherit','closed','closed','','257-revision-42','','','2014-02-06 14:10:54','2014-02-06 14:10:54','',257,'http://catalog.org.uk/257-revision-42/',0,'revision','',0),(689,2,'2014-02-06 14:56:20','2014-02-06 14:56:20','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[caption id=\"attachment_319\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" title=\"A Ditto Ditto board\" width=\"325\" height=\"237\" class=\"size-full wp-image-319\" />[/caption]\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" alt=\"\" title=\"A Ditto Ditto Library FS\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-320\" />\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n','','','inherit','closed','closed','','257-revision-45','','','2014-02-06 14:56:20','2014-02-06 14:56:20','',257,'http://catalog.org.uk/257-revision-45/',0,'revision','',0),(685,3,'2014-02-06 14:52:35','2014-02-06 14:52:35','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a></em>.\r\n\r\n<em>The press photograph is a message</em> was an open workshop, held in the National Concert Hall, Earlsfort Terrace.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\"><img class=\"alignright size-full wp-image-668\" title=\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a> <a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\"><img class=\"alignleft size-full wp-image-667\" title=\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a>\r\n<span style=\"font-size: 13px; line-height: 19px;\">The press photograph is a message, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 </span>\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">16th century Printing Press, engraving from 1908\r\n</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Top image:\r\n</span><span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999</span>','','','inherit','closed','closed','','524-revision-23','','','2014-02-06 14:52:35','2014-02-06 14:52:35','',524,'http://catalog.org.uk/524-revision-23/',0,'revision','',0),(688,2,'2014-02-06 14:55:09','2014-02-06 14:55:09','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[caption id=\"attachment_319\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" title=\"A Ditto Ditto board\" width=\"325\" height=\"237\" class=\"size-full wp-image-319\" />[/caption]\r\n[caption id=\"attachment_320\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" alt=\"\" title=\"A Ditto Ditto Library FS\" width=\"325\" height=\"222\" class=\"size-full wp-image-320\" />[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n','','','inherit','closed','closed','','257-revision-44','','','2014-02-06 14:55:09','2014-02-06 14:55:09','',257,'http://catalog.org.uk/257-revision-44/',0,'revision','',0),(686,2,'2014-02-06 14:54:25','2014-02-06 14:54:25','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[caption id=\"attachment_319\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" title=\"A Ditto Ditto board\" width=\"325\" height=\"237\" class=\"size-full wp-image-319\" />[/caption]\r\n\r\n[caption id=\"attachment_320\" align=\"alignleft\" width=\"640\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. Photograph © Tate 2012\"]<a href=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\"><img class=\"size-large wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32-1024x704.jpg\" alt=\"\" width=\"640\" height=\"440\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n','','','inherit','closed','closed','','257-revision-43','','','2014-02-06 14:54:25','2014-02-06 14:54:25','',257,'http://catalog.org.uk/257-revision-43/',0,'revision','',0),(693,2,'2014-02-06 15:02:04','2014-02-06 15:02:04','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<p style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block;\"><a style=\"text-decoration: underline;\" title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\">CATALOG ADittoDittoLibrary June2012</a> by <a style=\"text-decoration: underline;\" title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\">cata_log</a></p>\r\n\r\n<img class=\"size-full wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" width=\"325\" height=\"237\" /><img class=\"alignnone size-full wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" alt=\"\" width=\"325\" height=\"222\" />\r\n\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-49','','','2014-02-06 15:02:04','2014-02-06 15:02:04','',257,'http://catalog.org.uk/257-revision-49/',0,'revision','',0),(687,3,'2014-02-06 14:55:07','2014-02-06 14:55:07','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a> </em>19 April – 1 September 2013.\r\n\r\n<em>The press photograph is a message</em> was an open workshop, held in the National Concert Hall, Earlsfort Terrace.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\"><img class=\"alignright size-full wp-image-668\" title=\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a> <a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\"><img class=\"alignleft size-full wp-image-667\" title=\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a>\r\n<span style=\"font-size: 13px; line-height: 19px;\">The press photograph is a message, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 </span>\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">16th century Printing Press, engraving from 1908\r\n</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Top image:\r\n</span><span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999</span>','','','inherit','closed','closed','','524-revision-24','','','2014-02-06 14:55:07','2014-02-06 14:55:07','',524,'http://catalog.org.uk/524-revision-24/',0,'revision','',0),(694,2,'2014-02-06 15:04:02','2014-02-06 15:04:02','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[scribd id=107099067 key=key-16f46tk578ks703oxoc3 mode=book]\r\n\r\n<img class=\"size-full wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" width=\"325\" height=\"225\" /> <img class=\"alignnone size-full wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" alt=\"\" width=\"325\" height=\"225\" />\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-50','','','2014-02-06 15:04:02','2014-02-06 15:04:02','',257,'http://catalog.org.uk/257-revision-50/',0,'revision','',0),(692,2,'2014-02-06 15:01:13','2014-02-06 15:01:13','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<img class=\"size-full wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" width=\"325\" height=\"237\" />\r\n<img class=\"alignnone size-full wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" alt=\"\" width=\"325\" height=\"222\" />\r\n<p style=\"margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block;\"><a style=\"text-decoration: underline;\" title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\">CATALOG ADittoDittoLibrary June2012</a> by <a style=\"text-decoration: underline;\" title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\">cata_log</a></p>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','','','inherit','closed','closed','','257-revision-48','','','2014-02-06 15:01:13','2014-02-06 15:01:13','',257,'http://catalog.org.uk/257-revision-48/',0,'revision','',0),(691,2,'2014-02-06 15:00:14','2014-02-06 15:00:14','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" title=\"A Ditto Ditto board\" width=\"325\" height=\"237\" class=\"size-full wp-image-319\" />[/caption]\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" alt=\"\" title=\"A Ditto Ditto Library FS\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-320\" />\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"  style=\"text-decoration: underline;\" >CATALOG ADittoDittoLibrary June2012</a> by <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a></p><iframe class=\"scribd_iframe_embed\" src=\"//www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_5880\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n','','','inherit','closed','closed','','257-revision-47','','','2014-02-06 15:00:14','2014-02-06 15:00:14','',257,'http://catalog.org.uk/257-revision-47/',0,'revision','',0),(690,2,'2014-02-06 14:58:42','2014-02-06 14:58:42','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n[caption id=\"attachment_319\" align=\"alignnone\" width=\"3000\" caption=\"A Ditto Ditto Library at BP Saturdays: Tate Together Art Fair, Tate Britain, Saturday 9 June 2012. © Tate 2012\"]<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" title=\"A Ditto Ditto board\" width=\"325\" height=\"237\" class=\"size-full wp-image-319\" />[/caption]\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" alt=\"\" title=\"A Ditto Ditto Library FS\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-320\" />\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"  style=\"text-decoration: underline;\" >CATALOG ADittoDittoLibrary June2012</a> by <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a></p><iframe class=\"scribd_iframe_embed\" src=\"//www.scribd.com/embeds/107099067/content?start_page=1&view_mode=scroll&access_key=key-16f46tk578ks703oxoc3&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_5880\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n','','','inherit','closed','closed','','257-revision-46','','','2014-02-06 14:58:42','2014-02-06 14:58:42','',257,'http://catalog.org.uk/257-revision-46/',0,'revision','',0),(696,2,'2014-02-06 15:15:31','2014-02-06 15:15:31','','CATALOG_dittoditto_TateBritain2013_1','','inherit','closed','closed','','catalog_dittoditto_tatebritain2013_1','','','2014-02-06 15:15:31','2014-02-06 15:15:31','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2013_1.jpg',0,'attachment','image/jpeg',0),(697,2,'2014-02-06 15:16:13','2014-02-06 15:16:13','','CATALOG_dittoditto_TateBritain2012_1','','inherit','closed','closed','','catalog_dittoditto_tatebritain2012_1','','','2014-02-06 15:16:13','2014-02-06 15:16:13','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg',0,'attachment','image/jpeg',0),(698,2,'2014-02-06 15:16:25','2014-02-06 15:16:25','','CATALOG_dittoditto_TateBritain2012_2','','inherit','closed','closed','','catalog_dittoditto_tatebritain2012_2','','','2014-02-06 15:16:25','2014-02-06 15:16:25','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg',0,'attachment','image/jpeg',0),(699,2,'2014-02-06 15:05:44','2014-02-06 15:05:44','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"  style=\"text-decoration: underline;\" >CATALOG ADittoDittoLibrary June2012</a> by <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a></p><iframe class=\"scribd_iframe_embed\" src=\"//www.scribd.com/embeds/107099067/content?start_page=1&view_mode=book&access_key=key-16f46tk578ks703oxoc3&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_5880\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img class=\"size-full wp-image-319\" title=\"A Ditto Ditto board\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_72.jpg\" alt=\"\" width=\"325\" height=\"225\" /> <img class=\"alignnone size-full wp-image-320\" title=\"A Ditto Ditto Library FS\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/BP-Saturday-Sound_32.jpg\" alt=\"\" width=\"325\" height=\"225\" />\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-52','','','2014-02-06 15:05:44','2014-02-06 15:05:44','',257,'http://catalog.org.uk/257-revision-52/',0,'revision','',0),(700,2,'2014-02-06 15:17:41','2014-02-06 15:17:41','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"  style=\"text-decoration: underline;\" >CATALOG ADittoDittoLibrary June2012</a> by <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a></p><iframe class=\"scribd_iframe_embed\" src=\"//www.scribd.com/embeds/107099067/content?start_page=1&view_mode=book&access_key=key-16f46tk578ks703oxoc3&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_5880\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_1\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-697\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_2\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-698\" />\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-53','','','2014-02-06 15:17:41','2014-02-06 15:17:41','',257,'http://catalog.org.uk/257-revision-53/',0,'revision','',0),(701,3,'2013-08-15 13:30:00','2013-08-15 13:30:00','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/dlForum.aspx?ESSAYID=18100\" target=\"_blank\">Axis</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D</strong>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://www.ecflabs.org/grants/stepbeyond\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers</a>\r\n\r\n<strong>N</strong>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-63','','','2013-08-15 13:30:00','2013-08-15 13:30:00','',9,'http://catalog.org.uk/9-revision-63/',0,'revision','',0),(702,3,'2014-02-06 15:21:12','2014-02-06 15:21:12','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\r\n<a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a></a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\r\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D\r\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://www.ecflabs.org/grants/stepbeyond\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\r\n</a><a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\r\n\r\n<strong>N\r\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-64','','','2014-02-06 15:21:12','2014-02-06 15:21:12','',9,'http://catalog.org.uk/9-revision-64/',0,'revision','',0),(703,3,'2014-02-06 15:22:38','2014-02-06 15:22:38','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\r\n</a><a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\r\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D\r\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://www.ecflabs.org/grants/stepbeyond\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\r\n</a><a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\r\n\r\n<strong>N\r\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-65','','','2014-02-06 15:22:38','2014-02-06 15:22:38','',9,'http://catalog.org.uk/9-revision-65/',0,'revision','',0),(704,3,'2014-02-06 15:25:36','2014-02-06 15:25:36','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\r\n</a><a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\r\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D\r\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://ecflabs.org/grants/projects/sb/we-interrupt-transmission-1\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\r\n</a><a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\r\n\r\n<strong>N\r\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-66','','','2014-02-06 15:25:36','2014-02-06 15:25:36','',9,'http://catalog.org.uk/9-revision-66/',0,'revision','',0),(705,2,'2014-02-06 15:30:28','2014-02-06 15:30:28','','CATALOG_dittoditto_TateModern2012_3','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_3','','','2014-02-06 15:30:28','2014-02-06 15:30:28','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_3.jpg',0,'attachment','image/jpeg',0),(706,2,'2014-02-06 15:31:02','2014-02-06 15:31:02','','CATALOG_dittoditto_TateModern2012_4','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_4','','','2014-02-06 15:31:02','2014-02-06 15:31:02','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_4.jpg',0,'attachment','image/jpeg',0),(707,2,'2014-02-06 15:31:29','2014-02-06 15:31:29','','CATALOG_dittoditto_TateModern2012_1','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_1','','','2014-02-06 15:31:29','2014-02-06 15:31:29','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_1.jpg',0,'attachment','image/jpeg',0),(708,2,'2014-02-06 15:31:51','2014-02-06 15:31:51','','CATALOG_dittoditto_TateModern2012_2','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_2','','','2014-02-06 15:31:51','2014-02-06 15:31:51','',257,'http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_2.jpg',0,'attachment','image/jpeg',0),(709,2,'2014-02-06 15:18:05','2014-02-06 15:18:05','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"  style=\"text-decoration: underline;\" >CATALOG ADittoDittoLibrary June2012</a> by <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a></p><iframe class=\"scribd_iframe_embed\" src=\"//www.scribd.com/embeds/107099067/content?start_page=1&view_mode=book&access_key=key-16f46tk578ks703oxoc3&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_5880\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_1\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-697\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_2\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-698\" />\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-54','','','2014-02-06 15:18:05','2014-02-06 15:18:05','',257,'http://catalog.org.uk/257-revision-54/',0,'revision','',0),(710,2,'2014-02-06 15:35:22','2014-02-06 15:35:22','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme - <em>Go away I\'m reading</em> - a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"  style=\"text-decoration: underline;\" >CATALOG ADittoDittoLibrary June2012</a> by <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a></p><iframe class=\"scribd_iframe_embed\" src=\"//www.scribd.com/embeds/107099067/content?start_page=1&view_mode=book&access_key=key-16f46tk578ks703oxoc3&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_5880\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_1\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-697\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_2\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-698\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_3.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_3\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-705\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_4.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_4\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-706\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_1\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-707\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_2\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-708\" />\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-55','','','2014-02-06 15:35:22','2014-02-06 15:35:22','',257,'http://catalog.org.uk/257-revision-55/',0,'revision','',0),(711,2,'2013-01-29 15:43:15','2013-01-29 15:43:15','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, held last year at Five Years, as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title.\r\n\r\nOn arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-38','','','2013-01-29 15:43:15','2013-01-29 15:43:15','',202,'http://catalog.org.uk/202-revision-38/',0,'revision','',0),(712,2,'2014-02-06 15:40:48','2014-02-06 15:40:48','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-39','','','2014-02-06 15:40:48','2014-02-06 15:40:48','',202,'http://catalog.org.uk/202-revision-39/',0,'revision','',0),(713,2,'2014-02-06 14:37:19','2014-02-06 14:37:19','<strong> We interrupt this transmission (2012 - 2013) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"1000\" height=\"565\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard \r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" title=\"Broadcast18\" width=\"1000\" height=\"377\" class=\"alignnone size-full wp-image-646\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" title=\"Broadcast17\" width=\"1000\" height=\"477\" class=\"alignnone size-full wp-image-647\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" title=\"Broadcast16\" width=\"1000\" height=\"411\" class=\"alignnone size-full wp-image-669\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" title=\"Broadcast15\" width=\"1000\" height=\"311\" class=\"alignnone size-full wp-image-649\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" title=\"Broadcast14\" width=\"1000\" height=\"572\" class=\"alignnone size-full wp-image-650\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" title=\"broadcast13\" width=\"1000\" height=\"321\" class=\"alignnone size-full wp-image-651\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" title=\"Broadcast12\" width=\"1000\" height=\"539\" class=\"alignnone size-full wp-image-670\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" title=\"Broadcast11\" width=\"1000\" height=\"381\" class=\"alignnone size-full wp-image-653\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" title=\"Broadcast10\" width=\"1000\" height=\"334\" class=\"alignnone size-full wp-image-654\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" title=\"Broadcast9\" width=\"1000\" height=\"375\" class=\"alignnone size-full wp-image-671\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" title=\"Broadcast8\" width=\"1000\" height=\"551\" class=\"alignnone size-full wp-image-672\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" title=\"Broadcast7\" width=\"1000\" height=\"495\" class=\"alignnone size-full wp-image-657\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" title=\"Broadcast6\" width=\"1000\" height=\"549\" class=\"alignnone size-full wp-image-673\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" title=\"Broadcast5\" width=\"1000\" height=\"660\" class=\"alignnone size-full wp-image-674\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" title=\"Broadcast4\" width=\"1000\" height=\"629\" class=\"alignnone size-full wp-image-675\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" title=\"Broadcast3\" width=\"1000\" height=\"836\" class=\"alignnone size-full wp-image-681\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" title=\"Broadcast2\" width=\"1000\" height=\"481\" class=\"alignnone size-full wp-image-678\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" title=\"Broadcast1\" width=\"1000\" height=\"340\" class=\"alignnone size-full wp-image-679\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-76','','','2014-02-06 14:37:19','2014-02-06 14:37:19','',245,'http://catalog.org.uk/245-revision-76/',0,'revision','',0),(714,2,'2014-02-06 15:45:45','2014-02-06 15:45:45','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"1000\" height=\"565\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard \r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" title=\"Broadcast18\" width=\"1000\" height=\"377\" class=\"alignnone size-full wp-image-646\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" title=\"Broadcast17\" width=\"1000\" height=\"477\" class=\"alignnone size-full wp-image-647\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" title=\"Broadcast16\" width=\"1000\" height=\"411\" class=\"alignnone size-full wp-image-669\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" title=\"Broadcast15\" width=\"1000\" height=\"311\" class=\"alignnone size-full wp-image-649\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" title=\"Broadcast14\" width=\"1000\" height=\"572\" class=\"alignnone size-full wp-image-650\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" title=\"broadcast13\" width=\"1000\" height=\"321\" class=\"alignnone size-full wp-image-651\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" title=\"Broadcast12\" width=\"1000\" height=\"539\" class=\"alignnone size-full wp-image-670\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" title=\"Broadcast11\" width=\"1000\" height=\"381\" class=\"alignnone size-full wp-image-653\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" title=\"Broadcast10\" width=\"1000\" height=\"334\" class=\"alignnone size-full wp-image-654\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" title=\"Broadcast9\" width=\"1000\" height=\"375\" class=\"alignnone size-full wp-image-671\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" title=\"Broadcast8\" width=\"1000\" height=\"551\" class=\"alignnone size-full wp-image-672\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" title=\"Broadcast7\" width=\"1000\" height=\"495\" class=\"alignnone size-full wp-image-657\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" title=\"Broadcast6\" width=\"1000\" height=\"549\" class=\"alignnone size-full wp-image-673\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" title=\"Broadcast5\" width=\"1000\" height=\"660\" class=\"alignnone size-full wp-image-674\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" title=\"Broadcast4\" width=\"1000\" height=\"629\" class=\"alignnone size-full wp-image-675\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" title=\"Broadcast3\" width=\"1000\" height=\"836\" class=\"alignnone size-full wp-image-681\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" title=\"Broadcast2\" width=\"1000\" height=\"481\" class=\"alignnone size-full wp-image-678\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" title=\"Broadcast1\" width=\"1000\" height=\"340\" class=\"alignnone size-full wp-image-679\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-77','','','2014-02-06 15:45:45','2014-02-06 15:45:45','',245,'http://catalog.org.uk/245-revision-77/',0,'revision','',0),(715,2,'2014-02-07 13:14:13','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2014-02-07 13:14:13','0000-00-00 00:00:00','',0,'http://catalog.org.uk/?p=715',0,'post','',0),(716,2,'2014-02-07 13:29:54','2014-02-07 13:29:54','','CATALOG_dittoditto_TateModern2012_1','','inherit','closed','closed','','catalog_dittoditto_tatemodern2012_1-2','','','2014-02-07 13:29:54','2014-02-07 13:29:54','',202,'http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_dittoditto_TateModern2012_1.jpg',0,'attachment','image/jpeg',0),(717,2,'2014-02-07 13:30:37','2014-02-07 13:30:37','','CATALOG_IFIKNEWPS_FiveYears2012_1','','inherit','closed','closed','','catalog_ifiknewps_fiveyears2012_1','','','2014-02-07 13:30:37','2014-02-07 13:30:37','',202,'http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg',0,'attachment','image/jpeg',0),(718,2,'2014-02-07 13:30:49','2014-02-07 13:30:49','','CATALOG_IFIKNEWPS_FiveYears2012_2','','inherit','closed','closed','','catalog_ifiknewps_fiveyears2012_2','','','2014-02-07 13:30:49','2014-02-07 13:30:49','',202,'http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg',0,'attachment','image/jpeg',0),(721,2,'2014-02-07 13:45:27','2014-02-07 13:45:27','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_1\" width=\"423\" height=\"290\" class=\"alignnone size-full wp-image-717\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_2\" width=\"227\" height=\"290\" class=\"alignnone size-full wp-image-718\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-42','','','2014-02-07 13:45:27','2014-02-07 13:45:27','',202,'http://catalog.org.uk/202-revision-42/',0,'revision','',0),(720,2,'2014-02-07 13:44:05','2014-02-07 13:44:05','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_1\" width=\"423\" height=\"290\" class=\"alignnone size-full wp-image-717\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_2\" width=\"227\" height=\"290\" class=\"alignnone size-full wp-image-718\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-41','','','2014-02-07 13:44:05','2014-02-07 13:44:05','',202,'http://catalog.org.uk/202-revision-41/',0,'revision','',0),(719,2,'2014-02-06 15:41:11','2014-02-06 15:41:11','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 as part of <em>this is not a school</em>. The resulting booklet (below) comprised six chapters produced from material exchanged between members of a group. A year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\nThe original exercise was a response to “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise” <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\n\r\nParticipants booked in advance to attend the session. CATALOG sent participants an empty envelope and a blank postcard, requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence.\r\n\r\nThe chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img class=\"alignleft size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" /><img class=\"size-full wp-image-177 alignright\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-40','','','2014-02-06 15:41:11','2014-02-06 15:41:11','',202,'http://catalog.org.uk/202-revision-40/',0,'revision','',0),(731,2,'2014-02-06 15:29:49','2014-02-06 15:29:49','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\r\n</a><a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\r\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D\r\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://ecflabs.org/grants/projects/sb/we-interrupt-transmission-1\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\r\n</a><a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\r\n\r\n<strong>N\r\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/projects/wendel/wendel.html\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-67','','','2014-02-06 15:29:49','2014-02-06 15:29:49','',9,'http://catalog.org.uk/9-revision-67/',0,'revision','',0),(723,2,'2013-08-15 14:50:41','2013-08-15 14:50:41','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a project between Joyce Cronin and Frances Scott, based on a model of collaborative practice and research. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em>IF I KNEW THEN WHAT I KNOW NOW</em>, 2011) to a monthly online image-broadcast (<em>We interrupt this transmission</em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" title=\"INSERT BLANK CATALOG\" width=\"1000\" height=\"1200\" class=\"alignleft size-full wp-image-597\" />\r\n&nbsp;\r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-28','','','2013-08-15 14:50:41','2013-08-15 14:50:41','',2,'http://catalog.org.uk/2-revision-28/',0,'revision','',0),(735,5,'2014-02-07 14:05:18','2014-02-07 14:05:18','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em><a href=\"http://catalog.org.uk/if-i-knew-then-what-i-know-now/\">IF I KNEW THEN WHAT I KNOW NOW</a></em>, 2011-2012) to a monthly online image-broadcast (<em><a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\">We interrupt this transmission</a></em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" title=\"INSERT BLANK CATALOG\" width=\"1000\" height=\"1200\" class=\"alignleft size-full wp-image-597\" />\r\n&nbsp;\r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-30','','','2014-02-07 14:05:18','2014-02-07 14:05:18','',2,'http://catalog.org.uk/2-revision-30/',0,'revision','',0),(730,2,'2014-02-07 13:57:23','2014-02-07 13:57:23','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of <em>this is not a school</em>, more information <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">here.</a> \r\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with material content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’, with no previous knowledge of the name of the topic originally assembled by the donor. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" title=\"CATALOG_FiveYears3_lowres\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-177\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" title=\"CATALOG_FiveYears2_lowres\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-176\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_1\" width=\"423\" height=\"290\" class=\"alignnone size-full wp-image-717\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_2\" width=\"227\" height=\"290\" class=\"alignnone size-full wp-image-718\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-44','','','2014-02-07 13:57:23','2014-02-07 13:57:23','',202,'http://catalog.org.uk/202-revision-44/',0,'revision','',0),(722,2,'2014-02-07 13:52:05','2014-02-07 13:52:05','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise, first held at Five Years in October 2011 in response to  “a free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise”, and was staged as part of <em>this is not a school</em>, <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">More information here</a>\r\nThe resulting booklet (below) comprised six chapters produced from material exchanged between six members of a group. requesting that they bring to the session their envelope filled with content around a topic that they are especially interested in and/or have knowledge, as well as the postcard, onto which they wrote their chosen topic’s ‘chapter’ title. On arrival to the session, participants submitted their envelope and in return received another participant’s material. They constructed and titled a ‘chapter’ from this material with no previous knowledge of the name of the chapter/topic originally given by the donor. The session took place in silence. The chapters were collected and assembled as a whole by CATALOG after the session. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" title=\"CATALOG_FiveYears3_lowres\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-177\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" title=\"CATALOG_FiveYears2_lowres\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-176\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_1\" width=\"423\" height=\"290\" class=\"alignnone size-full wp-image-717\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_2\" width=\"227\" height=\"290\" class=\"alignnone size-full wp-image-718\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-43','','','2014-02-07 13:52:05','2014-02-07 13:52:05','',202,'http://catalog.org.uk/202-revision-43/',0,'revision','',0),(724,2,'2014-02-07 14:04:31','2014-02-07 14:04:31','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em><a href=\"http://catalog.org.uk/if-i-knew-then-what-i-know-now/\">IF I KNEW THEN WHAT I KNOW NOW</a></em>, 2011) to a monthly online image-broadcast (<em><a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\">We interrupt this transmission</a></em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" title=\"INSERT BLANK CATALOG\" width=\"1000\" height=\"1200\" class=\"alignleft size-full wp-image-597\" />\r\n&nbsp;\r\n\r\n\r\n','Contents','','inherit','closed','closed','','2-revision-29','','','2014-02-07 14:04:31','2014-02-07 14:04:31','',2,'http://catalog.org.uk/2-revision-29/',0,'revision','',0),(727,2,'2014-02-07 14:09:41','2014-02-07 14:09:41','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a> </em>19 April – 1 September 2013.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\"><img class=\"alignright size-full wp-image-668\" title=\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a> <a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\"><img class=\"alignleft size-full wp-image-667\" title=\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">IMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, Conservation Journal, Issue 30, January 1999 /// 16th century Printing Press, engraving from 1908 /// <em>The press photograph is a message</em>, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 </span>\r\n','','','inherit','closed','closed','','524-revision-27','','','2014-02-07 14:09:41','2014-02-07 14:09:41','',524,'http://catalog.org.uk/524-revision-27/',0,'revision','',0),(726,2,'2014-02-07 14:07:16','2014-02-07 14:07:16','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a> </em>19 April – 1 September 2013.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\"><img class=\"alignright size-full wp-image-668\" title=\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a> <a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\"><img class=\"alignleft size-full wp-image-667\" title=\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">The press photograph is a message, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 </span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">16th century Printing Press, engraving from 1908\r\n</span>\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">Top image:\r\n</span><span style=\"font-size: 13px; line-height: 19px;\">The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, </span><em style=\"font-size: 13px; line-height: 19px;\">Conservation Journal, </em><span style=\"font-size: 13px; line-height: 19px;\">Issue 30, January 1999</span>','','','inherit','closed','closed','','524-revision-26','','','2014-02-07 14:07:16','2014-02-07 14:07:16','',524,'http://catalog.org.uk/524-revision-26/',0,'revision','',0),(728,2,'2014-02-07 14:11:05','2014-02-07 14:11:05','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a> </em>19 April – 1 September 2013.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\"><img class=\"alignright size-full wp-image-668\" title=\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a> <a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\"><img class=\"alignleft size-full wp-image-667\" title=\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">IMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, Conservation Journal, Issue 30, January 1999 /// <em>The press photograph is a message</em>, installation details, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 /// 16th century Printing Press, engraving from 1908 </span>\r\n','','','inherit','closed','closed','','524-revision-28','','','2014-02-07 14:11:05','2014-02-07 14:11:05','',524,'http://catalog.org.uk/524-revision-28/',0,'revision','',0),(729,2,'2014-02-06 15:38:02','2014-02-06 15:38:02','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012-)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme, a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"  style=\"text-decoration: underline;\" >CATALOG ADittoDittoLibrary June2012</a> by <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a></p><iframe class=\"scribd_iframe_embed\" src=\"//www.scribd.com/embeds/107099067/content?start_page=1&view_mode=book&access_key=key-16f46tk578ks703oxoc3&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_5880\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_1\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-697\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_2\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-698\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_3.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_3\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-705\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_4.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_4\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-706\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_1\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-707\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_2\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-708\" />\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-56','','','2014-02-06 15:38:02','2014-02-06 15:38:02','',257,'http://catalog.org.uk/257-revision-56/',0,'revision','',0),(732,5,'2014-02-09 16:28:07','0000-00-00 00:00:00','','Auto Draft','','auto-draft','closed','closed','','','','','2014-02-09 16:28:07','0000-00-00 00:00:00','',0,'http://catalog.org.uk/?p=732',0,'post','',0),(733,5,'2014-02-06 15:51:46','2014-02-06 15:51:46','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" title=\"Broadcast19\" width=\"1000\" height=\"565\" class=\"alignnone size-full wp-image-642\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard \r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" title=\"Broadcast18\" width=\"1000\" height=\"377\" class=\"alignnone size-full wp-image-646\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" title=\"Broadcast17\" width=\"1000\" height=\"477\" class=\"alignnone size-full wp-image-647\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" title=\"Broadcast16\" width=\"1000\" height=\"411\" class=\"alignnone size-full wp-image-669\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" title=\"Broadcast15\" width=\"1000\" height=\"311\" class=\"alignnone size-full wp-image-649\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" title=\"Broadcast14\" width=\"1000\" height=\"572\" class=\"alignnone size-full wp-image-650\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" title=\"broadcast13\" width=\"1000\" height=\"321\" class=\"alignnone size-full wp-image-651\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" title=\"Broadcast12\" width=\"1000\" height=\"539\" class=\"alignnone size-full wp-image-670\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" title=\"Broadcast11\" width=\"1000\" height=\"381\" class=\"alignnone size-full wp-image-653\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" title=\"Broadcast10\" width=\"1000\" height=\"334\" class=\"alignnone size-full wp-image-654\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure \r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" title=\"Broadcast9\" width=\"1000\" height=\"375\" class=\"alignnone size-full wp-image-671\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" title=\"Broadcast8\" width=\"1000\" height=\"551\" class=\"alignnone size-full wp-image-672\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" title=\"Broadcast7\" width=\"1000\" height=\"495\" class=\"alignnone size-full wp-image-657\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" title=\"Broadcast6\" width=\"1000\" height=\"549\" class=\"alignnone size-full wp-image-673\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" title=\"Broadcast5\" width=\"1000\" height=\"660\" class=\"alignnone size-full wp-image-674\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" title=\"Broadcast4\" width=\"1000\" height=\"629\" class=\"alignnone size-full wp-image-675\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" title=\"Broadcast3\" width=\"1000\" height=\"836\" class=\"alignnone size-full wp-image-681\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" title=\"Broadcast2\" width=\"1000\" height=\"481\" class=\"alignnone size-full wp-image-678\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" title=\"Broadcast1\" width=\"1000\" height=\"340\" class=\"alignnone size-full wp-image-679\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','','','inherit','closed','closed','','245-revision-78','','','2014-02-06 15:51:46','2014-02-06 15:51:46','',245,'http://catalog.org.uk/245-revision-78/',0,'revision','',0),(734,5,'2014-02-07 14:22:51','2014-02-07 14:22:51','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2011-2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of <em>this is not a school</em>, more information <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">here.</a> \r\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n<iframe class=\"scribd_iframe_embed\" src=\"http://www.scribd.com/embeds/87819500/content?start_page=1&view_mode=scroll&access_key=key-1dhd6i8khd0buarcoyxb\" data-auto-height=\"false\" data-aspect-ratio=\"0.233409610983982\" scrolling=\"no\" id=\"doc_21199\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" title=\"CATALOG_FiveYears3_lowres\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-177\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" title=\"CATALOG_FiveYears2_lowres\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-176\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_1\" width=\"423\" height=\"290\" class=\"alignnone size-full wp-image-717\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\" alt=\"\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_2\" width=\"227\" height=\"290\" class=\"alignnone size-full wp-image-718\" />\r\n\r\n&nbsp;','','','inherit','closed','closed','','202-revision-45','','','2014-02-07 14:22:51','2014-02-07 14:22:51','',202,'http://catalog.org.uk/202-revision-45/',0,'revision','',0),(736,5,'2014-02-11 15:10:20','2014-02-11 15:10:20','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n<h1>Contents</h1>\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em><a href=\"http://catalog.org.uk/if-i-knew-then-what-i-know-now/\">IF I KNEW THEN WHAT I KNOW NOW</a></em>, 2011-2012) to a monthly online image-broadcast (<em><a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\">We interrupt this transmission</a></em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img class=\"alignleft size-full wp-image-597\" title=\"INSERT BLANK CATALOG\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" width=\"1000\" height=\"1200\" />','Contents','','inherit','closed','closed','','2-revision-31','','','2014-02-11 15:10:20','2014-02-11 15:10:20','',2,'http://catalog.org.uk/2-revision-31/',0,'revision','',0),(737,5,'2013-08-19 13:01:30','2013-08-19 13:01:30','[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/the-press-photograph-is-a-message/\"><img src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" width=\"150\" height=\"150\" class=\"size-thumbnail wp-image-533\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-94','','','2013-08-19 13:01:30','2013-08-19 13:01:30','',5,'http://catalog.org.uk/5-revision-94/',0,'revision','',0),(738,5,'2014-02-06 12:14:08','2014-02-06 12:14:08','<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-68','','','2014-02-06 12:14:08','2014-02-06 12:14:08','',7,'http://catalog.org.uk/7-revision-68/',0,'revision','',0),(739,5,'2014-02-07 14:24:05','2014-02-07 14:24:05','<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\r\n</a><a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\r\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\r\n<a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D\r\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://ecflabs.org/grants/projects/sb/we-interrupt-transmission-1\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\r\n</a>\r\n\r\n<strong>N\r\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/projects/wendel/wendel.html\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-68','','','2014-02-07 14:24:05','2014-02-07 14:24:05','',9,'http://catalog.org.uk/9-revision-68/',0,'revision','',0),(740,5,'2013-08-15 13:33:21','2013-08-15 13:33:21','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-38','','','2013-08-15 13:33:21','2013-08-15 13:33:21','',11,'http://catalog.org.uk/11-revision-38/',0,'revision','',0),(741,5,'2014-02-11 15:12:49','2014-02-11 15:12:49','Communicate\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-39','','','2014-02-11 15:12:49','2014-02-11 15:12:49','',11,'http://catalog.org.uk/11-revision-39/',0,'revision','',0),(742,5,'2014-02-11 15:12:33','2014-02-11 15:12:33','Index\r\n\r\n<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\r\n</a><a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\r\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\r\n<a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D\r\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://ecflabs.org/grants/projects/sb/we-interrupt-transmission-1\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\r\n</a>\r\n\r\n<strong>N\r\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/projects/wendel/wendel.html\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-69','','','2014-02-11 15:12:33','2014-02-11 15:12:33','',9,'http://catalog.org.uk/9-revision-69/',0,'revision','',0),(743,5,'2014-02-11 15:12:18','2014-02-11 15:12:18','Journal\r\n\r\n<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-69','','','2014-02-11 15:12:18','2014-02-11 15:12:18','',7,'http://catalog.org.uk/7-revision-69/',0,'revision','',0),(744,5,'2014-02-11 15:11:32','2014-02-11 15:11:32','Function\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/the-press-photograph-is-a-message/\"><img class=\"size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-95','','','2014-02-11 15:11:32','2014-02-11 15:11:32','',5,'http://catalog.org.uk/5-revision-95/',0,'revision','',0),(745,5,'2014-02-11 15:10:50','2014-02-11 15:10:50','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\nContents\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em><a href=\"http://catalog.org.uk/if-i-knew-then-what-i-know-now/\">IF I KNEW THEN WHAT I KNOW NOW</a></em>, 2011-2012) to a monthly online image-broadcast (<em><a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\">We interrupt this transmission</a></em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img class=\"alignleft size-full wp-image-597\" title=\"INSERT BLANK CATALOG\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" width=\"1000\" height=\"1200\" />','Contents','','inherit','closed','closed','','2-revision-32','','','2014-02-11 15:10:50','2014-02-11 15:10:50','',2,'http://catalog.org.uk/2-revision-32/',0,'revision','',0),(746,5,'2014-02-11 14:59:52','2014-02-11 14:59:52','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','we interrupt this transmission','','inherit','closed','closed','','245-revision-79','','','2014-02-11 14:59:52','2014-02-11 14:59:52','',245,'http://catalog.org.uk/245-revision-79/',0,'revision','',0),(747,5,'2014-02-07 14:11:47','2014-02-07 14:11:47','<img class=\"alignleft size-full wp-image-587\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE _ 2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_2013_v3_cropwide.jpg\" alt=\"\" width=\"1000\" height=\"538\" />\r\n\r\n<strong>The press photograph is a message (2013)\r\n</strong>\r\n\r\n<em>If storytelling permits a different kind of truth, it also necessitates a particular worldview, one in which action is tempered by reflection. Indeed, by its very nature, storytelling implies that things are never resolved once and for all.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Claire Gilman and Margaret Sundell (eds.), </span><em style=\"font-size: 13px; line-height: 19px;\">The Storyteller</em><span style=\"font-size: 13px; line-height: 19px;\">, JRP Ringier, Zurich and ICI, New York, 2010</span>\r\n\r\n<em>The press photograph is a message</em> was an event curated by Katy Fitzpatrick as part of the education programme at the Irish Museum of Modern Art, Dublin. The workshop drew on a volume of newspapers, collected between London and Dublin over a period of three months and spanning a range of titles and styles of reportage.\r\n\r\nCATALOG invited participants to reconfigure these newspapers into new collaged narratives, accumulated over the day. A selection of key stories were identified and annotated by CATALOG throughout the process. <em>The press photograph is a message</em> highlighted the shifting nature of events and stories as told within the media, and their evolution over time. In direct and indirect ways, the papers themselves mirrored the themes proposed within the concurrent exhibition at IMMA <em><a href=\"http://www.imma.ie/en/page_236701.htm\" target=\"_blank\">I knOw yoU</a> </em>19 April – 1 September 2013.\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\"><img class=\"alignright size-full wp-image-668\" title=\"CATALOG_Thepressphotograph_IMMA2013_0029lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0029lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a> <a href=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\"><img class=\"alignleft size-full wp-image-667\" title=\"CATALOG_Thepressphotograph_IMMA2013_0013lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_Thepressphotograph_IMMA2013_0013lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /></a>\r\n\r\n<img class=\"alignleft size-full wp-image-543\" title=\"CATALOG_thepressphotograph_2013_v2\" src=\"http://catalog.org.uk/wp-content/uploads/2013/08/CATALOG_thepressphotograph_2013_v2.jpg\" alt=\"\" width=\"1000\" height=\"647\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">IMAGES FROM TOP: The dot matrix of an inkjet print (magnification x60 approx.), illustrated in \'An investigation into the archival properties of colour photocopies and inkjet prints\', Victoria &amp; Albert Museum, Conservation Journal, Issue 30, January 1999 /// <em>The press photograph is a message</em>, details, IMMA, National Concert Hall, Earlsfort Terrace, Dublin, 31 August 2013 /// 16th century Printing Press, engraving from 1908 </span>\r\n','','','inherit','closed','closed','','524-revision-29','','','2014-02-07 14:11:47','2014-02-07 14:11:47','',524,'http://catalog.org.uk/524-revision-29/',0,'revision','',0),(748,5,'2014-02-07 14:15:33','2014-02-07 14:15:33','<a href=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\"><img class=\"alignleft size-full wp-image-285\" title=\"DittoDittoLibrary\" src=\"http://catalog.org.uk/wp-content/uploads/2012/06/DittoDittoLibrary_72dpi.jpg\" alt=\"\" width=\"800\" height=\"435\" /></a>\r\n\r\n<strong>A Ditto, Ditto Library (2012-)</strong>\r\n\r\n<strong> </strong><em>Xerography - every man\'s brain picker - heralds the times of instant publishing. Anybody can now become both author and publisher. Take any books on any subject and custom-make your own book by simply xeroxing a chapter from this one, a chapter from that one - instant steal! As new technologies come into play, people are less and less convinced of the importance of self-expression. Teamwork succeeds private effort.</em> /// <span style=\"font-size: 13px; line-height: 19px;\">Marshall McLuhan, </span><em style=\"font-size: 13px; line-height: 19px;\">The Medium is the Massage</em><span style=\"font-size: 13px; line-height: 19px;\">, Penguin, 1967, p123.</span>\r\n\r\n<em>A Ditto, Ditto Library</em> is an ongoing project, the content of which is assembled through an exchange between CATALOG, a relay where one contribution triggers the next. The library is informed by the context of its presentation.\r\n\r\nIt was first commissioned for the ‘Tate Together’ programme at Tate Britain, 9 June 2012, exploring sound and performance practice, and was staged again at Tate Tanks, 28 October 2012, as part of the <em>Film Action</em> programme, led by no.w.here lab with Anna Lucas.\r\n\r\nAt Tate, <em>A Ditto, Ditto Library</em> was a collaborative effort to create an experimental ‘booklet’ over the course of a day where \'chapters\' were printed on the hour. Each participant created a page by drawing from the library of material. Excerpts from the final booklet can be viewed below.\r\n\r\nIn November 2012, CATALOG were invited by artist Melanie Clifford to be guest engineers on Resonance FM’s \'Bermuda Triangle Test Transmission\'. Within the hour-long programme, a number of records, bought at Wimbledon Greyhound Stadium boot fair for <em>A Ditto Ditto Library</em>, and previously unheard by the engineers, were listened to for the first time. The order of playing was determined by connections and coincidences between record titles and between cover sleeves. This followed by a period of experimental re-play of those same records.\r\n\r\n<p  style=\" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;\">   <a title=\"View CATALOG ADittoDittoLibrary June2012 on Scribd\" href=\"http://www.scribd.com/doc/107099067/CATALOG-ADittoDittoLibrary-June2012\"  style=\"text-decoration: underline;\" >CATALOG ADittoDittoLibrary June2012</a> by <a title=\"View cata_log\'s profile on Scribd\" href=\"http://www.scribd.com/cata_log\"  style=\"text-decoration: underline;\" >cata_log</a></p><iframe class=\"scribd_iframe_embed\" src=\"//www.scribd.com/embeds/107099067/content?start_page=1&view_mode=book&access_key=key-16f46tk578ks703oxoc3&show_recommendations=true\" data-auto-height=\"false\" data-aspect-ratio=\"0.70264064293915\" scrolling=\"no\" id=\"doc_5880\" width=\"100%\" height=\"600\" frameborder=\"0\"></iframe>\r\n\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_1\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-697\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateBritain2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateBritain2012_2\" width=\"325\" height=\"222\" class=\"alignnone size-full wp-image-698\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_3.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_3\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-705\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_4.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_4\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-706\" />\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_1.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_1\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-707\" /> <img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto_TateModern2012_2.jpg\" alt=\"\" title=\"CATALOG_dittoditto_TateModern2012_2\" width=\"325\" height=\"216\" class=\"alignnone size-full wp-image-708\" />\r\n\r\n<span style=\"font-size: 13px; line-height: 19px;\">IMAGES FROM TOP: <em>A Ditto, Ditto Library</em>, selected pages pdf /// <em>A Ditto, Ditto, Library</em>, details, Tate Britain and Tate Modern, 2012</span>\r\n&nbsp;\r\n','','','inherit','closed','closed','','257-revision-57','','','2014-02-07 14:15:33','2014-02-07 14:15:33','',257,'http://catalog.org.uk/257-revision-57/',0,'revision','',0),(749,5,'2013-07-17 21:38:46','2013-07-17 21:38:46','<strong><a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\"><img class=\"alignleft size-full wp-image-340\" title=\"(im)possible image\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1.png\" alt=\"\" width=\"656\" height=\"325\" /></a></strong>\r\n\r\n<strong>(Im)Possible School Book: As Found (2012)</strong>\r\n\r\nCATALOG responded to a free and open invitation for anyone to propose an ‘activity’ for the Summer School developed by Five Years and held at Tate Tanks, Tate Modern, July 2012. The collection of proposals formed a resource book to provoke discussion and action for the Summer School’s participants over the five day course.\r\n\r\nThe publication can be downloaded <a href=\"http://www.fiveyears.org.uk/im.possible.school.html\" target=\"_blank\">here</a> and purchased <a href=\"http://www.lulu.com/shop/five-years/impossible-school-book-as-found/paperback/product-20262341.html  \" target=\"_blank\">here</a>.\r\n\r\n&nbsp;\r\n\r\n<a href=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page.png\"><img class=\"alignleft size-large wp-image-339\" title=\"CATALOG (im)possible book page\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/CATALOG-impossible-book-page-1024x676.png\" alt=\"\" width=\"640\" height=\"422\" /></a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n','','','inherit','closed','closed','','335-revision-24','','','2013-07-17 21:38:46','2013-07-17 21:38:46','',335,'http://catalog.org.uk/335-revision-24/',0,'revision','',0),(750,5,'2014-02-11 15:04:57','2014-02-11 15:04:57','<a href=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\"><img class=\"alignleft size-full wp-image-138\" title=\"IF I KNEW THEN...\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi.jpg\" alt=\"\" width=\"722\" height=\"480\" /></a>\r\n\r\n<strong>IF I KNEW THEN WHAT I KNOW NOW (2011-2012)</strong>\r\n\r\nIF I KNEW THEN WHAT I KNOW NOW was a silent publishing exercise produced in response to the \"free and open invitation for anyone to propose a participatory activity questioning the idea of \'School\' - \'Free\' or otherwise\", and was staged at Five Years in October 2011 part of <em>this is not a school</em>, more information <a href=\"http://www.fiveyears.org.uk/thisisnotaschool1.html\" target=\"_blank\">here.</a>\r\nThe resulting booklet comprised six chapters produced from material exchanged between the six members of a group. Each participant, attending through an open-call, arrived at the session with content around a topic that they were especially interested in and/or had knowledge, and a nominated ‘chapter’ title. Participants exchanged material, and continued to construct and title a new ‘chapter’. The session took place in silence. The PDF booklet below is a compendium of the combined knowledge of the participants in the session at that moment in time. For maximum resolution, please select \'full-screen\' option.\r\n\r\nA year later, October 2012, the published material was given a live form. The \'chapters\' were reassembled as performances; either by those who created the original chapters, or nominated guests that spoke on their behalf. This \'postscript\' event was chaired by Amy Botfield.\r\n\r\n&nbsp;\r\n\r\n<img class=\"alignnone size-full wp-image-177\" title=\"CATALOG_FiveYears3_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears3_lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" /> <img class=\"alignnone size-full wp-image-176\" title=\"CATALOG_FiveYears2_lowres\" src=\"http://catalog.org.uk/wp-content/uploads/2012/01/CATALOG_FiveYears2_lowres.jpg\" alt=\"\" width=\"325\" height=\"216\" />\r\n<img class=\"alignnone size-full wp-image-717\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_1.jpg\" alt=\"\" width=\"423\" height=\"290\" /> <img class=\"alignnone size-full wp-image-718\" title=\"CATALOG_IFIKNEWPS_FiveYears2012_2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/04/CATALOG_IFIKNEWPS_FiveYears2012_2.jpg\" alt=\"\" width=\"227\" height=\"290\" />\r\n\r\n&nbsp;','If I Knew Then What I Know Now','','inherit','closed','closed','','202-revision-46','','','2014-02-11 15:04:57','2014-02-11 15:04:57','',202,'http://catalog.org.uk/202-revision-46/',0,'revision','',0),(751,5,'2012-03-28 11:32:31','2012-03-28 11:32:31','<span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Joyce Cronin</strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\"> is a gallery manager, project manager and writer. Currently freelance, she worked as Gallery Manager (Exhibitions) at Matt’s Gallery, London from 2004-2009. She has worked for non-profit visual arts organisations for over ten years including Cubitt Gallery, The Drawing Room, Studio Voltaire and the Foundation for Women’s Art (FWA). She is a visiting tutor at the University of the Arts, London providing professional development portfolio reviews to students. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications. She has contributed to the Artslant website and Axis online and is an Artistic Assessor for Arts Council England.</span>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Frances Scott </strong></span><span style=\"font-family: \'Vollkorn Regular\', serif;\">is an artist and has shown work in the UK and New York. She has also performed in film and installation projects for artists including Aura Satz, Jennet Thomas and Lucy Cash, and works freelance in a range of contexts; currently as Artist assistant to Mike Nelson towards the Venice Biennale 2011, and previously at organisations including Matt\'s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA at Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010.</span></p>\r\n<p lang=\"en-US\"><span style=\"font-family: \'Vollkorn Regular\', serif;\"><strong>Catalog was originally founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n</strong> </span></p>\r\n&nbsp;','Biographies','','inherit','closed','closed','','31-revision-9','','','2012-03-28 11:32:31','2012-03-28 11:32:31','',31,'http://catalog.org.uk/31-revision-9/',0,'revision','',0),(752,5,'2014-02-11 15:14:37','2014-02-11 15:14:37','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Contents</strong>\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em><a href=\"http://catalog.org.uk/if-i-knew-then-what-i-know-now/\">IF I KNEW THEN WHAT I KNOW NOW</a></em>, 2011-2012) to a monthly online image-broadcast (<em><a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\">We interrupt this transmission</a></em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img class=\"alignleft size-full wp-image-597\" title=\"INSERT BLANK CATALOG\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" width=\"1000\" height=\"1200\" />','Contents','','inherit','closed','closed','','2-revision-33','','','2014-02-11 15:14:37','2014-02-11 15:14:37','',2,'http://catalog.org.uk/2-revision-33/',0,'revision','',0),(753,5,'2014-02-11 15:14:02','2014-02-11 15:14:02','<strong>Journal</strong>\r\n\r\n<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-70','','','2014-02-11 15:14:02','2014-02-11 15:14:02','',7,'http://catalog.org.uk/7-revision-70/',0,'revision','',0),(754,5,'2014-02-11 15:20:46','2014-02-11 15:20:46','<strong>Journal</strong>\r\n\r\n<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-71','','','2014-02-11 15:20:46','2014-02-11 15:20:46','',7,'http://catalog.org.uk/7-revision-71/',0,'revision','',0),(755,5,'2014-02-11 15:57:53','2014-02-11 15:57:53','<strong>Journal</strong>\r\n\r\n<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-72','','','2014-02-11 15:57:53','2014-02-11 15:57:53','',7,'http://catalog.org.uk/7-revision-72/',0,'revision','',0),(757,2,'2014-02-21 13:56:02','2014-02-21 13:56:02','','Broadcast20','','inherit','closed','closed','','broadcast20','','','2014-02-21 13:56:02','2014-02-21 13:56:02','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png',0,'attachment','image/png',0),(756,5,'2014-02-11 15:58:59','2014-02-11 15:58:59','<strong>Journal</strong>\r\n\r\n<img class=\"alignleft size-full wp-image-270\" title=\"CATALOG_IFIKNEW_studio2\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio2-e1338491578700.jpg\" alt=\"\" width=\"656\" height=\"436\" />\r\n\r\n<img class=\"alignleft size-full wp-image-269\" title=\"CATALOG_IFIKNEW_studio1\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_IFIKNEW_studio1-e1338491664519.jpg\" alt=\"\" width=\"1000\" height=\"662\" />\r\n\r\n<p style=\"text-align: center;\">&nbsp;</p>\r\n\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;\r\n&nbsp;','Journal','','inherit','closed','closed','','7-revision-73','','','2014-02-11 15:58:59','2014-02-11 15:58:59','',7,'http://catalog.org.uk/7-revision-73/',0,'revision','',0),(758,2,'2014-02-11 15:15:04','2014-02-11 15:15:04','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-80','','','2014-02-11 15:15:04','2014-02-11 15:15:04','',245,'http://catalog.org.uk/245-revision-80/',0,'revision','',0),(759,2,'2014-02-21 13:58:10','2014-02-21 13:58:10','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" title=\"Broadcast20\" width=\"1000\" height=\"515\" class=\"alignnone size-full wp-image-757\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 13px; line-height: 19px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-81','','','2014-02-21 13:58:10','2014-02-21 13:58:10','',245,'http://catalog.org.uk/245-revision-81/',0,'revision','',0),(760,2,'2014-02-11 15:19:39','2014-02-11 15:19:39','<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n<strong>Contents</strong>\r\n\r\nCATALOG is a collaborative practice and research project between Joyce Cronin and Frances Scott. It is a dialogue that manifests in works ranging from a self-publishing exercise (<em><a href=\"http://catalog.org.uk/if-i-knew-then-what-i-know-now/\">IF I KNEW THEN WHAT I KNOW NOW</a></em>, 2011-2012) to a monthly online image-broadcast (<em><a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\">We interrupt this transmission</a></em>, 2012-2013). By creating systems to openly test ideas, CATALOG invites participation, conversation and exchange.\r\n\r\nPlease contact info@catalog.org.uk for further information, or subscribe <a href=\"http://catalog.org.uk/communicate/\">here.</a>\r\n\r\n<img class=\"alignleft size-full wp-image-597\" title=\"INSERT BLANK CATALOG\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_crop.jpg\" alt=\"\" width=\"1000\" height=\"1200\" />\r\n\r\n&nbsp;','Contents','','inherit','closed','closed','','2-revision-34','','','2014-02-11 15:19:39','2014-02-11 15:19:39','',2,'http://catalog.org.uk/2-revision-34/',0,'revision','',0),(761,2,'2014-02-11 15:13:50','2014-02-11 15:13:50','<strong>Index</strong>\r\n\r\n<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\r\n</a><a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\r\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\r\n<a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D\r\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://ecflabs.org/grants/projects/sb/we-interrupt-transmission-1\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\r\n</a>\r\n\r\n<strong>N\r\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/projects/wendel/wendel.html\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>','Index','','inherit','closed','closed','','9-revision-70','','','2014-02-11 15:13:50','2014-02-11 15:13:50','',9,'http://catalog.org.uk/9-revision-70/',0,'revision','',0),(783,2,'2014-10-27 19:42:08','2014-10-27 19:42:08','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-90','','','2014-10-27 19:42:08','2014-10-27 19:42:08','',245,'http://catalog.org.uk/245-revision-90/',0,'revision','',0),(762,2,'2014-02-11 15:13:37','2014-02-11 15:13:37','<strong>Communicate</strong>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and New York. Her recent work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. In 2012 she presented THE MIRACLE METHODS SERIES, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of Selected III, curated by FLAMIN with recent Jarman Award nominees. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-40','','','2014-02-11 15:13:37','2014-02-11 15:13:37','',11,'http://catalog.org.uk/11-revision-40/',0,'revision','',0),(763,3,'2014-03-01 16:07:07','2014-03-01 16:07:07','<strong>Communicate</strong>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n   !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a journal, research and publishing organisation. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England. She is currently assisting artist Jordan Baseman with his submissions for international film festivals, funded by The Wellcome Trust. Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, Energy Lithuania, was included in The City is a Burning, Blazing Bonfire exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and USA. Her current work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. Frances is currently artist-in-residence at Swiss Cottage Library with 176, Zabludowicz Collection, London. Her recent projects include <em>NOCTURNES</em>, a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR, Central Saint Martins and Islington Council.  In 2012 she presented<em> THE MIRACLE METHODS SERIES: Distance Readers</em>, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN with Jarman Award nominees. It will continue to tour in 2014 to venues in the USA including Anthology Film Archives, New York, and LA Film Forum, Los Angeles. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-41','','','2014-03-01 16:07:07','2014-03-01 16:07:07','',11,'http://catalog.org.uk/11-revision-41/',0,'revision','',0),(764,2,'2014-04-13 15:59:25','2014-04-13 15:59:25','','Broadcast21','','inherit','closed','closed','','broadcast21','','','2014-04-13 15:59:25','2014-04-13 15:59:25','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png',0,'attachment','image/png',0),(765,2,'2014-02-21 14:00:03','2014-02-21 14:00:03','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" title=\"Broadcast20\" width=\"1000\" height=\"515\" class=\"alignnone size-full wp-image-757\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-82','','','2014-02-21 14:00:03','2014-02-21 14:00:03','',245,'http://catalog.org.uk/245-revision-82/',0,'revision','',0),(766,2,'2014-06-03 15:04:03','2014-06-03 15:04:03','','Broadcast-23','','inherit','closed','closed','','broadcast-23','','','2014-06-03 15:04:03','2014-06-03 15:04:03','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png',0,'attachment','image/png',0),(767,2,'2014-04-13 16:01:02','2014-04-13 16:01:02','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" title=\"Broadcast21\" width=\"1000\" height=\"365\" class=\"alignnone size-full wp-image-764\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" title=\"Broadcast20\" width=\"1000\" height=\"515\" class=\"alignnone size-full wp-image-757\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-83','','','2014-04-13 16:01:02','2014-04-13 16:01:02','',245,'http://catalog.org.uk/245-revision-83/',0,'revision','',0),(768,2,'2014-06-03 15:08:11','2014-06-03 15:08:11','','Broadcast22','','inherit','closed','closed','','broadcast22','','','2014-06-03 15:08:11','2014-06-03 15:08:11','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png',0,'attachment','image/png',0),(769,2,'2014-06-03 15:06:02','2014-06-03 15:06:02','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" title=\"Broadcast-23\" width=\"1000\" height=\"257\" class=\"alignnone size-full wp-image-766\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still  \r\n </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" title=\"Broadcast21\" width=\"1000\" height=\"365\" class=\"alignnone size-full wp-image-764\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" title=\"Broadcast20\" width=\"1000\" height=\"515\" class=\"alignnone size-full wp-image-757\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-84','','','2014-06-03 15:06:02','2014-06-03 15:06:02','',245,'http://catalog.org.uk/245-revision-84/',0,'revision','',0),(770,2,'2014-06-03 15:09:14','2014-06-03 15:09:14','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" title=\"Broadcast-23\" width=\"1000\" height=\"257\" class=\"alignnone size-full wp-image-766\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still  \r\n </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" title=\"Broadcast22\" width=\"1000\" height=\"720\" class=\"alignnone size-full wp-image-768\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror & Fantasy in the Cinema, Studio Vista, London, 1974 </em></span>\r\nMaterial selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency Another Way of Reading with the London Borough of Camden and the Zabludowicz Collection\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" title=\"Broadcast21\" width=\"1000\" height=\"365\" class=\"alignnone size-full wp-image-764\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" title=\"Broadcast20\" width=\"1000\" height=\"515\" class=\"alignnone size-full wp-image-757\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-85','','','2014-06-03 15:09:14','2014-06-03 15:09:14','',245,'http://catalog.org.uk/245-revision-85/',0,'revision','',0),(771,2,'2014-06-03 15:11:15','2014-06-03 15:11:15','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em></span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency Another Way of Reading with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-86','','','2014-06-03 15:11:15','2014-06-03 15:11:15','',245,'http://catalog.org.uk/245-revision-86/',0,'revision','',0),(772,2,'2014-04-10 21:39:47','2014-04-10 21:39:47','<strong>Communicate</strong>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England.  Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, <em>Energy Lithuania</em>, was included in <em>The City is a Burning, Blazing Bonfire </em>exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and USA. Her current work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. Frances is currently artist-in-residence at Swiss Cottage Library with 176, Zabludowicz Collection, London. Her recent projects include <em>NOCTURNES</em>, a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR, Central Saint Martins and Islington Council.  In 2012 she presented<em> THE MIRACLE METHODS SERIES: Distance Readers</em>, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN with Jarman Award nominees. It will continue to tour in 2014 to venues in the USA including Anthology Film Archives, New York, and LA Film Forum, Los Angeles. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-42','','','2014-04-10 21:39:47','2014-04-10 21:39:47','',11,'http://catalog.org.uk/11-revision-42/',0,'revision','',0),(773,2,'2014-07-13 22:00:12','2014-07-13 22:00:12','','Broadcast-24','','inherit','closed','closed','','broadcast-24','','','2014-07-13 22:00:12','2014-07-13 22:00:12','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png',0,'attachment','image/png',0),(774,2,'2014-06-03 15:13:38','2014-06-03 15:13:38','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-87','','','2014-06-03 15:13:38','2014-06-03 15:13:38','',245,'http://catalog.org.uk/245-revision-87/',0,'revision','',0),(776,2,'2014-07-31 22:51:06','2014-07-31 22:51:06','','Broadcast-25','','inherit','closed','closed','','broadcast-25','','','2014-07-31 22:51:06','2014-07-31 22:51:06','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png',0,'attachment','image/png',0),(777,2,'2014-07-13 22:01:16','2014-07-13 22:01:16','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-88','','','2014-07-13 22:01:16','2014-07-13 22:01:16','',245,'http://catalog.org.uk/245-revision-88/',0,'revision','',0),(778,2,'2014-10-27 19:38:03','2014-10-27 19:38:03','','Broadcast 26','','inherit','closed','closed','','broadcast-26','','','2014-10-27 19:38:03','2014-10-27 19:38:03','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png',0,'attachment','image/png',0),(780,2,'2014-10-27 19:40:51','2014-10-27 19:40:51','','Broadcast-28','','inherit','closed','closed','','broadcast-28','','','2014-10-27 19:40:51','2014-10-27 19:40:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png',0,'attachment','image/png',0),(779,2,'2014-10-27 19:39:36','2014-10-27 19:39:36','','Broadcast 27','','inherit','closed','closed','','broadcast-27','','','2014-10-27 19:39:36','2014-10-27 19:39:36','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png',0,'attachment','image/png',0),(781,2,'2014-07-31 22:53:25','2014-07-31 22:53:25','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 1 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-89','','','2014-07-31 22:53:25','2014-07-31 22:53:25','',245,'http://catalog.org.uk/245-revision-89/',0,'revision','',0),(782,2,'2014-02-21 14:08:31','2014-02-21 14:08:31','<strong>Index</strong>\r\n\r\n<strong>A\r\n</strong><a href=\"http://www.afterall.org/\" target=\"_blank\">Afterall\r\n</a><a title=\"Anna Lucas\" href=\"http://annalucas.co.uk/\" target=\"_blank\">Anna Lucas</a>\r\n<a href=\"http://artlicks.com/events/3462/just-released-issue-ten\" target=\"_blank\">Art Licks</a><strong>\r\n</strong><a href=\"http://www.artslant.com/global/artists/show/160117-joyce-cronin?tab=REVIEWS\" target=\"_blank\">ArtSlant\r\n</a><a href=\"http://www.axisweb.org/features/news-and-views/the-rant/rant-38/\" target=\"_blank\">Axis\r\n</a><a href=\"http://www.archwayinvestigationsandresponses.org/\" target=\"_blank\">AIR</a>\r\n<a href=\"http://www.amillionminutes.org/projects/frances-scott/\" target=\"_blank\">A Million Minutes</a>\r\n\r\n<strong>B</strong>\r\n\r\n<strong>C\r\n</strong><a href=\"http://www.carolynthompson.co.uk/\" target=\"_blank\">Carolyn Thompson</a>\r\n\r\n<strong>D\r\n</strong><a title=\"Duncan Whitley\" href=\"http://shotgunsounds.com/\" target=\"_blank\">Duncan Whitley</a>\r\n\r\n<strong>E\r\n</strong><a href=\"http://www.emmaleach.co.uk/\" target=\"_blank\">Emma Leach</a>\r\n<a href=\"http://ecflabs.org/grants/projects/sb/we-interrupt-transmission-1\" target=\"_blank\">European Cultural Foundation</a>\r\n\r\n<strong>F\r\n</strong><a href=\"http://flamin.filmlondon.org.uk/news/2013/march/selected_iii\" target=\"_blank\">Film London Artists Moving Image Network (FLAMIN)</a><strong>\r\n</strong><a href=\"http://www.fiveyears.org.uk/\" target=\"_blank\">Five Years\r\n</a><a href=\"http://www.abyme.org.uk/\" target=\"_blank\">Frances Scott</a>\r\n<strong>\r\nG</strong>\r\n\r\n<strong>H</strong>\r\n\r\n<strong>I\r\n</strong><a href=\"http://www.imma.ie/\" target=\"_blank\">Irish Museum of Modern Art (IMMA) </a>\r\n<a href=\"http://oli.zilla.org.uk/\" target=\"_blank\">Is that supposed to go there</a>\r\n\r\n<strong>J</strong>\r\n\r\n<strong>K\r\n</strong><a href=\"http://www.brazierfree.com/\" target=\"_blank\">Kelda Free </a>\r\n\r\n<strong>L</strong>\r\n\r\n<strong>M\r\n</strong><a href=\"http://www.mattsgallery.org/\" target=\"_blank\">Matt\'s Gallery\r\n</a><a href=\"http://www.melanieclifford.net/\" target=\"_blank\">Melanie Clifford\r\n</a><a href=\"http://www.miraclemethods.org\" target=\"_blank\">THE MIRACLE METHODS SERIES: Distance Readers\r\n</a>\r\n\r\n<strong>N\r\n</strong><a title=\"no.w.here\" href=\"http://www.no-w-here.org.uk/\" target=\"_blank\">no.w.here </a>\r\n\r\n<strong>O</strong>\r\n\r\n<strong>P\r\n</strong><a href=\"http://www.protocinema.org/\" target=\"_blank\">Protocinema</a>\r\n\r\n<strong>Q</strong>\r\n\r\n<strong>R\r\n</strong><a href=\"http://resonancefm.com/\" target=\"_blank\">Resonance FM</a>\r\n\r\n<strong>S</strong>\r\n<a href=\"http://www.camden.gov.uk/ccm/navigation/leisure/libraries-and-online-learning-centres/swiss-cottage-library/\"target=\"_blank\">Swiss Cottage Library</a>\r\n\r\n<strong>T\r\n</strong><a href=\"http://www.tate.org.uk/\" target=\"_blank\">Tate</a>\r\n<a href=\"http://www.artsadmin.co.uk/artsonline/131/the-quiddity-grid\" target=\"_blank\">The Quiddity Grid </a>\r\n<a href=\"http://www.tspooner.co.uk/\" target=\"_blank\">Tim Spooner</a>\r\n<a href=\"http://tomorrowmorning.net/texts/The%20City%20is%20a%20Burning%20Blazing%20Bonfire.pdf\" target=\"_blank\">The City is a Burning, Blazing Bonfire</a>\r\n\r\n<strong>U</strong>\r\n\r\n<strong>V</strong>\r\n\r\n<strong>W\r\n</strong><a href=\"http://www.woodmill.org/projects/wendel/wendel.html\" target=\"_blank\">The Woodmill Studios\r\n</a><a href=\"http://www.workinprogressuk.com/\" target=\"_blank\">Work in Progress</a>\r\n\r\n<strong>X</strong>\r\n\r\n<strong>Y</strong>\r\n\r\n<strong>Z</strong>\r\n<a href=\"http://www.zabludowiczcollection.com/london\" target=\"_blank\">Zabludowicz Collection - public programme</a>','Index','','inherit','closed','closed','','9-revision-71','','','2014-02-21 14:08:31','2014-02-21 14:08:31','',9,'http://catalog.org.uk/9-revision-71/',0,'revision','',0),(784,2,'2014-10-28 16:21:55','2014-10-28 16:21:55','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-91','','','2014-10-28 16:21:55','2014-10-28 16:21:55','',245,'http://catalog.org.uk/245-revision-91/',0,'revision','',0),(785,2,'2014-11-30 21:47:58','2014-11-30 21:47:58','','Broadcast29','','inherit','closed','closed','','broadcast29','','','2014-11-30 21:47:58','2014-11-30 21:47:58','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png',0,'attachment','image/png',0),(786,2,'2014-10-28 16:22:49','2014-10-28 16:22:49','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-92','','','2014-10-28 16:22:49','2014-10-28 16:22:49','',245,'http://catalog.org.uk/245-revision-92/',0,'revision','',0),(787,2,'2014-12-31 15:40:16','2014-12-31 15:40:16','','Broadcast30','','inherit','closed','closed','','broadcast30','','','2014-12-31 15:40:16','2014-12-31 15:40:16','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png',0,'attachment','image/png',0),(788,2,'2014-11-30 21:49:36','2014-11-30 21:49:36','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-93','','','2014-11-30 21:49:36','2014-11-30 21:49:36','',245,'http://catalog.org.uk/245-revision-93/',0,'revision','',0),(789,2,'2014-12-31 15:41:44','2014-12-31 15:41:44','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" title=\"Broadcast30\" width=\"1000\" height=\"368\" class=\"alignnone size-full wp-image-787\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> RHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nLHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-94','','','2014-12-31 15:41:44','2014-12-31 15:41:44','',245,'http://catalog.org.uk/245-revision-94/',0,'revision','',0),(790,3,'2014-06-03 15:15:58','2014-06-03 15:15:58','<strong>Communicate</strong>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a writer and project manager interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce has recently been appointed as Manager, Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England.  Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, <em>Energy Lithuania</em>, was included in <em>The City is a Burning, Blazing Bonfire </em>exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and USA. Her current work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. Frances was artist-in-residence April - May 2014 at Swiss Cottage Library with 176, Zabludowicz Collection, London. Other recent projects include <em>NOCTURNES</em>, a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR, Central Saint Martins and Islington Council.  In 2012 she presented<em> THE MIRACLE METHODS SERIES: Distance Readers</em>, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN with Jarman Award nominees. It will continue to tour in 2014 to venues in the USA including Anthology Film Archives, New York, and LA Film Forum, Los Angeles. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-43','','','2014-06-03 15:15:58','2014-06-03 15:15:58','',11,'http://catalog.org.uk/11-revision-43/',0,'revision','',0),(792,2,'2014-12-31 15:42:38','2014-12-31 15:42:38','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" title=\"Broadcast30\" width=\"1000\" height=\"368\" class=\"alignnone size-full wp-image-787\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-95','','','2014-12-31 15:42:38','2014-12-31 15:42:38','',245,'http://catalog.org.uk/245-revision-95/',0,'revision','',0),(793,2,'2014-02-11 15:14:18','2014-02-11 15:14:18','<strong>Function</strong>\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/the-press-photograph-is-a-message/\"><img class=\"size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-96','','','2014-02-11 15:14:18','2014-02-11 15:14:18','',5,'http://catalog.org.uk/5-revision-96/',0,'revision','',0),(795,2,'2015-03-20 13:04:10','2015-03-20 13:04:10','<strong>Function</strong>\r\n\r\n[caption id=\"attachment_250\" align=\"alignleft\" width=\"150\" caption=\"WE INTERRUPT THIS TRANSMISSION\"]<a href=\"http://catalog.org.uk/we-interrupt-this-transmission/\"><img class=\"size-thumbnail wp-image-250 \" title=\"WE INTERRUPT THIS TRANSMISSION\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/tca-150x150.jpg\" alt=\"\" width=\"250\" height=\"250\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_258\" align=\"alignleft\" width=\"150\" caption=\"A DITTO, DITTO LIBRARY\"]<a href=\"http://catalog.org.uk/dittoditto/\"><img class=\"size-thumbnail wp-image-258 \" title=\"A DITTO DITTO LIBRARY\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/CATALOG_dittoditto1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_340\" align=\"alignleft\" width=\"150\" caption=\"(IM)POSSIBLE SCHOOL BOOK: AS FOUND\"]<a href=\"http://catalog.org.uk/impossible-school/\"><img class=\"size-thumbnail wp-image-340\" title=\"(IM)POSSIBLE SCHOOL BOOK AS FOUND\" src=\"http://catalog.org.uk/wp-content/uploads/2012/08/Untitled1-150x150.png\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_138\" align=\"alignnone\" width=\"150\" caption=\"IF I KNEW THEN WHAT I KNOW NOW\"]<a href=\"http://catalog.org.uk/?page_id=202\"><img class=\"size-thumbnail wp-image-138 \" title=\"IF I KNEW THEN WHAT I KNOW NOW\" src=\"http://catalog.org.uk/wp-content/uploads/2011/10/IF-I-KNEW_emailout72dpi-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n[caption id=\"attachment_533\" align=\"alignleft\" width=\"150\" caption=\"THE PRESS PHOTOGRAPH IS A MESSAGE\"]<a href=\"http://catalog.org.uk/the-press-photograph-is-a-message/\"><img class=\"size-thumbnail wp-image-533\" title=\"THE PRESS PHOTOGRAPH IS A MESSAGE\" src=\"http://catalog.org.uk/wp-content/uploads/2011/02/CATALOG_Thepressphotograph_2013_v3_crop-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" /></a>[/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','Function','','inherit','closed','closed','','5-revision-98','','','2015-03-20 13:04:10','2015-03-20 13:04:10','',5,'http://catalog.org.uk/5-revision-98/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (796,2,'2015-02-26 15:01:33','2015-02-26 15:01:33','<strong> We interrupt this transmission (2012 - 2014 ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" title=\"Broadcast 32\" width=\"1000\" height=\"594\" class=\"alignnone size-full wp-image-791\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" title=\"Broadcast30\" width=\"1000\" height=\"368\" class=\"alignnone size-full wp-image-787\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-96','','','2015-02-26 15:01:33','2015-02-26 15:01:33','',245,'http://catalog.org.uk/245-revision-96/',0,'revision','',0),(797,2,'2015-03-20 13:30:57','2015-03-20 13:30:57','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" title=\"Broadcast 32\" width=\"1000\" height=\"594\" class=\"alignnone size-full wp-image-791\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" title=\"Broadcast30\" width=\"1000\" height=\"368\" class=\"alignnone size-full wp-image-787\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-97','','','2015-03-20 13:30:57','2015-03-20 13:30:57','',245,'http://catalog.org.uk/245-revision-97/',0,'revision','',0),(798,2,'2015-03-20 13:30:58','2015-03-20 13:30:58','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" title=\"Broadcast 32\" width=\"1000\" height=\"594\" class=\"alignnone size-full wp-image-791\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" title=\"Broadcast30\" width=\"1000\" height=\"368\" class=\"alignnone size-full wp-image-787\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-98','','','2015-03-20 13:30:58','2015-03-20 13:30:58','',245,'http://catalog.org.uk/245-revision-98/',0,'revision','',0),(799,2,'2015-03-30 16:47:12','2015-03-30 16:47:12','','Broadcast-33','','inherit','closed','closed','','broadcast-33','','','2015-03-30 16:47:12','2015-03-30 16:47:12','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-33.png',0,'attachment','image/png',0),(801,2,'2015-03-20 13:31:41','2015-03-20 13:31:41','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" title=\"Broadcast 32\" width=\"1000\" height=\"594\" class=\"alignnone size-full wp-image-791\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" title=\"Broadcast30\" width=\"1000\" height=\"368\" class=\"alignnone size-full wp-image-787\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-99','','','2015-03-20 13:31:41','2015-03-20 13:31:41','',245,'http://catalog.org.uk/245-revision-99/',0,'revision','',0),(800,2,'2015-03-31 12:09:52','2015-03-31 12:09:52','','Broadcast-33','','inherit','closed','closed','','broadcast-33-2','','','2015-03-31 12:09:52','2015-03-31 12:09:52','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png',0,'attachment','image/png',0),(802,2,'2015-04-30 20:38:31','2015-04-30 20:38:31','','Broadcast-34','','inherit','closed','closed','','broadcast-34','','','2015-04-30 20:38:31','2015-04-30 20:38:31','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png',0,'attachment','image/png',0),(803,2,'2015-03-31 12:11:39','2015-03-31 12:11:39','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" title=\"Broadcast-33\" width=\"1000\" height=\"317\" class=\"alignnone size-full wp-image-800\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" title=\"Broadcast 32\" width=\"1000\" height=\"594\" class=\"alignnone size-full wp-image-791\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" title=\"Broadcast30\" width=\"1000\" height=\"368\" class=\"alignnone size-full wp-image-787\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-100','','','2015-03-31 12:11:39','2015-03-31 12:11:39','',245,'http://catalog.org.uk/245-revision-100/',0,'revision','',0),(804,2,'2015-04-30 20:40:06','2015-04-30 20:40:06','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" title=\"Broadcast-34\" width=\"1000\" height=\"541\" class=\"alignnone size-full wp-image-802\" /> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 RHS. Channel 1 &gt;&gt;&gt; Jacques Tati, Playtime (1967), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" title=\"Broadcast-33\" width=\"1000\" height=\"317\" class=\"alignnone size-full wp-image-800\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" title=\"Broadcast 32\" width=\"1000\" height=\"594\" class=\"alignnone size-full wp-image-791\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" title=\"Broadcast30\" width=\"1000\" height=\"368\" class=\"alignnone size-full wp-image-787\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-101','','','2015-04-30 20:40:06','2015-04-30 20:40:06','',245,'http://catalog.org.uk/245-revision-101/',0,'revision','',0),(805,2,'2015-04-30 20:41:52','2015-04-30 20:41:52','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" title=\"Broadcast-34\" width=\"1000\" height=\"541\" class=\"alignnone size-full wp-image-802\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 RHS. Channel 1 &gt;&gt;&gt; Jacques Tati, Playtime (1967), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" title=\"Broadcast-33\" width=\"1000\" height=\"317\" class=\"alignnone size-full wp-image-800\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" title=\"Broadcast 32\" width=\"1000\" height=\"594\" class=\"alignnone size-full wp-image-791\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" title=\"Broadcast30\" width=\"1000\" height=\"368\" class=\"alignnone size-full wp-image-787\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" title=\"Broadcast29\" width=\"1000\" height=\"571\" class=\"alignnone size-full wp-image-785\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" title=\"Broadcast-28\" width=\"1000\" height=\"637\" class=\"alignnone size-full wp-image-780\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" title=\"Broadcast 27\" width=\"1000\" height=\"274\" class=\"alignnone size-full wp-image-779\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" title=\"Broadcast 26\" width=\"1000\" height=\"555\" class=\"alignnone size-full wp-image-778\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801 \r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" title=\"Broadcast-25\" width=\"1000\" height=\"350\" class=\"alignnone size-full wp-image-776\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" title=\"Broadcast-24\" width=\"1000\" height=\"577\" class=\"alignnone size-full wp-image-773\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition \r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-102','','','2015-04-30 20:41:52','2015-04-30 20:41:52','',245,'http://catalog.org.uk/245-revision-102/',0,'revision','',0),(806,2,'2015-06-26 15:53:55','2015-06-26 15:53:55','','Broadcast-36','','inherit','closed','closed','','broadcast-36','','','2015-06-26 15:53:55','2015-06-26 15:53:55','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png',0,'attachment','image/png',0),(808,2,'2015-06-26 15:55:13','2015-06-26 15:55:13','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, Blue Velvet (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, Playtime (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-104','','','2015-06-26 15:55:13','2015-06-26 15:55:13','',245,'http://catalog.org.uk/245-revision-104/',0,'revision','',0),(807,2,'2015-04-30 20:43:25','2015-04-30 20:43:25','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, Playtime (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, Blade Runner (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, The Lonely Metropolitan (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, Invocation of My Demon Brother (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-103','','','2015-04-30 20:43:25','2015-04-30 20:43:25','',245,'http://catalog.org.uk/245-revision-103/',0,'revision','',0),(809,2,'2015-08-30 17:23:50','2015-08-30 17:23:50','','broadcast-37','','inherit','closed','closed','','broadcast-37','','','2015-08-30 17:23:50','2015-08-30 17:23:50','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png',0,'attachment','image/png',0),(810,2,'2015-06-26 15:56:53','2015-06-26 15:56:53','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-105','','','2015-06-26 15:56:53','2015-06-26 15:56:53','',245,'http://catalog.org.uk/245-revision-105/',0,'revision','',0),(811,2,'2015-10-29 09:47:51','2015-10-29 09:47:51','','Broadcast38','','inherit','closed','closed','','broadcast38','','','2015-10-29 09:47:51','2015-10-29 09:47:51','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png',0,'attachment','image/png',0),(813,2,'2015-10-29 09:51:28','2015-10-29 09:51:28','','Broadcast40','','inherit','closed','closed','','broadcast40','','','2015-10-29 09:51:28','2015-10-29 09:51:28','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png',0,'attachment','image/png',0),(812,2,'2015-10-29 09:49:41','2015-10-29 09:49:41','','Broadcast39','','inherit','closed','closed','','broadcast39','','','2015-10-29 09:49:41','2015-10-29 09:49:41','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png',0,'attachment','image/png',0),(814,2,'2015-08-30 17:25:06','2015-08-30 17:25:06','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 37 &gt; July 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" alt=\"\" title=\"broadcast-37\" width=\"1000\" height=\"738\" class=\"alignnone size-full wp-image-809\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 &gt;&gt;&gt; Grete Stern, \'Dream N.42\' (1949). Photomontage </em>\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-106','','','2015-08-30 17:25:06','2015-08-30 17:25:06','',245,'http://catalog.org.uk/245-revision-106/',0,'revision','',0),(815,2,'2015-11-30 12:03:50','2015-11-30 12:03:50','','Broadcast-41','','inherit','closed','closed','','broadcast-41','','','2015-11-30 12:03:50','2015-11-30 12:03:50','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png',0,'attachment','image/png',0),(816,2,'2015-10-29 09:52:31','2015-10-29 09:52:31','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 40 &gt; October 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png\" alt=\"\" title=\"Broadcast40\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-813\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 &gt;&gt;&gt; William Klein, \'Who Are You, Polly Magoo?\' (1966), film still  </em>\r\n\r\n- - -\r\n\r\nBROADCAST 39 &gt; September 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png\" alt=\"\" title=\"Broadcast39\" width=\"1000\" height=\"413\" class=\"alignnone size-full wp-image-812\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niall Cronin, photograph taken October 2014 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 38 &gt; August 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png\" alt=\"\" title=\"Broadcast38\" width=\"1000\" height=\"363\" class=\"alignnone size-full wp-image-811\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 &gt;&gt;&gt; Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 37 &gt; July 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" alt=\"\" title=\"broadcast-37\" width=\"1000\" height=\"738\" class=\"alignnone size-full wp-image-809\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 &gt;&gt;&gt; Grete Stern, \'Dream N.42\' (1949). Photomontage </em>\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-107','','','2015-10-29 09:52:31','2015-10-29 09:52:31','',245,'http://catalog.org.uk/245-revision-107/',0,'revision','',0),(817,2,'2016-01-18 18:36:18','2016-01-18 18:36:18','','Broadcast42','','inherit','closed','closed','','broadcast42','','','2016-01-18 18:36:18','2016-01-18 18:36:18','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast42.png',0,'attachment','image/png',0),(818,2,'2015-11-30 12:05:01','2015-11-30 12:05:01','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 41 &gt; November 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png\" alt=\"\" title=\"Broadcast-41\" width=\"1000\" height=\"602\" class=\"alignnone size-full wp-image-815\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 &gt;&gt;&gt; Giovanni Battista Piranesi, Carceri d\'invenzione (c. 1745), one of a series of 16 etchings </em>\r\n\r\n- - -\r\n\r\nBROADCAST 40 &gt; October 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png\" alt=\"\" title=\"Broadcast40\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-813\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 &gt;&gt;&gt; William Klein, \'Who Are You, Polly Magoo?\' (1966), film still  </em>\r\n\r\n- - -\r\n\r\nBROADCAST 39 &gt; September 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png\" alt=\"\" title=\"Broadcast39\" width=\"1000\" height=\"413\" class=\"alignnone size-full wp-image-812\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niall Cronin, photograph taken October 2014 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 38 &gt; August 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png\" alt=\"\" title=\"Broadcast38\" width=\"1000\" height=\"363\" class=\"alignnone size-full wp-image-811\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 &gt;&gt;&gt; Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 37 &gt; July 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" alt=\"\" title=\"broadcast-37\" width=\"1000\" height=\"738\" class=\"alignnone size-full wp-image-809\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 &gt;&gt;&gt; Grete Stern, \'Dream N.42\' (1949). Photomontage </em>\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-108','','','2015-11-30 12:05:01','2015-11-30 12:05:01','',245,'http://catalog.org.uk/245-revision-108/',0,'revision','',0),(819,2,'2016-01-28 14:54:36','2016-01-28 14:54:36','','Broadcast43','','inherit','closed','closed','','broadcast43','','','2016-01-28 14:54:36','2016-01-28 14:54:36','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast43.png',0,'attachment','image/png',0),(820,2,'2016-01-18 18:38:19','2016-01-18 18:38:19','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 42 &gt; December 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast42.png\" alt=\"\" title=\"Broadcast42\" width=\"1000\" height=\"564\" class=\"alignnone size-full wp-image-817\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 &gt;&gt;&gt; Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail </em>\r\n\r\nBROADCAST 41 &gt; November 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png\" alt=\"\" title=\"Broadcast-41\" width=\"1000\" height=\"602\" class=\"alignnone size-full wp-image-815\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 &gt;&gt;&gt; Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings </em>\r\n\r\n- - -\r\n\r\nBROADCAST 40 &gt; October 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png\" alt=\"\" title=\"Broadcast40\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-813\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 &gt;&gt;&gt; William Klein, \'Who Are You, Polly Magoo?\' (1966), film still  </em>\r\n\r\n- - -\r\n\r\nBROADCAST 39 &gt; September 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png\" alt=\"\" title=\"Broadcast39\" width=\"1000\" height=\"413\" class=\"alignnone size-full wp-image-812\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niall Cronin, photograph taken October 2014 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 38 &gt; August 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png\" alt=\"\" title=\"Broadcast38\" width=\"1000\" height=\"363\" class=\"alignnone size-full wp-image-811\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 &gt;&gt;&gt; Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 37 &gt; July 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" alt=\"\" title=\"broadcast-37\" width=\"1000\" height=\"738\" class=\"alignnone size-full wp-image-809\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 &gt;&gt;&gt; Grete Stern, \'Dream N.42\' (1949). Photomontage </em>\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-109','','','2016-01-18 18:38:19','2016-01-18 18:38:19','',245,'http://catalog.org.uk/245-revision-109/',0,'revision','',0),(822,2,'2016-03-30 12:53:57','2016-03-30 12:53:57','','Broadcast44','','inherit','closed','closed','','broadcast44','','','2016-03-30 12:53:57','2016-03-30 12:53:57','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast44.png',0,'attachment','image/png',0),(823,2,'2016-01-28 14:55:57','2016-01-28 14:55:57','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n\r\nBROADCAST 43 &gt; January 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast43.png\" alt=\"\" title=\"Broadcast43\" width=\"1000\" height=\"465\" class=\"alignnone size-full wp-image-819\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 &gt;&gt;&gt; Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 42 &gt; December 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast42.png\" alt=\"\" title=\"Broadcast42\" width=\"1000\" height=\"564\" class=\"alignnone size-full wp-image-817\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 &gt;&gt;&gt; Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail </em>\r\n\r\n- - -\r\n\r\nBROADCAST 41 &gt; November 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png\" alt=\"\" title=\"Broadcast-41\" width=\"1000\" height=\"602\" class=\"alignnone size-full wp-image-815\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 &gt;&gt;&gt; Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings </em>\r\n\r\n- - -\r\n\r\nBROADCAST 40 &gt; October 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png\" alt=\"\" title=\"Broadcast40\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-813\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 &gt;&gt;&gt; William Klein, \'Who Are You, Polly Magoo?\' (1966), film still  </em>\r\n\r\n- - -\r\n\r\nBROADCAST 39 &gt; September 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png\" alt=\"\" title=\"Broadcast39\" width=\"1000\" height=\"413\" class=\"alignnone size-full wp-image-812\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niall Cronin, photograph taken October 2014 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 38 &gt; August 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png\" alt=\"\" title=\"Broadcast38\" width=\"1000\" height=\"363\" class=\"alignnone size-full wp-image-811\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 &gt;&gt;&gt; Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 37 &gt; July 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" alt=\"\" title=\"broadcast-37\" width=\"1000\" height=\"738\" class=\"alignnone size-full wp-image-809\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 &gt;&gt;&gt; Grete Stern, \'Dream N.42\' (1949). Photomontage </em>\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-110','','','2016-01-28 14:55:57','2016-01-28 14:55:57','',245,'http://catalog.org.uk/245-revision-110/',0,'revision','',0),(821,2,'2015-02-16 22:44:08','2015-02-16 22:44:08','<strong>Communicate</strong>\r\n\r\n<!-- p.p1 {margin: 0.0px 0.0px 13.0px 0.0px; line-height: 19.0px; font: 13.0px Georgia} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Arial; min-height: 15.0px} p.p4 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Georgia; min-height: 15.0px} -->\r\n\r\n[customcontact form=1]\r\n\r\nFollow \'We interrupt this transmission\' on Twitter:\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel1\">@CATALOGchannel1</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<a class=\"twitter-follow-button\" href=\"https://twitter.com/CATALOGchannel2\">@CATALOGchannel2</a>\r\n<script type=\"text/javascript\">// <![CDATA[\r\n    !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0];if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=\"//platform.twitter.com/widgets.js\";fjs.parentNode.insertBefore(js,fjs);}}(document,\"script\",\"twitter-wjs\");\r\n// ]]></script>\r\n\r\n<strong>info@catalog.org.uk</strong>\r\n\r\n<strong>Joyce Cronin </strong>is a gallery manager, project manager and organiser of exhibitions and events. She is interested in different modes of collaborative working and the processes and dialogues surrounding the acts of making and exhibiting practice. Joyce is a manager at Afterall, a research and publishing organisation based at Central Saint Martins. She has previously worked as Gallery Manager at Matt’s Gallery, The Drawing Room and Studio Voltaire. Her freelance practice has included work at Cubitt Gallery and as an Artistic Assessor for Arts Council England.  Joyce has taught at the University of the Arts, London providing professional development portfolio reviews to students on BA Photography and Pg Cert Professional Studies: Photography at Camberwell College of Arts and Central St Martins respectively. She has written for the website ArtSlant and her text on Deimantas Narkevicius’, <em>Energy Lithuania</em>, was included in <em>The City is a Burning, Blazing Bonfire </em>exhibition catalogue at Cubitt Gallery, London. Joyce is a graduate of the University of the Arts, with a BA in History of Art from Camberwell College and MA in Enterprise Management for the Creative Arts from the London College of Communications.\r\n\r\n<strong>Frances Scott </strong> is an artist and has shown work in the UK and USA. Her current work considers the trance state as a site of production, drawing on the register of the pre-emptive voice, and the role of the script in forecasting. Frances was artist-in-residence April - May 2014 at Swiss Cottage Library with 176, Zabludowicz Collection, London. Other recent projects include <em>NOCTURNES</em>, a two month research-residency working with night-shift workers in Finsbury Park, commissioned by AIR, Central Saint Martins and Islington Council.  In 2012 she presented<em> THE MIRACLE METHODS SERIES: Distance Readers</em>, film episodes transmitted on local council and BBC information screens for b-side festival, Weymouth. The work was screened in June 2013 at cinemas and galleries including Nottingham Contemporary, FACT Liverpool, CCA Glasgow, and the Whitechapel, London, as part of \'Selected III\', curated by FLAMIN with Jarman Award nominees. It will continue to tour in 2014 to venues in the USA including Anthology Film Archives, New York, and LA Film Forum, Los Angeles. A performance originating from the same series was broadcast in 2011 for a Lucky PDF live broadcast as part of their commission with Frieze Projects, and at Autoitalia in 2010. She has performed in film and installation projects for artists including Lucy Cash, Magnus Palsson, Aura Satz, and Jennet Thomas, and works freelance in a range of contexts; currently as studio manager to Mike Nelson, and previously at organisations including Matt’s Gallery, Beaconsfield, and Artsadmin. She has presented talks at institutes across the University of the Arts London, and at the University of Central Lancashire. Frances graduated from the BA History of Art, at the Courtauld Institute of Art in 2003, and from the MA Fine Art at Wimbledon College of Art in 2010. <a href=\"http://www.abyme.org.uk/\" target=\"_blank\">www.abyme.org.uk</a>\r\n\r\n<strong>CATALOG </strong>was founded in 2010 by Joyce Cronin, Frances Scott and Carolyn Thompson.\r\n\r\n<script type=\"text/javascript\">// <![CDATA[\r\n  (function(d, s, id) {   var js, fjs = d.getElementsByTagName(s)[0];   if (d.getElementById(id)) return;   js = d.createElement(s); js.id = id;   js.src = \"//connect.facebook.net/en_GB/all.js#xfbml=1\";   fjs.parentNode.insertBefore(js, fjs); }(document, \'script\', \'facebook-jssdk\'));\r\n// ]]></script>','Communicate','','inherit','closed','closed','','11-revision-44','','','2015-02-16 22:44:08','2015-02-16 22:44:08','',11,'http://catalog.org.uk/11-revision-44/',0,'revision','',0),(824,2,'2016-03-30 12:56:57','2016-03-30 12:56:57','','Broadcast45','','inherit','closed','closed','','broadcast45','','','2016-03-30 12:56:57','2016-03-30 12:56:57','',245,'http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast45.png',0,'attachment','image/png',0),(825,2,'2016-03-30 12:55:30','2016-03-30 12:55:30','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\nBROADCAST 44 &gt; February 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast44.png\" alt=\"\" title=\"Broadcast44\" width=\"1000\" height=\"483\" class=\"alignnone size-full wp-image-822\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'St Elmo\'s Fire\' phenomenon, engraving, unknown, c.1860\r\nRHS. Channel 1 &gt;&gt;&gt; \'Whirling Dervishes perform the ritual dance of the Sufi sect, Ankara, Turkey\'. Photo: Sukri Celil Advan, National Geographic, 2013\r\n</em>\r\n\r\n- - -\r\nBROADCAST 43 &gt; January 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast43.png\" alt=\"\" title=\"Broadcast43\" width=\"1000\" height=\"465\" class=\"alignnone size-full wp-image-819\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 &gt;&gt;&gt; Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 42 &gt; December 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast42.png\" alt=\"\" title=\"Broadcast42\" width=\"1000\" height=\"564\" class=\"alignnone size-full wp-image-817\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 &gt;&gt;&gt; Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail </em>\r\n\r\n- - -\r\n\r\nBROADCAST 41 &gt; November 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png\" alt=\"\" title=\"Broadcast-41\" width=\"1000\" height=\"602\" class=\"alignnone size-full wp-image-815\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 &gt;&gt;&gt; Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings </em>\r\n\r\n- - -\r\n\r\nBROADCAST 40 &gt; October 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png\" alt=\"\" title=\"Broadcast40\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-813\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 &gt;&gt;&gt; William Klein, \'Who Are You, Polly Magoo?\' (1966), film still  </em>\r\n\r\n- - -\r\n\r\nBROADCAST 39 &gt; September 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png\" alt=\"\" title=\"Broadcast39\" width=\"1000\" height=\"413\" class=\"alignnone size-full wp-image-812\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niall Cronin, photograph taken October 2014 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 38 &gt; August 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png\" alt=\"\" title=\"Broadcast38\" width=\"1000\" height=\"363\" class=\"alignnone size-full wp-image-811\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 &gt;&gt;&gt; Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 37 &gt; July 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" alt=\"\" title=\"broadcast-37\" width=\"1000\" height=\"738\" class=\"alignnone size-full wp-image-809\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 &gt;&gt;&gt; Grete Stern, \'Dream N.42\' (1949). Photomontage </em>\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-111','','','2016-03-30 12:55:30','2016-03-30 12:55:30','',245,'http://catalog.org.uk/245-revision-111/',0,'revision','',0),(826,2,'2016-03-30 12:57:37','2016-03-30 12:57:37','<strong> We interrupt this transmission (2012 - ongoing) </strong>\r\n\r\n<em>We interrupt this transmission</em> is a monthly online image-broadcast, accessed via open subscription through email and twitter. The images are sent between CATALOG - as channel 1 and channel 2 - as a form of  \'call-and-echo\', where the first contribution initiates a response.  The images are drawn from many sources. There are relationships within each pair - sometimes produced in synchronicity, sometimes oblique - but also connections across the trajectory of the project, where particular questions and trains of thought are made apparent through the accumulation of material. It is a research method where an ongoing working conversation might be visualised, and continued within public space.\r\n\r\n<em>We interrupt this transmission</em> will be extended to include a third element, which may be written or performed by another, becoming a kind of stereoscopic unit (left and right-eye views of the same scene are brought together as a single three-dimensional image).\r\n\r\nPlease visit the <a href=\"http://catalog.org.uk/communicate/\">communicate</a> page to subscribe.\r\n\r\n- - -\r\n\r\nBROADCAST 45 &gt; March 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast45.png\" alt=\"\" title=\"Broadcast45\" width=\"1000\" height=\"533\" class=\"alignnone size-full wp-image-824\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; photograph taken in Whitby, North Yorkshire, 13 March 2016\r\nRHS. Channel 2 &gt;&gt;&gt; photograph taken of fortune-telling card from arcade penny slot machine, 2016\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 44 &gt; February 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast44.png\" alt=\"\" title=\"Broadcast44\" width=\"1000\" height=\"483\" class=\"alignnone size-full wp-image-822\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'St Elmo\'s Fire\' phenomenon, engraving, unknown, c.1860\r\nRHS. Channel 1 &gt;&gt;&gt; \'Whirling Dervishes perform the ritual dance of the Sufi sect, Ankara, Turkey\'. Photo: Sukri Celil Advan, National Geographic, 2013\r\n</em>\r\n\r\n- - -\r\nBROADCAST 43 &gt; January 2016\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast43.png\" alt=\"\" title=\"Broadcast43\" width=\"1000\" height=\"465\" class=\"alignnone size-full wp-image-819\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Rare lenticular clouds in the skies over Robertson and Leon Counties, Texas, 25 May 2015\'. Photo: M.Davis\r\nRHS. Channel 2 &gt;&gt;&gt; Victor Fleming (Dir.), \'The Wizard of Oz\' (1939), film still\r\n</em>\r\n\r\n- - -\r\n\r\nBROADCAST 42 &gt; December 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast42.png\" alt=\"\" title=\"Broadcast42\" width=\"1000\" height=\"564\" class=\"alignnone size-full wp-image-817\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; \'Keith Byrne with his mother, Theresa, at Coolock Garda Station in 1985\'. Photo: Dermot O\'Shea, The Irish Times\r\nRHS. Channel 1 &gt;&gt;&gt; Sandro Boticelli, \'Madonna del Magnificat\', 1481, painting detail </em>\r\n\r\n- - -\r\n\r\nBROADCAST 41 &gt; November 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-41.png\" alt=\"\" title=\"Broadcast-41\" width=\"1000\" height=\"602\" class=\"alignnone size-full wp-image-815\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Edward Dmytryk (Dir.), \'Murder, My Sweet (Farewell, My Lovely)\' (1944), film still, end credit\r\nRHS. Channel 2 &gt;&gt;&gt; Giovanni Battista Piranesi, \'Carceri d\'invenzione\' (c. 1745), one of a series of 16 etchings </em>\r\n\r\n- - -\r\n\r\nBROADCAST 40 &gt; October 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast40.png\" alt=\"\" title=\"Broadcast40\" width=\"1000\" height=\"444\" class=\"alignnone size-full wp-image-813\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Mary Magdalene, detail of altarpiece by Jan Polack (circa 1500)\r\nRHS. Channel 1 &gt;&gt;&gt; William Klein, \'Who Are You, Polly Magoo?\' (1966), film still  </em>\r\n\r\n- - -\r\n\r\nBROADCAST 39 &gt; September 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast39.png\" alt=\"\" title=\"Broadcast39\" width=\"1000\" height=\"413\" class=\"alignnone size-full wp-image-812\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Guy Hamilton (dir.), \'Goldfinger\' (1964), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niall Cronin, photograph taken October 2014 </em>\r\n\r\n- - -\r\n\r\nBROADCAST 38 &gt; August 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast38.png\" alt=\"\" title=\"Broadcast38\" width=\"1000\" height=\"363\" class=\"alignnone size-full wp-image-811\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Found photograph, New York, USA, July 2015\r\nRHS. Channel 1 &gt;&gt;&gt; Victor Fleming; George Cukor; Mervyn LeRoy; Norman Taurog; King Vidor (dirs.), \'The Wizard of Oz\' (1939), film still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 37 &gt; July 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast-37.png\" alt=\"\" title=\"broadcast-37\" width=\"1000\" height=\"738\" class=\"alignnone size-full wp-image-809\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; \'Laputa\': illustration from Jonathan Swift, Gulliver\'s Travels, 1727\r\nRHS. Channel 2 &gt;&gt;&gt; Grete Stern, \'Dream N.42\' (1949). Photomontage </em>\r\n\r\n- - -\r\n\r\nBROADCAST 36 &gt; June 2015\r\n<img src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-36.png\" alt=\"\" title=\"Broadcast-36\" width=\"1000\" height=\"357\" class=\"alignnone size-full wp-image-806\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Photograph taken in Belair Park, London, 21 June 2015\r\nRHS. Channel 1 &gt;&gt;&gt; David Lynch, \'Blue Velvet\' (1986), film production still </em>\r\n\r\n- - -\r\n\r\nBROADCAST 34 &gt; April 2015\r\n<img class=\"alignnone size-full wp-image-802\" title=\"Broadcast-34\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-34.png\" alt=\"\" width=\"1000\" height=\"541\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Friedrich Kiesler, shop window design, 1930 \r\nRHS. Channel 1 &gt;&gt;&gt; Jacques Tati, \'Playtime\' (1967), film still</em>\r\n\r\n- - -\r\n\r\nBROADCAST 33 &gt; March 2015\r\n<img class=\"alignnone size-full wp-image-800\" title=\"Broadcast-33\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-331.png\" alt=\"\" width=\"1000\" height=\"317\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Ridley Scott, \'Blade Runner\' (1982), film still\r\nRHS. Channel 2 &gt;&gt;&gt; Two \'zebras\' at the Marha Land Zoo, Gaza, 2009. http://electronicintifada.net/content/no-animals-no-visitors-gazas-lone-zoo/9025 last accessed 29 March 2015\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 32 &gt; February 2015\r\n<img class=\"alignnone size-full wp-image-791\" title=\"Broadcast 32\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-32.png\" alt=\"\" width=\"1000\" height=\"594\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Herbert Bayer, \'The Lonely Metropolitan\' (1932), Gelatin-silver print and photo montage\r\nRHS. Channel 1 &gt;&gt;&gt; Kenneth Anger, \'Invocation of My Demon Brother\' (1969), film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 30 &gt; December2014\r\n<img class=\"alignnone size-full wp-image-787\" title=\"Broadcast30\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast30.png\" alt=\"\" width=\"1000\" height=\"368\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; Trochila ilicola, a fungus on holly leaves, 2008, lifeonanoxfordlawn.blogspot.co.uk [last accessed 31.12.2014]\r\nRHS. Channel 1 &gt;&gt;&gt; Chris Marker, \'E-CLIP-SE\', 1999, film still\r\n</em></span>\r\n\r\n- - -\r\nBROADCAST 29 &gt; November 2014\r\n<img class=\"alignnone size-full wp-image-785\" title=\"Broadcast29\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast29.png\" alt=\"\" width=\"1000\" height=\"571\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Orson Welles, \'Citizen Kane\', 1941, film still\r\nRHS. Channel 2 &gt;&gt;&gt; 1914-1918, photographer unknown, reproduced in PICPUS, Issue No.14, Summer 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 28 &gt; October 2014\r\n<img class=\"alignnone size-full wp-image-780\" title=\"Broadcast-28\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-28.png\" alt=\"\" width=\"1000\" height=\"637\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt;  \'Dia de los Muertos\' altar, San Antonio, Texas. Found image\r\nRHS. Channel 1 &gt;&gt;&gt; The death of comedian Tommy Cooper during his act on the London Weekend Television variety show \'Live From Her Majesty\'s\', transmitted live from Her Majesty\'s Theatre, London, 15 April 1984. Video still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 27 &gt; September 2014\r\n<img class=\"alignnone size-full wp-image-779\" title=\"Broadcast 27\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-27.png\" alt=\"\" width=\"1000\" height=\"274\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; 3636 Brunswick Avenue, Los Angeles, USA, 1928 / 2014. Photo: Google Street View\r\nRHS. Channel 2 &gt;&gt;&gt; \'The Ryde\', Hatfield, UK  in Concrete Quarterly, 1967\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 26 &gt; August 2014\r\n<img class=\"alignnone size-full wp-image-778\" title=\"Broadcast 26\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-26.png\" alt=\"\" width=\"1000\" height=\"555\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 2 &gt;&gt;&gt; William Blake, Comus with his Revellers, \'Illustrations to Milton\'s Comus\', The Thomas Set, 1801\r\nRHS. Channel 1 &gt;&gt;&gt; Mari Lwyd / Y Fari Lwyd (\'Grey Mare\') midwinter celebrations, Chepstow, Monmouthshire, Wales, 2014\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 25 &gt; July 2014\r\n<img class=\"alignnone size-full wp-image-776\" title=\"Broadcast-25\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-25.png\" alt=\"\" width=\"1000\" height=\"350\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em> LHS. Channel 1 &gt;&gt;&gt; Mustafa Abu Ali, \'They Do Not Exist\', 1974. Film still\r\nRHS. Channel 2 &gt;&gt;&gt; Jacques-Louis David, \'The Oath of the Horatii\', oil painting, 1784\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 24 &gt; June 2014\r\n<img class=\"alignnone size-full wp-image-773\" title=\"Broadcast-24\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-24.png\" alt=\"\" width=\"1000\" height=\"577\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Portrait of Mrs. Maud Stevens Wagner, the wife of tattooist Gus Wagner, 1907\r\nRHS. Channel 1 &gt;&gt;&gt; \'Sea monster Ziphius eating a seal\', detail from Olaus Magnus, Carta Marina, 1572 edition\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 23 &gt; May 2014\r\n<img class=\"alignnone size-full wp-image-766\" title=\"Broadcast-23\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast-23.png\" alt=\"\" width=\"1000\" height=\"257\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Charles and Ray Eames \'House: After Five Years of Living\' 1955, film still\r\nRHS. Channel 2 &gt;&gt;&gt; Niki de St Phalle and Peter Whitehead (dirs.), \'Daddy\', 1973, film still\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 22 &gt; April 2014\r\n<img class=\"alignnone size-full wp-image-768\" title=\"Broadcast22\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast22.png\" alt=\"\" width=\"1000\" height=\"720\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'The rosetta stone in situ at the British Museum\', illustrated in Henry Smith Williams, MD, The History of the Art of Writing, publisher and date unknown\r\nRHS. Channel 1 &gt;&gt;&gt;  \'One of the elite in John Boorman\'s Zardoz, 1973\' illustrated in Tom Hutchison, Horror &amp; Fantasy in the Cinema, Studio Vista, London, 1974</em> </span>\r\n\r\n<span style=\"font-size: 11px; line-height: 15px;\">Material selected by CATALOG from the Swiss Cottage Library collection, on the occasion of Frances Scott\'s residency \'Another way of reading\' with the London Borough of Camden and the Zabludowicz Collection. </span>\r\n\r\n- - -\r\n\r\nBROADCAST 21 &gt; March 2014\r\n<img class=\"alignnone size-full wp-image-764\" title=\"Broadcast21\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast211.png\" alt=\"\" width=\"1000\" height=\"365\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; \'Loop the Loop\', Luna Park, Coney Island, USA, c.1903-1910\r\nRHS. Channel 2 &gt;&gt;&gt; \'A Palestinian man walks in an abandoned amusement park near the west bank town of Nablus\', 6 October 2009 (AP Photo/Oded Bality) </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 20 &gt; February 2014\r\n<img class=\"alignnone size-full wp-image-757\" title=\"Broadcast20\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast20.png\" alt=\"\" width=\"1000\" height=\"515\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Thomas Stewart, after Jean Laurent Mosnier, \'Chevalier D\'Eon\', 1792, oil on canvas [see www.en.wikipedia.org/wiki/Chevalier_d\'Eon]\r\nRHS. Channel 1 &gt;&gt;&gt; Dummy heads fabricated from soap, toilet paper and human hair, used in the prisoner escape from Alcatraz Federal Penitentiary, San Fransisco, USA on 11 June 1962. From left to right: Clarence Anglin, Frank Lee Morris, John Anglin, Allen West </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 19 &gt; January 2014\r\n<img class=\"alignnone size-full wp-image-642\" title=\"Broadcast19\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast19.png\" alt=\"\" width=\"1000\" height=\"565\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Found postcard\r\nRHS. Channel 2 &gt;&gt;&gt; Rudolf von Laban (right) and his dancers, Ascona, 1914. Photo. Johann Adam Maisenbach </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 18 &gt; December 2013\r\n<img class=\"alignnone size-full wp-image-646\" title=\"Broadcast18\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast18.png\" alt=\"\" width=\"1000\" height=\"377\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; \'Fairies and their Sun-Bath\', the fifth and last photograph of the Cottingley Fairies, July 1917\r\nRHS. Channel 1 &gt;&gt;&gt; Lloyd Bacon and Busby Berkeley (dirs.), \'42nd Street\', 1933, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 17 &gt; November 2013\r\n<img class=\"alignnone size-full wp-image-647\" title=\"Broadcast17\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast17.png\" alt=\"\" width=\"1000\" height=\"477\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 1 &gt;&gt;&gt; Gustave Doré, \'Little Red Riding Hood\', c.1862, oil on canvas\r\nRHS.Channel 2 &gt;&gt;&gt; William Lyman Underwood,  \'...Bruno\'s Foster Mother\', \'Wild Brother: Strangest of True Stories from the North Woods\', The Atlantic Monthly Press, Boston, 1921. p18 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 16 &gt; October 2013\r\n<img class=\"alignnone size-full wp-image-669\" title=\"Broadcast16\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast161.png\" alt=\"\" width=\"1000\" height=\"411\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\"><em>LHS. Channel 2 &gt;&gt;&gt; Dan Graham, \'Horizontal/Vertical\', 1964, drawing\r\nRHS. Channel 1 &gt;&gt;&gt; Stanley Kubrick, \'The Shining\', 1981, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 15 &gt; September 2013\r\n<img class=\"alignnone size-full wp-image-649\" title=\"Broadcast15\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast15.png\" alt=\"\" width=\"1000\" height=\"311\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; Aisikaeir, sixth-generation acrobat from the Dawa Zi ethnic group of North West China\'s Xinjiang province, walking backwards and blindfolded on a 700m-long tightrope, 200m above ground in Hunan province, central China, July 2012\r\nRHS. Channel 2 &gt;&gt;&gt; Catherine Yass, \'High Wire\', 2007.  French high-wire artist Didier Pasquette\'s view down 90m above the ground, between three tower blocks in North Glasgow\'s Red Road </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 14 &gt; August 2013\r\n<img class=\"alignnone size-full wp-image-650\" title=\"Broadcast14\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast14.png\" alt=\"\" width=\"1000\" height=\"572\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Ralph Morse, \'Passages between chambers at Lascaux\', 1947, photograph\r\nRHS. Channel 1 &gt;&gt;&gt; Henry Levin (dir.), \'Journey to the Center of the Earth\', 1959, film still. Adapted from Jules Verne\'s \'Voyage au Centre de la Terre\', 1864\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 13 &gt; July 2013\r\n<img class=\"alignnone size-full wp-image-651\" title=\"broadcast13\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/broadcast13.png\" alt=\"\" width=\"1000\" height=\"321\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Sunray Avenue, London, 11 July 2013\r\nRHS. Channel 2 &gt;&gt;&gt; Jimmie Durham, \'The Second Particle Wave Theory\', Walter Philips Gallery Editions, Banff Centre Press and Art Editions North, Sunderland, 2005. p17\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 12 &gt; June 2013\r\n<img class=\"alignnone size-full wp-image-670\" title=\"Broadcast12\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast121.png\" alt=\"\" width=\"1000\" height=\"539\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Found knitting pattern, www.work4idlehands.com\r\nRHS. Channel 1 &gt;&gt;&gt; Davenport Murchison National Park, Australia, photograph: Chris Hadfield, Astronaut on International Space Station, made available via twitter, 21 April 2013\r\n</em></span>\r\n\r\nBROADCAST 11 &gt; May 2013\r\n<img class=\"alignnone size-full wp-image-653\" title=\"Broadcast11\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast11.png\" alt=\"\" width=\"1000\" height=\"381\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em> LHS. Channel 1 &gt;&gt;&gt; \'Thomas Creek\' State of Oregon, USA, \'Google Earth\'\r\nRHS. Channel 2 &gt;&gt;&gt; Eugene de Salignac, \'Painters on the Brooklyn Bridge Suspender Cables - October 7, 1914\', 1914, gelatine silver print\r\n</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 10 &gt; April 2013\r\n<img class=\"alignnone size-full wp-image-654\" title=\"Broadcast10\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast10.png\" alt=\"\" width=\"1000\" height=\"334\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Wladyslaw Bednarczuk, \'Mighty Hands\', 1936, photogravure\r\nRHS. Channel 1 &gt;&gt;&gt; Dariush Mehrjui dir., \'The Cow\' (Gaav), 1969, film still </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 9 &gt; March 2013\r\n<img class=\"alignnone size-full wp-image-671\" title=\"Broadcast9\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast91.png\" alt=\"\" width=\"1000\" height=\"375\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; photograph taken on Calle Virgen de los Buenos Libros, Sevilla, Spain, 10 March 2013\r\nRHS. Channel 2 &gt;&gt;&gt;  E. McKnight Kauffer: invitation card for the Zwemmer Gallery opening exhibition 1929</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 8 &gt; February 2013\r\n<img class=\"alignnone size-full wp-image-672\" title=\"Broadcast8\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast81.png\" alt=\"\" width=\"1000\" height=\"551\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 2 &gt;&gt;&gt; Marianne North, \'Buphane toxicara and Other Flowers of Grahamstown\', c.1882, oil on board\r\nRHS. Channel 1 &gt;&gt;&gt; Georges Méliès, \'Le Papillon Fantastique\', 1909, video still </em>\r\n</span>\r\n\r\n- - -\r\n\r\nBROADCAST 7 &gt; January 2013\r\n<img class=\"alignnone size-full wp-image-657\" title=\"Broadcast7\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast7.png\" alt=\"\" width=\"1000\" height=\"495\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>LHS. Channel 1 &gt;&gt;&gt; NASA, Bigelow \'Transhab\' prototype model, c. 1997\r\nRHS. Channel 2 &gt;&gt;&gt; \'A tree with a girth of 108 feet in the National Park, California\', Walter P. Wright (ed.) \'Practical Gardening for Pleasure and Profit\', Volume V, Educational Book Company, London, 1910. p.89</em>\r\n</span>\r\n- - -\r\n\r\nBROADCAST 6 &gt; December 2012\r\n<img class=\"alignnone size-full wp-image-673\" title=\"Broadcast6\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast61.png\" alt=\"\" width=\"1000\" height=\"549\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; \'Moving Statue of Ballinspittle Grotto\' excerpt, as reported on BBC Newsnight, 1985, video still </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; William Carrick, \'An Abacus Seller\', St Petersburg, c.1860 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 5 &gt; November 2012\r\n<img class=\"alignnone size-full wp-image-674\" title=\"Broadcast5\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast51.png\" alt=\"\" width=\"1000\" height=\"660\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 1 &gt;&gt;&gt; Found slide C / 37 </em>\r\n<em> RHS. Channel 2 &gt;&gt;&gt; Calendar folio 6r, November, from \'The Sanct-Blasien Psalter\', illuminated manuscript on vellum, The Black Forest (probably Beram Abbey) c.1236-45 </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 4 &gt; October 2012\r\n<img class=\"alignnone size-full wp-image-675\" title=\"Broadcast4\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast41.png\" alt=\"\" width=\"1000\" height=\"629\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nLHS. Channel 2 &gt;&gt;&gt; Roger de Piles, \'Cours de peinture par principes\', engraved plate, Paris, 1708 </em>\r\n<em> RHS. Channel 1 &gt;&gt;&gt; Axial Seamount Volcano, located a mile beneath the ocean surface and 250 miles offshore of Oregon </em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 3 &gt; September 2012\r\n<img class=\"alignnone size-full wp-image-681\" title=\"Broadcast3\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast31.png\" alt=\"\" width=\"1000\" height=\"836\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 1 &gt;&gt;&gt; East German camouflage sample, c1970</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Kay Sekimachi, \'Amiyose\', quadruple and tubular weave, nylon monofilament, 1965</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 2 &gt; August 2012\r\n<img class=\"alignnone size-full wp-image-678\" title=\"Broadcast2\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast21.png\" alt=\"\" width=\"1000\" height=\"481\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>\r\nChannel 2 &gt;&gt;&gt; William Butler Yeats, extract from \'Nineteen Hundred and Nineteen\', 1928</em>\r\n<em> </em><em>Channel 1 &gt;&gt;&gt; Loomis Dean, \'Atomic Bomb Test - Yucca Flat, Nevada (May 1955)\', 1955</em></span>\r\n\r\n- - -\r\n\r\nBROADCAST 1 &gt; July 2012\r\n<img class=\"alignnone size-full wp-image-679\" title=\"Broadcast1\" src=\"http://catalog.org.uk/wp-content/uploads/2012/05/Broadcast13.png\" alt=\"\" width=\"1000\" height=\"340\" />\r\n<span style=\"font-size: 11px; line-height: 15px;\">\r\n<em>Channel 1 &gt;&gt;&gt; Postcard found in \'The Hanging Church\', Coptic Christian Church, Cairo Egypt, 2010</em>\r\n<em> </em><em>Channel 2 &gt;&gt;&gt; Jan Saenredam, \'Beached Whale near Beverwijk\', 1602, engraving</em></span>\r\n\r\n<em>---</em>\r\n\r\n&nbsp;\r\n\r\n<em> </em>','We interrupt this transmission','','inherit','closed','closed','','245-revision-112','','','2016-03-30 12:57:37','2016-03-30 12:57:37','',245,'http://catalog.org.uk/245-revision-112/',0,'revision','',0);
/*!40000 ALTER TABLE `wp_posts` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_term_relationships`
--

DROP TABLE IF EXISTS `wp_term_relationships`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_term_relationships` (
  `object_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `term_taxonomy_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `term_order` int(11) NOT NULL DEFAULT '0',
  PRIMARY KEY (`object_id`,`term_taxonomy_id`),
  KEY `term_taxonomy_id` (`term_taxonomy_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_term_relationships`
--

LOCK TABLES `wp_term_relationships` WRITE;
/*!40000 ALTER TABLE `wp_term_relationships` DISABLE KEYS */;
INSERT INTO `wp_term_relationships` VALUES (1,2,0),(2,2,0),(3,2,0),(4,2,0),(5,2,0),(6,2,0),(7,2,0),(1,1,0),(18,3,0),(17,3,0),(16,3,0),(15,3,0),(14,3,0);
/*!40000 ALTER TABLE `wp_term_relationships` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_term_taxonomy`
--

DROP TABLE IF EXISTS `wp_term_taxonomy`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_term_taxonomy` (
  `term_taxonomy_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `term_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `taxonomy` varchar(32) NOT NULL DEFAULT '',
  `description` longtext NOT NULL,
  `parent` bigint(20) unsigned NOT NULL DEFAULT '0',
  `count` bigint(20) NOT NULL DEFAULT '0',
  PRIMARY KEY (`term_taxonomy_id`),
  UNIQUE KEY `term_id_taxonomy` (`term_id`,`taxonomy`),
  KEY `taxonomy` (`taxonomy`)
) ENGINE=MyISAM AUTO_INCREMENT=4 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_term_taxonomy`
--

LOCK TABLES `wp_term_taxonomy` WRITE;
/*!40000 ALTER TABLE `wp_term_taxonomy` DISABLE KEYS */;
INSERT INTO `wp_term_taxonomy` VALUES (1,1,'category','',0,0),(2,2,'link_category','',0,7),(3,3,'nav_menu','',0,5);
/*!40000 ALTER TABLE `wp_term_taxonomy` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_terms`
--

DROP TABLE IF EXISTS `wp_terms`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_terms` (
  `term_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `name` varchar(200) NOT NULL DEFAULT '',
  `slug` varchar(200) NOT NULL DEFAULT '',
  `term_group` bigint(10) NOT NULL DEFAULT '0',
  PRIMARY KEY (`term_id`),
  UNIQUE KEY `slug` (`slug`),
  KEY `name` (`name`)
) ENGINE=MyISAM AUTO_INCREMENT=4 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_terms`
--

LOCK TABLES `wp_terms` WRITE;
/*!40000 ALTER TABLE `wp_terms` DISABLE KEYS */;
INSERT INTO `wp_terms` VALUES (1,'Uncategorized','uncategorized',0),(2,'Blogroll','blogroll',0),(3,'main','main',0);
/*!40000 ALTER TABLE `wp_terms` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_usermeta`
--

DROP TABLE IF EXISTS `wp_usermeta`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_usermeta` (
  `umeta_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `user_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `meta_key` varchar(255) DEFAULT NULL,
  `meta_value` longtext,
  PRIMARY KEY (`umeta_id`),
  KEY `user_id` (`user_id`),
  KEY `meta_key` (`meta_key`)
) ENGINE=MyISAM AUTO_INCREMENT=110 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_usermeta`
--

LOCK TABLES `wp_usermeta` WRITE;
/*!40000 ALTER TABLE `wp_usermeta` DISABLE KEYS */;
INSERT INTO `wp_usermeta` VALUES (1,1,'first_name',''),(2,1,'last_name',''),(3,1,'nickname','admin'),(4,1,'description',''),(5,1,'rich_editing','true'),(6,1,'comment_shortcuts','false'),(7,1,'admin_color','fresh'),(8,1,'use_ssl','0'),(9,1,'show_admin_bar_front','true'),(10,1,'show_admin_bar_admin','false'),(11,1,'aim',''),(12,1,'yim',''),(13,1,'jabber',''),(14,1,'wp_capabilities','a:1:{s:13:\"administrator\";s:1:\"1\";}'),(15,1,'wp_user_level','10'),(16,1,'wp_dashboard_quick_press_last_post_id','255'),(17,1,'wp_user-settings','m5=o&editor=tinymce&imgsize=thumbnail&align=left'),(18,1,'wp_user-settings-time','1338452475'),(19,1,'managenav-menuscolumnshidden','a:4:{i:0;s:11:\"link-target\";i:1;s:11:\"css-classes\";i:2;s:3:\"xfn\";i:3;s:11:\"description\";}'),(20,1,'metaboxhidden_nav-menus','a:2:{i:0;s:8:\"add-post\";i:1;s:12:\"add-post_tag\";}'),(21,2,'first_name','Frances'),(22,2,'last_name','Scott'),(23,2,'nickname','frances'),(24,2,'description',''),(25,2,'rich_editing','true'),(26,2,'comment_shortcuts','false'),(27,2,'admin_color','fresh'),(28,2,'use_ssl','0'),(29,2,'show_admin_bar_front','true'),(30,2,'show_admin_bar_admin','false'),(31,2,'aim',''),(32,2,'yim',''),(33,2,'jabber',''),(34,2,'wp_capabilities','a:1:{s:13:\"administrator\";s:1:\"1\";}'),(35,2,'wp_user_level','10'),(36,3,'first_name','Joyce'),(37,3,'last_name','Cronin'),(38,3,'nickname','joyce'),(39,3,'description',''),(40,3,'rich_editing','true'),(41,3,'comment_shortcuts','false'),(42,3,'admin_color','fresh'),(43,3,'use_ssl','0'),(44,3,'show_admin_bar_front','true'),(45,3,'show_admin_bar_admin','false'),(46,3,'aim',''),(47,3,'yim',''),(48,3,'jabber',''),(49,3,'wp_capabilities','a:1:{s:13:\"administrator\";s:1:\"1\";}'),(50,3,'wp_user_level','10'),(51,4,'first_name','Carolyn'),(52,4,'last_name','Thompson'),(53,4,'nickname','carolyn'),(54,4,'description',''),(55,4,'rich_editing','true'),(56,4,'comment_shortcuts','false'),(57,4,'admin_color','fresh'),(58,4,'use_ssl','0'),(59,4,'show_admin_bar_front','true'),(60,4,'show_admin_bar_admin','false'),(61,4,'aim',''),(62,4,'yim',''),(63,4,'jabber',''),(64,4,'wp_capabilities','a:1:{s:13:\"administrator\";s:1:\"1\";}'),(65,4,'wp_user_level','10'),(66,3,'wp_dashboard_quick_press_last_post_id','664'),(67,1,'nav_menu_recently_edited','3'),(68,2,'wp_dashboard_quick_press_last_post_id','715'),(69,3,'nav_menu_recently_edited','3'),(70,3,'managenav-menuscolumnshidden','a:4:{i:0;s:11:\"link-target\";i:1;s:11:\"css-classes\";i:2;s:3:\"xfn\";i:3;s:11:\"description\";}'),(71,3,'metaboxhidden_nav-menus','a:2:{i:0;s:8:\"add-post\";i:1;s:12:\"add-post_tag\";}'),(72,3,'wp_user-settings','m5=o&mfold=f&editor=tinymce&imgsize=medium&align=right&hidetb=1&galfile=1'),(73,3,'wp_user-settings-time','1397165983'),(74,4,'wp_dashboard_quick_press_last_post_id','48'),(75,4,'wp_user-settings','editor=tinymce&m2=o&uploader=1&align=center&imgsize=full'),(76,4,'wp_user-settings-time','1317670419'),(77,4,'nav_menu_recently_edited','3'),(78,4,'managenav-menuscolumnshidden','a:4:{i:0;s:11:\"link-target\";i:1;s:11:\"css-classes\";i:2;s:3:\"xfn\";i:3;s:11:\"description\";}'),(79,4,'metaboxhidden_nav-menus','a:2:{i:0;s:8:\"add-post\";i:1;s:12:\"add-post_tag\";}'),(80,2,'wp_user-settings','editor=html&imgsize=full&urlbutton=none&align=none&galfile=1&m8=c&galcols=1&m5=o&hidetb=1'),(81,2,'wp_user-settings-time','1405288871'),(82,2,'closedpostboxes_page','a:0:{}'),(83,2,'metaboxhidden_page','a:6:{i:0;s:10:\"postcustom\";i:1;s:16:\"commentstatusdiv\";i:2;s:11:\"commentsdiv\";i:3;s:7:\"slugdiv\";i:4;s:9:\"authordiv\";i:5;s:12:\"revisionsdiv\";}'),(84,2,'nav_menu_recently_edited','3'),(85,2,'managenav-menuscolumnshidden','a:4:{i:0;s:11:\"link-target\";i:1;s:11:\"css-classes\";i:2;s:3:\"xfn\";i:3;s:11:\"description\";}'),(86,2,'metaboxhidden_nav-menus','a:2:{i:0;s:8:\"add-post\";i:1;s:12:\"add-post_tag\";}'),(87,3,'closedpostboxes_page','a:0:{}'),(88,3,'metaboxhidden_page','a:6:{i:0;s:10:\"postcustom\";i:1;s:16:\"commentstatusdiv\";i:2;s:11:\"commentsdiv\";i:3;s:7:\"slugdiv\";i:4;s:9:\"authordiv\";i:5;s:12:\"revisionsdiv\";}'),(89,5,'first_name','Emma'),(90,5,'last_name','Leach'),(91,5,'nickname','emma'),(92,5,'description',''),(93,5,'rich_editing','true'),(94,5,'comment_shortcuts','false'),(95,5,'admin_color','fresh'),(96,5,'use_ssl','0'),(97,5,'show_admin_bar_front','true'),(98,5,'show_admin_bar_admin','false'),(99,5,'aim',''),(100,5,'yim',''),(101,5,'jabber',''),(102,5,'wp_capabilities','a:1:{s:13:\"administrator\";s:1:\"1\";}'),(103,5,'wp_user_level','10'),(104,5,'wp_dashboard_quick_press_last_post_id','732'),(105,5,'wp_user-settings','editor=html&imgsize=thumbnail&m9=o&m5=o&hidetb=1'),(106,5,'wp_user-settings-time','1392131487'),(107,5,'nav_menu_recently_edited','3'),(108,5,'managenav-menuscolumnshidden','a:4:{i:0;s:11:\"link-target\";i:1;s:11:\"css-classes\";i:2;s:3:\"xfn\";i:3;s:11:\"description\";}'),(109,5,'metaboxhidden_nav-menus','a:2:{i:0;s:8:\"add-post\";i:1;s:12:\"add-post_tag\";}');
/*!40000 ALTER TABLE `wp_usermeta` ENABLE KEYS */;
UNLOCK TABLES;

--
-- Table structure for table `wp_users`
--

DROP TABLE IF EXISTS `wp_users`;
/*!40101 SET @saved_cs_client     = @@character_set_client */;
/*!40101 SET character_set_client = utf8 */;
CREATE TABLE `wp_users` (
  `ID` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `user_login` varchar(60) NOT NULL DEFAULT '',
  `user_pass` varchar(64) NOT NULL DEFAULT '',
  `user_nicename` varchar(50) NOT NULL DEFAULT '',
  `user_email` varchar(100) NOT NULL DEFAULT '',
  `user_url` varchar(100) NOT NULL DEFAULT '',
  `user_registered` datetime NOT NULL DEFAULT '0000-00-00 00:00:00',
  `user_activation_key` varchar(60) NOT NULL DEFAULT '',
  `user_status` int(11) NOT NULL DEFAULT '0',
  `display_name` varchar(250) NOT NULL DEFAULT '',
  PRIMARY KEY (`ID`),
  KEY `user_login_key` (`user_login`),
  KEY `user_nicename` (`user_nicename`)
) ENGINE=MyISAM AUTO_INCREMENT=6 DEFAULT CHARSET=utf8;
/*!40101 SET character_set_client = @saved_cs_client */;

--
-- Dumping data for table `wp_users`
--

LOCK TABLES `wp_users` WRITE;
/*!40000 ALTER TABLE `wp_users` DISABLE KEYS */;
INSERT INTO `wp_users` VALUES (1,'admin','$P$BQQSxLjP2AXCphW1b9ZbSAAxmOOxWi0','admin','oli@zilla.org.uk','','2011-02-26 19:44:10','',0,'admin'),(2,'frances','$P$BuT9uLdJwCRaUtyVPg6RaqqWosVGAZ0','frances','frances@catalog.org.uk','http://abyme.org.uk','2011-02-27 17:41:12','',0,'frances'),(3,'joyce','$P$BAddRaiRyjxJ1OB26d/xxasewpQBdI.','joyce','joyce@catalog.org.uk','','2011-02-27 17:43:47','',0,'joyce'),(4,'carolyn','$P$BE6rmhL.NfcghbKmFwrWvMjZwkocQ00','carolyn','carolyn@catalog.org.uk','','2011-02-27 17:47:44','',0,'carolyn'),(5,'emma','$P$Bh9FdwDrNUHTUp62k8UaEk62cjijOK/','emma','emma.leach@yahoo.co.uk','','2012-03-22 14:28:10','',0,'emma');
/*!40000 ALTER TABLE `wp_users` ENABLE KEYS */;
UNLOCK TABLES;
/*!40103 SET TIME_ZONE=@OLD_TIME_ZONE */;

/*!40101 SET SQL_MODE=@OLD_SQL_MODE */;
/*!40014 SET FOREIGN_KEY_CHECKS=@OLD_FOREIGN_KEY_CHECKS */;
/*!40014 SET UNIQUE_CHECKS=@OLD_UNIQUE_CHECKS */;
/*!40101 SET CHARACTER_SET_CLIENT=@OLD_CHARACTER_SET_CLIENT */;
/*!40101 SET CHARACTER_SET_RESULTS=@OLD_CHARACTER_SET_RESULTS */;
/*!40101 SET COLLATION_CONNECTION=@OLD_COLLATION_CONNECTION */;
/*!40111 SET SQL_NOTES=@OLD_SQL_NOTES */;

-- Dump completed on 2016-04-23 12:11:08
